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00:00:07Come on! If you want, I'll fill you in on the injustices you've missed in the last two months.
00:00:12He doesn't care what happened.
00:00:15What are you trying to do?
00:00:16What's mine is mine. You'll never touch it again.
00:00:19Well, it wasn't that difficult to get there.
00:00:21How could you come here alone from so far away?
00:00:24You could have been mugged on any road.
00:00:27I travel faster alone.
00:00:28Have they given any sign of life?
00:00:29No, Your Majesty. After so much time, it may never recover.
00:00:34Cipri!
00:00:35What do you have to help me with, Cipri? What, have they arrested him? Have they arrested him?
00:00:38To the master! I want to see him in the dungeons, but they haven't even let me in.
00:00:41Oh! What's happening?
00:00:43What's so hard about my son doing this? Let him go!
00:00:45He will be your executioner.
00:00:48Cardinal has recovered.
00:00:51Bring the molten lead.
00:00:55Your Majesty, I come to place myself at your disposal for whatever you may need.
00:01:03Take her away.
00:01:05Hernab! Hernab!
00:01:09His mind twisted that... that... that... that... that... that... that he is his brother.
00:01:13He is a sadist and a murderer.
00:01:16That the anger he felt was... it was all because of jealousy.
00:01:21Gonzalo de Montal... is the king's son.
00:01:25No!
00:01:26Every corner of this village reminds me of who I used to be, Satur.
00:01:29Everything I did wrong.
00:01:30What is he talking about?
00:01:31We're leaving today.
00:01:34A man gave me this for the teacher.
00:01:37The papers. That's what I forgot.
00:01:43Welcome to Galeitosa!
00:01:46This is the Sierra Morena.
00:01:49Everything else is a boulder.
00:01:52Mario, our car has been stolen.
00:01:53They've taken the car with all our things.
00:01:55Come on!
00:01:57We kept it.
00:01:58We're taking this wardrobe.
00:02:00He has left the village.
00:02:02Because of you.
00:02:03It has escaped from you.
00:02:05And your jealousy.
00:02:07It's about taking what they sent your father and galloping off.
00:02:09The piece of furniture was right here.
00:02:12Here! Right here!
00:02:28Who are you?
00:02:30The red eagle.
00:02:35I have it.
00:02:37At last.
00:02:38I have the papers.
00:02:44What is this?
00:02:46It can't be, master.
00:02:47Now you finally know who he is.
00:02:49Are you the king's son?
00:03:02The bracket was inserted.
00:03:04No!
00:03:10Amen.
00:03:47Felipe.
00:03:53This extraordinary council, made up of the members listed below, accuses Laura de Montiñar
00:04:01of manipulation of the crown with illicit and self-serving objectives.
00:04:06Why not? What does "you" mean?
00:04:08No. Where's the hehe?
00:04:09The sentence to suffer the most absolute isolation.
00:04:12Where's the hehe?
00:04:13There is absolutely no need to ever see the light of day again or have any contact with any human being.
00:04:17That?
00:04:18In a confinement that will inevitably last a lifetime.
00:04:20It's not possible.
00:04:21Your children will suffer the same fate.
00:04:24It can't be.
00:04:25To rot between buried walls until death.
00:04:27Grab it!
00:04:28No! No! No! We're married!
00:04:31No!
00:04:37Did you think you were going to get away with it, woman?
00:04:41No! Felipe! No!
00:04:53Damned!
00:04:58Love, this is the first time I've heard you use an insult, but I think it falls short.
00:05:06all sons of bitches.
00:05:08They stole his life.
00:05:09More than that, it must have been a... a living torment for the poor thing.
00:05:20Killing her would have been more compassionate.
00:05:27I know it's impossible, but I'm going to ask you not to wallow in the pain.
00:05:39I'm going back to the village.
00:05:43That?
00:05:45But how are we going to get back to the village we just arrived at?
00:05:49If the poor hen hasn't laid a single egg in Andalusian soil.
00:05:54Everyone who signed this sentence will pay for what they did to my mother.
00:05:57With his life.
00:05:58No, no, no, love, no, no, no.
00:06:00I beg you, for God's sake, don't start with death going up, death going down, for God's sake.
00:06:04That's what they deserve.
00:06:04They deserve that, and they deserve to have their guts ripped out, but...
00:06:08It's my mother, Sato.
00:06:10I have to avenge her.
00:06:13Love.
00:06:15Love, you were looking for your origins, weren't you?
00:06:17Well, that's it, he's found them.
00:06:19The circle has closed.
00:06:22So I ask you, please, that you will burst with tears and blood.
00:06:27I am his son, Sator.
00:06:30He died in my arms.
00:06:32This won't end until I can rest in peace.
00:06:35And his mother would want what every mother wants for a son.
00:06:38The best of all possible lives.
00:06:40And his life revolves around going to see the king.
00:06:42And ask him to return everything he took from his mother, but, but, but, but bathed in gold.
00:06:47If I reach the king, it will only be for one reason.
00:06:50I've discovered that it had something to do with what they did to my mother.
00:06:54And then, I will kill him.
00:06:59That?
00:07:02What do you mean, I'll kill him?
00:07:03But how can your father, the King of Spain, kill you?
00:07:07But what is he saying?
00:07:10Where is he going?
00:07:14And where are we going to live?
00:07:16Hey?
00:07:17We don't have a house, nor, nor, nor, nor, nor, nor do we have anything?
00:07:23Yeah.
00:07:27Bye bye.
00:07:48Where could it be?
00:07:54Where will he go?
00:07:59Give me everything you have.
00:08:01Fast!
00:08:04But you know who you're talking to.
00:08:07I am Trinidad Pérez de la Calzada.
00:08:10The trini is in Seville.
00:08:12Well, I'm back.
00:08:19They did it for you in Toledo, didn't they?
00:08:27Well, I'm going to keep it.
00:08:29Come on.
00:08:30Long.
00:08:33Wait.
00:08:35I'm looking for someone in the village.
00:08:36Perhaps you can help me.
00:08:38Whom?
00:08:38To the Red Eagle.
00:08:40To the Red Eagle?
00:08:42So that?
00:08:43It's a very long story and I'm not going to tell it to you.
00:08:45I need to find him.
00:08:47Sometimes it's in the forests and sometimes it's on the rooftops.
00:08:50It appears and disappears.
00:08:52It's impossible to find him.
00:08:54For Trini, nothing is impossible.
00:08:56Long.
00:08:58Long.
00:09:02Long.
00:09:02Argo.
00:09:06Argo.
00:09:11Argo.
00:09:27Argo.
00:09:45No, no, no.
00:09:59No, no, no.
00:10:35No, no, no.
00:11:02No, no, no.
00:11:05No, no, no.
00:11:32At the last moment I ordered that they not be killed.
00:11:38They are alive.
00:11:41But, Your Majesty, your marriage to Laura was sanctified by the church, which means you are legitimate heirs to the
00:11:52crown.
00:11:54Can I know who it is?
00:12:02Gonzalo de Montalvo and Hernán Mejías.
00:12:11Remember, I've always done what's best for you, my daughter. Trust me.
00:12:22I now pronounce you husband and wife.
00:12:30Cardinal.
00:12:37I am very impressed by your revelation, Your Majesty.
00:12:44There's nothing like the smell of good food to bring the clergy together.
00:13:13Commissioner, I have come so that you can sign this document.
00:13:18What is this?
00:13:22The annulment of your marriage to Irene.
00:13:26Sign.
00:13:29Is this your way of suggesting that I separate from Irene?
00:13:32It's not a suggestion, it's an order.
00:13:35And who told you I want to break up my marriage?
00:13:38I am happily married to her niece.
00:13:41You and I both know it was a marriage of convenience.
00:13:45Can.
00:13:46But you know what they say.
00:13:48The touch of affection.
00:13:54Please sign that document.
00:13:57I don't plan to sign it.
00:13:59Irene is very beautiful.
00:14:00It will be hard to find a replacement in my bed.
00:14:02If I saw her naked, I would know what she's been through...
00:14:04Enough!
00:14:06Look at me closely, commissioner!
00:14:12Irene is your sister.
00:14:15It's a lie.
00:14:19It's a lie.
00:14:21It's a lie.
00:14:30Had I known, I would never have consented to this marriage.
00:14:34May God forgive me.
00:14:50This is unchristian, even to me.
00:14:54The girls won't know how to do it.
00:14:56But it's not that difficult.
00:14:58Let's see.
00:14:59You.
00:15:01Lie down here.
00:15:03Here.
00:15:03Tumate.
00:15:04That.
00:15:05Open your legs.
00:15:07Here.
00:15:07So.
00:15:08And you stand behind me.
00:15:13That.
00:15:14And you touch her.
00:15:16And then we ducked down.
00:15:18And you're not planning to charge the usual price for this, are you?
00:15:26Let's see.
00:15:26Sorry.
00:15:27I'm looking for the owner.
00:15:30Anais.
00:15:31It's me.
00:15:33Will you go?
00:15:35You'll see.
00:15:36I came to offer you something.
00:15:39Come on.
00:15:40Clear this up.
00:15:43This money.
00:15:45It's for...
00:15:46Thank you.
00:15:47But the custom is to pay after the service.
00:15:50No, I've come to get my house back.
00:15:54The one you bought.
00:15:56Already.
00:16:02Well, you see.
00:16:04Because his house is now my warehouse.
00:16:07And do you know how much junk there is?
00:16:10I'm very sorry, but this is very inconvenient for me.
00:16:13If the problem is moving things, I can bring them here myself.
00:16:16Already.
00:16:18But the warehouse is very well located.
00:16:22I'll look for him in another area.
00:16:25Don't even bother.
00:16:26There were no more houses available.
00:16:30Please.
00:16:31There are neighborhoods closer that have...
00:16:33Didn't you go to Seville to start a new life?
00:16:37That's a personal matter that's irrelevant.
00:16:39And like I said, I need to get my house back.
00:16:43He won't stop until I say yes, will he?
00:16:46I'm afraid not.
00:16:52Alright.
00:16:55I'll give it back to you.
00:16:56But in exchange for something.
00:16:59Good.
00:16:59But I don't know what I have that would interest him.
00:17:03There's something that...
00:17:05A problem I've always wanted to solve.
00:17:13I can't read.
00:17:14I'm sorry, but no.
00:17:16There are many teachers in the village.
00:17:17I'll help you find another one.
00:17:18And why not you?
00:17:21Because I don't like people who take advantage of other people's work to enrich themselves.
00:17:27Already.
00:17:30Enjoy your home.
00:17:50At what point did my life become a series of building and dismantling hideouts?
00:18:02The mother who gave birth to me.
00:18:03Why did I come up here?
00:18:07And the weapons, Satur?
00:18:08No, no, no.
00:18:08The reason I've come here is to try and stop him.
00:18:10Not to hand you the weapons on a silver platter.
00:18:13I need the katana.
00:18:14No, forget about revenge.
00:18:15Please.
00:18:16Please.
00:18:20Still.
00:18:21Satur, I will never make them suffer the same as they made my mother suffer.
00:18:24But I will not allow them to live happily for even one more day.
00:18:28Ah!
00:18:30She cut me off.
00:18:32I'm sorry.
00:18:42Take.
00:18:45If you continue like this, you will cease to be a hero and become a common murderer.
00:18:51I'm not going to allow that to happen.
00:18:52No, it's already happening.
00:18:54That you only think about killing.
00:18:57He doesn't realize that he's going to become someone else.
00:18:59I'm not going to change, Satur.
00:19:00If he crosses the line, he won't go back.
00:19:04You are a hero.
00:19:05He has to be better than normal men.
00:19:09I am also a son, Satur.
00:19:11And every time I close my eyes I see my mother looking at me just before she died.
00:19:14Come on, you've discovered two things.
00:19:16One good one and one bad one.
00:19:17Keep the good one.
00:19:18I don't see any good ones.
00:19:19But how can that be?
00:19:21You have the opportunity to get your father back.
00:19:23And his father is not just anyone, he is the King of Spain.
00:19:25And why didn't he look for her?
00:19:27I could have spared him all this suffering.
00:19:28Because I didn't know.
00:19:30Maybe he doesn't even know you're alive.
00:19:34Imagine that man's joy when, when, when you see me standing there and he melts into a hug.
00:19:40I came here with a goal and I will achieve it to the very end.
00:19:49So, that's the end of their fucking origins.
00:19:53To finally find his father, kill him, and in the process leave a whole country without a king, right?
00:19:58I'm going to find out who these initials belong to.
00:20:03If I had known that this was the end the day I met him, I would not have joined his cause.
00:20:19This cannot be left like this.
00:20:22It's not going to stay like this.
00:20:26Even if it's me who has to change history.
00:20:56Forgive me, forgive me.
00:21:01Forgive me, forgive me.
00:21:05Forgive me, forgive me.
00:21:19Sorry.
00:21:26Forgive me, forgive me.
00:21:50No no.
00:22:21No no.
00:22:55No no.
00:23:40No no.
00:23:43No no.
00:24:13Are you sure it will work?
00:24:14Oh, that's what my mother used to say, that this infusion was a miracle cure for preventing pregnancy.
00:24:21But you were eight brothers.
00:24:23Well, that's what I think too, but we'll have to try it out.
00:24:35But what are you doing?
00:24:37Defend ourselves.
00:24:38We are alone in the forest.
00:24:40A man on horseback was circling us.
00:24:42Ask questions first, then shoot.
00:24:44What if he was a good man?
00:24:48Alright?
00:24:52It's you.
00:24:53Did it go off accidentally?
00:24:57No.
00:25:00So you wanted to give it to me?
00:25:02With some, it's best to shoot first and ask questions later.
00:25:06I'm glad you have bad aim.
00:25:08Apparently not so bad.
00:25:10But we'll have to practice more.
00:25:12There are a lot of undesirable people out there.
00:25:13I see you don't like to apologize.
00:25:15That's how we are as people who take advantage of other people's work to enrich ourselves.
00:25:27Sir, she does not get rich from the girls' work, but rather distributes her money among them.
00:25:33Have a good day.
00:26:00Excuse me, excuse me, I've told Your Majesty that I'm here.
00:26:03AND?
00:26:04His Majesty has other more important matters to attend to.
00:26:07Yes, but have you informed him that Gonzalo de Montalvo's servant is here?
00:26:10No, I have informed him that a servant wishes to see him.
00:26:12Yes, but that information was crucial.
00:26:15Servant of Gonzalo de Montalvo.
00:26:16Go ahead and tell him.
00:26:18Well, well, well.
00:26:19Remember, servant of Gonzalo de Montalvo.
00:26:28Go ahead.
00:26:42Well, gardens.
00:26:45And what sources.
00:26:51One day all this will be ours.
00:27:03Majesty.
00:27:05I am not in the habit of receiving servants.
00:27:08What do you want?
00:27:11I've come to inform you of something.
00:27:15I have some news to give you.
00:27:18This is news that could change your life, Your Majesty.
00:27:20We always give them to you.
00:27:25His son.
00:27:28Your son who is alive.
00:27:36And why do you know this?
00:27:38Because we've received everything.
00:27:41The letters, the details of your marriage, the drawings you kept, the teaching degree.
00:27:47The truth is that you have an offspring to be very proud of, Your Majesty.
00:27:51Who hasn't sent it to them?
00:27:56Hey...
00:27:56I don't know.
00:27:58Anonymous.
00:28:00A charitable soul, I say.
00:28:12And why have you come to talk to me?
00:28:18Well, because it has stirred up some pent-up resentment and many doubts.
00:28:24And I had humbly thought that...
00:28:28I know I could...
00:28:31Could...
00:28:33To initiate a meeting.
00:28:35Because family matters are resolved within the family.
00:28:39Does anyone else know?
00:28:40No.
00:28:41No, no, just me.
00:28:42Well, and his son, of course.
00:28:45If only we had known what we were before...
00:28:49We've been through so much, so much...
00:28:51So much trichez, Your Majesty.
00:28:58Leave.
00:29:01Majesty.
00:29:18How can you do this to me?
00:29:21I had nowhere else to go.
00:29:25It takes real bad taste to commit suicide in someone else's palace.
00:29:28What will people think?
00:29:31Anyone would say I've treated her badly if I haven't been able to treat her better.
00:29:36Decided.
00:29:37We'll say that he slipped and hit something on the fall.
00:29:43He has a gunshot wound to the heart.
00:29:45Well, it went off accidentally, since I was a bit dim.
00:29:53She left a suicide note.
00:29:56That doesn't need to be aired out.
00:30:00Let's see what it says.
00:30:09Please forgive me for any harm I may have caused.
00:30:13Well then, a few last words.
00:30:16What could this little goody-two-shoes have done?
00:30:21Maybe he forgot to put money in the collection box.
00:30:26To get to the point of doing this, something serious must have happened to him.
00:30:29Yes, yes.
00:30:30Very serious, for sure.
00:30:32Well, clean all this up as soon as possible.
00:30:36Wait.
00:30:38I think he'll be pleased to know that Master Gonzalo has returned to the village.
00:30:43Why didn't you tell me before?
00:30:46With the body present, I thought I could wait.
00:30:49There is nothing more important, nothing.
00:30:53Gonzalo has returned.
00:30:58That?
00:31:01She has not shed a tear for the deceased.
00:31:04However...
00:31:04Are you going to compare me?
00:31:06You only get excited about what you want.
00:31:14I'm sorry.
00:31:30Thank you!
00:31:57Thank you!
00:32:26Thank you!
00:32:50Relief!
00:32:53Someone please help me!
00:33:06Relief!
00:33:13Someone please help me!
00:33:29What's happening?
00:34:12Who are you?
00:34:15We met in Seville.
00:34:17I had stolen a car and you took it from me.
00:34:22Listen, I need your help.
00:34:24You need my help and you're setting a trap for me?
00:34:27I just wanted you to listen to me.
00:34:29Oh, you have that reputation for being elusive.
00:34:34Wait, wait.
00:34:35He's been keeping me informed.
00:34:37He told me that you help people in need.
00:34:42Can't.
00:34:43I have personal matters to attend to.
00:34:45Personal matters?
00:34:47But what kind of hero are you?
00:34:48For a hero, the well-being of others comes first.
00:34:59Why do you need my help?
00:35:02Look, it's because of my brother.
00:35:06He disappeared a long time ago.
00:35:09What is this?
00:35:10My brother is an inventor.
00:35:12He always thought about the good of the people.
00:35:15And I thought that machines, not soldiers, should go to war.
00:35:20Is this the blueprint for an automaton?
00:35:22Well, call it an automaton or a mechanical agendro.
00:35:25The thing is, I didn't know who to turn to.
00:35:29And since we met in Seville, well...
00:35:42I'm sorry, but I can't.
00:35:59Shit!
00:36:10Okay, okay.
00:36:12Go away.
00:36:14And I don't want anyone to interrupt me.
00:36:16I've had a very hectic morning.
00:36:18I'm very tired.
00:36:33But I didn't say that...
00:36:39You've lost your minds, commissioner.
00:36:41What is this?
00:36:46He doesn't recognize it.
00:37:11Irene.
00:37:20As?
00:37:22Herself
00:37:24Right after our conversation
00:37:32She
00:37:33She loved me
00:37:38She loved me
00:37:44I can't tell you, commissioner
00:37:51Then his death will not be the only one.
00:37:54I can't, commissioner
00:37:56Say it
00:37:57Can't
00:37:59Who?
00:38:01It will be the last secret I can bear, Cardinal.
00:38:04I can't say, commissioner
00:38:08Say it!
00:38:10The king
00:38:11The king is our father
00:38:23As?
00:38:24You are the children of Philip IV
00:38:40If the king finds out I told you, he will kill me
00:38:47The king is not full of bastards
00:38:49Why has this been kept secret from us?
00:38:54To prevent France from claiming the Spanish crown
00:38:59You are the fruit of the secret marriage between Laura de Montignac and the king
00:39:06So
00:39:09I could claim the throne
00:39:14What are you saying?
00:39:17I have spent my entire life in the service of the nobles
00:39:21They've treated me like a hunting dog and I've swallowed all their crap
00:39:25Now they will kneel before me
00:39:28Nobody is going to prevent it
00:39:31May I be the future king
00:39:35Nobody
00:39:40I like people who take advantage of other people's work to enrich themselves
00:39:45Enjoy your home
00:40:15Nobody is going to prevent it
00:40:22You, servant
00:40:24He let me in.
00:40:26I'm busy
00:40:28We haven't had the chance to see each other and...
00:40:32I owe you an apology.
00:40:33No
00:40:35You don't owe me anything.
00:40:36I shouldn't have
00:40:38It was a mistake to talk to Margarita about us.
00:40:42Lucrecia
00:40:45Please
00:40:47Go away
00:40:50I thought I'd lost you forever.
00:40:55And I couldn't bear a life without you.
00:41:01Do you know anything about Margarita?
00:41:04No
00:41:07Please leave
00:41:12I'm sorry
00:41:16I was in that bed too.
00:41:18Nobody forced me
00:41:21It's hard to forgive what I did
00:41:22I would have forgiven you
00:41:24Don't even think you're better than Margarita
00:41:26I don't know if I'm better.
00:41:28I don't know if I'm better.
00:41:29But I wouldn't have left you at the altar just because you slept with someone else.
00:41:33For me, there are things that matter more.
00:41:35Yeah
00:41:37Margarita, you have
00:41:39Shapes
00:41:41Different ways of seeing life
00:41:43Exact
00:41:47Some day
00:41:50You'll realize that I'm the woman of your life
00:41:55And I'll be waiting for you
00:42:24We've already talked about everything we needed to talk about regarding your life.
00:42:26Of course, Lucretius
00:42:28Oh, come on!
00:42:30What a welcome!
00:42:33Do I know him?
00:42:35Fuck
00:42:37You've gotten yourself into a mess
00:42:40Excuse me, who are you?
00:42:42Who am I?
00:42:43Your uncle Emilio
00:42:47My uncle Emilio?
00:42:49Your father's brother
00:42:50Emilio Montalvo
00:42:52The one from
00:42:54They beat me to get my last name out of me in jail.
00:42:58But come here, boy.
00:43:00Give me a hug
00:43:03Twenty years and a day in a fucking floating prison
00:43:07Water ahead
00:43:08Water at the stern
00:43:10I don't even know why I still feel like taking a bath
00:43:15I was really looking forward to meeting you
00:43:16At home, people talked about you a lot.
00:43:20A prison in the middle of the sea
00:43:22And what is that?
00:43:24Hips
00:43:25Where they dump you when they run out of space on land
00:43:32There was so much moss down here
00:43:33They looked like hanging gardens.
00:43:39I always...
00:43:40I was told your sentence was excessive.
00:43:42That...
00:43:43That the crime wasn't that serious
00:43:45Crime?
00:43:47Crime
00:43:49I used to create authentic works of art with these hands.
00:43:51Two such wonderful maravedís
00:43:54That there was no God to distinguish them from the authentic ones
00:43:58Our own authentic works
00:43:59If they caught you, you must not have been attractive.
00:44:05Your name is...
00:44:06Cipri
00:44:07Cyprian
00:44:09Cipri Cipriano
00:44:12Get me a jargo
00:44:16Cipri...
00:44:17Stop
00:44:18Please
00:44:25You can stay as long as you want
00:44:28But I'm a bit busy right now, so I won't be keeping an eye on you.
00:44:31Calm down, man
00:44:32I didn't come here to complicate your life
00:44:35You've already given me a roof over my head.
00:44:38Good
00:44:39Well, I'm leaving.
00:44:40I'll go with you
00:44:41No, no, no
00:44:43I must go alone
00:44:45Well, nothing much.
00:44:46I'll just stay here and have dinner with myself.
00:44:50Rest
00:45:04Where
00:45:05I left
00:45:05Sidentov
00:45:05Rest
00:45:05Everyone
00:45:07Rest
00:45:07Rest
00:45:08Close Dale
00:45:08Tabas Rodra
00:45:19$idar
00:45:19Guide
00:45:19Guide
00:45:20After
00:45:33Come on, shoot already.
00:45:42All your ancestors were good hunters.
00:45:47Shoot already.
00:45:57You are a disgrace to the family.
00:45:59But I don't want to kill an animal.
00:46:01Shoot.
00:46:20Don't even think about crying.
00:46:30Take it with you.
00:46:59Subscribe to the channel!
00:47:24What do you want?
00:47:26What do you want?
00:47:36I am the son of Laura de Montignac
00:47:41This extraordinary council
00:47:43Composed of the listed members
00:47:45Below these lines
00:47:46He accuses Laura de Montignac
00:47:51And this
00:47:52It's his revenge.
00:48:30He has not come
00:48:31Nobody to see it
00:48:32No
00:48:36And her husband?
00:48:38I haven't seen the commissioner for hours.
00:48:45She was truly beautiful.
00:48:48And what good has it done him?
00:48:54In the end, the only thing that matters is that on the day you die
00:48:58Someone is crying for you
00:49:00I would indeed mourn their loss.
00:49:05I wasn't thinking about you exactly
00:49:24Well
00:49:26Prepare my dress
00:49:27Emerald Green
00:49:28I'm going to the Countess of Castellar's ball
00:49:33Looking at someone so much and Narte
00:49:34I'm getting the urge to move
00:49:49What we've said, right?
00:49:51I'm speaking from experience; I know this very well.
00:49:52What needs to be said
00:49:57Madam Marchioness
00:49:59We have heard that there has been a death in your house
00:50:03And well, above all we are in solidarity with the loss.
00:50:05If they come to mourn the deceased
00:50:07He is in that room
00:50:08No, no, that's not what we came here for, you see.
00:50:11We bring the fishmonger's to the street at the bus stops.
00:50:15They've talked about her, I'm sure.
00:50:16We sell the best produce in the whole village
00:50:18What's going on? Do we owe them something?
00:50:20Pay them and let them leave.
00:50:21This has nothing to do with fish or anything like that
00:50:24And you see me today, Justino
00:50:26You get caught up in it and confuse people.
00:50:31This is my daughter, Remedios
00:50:32The thing I want most in this world
00:50:34Lady
00:50:34And as you can see, she is pregnant.
00:50:38It's obvious, yes
00:50:39AND?
00:50:40Because you're in luck!
00:50:42What did you say?
00:50:43We've made her a grandmother.
00:50:45That his son, the marquis, is the father
00:50:47Right, girl?
00:50:48Well yes
00:50:51How could this have happened?
00:50:57If you'd like, I can explain it to you, ma'am.
00:50:59But here in front of the children I feel awkward talking about brains
00:51:02Uh-huh
00:51:24What are you doing, master?
00:51:28Clean the katana, please.
00:51:31Don't tell me you've already killed one
00:51:36Damn, I should have hidden it.
00:51:38Oh my God, she must have left it to make blood sausage.
00:51:42It has more blood than the slaughter of the pig in Zarzalejos
00:51:46He received the treatment he deserved.
00:51:48I have actually been generous.
00:51:51He deserved to suffer much more
00:51:54Well, now that you've vented a little bit
00:51:56Let's leave it at that, shall we?
00:51:59This is just the beginning, Soturo
00:52:03And so?
00:52:04Don't tell me he's made a revenge crone
00:52:13And what is this?
00:52:19You know what that means
00:52:25Come on, what if I tell you that this is going to be fixed sooner rather than later?
00:52:29Soturo, I'm not going to stop
00:52:30I don't want to keep explaining it to you.
00:52:32And the people?
00:52:34What's happening to the town?
00:52:39And this?
00:52:40Rapier?
00:52:42Before, I didn't even have time to replace it.
00:52:45And now it's overflowing
00:52:47Soturo, I don't need your moral lessons
00:52:50I know very well what what I'm doing means.
00:52:53That I am the squire of a hero
00:52:54Not from an avenger
00:52:56And that's how I want to pass off history.
00:52:58As such
00:53:00So that nobody knows
00:53:04They've brought this for you
00:53:08Me?
00:53:23I request your immediate presence at the Royal Palace
00:53:26Philip IV, King of Spain
00:53:33My immediate presence
00:53:36There is none in his own handwriting
00:53:42Oh, yes.
00:53:43Oh yes, everything will finally work out.
00:53:48Everything will be alright
00:54:11Very well, it doesn't seem like the Marchioness has taken it, Justino
00:54:14Well
00:54:15He told us to wait here.
00:54:17Which is not a bad sign
00:54:23Lady
00:54:24You have a very nicely decorated room
00:54:26I don't know what you've heard about me
00:54:28But it's clear you think I'm an idiot.
00:54:31My son wouldn't touch someone like that even with gloves on.
00:54:34Let's see, this hasn't started very well.
00:54:36We, ma'am
00:54:37We didn't come here to deceive anyone
00:54:40It is the law among decent people that whoever gets pregnant takes responsibility for the child
00:54:44Yes of course
00:54:45And why haven't they come before?
00:54:47That belly isn't exactly new.
00:54:49Because we discovered it this morning, ma'am
00:54:52Cleaning the fish bones made the little girl vomit
00:54:56And to open it up so that all the noise we've found could get some air
00:54:58We thought she was getting fat with all the food she eats.
00:55:01Because you should see how she leaves the dishes, right, Maria?
00:55:04I don't even have to wash them.
00:55:05It took a while, it took a while to tell.
00:55:08I'm right here with you.
00:55:09What were you waiting for? Is the creature evil?
00:55:12The marquis told me to be discreet.
00:55:14Discreet woman
00:55:16My son is in Florence, invited by the Duke of Tuscany
00:55:20But when he returns, he's going to expose all his lies.
00:55:24The paper, Justino, show him the paper
00:55:32The document that proves that his son acknowledges that he is the father of his grandson
00:55:39With his signature and with his everything
00:55:41Read it to the Marchioness, Bartolo, my son.
00:55:49I, Nuño de Santillana, acknowledge as my own the child that Remedios Gordillo carries in her womb
00:56:06And I promise to take care of both of them.
00:56:08Give the marchioness some water; she's turning as white as chalk.
00:56:23Don't worry, ma'am, you won't be alone in all this.
00:56:52Subscribe to the channel!
00:56:56What are you doing?
00:57:00Ah, I was looking for some books to read.
00:57:03In Narcón?
00:57:05Well, I thought there would be books there too.
00:57:11Drop whatever you've picked up
00:57:15I haven't taken anything
00:57:16Leave behind what you've stolen
00:57:18I'm saying I haven't taken anything
00:57:20And when I say it's nothing
00:57:23It's nothing
00:57:32Stay in your own little world!
00:57:35Grab him!
00:57:40Grab him!
00:57:48He's getting away!
00:57:57Grab him!
01:01:05Wait, wait.
01:01:11I'm going to be your teacher.
01:01:12My teacher?
01:01:13If you still want to.
01:01:15Yes, I do.
01:01:55I see that snakes don't impress you much.
01:01:57There are much more dangerous creatures.
01:02:01Okay, then.
01:02:02I'll be back for classes.
01:02:05There will be more light than now.
01:02:07Good.
01:02:15Well, she's had a rough time.
01:02:22They don't sell us anything.
01:02:27Who doesn't sell to us?
01:02:28Nobody, father.
01:02:30They are afraid.
01:02:32The commissioner has forbidden it.
01:02:34The commissioner.
01:02:36What are we going to do?
01:02:38Has he taken our place?
01:02:39Our life here?
01:02:45Where are you going?
01:02:46Go for it.
01:03:03Come on, a little more shine.
01:03:05Lunchtime is peak customer time.
01:03:08Flora, when you're done with that, change the sheets and put them back on clean.
01:03:11So that?
01:03:12You just turn them over and that's it.
01:03:14If they don't crunch, they're clean.
01:03:16Flora, this has been discussed more than once.
01:03:17I want clean sheets every shift.
01:03:19Well, we're going to have to hire more laundresses than prostitutes.
01:03:26These are not ways to get into any place.
01:03:28What do they want?
01:03:29Take her away.
01:03:30What? Why?
01:03:31Come on.
01:03:31What have I done?
01:03:33At least let me get dressed.
01:03:35A whore, and prudish.
01:03:37Well, if you don't like wearing a bathrobe, I'll take it off.
01:03:41Come on!
01:03:41Let her go!
01:03:42Don't touch her!
01:03:43Lora!
01:03:44Lora!
01:03:45No!
01:03:50Don't touch her!
01:03:58Let me go!
01:03:59Let me go!
01:03:59Let me go!
01:04:01Let me go!
01:04:01Let me go!
01:04:04Let me go!
01:04:12Let me go!
01:04:15Let me go!
01:04:16Let me go!
01:04:18Let me go!
01:04:19Let me go!
01:04:20Let me go!
01:04:22Let me go!
01:04:25Let me go!
01:04:25Let me go!
01:04:26Let me go!
01:04:28Let me go!
01:04:30Let me go!
01:04:32Let me go!
01:04:33Let me go!
01:04:34Let me go!
01:04:34Let me go!
01:04:35Let me go!
01:04:35Let me go!
01:04:58Fernan, we have a problem.
01:05:02A very serious problem.
01:05:08But what are you doing?
01:05:12Celebrate.
01:05:14Celebrate what?
01:05:17My good luck.
01:05:19But if you are in mourning.
01:05:21And two days ago you wanted to kill Gonzalo.
01:05:27Fernan, how many bottles have you had?
01:05:31Are you okay?
01:05:33Are you okay?
01:05:43Perfectly.
01:05:46What are you?
01:05:49When I tell you what I've come to tell you, you'll lose all desire for celebrations.
01:05:55Proof.
01:05:57Your son has gotten a fishmonger pregnant.
01:06:04Well, we'll have fish for life.
01:06:08But did you hear what I said?
01:06:11Your son has gotten a common, nameless woman pregnant.
01:06:22How much have titles always mattered to you?
01:06:26What are you talking about now?
01:06:29You have despised everything that had nothing to do with power, luxury, or money.
01:06:36Including me.
01:06:38Hernán, didn't you come to talk about us?
01:06:40You've never considered me your equal.
01:06:44We could have sex.
01:06:46But when our relationship went outside these four walls, I was nobody.
01:06:55You haven't even given me the right to give our son my surname.
01:07:03But...
01:07:06What if I wore different clothes?
01:07:08If he owned palaces.
01:07:11If he were noble.
01:07:15Would you look at me differently?
01:07:18You are not noble.
01:07:21And you never will be.
01:07:24So there's no need to ask yourself that question.
01:07:31You're right.
01:07:34You don't need to ask me.
01:07:45I know the answer.
01:07:51Yeah.
01:07:54Yes, you would look at me differently.
01:08:20Where is the commissioner?
01:08:22He has indicated that no one should bother him.
01:08:24Where is?
01:08:26I can't tell him.
01:08:27I repeat that he has given strict orders not to be disturbed.
01:08:31I'll find it myself.
01:08:45Can you tell me once and for all why I'm here?
01:08:47For the death of the Duke of Tellez.
01:08:52I didn't kill him.
01:08:54There are witnesses who saw you arguing with him.
01:08:57Did he hit one of the girls?
01:08:59What was I going to do?
01:09:00Let him grind her to a pulp?
01:09:02You threatened him.
01:09:03I told her I was letting her go.
01:09:06or break his neck,
01:09:07But it was just a figure of speech.
01:09:09I wasn't planning to do it.
01:09:16They're going to accuse me of the duke's death.
01:09:21And I don't know anyone here who can intercede for me.
01:09:25So what am I going to do?
01:09:27What am I going to do?
01:09:29We're screwed.
01:09:31I don't know what I'm going to do.
01:09:38We'll say it was me.
01:09:40No, that's not the solution.
01:09:44Listen to me, Anaís.
01:09:45I've already had one life,
01:09:48But you have it all ahead of you.
01:09:50Flora.
01:09:50But you don't realize it
01:09:52that it won't make any difference.
01:09:54Before we set foot on this soil
01:09:56We were already doomed.
01:09:59To whores, however innocent we may be,
01:10:01We are never given the benefit of the doubt.
01:10:05Don't know.
01:10:07But it's time for that to change.
01:10:11And we're not going to achieve it by condemning you.
01:10:15No.
01:10:18Oh.
01:10:19If only
01:10:20We should have chosen a different profession.
01:10:26I'm not going to do it to you.
01:10:52I'm not going to do it to you.
01:11:18I'm not going to do it to you.
01:11:41Are you hungry?
01:11:52Are you hungry?
01:12:26I'm not going to do it to you.
01:12:44You're not going to kick my family out of here.
01:12:48Didn't you understand the message the other day?
01:12:50I am not afraid of you and I will not allow my son to be afraid of you.
01:12:53Well, you should.
01:12:54Because if I ever come for you...
01:12:56And why not now?
01:12:58Without your weapons, without your guards.
01:13:01Or is it that you don't know how to defend yourself without them?
01:13:04Wait!
01:13:18Soul!
01:13:21Bye bye!
01:13:30Bye bye!
01:13:35Bye bye!
01:14:10Good heavens! What are you doing?
01:14:16Your Majesty, I'm sorry
01:14:45I don't know why we're having this dinner.
01:14:46The Marchioness doesn't want us anywhere near her.
01:14:48That needs to be perfectly clear to him
01:14:50This family has great table manners.
01:14:52Nobody can beat us.
01:14:56Daughter, will you close your mouth while we eat?
01:14:58Why the obsession with having everything open!
01:15:00Me eating like this all day
01:15:02I don't know why I'm going to eat now
01:15:04The way the Marchioness has treated us is unacceptable.
01:15:06Justino, this is unacceptable
01:15:07Very well, nothing has been contributed, no
01:15:09But we have to understand her
01:15:11She and the Marquis have defied the natural order
01:15:14They gave her to fornication before going through the vicarage
01:15:17And let's see which mother likes that.
01:15:20Order some French pastries
01:15:21And get them to the Royal Palace
01:15:25Since we didn't know what he liked
01:15:27We've brought you an assortment
01:15:28Everything very fresh
01:15:30Look, we have whiting
01:15:32Codfish, anchovies
01:15:33Some small trout from the Guadiela River
01:15:35Golden ones that shine brighter than the sun
01:15:37Some jack mackerel
01:15:38And this palometa that seems to fly
01:15:41Look at that eye he has
01:15:42Hey?
01:15:43This eye seen on the seven seas
01:15:46What would you like?
01:15:51I'm not planning on having dinner.
01:15:52Come on, woman, don't get like that
01:15:54Let the girl who is cooking for you
01:15:56He has a knack for fishing
01:15:59She showed it to her mother
01:16:00He'd better have
01:16:01That lady shouldn't be such a slut
01:16:07Ma'am, are you talking about my daughter?
01:16:18Say yes, Father
01:16:19We're the only ones who call Reme a slut
01:16:27The!
01:16:48The!
01:16:52Get out of here
01:16:54I don't want you in my house
01:16:56I just wanted to tell you one thing
01:16:58I'm not interested in anything about you.
01:17:01It's also up to you.
01:17:05This is Irene
01:17:08I feel so sorry for her.
01:17:10But don't expect him to offer his condolences.
01:17:14But your sister
01:17:17Our sister
01:17:21It just can't be
01:17:27You married her
01:17:31You are a pervert
01:17:32I didn't know
01:17:35I can be many things
01:17:36But I would never have done something like that.
01:17:41I'm not going to his funeral.
01:17:44But someone should be with her.
01:17:56I'm not going to his funeral.
01:17:59I'm not going to his funeral.
01:18:20Are you OK?
01:18:24What's the matter?
01:18:29Nothing
01:18:37Did they hear this from you?
01:18:44Love, I've had to be away for a few days
01:18:45Don't worry about me or look for me
01:18:47I'll be back.
01:18:49Take care, Satur
01:18:50Do you want to talk?
01:18:54Ah
01:19:02I'm not going up
01:19:47Well?
01:19:50He believed everything
01:19:52He's convinced I'm his uncle
01:19:54You know what you have to do
01:19:57Follow in his footsteps
01:19:58And if it gets too close to the truth
01:20:03If he gets too close to me
01:20:05I will kill him
01:20:07He hired me for that and I don't intend to let him down
01:20:11I know it's not easy to kill someone who shares your own blood.
01:20:17No, it's not easy to kill a child
01:20:30I know you are
01:20:33You are the king's son
01:20:38That's how it is
01:20:41It's sulfur.
01:20:42If your brother made his invention spit fire
01:20:44I needed this
01:20:46Hey, you!
01:20:47I'm looking for a young guy.
01:20:49His name is Noel
01:20:50You stop bothering my men
01:20:51I bet you don't!
01:20:53How much money do you want so that this child has nothing to do with the Santillana surname?
01:20:57One hundred ducats?
01:20:59My daughter's honor cannot be bought.
01:21:01No, Gonzalo, listen
01:21:02You are the only family I have left
01:21:04You can tell me anything.
01:21:06No, mother!
01:21:07All the maps have an inscription in the ocean area.
01:21:11There are mermaids here
01:21:14When I became a red eagle, I promised to fight against power.
01:21:18I will never be a part of it
01:21:21Are you asking me to marry you?
01:21:24Yeah
01:21:25In return
01:21:27She will be queen
01:21:29The eagle's nest
01:21:30What are you doing here?
01:21:32Greet
01:21:33To the future king of Spain
01:21:36Gonzalo of Austria
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