- hace 5 meses
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00¡Gracias!
00:02:30¡Gracias!
00:03:00¡Gracias!
00:03:24¡Gracias!
00:03:25Who could be ringing the church bell at this time?
00:03:30Maybe it ain't an oof, Father.
00:03:33Maybe it's an it.
00:03:35And maybe it's stolen the bell.
00:03:38Ah, there's no such things as ghosts and monsters.
00:03:42Haven't I made that clear to you?
00:03:43Something tore the throats out of Charlie Rose's sheep.
00:03:47And that something didn't leave any tracks.
00:03:49Andy Trent here saw a weird glow moving across the marshes last night.
00:03:54And this morning, he found two of his sheep dead.
00:03:57Their throats torn open.
00:03:59Maybe the same thing that killed Andy's sheep is tolling the bell.
00:04:03I was on my way just now to deliver a special letter at Penrose Manor
00:04:07when a strange light appeared on the road before me.
00:04:12Then moved quickly across the marshes and faded into the mist.
00:04:16I turned the cart around and hurried back here.
00:04:19It's not real.
00:04:20First the light and now the bell.
00:04:22There's a very sound and logical reason for the bell tolling at this time.
00:04:26And I'm going to find out what it is.
00:04:28You can drive me to the church pots.
00:04:30The letter can wait.
00:04:32No worry.
00:04:33Nothing will harm you if you were the priest.
00:04:36Is that true, Father?
00:04:37Ah, what you need is more faith and less imagination.
00:04:41Come along.
00:04:42I'd better deliver that letter to the manor.
00:04:58I'm sure it's important.
00:04:59I'm sure it's important.
00:05:04I'm sure it's important.
00:05:05I'm sure it's important.
00:05:06Okay.
00:05:06¡Gracias por ver el video!
00:05:36¡Gracias por ver el video!
00:06:06¡Gracias por ver el video!
00:06:36¡Gracias por ver el video!
00:06:38¡Gracias por ver el video!
00:06:40¡Gracias por ver el video!
00:06:42¡Gracias por ver el video!
00:06:44¡Gracias por ver el video!
00:06:46¡Gracias por ver el video!
00:06:48¡Gracias por ver el video!
00:06:50¡Gracias por ver el video!
00:06:52¡Gracias por ver el video!
00:06:54¡Gracias por ver el video!
00:06:56¡Gracias por ver el video!
00:06:58¡Gracias por ver el video!
00:07:30¡Gracias por ver el video!
00:07:32¡Gracias!
00:07:34¡Gracias!
00:07:36¡Gracias por ver el video!
00:08:08¡Gracias por ver el video!
00:08:10¡Gracias por ver el video!
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00:08:14¡Gracias por ver el video!
00:08:16¡Gracias por ver el video!
00:08:18¡Gracias por ver el video!
00:08:48la existencia de la supernación es solo supposición.
00:08:51Por lo que no es aceptado sin más información.
00:08:54Su opinión, Mr. Holmes,
00:08:55son el resultado de su incapacidad de lidar con algo
00:08:57más allá de su comprensión.
00:08:58Señor, ma'am.
00:08:59Lo siento, John, pero este ridículo scepticismo.
00:09:02Sí, ¿qué es, mi señor?
00:09:04La Morte Rouges en el teléfono, sir.
00:09:05Muy urgente, Lord.
00:09:07Excuse me, gentlemen.
00:09:12I'm afraid, Lord,
00:09:13de lo que es muy understandable, Sir John.
00:09:15Lord Penrose es profundamente entrenched en sus beliefs.
00:09:17That's his privilege.
00:09:19Oh, hang it all home.
00:09:19The fellow is positively rude.
00:09:21Well, shall we see a little over Ross Watson?
00:09:26I'm leaving immediately.
00:09:34Order my cartel by St. Harry.
00:09:36Yes, sir.
00:09:42Gentlemen,
00:09:43my wife has just been found dead.
00:09:45Her throat torn out.
00:09:46In exactly the same manner as the sheep.
00:09:48This is terrible.
00:09:50I say,
00:09:50you don't think that it's...
00:09:51Undoubtedly, Mr. Holmes,
00:09:52you would call it
00:09:53murder by person or persons unknown.
00:09:55I'm sorry,
00:09:56if I can be of any assistance...
00:09:57Thank you, no.
00:09:58I'm afraid the happenings
00:09:59in La Morte Rouges
00:09:59wouldn't interest you, Mr. Holmes.
00:10:01Under the circumstances,
00:10:03I think we should adjourn.
00:10:04Yes, please, sir John.
00:10:05Mr. Holmes,
00:10:06what a terrible thing.
00:10:08Sir John,
00:10:08would you be good enough
00:10:09to convey our conformances
00:10:10is to have lots of the assigned
00:10:11to be glad.
00:10:17Can't we get something to eat
00:10:18before we leave?
00:10:19You don't often get food
00:10:20like you do here.
00:10:21Don't you ever think
00:10:21of anything else
00:10:22besides your stomach?
00:10:23No, not often.
00:10:24I go get a paper.
00:10:25Morning.
00:10:25Good morning, sir.
00:10:26I imagine you'll be glad
00:10:27to get back to London, Mr. Holmes.
00:10:28Yes, indeed.
00:10:29Oh, by the way,
00:10:30there's a letter for you, sir.
00:10:31Thank you.
00:10:32Oh, here's something
00:10:32about Lady Penrose.
00:10:35She was part of the church
00:10:36with her throat horribly cut.
00:10:38Heavenly dragged herself
00:10:39from the masters nearby
00:10:41and tried to summon help
00:10:42with a bell-roader.
00:10:45What's it?
00:10:48What is it, Holmes?
00:10:50Listen to this, Watson.
00:10:51What?
00:10:53My dear Mr. Holmes,
00:10:54I have every reason
00:10:55to believe my life is in danger.
00:10:57Yet, if you were to ask me
00:10:58how I know,
00:10:59I couldn't give you
00:11:00a logical answer.
00:11:01There is nothing tangible
00:11:02yet like a terrible premonition.
00:11:05It is all so frankly real.
00:11:07I heard of your opinion in Quebec
00:11:08and I'm turning to you
00:11:09as a stranger
00:11:10and asking your help
00:11:11in the frantic hope
00:11:12that you will not fail me.
00:11:14Oh, who's the trial?
00:11:17Signed, Lillian Penrose.
00:11:18Lillian Penrose?
00:11:19Lady Penrose?
00:11:21A letter from the dead woman.
00:11:23What do you mean, Holmes?
00:11:24I should say that
00:11:24Lady Penrose lived
00:11:26in fear of her life.
00:11:28Some secret hidden
00:11:29in her past
00:11:29in all probability.
00:11:30Oh, perhaps it isn't
00:11:32as simple as that.
00:11:33What if Penrose was right?
00:11:35I'm glad we're going
00:11:36back to London.
00:11:37Seems like that
00:11:38can't happen in Baker Street.
00:11:39Oh, it's a pity, Watson.
00:11:39Huh?
00:11:43Do you know a village
00:11:44by the name of La Morroles?
00:11:46Yes, sir.
00:11:46It's about 12 miles from here.
00:11:48Up towards the falls.
00:11:49Thank you.
00:11:49It's got home.
00:11:50Do you mean
00:11:50you're going to take on the case?
00:11:51Quite.
00:11:52Telephone the airport
00:11:53and cancel our reservations,
00:11:54will you?
00:11:54Certainly, sir.
00:11:55Consider Watson.
00:11:56The irony,
00:11:57the tragic irony.
00:11:58We've accepted
00:11:59the commission
00:11:59from the victim
00:12:00to find her murderer.
00:12:01For the first time,
00:12:03we've been retained
00:12:04by a corpse.
00:12:10It's assumed
00:12:11to be a bell.
00:12:13Don't mind
00:12:14coming along.
00:12:15Do you think
00:12:15we should?
00:12:15No.
00:12:15No.
00:12:16No.
00:12:16No.
00:12:16No.
00:12:16No.
00:12:16No.
00:12:17No.
00:12:17No.
00:12:17No.
00:12:17No.
00:12:18No.
00:12:18No.
00:12:18No.
00:12:19No.
00:12:19No.
00:12:20No.
00:12:20No.
00:12:21No.
00:12:21No.
00:12:21No.
00:12:21No.
00:12:22No.
00:12:22No.
00:12:23No.
00:12:23No.
00:12:23No.
00:12:24No.
00:12:25No.
00:12:25No.
00:12:26No.
00:12:27No.
00:12:28No.
00:12:29What a cold,
00:12:38cheerless-looking
00:12:39room.
00:12:39Yeah.
00:12:59What do you want?
00:13:08Who are you?
00:13:09Mr. Sherlock Holmes.
00:13:10I apologize for this intrusion.
00:13:13Would you mind, gentlemen?
00:13:18Mr. Holmes,
00:13:21is it your custom to burst into people's houses without ringing the bell?
00:13:27We couldn't find the bell, sir.
00:13:29If you've come here to use the death of my wife to prove your theories, I must ask you
00:13:32to leave.
00:13:33Penrose.
00:13:35I received this letter from Lady Penrose this morning.
00:13:42That was devilish awkward.
00:13:44I'm afraid you're a little late, Mr. Holmes.
00:13:57My wife's dead.
00:13:58And I've come here to find her murderer.
00:13:59You might have saved yourself the trouble.
00:14:02I'm convinced that the solution to this horrible deed lies in an understanding of psychic phenomena.
00:14:06Although I don't expect you to admit that, Mr. Holmes.
00:14:08I assure you, Penrose, I neither believe nor disbelieve in anything, including psychic phenomena.
00:14:13If I could just see Lady Penrose, it might help dispel much of the mystery that surrounds
00:14:18these happenings in a mold.
00:14:20Dick!
00:14:21Why don't you answer the blasted thing?
00:14:23Sergeant Thompson has charged the case.
00:14:24You'll find him at the police station.
00:14:26And now I must ask you to go and take your assistant with you.
00:14:28You'll excuse me if I don't show you out.
00:14:31Dick!
00:14:32Dick!
00:14:34Dick, where are you?
00:14:38Dick!
00:14:55Holmes, I've seen it before.
00:14:56Right, Watson, you have.
00:14:58Yes, but where are you?
00:14:59Never mind that now.
00:15:00You must examine the wound before Penrose returns and has us thrown out of the house.
00:15:03It becomes a job.
00:15:09I just wish it was a jugular thing.
00:15:11I must have bled to death.
00:15:13I'd have bled for several hours, eh?
00:15:14Possibly more.
00:15:16Long enough for Penrose to leave Lamar Rouge and reach Quebec in time for the meeting.
00:15:20Aren't you?
00:15:21You don't suspect that?
00:15:22I suspect nobody, Watson.
00:15:24I was just asking a question.
00:15:29I beg your pardon, gentlemen.
00:15:30There is another who desired the death of a leadership.
00:15:38I saw it last night in the fields, moving in and out of the shadows.
00:15:42You're the butler, aren't you?
00:15:43I was the butler.
00:15:45I've given notice.
00:15:51Dick!
00:15:56Get out.
00:15:57Get out of this.
00:15:58Get out of this.
00:15:58I trust you found what you were looking for?
00:16:07Two things have been made clear to me, Penrose.
00:16:10That your wife was murdered and that she's Lillian Gentry.
00:16:14Lillian Gentry?
00:16:15Will you leave or must I call the police?
00:16:17That will not be necessary.
00:16:19We're on our way to the police station now.
00:16:21The wounds found on Lady Penrose's throat are identical with those found on the throats of the dead sheep.
00:16:31Now, I'm not a superstitious man, Mr. Holmes, but I don't know of any weapon capable of inflicting such wounds, except an animal's claw.
00:16:38Of course, it could be done by a five-pronged garden weeder.
00:16:42It's not that garden weeder, Mr. Holmes, that's mine.
00:16:45I use it to weed the garden at the back of the jail.
00:16:48I'm inclined to agree with Sergeant Holmes.
00:16:50A weapon such as that would have severed the jugular vein, and death would have followed immediately.
00:16:55Lady Penrose lived long enough to drag herself to the church and toll the bell, and a frantic ever to call for help.
00:17:01Yes, yes, I know all about that.
00:17:03But there must be some logical motive instead of all these goblins and monsters.
00:17:07Sergeant, have you ever heard of Lillian Gentry?
00:17:11No.
00:17:12No, I can't say that I have, Mr. Holmes.
00:17:14She was a famous actress who came to America some time ago.
00:17:17She appeared for many years in the United States and Canada.
00:17:20Then suddenly she disappeared.
00:17:22Her disappearance was never explained, and she was soon forgotten.
00:17:25But then what's the connection between Lillian Gentry's disappearance and the death of Lady Penrose?
00:17:31Lillian Gentry and Lady Penrose are one and the same person.
00:17:34The same person?
00:17:36Precisely.
00:17:37One more question, Sergeant.
00:17:39Do your files show anyone with a prison record living in La Moire Rouge?
00:17:43No, Mr. Holmes.
00:17:45The only person having any connection with a prison is Emile Jornay.
00:17:49He came here two years ago with his daughter and bought the hotel.
00:17:52He was a guard of town and prison.
00:17:54Thank you, Sergeant.
00:17:55I hear there are a lot of prairie chicken in these parts.
00:17:58I'd like to have a bag of them someday.
00:17:59I think that can be arranged, though.
00:18:02Yes, we can stop over to Palmyard and you can see all that she gives you one.
00:18:05That's all we'll put in home.
00:18:07You're right, old fellow.
00:18:08We're going to engage rooms at Mr. Jornay's Hotel.
00:18:11Sorry, Joe.
00:18:13Landlord!
00:18:15I said Landlord!
00:18:18Place seems as dirty.
00:18:19Won't be for long if you build it like that.
00:18:21Landlord!
00:18:22I'm sorry, Holmes, we're going to try to make some of it.
00:18:23Yes, monsieur.
00:18:28My dear, have you got a room for us?
00:18:30Yes, monsieur.
00:18:30Good.
00:18:33Sign here, please.
00:18:34I'll thank us both.
00:18:35Oh, thank you.
00:18:36You seem very hard to be in charge here.
00:18:38Yes, monsieur.
00:18:40You are Mademoiselle Jornay?
00:18:43Where is your name, monsieur?
00:18:44Why, dear, you've been crying.
00:18:46Why?
00:18:47Your papa's going away.
00:18:49Oh, come now.
00:18:50Is that such a tragedy?
00:18:51Did you cry for papa going away, Watson?
00:18:53I don't believe so.
00:18:55Get away, monsieur.
00:18:57Bring your bags.
00:18:57Oh, yes, of course.
00:19:00Wouldn't I be unhappy if my father would move?
00:19:02See, you see.
00:19:03I've seen my father, dear.
00:19:05I've only died about two years ago and shot him.
00:19:07Thank you.
00:19:27Some talk of Alexander and some of the curies.
00:19:35Our victor and my son, James, that's like nines as these.
00:19:39Bill's, Bill's, Bill's.
00:19:41That's the way it goes, Emil.
00:19:43It costs money to be born and it costs money to die.
00:19:46Do you know who that boy is in the car?
00:19:49It was Sherlock Holmes.
00:19:50He's here now.
00:19:51What do you think he'll find?
00:19:53Ghosts and monsters.
00:19:54What else is there for him to find?
00:19:55Oh, I don't know.
00:20:00You're afraid, Emil?
00:20:01Of course I am.
00:20:02And so are you.
00:20:03Who isn't?
00:20:04Why should Sherlock Holmes come here?
00:20:06To investigate the death of Lady Penrose.
00:20:09What else?
00:20:10I'm afraid Mr. Holmes will return to London a sadder, but a wiser man.
00:20:14Why'd you say that?
00:20:16Well, you can't arrest ghosts and monsters, can you now?
00:20:18Well, I'm on my way.
00:20:20The mayor must be the visit.
00:20:21One stalker, where'd you come, there's the hall that you raise.
00:20:28That's better.
00:20:29This room gives me the creeps.
00:20:31It's very seldom used, monsieur.
00:20:33It isn't often that strangers come to L'Amour Rouge.
00:20:36And when they do, they never stay.
00:20:37I can't say that I'd blame them.
00:20:39Will you follow me away for long?
00:20:40I don't know, monsieur.
00:20:42Where is he leaving?
00:20:43I don't know.
00:20:44Marie!
00:20:46If you need anything, he just rings, Hugh.
00:20:50That girl's frightened Holmes.
00:20:52Obviously.
00:20:54She made the mistake of telling us that her father was leaving.
00:20:56Have you?
00:20:57You don't think that Jeanet...
00:21:00Suppose we have a little talk to Mr. Jeanet.
00:21:03It might prove illuminating.
00:21:04Didn't I tell you not to answer any questions?
00:21:06Yes.
00:21:07Didn't I tell you to keep a silent tongue in your mouth?
00:21:09Yes, Papa.
00:21:09So you told them I was going away.
00:21:11Yes, Papa.
00:21:12What a teacher to keep your mouth shut.
00:21:15Monsieur Jeanet.
00:21:16Just why are you leaving L'Amour Rouge at this particular time?
00:21:19I'm not leaving.
00:21:21What gave you the idea that I was?
00:21:22Your daughter?
00:21:23My daughter's mistaken.
00:21:25I merely said that I would like to go away.
00:21:29I've just been teaching her the difference.
00:21:31Yes, so I'm sorry.
00:21:33I can't say that I approve your method, sir.
00:21:35I'll ask you to mind your own business.
00:21:39Down along, dear.
00:21:40Oh, there, my dear.
00:21:47Disgraceful, hitting a child!
00:21:49Mr. Jeanet's quite right.
00:21:50It's none of our business.
00:21:53Mrs. Jeanet,
00:21:54what do you know of the death of Lady Penrodes?
00:21:57Only what everyone in the village knows,
00:21:59that she was killed by the monster.
00:22:01Have you seen this monster?
00:22:02No, but who else could have done this terrible thing?
00:22:05Sheep have been killed,
00:22:06their throats torn out.
00:22:09You were a jailer at town in prison, weren't you?
00:22:11Oh, yes, monsieur.
00:22:13Why did you decide to come to L'Amour Rouge?
00:22:16Well, I always wanted to hold a hotel,
00:22:19and I heard this one was for sale,
00:22:20so I bought it.
00:22:22That was two years ago?
00:22:23Yes.
00:22:24I believe it was about the time
00:22:26the monster made his reappearance, wasn't it?
00:22:27Do you suspect me of being a monster, Mr. Holmes?
00:22:30No, no, no, no, no.
00:22:32I was just remarking a coincidence.
00:22:33I thought you didn't believe in those things, Holmes.
00:22:36Quite very much, and I don't.
00:22:38At least, not in the supernatural variety.
00:22:42Not the werewolf who
00:22:43bites into his victim's throat with his teeth.
00:22:47But, uh,
00:22:49a monster who uses for his weapon of death
00:22:52a five-pound garden weeder.
00:22:54Yes, that's a little more on my line.
00:22:56I...
00:22:56I don't know what you mean.
00:22:59I mean that this monster's been recreated
00:23:01and used as a screen behind which
00:23:03to commit a horrible crime.
00:23:05Whoever did, it felt certain
00:23:06that no suspicion could possibly fall on him.
00:23:09But my unexpected arrival
00:23:10upset his plans.
00:23:12Very possibly, he became frightened,
00:23:13decided to run away.
00:23:15You're right, monsieur.
00:23:16I was running away.
00:23:20But not for the reason you think,
00:23:21but in fear of my life.
00:23:23And who would want to kill you?
00:23:24I don't know.
00:23:26It's like some terrible premonition.
00:23:28But it's so real.
00:23:29The very word,
00:23:30it's in Lady Penrose's letter.
00:23:32Yes.
00:23:33It still doesn't explain this garden weeder.
00:23:37I swear to you,
00:23:38I know nothing about its being here.
00:23:41Haven't we been a servant of that fellow,
00:23:42Sergeant Thompson?
00:23:43No, Watson, that won't be necessary.
00:23:46Monsieur Chourney knows as well as we do
00:23:48that you can't run away from yourself.
00:23:50Oh, uh,
00:23:52would you be so good as to return this
00:23:54to Sergeant Thompson, monsieur?
00:23:56I took it away quite by accident.
00:24:03Monsieur Chourney knows as well as we do
00:24:05you can't run away from yourself.
00:24:10This fellow Chourney seems a very frightened chap.
00:24:14Do you think you have any connection
00:24:15with Lady Penrose's birth?
00:24:17Fine, well, tell us many things, Watson.
00:24:20And now, my dear fellow,
00:24:21there's something you can do for me,
00:24:22if you will.
00:24:22Anything, Holmes?
00:24:23I knew I could rely on you.
00:24:25I want you to mingle with the people
00:24:26in the cafe tonight,
00:24:27find out all you can,
00:24:28and keep a particularly sharp eye on Journey.
00:24:30But you sort of take over the cage.
00:24:32That's right, old boy.
00:24:33I want to get a good night's rest
00:24:35before starting out again in the morning.
00:24:37Oh, and incidentally,
00:24:38make yourself as inconspicuous as possible, will you?
00:24:41Inconspicuous.
00:24:43You can, uh, depend on me.
00:24:45Thank you.
00:24:47Thank you.
00:24:48Thank you.
00:24:49Thank you.
00:24:49¡Gracias!
00:25:19Ah, thank you, my dear.
00:25:38I'm glad to see that the tears are all gone.
00:25:40Are you feeling better?
00:25:41Thanks to you and Mr. Holmes, the pie's not going away.
00:25:45Not going away?
00:25:46Ah, good.
00:25:49Surely not going away.
00:25:55There are many faces of the supernatural, Mr. Drake.
00:25:58Witchcraft, vampires, werewolves, ghosts, monsters.
00:26:03You'll find them all in the history of crime.
00:26:06So I say to myself, Potts, this is the anti-work of the supernatural.
00:26:12I, uh, I gather that your name is Potts, and that you're interested in the detection of crime.
00:26:20Allow me to introduce myself.
00:26:22My name's Watson, Dr. Watson, of 221B Baker Street, London, England.
00:26:26I'll introduce myself.
00:26:27Here's the crime.
00:26:29Bigger and better crime.
00:26:29I'll introduce, my good man, then you're somewhat drunk.
00:26:34Hmm.
00:26:35Sharp ears.
00:26:36Sharp as a tank.
00:26:38I mean, just as flat-headed.
00:26:41You might also deduce that I'm leaving this place.
00:26:46Getting out.
00:26:47As soon as the bus I'm waiting for hoots its hooter.
00:26:51I believe they say honks its hooter in these parts.
00:26:54Hoots to me, honk to you.
00:26:57Hooter.
00:26:59Well, dear fellow, I don't care.
00:27:00Two hoots, whether it's hoot or honk.
00:27:01Honk.
00:27:02Honk.
00:27:03Oh, that's my bus, gentlemen.
00:27:05I just heard it.
00:27:06Hoot its hooter.
00:27:08The same thing.
00:27:10If you solve this case, let me know.
00:27:14But personally, I'm betting on a monster.
00:27:17You take my advice, Pottsy.
00:27:19Get out of this place, for they'll find you with your throat cut.
00:27:29Hoot.
00:27:30It's hooter.
00:27:38Nervous?
00:27:39Well, the thought of having your throat torn out by some monster
00:27:42isn't likely to make you very gay afterwards.
00:27:44I do.
00:27:45Some of Mr. Shirley's excellent wine will still remedy that.
00:27:48Marie, would you bring a bottle of this excellent wine for my friend here?
00:27:53Yes, monsieur.
00:27:55Potts, as a student of the occult,
00:27:58suppose you give me your theory of this murder.
00:28:01Mmm.
00:28:02You like this wine?
00:28:04Oh, but Dr. Watson, I never drink anything stronger than milk.
00:28:07Teetotill?
00:28:08No, hiccups.
00:28:09Every time I drink alcohol, I have hiccups.
00:28:12Sorry.
00:28:13Mr. Holmes.
00:28:27Mr. Holmes.
00:28:41Mr. Holmes.
00:28:52Mr. Holmes.
00:29:05This circle is where the murder actually occurred.
00:29:07Yes, Mr. Holmes.
00:29:09There's a footpath just beyond the church which leads across the marshes.
00:29:13Follow it for half a mile and you'll be there.
00:29:14Thank you, Sergeant.
00:29:15I'm sure I'll find it.
00:29:16Mr. Holmes, I wish you let me go with you.
00:29:18It's dangerous on the marshes at night.
00:29:21These swamps.
00:29:22The one false step.
00:29:23I'm sorry, Sergeant.
00:29:24But it's important that I go alone.
00:29:25I'll keep close to the path.
00:29:26Well, will Dr. Watson be going with you?
00:29:27No, Sergeant.
00:29:28I asked him to do some research work of his own, and by now he's probably magnificently involved.
00:29:33Good night.
00:29:34Good night, Mr. Holmes.
00:29:37But according to your theory, Dr. Watson, everyone in the village is under suspicion.
00:29:43Pardon me.
00:29:44It's quite all right.
00:29:45Oh, thank you.
00:29:47Murder is a very interesting story, gentlemen.
00:29:50I will recall a short story by that brilliant author, G.K. Chesterton, in which the murder
00:29:57is committed by a postman.
00:30:00I refer, of course, to the invisible man, a brilliant bit of deduction on the part of
00:30:05Father Brown.
00:30:06Sir, I'm a postman.
00:30:07This is precisely why I meant to illustrate the absurdity of assuming because one man in
00:30:13a postman's uniform is a murderer, any other man in the same uniform should be suspected.
00:30:20Thanks.
00:30:21Had me worried for a minute.
00:30:22Oh, oh, filthy flabbered.
00:30:25A child can see that this ridiculous monster has got you all afraid of your own shadow.
00:30:33I saw Lady Penrose.
00:30:35I wouldn't like it to happen to me.
00:30:38I'll be getting on.
00:30:39I'm going with you.
00:30:44Good night, Doctor.
00:30:46Good night.
00:30:48It's quite all.
00:30:50Good night.
00:30:57Good night.
00:30:57Good night.
00:31:18Good night.
00:31:18¡Gracias!
00:31:48Well, it's so strange that a church bell rang.
00:32:13It rang the same time last night.
00:32:18Excuse me, Dr. Watson.
00:32:22Can you tell me if Mr. Holmes is armed?
00:32:23Armed, my little fellow?
00:32:24Why should he be?
00:32:25He's gone to bed.
00:32:27You're wrong, doctor.
00:32:28He was out in the marshes alone.
00:32:29I tried to go with him, but he refused.
00:32:31But Greg Scott, if he runs into this monster and he's by himself, he'll get killed.
00:32:48He's gone to bed.
00:33:18He's gone to bed.
00:33:26He's gone to bed.
00:33:27He's gone to bed.
00:33:32¡Suscríbete al canal!
00:34:02¡Suscríbete al canal!
00:34:32¡Suscríbete al canal!
00:34:34¡Suscríbete al canal!
00:34:36¡Suscríbete al canal!
00:34:38¡Suscríbete al canal!
00:34:40¡Suscríbete al canal!
00:34:42¡Suscríbete al canal!
00:34:44¡Suscríbete al canal!
00:34:46¡Suscríbete al canal!
00:34:48¡Suscríbete al canal!
00:34:51No, no, no, no.
00:35:21But our antagonist is not a fan of them.
00:35:22But the thing actually is about flames that were...
00:35:25All just a figment of your imagination.
00:35:27The murderer knew I was out on the marshes,
00:35:29and obviously they wanted to frighten me.
00:35:31You frightened me all right.
00:35:33How do you manage the flames?
00:35:34He had a clothing, treated with phosphorus.
00:35:37When the murderer fled, his shirt caught on a tree,
00:35:41and this piece of cloth was torn off.
00:35:47Come in.
00:35:49I'd like a few words of you, mister.
00:35:51Holmes.
00:35:54I'll come directly to the point.
00:35:57Hello.
00:35:58What happened to your assistant?
00:36:00I'm not his assistant.
00:36:02If you must know, I was pushed into a boggy hole on the marsh.
00:36:05Pushed?
00:36:07By whom?
00:36:08I don't know.
00:36:09It's backfire.
00:36:10My good sir, in spite of Mr. Holmes's theories to the contrary,
00:36:16things have been seen and heard on those marshes that cannot be explained away by the use of logic.
00:36:19If I were you, I'd keep away from them.
00:36:22I'm not so sure.
00:36:23Holmes found...
00:36:23Sir Penrose,
00:36:24for the first time
00:36:25in my long pursuit of crime,
00:36:28I confess that I find myself baffled.
00:36:30I'm a detective.
00:36:31I need tangible clues.
00:36:33And up to now, I admit, I...
00:36:34I found none.
00:36:36And you won't.
00:36:37I advise you to leave La Moire Rouge.
00:36:39Tonight, you escape with your life.
00:36:41Next time, you may not be so fortunate.
00:36:43Thank you for your considerate advice, Lord Penrose.
00:36:47Good night, sir.
00:36:48Excuse me.
00:36:51Oh, good night.
00:36:55I don't like this fellow, Holmes.
00:36:57Why do you think he came here?
00:36:59He wanted to find out if we discovered anything.
00:37:02He seemed very pleased when I told him we hadn't.
00:37:05Now, Watson, there are one or two questions I want to ask Sergeant Thompson.
00:37:09You stay here.
00:37:11I have a vitally important job for you.
00:37:13Anything, Holmes?
00:37:15What do you want me to do?
00:37:16Go to bed.
00:37:20Yes, it's cotton fabric.
00:37:21Now, take a look.
00:37:24That discoloration.
00:37:25The purple ink must have been spelt on it.
00:37:28Possibly.
00:37:29I should say this cloth was red with blue lines.
00:37:32Probably large checks.
00:37:35It seems to have been laundered a good many times.
00:37:38The blue lines are almost completely erased.
00:37:40Yes, you can scarcely see them.
00:37:42Good fabric.
00:37:43Well woven with a solid base.
00:37:45Hello, Bill.
00:37:47Hello, sir.
00:37:47Did your phone call much of any important to bring me over this time of the night?
00:37:50It was.
00:37:51This is Mr. Sherlock Holmes.
00:37:52He wants to ask you a few questions.
00:37:54This is Mr. Taylor, the storekeeper, Mr. Holmes.
00:37:56Oh.
00:37:56Good evening, Mr. Taylor.
00:37:57Good evening, sir.
00:37:58Have you any shirts of this design?
00:38:00Squares are red and the lines blue.
00:38:01Yes, I have.
00:38:03Can you remember to whom you sold them?
00:38:05I can.
00:38:05I keep them in stock specially for Judge Brisson.
00:38:08He won't have anything else.
00:38:09Judge Brisson?
00:38:10Who's he?
00:38:11A retired magistrate.
00:38:12He's a cripple that's along with his housekeeper.
00:38:15Have you sold any of these shirts to anyone else?
00:38:17No, sir.
00:38:18They're too expensive for the village and the boatmen.
00:38:20This is the finest material.
00:38:22Import it.
00:38:22You say Judge Brisson's a cripple?
00:38:24Yes.
00:38:25He was a magistrate in Quebec.
00:38:26Had a stroke about two years ago.
00:38:28That's why he retired and came here to live in the Moor Rouge.
00:38:31Just about the time that Monsieur Johnny arrived here?
00:38:34No, did you mention it?
00:38:34It was just about then.
00:38:41Hello?
00:38:41Operator?
00:38:42Give me Judge Brisson's home, will you?
00:38:44Thank you.
00:38:52And Nora.
00:38:55Let it rain.
00:38:58Haven't I told you not to answer the phone at night?
00:39:00Yes, sir.
00:39:01Well, then obey my orders.
00:39:03Yes, sir.
00:39:12No one, sir.
00:39:14Where do you live?
00:39:14On the Marsh Road.
00:39:16But I don't advise you to go there after dark, Mr. Holmes.
00:39:18The bridge is a fortress.
00:39:20I'm guarded by a savage dog.
00:39:21Look, I think Dr. Watson and I will have to pay Judge Brisson a visit in the morning.
00:39:26Good night, gentlemen.
00:39:26Good night, Mr. Holmes.
00:39:35Two locks on the door.
00:39:38One of them knew.
00:39:40Yes, I should say that Lady Penrose death has increased Judge Brisson's terror.
00:39:45Don't have the sound of that dog.
00:39:47I don't sound hungry.
00:39:48Positively reckless.
00:39:49Could we come back after he's had his breakfast?
00:39:52I'm sorry, Watson.
00:39:53I'll just wait.
00:39:54Oh.
00:39:55Stop now.
00:39:57Yes, Watson.
00:40:07Good night.
00:40:08Good night.
00:40:08Good night.
00:40:09Good morning.
00:40:09Good, good, Winnie.
00:40:10Who is it?
00:40:11Sherlock Holmes and Dr. Watson.
00:40:12I telephoned Judge Brisson.
00:40:13We were coming.
00:40:14You can't come in.
00:40:15He's given orders.
00:40:16No one is to be admitted.
00:40:18You wouldn't want Judge Brisson's death on your hands, would you?
00:40:22No, sir.
00:40:23And you'd better let us in.
00:40:25I'll probably lose my job for this.
00:40:27Not after we've talked to Judge Brisson.
00:40:28My good woman, you keep an eye on that dog.
00:40:35Oh, don't worry, Watson.
00:40:36You know as well as I do, the dog won't touch you if you're whether it's master or mistress.
00:40:40Well, you know it and I know it, and you're quite sure the dog knows it.
00:40:43Good dog.
00:40:44Happy dog.
00:40:45Nice, Winnie.
00:40:46Good, good.
00:40:46Good, Winnie.
00:40:47Good, Winnie.
00:40:47Let me warn you, I'm armed, and I'm an expert shot.
00:40:58We didn't come here to harm you, Judge Brisson, but to protect your life.
00:41:01I told you over the phone this morning, Mr. Sherlock Holmes, that I did not want to see you.
00:41:05I don't want to see anyone.
00:41:07But I want to see you.
00:41:08Stay where you are.
00:41:11Norah, show these men out.
00:41:13Judge Brisson, if you'll answer a few questions, I may be able to save your life.
00:41:16I have the fullest confidence in my own defenses, and I will not trade them for any theories
00:41:21of Mr. Sherlock Holmes, however plausible you make them sound.
00:41:25Now get out, will you?
00:41:27I'm sorry.
00:41:28Under the circumstances, I'm helpless to prevent your death, almost certainly by violence.
00:41:34Come on, Watson.
00:41:46Pardon me.
00:41:55May I trouble you with that envelope?
00:41:56I must have dropped it.
00:42:03Thank you.
00:42:06You're a very clever man, Mr. Holmes.
00:42:08A crude device, Judge Brisson.
00:42:09But it's confirmed my suspicions that you're not the cripple you pretend to be.
00:42:17I'm sorry.
00:42:19But I'm frightened of everything and everybody.
00:42:23Why don't you sit down?
00:42:25Do you want to get shot, Holmes?
00:42:26Tell me, Watson, and close the door.
00:42:30Sit down, old fellow.
00:42:32Judge Brisson has decided not to shoot us.
00:42:34Oh, very current of it.
00:42:35Gentlemen, this fear is driving me bad.
00:42:41It's quite understandable.
00:42:42The whole village seems to be consumed with fear.
00:42:44But in your case, judging from your vicious dog, those barred windows and that hunting rifle,
00:42:49it's not fear of the supernatural.
00:42:50Just what are you afraid of?
00:42:52Well, truthfully, Mr. Holmes, I don't know.
00:42:56And yet I feel its very presence.
00:42:59But at times, I feel I can almost reach out and touch it.
00:43:01When I first came to La More Rouge, I had a slight attack.
00:43:06It affected my legs.
00:43:07But, well, I've recovered.
00:43:09And you've continued the deception, using the wheelchairs as an excuse for not going about the village.
00:43:13Well, you see, people will be more inclined to accept my hermit-like existence.
00:43:17Yes, naturally.
00:43:18Tell me, Judge Brisson, had you ever heard of Monsieur Journet before you arrived at La More Rouge?
00:43:23No, no, I hadn't.
00:43:26How many of these shirts has your housekeeper purchased for you?
00:43:30Oh, four or five.
00:43:32I'm not positive.
00:43:33You still have them?
00:43:34Well, one or two became badly worn.
00:43:37And I told my housekeeper to give them to a man who was doing some work for me at that time.
00:43:43Can you describe him?
00:43:44No, I'm afraid I can't.
00:43:47That was about a year ago, you see.
00:43:49And, well, I didn't pay much attention to him.
00:43:51He worked in the garden.
00:43:52Could your housekeeper remember him?
00:43:54No, that was a different housekeeper then.
00:43:56She went to the United States.
00:43:58Try to remember, Judge Brisson.
00:43:59Your life may depend on it.
00:44:04I do remember one thing.
00:44:06He had a very slight limb.
00:44:07I used to watch him from that window as he walked across the lawn.
00:44:11Splendid.
00:44:14Continue your vigilance, Judge.
00:44:16And under no circumstances allow anyone to enter a house, even someone you may know will.
00:44:20What's that mean, Holmes?
00:44:21It may mean nothing, Watson, and it may mean everything.
00:44:23I'm quite sure that Sergeant Thompson would have observed a man with a limp in a village the size of Lamar Rouge.
00:44:28Good day, Judge, and thank you.
00:44:29Good day, sir.
00:44:30I'm sure Sergeant Thompson would have observed a man with a limp in a village the size of Lamar Rouge.
00:44:40This is what's left of the Delaporte Hotel, Mr. Holmes.
00:44:51Dan asleep here when he's in Lamar Rouge.
00:44:58Spooky old clan.
00:45:00The villagers call on the road camp.
00:45:02It's been deserted for years.
00:45:03He walks with a limp.
00:45:13A left foot, I think.
00:45:14To the train dealer, Sergeant, footsteps have a characteristic rhythm that's identifiable as fingerprints.
00:45:19What do you want?
00:45:47Have you come to have a talk with you, sire?
00:45:50I've done nothing.
00:45:51Then you won't mind answering a few questions.
00:45:53What do you want to know?
00:45:55Don't be turned out.
00:45:57Where were you two nights ago?
00:45:58Down the river.
00:46:00Last night?
00:46:01I just got back tonight.
00:46:03You're lying.
00:46:04You bound for even me.
00:46:06But now I've got a job.
00:46:08It's quite evident that you haven't been on the river within the last 48 hours.
00:46:15Are you trying to make me up the murderer of Lady Penrose?
00:46:19How do you know she was murdered?
00:46:21I'll tell you how you know she was murdered.
00:46:23Because you murdered her.
00:46:25Holmes, look.
00:46:26In there.
00:46:27The monster.
00:46:28That's right, Watson.
00:46:29One of Bristol's shirts, which Tanner here treated with phosphorus.
00:46:33Take him, Sergeant.
00:46:33I'll give you all the evidence later.
00:46:35You've got it, Sergeant.
00:46:50I'm sure of it.
00:46:51Come on.
00:46:52Come on.
00:46:53Come on.
00:46:54Come on.
00:46:55Come on.
00:46:56Come on.
00:46:57Come on.
00:46:58Come on.
00:46:59Come on.
00:47:00Come on.
00:47:01Come on.
00:47:02Come on.
00:47:32¡Suscríbete al canal!
00:48:02¡Suscríbete al canal!
00:48:32¡Suscríbete al canal!
00:48:34¡Suscríbete al canal!
00:48:38¡Suscríbete al canal!
00:49:08¡Suscríbete al canal!
00:49:10¡Suscríbete al canal!
00:49:12¡Suscríbete al canal!
00:49:14¡Suscríbete al canal!
00:49:18¡Suscríbete al canal!
00:49:20¡Suscríbete al canal!
00:49:22¡Suscríbete al canal!
00:49:24¡Suscríbete al canal!
00:49:26¡Suscríbete al canal!
00:49:28¡Suscríbete al canal!
00:49:30¡Suscríbete al canal!
00:49:32¡Suscríbete al canal!
00:49:34¡Suscríbete al canal!
00:49:36¡Suscríbete al canal!
00:49:38¡Suscríbete al canal!
00:49:40¡Suscríbete al canal!
00:49:42¡Suscríbete al canal!
00:49:44¡Suscríbete al canal!
00:49:46¡Suscríbete al canal!
00:49:48¡Suscríbete al canal!
00:49:50¡Suscríbete al canal!
00:49:52¡Suscríbete al canal!
00:49:54¡Suscríbete al canal!
00:49:56¡Suscríbete al canal!
00:49:58¡Suscríbete al canal!
00:50:00No, no, no, no.
00:50:30No, no, no, no.
00:51:00Yes.
00:51:02I don't understand.
00:51:05Tanner is dead only because he was discovered, and have therefore outlived his usefulness to his creator.
00:51:10But I'm afraid that Alistair Ramson, the actor who created and played the part of Tanner, is very much alive.
00:51:16But surely, now that you know who the murderer is, the police...
00:51:19It's not quite as simple as that.
00:51:21During the time he's lived here, Ramson has undoubtedly established another character for himself, perhaps several others, who are by now familiar to the people of the town of Le Mans Rouge, and quite above suspicion.
00:51:32He could be almost anyone in the village.
00:51:35He may even have been your butler, Drake.
00:51:38This is fantastic.
00:51:40Yes.
00:51:42If Lady Penrose's death is only the beginning, there's no saying where this madman will strike next.
00:51:47Tell me, is there anyone else in Le Mans Rouge who may have been connected in any way with the case of Alistair Ramson?
00:51:52Judge Brisson was the magistrate who tried and sentenced him.
00:52:04Operator?
00:52:07Operator, give me Judge Brisson's home.
00:52:09It's urgent.
00:52:15Judge Brisson?
00:52:16This is Sherlock Holmes.
00:52:18Oh, yes, Mr. Holmes.
00:52:19Oh, I'm quite all right, thank you.
00:52:23I chained up the dog as you asked.
00:52:25As I asked?
00:52:27I haven't telephoned you before.
00:52:29Somebody's obviously imitated my voice in order to gain access to the house.
00:52:34Well, certainly, Mr. Holmes.
00:52:37I'll lock all the doors and await your arrival.
00:52:40Yes.
00:52:47Laura.
00:52:49Laura.
00:52:50If I can be of any assistance, Mr. Holmes.
00:52:52Thank you, but I'm afraid you think Judge Brisson's life's in danger?
00:52:54I only hope I'm in time to prevent a second murder.
00:52:56Hmm.
00:52:57¡Vamos!
00:53:27¡Vamos!
00:53:31¡Vamos!
00:53:32¡Vamos!
00:53:32¡Vamos!
00:53:49¡Vamos!
00:53:57¡Aquí se! ¡Aquí se!
00:54:27¡Aquí se!
00:54:57¡Aquí se!
00:55:27¿Do you know who it was?
00:55:35I don't know.
00:55:37I don't know.
00:55:38¡Aquí se!
00:55:46¡Aquí se!
00:55:48¡Aquí se!
00:55:50¡Aquí se!
00:55:54¡Aquí se!
00:55:58¡Aquí se!
00:56:00¡Aquí se!
00:56:02¡Aquí se!
00:56:04¡Aquí se!
00:56:06¡Aquí se!
00:56:08¡Aquí se!
00:56:10¡Aquí se!
00:56:12¡Aquí se!
00:56:14¡Aquí se!
00:56:16¡Aquí se!
00:56:18¡Aquí se!
00:56:20¡Aquí se!
00:56:22¡Aquí se!
00:56:23¡Aquí se!
00:56:24¡Aquí se!
00:56:25¡Aquí se!
00:56:26¡Aquí se!
00:56:28¡Aquí se!
00:56:30¡Aquí se!
00:56:32¡Aquí se!
00:56:34¡Aquí se!
00:56:35¡Aquí se!
00:56:36¡Aquí se!
00:56:37¡Aquí se!
00:56:38¡Aquí se!
00:56:39¡Aquí se!
00:56:40¡Aquí se!
00:56:41¡Aquí se!
00:56:42¡Aquí se!
00:56:43¡Aquí se!
00:56:44¡Aquí se!
00:56:45¡Aquí se!
00:56:46¡Aquí se!
00:56:47¡Aquí se!
00:56:48¡Aquí se!
00:56:49¡Aquí se!
00:56:50¡Aquí se!
00:56:51¡Aquí se!
00:56:52¡Aquí se!
00:56:53¡Aquí se!
00:56:54¡Aquí se!
00:56:55¡Aquí se!
00:56:56¡Aquí se!
00:56:57¡Aquí se!
00:56:58¡Aquí se!
00:56:59¡Aquí se!
00:57:00¡Aquí se!
00:57:01¡Gracias!
00:57:31Show your revolver on the floor in front of you
00:57:50and raise your hands, Sherlock Holmes.
00:57:57I should have thought you would have felt more at home in the spotlight.
00:58:00I see you finally identified me.
00:58:03Jack Tanner and Nora the housekeeper were brilliant.
00:58:07You should really take a bow.
00:58:09It's too bad you appeared on the scene when you did
00:58:13and I had to ring down the curtain on the monster.
00:58:16Your recreation of the monster of La Mare Rouge is a means of murder.
00:58:20Must have given you great satisfaction.
00:58:22Why did you kill Lady Pinrose?
00:58:24I see no reason why I shouldn't tell you.
00:58:27I couldn't bear the thought of another man possessing her.
00:58:31And Judge Brisson?
00:58:32During the trial I grew to hate him.
00:58:36And when he sentenced me to prison I vowed that someday I would escape and kill him.
00:58:42I see.
00:58:43Obviously you planned still another murder.
00:58:46Otherwise you would have returned to the safety of your first disguise and defied me to find you.
00:58:50You're right.
00:58:51I am.
00:58:52There were three people in my life who had no right to live.
00:58:57Two have already died.
00:58:59The third remains.
00:59:01Tonight I shall kill him.
00:59:08Mr. Holmes, I've always had the greatest admiration for your talents.
00:59:13Thank you.
00:59:14Your performance in this case has also been brilliant.
00:59:18So brilliant that I'm afraid I'm going to have to ring down the curtain on it a bit prematurely.
00:59:24Surely.
00:59:27Mr. Ramson, we are artists in our fashion.
00:59:31Not creatures skulking in alleys.
00:59:33If our positions were reversed, I shouldn't think of sending you at your death.
00:59:38Lacking a few stray pieces of the puzzle.
00:59:41What do you want to know?
00:59:43The name of the third person.
00:59:45I have no objection.
00:59:47If there is a hereafter, which I doubt, you and he will meet very soon, Mr. Holmes.
00:59:55The name of the third person is...
00:59:58Coming, Holmes.
01:00:13Look out, Watson.
01:00:25Alright, Watson.
01:00:27¡Gracias!
01:00:57¡Gracias!
01:01:27¡Gracias!
01:01:57¡Gracias!
01:02:27¡Gracias!
01:02:57¡Angry!
01:02:59¡Gracias!
01:03:00Watson.
01:03:10¡Gracias!
01:03:13¡I'm afraid we're too late!
01:03:18¡Oh, my!
01:03:19Don't touch anything, Watson.
01:03:29In exacto the same way as Judge Bristol and Lady Penrath.
01:03:34Poor innocent little child.
01:03:37I should have prevented this.
01:03:38Nonsense, my dear chap.
01:03:40You did everything possible.
01:03:42How on earth could you have prevented it?
01:03:44Charles' death is a tragedy of course.
01:03:46I see exactly what happened.
01:03:51She was standing here by the desk.
01:03:54The murderer came in by that door.
01:03:56The murderer came in through that door, but Marie was not in the room.
01:03:59She alone, of all people in the cafe, saw Ramson enter this office.
01:04:03It was someone she knew well.
01:04:04Someone who might have a message from her father.
01:04:07So she followed him here.
01:04:09And when she refused to tell him whether her father had gone, he killed her.
01:04:14Ramson already knew that she only had disappeared.
01:04:16And he didn't know where.
01:04:19When he questioned her, she became suspicious.
01:04:22And it was only that he killed her.
01:04:26Telephone Sergeant Thompson, will you?
01:04:27Mr. Judge Brissons, ask him to come here at once.
01:04:30As if no one leaves the cafe until he gets here.
01:04:32The murderer may be among them.
01:04:33What could have happened to Holmes?
01:04:49He's been away all day.
01:04:51It's very unfair of him keeping me in suspense like this.
01:04:54He knows how worried I've become.
01:04:56He continues to do it.
01:04:57And you know why?
01:04:58He actually enjoys making me miserable.
01:05:02Have a moat.
01:05:03No good, Watson.
01:05:16It won't work.
01:05:17What won't work?
01:05:18I've been to every place where Shulmane could possibly be in hiding.
01:05:22What's that show you've been all day?
01:05:24Yes, Watson.
01:05:24I must admit that I'm completely baffled.
01:05:27You've got to find John, eh?
01:05:28Thought it's too late.
01:05:29But how?
01:05:30I've been everywhere within a radius of five miles of this village.
01:05:32I've even been to the church in the hope that he'd disguise himself and attend Mass.
01:05:36He may have gone to Quebec.
01:05:38Every road's covered.
01:05:39He hasn't left this vicinity of that I'm certain.
01:05:41All right.
01:05:43I'll answer it.
01:05:46Hello?
01:05:47Hello?
01:05:58Who was it, Holmes?
01:05:59Watson.
01:06:00Get your hat and coat.
01:06:01You're very rude, Holmes.
01:06:02You leave me all day long.
01:06:03I'm a very dull inspector.
01:06:05I ask you a perfect right question.
01:06:06Or you say, Watson, get your hat and coat.
01:06:08We've been a fine journey.
01:06:10Sergeant, you wait here till I call.
01:06:11Watson, do this.
01:06:12Watson, do that.
01:06:13Watson, do that.
01:06:14Watson, take out of the clock.
01:06:16Bristol's house.
01:06:17Watson, this.
01:06:18Watson.
01:06:19It's my opinion that Judge Bristol's house is the last place that you'll find Johnny.
01:06:22Put yourself in Johnny's position, Watson.
01:06:24Where's the most likely place that Branson would look for you?
01:06:27Certainly not in the very house in which he's just killed one of his victims.
01:06:37Johnny!
01:06:38Johnny!
01:06:38Johnny!
01:06:39He's sure I'll come from Dr. Watson.
01:06:41We are here to help you.
01:06:44You might look at it, Holmes.
01:06:59Holmes!
01:07:01Holmes!
01:07:02Where are you?
01:07:04Here I am, Watson.
01:07:05Watson.
01:07:05Watson.
01:07:05Watson.
01:07:05Watson.
01:07:05Watson.
01:07:05Watson.
01:07:05Watson.
01:07:05Watson.
01:07:05Watson.
01:07:05Watson.
01:07:06Watson.
01:07:07Watson.
01:07:07Watson.
01:07:07Watson.
01:07:08Watson.
01:07:09Watson.
01:07:10Watson.
01:07:11Watson.
01:07:11¡Jolay!
01:07:18¿Qué te quieren?
01:07:22¡We've come to help you!
01:07:24¿Cómo se ha hecho yo?
01:07:25Cuando te llamas a la hotel, yo me dijeron el teléfono.
01:07:28El chino de Bristón es clara aquí confirmó lo que yo ya sabía.
01:07:34¡Must han regresado a la café a vez!
01:07:36No me voy a dejar de esta casa.
01:07:38El matrimonio está en la marcha para matarme el momento que me quedara aquí.
01:07:41Pero primero que debemos tener la oportunidad.
01:07:43Si te vuelve a la café, él tendrá esa oportunidad.
01:07:46Es el único camino que tenemos que aprehender el mordor.
01:07:48¿Qué si no me refiero?
01:07:50¿Jolay?
01:07:52Lo que tengo que decirte no es fácil.
01:07:55¿Marie?
01:07:57¿Qué?
01:07:59¿Murdered?
01:08:04Ahora, ¿por qué me refiero?
01:08:05¡Esta fiend!
01:08:07¡Esta fiend!
01:08:07¡Esta fiend!
01:08:07¡Esta fiend!
01:08:07¡Esta fiend!
01:08:08¡Esta fiend!
01:08:09¡Esta fiend!
01:08:09¡Esta fiend!
01:08:11¡Esta fiend!
01:08:11¡Esta fiend!
01:08:13¡Esta fiend!
01:08:15¡Esta fiend!
01:08:17¡Esta fiend!
01:08:19¡Esta fiend!
01:08:20¡Esta fiend!
01:08:22¡Esta fiend!
01:08:24¡Esta fiend!
01:08:25¡Esta fiend!
01:08:27¡Esta fiend!
01:08:28¡Esta fiend!
01:08:29¡Esta fiend!
01:08:31¡Esta fiend!
01:08:32¡Esta fiend!
01:08:34¡Esta fiend!
01:08:35¡Esta fiend!
01:08:37¡Esta fiend!
01:08:38¡Esta fiend!
01:08:39¡Esta fiend!
01:08:40¡Esta fiend!
01:08:42¡Esta fiend!
01:08:43¡Esta fiend!
01:08:45¡Esta fiend!
01:08:47¡Esta fiend!
01:08:49¡Esta fiend!
01:08:51¡Esta fiend!
01:08:52¡Esta fiend!
01:08:53¡Esta fiend!
01:08:54¡Esta fiend!
01:08:56¡Esta fiend!
01:08:57¡Esta fiend!
01:08:58¡Esta fiend!
01:08:59¡Esta fiend!
01:09:00¡Esta fiend!
01:09:01¡Esta fiend!
01:09:02¡Esta fiend!
01:09:03¡Esta fiend!
01:09:04¡Esta fiend!
01:09:05¡Esta fiend!
01:09:06¡Esta fiend!
01:09:07¡Esta fiend!
01:09:08¡Esta fiend!
01:09:09¡Esta fiend!
01:09:10¡Esta fiend!
01:09:11¡Esta fiend!
01:09:12¡Esta fiend!
01:09:13¡Esta fiend!
01:09:14¡Esta fiend!
01:09:15¡Esta fiend!
01:09:16¡Esta fiend!
01:09:17¡Esta fiend!
01:09:18¡Esta fiend!
01:09:19¡Esta fiend!
01:09:20¡Esta fiend!
01:09:21¡Esta fiend!
01:09:22¡Gracias!
01:09:52His room, I'll show you where it is.
01:09:54It's the second room on the right up there.
01:09:56Thanks.
01:09:58Hey, Mille.
01:09:59It's me.
01:10:01Butz, do you mind if I walk part of the way with you?
01:10:04It's a bit frightening out here.
01:10:06It's these marshes.
01:10:08This is almost the very spot where Lady Penrose was attacked.
01:10:13Three deaths in three days.
01:10:15It's a pity Marie had to be killed.
01:10:18She was such a sweet child.
01:10:20Three deaths in three days.
01:10:23And still one more to be accounted for.
01:10:26You are frightened, Amy.
01:10:28It's strange to see you showing fear.
01:10:31The man I hated to tell on through.
01:10:45Sherlock Holmes.
01:10:47Yes, Mr. Empson.
01:10:47Sir, you see, the final curtain has not fallen out drawl.
01:10:51I thought you were on your way to London.
01:10:53Naturally, that's what I wanted you to think.
01:10:55That's why Dr. Watson announced our departure in the cafe.
01:10:58Jornay's leaving was purely bait to bring you into the open.
01:11:01I merely replaced Jornay once he was outside on the street.
01:11:04May I say, Mr. Ramson, that your disguise as a postman was a must piece of ingenuity.
01:11:09Your very choice of the role put you above suspicion.
01:11:11It was quite easy.
01:11:13I simply disposed of the real Mr. Potts after he had passed his civil service examination
01:11:18and had been assigned to La More Rouge.
01:11:21You realize, of course, that you'll never hand me over to the police alive.
01:11:25It's not my function to be your executioner.
01:11:27My duty is to hand you over to the authorities, which I fully intend to do.
01:11:30You're an optimist, Mr. Holmes.
01:11:32Not necessarily.
01:11:33We're surrounded by police awaiting my signal.
01:11:35You're an optimist, Mr. Holmes.
01:12:05You're an optimist, Mr. Holmes.
01:12:35You're an optimist, Mr. Holmes.
01:13:05You're an optimist, Mr. Holmes.
01:13:15I killed him with this.
01:13:20Ransom's instrument of death has been his own executioner.
01:13:24Well, gentlemen, our search for the monster has ended where it began, on the marshes.
01:13:28Hey, Watson.
01:13:30Watson, where are you?
01:13:32Why isn't he here?
01:13:33He was with us a minute ago.
01:13:34Watson!
01:13:35Here I am, Holmes!
01:13:37Where are you?
01:13:38I've fallen in another hole!
01:13:40I should like to have seen a bit more of Canada before we sailed, Holmes.
01:13:50So should I, Watson.
01:13:53Canada.
01:13:54The lynchpin of the English-speaking world.
01:13:57Whose relations of friendly intimacy with the United States on the one hand,
01:14:03their unswerving fidelity to the British Commonwealth,
01:14:06and the motherland on the other.
01:14:09Canada.
01:14:12The link that joins together these great branches of the human family.
01:14:16Churchill say that?
01:14:19Yes, Watson.
01:14:20Churchill.
01:14:20Churchill.
01:14:20Churchill.
01:14:20Churchill.
01:14:20Churchill.
01:14:20Thank you.
01:14:39Thank you.
01:14:40Gracias por ver el video.
01:15:10Gracias por ver el video.
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