- hace 2 semanas
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00¡Gracias por ver el video!
00:02:09¡Gracias!
00:02:10Have you seen anything of mud, Mr. Greenblatt?
00:02:11No, and if I don't never see him again, it will still be too quick.
00:02:16Oh, prejudice, huh?
00:02:17That's what I'm going to tell my mother.
00:02:18Not to find any more of your butter.
00:02:20If you get some.
00:02:21Come on, we're not going to find much, stand in here.
00:02:22Let's go.
00:02:24Hey, you got any eggs?
00:02:27Maybe they're next.
00:02:28Sí.
00:02:36¿Qué te quieren hacer?
00:02:37¿Qué te quieren hacer?
00:02:38¿Los mis rifles?
00:02:39No es allowed.
00:02:40¿Puedo ir antes de irme?
00:02:42Oh, I forgot.
00:02:43¿Puedo irme ya?
00:02:48¿Layas a la jubilación, eh?
00:02:49¿Qué te ha pasado de ahí?
00:02:51¿Has visto en el lugar?
00:02:52No.
00:02:53¿He debe estar aquí en algún lugar?
00:02:54Sí, su madre dijo que se quedó en un día antes.
00:02:56¿Y tal vez que unos nazis capturan, eh?
00:02:58Si lo hicieron, esperaba que no hubiera.
00:03:00Si, venganos, venganos.
00:03:02Tenemos visitantes.
00:03:06El Cherry Street game.
00:03:08Nos vemos pronto.
00:03:12Ahí están ahora, chicos.
00:03:14Vamos.
00:03:18Vamos.
00:03:26¿Dónde están?
00:03:28¿Ve?
00:03:30¿O lo ha dicho?
00:03:32¡Sí!
00:03:33No hay que hacer esa acción, va a darme, no que quede!
00:03:35¡En serio!
00:03:36No hay nada más, no hay nada más.
00:03:38¡No hay nada más!
00:03:40¡Ah, no hay nada más!
00:03:41Ni de nothing mas volver, chacétaro!
00:03:42¡No hay nada más!
00:03:44¡No hay nada más, Flanagan!
00:03:45Vamos, a ver, hay nada más de que no hay nada más!
00:03:47¿Ole hay nada más que no?
00:03:48¡Vacieramos para él!
00:03:49¡Ah, no hay nada más!
00:03:50¡Vacieramos para él ya?
00:03:51No, no hay nada más.
00:03:52¡No hay nada más!
00:03:53Si te extrañas, sí, no hay nada más y всех!
00:03:54¡Si, me, también!
00:03:55¡Yo quiero sacarlo!
00:03:56Si nos encontramos primero, nos vamos a dar un pecho para ti.
00:03:59Vamos, Gaines.
00:04:03No quiero estar en Muggsy's shoes.
00:04:05No te vayas con esos 12 colabas.
00:04:09Vamos.
00:04:11Muggsy está aquí en algún lugar,
00:04:13así que no se ve bien.
00:04:23No se siente fresco con tus pies.
00:04:26No se siente.
00:04:32No se siente ahí.
00:04:33Vamos, vamos a ir de aquí.
00:04:38Muggsy!
00:04:39No está ahí.
00:04:45Bueno, hemos visto todos los lugares que podemos ver.
00:04:48No, quizás mi consejo para ver Dr. Blumock.
00:04:51No se siente.
00:05:02Bueno, no sé cómo, pero no se siente.
00:05:04Bueno, no se siente.
00:05:05Bueno, no se siente.
00:05:06No se siente.
00:05:07No se siente.
00:05:08No se siente.
00:05:09No se siente.
00:05:10No se siente.
00:05:11No se siente.
00:05:12No se siente.
00:05:14No se siente.
00:05:15No se siente.
00:05:17¡Como!
00:05:25¡Uh oh!
00:05:28¡Hola Flanagan!
00:05:31¡Good bye Flanagan!
00:05:32¡Hey!
00:05:33¡Oh!
00:05:34¡Oh!
00:05:35¡Oh!
00:05:36¡Oh!
00:05:37¡Oh!
00:05:38¡Oh!
00:05:39¡Oh!
00:05:40¡Oh!
00:05:41¡Oh!
00:05:42¡Oh!
00:05:43¡Oh!
00:05:44¡Oh!
00:05:45¡Ok!
00:05:46¡Ah!
00:05:47Let me start out of here, you know.
00:05:48¡Hey, what is this?
00:05:50¡Mutiny?
00:05:51You'll find out how well you got in there.
00:05:55Let me go you lugs.
00:05:56This'll probably hurt me more than we'll hurt you.
00:05:58¡Yeah, but not in the same place.
00:06:00Wait.
00:06:00¡Oh!
00:06:02¡Oh!
00:06:03¡Oh!
00:06:04Oh!
00:06:05Free!
00:06:05Oh!
00:06:064!
00:06:075!
00:06:086!
00:06:09¡Oh!
00:06:10¡Oh!
00:06:1212!
00:06:14Si, Chif, Chif, Chif, Chif, Chif, Chif, Chif.
00:06:19No solo mutiny, es de battery in a saw.
00:06:21Gracias, Guillermo.
00:06:23Hoy eres un mejor.
00:06:24Ahora, ahora te weighs de lave.
00:06:25Now, tú vas abajo.
00:06:27What a estar abierto.
00:06:28What a estar abierto.
00:06:29Pues me salve.
00:06:30Antes que la historia.
00:06:31Pues va, sí.
00:06:32Yo estoy hablando, yo estaba, yo estaba, yo quedé.
00:06:34Bueno, ¿por qué me quedé, mi mamá, mi mamá, ¿es un buen idea?
00:06:35Cuando yo quédé, cuando yo aprendí a papá y de mirarte,
00:06:38el entero bien, cómo estás en algún lugar,
00:06:39hätte que llegué.
00:06:41Como yo.
00:06:41Si si lo pasas tú奏 para jugar con los juegos de vivir.
00:06:43¡Ahora a la cera!
00:06:45Quedamos un minuto.
00:06:46¡Para!
00:06:54¡C Lo que es lo más!
00:06:58¿Cómo lo he bien?
00:06:59Ok, chicos.
00:07:00¡1, 2, 3!
00:07:02¡H Mark lejos!
00:07:04¡Ahora es!
00:07:05¡Speech!
00:07:05¡Speech!
00:07:08¡Speech!
00:07:09¡Speech!
00:07:10¡SPEACH!
00:07:11¡Es exactamente el speech!
00:07:12¡No, es el speech!
00:07:15Cuando yo me costumas a la que me de los speeches...
00:07:18...a la cosa que me hace me da un poco a poco guardado.
00:07:21Me da la sensación de cómo no tengo mi vocabulario cuando era la de los niños.
00:07:26Ahí hay una cosa que se puede decir...
00:07:28...y eres una suave sonrera y no debería haber hecho esto.
00:07:32¡Yay!
00:07:34¡Mars! ¿Fuerte estas cosas?
00:07:35¡No, aquí vamos!
00:07:37Suave sonrera sonrera.
00:07:39¿Qué es?
00:07:39It's a manicure set in case you get sick
00:07:41Manicure, you dope, manicure
00:07:43That's what I said, that's what I said
00:07:45Yeah, they cut their nails wet
00:07:46Oh, that's swell
00:07:48No, I won't have to wreck my mother's scissors no more
00:07:50Hey, get a load of this, Marks
00:07:52Yeah, yeah, one of them reverberators
00:07:54They're pretty hard to get now, too
00:07:56Yeah, plug it in, plug it in
00:07:57Looks like an electric razor
00:07:59Nah, I'll show you
00:08:00You put it here, you put it there, makes you feel good all over
00:08:03Quiet
00:08:03Oh, no thanks, I got shaken up enough this morning
00:08:05Beat me, Daddy, eat to the boys
00:08:08If it wasn't my birthday, I'd dunk you with this thing
00:08:12If you do that, you'll do it all year round
00:08:13Marks, throw your lip over that
00:08:16A genuine B-flat bugle
00:08:17That's a feud
00:08:19Why'd you get me a flat one?
00:08:21Ginsburg was a lot of the other kind
00:08:23Say, when you get in the draft, maybe they'll let you be the bugler, maybe, huh?
00:08:26Oh, he can't do that, he don't get up that all year
00:08:28Hey, um, hey, Marks, play something there
00:08:30How does taps go?
00:08:34Get in!
00:08:35When I play music, I only need one leader
00:08:37Tell me how taps goes
00:08:38You pick things up easy, don't you?
00:08:53I'll bet he's in there
00:08:55Come on
00:08:55Come on
00:08:57Come on
00:08:58Come on
00:08:59Come on
00:09:00Come on
00:09:01Come on
00:09:02Come on
00:09:03Come on
00:09:04Come on
00:09:05Come on
00:09:06Come on
00:09:07Come on
00:09:08Come on
00:09:09Come on
00:09:10Come on
00:09:11Come on
00:09:12Come on
00:09:13Come on
00:09:14Come on
00:09:15Come on
00:09:16Come on
00:09:17Come on
00:09:18Come on
00:09:19Come on
00:09:20Come on
00:09:21Come on
00:09:22Come on
00:09:23Come on
00:09:24Come on
00:09:25Hey, what kind of double plus is this?
00:09:28You bet you remember mine?
00:09:29Oh, well, that's different.
00:09:30You bring me a present?
00:09:31Yeah, we've brought you some presents
00:09:32Come on
00:09:33Hey, where you going?
00:09:34One
00:09:35Two
00:09:36Three
00:09:37Four
00:09:38Hey, what a look at?
00:09:39Hey, butch?
00:09:40Oh, butch
00:09:53This is easier on your hands.
00:09:54Like this
00:09:55Five
00:09:56Oh
00:09:57Five
00:09:58Six
00:09:59Now get
00:10:0117, 18, 19.
00:10:05Hey, what's the matter? Can't you count?
00:10:08You didn't have to be so enthusiastic about it.
00:10:10Well, I'm happy today.
00:10:11Maybe this will make you feel a little happier.
00:10:16Oh, no! Let me out of here!
00:10:18Come on! Fire them!
00:10:20Go ahead!
00:10:28Ow!
00:10:29Well, take that!
00:10:31Here! There you go, quick!
00:10:33Hey, come on, come on!
00:10:35Get up, bud!
00:10:37You might get a hundred!
00:10:39Twelve!
00:10:40Fifteen!
00:10:43Fifteen!
00:10:44Sixteen!
00:10:45Sixteen!
00:10:46Eighteen!
00:10:47We must say it and go out upstairs before I forget what day it is.
00:10:50Go out now!
00:10:51You forgot to give me one for good luck.
00:10:53Ha! I just made it!
00:10:56Look at each other!
00:10:58One! Get out of here, every one of you!
00:10:59Go out now!
00:11:00Bunch of silly guys that ain't got a brain in their...
00:11:01What'll I do?
00:11:04What'll I do?
00:11:05What'll I tell them anyway?
00:11:06What's the matter, Ma?
00:11:07You put on love and pinched again?
00:11:08No!
00:11:08Worse than that!
00:11:09Well, don't keep it to yourself!
00:11:10As the head of this house, I should know all these problems!
00:11:14Come on, give!
00:11:14See, that's...
00:11:15Dear Molly, in close is a check for Ethelbert's...
00:11:18Ethelbert's...
00:11:19Ethelbert's...
00:11:20Ethelbert's birthday!
00:11:22Is he fourteen or f...
00:11:23In close is a check?
00:11:24Ethelbert's birthday!
00:11:24Is he fourteen or f...
00:11:26In close is a check?
00:11:27No!
00:11:27No!
00:11:28I don't know!
00:11:28I don't know!
00:11:29No!
00:11:30No!
00:11:31No!
00:11:32No!
00:11:33No!
00:11:34No!
00:11:35No!
00:11:36No!
00:11:37No!
00:11:38No!
00:11:39No!
00:11:40No!
00:11:41No!
00:11:42No!
00:11:43No!
00:11:44No!
00:11:45No!
00:11:47No!
00:11:47That was fourteen or f...
00:11:48Enclosed is a check!
00:11:56In the dish, in the dish...
00:12:04Wow!
00:12:05Fifty clams!
00:12:07That's a lot of potato chips and beer!
00:12:09And Uncle Peter's alright, he must really be loaded!
00:12:13Hey Marv!
00:12:15Take this and buy yourself that new coat you've been needing so bad.
00:12:17You know the one in Grasberg's window?
00:12:20What's the matter, Martin? You hear me?
00:12:26Read the rest.
00:12:29Even though I have been able to read the murderous handwriting,
00:12:34remember their birthdays pretty well for the last 15 years.
00:12:39I can't keep track of all your children's ages.
00:12:45All your children's ages?
00:12:47Oh, my, you've been holding out on me.
00:12:49It's a long story, Ethelbert.
00:12:51Go ahead and read the letter first.
00:12:55They must be pretty grown up by now.
00:12:58All seven of them.
00:13:02I bet your little Annabelle is pretty.
00:13:05If she takes after her mother, she must be.
00:13:10Annabelle?
00:13:11Hey, what is this?
00:13:13Did Uncle Pete ever have hallucinations?
00:13:15No, Ethelbert.
00:13:16Well, I don't get it.
00:13:18Please quit calling me Ethelbert.
00:13:20Sit down, son.
00:13:21No, thanks.
00:13:22You sit down.
00:13:25Well, you see, your Uncle Pete isn't really your uncle.
00:13:29No?
00:13:30No.
00:13:31He and your father were the two best bricklayers
00:13:33in Local 17 before we were married.
00:13:35Well, what happened to Uncle Pete?
00:13:37Well, he went out west.
00:13:39He heard there were punching cattle out there,
00:13:41and so he wanted to take a crack at it.
00:13:44That was 20 years ago.
00:13:45I guess he's still out there yet.
00:13:47What's all this got to do with having seven kids?
00:13:49Well, you know what a bluffer and a bolster your father was.
00:13:54He could exaggerate a little.
00:13:56Well, every year or so after we were married,
00:13:58he'd write Pete and tell him we had another child.
00:14:01When he got up to seven, I made him quit.
00:14:04So that's where Uncle Pete got his idea.
00:14:08I wanted to write your Uncle Pete for the last five years
00:14:11and tell him the whole truth.
00:14:13But I didn't want to make a liar out of his father.
00:14:15Oh, forget it.
00:14:16My, I still don't see what you're so upset about.
00:14:19Read the last page of that letter.
00:14:22I am in Chicago on a big cattle deal,
00:14:27so I'll drop over and see you all right soon.
00:14:30I want your kids to meet my little gal Judy and my horse Lightning.
00:14:34Ask her for yours, oh, as ever yours, Pete.
00:14:39Well, I guess you won't have to tell him now.
00:14:43He's going to find out for herself.
00:14:45Yes, and the worst of it is he's been sending birthday checks
00:14:48to all seven of you for the last 15 years.
00:14:51Sending checks for 15 years?
00:14:54Oh, that puts a different surface on things.
00:14:58Yeah, Pop, I always knew you was a good pool shooter,
00:15:01but I didn't think he'd leave us behind the eight ball like that.
00:15:06Seven kids.
00:15:07One of them's got to be a girl yet.
00:15:09Yes, I, I think it was seven.
00:15:11You think?
00:15:13Oh, Ma, you ought to keep track of things like that.
00:15:20There we are, gal, right over yonder.
00:15:22Mrs. Murphy, look.
00:15:26Well, here we are.
00:15:28What in the world would the likes of that be?
00:15:31A rake of a buffalo beetle, no?
00:15:36Are you all right, Judy?
00:15:38Yeah.
00:15:39Well, get out from under my feet, you young mavericks, get.
00:15:42Yeah.
00:15:44Well, how do you do, ma'am?
00:15:46Do you reckon you could tell us the whereabouts of the trail,
00:15:49even to the McGinnis outfit?
00:15:51Who's the McGinnis?
00:15:52Yes, ma'am.
00:15:53A widow woman with, oh, quite a tolerable size herd of young'uns.
00:15:56Well, that Molly McGinnis lives up there at third floor north,
00:15:59but she ain't got no herd of nothing.
00:16:01Oh.
00:16:02Well, Pappy, I reckon we've been following a dead trail.
00:16:04Oh, I don't reckon so.
00:16:05Well, thank you, ma'am, but we'll just mosey on up there and find out for our...
00:16:09Ah!
00:16:10Gregory!
00:16:11Miss Tistelson bullets you've got to play yet?
00:16:12You, you, you, you shlump in your...
00:16:13Oh, just take this shootin' iron before that young maverick goes plum loco.
00:16:16Come on, Judy.
00:16:17Do you see what I see?
00:16:18Uncle Pete.
00:16:19I was afraid, you'd say that.
00:16:20These foreigners, huh?
00:16:21Can't even speak English.
00:16:22What's that gonna do, Mom?
00:16:23I'm going to tell him the whole truth.
00:16:24Can't do that.
00:16:25See you, ma'am, judge.
00:16:26Will it, you've got to play yet?
00:16:28Will it you've got to play yet?
00:16:29You, you, you shlump in your...
00:16:30Oh...
00:16:31Oh, just take this shootin' iron before that young maverick goes plum loco.
00:16:33Come on, Judy.
00:16:34Do you see what I see?
00:16:35Uncle Pete.
00:16:36I was afraid you'd say that.
00:16:39These foreigners, huh?
00:16:41Can't even speak English.
00:16:44Well, what's gonna do, Mom?
00:16:45I'm going to tell him the whole truth.
00:16:48I can't do that and make a liar out of Pop.
00:16:51Well.
00:16:52Look, anything Pop got you into, I can get you out of.
00:16:55You always said I was the chicle of the old Blackhead, didn't you?
00:16:57Yes.
00:16:58Well, bring on your Uncle Pete.
00:17:02Uh-oh.
00:17:03You don't have to bring him on.
00:17:05He's here.
00:17:14Oh, uh, I beg your pardon, stranger, but...
00:17:18¿Es Mrs. Molly McGinnis anywhere hereabouts?
00:17:21Yeah, he's right thereabouts.
00:17:24Pete Monaghan!
00:17:26Molly!
00:17:30Well, well, well, let me look at you.
00:17:33Oh, you haven't changed a bit in 20 years.
00:17:35Ah, go along with you, Pete Monaghan.
00:17:37You haven't changed yourself, but you're a bit wider.
00:17:41Well, come on in.
00:17:43You're beginning to feel a draft.
00:17:44Oh, thank you very kindly.
00:17:48Oh, I've come forgetting all about my little Judy.
00:17:52Come on over here, Judy.
00:17:54Judy, this is your Aunt Molly McGinnis.
00:17:56Well, howdy, Aunt Molly.
00:18:00Well, now, Judy, you look just like your good-looking father.
00:18:04Oh, and this is my boy, Ethelbert.
00:18:07Well, hi, Ethelbert.
00:18:09Hey.
00:18:10I'm your Uncle Pete from Texas.
00:18:11Yeah, I get it, Dad. I pegged you when you rode up.
00:18:14Ah, and this is my little gal, Judy.
00:18:16Hi, Ethelbert.
00:18:18Oh, not bad.
00:18:20That is, uh, it wasn't bad.
00:18:22I reckon I'm right glad to meet you, Ethelbert.
00:18:25Look, if we're going to get along, you better call me Mugs.
00:18:28Yes.
00:18:28Well, now, won't you sit down?
00:18:29You must be tired after your long ride.
00:18:31Thank you, Molly.
00:18:32You didn't ride all the way from Texas, did you?
00:18:33Oh, shucks, no.
00:18:34We shipped our horses on by special car.
00:18:36Just thought we'd give you New Yorkers a treat, that's all.
00:18:39Don't suppose you ever see any horse flesh around here anymore, do you?
00:18:42Least, why, it's not a good one.
00:18:43Well, they are getting kind of scared.
00:18:46It won't be long now with everybody running out of their A-card.
00:18:49Oh, that's a good one.
00:18:51Well, come on, let's sit down.
00:18:51Thank you, Molly.
00:18:53Get down, Mom.
00:18:57Well, Molly, where's the rest of your young'uns?
00:18:59And where's little Annabelle?
00:19:01See, I want Judy to meet her kind of special-like.
00:19:05Annabelle?
00:19:06Oh, yes, Annabelle.
00:19:08Well, uh, how long are you going to be in New York, Unc?
00:19:10Oh, quite a spell, I reckon.
00:19:11See, I promised to show Judy your old sights.
00:19:14Statue of Liberty, Grant's tomb, or that big radio center outfit.
00:19:19Judy here, like the fellow for a horse looking up at that big building.
00:19:23Pappy, I never did.
00:19:25Oh, yes, you did, Judy.
00:19:27I guess that would be kind of tough on your equilibrium and all that sort of thing.
00:19:31Yes, sir, yes, sir.
00:19:33Well, come on, Molly, round up the rest of your herd.
00:19:35You want to look them over?
00:19:36Well, uh, I...
00:19:39Yeah, they're, uh, working, uh, uh, yeah, they're working.
00:19:43That's what they're doing, they're working in a defense plan.
00:19:45Little Annabelle working, too?
00:19:47Well, Annabelle, she's, uh, she's a riveter.
00:19:50Yeah, you know, brrrr.
00:19:51Oh, it's murder, a riveter, all day long.
00:19:53Brrrr.
00:19:55Richard, that's dumb, patriotic of her.
00:19:58You must be mighty proud of her, Molly.
00:20:00Mighty proud.
00:20:01Yep.
00:20:02Don't know what Mom would do without them.
00:20:04Hmm, well, I ain't done so bad back home myself, Molly.
00:20:07I own the second biggest ranch in Texas, don't I?
00:20:11You sure do.
00:20:12And while we're here, we just made up our mind to show you all the rip-snortinest time you ever did see, Molly.
00:20:19You know, I, I, I don't think it's quite right.
00:20:22Now, now, Molly, don't you worry about nothing.
00:20:25Money ain't no odds.
00:20:26But there's plenty of thousand dollars back home there still running around on four feet, so you just take it easy.
00:20:31Well, I guess Judy and me will mosey along back toward the hotel.
00:20:36Come along, Judy.
00:20:37It's been right good seeing you again, Molly.
00:20:39Well, you too, Ethelbert.
00:20:41Yeah, so long, Uncle Pete.
00:20:42We're putting up the Park Central Plaza Hotel if you want to reach us, but, uh, we'll be seeing each other pretty pronto now.
00:20:48And when we do, we're sure gonna have big doings, ain't we, Judy?
00:20:53We sure are.
00:20:53Well, come along, Judy.
00:20:59Well, adios, amigos.
00:21:01Hasta la vista.
00:21:02Uh, same to you and many of them.
00:21:05Don't get your spurs caught in those holes in the carpet, honk.
00:21:12There you are.
00:21:13We got away with it, didn't we?
00:21:14Well, but they're going to be in town for weeks.
00:21:16Well, don't be detrimental, Molly.
00:21:17Just take one day at a time.
00:21:19Everything's jaked so far.
00:21:20Well, I don't know.
00:21:23I think I'll make sure they're leaving.
00:21:35Wow.
00:21:37Well, bust my britches.
00:21:43Why, the orneries!
00:21:47Where is a low-down horse thief that done this?
00:21:51Hey, young, put that hardware away!
00:21:53Where is he, I say?
00:21:54Show me!
00:21:55Young, come put those rods away, will ya?
00:21:57Yeah, but look what some barman's done.
00:21:58He done stole my saddle.
00:21:59Oh, nobody stole them.
00:22:00They just borrowed them, that's all.
00:22:02You know who it was?
00:22:03No, not exactly, but I'll straighten the whole thing out.
00:22:05Oh, all right, Ethelbert, if you say so.
00:22:08Look, um, Muggs, Muggs is the name.
00:22:10I just said so.
00:22:11I'll straighten everything out.
00:22:12Now, get those mules and get back to the hotel, will ya?
00:22:14All right.
00:22:15Lineaghan or Top will come around here and there'll be a lot of confusion.
00:22:17I've never had anything like this happen to me before, though.
00:22:19No, well, you know, New York's a big town.
00:22:22Yeah, come on, Judy, come on, let's go.
00:22:28Now, watch those red lights or you'll get a ticket.
00:22:32Boy, this is murder.
00:22:34Hey, Muggs, I'll be late for supper.
00:22:48Don't worry, Muggs, I'll be right behind you.
00:22:50How far behind me?
00:22:51I'll be out of the way.
00:22:54Of course, you just don't want to catch me.
00:22:55Get in there!
00:23:00Hey ho, silver!
00:23:00Hey!
00:23:01Hey!
00:23:02Hey!
00:23:02Hey!
00:23:02Hey!
00:23:03Hey!
00:23:03Hey!
00:23:04Hey!
00:23:04Hey!
00:23:05Hey!
00:23:06Hey!
00:23:06Hey!
00:23:07Hey!
00:23:08Hey!
00:23:08Hey!
00:23:09You got me!
00:23:09Hey!
00:23:10Hey!
00:23:11Hey!
00:23:11Hey!
00:23:12Hey!
00:23:12Hey!
00:23:13Hey!
00:23:13Hey!
00:23:14Hey!
00:23:14Hey!
00:23:14Hey!
00:23:15¡Está bien!
00:23:19¡Está bien!
00:23:26¡Está bien!
00:23:27Pues eso prende cuenta de la primera parte de la situación.
00:23:30La segunda parte es más congresiva.
00:23:33¿hhh pero a quién tiene que empezar ahora?
00:23:34No tiene que luchar a nadie.
00:23:35La luchar, a delicade, situación.
00:23:37¡La una vez no ha traído una de ustedes antes!
00:23:39¡No te da piace!
00:23:40¡Que iluminen por el proceso de inducción!
00:23:43¿Qué?
00:23:44I'll explain it to you.
00:23:47You take all the illuminations on this side
00:23:49and the inductions on this side.
00:23:50Then you mix them all up.
00:23:52When you get all through,
00:23:53you get what is known as the, uh,
00:23:55you get the, uh...
00:23:57Oh, yeah, yeah, yeah.
00:23:58I get it now, yeah.
00:24:02Yeah, I thought you'd get it.
00:24:07My mother needs a big family.
00:24:09Seven kids.
00:24:11And one of them's got to be a girl.
00:24:12What?
00:24:14What's more, she needs them by tomorrow.
00:24:16Hey, that's awful short notice.
00:24:18We ain't waiting for the stork to bring these kids.
00:24:20This is an urgent case.
00:24:22Well, tell me how you're going to get around that.
00:24:24Simple.
00:24:25The moving pickers when they need kids.
00:24:28They got kids.
00:24:29That's how we're going to get them.
00:24:31The only part that bothers me is the girl.
00:24:33Girls know he's a part of me.
00:24:35Let me see.
00:24:37One, two, three, four, five,
00:24:38five, six.
00:24:44Seven.
00:24:46You ain't going to count me in on this, are you?
00:24:49I got an angle.
00:24:50We found you on a doorstep under a couple of bottles of milk,
00:24:52so we redacted you.
00:24:53That's just a minor detail.
00:24:55Question is, which one of you will love me my sister?
00:24:57Your sister?
00:24:58My sister, yeah.
00:24:59S-I-S-ter.
00:25:00Eeny, meeny, miny, limpy.
00:25:03What's the matter with you?
00:25:04You're going insane, me being a girl?
00:25:05It's not the thing of being a girl.
00:25:06It's a predicament.
00:25:07I quit the club.
00:25:08I'm going home.
00:25:08You're not my leader no more.
00:25:09I give my life for you.
00:25:10But being a girl, that's out of the question.
00:25:11I'm telling you, I quit.
00:25:15Turn around, sister dear.
00:25:16I want to give you the once-over.
00:25:18Now, wait a minute.
00:25:19This is not only embarrassing, but it's very humiliating.
00:25:21We're not going to get away with it.
00:25:22Shut up, or I'll smear your lipstick, beast.
00:25:25Jack Benny got away with it in Charlie's hand, didn't he?
00:25:27Yeah, but this is a different story.
00:25:28Well, this is Muggsy's uncle.
00:25:30Hey, not bad.
00:25:31Muggsy's uncle, Charlie's hand.
00:25:32Pretty good, huh?
00:25:34No?
00:25:35Turn around.
00:25:38Do you see what I see?
00:25:43Oh, a run in my stocking.
00:25:45The pants.
00:25:46The pants.
00:25:47Didn't I tell you to take them off?
00:25:48I did, but it was too drastic that way.
00:25:50You want me to catch them on you?
00:25:51Now, take them off now.
00:25:52You're in front of everybody?
00:25:53Stop.
00:25:54You're embarrassing me.
00:25:55Hey, Benny.
00:25:55Roll them up.
00:25:56Thank you.
00:25:58You're just a wrong G.
00:25:59Never did nothing right in your whole life.
00:26:08Uh, very close things.
00:26:12They're murder, ain't they, lady?
00:26:19Make with the rush.
00:26:20She looks beautiful.
00:26:22Hold this hunk of leather.
00:26:24Now, you keep those up, you understand?
00:26:26Take my arm.
00:26:26Well, look, it ain't Georgie the chip.
00:26:42What are you doing in here?
00:26:43I was going to ask you the same thing.
00:26:44I didn't know you allowed rats in a swell joint like this.
00:26:46Why, you, Blake.
00:26:47Oh, and I'll lay you like a rug.
00:26:49Yes, madam.
00:26:54What's going on here?
00:26:55Eh, nothing that would interest you.
00:26:57As far as you're concerned, the next time you...
00:26:59I'm afraid I have to ask you to leave.
00:27:01You have no business here.
00:27:02Oh, they have no business here, huh?
00:27:04No, I don't think so.
00:27:05Well, does Miss Monaghan, the multi, multi, multi, multi-millionaire from Texas happen to live here?
00:27:11Yes, Mr. Monaghan is staying here.
00:27:13Well, that's our business.
00:27:14Mr. Monaghan happens to be my uncle.
00:27:17In fact, he happens to be all of our uncles, including Scroonoff.
00:27:20I hope to tell you he is.
00:27:21But get off High Horse before I make him buy this hotel just so I can fire you.
00:27:26Come on, Garcian.
00:27:27Make with the room service.
00:27:28Tell my uncle we're waiting for him.
00:27:30Well, come on.
00:27:31Don't be out of a lesson.
00:27:31I'll report you to the janitor.
00:27:41Mr. Monaghan's room, please.
00:27:43Well, now that I've overcome that obstacle, I'll get back to you.
00:27:46What was you saying before we were so crudely interrupted?
00:27:49What are you guys up to?
00:27:50We ain't up to nothing.
00:27:51We're just trying to see our uncle.
00:27:53Yeah, he's got a barrel of dough.
00:27:54Yeah, you know, it's the whole state of Texas.
00:27:57Yeah, the whole state.
00:27:59Wimpy.
00:28:00Get out of there.
00:28:02Hey, what is this?
00:28:03I'll tell you what it is.
00:28:04It's none of your business.
00:28:05And if you open your kisser, I'll kick your teeth in.
00:28:07Yeah, both of them.
00:28:08Right away, sir.
00:28:09I beg your pardon, but Mr. Monaghan would like you to go right to his suite.
00:28:17I beg your pardon?
00:28:18And let that be a lesson to you.
00:28:21I'm very sorry, sir.
00:28:23All right, all right.
00:28:24Just remember, my good man, never judge a book by its cover.
00:28:27Unless you've read it.
00:28:29Quite so, sir.
00:28:30This way, please.
00:28:32Excuse me, sir.
00:28:35Is that a material?
00:28:39I don't know what's on your mind.
00:28:42Remember, those teeth will be pretty hard to swallow.
00:28:4912.42.
00:28:54Watch out with that saddle.
00:29:01Now, Judy, your Aunt Molly the herd's on the way up.
00:29:04Fine, Pappy.
00:29:05I'm sure I'm wanting to meet that little Annabelle.
00:29:07Yeah, I sure want you two gals now to be the best of friends.
00:29:10You betcha.
00:29:12Well, I reckon I'll go in and frizz up my hair a little.
00:29:14All right.
00:29:2012.42.
00:29:2212.42.
00:29:24There it is.
00:29:26Now, I'll do all the talking.
00:29:27Remember that.
00:29:28You mugs are just in on a pass.
00:29:29First guy that steps out of line gets a dent in a skull.
00:29:32Chief, remember, you're just in on a pass.
00:29:34First guy...
00:29:35What'd I do?
00:29:36I didn't do nothing.
00:29:36What?
00:29:36I don't know what's the matter with you.
00:29:41I'm sorry.
00:29:41I'm sorry.
00:29:42I didn't mean it.
00:29:43Get one thing through your thick skull.
00:29:44Keep your scourge down and your voice up.
00:29:53Oh, hi, Uncle Pete.
00:29:54Oh, hi, Ethelbert.
00:29:55Well, come on in, fellas.
00:29:57Yeah, take a will.
00:29:59Well, well.
00:30:00Just fine.
00:30:02Well, we brought yourselves back, just like I said.
00:30:05Yeah, so you did.
00:30:06So you did.
00:30:08Thank you very much, Ethelbert.
00:30:09Pete, I want you to meet the McGinnis family.
00:30:12McGinnis family, I want you to meet your Uncle Pete from Texas.
00:30:14Say hello, fellas.
00:30:15Hi, Uncle.
00:30:16Hiya, fellas.
00:30:17Hello, Uncle Pete.
00:30:18Hi, John.
00:30:19Oh, well, uh, he ain't really one of the family.
00:30:25We found him on the doorstep, so we re-stopped him.
00:30:27Well, I thought he looked like a stray from some other herd.
00:30:31Well, fellas, I...
00:30:33Well, well.
00:30:34So this is little Annabelle, huh?
00:30:36Yes, it's me, but not very little, though.
00:30:38Why, gal, you're just a spittin' image of your ma when she was your age.
00:30:42Well, come on over here, Annabelle, and give your old Uncle Pete a great big hug and kiss.
00:30:50You heard what your uncle said, Annabelle.
00:30:52Yes, but I don't want to...
00:30:54Oh, I'll mess my lipstick.
00:30:55I don't want to...
00:30:56Please don't make me kiss him.
00:30:57Oh, come on, gal.
00:30:58I won't hurt you.
00:31:00Oh, don't make me do it all.
00:31:03You know, I'm bashful, you know.
00:31:04I'm afraid she is a little bashful, Uncle.
00:31:06You know, she's not used to too many boys and that stuff.
00:31:09We kind of keep her in tow.
00:31:10Yes.
00:31:12Annabelle, make with the kiss.
00:31:18Sister!
00:31:19Yes.
00:31:26Well, what's the matter?
00:31:27You're not such tickles.
00:31:30Say, you're a big gal, ain't you?
00:31:33Yes, big for my eyes.
00:31:34Well, bust my britches.
00:31:38I plum forgot about my own little maverick.
00:31:40Come on over here, Judy.
00:31:41I want you to meet your cousins.
00:31:43How are you, Cousin Nethalbert?
00:31:44How are you?
00:31:45Hey, Judy.
00:31:46Meet the boys.
00:31:47Howdy, boys.
00:31:47How are you?
00:31:49Black.
00:31:50How are you?
00:31:51Hello, Judy.
00:31:51Hi.
00:31:51Hello, boys.
00:31:52And this is little Annabelle.
00:31:54Why, Cousin Annabelle.
00:31:57Boy, am I glad to meet you.
00:31:58Boy, am I glad to meet you.
00:32:00Well, why didn't your mom come along?
00:32:05Oh, she was busy, Uncle Pete.
00:32:06Today's wife's day.
00:32:07She was up to her elbows in dirty shirts.
00:32:08That's too bad.
00:32:10Well, Pappy, if you don't mind, I think me and Annabelle's going on to my room.
00:32:13Oh, no.
00:32:13Let's stay out here with the family.
00:32:14Oh, no, no.
00:32:15You two go on in there.
00:32:16Besides, I want to have a talk with the boys.
00:32:17Go on.
00:32:18Show her your ropes, Judy.
00:32:19Oh, I don't need anybody to show me the ropes.
00:32:21Don't be stubborn, Annabelle.
00:32:22Oh, I don't want to go.
00:32:23Oh, sure, Uncle.
00:32:24Oh, no, come on, please.
00:32:26My goodness.
00:32:27You sure are husky for a city gal, ain't you?
00:32:29Well, you know, like I was telling you, she works in a shipyard.
00:32:32Fills up your muscles.
00:32:33I thought I was pretty strong.
00:32:35Come on, Cousin Annabelle.
00:32:36Oh.
00:32:37Boy, that sure is a great bunch of brothers you've got out there.
00:32:43Yes, aren't they?
00:32:45Just sit down a minute, honey.
00:32:46I want to fresh up a bit.
00:32:48I'll declare if you don't get dirty in this here city,
00:32:50it seems like all I do is take a bath, no matter what day it is.
00:32:54Well, I'll only be a minute.
00:32:55Oh, well, you're not going to take a bath now, are you?
00:32:58Oh, no, I'm just going to fresh up a lot.
00:33:02Oh, would you like to play with my larrius?
00:33:06Your what?
00:33:07My larrius.
00:33:08It's live right over there on the table.
00:33:11Oh, yes, thank you.
00:33:14Careful you don't hogtie yourself.
00:33:18Yes, sir.
00:33:18Well, you're a mighty fine-looking bunch of youngsters.
00:33:22Your ma must be mighty proud of y'all.
00:33:25Oh, she is, I hope.
00:33:27You know, I've got a good notion to take the whole caboodle of you
00:33:30back to the ranch in Texas with me.
00:33:32In Texas?
00:33:33Yes, sir.
00:33:34Greatest place in the world.
00:33:35Got 10,000 head of cattle there.
00:33:37Just sold 1,000 head to the army.
00:33:39What do you do with the rest of the cattle after you sell the head?
00:33:42Oh, that's a good one.
00:33:46It is?
00:33:47Enjoyed it.
00:33:48I've got to remember that one.
00:33:51Oh, yeah.
00:33:52Hey, you've got to remember that one.
00:33:59Sure, it's a pretty little dress you got there.
00:34:01Oh, it's nothing.
00:34:03It's nice, too, don't it?
00:34:04Yes.
00:34:04Uh, Pappy promised to buy me some city clothes while I was down here.
00:34:09Sure would like it if you'd come along and have to pick them out.
00:34:11Oh, me?
00:34:12Sure, why not?
00:34:13Oh, uh, oh, I wouldn't know where to go.
00:34:15Anyway, everything goes like, like, like the Dickens.
00:34:18Oh, sakes, don't worry about that.
00:34:19Pappy's just got piles of money.
00:34:21Well, come on, Annabelle.
00:34:23Let's go right now.
00:34:25Can I take your alley?
00:34:26Yes, sir, I'll go.
00:34:29Where did the Roney in be?
00:34:30Don't do it.
00:34:31That's the way it happens.
00:34:32Thank you, the cowboy.
00:34:33Pappy, me and Annabelle's going shopping.
00:34:35Well, fine, gal, fine.
00:34:36Oh, no, I don't think I can go.
00:34:38Well, why not?
00:34:39I've got to help Mama with supper.
00:34:40Besides, you've got to be at the shipyards at 8 o'clock.
00:34:42Shipyard?
00:34:43Oh, yes, shipyard.
00:34:44We've got plenty of time.
00:34:47Come on, Annabelle.
00:34:47Oh, I sure we have.
00:34:48Besides, you all and your maw are going to have supper with us.
00:34:51Now, come on.
00:34:51Get going, everybody.
00:34:52Give me my hat there.
00:34:53Come on, now, you young mavers.
00:34:55Get out of here.
00:34:56Come along here.
00:34:56Come on, gals.
00:34:58Look at how he's done.
00:35:00Good night, son.
00:35:00Come on, I'll show you.
00:35:02Come on, Annabelle.
00:35:03Come on, Annabelle.
00:35:03Come on.
00:35:05Come on.
00:35:06Come on, Annabelle.
00:35:08Thank you, Annabelle.
00:35:09Hey, thanks.
00:35:10Well, young, I know a place you have to walk down the stairs
00:35:13to get the most beautiful suit there you ever saw.
00:35:15I'll attach me a check for about $1,000.
00:35:18Certainly, Mr. Monash.
00:35:20Yeah, I see.
00:35:22Better make it $2,000 while you have us.
00:35:24May want to walk a little while tonight.
00:35:26Do it.
00:35:27I'll talk.
00:35:39Listen, one peep out of you and I'll have to...
00:35:41They're wearing them pretty long this year, ain't they?
00:35:43They don't care how they're wearing them.
00:35:45What do you mean?
00:35:47Get a load of fancy pants.
00:35:50You ain't seen nothing, get it?
00:35:56Annabelle, we've got to make a phone call.
00:35:58I want to make a phone call.
00:35:59Don't argue with your brother, Annabelle.
00:36:01We've got to make a phone call.
00:36:02See?
00:36:03That's when you strain my nerves.
00:36:06Pardon me, lady.
00:36:07Get in there.
00:36:12Well, that's fine.
00:36:14Thank you very much, sir.
00:36:15You're welcome.
00:36:17Hey, Judy.
00:36:18Better see how far you can make that go, eh?
00:36:20Thank you, Pappy.
00:36:25Where's Annabelle?
00:36:26Oh, she's a telephone, but she'll be back here pronto.
00:36:28Oh, yeah.
00:36:33Get out of there.
00:36:34I demand you apologize.
00:36:38I apologize?
00:36:39Thank you.
00:36:45Well, youngsters, we'll bust the town wide open.
00:36:47What do you say, eh?
00:36:49There, there you are.
00:36:50Well, you two fillies better shake a leg now.
00:36:52You can shake both your legs now.
00:36:54Are we going alone, just the two of us?
00:36:56Sure.
00:36:57You don't want none of the men folks around when you're buying them little silkies, do you?
00:37:00I don't reckon so, Pappy.
00:37:02Besides, we fellas got something we want to do.
00:37:04Now, you two, go along with me.
00:37:06Okay.
00:37:07Come on, Annabelle.
00:37:07Yes, yes, yes.
00:37:28Very chic, no?
00:37:29That is the latest style.
00:37:31It is so new, it ain't out yet.
00:37:33Release me.
00:37:34Well, fuck my princesses, if that ain't a rip snorter.
00:37:38Yes.
00:37:38You look awful funny wearing it on a horse.
00:37:40I mean, horse.
00:37:43Silly.
00:37:45Look in, Annabelle.
00:37:46Here comes some more.
00:37:47Hey, doggy, that stuff sure is soft and silky.
00:38:01Come on over here and feel it, Annabelle.
00:38:04Oh, come on.
00:38:06I wonder, ma'am, if we could try some of these here things on.
00:38:09Me, me, mouser, absoluto, if a pleasure.
00:38:12Oh, come on, Annabelle.
00:38:13Let's go see how we look at these here things.
00:38:15Who, me?
00:38:16Oh, who, Pete?
00:38:17Well, sure, maybe they'd get you some things, too.
00:38:19Oh, no.
00:38:21They left me right out of the shipyard if I was.
00:38:23Oh, I just wear overall.
00:38:25You go ahead.
00:38:26Well, okay.
00:38:27Which way are we going, ma'am?
00:38:28These way, Annabelle, they'll see who's left.
00:38:36Hiya, Puts.
00:38:38Oh, who's that there?
00:38:40Oh, there must be a man in here somewhere.
00:38:41Where is he?
00:38:43That boy.
00:38:44Must be under here somewhere.
00:38:46Oh, get it out of there.
00:38:51Well, had a look, Annabelle.
00:38:52Well, what in the world are you laughing at?
00:39:01The poop is flaming.
00:39:04Yeah, I reckon they do look sort of funny, don't they?
00:39:06What kind of boots are you to wear with this outfit, ma'am?
00:39:08We have some very chic sandals.
00:39:11Sandals?
00:39:12What do you reckon I am, eh, Annabelle?
00:39:13Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:39:23Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:39:25You better crawl off Buffalo Bill while I wise up my mom.
00:39:28Shoot.
00:39:33Mark.
00:39:34Mark.
00:39:35Here I am.
00:39:36Now, what in the world were you talking about over the telephone?
00:39:38And why didn't you cut me off?
00:39:39I can't do the detail right now, Mark,
00:39:40but just act natural like nothing happened and maybe it won't.
00:39:42And whatever you do, don't think.
00:39:45Well, Molly, here we are.
00:39:47Me and these young things of yours sure have been having the time,
00:39:50haven't we?
00:39:50We sure have.
00:39:51We sure have.
00:39:52No, no, no, no, no, no, no.
00:40:22No, no, no, no, no, no, no, no, no.
00:40:52No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
00:41:22Sure done, all right.
00:41:24Bueno, adiós, muchachos. Hasta luego.
00:41:28Mucho, gesundheit.
00:41:30Save the use of it. Come along, Judy.
00:41:33Goodbye, don't forget. About an hour now.
00:41:35Be expecting you.
00:41:38Well, Mrs. McGee, how does it feel to be the mutter of seven?
00:41:41A fine bunch of rascals you are, all of you.
00:41:45And me own the worst of the lot.
00:41:47Muggs McGinnis, I don't know what to do with you.
00:41:50You certainly are a chip off the old blockhead.
00:42:11Bust my britches.
00:42:13Did you bring him catch cold, gal?
00:42:14Is he kidding?
00:42:15No, he's not kidding.
00:42:16He comes from where he wears steer hides all summer long.
00:42:18What on earth do you suppose that is?
00:42:22He's from deep in the heart of...
00:42:24And gold-plated, too.
00:42:27Get out of here and see this.
00:42:30Yes, Mr.
00:42:32Uh, table.
00:42:32Have you a reservation?
00:42:34What do you think I am, an Indian?
00:42:37Save your window. I got a million gags like that.
00:42:40Come on, make with a ringside table for the governor of Texas.
00:42:42Yes, Mr. Governor. Yes, indeed.
00:42:44Hey, hey, Mr. Governor. He's the governor. He's the guy that's paying a check.
00:42:47Oh, this way, Mr. Governor.
00:42:52Hey.
00:42:57Hey, bring me one of those camp shards, will you?
00:43:05Hey, what's up?
00:43:06Thanks, bud.
00:43:09What's the beach at, Matt?
00:43:11Oh, I think I'll have a little bourbon. Kentucky bourbon, sir.
00:43:14Oh, I'm very sorry, but you're not allowed to serve liquor with miners at a table.
00:43:18Oh, well, never mind me.
00:43:19Just bring these young mavericks anything they want and bring it in double doses, even if you have to go out and get it.
00:43:24Now, wait a minute.
00:43:25Okay.
00:43:26Better put this away for your old age.
00:43:27Oh, thank you very much.
00:43:29Take good care of us now.
00:43:31Monsieur, you're here.
00:43:32Oh, I'm not going to stay long.
00:43:34I'm just going to have dinner, a little touch or two.
00:43:40My mugs, that's your sister.
00:43:43Oh, yeah.
00:43:44Yeah, so it is.
00:43:45Hey, fellas, look.
00:43:46That's pretty good dancing, isn't it, eh?
00:43:53Ha-ha!
00:43:56Oh, it's fireball!
00:43:59I said some more!
00:44:00I think it all, sit down.
00:44:02Excuse me a minute, sugar.
00:44:06While I stake out a gold mine.
00:44:10Won't be a minute.
00:44:13Oh, hello, fellas.
00:44:15I thought I detected a funny odor around here.
00:44:18Hello, Annabelle.
00:44:20How's your mother, honey?
00:44:21Very well, thank you.
00:44:23Am scray, I'm Chase.
00:44:24Oh, drag up a chair and sit down, stranger.
00:44:26Any friend of bugs is welcome.
00:44:27Thank you, sir.
00:44:28I'm George Mooney.
00:44:29Well, that's a good old Irish name.
00:44:32My name's Pete.
00:44:32Pete Monaghan is my little gal, Judy.
00:44:36Very happy to meet you, Miss Monaghan.
00:44:38Would you care to dance, Miss Monaghan?
00:44:40Why, I...
00:44:40Yes, she would.
00:44:42But this one happens to be mine.
00:44:44Pardon me.
00:44:45I'll show you an example of some Terpesturian artist that's done in New York.
00:44:49Just follow me closely and lay that thing down.
00:44:53This is the way it goes.
00:44:54Boy, that mud dances out of this world, doesn't he?
00:45:08I wish he would.
00:45:09How about you, Annabelle?
00:45:11You and me.
00:45:12Want to get your toes tonked on?
00:45:13Oh, Uncle Pete, I don't dance so good.
00:45:15Well, that'll be due to a kayak.
00:45:17Come on.
00:45:18Oh, you're such a silly boy.
00:45:22Oh, come on, let me go.
00:45:23Now, wait.
00:45:24One, two.
00:45:29Hey, look, Tonya, you better scram while you're still in one piece.
00:45:33Well, be senior.
00:45:40I don't like the way he said that.
00:45:49According to Muggsy, he owns half the state of Texas.
00:45:52It should be easy pickings.
00:45:54Thanks, George.
00:45:55Oh, don't thank me.
00:45:57Just give me my regular cut off the top.
00:45:59Right?
00:46:00Right.
00:46:00Hey, what gives, Georgie?
00:46:22Remember that meat coat we saw on the avenue the other day?
00:46:24Uh-huh.
00:46:25Oh, sugar, you got one arm in it already.
00:46:28Hmm.
00:46:29There.
00:46:31Yeah.
00:46:32All right.
00:46:32Hey, Judy.
00:46:46Pretty snorty, eh?
00:47:03Oh, I'll say, Peppy.
00:47:05Oh, I don't know.
00:47:06Oh, I think it likes a little finesse, if you know what I mean.
00:47:10Oh, I think it likes a little finesse, if you know what I mean.
00:47:12Oh, I think it likes a little finesse, if you know what I mean.
00:47:13Oh, I think it likes a little finesse, if you know what I mean.
00:47:14Oh, I think it likes a little finesse, if you know what I mean.
00:47:15Oh, I think it likes a little finesse, if you know what I mean.
00:47:16Oh, I think it likes a little finesse, if you know what I mean.
00:47:17Oh, I think it likes a little finesse, if you know what I mean.
00:47:18Oh, I think it likes a little finesse, if you know what I mean.
00:47:19Oh, I think it likes a little finesse, if you know what I mean.
00:47:20Oh, I think it's a little finesse, if you know what I mean.
00:47:21Oh, I think it's a little finesse.
00:47:22¡Gracias!
00:47:52¡Gracias!
00:48:22...where seldom is heard...
00:48:27...a discouraging word...
00:48:33...and the sky stays sunny...
00:48:39...all day.
00:48:48Oh, say it.
00:48:50Play it once more.
00:48:51Just once more and then we'll stop, eh?
00:48:55Hey, Muggs, don't play it again.
00:48:56Where's the fire? What's new?
00:49:00Listen...
00:49:00Oh, I think he's got the range by now.
00:49:03Don't you think we ought to go home? It's getting a bit daylight.
00:49:05Oh, just daylight every day. Sit down and listen to that.
00:49:07Yeah, but these kids got to go to work, especially Annabelle.
00:49:10You know, she's a riveter.
00:49:12Yeah, let's get out of here. My feet are killing me.
00:49:14Yes, see, I'm even getting hot.
00:49:16I could do with a little shot on myself, can't be?
00:49:18All right, I reckon you're nothing but a bunch of tender feet out.
00:49:21We'll call it a day, eh?
00:49:23Waiter. Waiter.
00:49:26I guess we'll call it a day.
00:49:29Get yourself a couple of warm-up.
00:49:30Oh, thank you very much.
00:49:32Come on, youngster, let's go home, everybody.
00:49:36Okay, let's go.
00:49:40Oh, are we there?
00:49:44Well, listen, youngster, don't forget.
00:49:46Hey, shorty, Billy the Kid will pay to check.
00:49:48Now get him out of here before he wakes up the whole neighborhood.
00:49:51Now see you fellas at the club at 11 o'clock shop.
00:49:57What do you mean 11 o'clock?
00:49:58I've got to go back there now and change these.
00:50:00All right, but if you hock that coat, don't forget to cut us in.
00:50:03What do you mean hocking them? Barbecuing them tomorrow night.
00:50:05Good night, Monk.
00:50:07Good night.
00:50:07Hello, sweetheart.
00:50:13What's the hurry?
00:50:27Uh-oh.
00:50:28The blitz is off.
00:50:39Well, good morning, Miss Monaghan.
00:50:41Good morning, Mr. uh...
00:50:42Mr. uh...
00:50:42Mooney, George Mooney.
00:50:44How are you, Governor?
00:50:45Good morning, sir.
00:50:46It was quite a party you had last night.
00:50:48Uh, I was quite a shindig.
00:50:49Yeah, Muggs and his gang are great kids.
00:50:52Uh, McGinnises are all right.
00:50:53All seven of them.
00:50:54All seven of them?
00:50:55Yep.
00:50:56But there are only two McGinnises.
00:50:58Muggs and his mother.
00:50:59Ha.
00:50:59Young man, I guess you don't know the McGinnis outfit very well.
00:51:02There's really eight of them.
00:51:03The Maul and the seven young Mavericks that you saw out with us last night.
00:51:07Ha, ha, ha.
00:51:08I'm sorry.
00:51:09I guess I'm spoiling a good joke, huh?
00:51:11Joke?
00:51:12Joke?
00:51:13Yeah.
00:51:14Yeah, those kids belong to Muggsie's gang, the Eastside kids.
00:51:17They're not related to each other at all.
00:51:19What?
00:51:20That's right.
00:51:22You know, I could hardly keep a straight face when I saw Glimpy in that blonde wig.
00:51:26Glimpy?
00:51:26Yeah.
00:51:27He was the one you were calling, uh, Annabelle.
00:51:30Young man, where I come from, there's only one thing worse than a liar.
00:51:35And that's a horse thief.
00:51:36You don't think I'm lying to you?
00:51:38I don't know, but I'm certainly aiming to find out.
00:51:40You come along with us.
00:51:42Okay.
00:51:47Hey, Maul.
00:51:47Maul.
00:51:48Maul.
00:51:48Oh, pardon me.
00:51:49Can't you see I'm reclining?
00:51:51Well, you better unrecline, cause things is happening.
00:51:53What things?
00:51:54I don't know, but Danny Skinny and Dave and all the folks is down at your house.
00:51:59Are you jiving, man?
00:52:00Man, I ain't jiving a pound.
00:52:01Well, wind me up and set me along.
00:52:03Hey, is my old man there?
00:52:04I didn't see him.
00:52:05Let's go.
00:52:06And so when he started, they had to finish him.
00:52:09Now, don't you see?
00:52:10Well, keeping him out till four o'clock in the morning don't suit me at all.
00:52:13It's disgraceful, deceitful.
00:52:14I won't stand for it, I tell you.
00:52:16Father O'Toole should hear about this.
00:52:17Oh, well, let's not have any hard feelings about the thing.
00:52:21But I know what I mean.
00:52:22All right, wait a minute.
00:52:28They said wait a minute.
00:52:29I don't care what you're doing.
00:52:33I don't mean to be fresh or sass my elders or anything like that, but nobody's going to
00:52:38holler at my mom.
00:52:41In the first place, this was my idea.
00:52:43Not my mother's, not the gang's, but mine.
00:52:47And if anybody's going to take a lickin' for it, it's going to be me.
00:52:51Won't be my first lickin' and probably won't be my last.
00:52:55Now, this is going to be a private affair and don't call for no spectators.
00:53:09You wait right here.
00:53:10Come on, Judy.
00:53:13I thought it was the greatest guy in the world.
00:53:15And if he said he had seven kids, he had seven kids.
00:53:19Even if he didn't, that was just a stroke of faith.
00:53:22But before I'd make a liar out of him, I'd take a beatin' from every one of you.
00:53:25Go ahead.
00:53:26The line forms on the right.
00:53:27Start in.
00:53:27You look like the most irritated.
00:53:29Take a few whacks at me.
00:53:31Oh.
00:53:33Looks like Friday the 13th.
00:53:37Come in, Peter, won't you?
00:53:39No, thank you, Molly.
00:53:40I don't aim on being made a fool out of more than once.
00:53:43But Uncle Peter, I...
00:53:44You can forget that you ever had an Uncle Peter.
00:53:46Let's go, Judy.
00:53:52That's all right, Ma.
00:53:53I don't feel that way.
00:53:55Hey, you see what you've done?
00:54:01I hope you're happy.
00:54:04Oh, Ma.
00:54:06That was tough.
00:54:08And I'm tough.
00:54:08You said so yourself many a time.
00:54:10You don't want to be the only softie in the family.
00:54:12Well?
00:54:21Well, we won't discuss the matter any further.
00:54:24Come on, Judy.
00:54:26So that's the angle, huh?
00:54:32Well, goodbye, Mr. Monaghan.
00:54:33Anyhow, my aim is still good.
00:54:48Hello?
00:54:49No, Mr. Monaghan ain't in, but this here's his daughter.
00:55:03Oh, yeah, why, sure.
00:55:04Send them right up.
00:55:07Go right up, please.
00:55:08Number 1242.
00:55:10Thanks, Shorty.
00:55:11We know the number.
00:55:12I want to remind you once more, this is my raft.
00:55:34You slugs are just along for the ride, get it?
00:55:36Right.
00:55:41Oh, hi.
00:55:43Hello.
00:55:44Can we come in?
00:55:44Well, sure.
00:55:45Come on in.
00:55:47Hi.
00:55:48Hello.
00:55:49We've come to give these duds back.
00:55:53Is Uncle Pete around?
00:55:55Well, no, and I'm worried because he ain't been home all night.
00:55:58When's the last time you seen him?
00:56:00She was, I reckon, it must have been about 10 o'clock.
00:56:02He went off with that Mr. Mooney.
00:56:03George Mooney?
00:56:05Yeah, he said something about taking Pappy for a ride.
00:56:07Taking him for a ride?
00:56:09Yeah, that's what he said.
00:56:10That don't sound kosher to me.
00:56:14Someone's on the phone.
00:56:16Hello?
00:56:17Hello?
00:56:19Yes.
00:56:21Well, yeah, send him right up.
00:56:26That was a man down in the lobby.
00:56:27He said Mr. Mooney was down there, but he didn't say nothing about Pappy.
00:56:30I wonder if there's anything wrong.
00:56:32Is Mooney coming up?
00:56:33Yeah.
00:56:34There's something fishy about this, especially if Georgie's mixed up in it.
00:56:37Look, don't you tell me we was up here.
00:56:39We're going to hide in the next room.
00:56:40When you find out what was in his mind, you come in and tell us.
00:56:42You understand?
00:56:43Yeah, but, gee whiz, I'm afraid something will go wrong.
00:56:46Don't worry about nothing.
00:56:47If Georgie steps out of line, I'll come in and conk him.
00:56:51Okay, gee.
00:56:51Come on, fellas.
00:56:51Come on, boy.
00:57:03Well, Miss Mooney, Ann.
00:57:04Well, hello.
00:57:05Come in.
00:57:06Right.
00:57:06Where's Pappy?
00:57:10Well, that's what I came to tell you about.
00:57:12Well, there hasn't anything happened to him, is it?
00:57:14Oh, don't worry about it.
00:57:15He just met up with a little accident.
00:57:17An accident?
00:57:17Is he hurt?
00:57:18Is he hurt bad?
00:57:19Oh, it's nothing serious.
00:57:20Please help me to get you.
00:57:23You hear that?
00:57:24That clenches it.
00:57:27You're sure he isn't hurt?
00:57:28Sure.
00:57:29Don't worry.
00:57:30Well, where is he?
00:57:31Well, come on.
00:57:32Downtown.
00:57:32Let's go.
00:57:33All right.
00:57:35Oh, maybe I'd better get my hat first.
00:57:45That's the corniest gag in the world.
00:57:47Had whiskers on it when I was going to kindergarten.
00:57:49Well, what do you mean?
00:57:50Just a wreck.
00:57:51It's the same old frame-up.
00:57:52You mean there ain't no accident?
00:57:54Certainly not.
00:57:54That's just part of the act.
00:57:57Where are you going?
00:57:58I'm going to get my gun.
00:57:59That's where I'm going.
00:58:00This ain't Texas, baby.
00:58:01I know, but I just get the...
00:58:02Listen.
00:58:03You put on your hat and go with that bloke and leave the rest to me.
00:58:06Dirty, ornery skunk!
00:58:07I second the motion, but you just do like I say.
00:58:10Yeah, all right.
00:58:11Where does that door lead?
00:58:13To the hall.
00:58:14Okay, you give us time to get downstairs.
00:58:16And don't let that slug know that you're wise to him.
00:58:18Okay.
00:58:23All right.
00:58:46Let's go.
00:58:47Okay.
00:58:47Okay.
00:58:53All right, fellas.
00:58:59Stuck behind that tree there.
00:59:07Here they come.
00:59:09I thought I told you to duck.
00:59:15Car's right over here.
00:59:20Get going, Danny.
00:59:21Right.
00:59:22Wait a minute.
00:59:22You got a nickel?
00:59:23No.
00:59:23Hey, Clippy.
00:59:24Chief.
00:59:25Give me that nickel you found yesterday.
00:59:26I only got four cents.
00:59:27I bought a piece of gum.
00:59:28Well, give it to him.
00:59:29Not that gum, not four cents.
00:59:31Phone me here as soon as you find out.
00:59:34Right.
00:59:40Come on.
00:59:41We better hang around that phone.
00:59:51Hey, Charlie.
00:59:51I'm expecting a call.
00:59:52The name is McGinnis.
00:59:53The name is McGinnis.
00:59:53Mugs McGinnis.
00:59:54We'll be sitting right over there.
00:59:56Very good, sir.
00:59:57Come on, fellas.
00:59:58You're making me nervous.
01:00:05Something you want, sir?
01:00:07Yes.
01:00:08Take that bell and put it away.
01:00:09Oh, you never let me enjoy myself.
01:00:11Well, enjoy yourself, huh?
01:00:13Well, go ahead.
01:00:13Enjoy yourself.
01:00:14Stranger, where I come from, there's skin critters like you alive.
01:00:18And that's what I'm going to do to you if it's the last thing I ever do.
01:00:22So help me, Sam Houston.
01:00:23Maybe your daughter's health ain't worth that much to you.
01:00:26What?
01:00:27You hungry to low down, Kyle?
01:00:29You're getting a little rough, aren't you, partner?
01:00:41Hey, wait.
01:00:42What's the world kind of place is in?
01:00:43Oh, it's a hospital.
01:00:45This is the back entrance.
01:00:46Come on.
01:01:10Oh, Judy!
01:01:13Why, Patsy, what's wrong?
01:01:16Oh, nothing, gal.
01:01:18Just a little modern highway robbery, that's all.
01:01:21Yes, sir.
01:01:22Just a moment, please.
01:01:25Stop.
01:01:32Call for Mr. McGinnis.
01:01:34Call for Mr. McGinnis.
01:01:36Call for Mr. McGinnis.
01:01:37Ah, call him yourself.
01:01:38Call for Mr. McGinnis.
01:01:39Hey, that's a familiar name.
01:01:40What is?
01:01:41McGinnis.
01:01:42McGinnis?
01:01:42Hey, that's me.
01:01:44Hey, Mrs. Spellboy.
01:01:46What is that?
01:01:46Call for Mr. McGinnis.
01:01:46Call for Mr. McGinnis, sir.
01:01:47Where, where?
01:01:48Right over there.
01:01:49Well, I'll give you a tip.
01:01:50Get out of this racket.
01:01:54Hello?
01:01:55Hello?
01:01:56Well, come on, make the connection.
01:01:57This is a critical moment.
01:01:58Hello, Muggs.
01:02:00This is Danny.
01:02:01Yeah, that's fine.
01:02:02Well, where are you?
01:02:03Grab some tools and write this down.
01:02:04684 West 9th Street.
01:02:09684 West 9th Street.
01:02:11Yeah, just off 11th Avenue.
01:02:13Hey, Muggs, you better bring some help.
01:02:14It looks like, it looks from...
01:02:16It looks like what?
01:02:19Hey, Danny.
01:02:21Danny, where are you?
01:02:23Something must happen to him.
01:02:24You got that number?
01:02:25Yeah, 684 West 9th Street.
01:02:26All right, let's land.
01:02:33Benny, Skinny, Dave, take off.
01:02:35Who cares?
01:02:35Where are you going?
01:02:37I don't know.
01:02:38I see on you I got to make a depression.
01:02:40I got to tell you personally.
01:02:42Excuse us.
01:02:46What?
01:02:46Get murdered?
01:02:47You tell him I declare the truce personally,
01:02:49just for today.
01:02:49Yes, General.
01:02:51Bruno, you come with me for luck.
01:02:53Yeah, you'll make this.
01:02:54You mean you ain't met with no accident?
01:02:57Not yet.
01:02:58Maybe he won't need it.
01:02:59He'll tell us where he keeps his bankroll.
01:03:01Wow.
01:03:01That's easy.
01:03:02He don't keep it at all.
01:03:03I keep it.
01:03:04And it's right in here.
01:03:11Come on, Tappy.
01:03:12We're getting out of here.
01:03:13No, gee, hold the back.
01:03:14Just a minute, sister.
01:03:15You'll have to get hurt with this pistol here, Williams.
01:03:17That'll be all of that.
01:03:24Hey, Bruno, come on.
01:03:33I'll go.
01:03:34Well, wait for me.
01:03:37I caught him and told him this address to somebody.
01:03:40That'll bring the cops.
01:03:41Yeah, then they'll all bring you, rat.
01:03:43Why, you little...
01:03:43Oh, my God, here we go.
01:04:00Yes, guess what I...
01:04:01What are you waiting for?
01:04:21I'm waiting for them.
01:04:21Well, let's roll.
01:04:22Let's roll.
01:04:23Let's roll.
01:04:23There they are.
01:04:44I tell you!
01:04:45I tell you!
01:04:45I tell you!
01:04:49¡Suscríbete al canal!
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01:05:49¡Suscríbete al canal!
01:06:19¡Suscríbete al canal!