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PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00¡Gracias!
00:02:22Dartmoor Prison
00:02:24Isolated from the outside world
00:02:26By walls of granite
00:02:30They say you could get out of here by merely telling what you know
00:02:43You may or may not be another Scotland Yard bloke
00:02:47But I'll give you the same answer I gave the others
00:02:51I still have two years, eight months and six days left
00:02:57In which to make musical boxes
00:03:00That'll be sold at auction for the benefit of this delightful sanctuary
00:03:06And I intend to serve them
00:03:14Move along
00:03:15And now we come to the next object on our list
00:03:19Or I should say objects
00:03:20Because there are three of them
00:03:22Now, ladies and gentlemen, these can be bought together or separately
00:03:27Now these beautiful little musical boxes only arrived this morning
00:03:30And I didn't intend to put them on the auction block until later
00:03:32But I'm going to sell them now
00:03:34So, good friends, as our old pal Mark Antony used to say
00:03:38Lend me your ears
00:03:41And what do you hear?
00:03:43Right
00:03:45The beautiful tinkle tinkle of a musical box
00:03:47What a lovely trinket
00:03:50What a beautiful gift
00:03:51Created unmade by loving hands
00:03:53A thing of beauty and utility
00:03:56I was going to start with five pounds
00:03:58It's a bargain five pounds
00:04:01Do I see any hands?
00:04:03If the connoisseur in the house will go three pounds for it
00:04:08Two pounds
00:04:10One pound
00:04:12One pound
00:04:15Ten shillings
00:04:18Thank you, sir
00:04:19Ladies and gentlemen
00:04:21Ten shillings is offered for a musical box
00:04:23You couldn't buy anywhere in London for less than five pounds
00:04:26It'd be stealing to let it go for ten shillings
00:04:28Like taking milk from a baby
00:04:30Well, I'd be selling for ten shillings
00:04:32Ten shillings, ten shillings is offered, ten shillings is offered
00:04:34Ten shillings is offered
00:04:35Anybody give me one pound?
00:04:36Anybody give me one pound?
00:04:37One pound
00:04:38One pound is offered
00:04:39One pound is offered
00:04:41One pound is offered
00:04:42Ladies and gentlemen
00:04:43One pound is against you, sir
00:04:44Will you go to two pounds?
00:04:45Will you go to two pounds, sir?
00:04:47Two pounds
00:04:48Two pounds is offered
00:04:49Two pounds is offered
00:04:50One once
00:04:51Twice
00:04:52Third and the last call
00:04:54Sold to the gentleman for two pounds
00:04:56Sorry, my dear
00:04:58Now, ladies and gentlemen
00:05:00Comes the opportunity to purchase
00:05:02An exact duplicate of the beautiful little musical box
00:05:05Just bought by this gentleman
00:05:06For the ridiculous low price of two pounds
00:05:09It's exactly the same
00:05:10Exactly the same
00:05:11Made with the same hands
00:05:12You hear that?
00:05:13Isn't that lovely?
00:05:14That tinkle, tinkle, tinkle, tinkle
00:05:16Sounds like bow belts to me, you know
00:05:18With little angels pulling on the ropes, eh?
00:05:20Who'll give me two pounds for you?
00:05:21Who'll start me with two pounds?
00:05:22Will anybody start me with two pounds?
00:05:24Oh, come comrades and gentlemen
00:05:26You know, from your enthusiasm
00:05:28We might all be in Scotland instead of London
00:05:30Please buy it for me, Daddy
00:05:32Two pounds, certainly not
00:05:33We all might be in Scotland
00:05:35Besides, I don't like his manner
00:05:37One pound, ten shillings
00:05:39One pound
00:05:40One pound is asked
00:05:41One pound
00:05:42One pound is offered
00:05:43One pound is offered
00:05:44Going one pound
00:05:45Any advance?
00:05:46Going once?
00:05:47Going twice?
00:05:48The third and the last call
00:05:49Sold to the lady for one pound
00:05:51Smart bidding, my dear
00:05:53Thank you
00:05:54We come to the third and last
00:05:56Of these beautiful little musical boxes
00:05:58Exactly the same
00:05:59Tinkle, tinkle
00:06:00Isn't that lovely?
00:06:02Ladies and gentlemen
00:06:03I don't bring you here to gully
00:06:04In a swindling
00:06:05This is the exact replica
00:06:06Of those two I just sold before
00:06:15We're closed
00:06:16But this is extremely important
00:06:21Come in, sir, come in
00:06:22I'm sorry to disturb you
00:06:24But I was unfortunately delayed
00:06:26From arriving in time
00:06:27To bid on certain articles
00:06:28Which I was rather anxious
00:06:29To obtain
00:06:30Oh, perhaps they weren't sold, sir
00:06:32We are carrying several things over
00:06:34What might the articles be, sir?
00:06:36Three identical musical boxes
00:06:38About so large
00:06:40Oh, I'm sorry, sir
00:06:41But they were sold
00:06:42Pity you weren't here to bid on them
00:06:44They didn't bring anything like the real value
00:06:46I'm most anxious to obtain them
00:06:48I wonder if your records would show
00:06:50Who the purchasers were
00:06:52Oh, we don't usually give out that information, sir
00:06:55For certain, shall we say, sentimental reasons
00:06:58I'm most anxious to get in touch with the purchasers
00:07:01I'd be willing to pay, shall we say, five pounds
00:07:06Well, for certain sentimental reasons, sir, we'd be very happy to oblige
00:07:10Alfred, today's sales
00:07:12The three musical boxes
00:07:13The three musical boxes
00:07:14The musical boxes, oh
00:07:15Ah, here we are
00:07:16The first purchased for two pounds
00:07:18From Mr. Julian Emery
00:07:1952, Portman Square
00:07:20Write this address down, Alfred
00:07:21Yes, sir
00:07:22The second didn't leave any name
00:07:24Oh, how unfortunate
00:07:25I think she's a dealer
00:07:26You see, they don't like us to know where the things are going
00:07:29On account of the profits
00:07:30You say the, uh, second purchaser was a woman
00:07:34Can you, uh, give me a description of her?
00:07:36Oh, she was a young woman
00:07:38Fairly tall, slender
00:07:40Uh, had a light complexion
00:07:42And dark hair
00:07:43And, and she was wearing a...
00:07:45A grey suit, don't you remember?
00:07:46Sure
00:07:47She probably runs a gift shop
00:07:48Uh, she paid, uh, one pound
00:07:51You say she, uh, comes here fairly frequently?
00:07:55No, I didn't say so
00:07:56But she does, sir
00:07:58Like as not, she'll come in on Thursday
00:08:00We have sales on Mondays and Thursdays
00:08:02Oh
00:08:03And the, uh, third box?
00:08:05The third, oh
00:08:06Mr. William Kilgore
00:08:07143B Hampton Way
00:08:09For ten shillings
00:08:11Hmm, quite a drop from two pounds
00:08:13Mr. Kilgore was a Scotchman
00:08:15Oh
00:08:16Well, thank you, you've, uh, been most helpful
00:08:19Oh, thank you, sir
00:08:21And any time you're passing, dropping
00:08:23We always have lovely things for sale
00:08:25Our card, sir
00:08:26Uh, thank you
00:08:27I'll, uh, be back Thursday
00:08:37The message reached us too late
00:08:39Musical boxes are being sold
00:08:42Well, let's get out of here
00:08:46Ah
00:08:48Ah
00:08:50Some day you'll go too far
00:08:55Reaching for a star, you fool
00:09:01Yet a fool may touch a star, Colonel Cavanaugh
00:09:04If he but reach high enough
00:09:06But not possess it as you would
00:09:08The musical boxes, they've been sold
00:09:13What a pity for you, my dear Colonel
00:09:15Is it my fault that the message reached us only an hour ago?
00:09:19Is it my fault that they were sold?
00:09:21She can't hold me responsible for that
00:09:24I hope for your sake you're right
00:09:26Susan Luskin
00:09:27I think I've done a lot here
00:09:29I've done a lot here
00:09:30I've done a lot here
00:09:46Good night
00:09:48Thank you
00:09:50Thanks, officers
00:09:51The Schadillo Esquiel
00:09:52Then we'll call upon you, tonight, at a quarter to eight,
00:10:00a gentleman who desires to consult you
00:10:02upon a matter of the very deepest moment.
00:10:06Remember that letter, Holmes?
00:10:07It was written over two years ago.
00:10:10Interestante case.
00:10:11Débulously interestante.
00:10:13Irene Adler.
00:10:16That's a striking-looking woman
00:10:17from the brief glance I heard of her.
00:10:19It seems only yesterday.
00:10:21¡Qué hermoso! ¡Qué hermoso! ¡Qué hermoso!
00:10:25¡Qué hermoso! ¡Qué hermoso! ¡Qué hermoso!
00:10:27¡Qué hermoso! ¡Qué hermoso!
00:10:29¡Qué hermoso!
00:10:31Yo creo que el nuevo libro de la Stram Magazine...
00:10:33contiene otra de sus luchas luchas.
00:10:36¡Claro!
00:10:37¿Qué es esto?
00:10:39Me llamo...
00:10:40¡A Scandal en Bohemia!
00:10:42No es un título, ¿eh?
00:10:44Si, por favor, recordar mis errores...
00:10:47I do wish you'd put less emphasis on the melodramatic...
00:10:50and more on the intellectual issues involved.
00:10:53More on the... What do you mean by that?
00:10:55Well, I do hope you've given...
00:10:57the woman a soul.
00:10:59She had one, you know.
00:11:01By the woman...
00:11:03I suppose you mean Irene Adler.
00:11:05Yes.
00:11:07I shall always remember her...
00:11:09as the woman.
00:11:17I think...
00:11:19That's it, old boy. How are you?
00:11:21How are you, old boy?
00:11:23I haven't seen you for years.
00:11:25I want you to meet my old friend Sherlock Holmes.
00:11:27Holmes, this is Stinky.
00:11:29In other words, Julian Emery.
00:11:31How do you do, Mr. Emery?
00:11:33Watson has often spoken of you.
00:11:35Oh, has he?
00:11:37Yes, we were at school together.
00:11:39Yes, more years ago than I care to remember...
00:11:41but you didn't come in here just to remind me of that.
00:11:43No, I just happened to be in the neighborhood...
00:11:45and saw your lights burning...
00:11:47so I took the liberty of looking you up.
00:11:49Still writing your mystery stuff?
00:11:51Yes, there's a new one out this week.
00:11:53Good, I never miss them.
00:11:55Oh, good, thanks.
00:11:57I say that bandage makes you look pretty interesting.
00:11:59Still poking your nose into other people's business as usual?
00:12:01Who hit you?
00:12:03I haven't the foggy's notion.
00:12:05Somebody knocked me on the head in my own living room...
00:12:07and then proceeded to commit the most idiotic burglary you ever heard of.
00:12:10The fellow must have been barmy as a coot.
00:12:12Barmy? Why?
00:12:13Come sit down, old boy.
00:12:15Would you...
00:12:16Would you like a cup of tea?
00:12:17Huh?
00:12:18Oh, all right.
00:12:19I'll go and tell Mrs. Hudson's about it.
00:12:21Why do you say the robbery was idiotic, Mr. Emery?
00:12:27Oh, simply from the fact that...
00:12:29with about 5,000 pounds worth of musical boxes in my living room...
00:12:32the thief who I caught in the act...
00:12:34made off with one that isn't even worth 5 pounds.
00:12:36I gather you're a collector of musical boxes.
00:12:39Yes, I am indeed.
00:12:40Some of them are very beautiful, but not the one that was stolen.
00:12:43The thief evidently grabbed the first thing that came to his hand...
00:12:46when he heard me coming into the room.
00:12:48Still, it's rather odd, isn't it, that having disposed of you...
00:12:51he didn't pick up something more valuable.
00:12:53Hmm.
00:12:54Was there anything unusual about the stolen box?
00:12:56No, nothing at all.
00:12:58No, I...
00:12:59I picked it up in the south of France...
00:13:01oh, several years ago.
00:13:02You say you have many valuable music boxes...
00:13:05and yet the thief made off with one that isn't worth 5 pounds.
00:13:08Sounds like rather an intriguing little problem.
00:13:10That's where I take it that...
00:13:12he was just an ordinary petty thief and didn't know the value.
00:13:14That is a possible explanation, and yet I venture to say...
00:13:17that the average petty thief has a more extensive knowledge...
00:13:20of the value of Objet Dar than the average collector.
00:13:22Well, anyway, that's got in the odds theory.
00:13:24They didn't get very excited about it.
00:13:26That's consistent, anyway.
00:13:28I wonder if I might see your collection, Mr. Emery.
00:13:31Oh, of course you could, yes.
00:13:33Nothing a collector likes more than showing off his trophies.
00:13:36When will it suit you?
00:13:37No time like the present.
00:13:39Good.
00:13:40My place is just round in Portman Square.
00:13:42Shall we?
00:13:43Yes, right.
00:13:48Hello?
00:13:49Where are you going?
00:13:50Sticky hasn't had his tea yet.
00:13:51Oh, I'm sorry.
00:13:52We're going round to my place...
00:13:53where I'm going to give you something better than tea.
00:13:58Now, this one was made for Louis XV...
00:14:00and is one of the very few still in existence from that period...
00:14:03and the particularly fine specimens, yes.
00:14:08Charming, isn't it?
00:14:10Quite.
00:14:11They all sound to me like a lot of mice running about on a tin roof.
00:14:16I'm afraid you have no ear for music, Watson.
00:14:18Give me a good old band playing a rousing march.
00:14:21You have all your silly little tweet-tweets.
00:14:23Another room.
00:14:24This is me.
00:14:33Stupid thing.
00:14:34Singing rabbit.
00:14:35What would you say offhand is the value of a box like that, Mr. Emery?
00:14:47Well, it's hard to say offhand, but I think it will bring about five or six hundred pounds today.
00:14:50It's the gem of my collection.
00:14:51A thief who steals an oddity like a musical box passes up one worth five hundred pounds for one of almost no value at all.
00:15:05Odd.
00:15:06Very odd.
00:15:07What worth a stolen box like, Mr. Emery?
00:15:10Oh, just a plain wooden box about so big.
00:15:14As a matter of fact, I have one over here almost exactly like it.
00:15:18I picked this up yesterday at an auction room in Knightsbridge.
00:15:21Paid only two pounds for it.
00:15:23Of course, I wouldn't in the ordinary way add one like this to my collection, but the tune intrigued me.
00:15:29I'd never heard it before.
00:15:36You have a remarkable ear for music, Hermes.
00:15:51Rather an unusual melody.
00:15:52Sit down.
00:15:53Thanks.
00:15:56You say you bought that box at an auction sale yesterday?
00:15:59Yes, the Gaylord auction rooms in Knightsbridge.
00:16:02Run by old, what's his name?
00:16:04Crabtree.
00:16:05That's the man.
00:16:06At what time is the robbery committed?
00:16:08Oh, about three o'clock this morning.
00:16:10You know, Mr. Emery, that box and the robbery might well be cause and effect,
00:16:15especially since you say that the stolen box outwardly resembles this one a great deal.
00:16:19And Scotland Yard were not particularly interested, eh?
00:16:23Oh, yes, but I wouldn't blame him for that.
00:16:26Especially as I told him I was quite unable to describe the thief.
00:16:29Except, of course, for the fact that it was definitely a man.
00:16:32All you remember is that you came in here and someone struck you on the head.
00:16:35Yes, and the next thing I knew, my man was trying to revive me.
00:16:38It might be wise for you to put that box away somewhere and lock it up.
00:16:40Oh, I don't think that's necessary.
00:16:42Besides, everything's insured.
00:16:44Well, at least if any further attempts at robbery are made, I'd suggest that you call the police,
00:16:49rather than running into any personal danger.
00:16:51Oh, come, Hermes, aren't you being a bit of an alarmist?
00:16:53Possibly, possibly.
00:16:54Oh, I must agree with old Stinky.
00:16:56Seems to me you are making rather a mountain out of a mole skier.
00:16:59Mole hill is the word, old boy, and it's time you were in bed.
00:17:02Thanks so much for letting us see your place.
00:17:04Well, it's been great meeting you.
00:17:08Holmes, I can't understand why you were so mysterious.
00:17:11Seems to me the petty thief explanation was the only sensible one.
00:17:14Really?
00:17:15I can't see how you can believe it was anything else.
00:17:16I didn't say I believed it to be anything else.
00:17:18The petty thief theory is the obvious one, I grant you.
00:17:21However, it's often a mistake to accept something as true merely because it's obvious.
00:17:25The truth is only arrived at by the painstaking process of eliminating the untrue.
00:17:31We are not able to do that in this case without further doubter.
00:17:35Oh, rubbish.
00:17:36You're pulling my leg.
00:17:37You're trying to turn a cup and a halfenny robbery into an international plot.
00:17:42No, I'm not.
00:17:43I just hope that your friend Stinky is a little more cautious in the future.
00:17:46Just in case.
00:17:51No, I just hope that you can't believe it.
00:17:52No, I don't know.
00:17:53No, I don't know.
00:17:54No, I don't know.
00:17:55No, I don't know.
00:17:56No, it's not okay.
00:17:57Hello?
00:17:58Yeah?
00:17:59Julian Emery here.
00:18:00Who?
00:18:01No, I don't know.
00:18:02Yes?
00:18:03Julian Emery here.
00:18:04Who?
00:18:05Well, I didn't know.
00:18:06It's not the same as this could be anyogical answer.
00:18:07I can't think of this question.
00:18:08Hello?
00:18:09Yes?
00:18:10Julian Emery here.
00:18:11¿Qué?
00:18:13¿Qué?
00:18:15Julián Emmerich.
00:18:17¿Quién?
00:18:19¡Por supuesto que me recuerda, Mrs. Courtney!
00:18:23¡Sí!
00:18:25¡Sí!
00:18:27¡Sí!
00:18:29¡Sí!
00:18:31¡Sí!
00:18:33¡Sí!
00:18:35¡Sí!
00:18:37¡Sí!
00:18:43¡Sí!
00:18:45No, no, no!
00:18:47No, no...
00:18:49No, no, no, no.
00:18:51¡Sí!
00:18:53¡Sí!
00:18:55uo
00:19:07¡Boo!
00:19:11¡Oh!
00:19:12¡Oh!
00:19:13He startled me.
00:19:14¿Did I?
00:19:15Yes.
00:19:16Must be the pixie in me.
00:19:18I know I shouldn't have called you so late,
00:19:20but I was at a party just around the corner,
00:19:22and I remembered your invitation to see your collection of musical boxes.
00:19:26My dear Mrs. Courtney,
00:19:27the pleasure is all the greater for being so unexpected.
00:19:30My friends call me Hilda.
00:19:32Thanks.
00:19:33Mine call me Stinky.
00:19:34Stinky, how quaint.
00:19:36Oh, what a perfectly wonderful collection of musical boxes.
00:19:39You know, when you told me you had a collection,
00:19:41I had no idea it was so attractive.
00:19:43Yes.
00:19:44They appeal to the ear,
00:19:46as well as to the eye.
00:19:48Oh, what a plain little one.
00:19:51Mine looks just like a country cousin amid all this grandeur.
00:19:54No, no, no.
00:19:55You mustn't underestimate the country cousin.
00:19:57Only last night a burglar broke in here,
00:19:59and with all these to choose from,
00:20:00went off with one very much like it.
00:20:02Really?
00:20:03Yes, I don't mind the loss of the box so much,
00:20:05I do resent this crack on the skull.
00:20:06But it makes you look so interesting.
00:20:08Oh, do you think so?
00:20:09Uh-huh.
00:20:10It's funny that's what old Fatso said.
00:20:11Fatso?
00:20:12I mean, uh, Dr. Watson.
00:20:14He was here this evening with a friend,
00:20:16a Mr. Holmes.
00:20:17He's interested in my collection, too.
00:20:19Sherlock Holmes?
00:20:20Yes. Do you know him?
00:20:21I've heard of him.
00:20:23Yes, he seems to think I'm in some sort of, uh, danger.
00:20:27What a haunting tune.
00:20:28It takes me right back to my childhood.
00:20:30Really?
00:20:31Do you know, it's odd that you should be interested in that particular musical box.
00:20:34Odd? Why?
00:20:35Because Mr. Holmes is also interested in it.
00:20:37He may have been more interested in the tune than in the box.
00:20:40I get you, that's right.
00:20:42I remember now, he whistled it note for note, having heard it only once.
00:20:46Really?
00:20:47He must be a remarkable man.
00:20:48A bit of an alarmist if you ask me.
00:20:51Don't you believe in warnings?
00:20:53Of course not.
00:20:54Who'd want a box like that?
00:20:56I would.
00:20:57You're not serious?
00:20:59Oh, but I am.
00:21:00Well, you, you put me in a very awkward position.
00:21:03I'm a collector, you know.
00:21:05And the collector buys but never sells.
00:21:07But if the price were high enough?
00:21:10The price has nothing to do with it.
00:21:12It's the principle of the thing.
00:21:15Yes, well, we haven't had our drink.
00:21:18No thanks, I must be getting along.
00:21:23Must you really?
00:21:24I'm afraid so.
00:21:27You're not walking out on me, are you?
00:21:29My reputation.
00:21:31Stinky.
00:21:34I say, you know, you are an attractive woman.
00:21:36Frank.
00:21:45You fool!
00:21:46I told you to wait outside.
00:21:48What did you have to kill him for?
00:21:50All I had to do was walk out with us.
00:21:52He held you in his arms.
00:21:53Don't touch him.
00:21:54Don't touch anything.
00:21:56Now get out.
00:21:57I'm sorry.
00:21:58You're sorry?
00:21:59What about me?
00:22:01This is murder.
00:22:02What about Scotland Yard?
00:22:04What about Sherlock Holmes?
00:22:06Now get out!
00:22:16Good.
00:22:17Did you have any trouble with him?
00:22:35¿Puedo verlo?
00:22:37Bien.
00:22:39¿Puedo tener problemas con él?
00:22:43Solo una cuestión de murder.
00:22:49Pau, Mr. Holmes.
00:22:51Hopkins.
00:22:53Gracias por venir así.
00:22:55Muestra ha dicho que me llamara a usted.
00:22:57Mr. Emery fue el cliente de Mr. Holmes, Inspector.
00:22:59De hecho.
00:23:01¿No mencionó eso cuando me llamó, Mr. Holmes?
00:23:03No, exacto, Inspector.
00:23:05¿Dodgen, Thompson?
00:23:06He was killed between the hours of eleven and two o'clock this morning, Mr. Holmes.
00:23:12Must have been someone he knew.
00:23:13Someone of whom he had no suspicion.
00:23:16Poor old Stinky.
00:23:18It's all my fault.
00:23:19I should have prevented this.
00:23:21Well, there's no time to start talking about that now, Doctor.
00:23:24Apparently it's gone.
00:23:26That's the second attempt on the musical box
00:23:28that Emery bought at the auction sale.
00:23:30And this time it was successful.
00:23:32That box was only worth two pounds.
00:23:33It was worth a man's life, Watson.
00:23:35I think we'd better pay a visit to Gaylord's auction room
00:23:37and that fellow Crabtree.
00:23:39Inspector, may I suggest
00:23:40that you make a complete search of this flat
00:23:42for a small, plain, musical box about that size.
00:23:45Thank you.
00:23:46Come on, Watson.
00:23:47You say the first box went to Mr. Julian Emery,
00:23:52the second to Mr. Kilgore, 143 B Hampton Way,
00:23:55and the third to the unidentified young lady
00:23:57who presumably has a shop and lives near Golders Green.
00:23:59That's right, Mr. Holmes.
00:24:01Isn't it rather strange, Mr. Crabtree,
00:24:03that you should have had three identical musical boxes
00:24:05all playing the same tune.
00:24:06Where'd they come from?
00:24:07Dartmoor Prison.
00:24:08Dartmoor?
00:24:09We get a regular shipment from there every month.
00:24:11The inmates manufacture them.
00:24:13They make all kinds of things.
00:24:14You know, pipe racks,
00:24:15waste paper baskets,
00:24:16musical boxes.
00:24:17Did you happen to notice
00:24:18if anyone showed any particular interest
00:24:20during the auction
00:24:21in the purchasers of these three boxes?
00:24:25Oh, come now, Mr. Crabtree.
00:24:27This is very literally a matter of life and death.
00:24:29Well, since you put it that way, Mr. Holmes,
00:24:31there was a gentleman came in here about an hour after closing time
00:24:34and he was in an awful state, he was.
00:24:38He gave me five pounds to tell him where the boxes had gone.
00:24:40He said they had a sentimental value for him, sir.
00:24:42Oh, expensive sentiment.
00:24:44Can you describe him?
00:24:45He was tall, distinguished looking,
00:24:47and he had gray hair and a mustache.
00:24:49Always quite a gentleman, sir.
00:24:50Now, what was his reaction when you were unable to supply him
00:24:53with the address of the young lady who owned the shop?
00:24:55I told him the young lady usually come back on Thursday.
00:24:58He said he'd come back on Thursday.
00:24:59Now, that's tomorrow.
00:25:00Thank you, Mr. Crabtree.
00:25:01You've been very helpful.
00:25:02Thank you.
00:25:03Come along, Watson.
00:25:04Where are we going now, Holmes?
00:25:06We're home with Mr. Kilgore.
00:25:07The men have bought the third box.
00:25:15But hang it all, Holmes.
00:25:16How do you know those other two musical boxes are of any importance?
00:25:19I don't, but I certainly have no intention of waiting
00:25:21until the owners are murdered to find out.
00:25:25No one at home.
00:25:26I hope that's the explanation.
00:25:28Well, have a look through this window.
00:25:36Doesn't seem to be anyone there.
00:25:39The place seems deserted, as far as I can see.
00:25:42Yes?
00:25:43Mr. and Mrs. Kilgore at home?
00:25:45No.
00:25:46When do you expect them?
00:25:47Oh, in an hour or so.
00:25:49There's no use your hanging about.
00:25:51They don't buy nothing from peddlers.
00:25:53Peddlers?
00:25:54My good woman.
00:25:55This is Mr. Sherlock Holmes.
00:25:56Sherlock Holmes?
00:25:57Oh, go on.
00:25:58Do you mind if we come in and wait?
00:25:59My business is rather urgent.
00:26:01Well, I've got to go out and do my shopping.
00:26:04And I don't know if Mrs. Kilgore like any stranger's nosing about.
00:26:08It's quite all right, I assure you.
00:26:10Well, I've got to be off.
00:26:11It's a wait in the parlour.
00:26:13And no smoking, either.
00:26:14Mrs. Kilgore says it smells up the house.
00:26:20Funny old girl, Holmes.
00:26:21Hmm.
00:26:40Park Lane.
00:26:41Park Lane?
00:26:42And what would the likes of you be doing in Park Lane?
00:26:44Now, don't worry about the fair ducky.
00:26:46If you know how to get to Park Lane, I'll bet.
00:26:51You know, Holmes, I've been thinking.
00:26:56There must have been something hidden in that box of old stinkies.
00:27:00Stolen jewelry, possibly.
00:27:04What's up, Holmes?
00:27:05Listen.
00:27:08What, just the steam in the water pipes?
00:27:17Watson!
00:27:19Great Scott!
00:27:22Come on, Holmes.
00:27:23Get on the chair here.
00:27:27It's all right, my dear.
00:27:30There, there, there.
00:27:31Now, don't worry.
00:27:33It's all over.
00:27:35There you are, dear.
00:27:36Don't cry anymore.
00:27:37She tied me up and shut me in the cupboard.
00:27:40I know, I know.
00:27:41She won't come back.
00:27:43Did you show her your new musical box?
00:27:45Yes.
00:27:46She said she wanted to hear it play.
00:27:48And as soon as I showed it to her, she grabbed all of me.
00:27:51I know, I know.
00:27:52Now, don't worry nobody.
00:27:53We'll buy you a new musical box.
00:27:54Yes, my dear.
00:27:55The best one in London.
00:27:57Watson.
00:27:59Oh, what a fool.
00:28:00What a fool I've been.
00:28:01What do you mean, Holmes?
00:28:02She took the musical box out of this house in that market basket.
00:28:05Right under our very noses.
00:28:06Why could the Kilgore charwoman want to take the music box?
00:28:10She isn't the Kilgore charwoman.
00:28:11She's a consummate actress.
00:28:13An extremely clever, unscrupulous woman who will stop at nothing.
00:28:16Take care of the char, will you, Wolf.
00:28:17I'll learn till her, till her parents get back.
00:28:19Explain everything to them.
00:28:20Of course I will.
00:28:21But, Holmes, where are you going?
00:28:23Somewhere, somehow.
00:28:24I must get to the young lady who bought that third musical box
00:28:27before our opponents find her.
00:28:29I only hope that I won't be too late.
00:28:31Oh, no.
00:28:36No, no.
00:28:37No, no, no, darling.
00:28:38You mustn't cry anymore.
00:28:40Now, cheer up.
00:28:42Would you...
00:28:43Would you like to hear old uncle make a noise like a duck?
00:28:56Oh, sorry.
00:29:01No, no, no, no, no.
00:29:03No, no.
00:29:04No, no, no, no.
00:29:05No, no, no, no.
00:29:06No, no, no, no, no.
00:29:07No, no, no, no, no, no, no, no.
00:29:09No, no, no, no, no, no, no, no, no, no, no.
00:29:11Now, ladies and gentlemen, how much am I offered for this beautiful, lace, Dresden, China figurine?
00:29:28La Lady de la French Court.
00:29:31Ahora, este es el artículo.
00:29:34¡Qué bonito para tu mantelpiece!
00:29:36O sea, podrás usarlo en la mesa de la mesa.
00:29:39¿Alguien me está dando 10 pounds?
00:29:41¿Alguien me está dando 10 pounds?
00:29:43¿8 pounds?
00:29:45¿7 pounds?
00:29:46Bien, 5.
00:29:475 pounds is offered, 5 pounds is offered, 5 pounds is offered,
00:29:505 pounds, 10, 5 pounds, 15, 5 pounds, 15.
00:29:546 pounds is offered, 6 pounds, 6 pounds,
00:29:566 pounds, going once, going twice,
00:29:58the third and the last call, have you all done?
00:30:00Sold to the lady from Twickenham for 6 pounds.
00:30:04Next, we have a real museum piece, ladies and gentlemen.
00:30:08A fine 19th-century doll.
00:30:10The costume and exact replica of the holiday clothes
00:30:13worn by the Hungarian peasant women.
00:30:15Now, ladies and gentlemen,
00:30:17an article like this would cost you from 15 to 20 pounds
00:30:19in a West End shop.
00:30:20I'm not going to ask for anything like that.
00:30:22We'll give me 2 pounds for it.
00:30:232 pounds.
00:30:24Anybody offer me 2 pounds?
00:30:252 pounds for the Hungarian?
00:30:262 pounds?
00:30:271 pound.
00:30:28Anybody give me 1 pound?
00:30:29Anybody offer me 1 pound for the doll?
00:30:311 pound is offered, ladies and gentlemen.
00:30:331 pound is offered.
00:30:34Now, I'm not going to waste your valuable time or mine
00:30:37in trying to get one half of what this beautiful doll is worth.
00:30:40If the young lady can steal it for 1 pound, that's her good fortune.
00:30:43That's why it's going once, it's going twice,
00:30:45the third and last call.
00:30:46Anymore?
00:30:48Sold to the young lady for 1 pound.
00:30:51And now, ladies and gentlemen,
00:30:52may I draw your attention to something which may be a great surprise to you,
00:30:55worthy of any collection.
00:30:56The only other one like it is in the British Museum.
00:30:59It's a Ming vase of the 7th Dynasty.
00:31:02This vase lay in a large collection
00:31:05somewhere outside Rome for over 2 centuries, I understand.
00:31:08It was as discovered there by the noted antiquarian Sir Andrew Cobblestone.
00:31:12Now, some of you may remember Sir Andrew Cobblestone.
00:31:14Besides being a noted travelling antiquarian,
00:31:16he's also a gentleman rider.
00:31:23A girl with a parcel in her hands.
00:31:25That's her.
00:31:26Are you sure that's the girl?
00:31:28She fits perfectly the auctioneer's description.
00:31:31Follow her, Hamid.
00:31:46She fits perfectly the auctioneer's description.
00:31:48There are three other shops.
00:31:49Then there are four shops in her throat.
00:31:50Well, what are you, Mrs. Babers?
00:31:51Will you be a little while for me?
00:31:52But there are two shops.
00:31:53There are three shops in the gate.
00:31:54Thank you, Mrs. Babers.
00:31:54Here, Mrs. Babers,
00:31:56Here, Mrs. Babers,
00:31:56Come on.
00:31:57This is lovely, dear.
00:31:58And only one pound.
00:31:59We can get at least three for it.
00:32:01Easy.
00:32:01We can get at least three for it.
00:32:03Easily.
00:32:06Sureard.
00:32:10It's lovely, dear.
00:32:12And only one pound.
00:32:13We can get at least three for it.
00:32:15Easily.
00:32:16Voy a hacer un té.
00:32:17Podemos hacer con una copa.
00:32:18Bien.
00:32:23Buenas tardes.
00:32:24Buenas tardes.
00:32:25Quiero un mensaje para una hija de 7 años.
00:32:28¿Puedes decir?
00:32:29Tenemos unas maravillosas.
00:32:30Ahora, este pezal...
00:32:31Creo que tiene muchas maravillosas.
00:32:33Los libros son siempre bien.
00:32:35Bueno, quiero un poco diferente.
00:32:37Bueno, eso es muy divertido.
00:32:38¿Qué es?
00:32:39Es una caja musical.
00:32:41Los niños siempre les gustan.
00:32:43Y esta una muy buena.
00:32:46Tiene muchas maravillosas.
00:32:54¿Tienes otros?
00:32:55Sí.
00:32:56Si te vayas.
00:32:58Solo hay dos.
00:33:04Muy bien.
00:33:10¿Estás seguro que esto es todo?
00:33:12Perdón.
00:33:13Es muy difícil encontrarlo.
00:33:15No.
00:33:16No.
00:33:17No.
00:33:18No.
00:33:19No.
00:33:20No.
00:33:21No.
00:33:22No.
00:33:23No.
00:33:24No.
00:33:25No.
00:33:26No.
00:33:27No.
00:33:28No.
00:33:29No.
00:33:30No.
00:33:31No.
00:33:32No.
00:33:33No.
00:33:34No.
00:33:35No.
00:33:36No.
00:33:37No.
00:33:38No.
00:33:39No.
00:33:40No.
00:33:41No.
00:33:42No.
00:33:43No.
00:33:44No.
00:33:45No.
00:33:46No.
00:33:47No.
00:33:48No.
00:33:49No.
00:33:50No.
00:33:51No.
00:33:52No.
00:33:53No.
00:33:54No.
00:33:55No.
00:33:56No.
00:33:57No.
00:33:58No.
00:33:59No.
00:34:00No.
00:34:01No.
00:34:02No.
00:34:03No.
00:34:04No.
00:34:05No.
00:34:06No.
00:34:07No.
00:34:08No.
00:34:09No.
00:34:10No.
00:34:11No.
00:34:12No.
00:34:13No.
00:34:14No.
00:34:15No.
00:34:16No.
00:34:17No.
00:34:18¡Cállate!
00:34:21¡Cállate!
00:34:22¡A qué!
00:34:23¡Gauland yard!
00:34:24¡Ap in!
00:34:33¡Sherlock Holmes!
00:34:34¡I might have known!
00:34:36¡We thought we were the hunters!
00:34:38¡Instead of which, we're the hunted!
00:34:41¡We've been fools!
00:34:42¡We played right into his hands!
00:34:44¡Of course!
00:34:46¡He's had us followed!
00:34:48¡Don't look!
00:34:50¡The man in front of the toy shop!
00:34:54¡Hamid!
00:34:55¡Turn sharp right at the next corner and again at the next!
00:35:05No photograph of her, Commissioner.
00:35:07As I expected.
00:35:08She's not a known criminal.
00:35:10But I expect to know if you do find her.
00:35:12After all, she was disguised as a charwoman.
00:35:15Don't worry, old fellow.
00:35:17If I ever see her again, I'll recognize her.
00:35:19Well, it won't be long till we know who they are and from where they operate.
00:35:23Who's covering them?
00:35:24Sergeant Thompson's following them, sir.
00:35:26They won't get away from him.
00:35:27He's a good man.
00:35:28We could have arrested them at Clifford's toy shop if we had any proof.
00:35:31But we know that they killed Emrah.
00:35:33Proof, my dear fellow.
00:35:34We must have proof.
00:35:36We've x-rayed it, sir.
00:35:38There's nothing whatever concealed in the box.
00:35:40We'll have a look at the plates.
00:35:50There must be some clue.
00:35:52And it's probably been so obvious that we've all overlooked it.
00:35:55Seems to me we're up against a bunch of lunatics.
00:35:57Not lunatics, my dear fellow.
00:36:02Extremely astute, cold-blooded murderers.
00:36:04What can these little musical boxes have in them that's so important?
00:36:08Don't forget they were made in Dartmoor prison.
00:36:10You can smuggle stuff into prison but not out.
00:36:13Do you want us to break the box apart so to see if there's anything the x-ray hasn't caught?
00:36:17No, not yet.
00:36:18Do you mind if I take it?
00:36:19Certainly.
00:36:20Thanks.
00:36:31The governor of Dartmoor prison informed us, sir, in answer to Mr. Holmes' question,
00:36:35that all three musical boxes were made by the same convict, John Davidson.
00:36:40Serving a seven-year term, sir.
00:36:41Davidson?
00:36:42The Bank of England plates.
00:36:43That'll be all.
00:36:44Yes, sir.
00:36:45Now we're getting somewhere.
00:36:47If...
00:36:48Wait a minute.
00:36:49How did you know about plates, Mr. Holmes?
00:36:51I'm a student of crime, Inspector.
00:36:53I make it my business to know about such things.
00:36:55And when the name of Davidson was mentioned...
00:36:57Well, who is this fellow Davidson?
00:36:59As long as Mr. Holmes seems to know all about it already,
00:37:02I suppose there's no harm in telling you.
00:37:04Uh, two years ago in London, there occurred a robbery of such tremendous importance.
00:37:11Although the stolen articles themselves have no intrinsic value whatsoever.
00:37:14That the Home Secretary was instrumental in seeing that not a word of it appeared in any newspaper.
00:37:19But you never told me anything about this, Holmes?
00:37:22You were away at the time.
00:37:24Articles of no intrinsic value and yet of such importance?
00:37:27Huh.
00:37:28I don't understand.
00:37:29Davidson was apprehended within 15 minutes of committing the theft.
00:37:33But by that time, he'd hidden the articles in question and they've yet to be found.
00:37:38Before going further, Dr. Watson, I must inform you that this matter's not to be mentioned outside of this room.
00:37:43Of course not.
00:37:44Do I look like a man who'd gossip?
00:37:46Let's not go into that now, old brother, shall we?
00:37:48Davidson had been employed for years in a position of extreme trust by the engravings department of the Bank of England.
00:37:55The articles he stole were nothing less than a complete duplicate set of plates for printing five-pound notes.
00:38:02What? The Bank of England's own plates?
00:38:04Precisely.
00:38:05And with those plates, a gang of crooks could flood England with five-pound notes,
00:38:10not forged in the usual sense of the word,
00:38:12but notes undetectable from genuine Bank of England notes in any way whatsoever.
00:38:16Good heavens.
00:38:17Any whisper at all might have resulted in enormous damage in shaking public confidence in the Treasury.
00:38:23We tried everything after we arrested Davidson.
00:38:25Offered him a shorter sentence if he'd tell us where he'd hidden the plates.
00:38:28Why, we even put in Scotland Yard men with him as cellmates, but no results.
00:38:34Obviously Davidson is a man of strong character and infinite patience.
00:38:38Yet suddenly he feels impelled to smuggle out the secret of the hiding place of the plates to his Confederates.
00:38:44Why?
00:38:45I don't understand, Mr. Holmes.
00:38:47Well, for example, has the Bank of England made any plans to radically change the design of the five-pound note
00:38:55so that in, say, seven years from now, notes made from the stolen plates would be worthless?
00:39:00Confidentially, Mr. Holmes, such a move was discussed.
00:39:03But replacing all the five-pound notes in circulation would be such a Herculean task that nothing's been done about it as yet.
00:39:09I see. Of course, there is another possible explanation.
00:39:13Davidson didn't have much time to find a hiding place before he was captured.
00:39:16He may be afraid that the plates will be accidentally discovered before he's released.
00:39:22Hence his anxiety to communicate their whereabouts to his Confederates as soon as possible.
00:39:27I believe you've hit it, Mr. Holmes.
00:39:30I'm sure that the message is contained in this musical box.
00:39:34Or rather, in all three musical boxes, since possession of all three seems to be essential.
00:39:40Our opponents have two-thirds of the puzzle. We have one-third.
00:39:44Well, what are you going to do, Holmes?
00:39:46Try to deduce the message from the one-third that we have.
00:39:51I don't know, Holmes is Volika.
00:39:53I don't know.
00:39:55Great.
00:39:57Daddy upholds the
00:40:06element of the title of...
00:40:08La música es la misma que la música de Emory.
00:40:33Pero es diferente.
00:40:38Es lo mismo para mí.
00:40:40La música.
00:40:43De alguna manera, la música es la clave del misterio.
00:40:48Debería ser la música.
00:40:50Sin embargo, ¿por qué usar tres boxes de música para transmitir el mensaje?
00:40:54¿Por qué no las bolas de bolas de bolas o bolas de bolas?
00:40:58Sí.
00:41:00Es para ti, Inspector.
00:41:02Gracias, señor.
00:41:04Inspector Hopkins está hablando.
00:41:07¿Qué?
00:41:10¿Por qué?
00:41:12¿Por qué?
00:41:43¿Por qué?
00:41:44¿Por qué?
00:41:45¿Por qué?
00:41:46¿Por qué?
00:41:47¿Por qué?
00:41:48¿Por qué?
00:41:49¿Por qué?
00:41:50¿Por qué?
00:41:51¿Por qué?
00:41:52¿Por qué?
00:41:53¿Por qué?
00:41:54¿Por qué?
00:41:55¿Por qué?
00:41:56¿Por qué?
00:41:57¿Por qué?
00:41:58¿Por qué?
00:41:59¿Por qué?
00:42:00¿Por qué?
00:42:01¿Por qué?
00:42:02¿Por qué?
00:42:03¿Por qué?
00:42:04¿Por qué?
00:42:05¿Por qué?
00:42:06¿Por qué?
00:42:07¿Por qué?
00:42:08¿Por qué?
00:42:09¿Por qué?
00:42:10¿Por qué?
00:42:11¿Por qué?
00:42:12¿Por qué?
00:42:13¿Por qué?
00:42:14¿Por qué?
00:42:15¿Por qué?
00:42:16¡Por qué?
00:42:22¿Por qué?
00:42:23¡Ay!
00:42:24...especially if he's taking him a walk.
00:42:27What on earth is this outlandish place?
00:42:30A rendezvous for actors.
00:42:32Actors?
00:42:34Buskers, old boy.
00:42:35You've seen them a thousand times.
00:42:37Actors who entertain the queues.
00:42:40Waiting outside theaters.
00:42:41Oh, you never notice who you're going to meet
00:42:45When you're walking down a busy London street
00:42:50So you better wear your vest
00:42:54Hell with pies to look your vest
00:42:56Cause you never notice who you're going to meet
00:43:00So you better keep your manners right in view
00:43:07Just in case a lie gives a how to do
00:43:11Keep your trousers in a pleat
00:43:14Shine your shoes and keep them neat
00:43:16Cause you never notice who you're going to meet
00:43:20Blimey, Mr. Holmes
00:43:23How are you, Joe?
00:43:26Never pet him.
00:43:27And yourself?
00:43:28Fine, thank you.
00:43:29I want you to meet a friend of mine, Dr. Watson, Joe Sisto.
00:43:32Oh, well, any friend of Mr. Holmes is a friend of mine.
00:43:34How are you, Joe?
00:43:35He did me a good turn once that I'll never forget.
00:43:37Yes, I cleared Joe of a most unpleasant charge.
00:43:40Murder, no less.
00:43:41Oh, really?
00:43:41By proving to the satisfaction of the police
00:43:43That he was busy at the time blowing open someone's safe.
00:43:46That's right, Governor.
00:43:47Good gracious me.
00:43:47Now, Joe, now you can help me.
00:43:53Come on, buzz off, buzz off.
00:43:55Come on, up here, up here.
00:43:56Can't a gentleman have some peace and quiet around here?
00:44:02And you too.
00:44:05There you are, Mr. Holmes.
00:44:06Now we can have some peace and quiet around here.
00:44:08Thank you, Joe.
00:44:10There's five pounds in this for you.
00:44:11Well, I wouldn't want to take it on myself, sir.
00:44:14But I can get somebody to do it for you for half of that.
00:44:17You don't know what the job is yet.
00:44:18For five pounds?
00:44:20Murder, ain't it?
00:44:21What?
00:44:22No, Joe, not murder.
00:44:23Just music.
00:44:24I want you to identify a song for me.
00:44:26Oh, there ain't a song that's been written that I don't know.
00:44:29That's why I came to you.
00:44:30Now, of course, the violin is more my instrument.
00:44:33But, um, oh, well, here we go.
00:44:35Now, listen to this, Joe.
00:44:42Wait a minute.
00:44:44You're playing that wrong.
00:44:45That should be E natural, not E flat.
00:44:47You know the song?
00:44:48Oh, yes.
00:44:49It's an old Australian song called, uh, The Swag Man.
00:44:52But you're playing it all wrong.
00:44:54That's what I hoped you'd say.
00:44:55Now, listen again, Joe.
00:45:03That's the same tune, all right.
00:45:04But you're making different mistakes than you did the first time.
00:45:07No, not mistakes, Joe.
00:45:08Call them variations.
00:45:09Here, play the song for me, will you?
00:45:10The other way it's written.
00:45:33Here you are.
00:45:34Thank you, Joe.
00:45:36What's it mean, Holmes?
00:45:38Are you on to something?
00:45:40Perhaps.
00:45:41I don't know yet.
00:45:43It's probably a code of some sort.
00:45:46Joe.
00:45:48Could you write the song down for me?
00:45:51The way it was originally written?
00:45:52Oh, sure, Miss Downs.
00:45:53But it'll take a few minutes.
00:45:55Here, Mabel.
00:45:59Hail, hail.
00:46:00Come on, not to it.
00:46:01Along with it.
00:46:03Well, obviously, it isn't the lyrics.
00:46:16No combination of those words made any sense at all.
00:46:19The variations in the way Emery's musical box played the tune
00:46:22are different from the variations in the one we have.
00:46:24You're sure?
00:46:25Quite.
00:46:25You see, I took the trouble to memorize the tune
00:46:27as played by Emery's box
00:46:29that night we were with him in his flat.
00:46:30Oh, you amaze me.
00:46:32Now, let me mention, my dear fellow,
00:46:33one of the first principles in solving crime
00:46:35is never to disregard anything, no matter how trivial.
00:46:38But why the three boxes?
00:46:39Why not one?
00:46:41Because the message was obviously too long
00:46:43to be conveyed by any one variation.
00:46:46Then there's the third box,
00:46:48the one that woman took from the Kilgores.
00:46:51That contains yet another set of variations.
00:46:54Yes, sir, it's all beyond me.
00:46:55Well, all we have to do now
00:46:58is to find the secret of the variations.
00:47:00Not a very easy problem to solve, my dear fellow.
00:47:07Hello.
00:47:08What's up?
00:47:12We've had company.
00:47:13I say, this is outrageous.
00:47:24Ask Mrs. Hudson to come in here, will you?
00:47:26Right.
00:47:32Mrs. Hudson?
00:47:35Yes?
00:47:36Oh, there you are.
00:47:37Will you come up here at once, please?
00:47:39Oh, come in, sir.
00:47:56Merci me, Mr. Holmes.
00:47:58What has happened?
00:47:59Who called while we were out, Mrs. Hudson?
00:48:01Just a young lady.
00:48:03The one who said you wanted her to wait for you.
00:48:05And a nice-looking old gentleman with her.
00:48:06Our friends again, Watson.
00:48:08Friends?
00:48:08What did the young lady look like?
00:48:10Oh, I couldn't see her face.
00:48:12She had a heavy black veil on.
00:48:15But she had such a nice way with her.
00:48:17Oh, I'm sorry, Mr. Holmes,
00:48:20if I've done anything wrong.
00:48:22But you did say
00:48:24I should always let clients come in and wait for you.
00:48:26Don't worry, Mrs. Hudson.
00:48:27Don't worry.
00:48:28You had no way of knowing.
00:48:30It's quite all right.
00:48:31Quite all right.
00:48:31Now, don't worry, Mrs. Hudson.
00:48:36Don't worry.
00:48:37Well, where on earth's the musical box?
00:48:40They didn't get it.
00:48:42Didn't get it?
00:48:43Where is it?
00:48:45It's in your hand.
00:48:46Huh?
00:48:47In a biscuit jar.
00:48:51Take the biscuits off the top.
00:48:55Now, put your hand inside,
00:48:57and you'll find the music box.
00:48:58Well done, Holmes.
00:49:02Well done.
00:49:03Amazing.
00:49:04Nice, fresh smell.
00:49:26Like a pub after closing time.
00:49:29Huh.
00:49:35I say, Holmes.
00:49:37What?
00:49:38It's morning.
00:49:40Allow me to congratulate you
00:49:41on a brilliant bit of deduction.
00:49:42Huh.
00:49:43It's not a transposition,
00:49:52not a polygraph transposition,
00:49:53not a trigraph,
00:49:55nor any known form of decoding.
00:49:57How about the Morse code?
00:49:59Have you tried that?
00:50:00Yes, at about three o'clock this morning.
00:50:02I'm sorry, old man.
00:50:02I was only trying to help.
00:50:03Oh, do me a favor.
00:50:22Not again.
00:50:23Must have heard that thing a thousand times.
00:50:25Get me awake all night.
00:50:33Not a very distinguished conversation,
00:50:35I grant you.
00:50:36You know perfectly well
00:50:37I don't know one tune from the other.
00:50:39When I was a kid,
00:50:40my people tried to have me taught the piano.
00:50:42I've always felt sorry
00:50:44for that old teacher of mine.
00:50:45The poor old girl
00:50:46finally reached the point
00:50:47of numbering of the keys for me.
00:50:49One, two, three, four.
00:50:50Even then,
00:50:51I never progressed beyond...
00:50:53Numbering the keys, Watson.
00:50:55The 19th key of the keyboard
00:50:57is the 19th letter of the alphabet.
00:51:00S.
00:51:01Here.
00:51:02Now, get down,
00:51:02but I'll give it to you, Holmes.
00:51:03The first altered note.
00:51:07Write S first.
00:51:08Now, the 8th key
00:51:10is H,
00:51:14the 5th key, E,
00:51:17the 12th key, L,
00:51:20the 6th key, F.
00:51:23S, H, E, L, F.
00:51:26Shelf.
00:51:28Your piano lessons were not in vain, old fellow.
00:51:30You've solved it.
00:51:31Thank you.
00:51:31Oh, thanks, old man.
00:51:34Hold it.
00:51:37We now have two-thirds of the message behind books.
00:51:41Third shelf,
00:51:42secretary,
00:51:43Dr. S.
00:51:46Presumably,
00:51:47these are the first and second portions of the message.
00:51:50And this gang has the first and third parts of it.
00:51:54Precisely.
00:51:54Then it's a stalemate?
00:51:56Yes, commissioner,
00:51:57but we can't leave it like that.
00:51:58There's no doubt in my mind
00:51:59that they'll try to secure
00:52:00our third of the message that's missing.
00:52:03Well, I assume you've taken every precaution to guard
00:52:05the Clifford musical.
00:52:05Oh, yes, it's carefully hidden at Baker Street
00:52:07with Dr. Watson on guard.
00:52:08However,
00:52:08I'm reasonably certain that,
00:52:11difficult as it may be,
00:52:12we can find the plates
00:52:13even without the missing part of the message.
00:52:16Behind books,
00:52:18third shelf,
00:52:19secretary,
00:52:20Dr. S.
00:52:22And outside of the fact
00:52:23that Davidson hid the Bank of England plates
00:52:24somewhere in London,
00:52:25Mr. Holmes,
00:52:26I don't see that we've progressed at all.
00:52:28Allow me to point out to you, sir,
00:52:30the key words,
00:52:32Dr. S.
00:52:33It looks as if the plates were hidden
00:52:35in the house of a doctor.
00:52:36Whether S stands for his first or last initial
00:52:39remains to be determined
00:52:40by a process of elimination.
00:52:42Well, there must be 10,000 doctors in London
00:52:44with S for a first or last initial.
00:52:47Precisely.
00:52:48And every one of them
00:52:49will have to be questioned in person.
00:52:51That's why I say this is a task for Scotland Yard.
00:52:53It's a task, all right.
00:52:54But Scotland Yard has searched worse haystacks
00:52:57and found the needle.
00:52:58Well, for the time being,
00:52:59I'll leave the matter in your hands, gentlemen.
00:53:03We'll call you
00:53:04if and when we get a lead
00:53:05on our mysterious Dr. S.
00:53:07Thank you.
00:53:08In the meantime,
00:53:09I intend to follow up a little clue
00:53:10concerning a cigarette.
00:53:18You're certain of the identification of the tobacco?
00:53:21Absolutely.
00:53:23I have made up this special blend
00:53:24for only three customers.
00:53:26It is almost pure Egyptian
00:53:28with admixture of Latakia
00:53:31for added body
00:53:32and a pinch of Perique.
00:53:36Merely a whisper, as one might say,
00:53:38for elusive fragrance.
00:53:40Yes, yes.
00:53:40And the three customers?
00:53:42Major Wilson in Bombay, India.
00:53:45Mm-hmm.
00:53:45Mrs. Catherine Leamington-Smith in Ireland.
00:53:49Yes, and the third?
00:53:50Mrs. Hilda Courtney
00:53:52of Park Mansions,
00:53:54Brianston Square.
00:53:56Thank you.
00:53:56Thank you very much.
00:53:57You've been most helpful.
00:53:58It is a pleasure
00:53:58to have been of service, Mr. Holmes.
00:54:00Thank you very much, Mr. Holmes.
00:54:01Thank you very much, Mr. Holmes.
00:54:02Thank you very much, Mr. Holmes.
00:54:03Thank you very much, Mr. Holmes.
00:54:06Yes?
00:54:07Mrs. Courtney?
00:54:08Yes.
00:54:09My name is Sherlock Holmes.
00:54:10Do come in.
00:54:11Thank you.
00:54:12I've heard of you, of course, Mr. Holmes.
00:54:13I believe we have a mutual friend
00:54:14in Sir Edward Brookdale.
00:54:15He's spoken to me of you quite often.
00:54:16Indeed.
00:54:17And to what good fortune am I indebted for this visit?
00:54:19I think you know, Mrs. Courtney.
00:54:20Well, I...
00:54:21I did get a summons for speeding last week.
00:54:23But outside of that,
00:54:24I don't think I'm of any interest to the police.
00:54:25Oh, come now, Mrs. Courtney.
00:54:26You seem to forget that you were a man.
00:54:27You were a man.
00:54:28Yes, sir.
00:54:29Yes, sir.
00:54:30Yes, sir.
00:54:31Yes, sir.
00:54:32Yes, sir.
00:54:33Yes, sir.
00:54:34Yes, sir.
00:54:35Yes, sir.
00:54:36Yes, sir.
00:54:37Yes, sir.
00:54:38Yes, sir.
00:54:39Yes, sir.
00:54:40Yes, sir.
00:54:41Yes, sir.
00:54:42Yes, sir.
00:54:43Yes, sir.
00:54:44Yes, sir.
00:54:45Yes, sir.
00:54:46Yes, sir.
00:54:47You and I have met before.
00:54:48I'm sorry.
00:54:49I'm sure I would have remembered meeting the great Sherlock Holmes.
00:54:52Please sit down.
00:54:53Thank you.
00:54:54You say we met before.
00:54:57Yes.
00:54:58At the home of Mr. and Mrs. Kilgore, 143 B Hampton Road.
00:55:03Kilgore?
00:55:05I don't think I know anyone of that name.
00:55:08Well, I didn't say you knew them.
00:55:10As a matter of fact, you called on them when they were out.
00:55:13I don't understand, Mr. Holmes.
00:55:16Really?
00:55:17And you were dressed rather differently.
00:55:18Indeed.
00:55:19Cigarette.
00:55:20Thank you.
00:55:23Thank you.
00:55:24Thank you.
00:55:26You know, Mrs. Courtney, people generally forget, in assuming a disguise, that the shape of the ear is an almost infallible means of recognition and understanding.
00:55:28and identification to the trained eye.
00:55:29Evidently, you've mistaken me for someone else.
00:55:30Oh, no.
00:55:31Not at all.
00:55:32Though naturally I expected your denial.
00:55:33No.
00:55:34No.
00:55:35No.
00:55:36No.
00:55:37No.
00:55:38No.
00:55:39No.
00:55:40No.
00:55:41No.
00:55:42No.
00:55:43No.
00:55:44No.
00:55:45No.
00:55:46No.
00:55:47No.
00:55:48No.
00:55:49No.
00:55:50No.
00:55:51No.
00:55:52de reconocimiento y identificación de la llamada.
00:55:55Evidentemente, me equivocó a alguien.
00:55:57No, no, ni nada.
00:55:58Pero, de repente, esperaba tu renuncia.
00:56:01Pero cuando tu visitas a mi habitación en Baker Street,
00:56:04te dejaron otra identificación.
00:56:10Están...
00:56:12¿Están identificados?
00:56:14Sí, de acuerdo, están.
00:56:16Si, Mr. Holmes, para encontrar uno tan inteligente como tú,
00:56:18tenía que usar una luna muy especial.
00:56:21Yo sabía que no podía resistir mi cigarrillo,
00:56:24teniendo con gran interés tu monografía
00:56:26sobre las ases de 140 diferentes variedades de tobacco.
00:56:30Debería decir que no se mueva, Sr. Holmes.
00:56:36Quiero agradecer a tu ingenuidad, Mrs. Cotney.
00:56:39Es un trato brillante.
00:56:41Gracias, Sr. Holmes.
00:56:42La praise de la maestra es gratificante.
00:56:46Siempre agradezco la memoria de tus palabras platicas.
00:56:49¿Memoria?
00:56:51Precisamente.
00:56:53I'm afraid these gentlemen have a most regrettable task to perform.
00:56:57Unless, of course, you care to turn over the missing musical box,
00:57:02with your pledge to take no action against us in the future.
00:57:06I'm afraid that will be impossible.
00:57:08I thought that would be your answer.
00:57:09Hummed!
00:57:10Careful!
00:57:11Careful.
00:57:13There's no need to be unnecessarily rough with our distinguished guests.
00:57:17You realize, Mr. Holmes, that your demise will not take place here,
00:57:21at the, uh, corpus delecti, you know?
00:57:25Well, naturally.
00:57:26Shall we go?
00:57:30It's so fearfully awkward having a dead body lying about.
00:57:33Don't you agree, Mr. Holmes?
00:57:35Another dead body shouldn't weigh too heavily on your conscience, Mrs. Cotney.
00:57:47Do you mind if I have a cigarette?
00:57:49Well, I don't see why not.
00:58:04Be careful, Hamid.
00:58:07It's the brakes. They bind.
00:58:09Thank you, Colonel Kavanagh. It's very considerate of you.
00:58:39You'll be happy to know, Mr. Holmes, that your death will be a painless one.
00:58:51Hamid, attach this to the motor of the taxi.
00:58:59That little attachment, my dear Mr. Holmes, contains the deadly fluid known as monosulfrid.
00:59:05The Germans use it with gratifying results in removing their undesirables.
00:59:15Start the motor.
00:59:35Start the motor.
00:59:39Tape his mouth.
00:59:48Now...
00:59:50Up with him, Hamid.
00:59:52You find yourself like Mohammed's coffin, Mr. Holmes.
01:00:06Suspended between heaven...
01:00:09and earth.
01:00:15Plenty of fuel in the tank?
01:00:18Good.
01:00:19It would be too bad to have anything go wrong through so simple an oversight.
01:00:47What, can you do?
01:00:48Here it is!
01:00:51Let's go home.
01:00:53Look at that!
01:00:55We are Mukherjee.
01:00:57Let's go home!
01:00:58Here are more.
01:01:02Here are more.
01:01:04Let's go home.
01:01:06There is more.
01:01:08Give more.
01:01:10Well, there is more.
01:01:12See...
01:01:13¡Suscríbete al canal!
01:01:43¡Suscríbete al canal!
01:02:13¡Suscríbete al canal!
01:02:43¡Suscríbete al canal!
01:02:45¡Suscríbete al canal!
01:02:47¡Suscríbete al canal!
01:02:49¡Suscríbete al canal!
01:02:51¡Suscríbete al canal!
01:02:53¡Suscríbete al canal!
01:02:55¡Suscríbete al canal!
01:02:57¡Suscríbete al canal!
01:02:59¡Suscríbete al canal!
01:03:01¡Suscríbete al canal!
01:03:03No, no, nada de lo que sea.
01:03:05No dejó un mensaje, no había dado cuenta de la bolsa, no explicación.
01:03:09Ella empezó a salir de la ciudad de nuestro hogar en el cielo...
01:03:13y se vio de la superficie del cielo.
01:03:15Ahí, ahí, ahí.
01:03:17¿Puedo tomar una glassa de agua?
01:03:18Una glassa, por supuesto, una glassa de agua.
01:03:21Vamos a ver en un momento.
01:03:33¡Suscríbete al canal!
01:03:55Gracias, Dr. Watson.
01:03:57No, no, no, no, no.
01:03:58No, no, no.
01:03:59No, no, no.
01:04:00No, no, no.
01:04:01He already knows that you're going to help me.
01:04:03Oh, Dr. Watson, look!
01:04:04Good heavens.
01:04:10Get through the fiber gate, quickly.
01:04:16Haven't you a fire extinguisher?
01:04:18Ardger, we have it again.
01:04:31No te preocupes, Mrs. Williams,
01:04:44we'll have this thing out in no time.
01:04:56Ah, I've got it.
01:05:01Yes, it's the mayor.
01:05:04Well, you see, there was no need for the fire brigade after all.
01:05:09I hope you weren't too frightened, Mrs. Williams.
01:05:15Gone.
01:05:16That's the trouble of women.
01:05:18They always lose their heads in an emergency.
01:05:20Good.
01:05:23Hello.
01:05:29A musical box.
01:05:32Great Scott.
01:05:38Mrs. Williams.
01:05:39Good.
01:05:48And Holmes?
01:05:50By now, Mr. Holmes has no doubt exchanged his violin for a harp.
01:05:54Always assuming that heaven is his destination.
01:05:59And now that we have the missing musical box.
01:06:09Yes.
01:06:12Nineteenth note.
01:06:16Nineteenth letter.
01:06:18Nineteenth letter.
01:06:20Yes.
01:06:24He hasn't been there, you say?
01:06:26Holmes, where on earth have you been?
01:06:28I've been trying to get you at the club, at Scotland Yard, all over London.
01:06:32You were looking for me in the wrong places.
01:06:35Holmes, terrible things happened.
01:06:37I've been duped.
01:06:39That woman, she made a complete fool of me.
01:06:42Well, what do you mean?
01:06:43Well, she came here, let off a smoke bomb.
01:06:45I thought the whole place was on fire, and my first thought was to save the musical box.
01:06:49No need to say anymore.
01:06:51She has the box.
01:06:52Yes.
01:06:54Don't blame yourself too much, old fellow.
01:06:57She is an extremely clever antagonist.
01:07:01Well, you can console yourself with the thought that your charming friend is at least a reader of yours.
01:07:13What do you mean?
01:07:15If I remember correctly, you wrote about my little experiment with smoke and the cry of fire,
01:07:19and the story you entitled, A Scandal in Bohemia, which has just appeared in the Strand magazine.
01:07:23All right, all right, old boy. Don't rub it in.
01:07:26Well, it may turn you up to know that you made a fool of me too.
01:07:29Ah.
01:07:32That cigarette stub.
01:07:34It was planted here for one express purpose.
01:07:37We got a bandaging around this place.
01:07:39Bandaging? What's the matter, Holmes?
01:07:41You hurt?
01:07:42An explanation, so I'll have to wait until later at the moment we're faced with a problem,
01:07:46which I fear is insurmountable.
01:07:48Come over here, old boy, will you?
01:07:49Right.
01:07:51Our opponents are in possession of all three parts of the code,
01:07:55and here are we while the Bank of England plates pass into their possession.
01:07:59Cheer up, old fellow, cheer up.
01:08:01As Dr. Samuel Johnson once said,
01:08:03there's no problem the mind of man can set that the mind of man cannot solve.
01:08:07What's that, old fellow?
01:08:08I was just quoting Dr. Samuel Johnson. He said there is no...
01:08:11Thank you, Watson. Thank you.
01:08:17Leaving the front reception room, we come into the main hall,
01:08:21where Dr. Johnson was in the habit of passing through
01:08:24to have his meagre meals in the dining room opposite,
01:08:27in company with his friend and biographer, James Boswell.
01:08:31We will now pass up the stairway,
01:08:34which remains in its natural wood finish,
01:08:37just as it was when the good doctor was here.
01:08:40The framed etching on the wall
01:08:42is believed to have been presented to Dr. Johnson
01:08:45by the distinguished painter, Sir Joshua Reynolds.
01:08:48I've been told here that that picture was given him by Mrs. Thrail,
01:08:53and it's definitely not a Reynolds.
01:08:55Is that important, my dear?
01:08:57Oh, I'm sorry.
01:08:58Oh, this way, ladies and gentlemen, please, this way.
01:09:02Move along, children, move along.
01:09:05The secretary's not on this floor.
01:09:07Patience, Hamid.
01:09:09I have a feeling that...
01:09:10My dear Colonel, with Sherlock Holmes out of the way, what could go wrong?
01:09:22And here we have the Garrett Library,
01:09:25in which Dr. Johnson wrote his famous dictionary.
01:09:27And in which you will see also many of the great man's books and other items of interest.
01:09:33Step forward, ladies and gentlemen, please, step forward.
01:09:36Standing in the corner is the secretary,
01:09:39which contains many of the original works by the literary genius.
01:09:43On this table, Dr. Johnson's cat, Hodge, used to sleep while his master worked.
01:09:47The strange thing about this cat, ladies and gentlemen, was its love of oysters.
01:09:53They do say that the dear doctor often went hungry to find the cat that delicacy.
01:09:58What a pity.
01:09:59Now we will visit the green room, which is immediately below us.
01:10:04In which you will see the very bed in which Dr. Johnson died.
01:10:08What did he die of?
01:10:10Gout.
01:10:12Just gout.
01:10:14This way, ladies and gentlemen, mind the steps, please.
01:10:16No keys.
01:10:30Your keys.
01:10:48Third shelf up.
01:10:56The knife.
01:10:57The knife.
01:11:03Gentlemen, the Bank of England plates.
01:11:08Well, Mrs. Courtney, so we meet again.
01:11:11No, I shouldn't do that if I were you, Colonel Kavanagh.
01:11:14I must congratulate you, Mr. Holmes.
01:11:17You're far more clever than I thought.
01:11:21Thank you, Mrs. Courtney.
01:11:23Praise from you is indeed gratifying.
01:11:25I shall always cherish the memory of your flattering words.
01:11:30Memory?
01:11:32Oh.
01:11:33Thank you.
01:11:35And now I have a most regrettable task to perform.
01:11:43Holmes!
01:11:45Coming, Holmes!
01:11:48Holmes!
01:11:49You all right?
01:11:50Perfectly thank you, old fellow, but I think this gentleman on the floor requires some medical attention.
01:11:55We must see that he looks his best, you know, when he's hanged.
01:11:57Take them in charge.
01:11:59A brilliant antagonist.
01:12:05It's a pity her talents were so misdirected.
01:12:08Will you see that these plates are returned to the Bank of England, Inspector?
01:12:10I still don't understand how you solved it, Mr. Holmes.
01:12:12It's entirely due to Dr. Watson.
01:12:14He gave me the clue when he mentioned Dr. Samuel Johnson.
01:12:17Well, congratulations, Doctor.
01:12:18Oh, thank you, Inspector.
01:12:19I don't think I'd have done it entirely without Mr. Holmes's help, you know.
01:12:21Ha, ha!
01:12:27Oh, ho!
01:12:29Oh, ho!
01:12:33Welcome, long-term attack.
01:12:35What?
01:12:37Oh?
01:12:40Oh, wait, perfect!
01:12:44Oh, are you waiting for me?
01:12:46Now, you when I cook everything.
01:12:50¡Gracias!
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