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PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00I was dictating the wrap-up on the Butcher Benton package.
00:02:13I'm Lieutenant Dick Chasen.
00:02:16This hadn't been a routine case.
00:02:18And to find the answer, I've had to put a lot of little pieces together.
00:02:23It began on the day most cases can be called closed.
00:02:26It was the day before the Butcher was to be executed.
00:02:28He was visited by his attorney, Paul Lowe, in the death house.
00:02:33It was at this first meeting the Butcher Benton case took its first switch.
00:02:39Well, that's it, Butcher.
00:02:41The evidence against you was so strong the governor turned down your appeal.
00:02:44You're a rotten liar, Lowe.
00:02:47You started railroading me from the beginning of the trial.
00:02:50And now you're still trying to throw me curves.
00:02:53Look, I don't blame you for being edgy, but get this straight.
00:02:56I didn't double-cross you.
00:02:57I never worked harder for a client.
00:02:59You mean you never worked harder for a client to get him sentenced?
00:03:03You're a fool, Butcher.
00:03:04If you hadn't tried to double-cross Queenie Ellis and Joe Marcella, they wouldn't have turned state's evidence against you.
00:03:11But you had to get greedy.
00:03:12You wanted to keep the whole $600,000 for yourself.
00:03:16Well, the boys got sore, and I don't blame them.
00:03:18It was all your idea.
00:03:20You planned the whole job.
00:03:22You hired us.
00:03:23When you found out I'd staged the money, you decided it was time for me to die.
00:03:28You got those two crumbs to turn state's evidence on me.
00:03:31You stinking, rotten mouthpiece.
00:03:34We both know that isn't true, Butcher.
00:03:37Now, look, what's the sense of not giving me the money?
00:03:40It's not going to do you any good.
00:03:41Well, I'll have the satisfaction of knowing that many of you three crumbs are going to spend it.
00:03:48What about Eva?
00:03:49Don't you owe her something?
00:03:51You tell me where the money is, I'll see that she gets your share.
00:03:54I've got a different idea.
00:03:57I'm going to kill you and Squeamy and Joe.
00:04:00Then I'll take care of Eva myself.
00:04:03You sick-headed ape, you're going to die tomorrow.
00:04:09Remember what I said?
00:04:12I'm going to get you, all three of you.
00:04:17Even for you, Butcher, that'd be quite a trick.
00:04:20So long, dead man.
00:04:24Remember what I said.
00:04:27I'm going to kill you, all three of you.
00:04:41Back in Los Angeles, two men sat in a bar room listening to a newscaster tell his headline story.
00:04:50He played up big the Butcher's threat to kill Paul Lowe, Squeamy Ellis, and Joe Marcelli for their having turned state's evidence against him.
00:04:59Squeamy Ellis didn't seem happy over the Butcher's threat.
00:05:02Neither did Joe Marcelli.
00:05:04But they had figured, once a dead man, always a dead man.
00:05:09But this was one time everyone was in for a surprise, including the entire police department.
00:05:14Have you seen the headlines, Captain?
00:05:33Tell it that I just came in from San Francisco.
00:05:37Butcher's execution is set for five o'clock this afternoon.
00:05:40And like the newspapers say, he still refuses to talk about that stolen money.
00:05:47Well, I still have hopes of coming up with something.
00:05:51That's what I dropped by for, Dick.
00:05:53With Butcher's execution, the department's marking it case closed.
00:05:56That means you'll be reassigned.
00:05:58I've spent a whole year trying to break this case.
00:06:02As far as I'm concerned, Butcher's death is just the beginning.
00:06:06Of course, I can't prove it, but I think that Paul Lowe was the top man.
00:06:11And even though I have to keep working on it while off duty,
00:06:14I'm going to get Lowe, Squeamy Ellis, and Joe Marcelli.
00:06:18Okay, Lieutenant.
00:06:19Officially, I've taken you off of the case.
00:06:22Unofficially, I wish you luck.
00:06:24Do me a favor.
00:06:26Keep me posted.
00:06:27Will do.
00:06:28Thanks, John.
00:06:33I headed for Eva Martin.
00:06:35She worked in a local burlesque house.
00:06:38I'm a cop, and my job is to ask questions and get answers.
00:06:43So I decided I might as well start again with her.
00:06:56Come in.
00:06:56What do you want?
00:07:03I'd like to talk to you.
00:07:05Talk?
00:07:06You're a cop, aren't you?
00:07:08That's a good question.
00:07:08I can't even find a three-ton armored car, let alone the $600,000, and I've been on the case a year.
00:07:15I've told you, and I've told you, and I've told you, and I've told you.
00:07:21I don't know anything about the money.
00:07:22I never did.
00:07:23Benton's going to be dead in a little while.
00:07:25I thought it might make a difference.
00:07:26I never knew anything about the money.
00:07:28Call me dumb.
00:07:32I didn't even know Charles was in the rackets until the trial.
00:07:36I'll take it easy, kid.
00:07:38You're on, Eva.
00:07:39You're on, Eva.
00:08:09Honey, here's your rack.
00:08:20a few moments ago, Butcher Benton, without revealing the whereabouts of the $600,000 stolen in the armored car holder,
00:08:48paid for his crimes against society in the gas chamber at San Quentin.
00:08:52Now for a look at the internecency.
00:08:54Today...
00:08:57Come on, baby.
00:08:59Don't waste tears on Benton.
00:09:01I feel so badly about Charles.
00:09:04If I'd known, maybe I could have done something.
00:09:08How about a drink?
00:09:09We could both use it.
00:09:10No, I just can't drink while she's working.
00:09:12I don't know.
00:09:13Boise.
00:09:26What's that?
00:09:28Well, now what's the matter?
00:09:31The message from Charles.
00:09:34He told me to open it.
00:09:36He died.
00:09:38Finale, Eva.
00:09:40All right.
00:09:44How about a steak after the show?
00:09:46No, thanks.
00:09:47Not tonight, Paul.
00:09:47I didn't find out until much later, but Paul Lowe, in opening the letter the butcher had given Eva,
00:10:04found a map outlining a section of the city sewer system.
00:10:07And clearly identified was the spot where the butcher had hidden the stolen payroll.
00:10:12He replaced it with a $50 bill.
00:10:14Well, I guess he figured $50 to gain $600,000 was not a bad day's work.
00:10:28And a few hundred miles away in San Francisco, the case took another switch,
00:10:32which turned the next 72 hours into one long, hideous nightmare.
00:10:36Dr. Bradshaw, a distinguished biochemist, was making preparations for a final experiment,
00:10:43which he hoped would lead the way to a cure for cancer.
00:10:46He'd been successful with laboratory animals.
00:10:49The last step called for a human body.
00:10:52And Dr. Bradshaw's assistant quickly made a deal with a local mortuary
00:10:55and returned to the laboratory with the dead body of Butcher Benton.
00:10:59He made good time.
00:11:09Well, I didn't waste any.
00:11:10Any trouble?
00:11:11No, I just handed the money over and moved the body into your station wagon.
00:11:15That was that.
00:11:16Good.
00:11:17Get a syringe.
00:11:24He's in good shape.
00:11:25Well, I hope so.
00:11:26We'll get other blood samples later.
00:11:31We'll run this one through fast.
00:11:33Right.
00:11:37Now wheel him into the machine and then raise him.
00:11:40Right.
00:11:40Right.
00:11:56You mean you're going to give him 287,000 volts?
00:12:12Yes, yes.
00:12:13I'll get the fluoroscope set.
00:12:15We'll check with that before we start dissecting.
00:12:18Turn off the lights.
00:12:19There you are, old boy.
00:12:31If you respond properly and my theory is sound,
00:12:35you'll be more famous dead than alive.
00:12:38Throw the switch.
00:12:38There you are.
00:13:03There you are.
00:13:05No, no, no, no.
00:13:35The heart muscle has simply responded to a terrific electrical shock, that's all.
00:13:40Yes, but it does prove that the cells still function.
00:13:45Dr. Bradshaw, he is alive.
00:13:49The shock reaction, it can't last.
00:13:52His cells are multiplying now, if your theory is right.
00:13:56We could keep that reaction going longer.
00:14:00But it's worth a try.
00:14:04Get the body out.
00:14:05Get some adrenaline from the supply room.
00:14:27It's an I-Bell nitride, too.
00:14:29Hurry, hurry.
00:14:29Hurry.
00:14:30Hurry.
00:14:31Hurry.
00:14:32Hurry.
00:14:32Hurry.
00:14:32Hurry.
00:14:33¡Gracias por ver el video!
00:15:03¡Gracias por ver el video!
00:15:33¡Gracias por ver el video!
00:16:03The tremendous electrical voltage that Dr. Bradshaw had given the butcher
00:16:07had increased his cellular structure to the point where he was no longer a man.
00:16:12Dr. Bradshaw's experiment had created a vicious, brutal animal
00:16:15with an almost inconceivable amount of strength.
00:16:19Dr. Bradshaw must have believed the butcher's regained life
00:16:22would last for only a few minutes.
00:16:25Therefore, instead of calling for help,
00:16:27the doctor decided to handle his creation alone.
00:16:30Now, easy, Batten.
00:16:32Just relax.
00:16:33I'm a doctor.
00:16:35I want to try to help you.
00:16:36Do you understand me?
00:16:38You're in my laboratory.
00:16:39The execution was carried out and you were declared dead.
00:16:43I tried an experiment on you and brought you back to life,
00:16:45although I didn't intend that.
00:16:47Now, you've had a great shock.
00:16:49Now, come and sit down.
00:16:50Now, be quiet.
00:16:52Now, come and sit down.
00:16:53Take it easy.
00:16:54That was a boy.
00:16:56That was a boy.
00:17:03Careful.
00:17:04His reactions are violent.
00:17:05How do you explain this?
00:17:07Each cell must have multiplied a hundred times,
00:17:09perhaps thousands.
00:17:11His strength is unbelievable.
00:17:13No, no, no.
00:17:13It's too late for the amyl nitrate.
00:17:16I want to get some blood samples,
00:17:17make some tests on him,
00:17:19find out what's happened.
00:17:20Now, get me a syringe.
00:17:24Why won't the needle penetrate the skin?
00:17:48Tissue must be nearly a solid mass of cells.
00:17:52How are we going to get the blood sample?
00:17:55Surgically, perhaps.
00:18:00Now, easy.
00:18:01Take it easy.
00:18:03You can't leave here now.
00:18:04I'm responsible for your being alive.
00:18:05I'm responsible for your being alive.
00:18:06I'm responsible for your being alive.
00:18:07I'm responsible for your being alive.
00:18:07I'm responsible for your being alive.
00:18:08I'm responsible for your being alive.
00:18:09I'm responsible for your being alive.
00:18:10I'm responsible for your being alive.
00:18:11I'm responsible for your being alive.
00:18:12I'm responsible for your being alive.
00:18:13I'm responsible for your being alive.
00:18:14I'm responsible for your being alive.
00:18:15I'm responsible for your being alive.
00:18:16I'm responsible for your being alive.
00:18:17I'm responsible for your being alive.
00:18:18I'm responsible for your being alive.
00:18:19I'm responsible for your being alive.
00:18:20I'm responsible for your being alive.
00:18:21I'm responsible for your being alive.
00:18:22I'm responsible for your being alive.
00:18:23I'm responsible for your being alive.
00:18:24I'm responsible for your being alive.
00:18:25¡Gracias!
00:18:55Towards the end of this case, Captain Lauder and I found out the doctor and his assistant had been murdered.
00:19:05But I'm getting ahead of my story.
00:19:08The butcher didn't know how he had been brought back from the dead, and he didn't care.
00:19:13All he knew, he was alive.
00:19:16Then this monster-made man started thinking about Los Angeles.
00:19:25On that very night back in Los Angeles, I decided to stop playing detective for a little while.
00:19:43I went to the burlesque house to ask Eva to have dinner with me.
00:19:46After all, the butcher was dead, and if I got lucky, sooner or later I figured Paul Lowe would lead me to the stolen payroll.
00:19:53So, in a way, that possibility made me even feel better.
00:20:01It's not fair to watch the show from backstage.
00:20:04Next time, I'll pay admission.
00:20:06I take it by that remark, you like my routine.
00:20:09Yeah, you're pretty good.
00:20:11What I can't figure out, though, is why you stay in a place like this.
00:20:16It shouldn't be hard for someone like you to get a job in a class spot.
00:20:19If you weren't a detective, I'd be willing to bet with a line like that, your next remark would be, how about dinner?
00:20:26Well, not exactly dinner, but a hamburger might be a good idea.
00:20:31If you're asking in an official capacity, I can't say no.
00:20:35I'm off duty.
00:20:37For the past six months, all I've ever called you is Lieutenant Chasen.
00:20:40Do you have a first name?
00:20:41Uh-huh.
00:20:42Dick.
00:20:43Give me ten minutes for a quick change, because you just made yourself a date, Lieutenant.
00:20:51I mean, Dick.
00:21:01Know something, Dick?
00:21:03I haven't had hamburger in the front seat of an automobile with a guy in a lot of years.
00:21:07Well, from now on, we'll do it more often.
00:21:09That's funny.
00:21:13I always figured a policeman wasn't really a human being.
00:21:16I mean, unless he was arresting someone or trying to solve a case, he was unhappy.
00:21:21Shows you how wrong you are.
00:21:23In fact, everyone on the force gets fed up occasionally with the job they do.
00:21:28Maybe we're more human than anyone else.
00:21:31We see so much trouble, we get to hate the word.
00:21:34But as long as the world's filled with people, there'll have to be men who enforce the laws.
00:21:41What made you join the department?
00:21:44Now, who's making with the questions?
00:21:46No, honest.
00:21:47I'd like to know.
00:21:49Well, it's really a very short story.
00:21:52When I got out of the Air Corps, I knocked around for a while.
00:21:57Well, I went to work for an oil company.
00:21:59One day, I went back to college on the G.I. Bill.
00:22:04Just before graduation, I noticed all about the police department exams.
00:22:09It seemed a pretty good thing to do with your life, so I took the exams, passed, then went on from there.
00:22:17If I ask one more question, would you give me a straight answer?
00:22:20Try.
00:22:21Am I still part of the Charles Benton investigation?
00:22:25I mean, right now?
00:22:26I don't think so.
00:22:30As far as the department's concerned, when Benton was executed, the case was marked closed.
00:22:37But inside of me, that's not good enough.
00:22:40I don't follow you.
00:22:42Well, the $600,000 is still missing.
00:22:45And a fast-talking underworld lawyer like Paul Lowe is walking around a free man.
00:22:49Someday, no matter how long it takes, I'll get him and the money.
00:22:54Until I do, the Benton case for me is not closed.
00:22:58I give you my word, Dick.
00:23:00Charles Benton never told me anything about the money.
00:23:03Oh, I've been sure of that for a long time.
00:23:07But how did you ever get mixed up with anyone like the butcher?
00:23:11As trouble ever started, it just happened.
00:23:14I had a roommate who used to date Benton all the time.
00:23:18One day, she packed and left for Chicago.
00:23:21Benton carried a torch for her, and he used my shoulder to cry on.
00:23:24First thing I knew, we were having dinner together.
00:23:26And a few weeks later, I was labeled by the police as this number one suspect and Benton's girl.
00:23:33But it was never like that.
00:23:35I made only one mistake.
00:23:36I felt sorry for him.
00:23:38You mean, until he was arrested for the robbery and the killing, you had no idea how he earned a living?
00:23:45I know this is going to sound crazy, but I only went out with Benton a couple of times.
00:23:50And all we ever talked about was Madge, my old roommate.
00:23:53The last time I saw him, he tried to get too friendly, and that's when I told him he had the wrong girl.
00:23:59But like I said, I'd already made my mistake.
00:24:03What about the burlesque house?
00:24:05How do you two fit together?
00:24:07You sound like a lot of other people.
00:24:10I left a small town a couple of years ago because I won a beauty contest.
00:24:15And the first prize was a screen test.
00:24:19After which nothing happens?
00:24:21That's right.
00:24:23Only, it was pretty rough.
00:24:26And then one day I read an ad about girls wanted for a burlesque show.
00:24:30I auditioned and I got the job.
00:24:32You know something?
00:24:34It's like any other job.
00:24:35If you're looking for trouble, you can find it even in a school room.
00:24:41Well, when the screen test didn't work out, though, why didn't you go on home?
00:24:45Well, first you have to have a home to go back to.
00:24:48My folks are dead, so Los Angeles was as good as any place else.
00:24:52I don't know about you, but I do eight shows a day, and at this hour I'm bushed.
00:24:58I know what you mean.
00:25:00Mind if I drive you home?
00:25:03No.
00:25:04And I'll tell you something else.
00:25:06I haven't minded anything about tonight.
00:25:08Not even the hamburger.
00:25:09I kept playing tag with Lowe.
00:25:16He made four telephone calls.
00:25:18Three of them didn't interest me, but one did.
00:25:21The one to Joe Marcelli.
00:25:23I watched Joe head for his meeting with Lowe.
00:25:25And for some unknown reason, I began to get the feeling that this case was finally about to explode in my favor.
00:25:30You see what I mean?
00:25:38Well, look at that, will you?
00:25:41I see him stag around two legs, but he's doing it on four.
00:25:44Shut up, you fleabag.
00:25:46Well, look who's calling names.
00:25:48At least I ain't a squealer, a stoolie.
00:25:51I warned you before.
00:25:53All right, Harry, that's enough.
00:25:54I'll take care of him.
00:25:55I want to talk to him.
00:25:56Okay, Mr. Lowe.
00:25:57With any future business you've got with this psycho, take care of it upstairs in your office.
00:26:01If you keep showing around here, sooner or later you're going to get slugged.
00:26:03Crippled or no crippled.
00:26:04All right, you're not up there.
00:26:05Sit down.
00:26:19I need a shot.
00:26:20Bad.
00:26:21You'll get one after I talk to him.
00:26:24You sober enough to understand?
00:26:25Yeah.
00:26:26I run out of dough.
00:26:28No wonder.
00:26:28Look at him.
00:26:29You used to be the best torch man in town.
00:26:32How?
00:26:32I don't think you could crack a safe if you knew the combination.
00:26:35No jobs.
00:26:36Nobody wants me since I turned stakes on Benton.
00:26:38That's your doing.
00:26:39You taught me your doing.
00:26:40All right, quit crying.
00:26:41I got a job for you.
00:26:43If you can stay off that stuff long enough.
00:26:45You know I can if I've got a job.
00:26:47How much?
00:26:48What is it?
00:26:49It's two grand in it for you.
00:26:51Where?
00:26:51Right near where he pulled the job.
00:26:54Interested?
00:26:54Two grand ain't much out of six hundred thousand.
00:26:58We owe their expenses.
00:26:59Besides, that money's plenty of.
00:27:01Now, you want it or I'll get another boy?
00:27:04I'll do it.
00:27:05How soon do you want me to go to work?
00:27:06Set it up for tomorrow night.
00:27:09Call me before noon.
00:27:10I'm bothering the races.
00:27:13One.
00:27:14That's all I'll charge up.
00:27:16Thank you.
00:27:16Thank you.
00:27:44The butcher was walking slowly toward Los Angeles.
00:27:55He'd traveled through wooded hills to prevent being seen by anyone.
00:27:59Finally, he came to a quiet road.
00:28:02He stopped to get his bearings.
00:28:05And then he saw her.
00:28:06He saw something else.
00:28:08An automobile.
00:28:10For the butcher, that rang a bell.
00:28:13With a car, he knew by the next afternoon he'd be in Los Angeles
00:28:16and plenty of time to catch up with the three men who had double-crossed him.
00:28:33Well, see, you're a real gentleman to be helping strangers in distress.
00:28:36I hope you don't mind me using the babe here as bait.
00:28:38Quite a dish, isn't she?
00:28:39But that's what she gets paid for.
00:28:41Bait, that is.
00:28:42Yes, sir.
00:28:43She's a real shaker artist in my outfit.
00:28:45Carnival man, myself.
00:28:46Just call me Connie.
00:28:48Yeah.
00:28:49Well, friend, we're in a little bit of difficulty here.
00:28:51Got a flat tire, brand new car, no tools in the back.
00:28:54Why, some of these dealers make my carnival victims look like babes in the woods.
00:28:57Sound kill, holy.
00:29:23Say, who you with, friend?
00:29:24Let it down.
00:29:25Let it down.
00:29:28No matter who you with, friend, believe me, I can do better for both of us.
00:29:32I'll make a fortune for the both of us.
00:29:33An hour later, the San Francisco Police Department sent out an APB.
00:29:55squads were sent to various parts of the countryside.
00:30:02I'll喝 a few more at all.
00:30:03Come, I'll bet you there.
00:30:04Come, I'll be very fat.
00:30:05I'll know.
00:30:09I'll be right back.
00:30:11I'll be right back.
00:30:13I'll be right back.
00:30:16Come, I'll be right back.
00:30:16¡Suscríbete al canal!
00:30:46Each squad kept reporting back to Central Headquarters, and each of their stories was the same.
00:30:53So far, none of them had spotted the car the killer was driving.
00:30:57Orders were given to shoot to kill, because from the girls' further accounts, they realized they were dealing with a maniac.
00:31:16¡Ah!
00:31:25¡Ah!
00:31:26¡Ah!
00:31:27¡Ah!
00:31:28¡Ah!
00:31:29¡Ah!
00:31:30¡Ah!
00:31:31¡Ah!
00:31:32¡Ah!
00:31:33¡Ah!
00:31:34¡Ah!
00:31:35¡Ah!
00:31:36¡Ah!
00:31:37¡Ah!
00:31:38¡Ah!
00:31:39¡Ah!
00:31:40¡Ah!
00:31:41¡Ah!
00:31:42¡Ah!
00:31:43¡Ah!
00:31:44¡Ah!
00:31:45¡Ah!
00:31:46¡Ah!
00:31:47¡Ah!
00:31:48¡Ah!
00:31:49¡Ah!
00:31:51¡Ah!
00:31:52¡Ah!
00:31:53¡Ah!
00:31:54¡Ah!
00:31:55¡Ah!
00:31:56¡Ah!
00:31:57¡Ah!
00:31:58¡Ah!
00:31:59¡Gracias!
00:32:29There's another hole for some CHP, Captain.
00:32:41These reports sound like they come from a bunch of loonies.
00:32:44They sure do.
00:32:45There it is.
00:32:46Sergeant.
00:32:47Yeah.
00:32:48I want Lieutenant Chasen to look these over as soon as he comes in.
00:32:50All right, Captain.
00:32:55The next morning, I read the stories of the brutal murder of the two police officers.
00:33:00I also read the witness's statement about the bullets having no effect upon the killer.
00:33:08I felt sorry for the witness, and I thought about how easily a person's mind can become confused when suddenly they receive a brutal shock.
00:33:17I didn't believe a man existed who could not be stopped by a slug from a .45.
00:33:23Good morning, Captain.
00:33:26You and the rest of the force are going on 24-hour duty.
00:33:30Seen the headlines?
00:33:31With this guy that's running amok up north?
00:33:34Yeah, the latest report, he's killed two police officers.
00:33:38Made a getaway in a green coop heading south.
00:33:41I've got a hunch this killer's going to be our baby.
00:33:44He could be in town right now.
00:33:46Yeah.
00:33:47You better get started, Lieutenant.
00:33:49Okay.
00:33:49Any new leads on that hold-up, Mike?
00:33:53I think the girl can probably be counted out.
00:33:56If any of the others are wise, they're keeping mighty quiet.
00:33:59Well, let it ride for now.
00:34:01The whole force is going to be on the spot until we catch this killer.
00:34:05The newspapers will have a field day.
00:34:07We were wrong about two things.
00:34:22The killer was already in our city, and we didn't know he was Butcher Benton.
00:34:27He headed straight for Eva Martin.
00:34:29He went to her dressing room to get back the map he had left in the envelope with her.
00:34:33He wanted first to check his money, then catch up with Lowe and the others.
00:34:52Can't be.
00:34:57But you...
00:34:58You do look like...
00:35:01It may be different somehow.
00:35:11It is you.
00:35:14Why didn't somebody tell me?
00:35:20What's happened, Charles?
00:35:23They look like bullet holes.
00:35:25Are they?
00:35:25There isn't even a mark.
00:35:37Don't.
00:35:37Don't.
00:35:38Don't.
00:35:39Don't.
00:35:48Don't.
00:35:49Don't.
00:35:50That.
00:35:50Don't.
00:35:51Don't.
00:35:51You.
00:35:53Damn.
00:35:53I opened it like you told me
00:36:04I found the fifty dollars
00:36:06I didn't know why you left him
00:36:11Paul didn't know why he was here
00:36:23Don't, don't, don't stay crazy
00:36:31The name of Paul triggered his hate
00:36:37He left her dressing room
00:36:39And started for Squeamy Ellis and Joe Marcelli's place
00:36:41Because he knew with them out of the way
00:36:44Paul Lowe couldn't open the strong box
00:36:46Where the money was hidden
00:36:47He thought of Squeamy and Joe first
00:36:50He was saving Paul Lowe for last
00:36:53He was saving Paul Lowe for last
00:37:23Hey Eva, can I borrow your eyebrow pencil?
00:37:49Operator, get me police headquarters
00:37:58Lieutenant Chasen, please
00:38:02When do you expect him?
00:38:08Well, tell him Charles Benton is alive
00:38:13And even bullets can't stop him
00:38:16I'm not crazy
00:38:18Just say a friend of Charles, he'll know
00:38:23After leaving a message for me
00:38:37Eva telephoned Squeamy Ellis
00:38:39She tried to tell him the butcher was alive
00:38:42And on his way over to kill him
00:38:44Squeamy didn't believe her
00:38:46And in a way you couldn't blame him
00:38:47Who in their right mind would believe a man
00:38:50Had returned from the dead
00:38:51What Squeamy actually believed was
00:38:54That the butcher, before his execution
00:38:56Had hired a killer to carry out his threat
00:38:59You sick?
00:39:14What?
00:39:15You don't look so good to me
00:39:17Ten minutes, Eva
00:39:19All right
00:39:20Say, Eva
00:39:21I could take over the matinate trick for you
00:39:23What?
00:39:26It's easy
00:39:26Look, Eva
00:39:27I can do it
00:39:28Scubba-du-du-du-du-du
00:39:30Oh
00:39:31I'm
00:39:32I just thought of something
00:39:35Yeah?
00:39:37Eva agreed to let Francine do the show
00:39:39She hoped she'd be able to interrupt the butcher
00:39:42Before he arrived at Squeamy's hotel
00:39:44Or, failing that
00:39:46At least be able to warn him to stay out of sight
00:39:48You wanted me, Captain?
00:39:54Yeah, I just had a rundown on those fingerprints
00:39:56Of the stolen car up north
00:39:57I got nothing on the driver who was killed
00:40:00Or the woman with him
00:40:01Take a good look at these
00:40:04There's something funny about these
00:40:09Yeah
00:40:09The boys in the lab can't figure it out, either
00:40:12Those are the killers
00:40:14They were found on the steering wheel
00:40:15Looked like they'd been stamped in with a steel die
00:40:18They sure do
00:40:19These are Butcher Bentons
00:40:25What?
00:40:27They look the same to me
00:40:29How do the lab boys explain that?
00:40:31I don't
00:40:32Their best guess is a twin brother
00:40:34An identical twin could have the same pattern of whorls
00:40:38With only slight variations
00:40:40Ever hear of the butcher having a twin brother?
00:40:45No
00:40:45Even if he did
00:40:47It wouldn't explain these freak prints
00:40:49You didn't pick up your message, Lieutenant
00:40:53Some wacky dame calls you
00:40:55And she says Charles Benton is alive
00:40:58And bullets won't stop him
00:41:00If we buy the twin theory
00:41:03Who was she?
00:41:04Where'd she seen?
00:41:05Well, she wouldn't leave her name
00:41:06Sounded kind of hysterical to me
00:41:08Said she was a friend of the butcher's
00:41:10Eva Martin
00:41:12Get over to the Follies
00:41:13And see what that girl knows
00:41:15Yeah
00:41:15Some guys have all the luck
00:41:20I never drew an assignment to the Follies
00:41:22Meanwhile, the butcher headed for Squeamy's hotel
00:41:33He didn't seem to be in any particular hurry
00:41:37Actually, he seemed like any normal person
00:41:40On his way to work
00:41:41Or on his way home
00:41:42He rode up Angel's flight
00:41:54Arrived at the top
00:41:56Scanned the hotel building
00:41:57And then noticed the only exit
00:41:59From Squeamy's apartment
00:42:00A fire escape
00:42:02The Follies
00:42:32¡Gracias!
00:43:02¡Gracias!
00:43:32¡Gracias!
00:44:02¡Gracias!
00:44:32¡Gracias!
00:45:02¡Gracias!
00:45:04¡Gracias!
00:45:06¡Gracias!
00:45:08¡Gracias!
00:45:10The butcher was figuring his next step,
00:45:14and as he looked at the dead cop,
00:45:16he thought about Paul Rowe,
00:45:18the next man on his list.
00:45:20Seen Joe Michelli?
00:45:22Not since last night,
00:45:24when I told him I didn't want him around you no more.
00:45:26Give me a shot.
00:45:32Look.
00:45:42I need help.
00:45:44I just found out that Benton's hired a killer to get me.
00:45:48He's after Joe, too.
00:45:50Well, then drink up and get out.
00:45:52I don't want no trouble around my place.
00:45:54You're a real pal.
00:45:56Drink up and get out, I said.
00:46:02I don't want no, I got him.
00:46:04Don't do this together.
00:46:05HANK EG forum
00:46:06Therey 영화
00:46:10Bride
00:46:24¡Gracias!
00:46:54¡Gracias!
00:47:24¡Gracias!
00:47:54¡Gracias!
00:48:24¡Gracias!
00:48:54¡Gracias!
00:48:56Operator, get me to police.
00:49:00¡Police!
00:49:01¡Gracias!
00:49:01¡Gracias!
00:49:17What's happened?
00:49:19A guy named Squeamy got thrown from the fifth floor.
00:49:21He's dead on a mackerel.
00:49:23A customer of mine.
00:49:24You mean Squeamy, Ellis?
00:49:26Yeah, that's it.
00:49:27Just Squeamy.
00:49:28No one else was killed.
00:49:29Ain't one enough.
00:49:41I tell you, the bullets never even fazed him.
00:49:43He must have been wearing a bulletproof vest.
00:49:46God help us when the papers get a hold of this.
00:49:50Keep an officer on duty here as you hear from me.
00:49:52We'll get a stake out on Joe Marcelli.
00:49:54I'd like to talk to Joe.
00:49:56Lauder, I'm going to call San Quentin.
00:49:57Suppose Benton is alive.
00:49:59Every available man's been put on the case now.
00:50:01Yes, sir.
00:50:02All right.
00:50:03All right.
00:50:05Anything new?
00:50:06Report on Dr. Bradshaw, owner of the station wagon.
00:50:08The San Francisco police located his laboratory in the basement of an electrical power receiving station.
00:50:13Bradshaw, what's he know?
00:50:14He's dead.
00:50:15And another man, too.
00:50:16His assistant.
00:50:17The lab is a shambles.
00:50:19But now we're getting some action from San Francisco.
00:50:22Benton's body never arrived at the mortuary where it was supposed to go.
00:50:26An attendant there finally broke down, admitted he picked up some quick cash by handing the body over to a man he was unable to identify.
00:50:33The man was driving his station wagon.
00:50:36Blasted man.
00:50:37The chief's on my neck and the commissioners are on his and the mayor's on theirs.
00:50:40Now, am I supposed to tell him that our killer is a dead man?
00:50:43They found a notebook in Bradshaw's lab.
00:50:46It ties his experiments in with a Professor Dwiggins at Cal Tech.
00:50:50I hope to hear from Dwiggins soon.
00:50:52Captain, report from the valley on a hysterical woman.
00:50:55Reports the presence of the killer.
00:50:57There's the location.
00:50:58Let's go.
00:50:59You and your boyfriend had a little fight, and he got out of the car to take a walk.
00:51:23You noticed that he walked down toward the sump area in the direction where you'd seen those lights a short while before.
00:51:28What happened then, miss?
00:51:30Please try to tell us.
00:51:32Well, I just sat there.
00:51:36A few minutes, I guess.
00:51:37I was pretty mad.
00:51:40Then there was a loud crash, like heavy metal, sort of, from down here.
00:51:47I got out of the car to get a better look.
00:51:50I heard Jimmy cry out something.
00:51:52I couldn't make out the words.
00:51:54Then, down here, in a patch of light, was Jimmy.
00:52:01And coming toward him was this man.
00:52:07Big man.
00:52:09Lifted Jimmy up over his head like he didn't weigh a thing.
00:52:15Jimmy screamed.
00:52:17Just once.
00:52:19Before he broke Jimmy's back.
00:52:21I heard it snap that far away.
00:52:27Then I started running until I found this house.
00:52:31They let me use the phone.
00:52:37Thank you, miss.
00:52:38We'll see that you get home right now.
00:52:40O'Malley.
00:52:44See that the young lady gets home all right.
00:52:49Paul Lowe, while driving to his office, heard a radio commentator report the murder of Joe Marcelli.
00:52:56And what shocked him most was when the broadcast identified the killer as possibly being the butcher.
00:53:02Lowe headed straight for Eva Martin at the burlesque theater.
00:53:04Oh, you gave me a start, Mr. Lowe.
00:53:09What are you doing here?
00:53:09Where's Eva?
00:53:10Oh, I'm taking her place.
00:53:11I'm going to wear her costumes.
00:53:13What's it to you?
00:53:14I asked you, where's Eva?
00:53:16Hey, don't get physical.
00:53:18Well, watch your tone of voice, Buster.
00:53:20I told you.
00:53:21Little Eva isn't here.
00:53:22I could see that for myself.
00:53:23Where is she?
00:53:25She's at police headquarters.
00:53:28That's where she is.
00:53:30Yes, sir?
00:53:32No, sir.
00:53:33Captain Lauder's still with the mayor.
00:53:35The killer dropped out of sight.
00:53:36He was last seen in the Hollywood area.
00:53:40Yes, sir.
00:53:41We know he's dangerous.
00:53:43Every angle's being covered.
00:53:45Yes, sir.
00:53:46I'll tell him.
00:53:47Here, see how these fit.
00:54:10Low heels.
00:54:11I'm sorry.
00:54:13It's the best our wardrobe department can afford.
00:54:18Any idea how soon the captain will be back?
00:54:24Now, look.
00:54:24I'm going to see the captain.
00:54:25I'm going to have to wait here all night.
00:54:27Paul.
00:54:30Paul.
00:54:31Charles killed Squeamy and Joe.
00:54:34Joe, too?
00:54:34Who?
00:54:37Benton?
00:54:38He's alive.
00:54:39I saw him, but nobody will believe me.
00:54:41I'm checking it.
00:54:43My guess is whoever killed him is on the trail of the money, Low.
00:54:46Now, maybe you better start talking if you know anything about it.
00:54:49I don't know anything.
00:54:50Did the butcher have a brother?
00:54:53No, no brother.
00:54:55It was Charles.
00:54:56I saw the tattoo on his arm.
00:55:02Look, I demand police protection.
00:55:03Where's the money, Low?
00:55:04You heard me.
00:55:05I demand protection.
00:55:05I know my rights.
00:55:06We put stakeouts on your office and home.
00:55:09Well, that's not enough.
00:55:10It's enough as far as we're concerned.
00:55:18Now, you're going to book me, Sergeant?
00:55:20Then throw away the key.
00:55:22Okay.
00:55:26Thank you.
00:55:56Come up with anything yet, Dick?
00:55:58Oh, we've checked every hotel, motel, and rooming house in town.
00:56:02We've run a cross-check on every hangout butcher ever used.
00:56:05Net results blank.
00:56:06This is incredible.
00:56:08We not only discover a dead man turned killer,
00:56:11but it's beginning to look like he plays ghost, too.
00:56:14He's somewhere in this city,
00:56:16and if we have to take it apart brick by brick,
00:56:18we've got to get him.
00:56:20I may be way off,
00:56:21but I think Paul Lowe could tell us a lot.
00:56:24Maybe.
00:56:24Maybe, but it's a cinch he's not going to.
00:56:27I suppose he had no alternative.
00:56:29You'd better grab some coffee.
00:56:31Your mind's beginning to play tricks on you.
00:56:33Lowe, now, wait a minute.
00:56:35When Lowe came to us for police protection,
00:56:37it was because he was scared stiff
00:56:38the butcher would add him to the list of
00:56:40Squeamy Ellis and Joe Marcelli.
00:56:42Go on.
00:56:43It figures, too.
00:56:44When he slugged the sergeant,
00:56:45he knew we'd book him right away.
00:56:47Oh, this Lowe's a pretty cute character,
00:56:49but we can play the same game.
00:56:51You mean we'll threaten to release him?
00:56:53Well, not exactly.
00:56:55You tell him you realize that he was excited,
00:56:58that throwing the punch was accidental.
00:57:00Tell him we're not going to make a charge,
00:57:02that he's completely released.
00:57:03Lieutenant, you know we can't do that.
00:57:05Lowe made his first mistake when he hit the sergeant
00:57:07and let her get him a year.
00:57:08As far as the department's concerned,
00:57:10at least it's a small victory.
00:57:12If my hunch is right,
00:57:14Lowe won't want to be on the streets
00:57:16with the butcher looking for him.
00:57:17And he may talk, and talk a lot.
00:57:20Enough maybe for us to get rid of him permanently.
00:57:22Even lead us to the butcher.
00:57:24If he's frightened enough, that might work.
00:57:28But if it doesn't...
00:57:30No, Dick, I'm not going to release him.
00:57:32I want him out of my way so bad I can taste it,
00:57:34but not bad enough to be responsible
00:57:36for getting him killed.
00:57:37The good thing about that, Captain,
00:57:39is the fact we know it.
00:57:40But Lowe doesn't.
00:57:44Let's give it a try.
00:57:45All right, Lowe.
00:57:46Come on out.
00:57:51I think you'll find everything in there.
00:57:54You're free to go, Mr. Lowe.
00:57:58Wait a minute.
00:57:59Who do you think you're kidding?
00:58:01You arrested me for assaulting an officer.
00:58:04In court, I'll plead guilty.
00:58:06With luck, I might get off with six months.
00:58:08For a lawyer, you're forgetting a very important point.
00:58:12If no charge is made, there's no trial.
00:58:16And it was a tough day for everyone.
00:58:17We figured your nerves were on edge,
00:58:19and when you threw the punch,
00:58:20you didn't know what you were doing.
00:58:22I've squared everything with the sergeant.
00:58:23It's all over.
00:58:25All forgotten.
00:58:25Yeah?
00:58:27Why'd you bring a stenographer?
00:58:28Simply because I wanted a record of our conversation
00:58:31at the time of your release.
00:58:33Okay, Lowe.
00:58:34Let's go.
00:58:35Wait a minute.
00:58:36What's that on those streets?
00:58:38And I'm a dead man.
00:58:39If you let me go,
00:58:40you'll be responsible for murder.
00:58:41Don't come off it, Lowe.
00:58:42You're imagining things.
00:58:44You know the butcher threatened to kill me.
00:58:46You set me free, he'll do it.
00:58:48Well, that's just a risk we'll have to take.
00:58:50But the way I look at it, Mr. Lowe,
00:58:53you'll be okay.
00:58:55Look, Captain, I'll make a deal with you.
00:58:58You keep me here,
00:58:59and I'll tell you how to recover the money.
00:59:01Maybe even catch the butcher.
00:59:02No deals, Lowe.
00:59:03You'd probably tell us anything,
00:59:05just to stall for time.
00:59:06Come on, let's get out of here.
00:59:07Now, wait a minute.
00:59:12All right.
00:59:14I'll tell you the truth.
00:59:17Start taking this down.
00:59:23I, Paul Lowe,
00:59:26hired Butcher Benton,
00:59:29Squeamy Ellis, and Joe Macelli
00:59:30to pull off the armored car holdup.
00:59:35And then Lowe continued with his confession.
00:59:38He told us about finding the map.
00:59:40He showed us the exact location
00:59:42of where the butcher had hidden the stolen payroll.
00:59:45And he gave us a most important answer.
00:59:47The explanation as to how the butcher
00:59:49was able to elude detection.
00:59:52His means of escape
00:59:53was the sewer system that moved our city.
00:59:55The department went to work fast.
01:00:10Every police squad in the city
01:00:11was detailed to cover a specific area.
01:00:14Every entrance and exit
01:00:15to the Los Angeles city sewer system
01:00:17of 700 miles was covered.
01:00:20Captain Lauder and I,
01:00:21along with several other squads,
01:00:22headed for the entrance
01:00:23where, according to the map,
01:00:25Butcher had hidden the money.
01:00:27Our job was to stop him.
01:00:28And that made me think
01:00:29of one specific question.
01:00:31When we found him,
01:00:33could this monster be stopped?
01:00:35I, for one,
01:00:36wasn't sure.
01:00:37Everything all set, Lieutenant?
01:01:01City engineers mapped out
01:01:03each possible exit.
01:01:04A squad of officers
01:01:05are spotted at every point.
01:01:06If the butcher can be caught,
01:01:08now is the time.
01:01:09After I talked to Caltech,
01:01:10I called on the fire department
01:01:11for a little help.
01:01:12The professors thought
01:01:13a flamethrower might stop him.
01:01:15Flamethrower?
01:01:15I suppose our boys
01:01:17have had a chance
01:01:17to join our squads by now.
01:01:19See if we have one with us here.
01:01:21Have you thought about
01:01:21what'll happen
01:01:22if this doesn't work?
01:01:24No.
01:01:25I've been praying too hard
01:01:26that it will work.
01:01:45Good, everyone.
01:02:13¡Gracias!
01:02:43¡Gracias!
01:03:13¡Gracias!
01:03:18¡Gracias!
01:03:19¡Gracias!
01:03:20¡Gracias!
01:03:43¡Gracias!
01:04:13¡Gracias!
01:04:15¡Gracias!
01:04:23This map's right, we're off our course.
01:04:25We'll have to backtrack.
01:04:43¡Gracias!
01:05:13¡Gracias!
01:05:43¡Gracias!
01:05:45¡Gracias!
01:05:46¡Gracias!
01:06:13¡Gracias!
01:06:43¡Gracias!
01:07:13¡Gracias!
01:07:43¡Gracias!
01:08:13¡Gracias!
01:08:43¡Gracias!
01:09:13¡Gracias!
01:09:43¡Gracias!
01:09:45¡Gracias!
01:09:47¡Gracias!
01:09:49¡Gracias!
01:09:51¡Gracias!
01:09:53¡Gracias!
01:09:55¡Gracias!
01:09:57¡Gracias!
01:09:59¡Gracias!
01:10:01And the tremendous shock of electricity that brought the butcher back to life destroyed him.
01:10:07The $600,000 stolen in the armored truck robbery has been recovered.
01:10:11Case closed.
01:10:15Well, here are the scientists' comments for your records.
01:10:18I had to fill in a few spots with my old guesses, but I guess that's about the size of it.
01:10:23Did you get any sleep?
01:10:24Oh, some. Not much.
01:10:26How was the girl today?
01:10:27Well, they called the hospital about an hour ago. She'd gone.
01:10:30Gone? Where?
01:10:31Well, she told him she was a working girl and that she'd been away from the job too long already.
01:10:36Quite a girl.
01:10:37Yeah.
01:10:38Say, uh, how about that time off I've got coming?
01:10:41Forty-eight hours, beginning right now.
01:10:43With some rest, Dick.
01:10:45You know something, Dick?
01:10:55The past 72 hours seemed like a bad dream.
01:11:00That rest in the hospital today really gave me a new lease on life.
01:11:05Now that it's over, I... I can't believe it actually happened.
01:11:09The important thing is to remember, it is all over.
01:11:14I suppose you'll be assigned to another case.
01:11:17And I'll have to give up hamburgers in the front seat of the car for steaks in a restaurant.
01:11:22No.
01:11:23I've thought about that.
01:11:25In fact, I decided to do something about it.
01:11:28I started by talking the captain into a short holiday.
01:11:31And, uh, just about an hour ago, I got you fired.
01:11:36What?
01:11:37What?
01:11:38What did you do that for?
01:11:40I figured that being my wife would take up all of your time.
01:11:47Even if I wanted to say no, I couldn't.
01:11:50You're not supposed to say no to a detective.
01:11:52I figured that too.
01:11:54I knew it.
01:11:55That's too bad.
01:11:56You're not supposed to, it's too bad.
01:11:57You're not supposed to have a인가 cruise outside...
01:11:59What am I supposed to do?
01:12:00What did you do?
01:12:01What is your injured...
01:12:02You're doing this for the poor guy?
01:12:04You're trying to find out my little dance.
01:12:09I'll have to think of now.
01:12:10It needs to be something we are moved from.
01:12:13But we are keeping away from, of course.
01:12:16We are doing anything with the New York Times there.
01:12:17You're going to go to a tree for down.
01:12:18There's some nuts here.
01:12:19We're going to go.
01:12:20It's very powerful and still.
01:12:21Umm, anyway.
01:12:22E aí!
01:12:23Gracias por ver el video.
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