- hace 7 semanas
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de mucho
s actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de mucho
s actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00¡Gracias!
00:02:06¡Gracias!
00:02:08¡Gracias!
00:02:10¡Gracias!
00:02:11¡Gracias!
00:02:12¡Gracias!
00:02:14¡Gracias!
00:02:16¡Gracias!
00:02:18¡Gracias!
00:02:20I say, Reynolds, what's this I hear about the army being interested in this project you're logged in for?
00:02:26No, no, no, no.
00:02:56I don't think I understand.
00:02:57Well, believe it or not, we have four shipwaves on the lakes.
00:03:01We're turning out an average of a ship a month.
00:03:04That explains a lot of things.
00:03:06With your influence in Washington, why don't you get a bill passed to increase the old-age
00:03:10pension for Glamogale?
00:03:14Well, now, listen here, Gary.
00:03:16We're not following Mr. Terry's occupation for, uh, love.
00:03:19What our friend is trying to say is you want to organize, start a revolving fund.
00:03:24And you'll be able to speak the language if he understands, right?
00:03:29Now that you mention it, it is an ideal location for a hair base.
00:03:32The enemy could never spot it in the air, and it's out of the range as a naval gun.
00:03:36Well, perfect.
00:03:37Tell me.
00:03:38Coffee is served for now.
00:03:40Oh, coffee.
00:03:41I agree.
00:03:42Well, come on.
00:03:44Wait for me, Blondie.
00:03:46¡Gracias!
00:04:16Well, gentlemen, if you ask me, I would say this has been a most successful day.
00:04:43Well, as for me, now I can postpone that strike until the project has eaten up more of the appropriation.
00:04:52Now, gentlemen, since war has been declared, we've learned one lesson.
00:04:57We must proceed cautiously.
00:04:59I think we should make plans to slip into some neutral country before the Intelligence Bureau gets after us.
00:05:03Perhaps when the war hysteria dives down, they will become more lax.
00:05:08Americans are like children.
00:05:09They forget quickly the fire that burnt their fingers.
00:05:13Now, doctor, we've actually found a very efficient method of prosecuting our war of nerves.
00:05:18No, no, no. I'm not going to accept all things.
00:05:20I'm not going to have resisted so we can destroy more ammunition, friends, before we have to leave.
00:05:25That last operation is yours.
00:05:28Carried out with such finesse?
00:05:30Beautiful.
00:05:31Thanks.
00:05:48You want me to wait for you, sir?
00:05:49No, thank you.
00:05:51I may be detained here for some time.
00:05:53Oh, uh, are you going back to Cleveland tonight, Kenny?
00:06:00No, I'm staying over for a couple of days.
00:06:02Fine.
00:06:03Stop into my office tomorrow morning.
00:06:04I can't wait to see you, sir.
00:06:06Patient?
00:06:07I see patients only at my office during the day.
00:06:09Ask them to go elsewhere.
00:06:11I explained you, sir.
00:06:11It's all patients at your home.
00:06:14What's his name?
00:06:15Mr. Cologne.
00:06:16Or rather, Monsieur.
00:06:17I've never heard of him.
00:06:19He's in very urgent, sir.
00:06:20He insists it's a matter of life and death.
00:06:22Why don't you see him and get it over?
00:06:24Oh, very well.
00:06:25Be back in a moment.
00:06:27Oh, doctor?
00:06:27Hmm?
00:06:28Don't forget your bedtime minutes.
00:06:30Oh, no.
00:06:38That'll be all, Steve.
00:06:46Dr. Sanders.
00:06:47That's right.
00:06:47I'm not in the habit of receiving patients in my home, especially at night.
00:06:53I have come a long way to see you.
00:06:57Plenty of other good doctors.
00:07:00I'm a very sick man.
00:07:03Sit down.
00:07:14You don't appear to be in any danger of dying.
00:07:17You are quite wrong.
00:07:20All men are in danger of dying.
00:07:23The important question is when.
00:07:25Who are you?
00:07:41Just why did you come here?
00:07:45Wallace, how are things with you in Detroit?
00:07:48Fine.
00:07:49Thanks for the strike, it may tie up my whole plan.
00:07:51Ten thousand men.
00:07:52They're not too bad.
00:07:54Yes, because I'll have to close one of my factories waiting for parts.
00:07:58The trouble is, you boys should hire me as a lawyer.
00:08:01Then you could really rank your business.
00:08:03Listen to them.
00:08:04At that time, my client might be able to use you over in Pittsburgh to throw a few monkey
00:08:09wrenches into the legal machinery.
00:08:11You must be mistaken.
00:08:12I don't know what you're talking about.
00:08:15That's strange.
00:08:17I was sure you would remember me.
00:08:21Your voice seems familiar.
00:08:24But I'm positive I've never seen your face before.
00:08:27That you have a powerful wife.
00:08:29You did see me before.
00:08:32I've changed since then.
00:08:35Yesterday you have.
00:08:37Yes, sir.
00:08:40That's us, sir.
00:08:42No, don't, please.
00:08:43Please, I don't deserve this.
00:08:44Please.
00:08:53That was green.
00:08:54Sounded like a banshee.
00:08:56Just a momentary upset.
00:08:59Nothing serious.
00:09:01Sorry, William, are you sure everything's going well?
00:09:04Yes, quiet.
00:09:05Gentlemen, please accept my apology.
00:09:09I shall be detained longer than I anticipated.
00:09:13In that case, I think we can go.
00:09:15Good night.
00:09:16Good night.
00:09:17Good night.
00:09:17Good night.
00:09:17Thank you.
00:09:35Well, I hope the doctor knows what he's doing.
00:09:38So do I.
00:09:39This patient looks crazy to me.
00:09:42Weird sort of fellow, sir.
00:09:44Like a European.
00:09:45Seems to me I've seen him before.
00:09:47Well, let's go.
00:09:48Oh, very soon.
00:09:48Oh, yes.
00:09:49Can we drop you someplace, Kearney?
00:10:00Oh, thank you.
00:10:01I have a cab.
00:10:01And be sure that your servant understands the instructions I have given you.
00:10:22Thank you.
00:10:52What are you doing in my cab?
00:11:10I thought perhaps you were going in my direction.
00:11:12Well, I'm not going in your direction.
00:11:15Mr. Kearney, I'm quite sure you know in what direction you really go in.
00:11:21Why, of course I know.
00:11:23Incidentally, how did you learn my name?
00:11:27Without I called you Procone Toby?
00:11:29It sounds like a party.
00:11:30Good night.
00:11:41Bye.
00:11:42Bye.
00:11:43Bye.
00:11:43Bye.
00:11:43Bye.
00:11:44Bye.
00:11:44Bye.
00:11:54¡Gracias!
00:12:24¡Gracias!
00:12:54¡Gracias!
00:13:24¡Gracias!
00:13:36¡Gracias!
00:13:38¡Gracias!
00:13:43¡Gracias!
00:13:44¡Gracias!
00:14:14Yes?
00:14:16Mr. Saunders, would you see you, Mr. Malt?
00:14:20How do you do?
00:14:34I'm from the party.
00:14:35I'd like to see your father, Dr. Saunders.
00:14:38He's my uncle.
00:14:39He isn't feeling well.
00:14:41Is there something I could do?
00:14:42Why, yes.
00:14:43Your uncle gave a dinner party there last night
00:14:46Do you know who his guests were?
00:14:48I just arrived myself
00:14:49Maybe Stevens could tell this
00:14:51Stevens, was there a man by the name of Kearney here last night?
00:14:55Yes, sir
00:14:55Know anything about him?
00:14:57No
00:14:57If you could tell me what this is all about, maybe I could tell him
00:15:00Well, you see, the police found the body of Kearney last night
00:15:03He was either murdered or committed suicide
00:15:05Awful
00:15:06And if I could see your uncle, it might clear the matters up
00:15:09I'll try to see you
00:15:11In there, sir
00:15:20Uncle Bill
00:15:28Uncle Bill
00:15:37Uncle Bill, it's Alice
00:15:38I just got in
00:15:38Oh, what is it there?
00:15:42Uncle Bill, let me in, I'm done
00:15:44Oh, Alice, dear, forgive me
00:15:46But I was chosen
00:15:48Steven said you didn't feel well
00:15:49No, nothing serious
00:15:52Nerve, that's all
00:15:53I've decided to remain in my room for a long rest
00:15:58I'm so glad you're back here
00:16:01Have I come in for a moment?
00:16:04I have so much to tell you
00:16:07It's been so many years since I've seen you
00:16:11Oh, I... I'm sorry
00:16:14Isn't there something I can do for you?
00:16:17Are you a new servant?
00:16:24Not exactly
00:16:25Rather, a very old friend of your uncle's, Monsieur Florent
00:16:30I know
00:16:31I know
00:16:31Who is it?
00:16:32Who is it?
00:16:32Who is it?
00:16:33Who is it?
00:16:34Who is it?
00:16:35Who is it?
00:16:36You are very sweet
00:16:37And a beautiful young woman
00:16:39You will excuse me
00:16:41How is it?
00:16:50How is it?
00:16:54Where is it?
00:16:56I know
00:17:02You have a person
00:17:03You have been the person
00:17:05¿Qué es su primer lugar?
00:17:15Bueno, Richard, pero tú puedes llamar me Dick.
00:17:19Oh, Dick, este es Monsieur Cologne.
00:17:21He es un amigo de Uncle Bill.
00:17:23Dick Martin.
00:17:24¿Cómo te do?
00:17:25Un placer.
00:17:26¿Vale a la noche a la noche?
00:17:28No, no.
00:17:29I came later.
00:17:30¿Tú conoces a Mr. Kearney?
00:17:33Kearney.
00:17:34I'm afraid not.
00:17:35¿He's had something wrong?
00:17:36It's a slight case of murder.
00:17:38It's too bad.
00:17:40Can I help you in any way?
00:17:41No.
00:17:43Excuse me.
00:18:00Handsome devil, isn't he?
00:18:01I'd hate to meet him in the dark alley.
00:18:04Oh, I don't know.
00:18:05Make it a moonlight night on a park bench.
00:18:08He might be exciting.
00:18:09Oh, yeah?
00:18:13What's his first name business?
00:18:16Well, I don't know him any better than you do.
00:18:19Oh, he lives here.
00:18:21I don't know that either.
00:18:22How about yourself?
00:18:23And you.
00:18:25Listen, do I see the uncle or don't I?
00:18:28He must be terrible, you know.
00:18:30He wouldn't even see me.
00:18:32What a business.
00:18:34You scared living here like this?
00:18:37Better come around with me.
00:18:39I think I can take care of myself.
00:18:41What's your name?
00:18:43Alice.
00:18:43Okay, I'll see you later.
00:18:45Okay, I'll see you later.
00:18:49Bye.
00:19:00Bye.
00:19:02Bye.
00:19:03Bye.
00:19:08Bye.
00:19:13Bye.
00:19:13Bye.
00:19:14Buenas tardes.
00:19:44Buenas tardes.
00:20:14Buenas tardes.
00:20:44I told you I wasn't to be disturbed, David.
00:20:47It's Mr. Wallace, sir.
00:20:49He's below.
00:20:50Please obey my orders.
00:20:51Well, it's impossible, sir.
00:21:07Dr. Sanders can't see you.
00:21:08Stop.
00:21:09Stop.
00:21:09Stop.
00:21:11¡Gracias por ver el video!
00:21:41¡Gracias por ver el video!
00:22:11¡Gracias por ver el video!
00:22:41¡Gracias!
00:23:14¡Gracias por ver el video!
00:23:15¡Gracias por ver el video!
00:23:17¡Gracias!
00:23:20¡Gracias!
00:23:51¡Gracias por ver el video!
00:23:53¡Gracias por ver el video!
00:23:55¡Gracias por ver el video!
00:23:57¡Gracias por ver el video!
00:23:59¡Gracias por ver el video!
00:24:01¡Gracias por ver el video!
00:24:03¡Gracias por ver el video!
00:24:05¡Gracias por ver el video!
00:24:07¡Gracias por ver el video!
00:24:09¡Gracias!
00:24:11¡Gracias por ver el video!
00:24:13¡Gracias!
00:24:15¡Gracias!
00:24:17¡Gracias!
00:24:19¡Gracias!
00:24:21¡Gracias!
00:24:23¡Gracias!
00:24:25¡Gracias!
00:24:27¡Gracias!
00:24:29¡Gracias!
00:24:31¡Gracias!
00:25:01¡Gracias!
00:25:02¡Gracias!
00:25:03¡Gracias!
00:25:04¡Gracias!
00:25:05¡Gracias!
00:25:06¡Gracias!
00:25:07¡Gracias!
00:25:08¡Gracias!
00:25:09¡Gracias!
00:25:10¡Gracias!
00:25:11¡Gracias!
00:25:12¡Gracias!
00:25:13¡Gracias!
00:25:14¡Gracias!
00:25:15¡Gracias!
00:25:16¡Gracias!
00:25:17¡Gracias!
00:25:18¡Gracias!
00:25:19¡Gracias!
00:25:20¡Gracias!
00:25:21¡Gracias!
00:25:22¡Gracias!
00:25:23¡Gracias!
00:25:24¡Gracias!
00:25:25¡Gracias!
00:25:26¡Gracias!
00:25:27¡Gracias!
00:25:28¡Gracias!
00:25:29¡Gracias!
00:25:30¡Gracias!
00:25:31I tried to get Dr. Saunders on the phone, but he's sick, according to the butler.
00:25:36Wallace is still registered at his hotel, but he's out.
00:25:39Maybe we can catch him before he returns to Detroit.
00:25:42Both of us should go back.
00:25:43I'll grab the first plane out of Pittsburgh here and meet you in front of Wallace's hotel.
00:25:47Good. See you then.
00:25:54Come on down, Mr. Ryder.
00:25:56Here's a letter. Perhaps you've been thrown in the basket, but it seems rather strange.
00:26:00Why?
00:26:01It's a plastic surgery ad, but it mentions no name.
00:26:05That'll be all, Mr. Hanson.
00:26:18Yes, Mr. Ryder.
00:26:20Get me Amos Handler, the New York, the exchange bank.
00:26:23Mr. Hanlon, Mr. Ryder calling my business from Pittsburgh.
00:26:37Hanlon speaking.
00:26:38There's a couple of wallets.
00:27:04Are you in?
00:27:04I think I soon walked in the other way than a few moments ago.
00:27:07You may tell us when it's room, if you may.
00:27:09Thank you.
00:27:14Mr. Wallace, is it real?
00:27:18Yes.
00:27:19Wallace, is that you?
00:27:21Who is it?
00:27:22Ryder.
00:27:24What time is it, Wallace?
00:27:25Nine, add three plus nine, and you tell me.
00:27:32Two, one, three, one, four, one.
00:27:35Van Dyke is with me.
00:27:37We better see you right away.
00:27:39Come up to my room.
00:27:41No.
00:28:03No.
00:28:05No.
00:28:05No.
00:28:05No.
00:28:06No.
00:28:07¿Qué pasa?
00:28:37¿Qué pasa?
00:28:39Wallens.
00:28:47Wallens.
00:28:51What should he be?
00:28:53Harry obviously isn't here.
00:28:55I'm going to try again to get Saunders.
00:28:59I want Dr. Saunders.
00:29:01National 6516.
00:29:07I want to talk to Dr. Saunders.
00:29:09I'm very sorry, but Dr. Saunders is still confined to his room.
00:29:12Don't bother.
00:29:13I just want to make sure he was there.
00:29:15I don't think I was a child.
00:29:23You should be good the way you fellow.
00:29:25You should be good the way you fellow.
00:29:27You should be in his head.
00:29:41Japanese dagger.
00:29:43Ready?
00:29:45Now what?
00:29:47Ha, ha, ha.
00:29:49Ha, ha, ha.
00:29:51Ha, ha, ha.
00:29:53There's nothing in the hall.
00:29:55Anybody call the police, you fool?
00:29:57You want them playing around in our business?
00:29:59Did it happen to be like Wallace there?
00:30:01Don't you realize we're at war on this company?
00:30:15Face yourself.
00:30:16We were four warned.
00:30:17Now we're four armed.
00:30:18I guess you're right.
00:30:19You're right.
00:30:21Don't you realize we're at war on this company?
00:30:23Face yourself.
00:30:24We're four warned.
00:30:26And now we're four armed.
00:30:29I guess you're right.
00:30:31No, no, no, no, no, no.
00:31:01No, no.
00:31:31There's someone in my room.
00:31:49Oh!
00:31:50What is the matter with you?
00:31:52There was a horrible something in my room.
00:31:55Howdy, why, truly, wasn't a nightmare.
00:31:57Oh, it most certainly wasn't.
00:31:59There was no new room, miss.
00:32:02I couldn't find a trace.
00:32:04Shall I look outside?
00:32:05Yes, please do.
00:32:07No one.
00:32:08You see?
00:32:09You think my eyes are playing tricks on me?
00:32:11When a young woman's nerves commenced to give way, this time she sought refuge in a strong man's arms.
00:32:20I just ran into yours.
00:32:22Mine might be dangerous.
00:32:23You're a strange man.
00:32:30I've been trying to make you up.
00:32:32Why try?
00:32:33Curiosity killed a cat.
00:32:35Oh!
00:32:36Don't misunderstand.
00:32:38I'm not sure as the bothering you treat a head about.
00:32:40What if I think differently?
00:32:43Then I would say that you're a silly young creature.
00:32:45Why did we leave the cab down the street and walk?
00:32:48Just a precaution.
00:32:49I still think we should notify the police.
00:32:51After all, we can prove we're Americans.
00:32:54We just can't afford a risk of publicity.
00:32:55I want to see the doctor immediately.
00:33:11I'm very sorry to...
00:33:12Bill, I'll go through his room.
00:33:13Perhaps I'd better speak to him first.
00:33:25Hey.
00:33:30Which is his room?
00:33:32I won't need you.
00:33:43Saunders.
00:33:44Ryder.
00:33:45Let me in.
00:33:46I've got to talk to you.
00:33:47Go ahead and talk.
00:33:48I'm not seeing anyone.
00:33:50You know, of course, about Trini.
00:33:52He's dead.
00:33:53Yes, I know.
00:33:54Well, too, his wallet.
00:33:57Van Dyke and I found him in his hotel room.
00:33:59The point is, Van Dyke is breaking.
00:34:03Lost his nerve.
00:34:04Want to seek protection to the police.
00:34:06There's only one protection against a weekly Ryder.
00:34:10Take the outside door to my cellar.
00:34:13I needn't tell you more.
00:34:24I needn't tell you, Van Dyke is going to meet us in the cellar.
00:34:35He wants to talk to us.
00:34:36I thought he was ill.
00:34:37Confined to his room.
00:34:38Only a subterfuge.
00:34:39One, one, two, three, four, five.
00:34:40Thank you.
00:34:53I'll see you.
00:34:54We'll see you in the cellar.
00:34:55Thank you.
00:34:56¡Gracias!
00:35:26Brayden.
00:35:28Brayden.
00:35:30I have a strange feeling.
00:35:32This is a trap.
00:35:33Where are the lights?
00:35:34Brayden up.
00:35:36Why isn't Saunders here?
00:35:40The important thing.
00:35:41You're here.
00:35:43We can't afford to take any attention,
00:35:46Dr. Dick.
00:35:48Your attention has a surprise.
00:35:53¡Suscríbete al canal!
00:36:23¡Suscríbete al canal!
00:36:53¡Suscríbete al canal!
00:37:23¡Suscríbete al canal!
00:37:53¡Suscríbete al canal!
00:37:55¡Suscríbete al canal!
00:37:57¡Suscríbete al canal!
00:37:59¡Suscríbete al canal!
00:38:01¡Suscríbete al canal!
00:38:03¡Suscríbete al canal!
00:38:07¡Suscríbete al canal!
00:38:09¡Suscríbete al canal!
00:38:11¡Suscríbete al canal!
00:38:21Oh, Alice, there's nothing to be frightened of.
00:38:23Well, I don't like it.
00:38:25Come on.
00:38:51I can't understand it.
00:38:57I know I stumbled over something.
00:38:59Maybe I'm going daffy.
00:39:01Well, here's something else that's darn queer.
00:39:03This man was with another guest at Yorkville's.
00:39:06That makes two of me.
00:39:07Oh, this is terrible.
00:39:09Stevens, where have you been?
00:39:11The dining room, sir.
00:39:12You haven't been in the cellar, have you?
00:39:13No.
00:39:16Clean this.
00:39:17Boy, that's incredible.
00:39:22I know both of that and the other two.
00:39:25Alice, I'm going upstairs and talk to your uncle if I have to break that door in.
00:39:27It might be better if I spoke to Dr. Somers.
00:39:30I might have more influence.
00:39:33Monsieur Cologne, I stumbled over a body in the cellar.
00:39:36You still there?
00:39:37No, it disappeared.
00:39:39Perhaps it is your nerves, I guess.
00:39:41Nothing wrong with Miss Launder's nerves.
00:39:42Of course not.
00:39:44Come on, Alice.
00:39:45A body in the cellar?
00:39:47Oh.
00:39:47Oh.
00:40:08See that?
00:40:15Uncle Bill!
00:40:16Uncle Bill!
00:40:16Uncle Bill, I have to see you.
00:40:19Something terrible has happened.
00:40:20I'm very tired there.
00:40:22Please don't disturb me.
00:40:23Dr. Somers, two of your friends who were here last night are dead.
00:40:26That's most unfortunate.
00:40:28Heart failure, probably.
00:40:30I know, Uncle, but there's someone dead down in our cellar.
00:40:33Alice, I'm afraid your imagination is running away with you.
00:40:36No, it isn't.
00:40:37Alice, I insist you allow no disturbance to be made.
00:40:41My own condition won't stand if matters are quite all right in the house.
00:40:45But, Uncle...
00:40:46Please, old baby Alice.
00:40:50Very well.
00:40:51That door has always been locked since you've been here?
00:40:58Yes.
00:40:58I haven't even seen it.
00:41:00No, I haven't.
00:41:01Who takes care of it?
00:41:02Impedes it?
00:41:04Stevens or Monsieur Cologne.
00:41:05That's a fine pair.
00:41:07I don't like either one.
00:41:10I'm going to take you out of here.
00:41:11It's too dangerous.
00:41:12I'm not frightened.
00:41:13I'll be all right.
00:41:14Nothing happens.
00:41:15You've taken calling here.
00:41:17All right.
00:41:18Good night.
00:41:19Good night.
00:41:20Good night.
00:41:33Good night, young man.
00:41:35Sit up, Monsieur.
00:41:41Good night.
00:42:11Good night.
00:42:41Good night.
00:42:45One side.
00:42:50Two more.
00:42:53And it was right here I found the body of Mr. Kern.
00:42:56At just about this time.
00:43:00Oh, I'll tell you this time.
00:43:01It's murder.
00:43:04Jeff Daggers.
00:43:05Oh, judging by their clothes, they were no tramps either.
00:43:08Now get busy, officer.
00:43:09Get on the phone.
00:43:10Right.
00:43:21All right.
00:43:22But Stevens, the butler has disappeared.
00:43:24Do you have any idea where he could have gone?
00:43:26No, he just hasn't come back.
00:43:27Okay, Ellis, watch your step, and I'll be over as soon as I can.
00:43:34That's a lot of bunk, I guess.
00:43:35Miss Saunders says the butler has disappeared.
00:43:37Oh, there's this one time I refused to suspect the butler in the case.
00:43:40There's no doubt those men found that the Jeff Embassy were murdered, but what do you make of those two daggers in their hands?
00:43:45Well, it adds up to only one thing.
00:43:48The man who did the job was also responsible for the Kearney and Wallace murders.
00:43:52Who was the best guest at Saunders' house that evening?
00:43:54Hanlon, the banker.
00:43:56Oh, I think I see what you're driving at.
00:43:59It may only be a hunch, but if we take Hanlon to Dr. Saunders, we may force the real murderer out until they open.
00:44:06Suppose you grab a plane, Dick, and have a little talk with this Hanlon.
00:44:10Point out to him the danger that he's in and see if you can get him to come to Washington with you.
00:44:15Yes?
00:44:31Mr. Madeline, a special delivery letter for you.
00:44:34And since the envelope has a black border, I thought you would want it immediately.
00:44:38Bring it in.
00:44:45Thank you.
00:44:46The following week of the year, I was going to go there for the short period.
00:44:47The following week of the year, I thought you helped him to come to the next period.
00:44:48I thought you were going to come to the next period.
00:44:49I thought you would want to come to the next period.
00:44:50Why I'm going to come to the next period.
00:44:51¡Suscríbete al canal!
00:45:21¡Suscríbete al canal!
00:45:51¡Suscríbete al canal!
00:45:53¡Suscríbete al canal!
00:45:55¡Suscríbete al canal!
00:45:57¡Suscríbete al canal!
00:45:59¡Suscríbete al canal!
00:46:01¡Suscríbete al canal!
00:46:03¡Suscríbete al canal!
00:46:05¡Suscríbete al canal!
00:46:07¡Suscríbete al canal!
00:46:09¡Suscríbete al canal!
00:46:11¡Suscríbete al canal!
00:46:13¡Suscríbete al canal!
00:46:15¡Suscríbete al canal!
00:46:17¡Suscríbete al canal!
00:46:19¡Suscríbete al canal!
00:46:21¡Suscríbete al canal!
00:46:23¡Suscríbete al canal!
00:46:25¡Suscríbete al canal!
00:46:27¡Suscríbete al canal!
00:46:29¡Suscríbete al canal!
00:46:31¡Suscríbete al canal!
00:46:32¡Suscríbete al canal!
00:46:33¡Suscríbete al canal!
00:46:34¡Suscríbete al canal!
00:46:35¡Suscríbete al canal!
00:46:36¡Suscríbete al canal!
00:46:37¡Suscríbete al canal!
00:46:38¡Suscríbete al canal!
00:46:39¡Suscríbete al canal!
00:46:40¡Suscríbete al canal!
00:46:41¡Suscríbete al canal!
00:46:42¡Suscríbete al canal!
00:46:43¡Suscríbete al canal!
00:46:44¡Suscríbete al canal!
00:46:45¡Suscríbete al canal!
00:46:46¡Suscríbete al canal!
00:46:47¡Suscríbete al canal!
00:46:48¡Suscríbete al canal!
00:46:49¡Suscríbete al canal!
00:46:50¡Suscríbete al canal!
00:46:51Helen, I let us hope that Mr. Handlin escapes the fate of the others.
00:46:58Yeah, get your head, Alice.
00:47:01As long as Monsieur Colombo is here, I feel perfectly safe.
00:47:05Self-care.
00:47:07So long.
00:47:12Night, Helen.
00:47:14I hope you'll be happy.
00:47:15Goodbye.
00:47:17You're leaving?
00:47:18Yes, I must.
00:47:19Most unfortunate.
00:47:21That your uncle will understand.
00:47:22Will we see you again?
00:47:24Who knows in this crazy world?
00:47:26That your uncle must be in this crazy world?
00:47:29And that your uncle...
00:47:29Thank you.
00:47:31Thank you.
00:47:31Thank you.
00:47:32Gracias.
00:48:02All right, come on and go home.
00:48:20Well, that gentleman is my considered decision.
00:48:33This institution will not lend its support to any company, even in this emergency, which
00:48:38permits itself to be forced into bankruptcy because of the demand of its employees.
00:48:43What is it?
00:48:46Mr. Gentlemen, I'm here to see you.
00:48:49I'm too busy.
00:48:50I think you should see this man immediately, Mr. Harriman.
00:48:55Very well.
00:48:57Dear gentlemen, you see what a slave even a banker could be to his secretary.
00:49:02We'll continue this talk after lunch.
00:49:09Mr. Harriman?
00:49:16Yes?
00:49:17I'm Dick Martin.
00:49:18Sit down, Mr. Harriman.
00:49:19I don't have to tell you, Mr. Harriman, but in the past 48 hours, four of your friends have died.
00:49:24Well, I'm not exactly illiterate, you know.
00:49:25I can read the newspapers.
00:49:26I gather you're not frightened either.
00:49:27A busy man has very little time to indulge in feminine emotions.
00:49:28Just what do you want?
00:49:29I'm hearing your interest, Mr. Hanlon, and possibly the interest of this country.
00:49:31In the present emergency, we can't afford to lose any of the much-needed business leaders.
00:49:33Do you think my life is in danger?
00:49:34I'm almost certain of it.
00:49:35Here's something I received in the morning mail.
00:49:36I hadn't intended to speak of it.
00:49:37Do you have any idea who the murderer or murderer is?
00:49:38I'm not sure.
00:49:39I'm sure the murderer is, Mr. Hanlon, and I'm sure the murderer is.
00:49:40But a busy man has very little time to indulge in feminine emotions.
00:49:41Just what do you want?
00:49:42I'm hearing your interest, Mr. Hanlon, and possibly the interest of this country.
00:49:44In the present emergency, we can't afford to lose any of the much-needed business leaders.
00:49:49And you think my life is in danger?
00:49:51I'm almost certain of it.
00:49:54Here's something I received in the morning mail.
00:49:59I hadn't intended to speak of it.
00:50:02Do you have any idea who the murderer or murderers might be?
00:50:06I do not.
00:50:08If I had, I would bomb the police.
00:50:10Of course.
00:50:11As a good American, Mr. Hanlon, possibly you will be willing to cooperate with our department in trapping the criminals.
00:50:18Just what have you in your mind?
00:50:21Well, we're reasonably certain that these killings have occurred in or near Dr. Saunders' home in Washington.
00:50:27I see.
00:50:28And you want me to act as a decoy or bait.
00:50:31Is that it?
00:50:32Of course.
00:50:33There will be danger.
00:50:34Well, I'm not afraid of danger.
00:50:36I'd like very much to be this murderer.
00:50:41Even more than you.
00:50:42Good.
00:50:43We'll take the first plane back to Washington.
00:50:45May I use that phone?
00:50:46Thank you.
00:50:48Chief, you cover the inside of the house.
00:51:00Be sure you keep your eye on Hanlon.
00:51:01Okay.
00:51:02Take the outside.
00:51:14In there, Hanlon.
00:51:15All right.
00:51:16Let's have a look at upstairs.
00:51:17You're not going to leave me here alone.
00:51:18He'll be here with you.
00:51:19All right.
00:51:20Let's have a look at upstairs.
00:51:21You're not going to leave me here alone.
00:51:22He'll be here with you.
00:51:23All right.
00:51:24All right.
00:51:25Let's have a look at upstairs.
00:51:26You're not going to leave me here alone.
00:51:27He'll be here with you.
00:51:30This is Colombo's room.
00:51:31Yeah, it was.
00:51:32This is Saunders.
00:51:33All right, Saunders.
00:51:34Come on out of it.
00:51:35We're coming in.
00:51:36I thought you said this was all was locked.
00:51:37It wasn't all attachment.
00:51:38All right, Saunders.
00:51:39All right, Saunders.
00:51:40Come on out of it.
00:51:41We're coming in.
00:51:42I thought you said this was all was locked.
00:51:43It wasn't all attachment.
00:51:45All right, Saunders.
00:51:46All right, Saunders.
00:51:47Come on out of it.
00:51:48We're coming in.
00:51:53I thought you said this was all was locked.
00:51:54It wasn't all attachment.
00:52:15I thought so.
00:52:16So they're messing you up too, are you all timers?
00:52:17Any other rooms?
00:52:18No.
00:52:19Servants, quarters, anything like that?
00:52:20A lot of small ones out there.
00:52:21Yeah.
00:52:22Listen, Chief.
00:52:23Oh, don't talk to me.
00:52:24You've messed up everything, isn't it?
00:52:25Take it easy, Stevens.
00:52:26They're there on the couch.
00:52:27Hey.
00:52:28Good afternoon.
00:52:29No.
00:52:29No, no, no, no.
00:52:30I'm all right.
00:52:31Who is this?
00:52:32Steve, I'm missing a busman.
00:52:33What happened to you?
00:52:35He was locked and tied up in their basement.
00:52:37No.
00:52:38Any other rooms?
00:52:39No.
00:52:44Servants, quarters?
00:52:45Anything like that?
00:52:46Lots more of them down there.
00:52:47Yeah.
00:52:48Listen, Chief.
00:52:49Oh, don't talk to me.
00:52:51You've messed up everything, isn't it?
00:52:52Take it easy, Stevens.
00:52:53You were there on the couch.
00:52:55Tied up in that basement.
00:52:56You didn't happen to do that to yourself, did you?
00:52:58No, sir, I...
00:52:59Stevens, did you write this?
00:53:01No.
00:53:03Colomagin.
00:53:04By Dr. Sanders, who also disappeared.
00:53:07Saunders missing?
00:53:08Yeah.
00:53:09What do you know about that?
00:53:11Nothing, sir.
00:53:13Who fed him?
00:53:14Well, I did.
00:53:16What elements was he suffering from?
00:53:17Well, I don't know, sir.
00:53:19When I brought him his food, he almost broke my nanny room for a dark corner.
00:53:21Well, you couldn't have possibly have sneaked in there just once and fed him, could you?
00:53:25Well, I...
00:53:26Yeah, you fell down on the job.
00:53:28Who, Miss Saunders?
00:53:29Oh, Miss Saunders, my eye, she's my best girl.
00:53:32Your best girl?
00:53:33My best girl operator.
00:53:35Or was.
00:53:36So you're a flatwood, eh?
00:53:38How well did you know Saunders?
00:53:40I knew him slightly in a business way.
00:53:43Did you know that he was supposed to mysteriously disappear from a ship in the Orient ten years ago?
00:53:47Why, that's ridiculous.
00:53:49Something new, Chief?
00:53:50No, this is something old.
00:53:52See, the real Miss Saunders came to my office.
00:53:54She's been living abroad for the last ten years on the legacy.
00:53:57When she saw this picture of her uncle in the paper, she figured something was wrong.
00:54:00Well, I figured if somebody was posing as her uncle, I could put something...
00:54:03But this has nothing to do with me.
00:54:04I'm leaving.
00:54:05Oh, sit down.
00:54:06We'll find out who you are by 12 o'clock.
00:54:23Better get him a drink.
00:54:25I'll get him.
00:54:26And last week.
00:54:43And then?
00:54:45What shall I call you?
00:54:47That's not it.
00:54:53That's what was in my room for you.
00:54:55Hey, Dr. Saunders.
00:54:57I'll give it that.
00:55:00All right, Doc.
00:55:01Take it easy.
00:55:01Come on.
00:55:02Come on.
00:55:03Look out.
00:55:04Come on.
00:55:04Come on.
00:55:04Hold it, Doc.
00:55:18Yeah, I'll have a cheer.
00:55:19Go on.
00:55:21Oh, looks like we're too late.
00:55:23At least your hunch was right.
00:55:24All right.
00:55:25Come on, you.
00:55:25Is your man back?
00:55:33Yes.
00:55:33Yes.
00:55:34He's a man.
00:55:36That's Dr. Notcher.
00:55:38Elias, we should be alone.
00:55:40Man.
00:55:41Man.
00:55:41Man.
00:55:42Who's bigger?
00:55:44It all started some time ago in my homeland.
00:55:46It was considerate of your Fuhrer to permit you to come here to serve us.
00:56:12Your famous plastic surgeon is well-known in land of rising sun.
00:56:23This is my first request of whole-fair surgery.
00:56:27Are these my subjects?
00:56:29Yes.
00:56:30All trusted members of the Order of Black Dragons ready to serve empire
00:56:41until death.
00:56:47And Americans, they are to impersonate.
00:56:50You have photos of them.
00:56:51I will need many angles.
00:56:54Better than that.
00:56:56We have perfect, perfect kiss.
00:57:01Yes, Max.
00:57:03Oh.
00:57:04Good.
00:57:05I shall be ready to operate as soon as the surgery is prepared.
00:57:09As well.
00:57:11This is Dr. Kuchy.
00:57:14He will assist you.
00:57:20This way, here, doctor.
00:57:21Thank you.
00:57:22Thank you.
00:57:22Thank you.
00:57:29I love you.
00:57:33I love you.
00:57:41I love you.
00:57:47¡Gracias!
00:58:17¡Gracias!
00:58:47¡Gracias!
00:58:49¡Gracias!
00:58:55¡Gracias!
00:58:57Remove your ropes.
00:59:09The transformation is complete.
00:59:13Our faith in your ability
00:59:17was well-founded,
00:59:19honorable doctor.
00:59:21We owe you
00:59:23and your
00:59:25Führer
00:59:27our dying
00:59:29gratitude
00:59:31for what you have done
00:59:33for us.
00:59:35Anything I can do to hasten the establishment
00:59:37of our new order and to destroy
00:59:39the archaic democracies
00:59:41honor and a privilege.
00:59:43Yes.
00:59:45You accompany
00:59:47these men
00:59:49and they will see that you are
00:59:51fittingly
00:59:53rewarded.
00:59:55Thank you.
00:59:57Thank you.
00:59:59Thank you.
01:00:01Thank you.
01:00:17Hello?
01:00:19morning Hi there doctor.
01:00:21What's the meaning
01:00:23¿Qué es lo que significa esto?
01:00:27Soy un miembro de la parte.
01:00:29El Führer, ¿qué es esto?
01:00:31Es lo que vamos a evitar.
01:00:33Es un poco lo que aprendemos de ti, Nati.
01:00:36No hay evidencia behind.
01:00:37No hay sentimentos.
01:00:38No hay que estar en tu camino.
01:00:39Si tú eres el único que conoce nuestra identidad,
01:00:42esto es solo un precaución
01:00:43para asegurarse de que nadie más se encuentre.
01:00:47All right.
01:00:48Sorry we have to ask you
01:00:53to share these quarters with someone else.
01:01:03He won't be with us for long, dear Doctor.
01:01:06You will pay for this, you apes.
01:01:09You swear.
01:01:11The Führer will wipe you off the face of the earth.
01:01:18The Führer will wipe you off the face of the earth.
01:01:22You swear.
01:01:24The Führer will wipe you off the face of the earth.
01:01:28So you sure don't have to ask you to do that.
01:01:30I want to do that but
01:01:43¡Gracias!
01:02:13¡Ahora, ¡Master! ¡You did it for me!
01:02:19Y you must go on living.
01:02:23¡No! ¡No! ¡No! ¡No! ¡No! ¡No! ¡No! ¡No! ¡No! ¡No! ¡No!
01:02:43¿¡No! ¡No! ¡No! ¡No! ¡No! ¡No! ¡No! No!
01:02:58¡Gracias!
01:03:28¡Gracias!
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