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00:00:09The queen has a lover.
00:00:12Does the document state who it is about?
00:00:15Duke of Oceda.
00:00:17Your son and mine are dead, master.
00:00:20Because of him.
00:00:21It's all their damn fault.
00:00:23He has to die.
00:00:25We will organize a competition
00:00:27where the best riders will come
00:00:29of the king.
00:00:30I'll have to participate in the horse race that the king has organized.
00:00:33I will participate too.
00:00:34The duke will not get out alive
00:00:36of that challenge.
00:00:39The queen wants to see her, urgently.
00:00:42The queen?
00:00:43You must sleep with the Duke of Oceda.
00:00:45I want a public scandal.
00:00:49What I want to know is
00:00:51how is he going to die.
00:00:52We've set a trap on the edge
00:00:55of the road. When the duke falls
00:00:56He won't stand a chance in that hole.
00:01:03Lately you've been treating me like
00:01:05as if you hated me, as if I were a rival.
00:01:07Now you are.
00:01:08I'm going to win that race.
00:01:10Oh, blessed be the Lord
00:01:11fornicating in the house of God.
00:01:13The church is a sacred place
00:01:14and you've turned it into a brothel.
00:01:19They burned it, I love it.
00:01:25But that's not the point.
00:01:26You don't care what you were hiding.
00:01:30Ma'am! Ma'am!
00:01:32No, no, no, no!
00:01:32No, no, no, no!
00:01:33Come on, go away!
00:01:35Okay, you tell me what happened!
00:01:36No, no, no, no!
00:01:43No!
00:01:47We've come to play.
00:01:49We've come to play.
00:01:52Everything I was was buried last night with Alonso.
00:01:56I want a life without him.
00:01:57They want to excommunicate me.
00:01:59You should have thought about it before lifting your skirts.
00:02:04Our children would want us to continue living.
00:02:09I came to tell you that I'm leaving.
00:02:11What's wrong with me, Gonzalo?
00:02:15I'm sorry.
00:02:16The Marchioness of Santillana has been sentenced to wear a chastity belt.
00:02:23Together we have lost our children, my love, and together we will go to the end.
00:02:28You have to help me, please.
00:02:30If you've come seeking my mercy, you're wasting your time, Lucrecia.
00:02:34Oh, he's alive!
00:02:35Get rid of it!
00:02:36He's alive, please!
00:02:38Cami!
00:02:48Cami!
00:02:51Aunt.
00:03:01Can you please tell me what we're doing here?
00:03:03And so on.
00:03:04That's the tenth time you've asked since we arrived, Aloncillo.
00:03:07Don't you see that your father wants to teach you something?
00:03:29Who is Aloncillo?
00:03:32It's the family of one of the guards you killed.
00:03:35They lived off their father's wages.
00:03:37They have left their home and now live here.
00:03:42And here's the thing.
00:03:44That guard recruited innocent women and forced them to repopulate the new world.
00:03:48No, no, Aloncillo. Your father already knows that.
00:03:50No, no, no. He doesn't know.
00:03:53You didn't see how he treated them.
00:03:54You didn't see those women's faces.
00:03:58That guard deserved to die.
00:04:01And your family?
00:04:03What does your family have to do with?
00:04:05Do you think he deserves this?
00:04:07Do you think the life that awaits them is fair?
00:04:08I don't care about his family.
00:04:10Well, it should matter to you, Alonso. To you more than anyone else.
00:04:13You know what it's like to have your mother murdered.
00:04:21Come on, I don't know if the kid has learned his lesson.
00:04:25I just want him to know the consequences of killing.
00:04:29Okay, now, let's go.
00:04:31Today I'm setting the mission.
00:04:33What are you taking about?
00:04:35Ah, a landowner from Chinchón who is going to release a piglet in honor of Saint Roch.
00:04:40And?
00:04:40What do you mean, "so what"? Whoever grabs it gets to keep it.
00:04:43Given the need that exists.
00:04:44A pitched battle has broken out that...
00:04:47No, Sato. We have to keep looking for the black door.
00:04:50With all due respect, Samo, I'm absolutely fed up with that black door.
00:04:54I'll go and look for her myself.
00:04:56He says he'll go alone.
00:04:59But don't you see that with the skills our Lord has given him,
00:05:01with one of his signature oriental leaps...
00:05:03Oh, the suckling pig is ours now!
00:05:05I mean, we'll have to eat too, love.
00:05:08Okay. Let's go.
00:05:10Really.
00:05:24Oh, the suckling pig is ours now!
00:06:01Oh, the suckling pig is ours now!
00:06:25Ma'am, my house is here for you.
00:06:26Go away! Get out! Get out!
00:06:29Leave me alone. I don't want anyone coming in.
00:06:35Ma'am, but let me help you.
00:06:37Go away. Go away, Catalina. Go away.
00:06:40What's happening?
00:06:41Don't look at me.
00:06:43Don't look at me.
00:06:44Don't look at me!
00:06:49Lucrecia, it's me. Calm down.
00:06:51Let me.
00:06:56Let me.
00:06:58Lucrecia, you've been through worse. You'll get through this.
00:07:00There's nothing better than this.
00:07:03Don't look at me like that.
00:07:06So, buddy?
00:07:08With compassion.
00:07:11Never look at me like that again.
00:07:17If you want to do something for me, get out of here.
00:07:21And forget what you've seen.
00:07:25Out!
00:07:28Out!
00:07:33Out!
00:07:43I can already smell that filth!
00:07:46No!
00:07:47No!
00:07:49No!
00:07:49No!
00:07:51Peaceful.
00:07:52Peaceful.
00:07:54Peaceful.
00:07:56No!
00:07:58No!
00:08:12So, you were saying that...
00:08:14that you were walking with your sister.
00:08:16She went down to the river and then, then what?
00:08:18And then no...
00:08:20He didn't come back.
00:08:23I tried to find her, I called her, but no...
00:08:26Something must have happened to my sister.
00:08:29Did you hear anything?
00:08:31Voices, noises?
00:08:32No, nothing.
00:08:37Don't worry.
00:08:39Stay here, don't worry.
00:08:40We'll take care of finding your sister.
00:08:42Come, I will give you water and clean clothes.
00:08:44Careful.
00:08:45Careful.
00:08:47The seita, be careful.
00:08:50Wait, love.
00:08:54Here is a door.
00:08:56Be careful.
00:09:07We're here, we're here.
00:09:12This man...
00:09:16Sato, get things ready and we'll go look for the sister.
00:09:18No, no, love, no, I don't think we should be wasting our time with these things.
00:09:27It's obvious that the family wanted to get rid of her and abandoned her.
00:09:32Why do you say that?
00:09:34Well, because for as long as God knows it, these people have been a burden to everyone.
00:09:38Woman and blind.
00:09:40What's strange is that they haven't abandoned it sooner.
00:09:43I want to believe that not everyone thinks like you.
00:09:46Damn it, master, you sometimes make me look like a bastard.
00:09:50This is not an ethical issue, it's a mathematical one.
00:09:53When families don't have enough to eat, they have to choose.
00:09:57We know nothing about his family.
00:09:59You've probably read many of those books.
00:10:01But I've seen quite a few cases like this.
00:10:04Or do people think that orphanages are only for orphans?
00:10:06I'm just saying that might not be the case for you.
00:10:08What if it were?
00:10:09What if her family has abandoned her?
00:10:11What are you going to do?
00:10:12Should they force her, or let them keep her?
00:10:14Saturn, first we have to go to the forest and find out that nothing has happened to the sister.
00:10:17Awesome!
00:10:18No, awesome!
00:10:19Well now, let's go to the forest and waste some more time.
00:10:23Now I'll tell you something else too.
00:10:24Start thinking about what we'll do with it later.
00:10:26Saturn, I don't know.
00:10:27And I don't think it's the right time to discuss it either.
00:10:29Well, I do know.
00:10:30And you know what?
00:10:31I forbid it.
00:10:32I strictly forbid you from bringing anyone else into the house.
00:10:35Let's be realistic, damn it. You're not capable of anything more.
00:10:38We'll think about it when it happens.
00:10:41I'm going to that forest.
00:10:44If you don't want to, don't come.
00:10:52Commissioner, I didn't make anything up.
00:10:55That's what they say about the Marchioness of Santillana in the gossip circles.
00:10:58So that's what they say.
00:11:00She was so depraved that she slept with animals.
00:11:02I didn't say it.
00:11:03I only heard it.
00:11:05Well, that has a very easy solution.
00:11:09From now on, you won't hear anything else.
00:11:25We took the other one to him.
00:11:37What did they say?
00:11:38I have spoken with the Duchess of Burgundy, with the Duchess of Duarte, and with all of Lucrecia's friends.
00:11:43But they all refuse to visit her.
00:11:45They say they cannot frequent a woman publicly punished by the church.
00:11:50As if they cared.
00:11:52The beds of those hypocrites are more crowded than a theater.
00:11:55Mister.
00:11:56What's happening?
00:11:57Nothing's wrong, commissioner.
00:11:59You see, I came to offer you my services.
00:12:03Why would I want poison?
00:12:04I'm the best at making people laugh.
00:12:07Well, you must not have much work.
00:12:08I don't find you funny at all.
00:12:09I also know how to play the violin and the spinet.
00:12:12I know how to throw the diabolo to the top of the cathedral.
00:12:14And I paint caricatured portraits.
00:12:16And they also work magic.
00:12:32Sorry, I couldn't help it.
00:12:38Alright.
00:12:40What have you hired him for?
00:12:41Let's see if you're as funny as you say.
00:12:43I will not disappoint you, sir.
00:13:00With all the things we have to do, and here we are with the whole morning wasted.
00:13:04We will continue searching.
00:13:07But what are we looking for?
00:13:08Can't you see that it's obvious that this woman has been abandoned?
00:13:11Furthermore, you often say that the simplest explanation is the one that exists.
00:13:14Satur, I know these things happen, but what if he's in danger?
00:13:16We are already in danger.
00:13:18What we should do is ask the blind woman where she lives.
00:13:23I'm sure her sister will be there at home, carefree.
00:13:25No, maybe she's married.
00:13:27And let's see how these fit the little owl.
00:13:30If you bet blindly, no one will get married.
00:13:34I'm not going to say something so harsh without first finding out if it's true.
00:13:37Well, I think I should do it now.
00:13:39That way the mourning would be over as soon as possible.
00:13:42Satur.
00:13:53I'm going to ask him about the girl.
00:13:56Give the tone a little cocaine, but...
00:14:23If you're looking for money, I have nothing.
00:14:25No, no, no, father, no...
00:14:29I don't want money, I...
00:14:31I only came to ask you one thing.
00:14:41Have you seen a... around here?
00:14:44A young woman like that?
00:14:47No, I haven't seen anyone, sorry.
00:14:49Nothing? Not having seen her?
00:14:51I'm so sorry if I scared you.
00:15:05Do I have something on my face or...?
00:15:07And do I know you?
00:15:08Me?
00:15:11No.
00:15:12The thing is, I have a very ordinary face and...
00:15:15And people confuse me a lot, yes.
00:15:19But I don't think I...
00:15:20Goodbye, father.
00:15:21No, no, no, no, no, no...
00:15:49Well?
00:15:50I already told him, that man didn't know anything.
00:15:53If you want, I can ask the fish too, to see if they have anything to say.
00:15:57He may be right.
00:16:00Let's go home.
00:16:01Pérez!
00:16:02If possible, I would like to drink a little water.
00:16:05I'm thirsty.
00:16:13The fish that swim like crazy.
00:16:17What's that?
00:16:22It's a femus.
00:16:26A what?
00:16:33A human bone.
00:16:36Let's see, I'm the one who's left.
00:16:37No.
00:16:50No.
00:16:51No.
00:17:01Amen.
00:17:28Amen.
00:17:51What are you doing here?
00:17:53Open the windows.
00:17:55Catalina, prepare the Marchioness's clothes.
00:17:56Yes sir.
00:17:57Don't you dare touch my clothes, Catalina.
00:17:59No, ma'am.
00:18:01So what are you going to do?
00:18:03Stay locked up for the rest of your life?
00:18:06That's none of your business.
00:18:12Come on, hurry up.
00:18:21What's that?
00:18:23It's a gift, Lucrecia.
00:18:25Do you think some dresses are going to save me?
00:18:28They are not dresses.
00:18:36At your feet, madam!
00:18:38What's that?
00:18:39What you see is a dwarf.
00:18:40Yes, I see that. What do you want me to do with a dwarf?
00:18:43What kings and high society people do.
00:18:46Have fun.
00:18:53Oh!
00:18:56How beautiful!
00:18:58How beautiful!
00:19:00Take them out!
00:19:01That bird in my bedroom.
00:19:03We took that thing out of my sight.
00:19:04Out! Out!
00:19:06Mister.
00:19:16It's the stupidest thing you've ever done in your life.
00:19:18At least I've managed to bring out your adorable personality.
00:19:23Commissioner.
00:19:24They've brought this for you.
00:19:32I need to see you urgently at my residence.
00:19:39Excuse me, I love myself, but lately it's impossible to keep up with your train of thought.
00:19:44First we're going to look for a sister who doesn't need to be looked for.
00:19:48And then we find that bone in the river and bring it home.
00:19:51Why do you want that filth?
00:19:53I want to check something.
00:19:55Check what?
00:19:57What size is the arm?
00:20:00This is not an arm, Sato.
00:20:03It's a leg.
00:20:08And based on the size of this femur, it belongs to a young woman.
00:20:12About your height.
00:20:15What do you mean, from a woman?
00:20:18Where does he want to stop?
00:20:20The sister disappeared by the river.
00:20:23Very close to where we found this bone.
00:20:26I don't love, no.
00:20:28You don't mean to say that...?
00:20:30Is it possible that it belongs to the sister?
00:20:32It's possible.
00:20:34The bites are very recent.
00:20:36Recent today.
00:20:38And there was nobody in his house.
00:20:39And you've already heard the neighbors.
00:20:41No one has seen her return.
00:20:43Oh my God, poor thing!
00:20:45It's possible that some hungry wolves caught him and didn't leave him with even the cartilage.
00:20:50They were not wolves.
00:20:56Bite.
00:20:58Bite.
00:20:58Sorry, I'm just not in the right frame of mind right now to...
00:21:01Sato, bite.
00:21:18They are the same brands.
00:21:21Do you see it?
00:21:26They are human teeth.
00:21:30What nonsense are you spouting?
00:21:33How can one person eat another person?
00:21:35That goes against nature.
00:21:38What kind of monster would commit such an abomination?
00:21:42Man, I need to go back to the woods and find out who did this.
00:21:50So, according to you, huh?
00:21:52We've already forgotten about the sister.
00:21:59We'll have to tell him.
00:22:01Well, don't worry, I'll take care of that forest.
00:22:04No.
00:22:06No.
00:22:11No.
00:22:23No, no, no.
00:23:07No no.
00:23:11What are they going to do to us?
00:23:13What are they going to do to us?
00:23:20What are they going to do to us?
00:23:42The Holy Father's [statement] is so delicate
00:23:44that it is in our best interest to be prepared.
00:23:49You may leave.
00:23:56I need to see you urgently at my residence.
00:23:58It doesn't seem like you're in a state
00:24:00very worrying.
00:24:01I've heard that you think
00:24:03participate in the race
00:24:05that His Majesty has arranged for tomorrow.
00:24:08That's right, Invinencia.
00:24:10You will know that the Duke
00:24:11de Uceda will also take part in it.
00:24:15One of the main
00:24:15The incentive of that race is the possibility of beating him.
00:24:17He is one of the best riders in the kingdom.
00:24:20Don't worry.
00:24:21I assure you
00:24:24that you will defeat him.
00:24:26I don't understand, Invinencia.
00:24:29The Duke of Uceda will not get out alive
00:24:31of this race.
00:24:33Why do you want to kill a general of the royal army?
00:24:36Let's say it's about
00:24:37of an important service to the kingdom.
00:24:40And what do I have to do with all this?
00:24:41As you know, the race begins
00:24:44in the Arms House
00:24:45of the Royal Hunting Ground.
00:24:47Are you ready?
00:24:48Do you know the rules?
00:24:50The route is secret.
00:24:52Participants will be given a map
00:24:53marked with eight points
00:24:54where they must collect the baton.
00:24:56Each rider chooses their own route.
00:24:59The first one to reach the Coto Palace will win.
00:25:01with the witnesses of the passage
00:25:02of the points marked on the map.
00:25:07When the Duke reaches the red marker
00:25:10you will push it
00:25:12so that it falls exactly
00:25:14here.
00:25:17There will be a sign.
00:25:18A trap.
00:25:20Exact.
00:25:21A hidden hole
00:25:22where he awaits
00:25:24a chilling surprise.
00:25:27But Your Eminence
00:25:28It's too risky.
00:25:30Any other rider
00:25:31It could fall.
00:25:32Who said
00:25:33that it was easy?
00:25:35That's why
00:25:36I love you.
00:25:40I will participate too.
00:25:42I don't need
00:25:43nor my mother's permission
00:25:44nor yours.
00:25:45I'm going to win that race.
00:25:49Commissar?
00:25:52What is the trap?
00:25:55Let's say down there
00:25:57He awaits
00:25:59a loyal friend of mine.
00:26:14A dog?
00:26:17But do you want a dog
00:26:18It fits with one of the best soldiers
00:26:20of the army of Spain?
00:26:23What is my dog petting?
00:26:27But Your Eminence...
00:26:30I said
00:26:31that my dog pets.
00:26:53Marquise,
00:26:53We're sorry we can't go visit her
00:26:55in his palace
00:26:56during our next visit
00:26:57to the court.
00:26:58Dear Lucrecia,
00:26:59as we agreed
00:27:00on the first occasion
00:27:01from the mother.
00:27:01It will not be well received
00:27:02at the dance
00:27:03which I will give soon
00:27:04in my palace.
00:27:05I regret not being able to count on...
00:27:06Dear Lucrecia,
00:27:07It is completely impossible for us
00:27:09admit her to our family box
00:27:10tonight.
00:27:11We beg you
00:27:12Please be sure to greet us
00:27:13in case we meet
00:27:14through your internet.
00:27:14She will ask me to visit her
00:27:15as we agreed
00:27:16on the happy occasion
00:27:17from the mother.
00:27:18For obvious reasons
00:27:19I am informing you
00:27:20that my daughter
00:27:20the Countess of Montoro
00:27:21He will not visit her again.
00:27:22The Alba case
00:27:23regrets not being able to invite her
00:27:24to the dance of the la
00:27:25which will have
00:27:25on the 15th of this month.
00:27:26I'm sorry to have to
00:27:27to dequinar your invitation.
00:27:47Lady,
00:27:49And the hairdresser
00:27:50Is it about to arrive?
00:27:52What would I want it for?
00:27:53To the hairdresser?
00:27:54Why should I comb my hair?
00:27:55Tell me,
00:27:56so that?
00:27:58At least get dressed, lady.
00:28:00It can't stay like this.
00:28:00all day.
00:28:04Lady?
00:28:08I'm here again.
00:28:10Grab a knife!
00:28:13Ma'am, take it.
00:28:15And we played a game
00:28:16to the three of them,
00:28:16a brisca
00:28:17which is very entertaining.
00:28:18Oh my God.
00:28:20Look what I've become.
00:28:22To play cards
00:28:23with a dwarf
00:28:23and a maid.
00:28:26This trick is good.
00:28:28Grab a knife!
00:28:37Would you prefer that I recite a poem for you?
00:28:39I know the spiciest ones
00:28:40by Quevedo.
00:28:41If you wish,
00:28:42I dance a minuet for him
00:28:43or I'll update him/her
00:28:44of the latest scandal
00:28:45in the Pacheca corral.
00:28:47Get out of here right now.
00:28:49Catalina,
00:28:49Get him out of here
00:28:50and I throw it out the window.
00:28:52Ma'am, I...
00:28:52What do you want me to do with it?
00:28:54Throw it away.
00:28:55Out on the street.
00:29:06Ma'am, please.
00:29:09I have nowhere to go.
00:29:13That's not my problem.
00:29:23Give me a chance, please.
00:29:26I swear I'm going to make her laugh.
00:29:30I have a trick for this afternoon
00:29:31that no one else but me knows how to do.
00:29:34If I can't entertain her,
00:29:37I'll leave.
00:29:40Ma'am, give him a chance.
00:29:42Careful.
00:30:16Leave it, leave it, leave it.
00:30:18Never mind, I'll do it.
00:30:18No, no, thank you.
00:30:19I can do it alone.
00:30:20No, of course I can.
00:30:21I'm not useless.
00:30:22It's just that I don't know the house.
00:30:24No, I know.
00:30:25At home I was busy
00:30:26I did all the tasks myself,
00:30:27without help.
00:30:28Excuse me, if I say so
00:30:28because between the two
00:30:29We could do it faster.
00:30:34Well.
00:30:47What are you doing?
00:30:49That?
00:30:50I want to know what you're like.
00:30:52Hey?
00:30:55And what color are your eyes?
00:31:00Well, just like a...
00:31:02like a brownish tone, browns.
00:31:08Browns.
00:31:17But when the light hits it
00:31:19It seems like
00:31:20if they wanted to know about bears.
00:31:23You look like a nice person.
00:31:30Well.
00:31:35Have you been to the forest yet?
00:31:37To the forest.
00:31:39To the forest, yes, yes, yes,
00:31:41Yes, we have been.
00:31:42AND?
00:31:43Have you heard anything about my sister?
00:31:46Well, the thing is, it's an area
00:31:47as well as...
00:31:48as very difficult,
00:31:49with such rugged areas
00:31:50and with many nooks and crannies
00:31:51and...
00:31:52And it's not easy to find anyone anymore.
00:31:54Your voice is trembling.
00:31:56It was because there was a bit of fog.
00:31:58that's how it goes down
00:31:58and it must have been my turn
00:32:00Something in my throat, yes.
00:32:01I'm blind, but not stupid.
00:32:04Don't lie to me.
00:32:05No, no, no.
00:32:05Has something happened to my sister?
00:32:07No no.
00:32:08No, really, I'm not lying to you.
00:32:12We don't know anything about her.
00:32:18Okay, I'm going to...
00:32:19to give them some food
00:32:20to the nags
00:32:21who haven't eaten all day
00:32:22and they're going to eat the lime off the walls.
00:32:53and they're going to eat the lime off the walls.
00:32:53No, no, no.
00:32:53That's what he asked for for his restroom, sir.
00:32:55Leave it there.
00:32:56Yes sir.
00:32:58I want you to clean my riding boots and my saddle for tomorrow.
00:33:00They have to be spotless.
00:33:13What are you looking at?
00:33:28I've been looking for you all morning.
00:33:30Irene.
00:33:33I've been training for the race tomorrow.
00:33:38What's happening?
00:33:43Take.
00:33:45What is this?
00:33:57Dear Nuño, a married woman owes herself to her husband for life.
00:34:02And I have betrayed my own by sleeping with the person he loves most.
00:34:06You.
00:34:08We have to forget about it.
00:34:09And continue as if nothing had happened between us.
00:34:13Irene.
00:34:14Nuño?
00:34:18Yes, commissioner.
00:34:20Do you have a moment?
00:34:22We need to talk.
00:34:25About what?
00:34:28I don't think it's a good idea for you to show up for tomorrow's race.
00:34:32Why is this happening now?
00:34:34It was already clear that he was going to run.
00:34:36I'm already registered.
00:34:37I have removed you.
00:34:40I'm going to run in that race, no matter what.
00:34:43You're not going to be the one to disobey my order.
00:34:50If you set foot outside, my men will take you to the dungeons.
00:34:54No.
00:35:00What is it called?
00:35:08No.
00:35:11What do we have to do?
00:35:11Love.
00:35:17No!
00:35:19No!
00:35:20No!
00:35:20No!
00:35:21No!
00:35:25Eagle!
00:35:29Eagle!
00:35:34I just haven't been able to do it.
00:35:36What haven't you been able to do?
00:35:38I haven't been able to tell the poor girl about her sister, come on.
00:35:42How do you tell someone that a madman has eaten the person you love most?
00:35:48There's no need to tell her the whole truth, but...
00:35:51We cannot hide from him that his sister has died.
00:35:59What color do you think my eyes are?
00:36:03Browns.
00:36:05And when the sun shines on me a little, I don't...
00:36:08They turn greenish on me.
00:36:13What are you talking about?
00:36:17You know that blind people touch to see.
00:36:20Yes, it uses its other senses to compensate for its lack of sight.
00:36:23Ah!
00:36:25That girl...
00:36:27He told me I have a person's face just by touching me.
00:36:32There are things you don't need to see yourself.
00:36:36I mean...
00:36:36I just couldn't live without...
00:36:38without seeing the truth.
00:36:39It's something I have to thank God for.
00:36:41It has deprived me of many things, but at least it has preserved my sight.
00:36:46We're getting married again.
00:36:47How do you catch that man-eater?
00:36:50Don't know.
00:36:52It may already be very far away.
00:36:55Well, let me tell you one thing.
00:36:56If you're in Albacete, then...
00:36:59The problems of those from Albacete, huh?
00:37:01Auto,brachtar al куда...
00:37:08Out!
00:37:10Ah!
00:37:10Evoo!
00:37:16Oh, Radio!
00:37:26Attuda!
00:37:43Sato, are you okay?
00:38:20Good night.
00:38:23Good night, mother.
00:38:31Don't sit down, Mother?
00:38:34I'm going to have dinner in my bedroom.
00:38:37Ma'am, would you like me to make you some chicken soup?
00:38:39That's always very good for the body.
00:38:42I have a chastity belt, I'm not toothless.
00:38:45Good night.
00:38:49I'll go with you.
00:38:52Aren't you having dinner with us?
00:38:54No, don't let me get the urge to give you another present to cheer me up.
00:38:59Allow me, noble audience, to entertain you this evening with my most famous trick.
00:39:05The one who has amazed kings and princes throughout Christendom.
00:39:10Relax a little, it will do us all good, Lucrecia.
00:39:12To do this I need a sheet of paper.
00:39:15I look like I'm carrying a sheet of paper.
00:39:18And you, sir?
00:39:20Will you please give me what you have in your pants?
00:39:23I'm not going to give you anything.
00:39:25No.
00:39:26Then I have no choice but to take it myself.
00:39:33Give me that right now.
00:39:35It's just a game, Luño.
00:39:37That's right, Commissioner.
00:39:39It's just a game.
00:39:42It is a written document.
00:39:48Would you be so kind as to read it?
00:39:51Of course.
00:39:56Irene.
00:39:57Irene.
00:39:58Irene.
00:39:59Irene.
00:40:00Irene.
00:40:02Irene.
00:40:04Irene.
00:40:08I told you to get rid of him.
00:40:11If I see him around here again, I'll leave you in his size.
00:40:15Yes, ma'am.
00:40:24You heard the marchioness. You have to leave.
00:40:27Don't kick me out, please.
00:40:30Let me spend the night here.
00:40:34I have nowhere to go.
00:40:43Look what I'm telling you, you're going to stay in the kitchen.
00:40:46But I swear to God, nobody should find you out, or we'll both have our throats cut.
00:40:49And you leave before dawn.
00:40:51Without fail.
00:40:52He takes care of you.
00:40:53Thank you so much.
00:40:55Come on, follow me.
00:41:17Please, ma'am.
00:41:18He has a coin.
00:41:19Please.
00:41:20Please.
00:41:21Please.
00:41:31Are you OK?
00:41:33Yeah.
00:41:34Yeah.
00:41:34Thank you.
00:41:38It's the family of one of the guards you killed.
00:41:41Could you give me some alms?
00:41:44Not anymore.
00:41:45I'm not coming to you.
00:41:46A piece of bread.
00:41:47Whatever.
00:41:48I have to take my family.
00:41:50I'm sorry, but it's just not...
00:41:51They killed my father.
00:41:52We have nothing left.
00:41:53Please.
00:41:56I'm sorry.
00:41:57No, leave it, leave it.
00:42:07I'll do it, I'll do it.
00:42:11I had heard about people disappearing in the Río Frío forest, but the problem had always been investigated.
00:42:15to the wolves.
00:42:17Even the locals organized a hunt to get rid of them a while ago.
00:42:21Are you telling me that you already knew that people were disappearing in that forest?
00:42:25With all due respect, Samo, are you the best?
00:42:29Don't you see that if I'm alone they'll devour me down to my penis?
00:42:33I've realized it now.
00:42:37And how did they become something like this?
00:42:41I don't know, Saturo.
00:42:43Sometimes necessity makes us...
00:42:46It leads us to do things that...
00:42:47But what do you mean by need?
00:42:49What are you telling me about need?
00:42:51I used that for a while.
00:42:53And I've never been tempted to bite a fellow countryman.
00:43:08Saturn, are you okay?
00:43:09The one who killed had a mark on his neck, something like it was branded.
00:43:15What was that brand like?
00:43:16Well, it was a...
00:43:18Mother, I'm so sick of my lack of vocabulary.
00:43:20Let's see.
00:43:38More or less.
00:43:41A clover.
00:43:43It's not?
00:43:45It could be part of a shield.
00:43:47Like a shield?
00:43:48Which shield?
00:43:50From a noble house.
00:43:52But what does all this have to do with a furniture store?
00:43:59Saturate here.
00:44:02It is the coat of arms of the Count of Castrezana.
00:44:04Yes, yes, yes, yes!
00:44:11Shield!
00:44:20So!
00:44:29Shield!
00:44:53Come, follow me.
00:44:58Go on.
00:45:00Lie down there.
00:45:06Lie down there and I beg you, don't move all night.
00:45:10Thank you so much, really.
00:45:16Cover yourself up, this kitchen is very cold.
00:45:22Did I hear you? You'll be gone before the sun comes up.
00:45:25Don't worry, I'll leave.
00:45:44Don't worry.
00:45:45Don't worry.
00:45:46Don't worry.
00:45:51Don't worry.
00:45:52Don't worry.
00:46:21Don't worry.
00:46:23Don't worry.
00:46:23Who are you?
00:46:24Don't do anything to me, please.
00:46:25Don't worry, I'm Cipri, the other servant.
00:46:28Why are you going down there alone?
00:46:30Neither Gonzalo nor Sato are here.
00:46:32No, I haven't told anyone I'm leaving.
00:46:33Where are you going?
00:46:34To the cold river forest.
00:46:35Just you?
00:46:37To my sister.
00:46:38Something has happened to my sister.
00:46:40Wait, wait, wait, wait.
00:46:42Wait.
00:46:44How are you going to go into the woods by yourself?
00:46:46I can't wait any longer.
00:46:47Okay, okay.
00:46:48Wait.
00:46:49My mother.
00:46:52I'll hitch a horse to the cart and take you to the forest myself.
00:46:58Thank you.
00:47:00Wait here.
00:47:20I want this choker.
00:47:22The diamond earrings and the tiara.
00:47:31Majesty.
00:47:32They've brought this for you.
00:47:36Withdraw.
00:47:54The most exquisite sweet for the most exquisite woman.
00:47:58I wish I could be by your side right now.
00:48:01You are always in my thoughts.
00:48:04I'll win that race for you.
00:48:17I see you've decided to pull out all the stops for today's race.
00:48:23Anyone would think you were trying to seduce me.
00:48:28I try to make you fall in love with me every day, my love.
00:48:31It's the key to every marriage.
00:48:34However, lately you're not very willing to please your husband.
00:48:51Cover yourself up, darling.
00:48:53Don't get cold.
00:48:56I'm not going to that race.
00:49:01But...
00:49:02Everyone expects to see us there.
00:49:05You seem very disappointed.
00:49:08You weren't particularly interested in these things before.
00:49:12It's just that the winner is waiting for his king to present him with the trophy.
00:49:16Well, he'll have to make do with his queen.
00:49:20You will go representing the crown.
00:49:24The protocol requires that we both go, but...
00:49:27Of course, if you want her to attend alone.
00:49:30I will not be the one to oppose your wishes, my dear.
00:49:33Go and enjoy.
00:49:38I have no doubt that it will be an unforgettable show.
00:49:41Unforgettable.
00:50:25Because?
00:50:28Because?
00:50:29Why have they brought us here?
00:50:33Because?
00:50:40Why have they brought us here?
00:50:42Isabel!
00:50:44Why is it up there?
00:50:51Where are we?
00:50:53What is this site?
00:51:01What's happening?
00:51:10You are out of sight!
00:51:12Isa!
00:51:14No!
00:51:15What's happening?
00:51:15Satádla!
00:51:16Salt it!
00:51:16What are you going to do to him?
00:51:17Please.
00:51:49Hernán.
00:51:53Good luck.
00:51:57Do you want me to accompany you?
00:52:01No.
00:52:03I prefer that you stay.
00:52:06Alright.
00:52:12Mister.
00:52:16Caterina?
00:52:18Yes, sir?
00:52:19And so?
00:52:21These are young Master Nuño's riding boots. He asked for them to be ready this morning.
00:52:26Give me the keys to her bedroom.
00:52:29Sir, I don't...
00:52:58Open the door!
00:53:01Open the door!
00:53:04Open the door!
00:53:05The door!
00:53:08Catalina!
00:53:10Catalina, open the door!
00:53:11What are you doing?
00:53:15Catalina!
00:53:16I locked Nuño in his bedroom.
00:53:19He intended to go for the race. He's not ready yet.
00:53:21Mother!
00:53:23Open the door for me!
00:53:26Catalina!
00:53:27Open.
00:53:29I thought you agreed that I shouldn't run.
00:53:31If Nuño doesn't appear in that race today,
00:53:34For everyone it will be as if he too were receiving my punishment.
00:53:37And no noble house will ever accept him again.
00:53:40Other events will arise that I can attend.
00:53:45I don't want it to seem like that shameful thing that's happening to me.
00:53:50My shame doesn't have to be yours.
00:53:54Nuño needs to take advantage of this opportunity to show his face.
00:53:57Lucrecia will not go.
00:53:59How dare you?
00:54:01You've forgotten that you're under my roof.
00:54:03The key, let's go!
00:54:05I order you to give it to me.
00:54:06I don't plan to do it.
00:54:08Since you can't see my key, I'll break down the door.
00:54:13In today's race, a man will die in a terrible way.
00:54:18How do you know?
00:54:20I just know it.
00:54:22Believe me, it's not the best place to be.
00:54:25And Nuño won't be there.
00:54:38No.
00:54:38No.
00:54:44Love, the horses are here.
00:54:46If we go looking for those savages, let's see if you can catch them and take them down like you know how.
00:54:51That they lose the desire to bite their neighbor.
00:54:54Take the katana and...
00:54:58Let's get changed.
00:55:03Is something wrong, love?
00:55:05Normally you'd already be on the horse.
00:55:11They were a family, Sato.
00:55:14What does it say about who was a family?
00:55:20They were the sons of the steward of the Count of Castresena.
00:55:24Eight siblings.
00:55:27But who are you talking about, master? Those savages?
00:55:31The oldest was only seven years old.
00:55:34He stole a chicken and the count ordered him to be branded.
00:55:38Then he said goodbye to his father.
00:55:40Come on, you rascal. Come on, come on, come on, they haven't fired me enough times.
00:55:44And I haven't felt like having anyone for lunch.
00:55:45Sato, listen to me.
00:55:47The father found himself on the street with his eight children.
00:55:49He blessed them before feeding them.
00:55:51But he died the first winter.
00:55:55Well, yes, that's tough, but...
00:55:57And that seven-year-old boy had to take care of all his siblings.
00:56:01The smallest ones are babies.
00:56:07Sure, and why is that?
00:56:09Is that why they went to live in the forest?
00:56:12A child taking care of other children.
00:56:15Looking for food for them.
00:56:16Making sure they didn't die of cold.
00:56:19What more could I teach them, Sato?
00:56:25No, yes, that's true, of course, but...
00:56:29They eat people.
00:56:31Sato, they have known nothing else.
00:56:33And they don't even know that what they're doing is wrong.
00:56:37So what are you going to do, love?
00:56:39Are we just going to let them continue doing what they're doing?
00:56:42Can't.
00:56:46Are you going to kill them like that?
00:56:48Just like that, out of the blue?
00:56:50Give it to me, Sato.
00:56:51Tell me that's fair and I'll go after them right now.
00:57:06Father.
00:57:07I'm a little worried.
00:57:08Cipri has not returned.
00:57:09Where hasn't he returned from?
00:57:11From the Río Frío forest.
00:57:13They left last night.
00:57:15Who left?
00:57:18Cipri, the blind girl.
00:57:19I think she wanted to look for her sister.
00:57:22They haven't returned yet.
00:57:24Nothing could have happened to them, right?
00:57:51No.
00:58:08The race cannot begin.
00:58:10Felipe Duceda has not arrived.
00:58:12The commissioner is arriving.
00:58:36Mr. Commissioner, a good day for riding.
00:58:41Of course.
00:58:42It is an honor to be able to compete against a rider of your caliber.
00:58:46The privilege is mine.
00:58:58The warrior.
00:59:00The warrior.
00:59:22Gentlemen, you may open the maps.
01:00:07Muño, let's go!
01:00:08Don't act like a child.
01:00:13I have reasons for not letting you run that race, believe me.
01:00:17Have I ever done anything against your interests?
01:00:22I don't care if you're angry, but answer me when I speak to you. Can you hear me?
01:00:29If you don't answer, not running that race will be the least of your problems.
01:00:33Nuño!
01:01:04Catalina!
01:01:08Ma'am, get my clothes ready. I have to rush out.
01:01:11The child is in danger.
01:01:18But ma'am, how are you going to get there?
01:01:19With that thing they've put on me, I can't even move.
01:01:23I told you to bring my clothes.
01:01:25I'm going to that race no matter what.
01:01:26Come on!
01:01:28Yes, ma'am.
01:01:40No, let's go.
01:01:41We searched the entire forest and there was no sign of the savages.
01:01:45We're on their turf.
01:01:47We won't find them if they don't want us to.
01:01:50So?
01:01:51So, are we going to set some bait?
01:01:54What do you mean, bait?
01:01:57If that's all they're interested in, then...
01:02:02No.
01:02:02No, monkey.
01:02:04Don't you see that it falls apart?
01:02:05A platter is being offered, never better said.
01:02:07Satur, unarmed.
01:02:09Perhaps they'll risk catching me.
01:02:12This man has lost his way.
01:02:14But it's not about us catching them.
01:02:18They themselves will lead me to their den.
01:02:21That's it!
01:02:21That's why you want to offer yourself as bait.
01:02:23Are we going crazy or what?
01:02:27Do you want Red?
01:02:28Why do you want Red?
01:02:29I need your help.
01:02:33This is godless.
01:02:35Of all the crazy things she's done, this one takes the cake.
01:02:38Love, think it over carefully, for God's sake.
01:02:39He's giving it to them on a silver platter.
01:02:40All it needs is a sprig of parsley on top.
01:02:43Satur, take the horses and go home.
01:02:44But how can I leave him here alone?
01:02:47What if I never see him again?
01:02:48God forbid.
01:02:50Satur, go away.
01:02:52Go away!
01:02:57Let's see what I'm going to do now, all alone at home.
01:02:59She was seen governing life, and I was sitting there,
01:03:02next to the fire, waiting like a grandmother.
01:03:10No!
01:03:11No no!
01:03:12Come on!
01:03:14Come on!
01:03:15Fatur!
01:03:20The car.
01:03:21The lady is waiting, but don't worry.
01:03:23Mr. Nuño is a very good rider.
01:03:25I'm sure nothing will happen to him.
01:03:26Come on, finish it already.
01:03:27Yes ma'am, you're only missing one.
01:03:28Oh, just leave it like that.
01:03:29Madam, if you don't bring my cloak, I will cover myself with it.
01:03:32Come on.
01:03:33At least let me fix your hair.
01:03:36I have to leave now.
01:03:37At least bring this cushion to sit on.
01:03:39I don't want him to hurt himself with the rattling, but I'll take him.
01:03:42Madam Marchioness, the Inquisition guard has just arrived.
01:03:45They want to see her right now.
01:03:52Lucrecia de Guzmán.
01:03:53The Holy Office is demanding her.
01:03:54You must accompany us.
01:03:56Where to?
01:03:56An Inquisition tribunal must verify that the chastity belt has not been tampered with, madam.
01:04:01I would not submit to any more humiliation.
01:04:03If she refuses, she will be imprisoned.
01:04:05How long will it take?
01:04:07For as long as necessary.
01:04:11Give me a moment.
01:04:13We'll wait at the door.
01:04:23Madam, we should hurry. The Inquisition doesn't wait.
01:04:37Catalina.
01:04:41You have to take care of my son.
01:04:43I.
01:04:44I want her to go for it.
01:04:45I'm not talking about Nuño.
01:04:49I'm talking about my baby.
01:04:51The newborn.
01:04:54But ma'am, I thought he had died.
01:04:58He cannot go more than three hours without eating.
01:05:08It's in the old wine cellar.
01:05:13Take care of him.
01:05:18No!
01:05:21No!
01:05:25Sato!
01:05:27They caught you too.
01:05:29And pregadas? Yes?
01:05:33You couldn't have stayed home!
01:05:35Look at the state we're in because of you!
01:05:39Elena!
01:05:42Elena!
01:05:44Elena! Are you okay?
01:05:48Out!
01:05:49What have they done to him?!
01:05:52To his sister!
01:05:54Ah!
01:05:56They've got her!
01:06:00Oh God!
01:06:02He's seen Sato!
01:06:03All!
01:06:04That girl was awful!
01:06:06Look what he's done to her!
01:06:06Sato, Sato!
01:06:09Calm down, calm down!
01:06:10You can't even imagine what her sister was screaming like!
01:06:12Why are you printed?
01:06:13Be quiet!
01:06:42Be quiet!
01:07:15Be quiet!
01:07:59Be quiet!
01:08:02Your father worked for the Count of Castresano!
01:08:05What to be?
01:08:08He was the one who gave you that mark.
01:08:12You are the oldest of your brothers
01:08:15And you had to get on with it with them.
01:08:18That's why you're like this now.
01:08:19But you are people just like us.
01:08:21You are not saved
01:08:22No!
01:08:24No no!
01:08:26No no!
01:08:26You're not getting it!
01:08:28No no!
01:08:29Satan! Satan!
01:08:31No! Satan!
01:08:32Satan!
01:08:33No!
01:08:33No!
01:08:35Suprian!
01:08:36Supri!
01:09:02When the duke reaches the red marker
01:09:05A terrifying surprise awaits you.
01:09:08A trap
01:09:09Exactly
01:09:10Here, here
01:09:11There will be a sign
01:09:28Stop! Stop!
01:09:53No!
01:09:59Nuyo!
01:10:02Nuyo!
01:10:04Nuyo, help me!
01:10:13Nuyo!
01:10:15A married woman owes herself to her husband for life.
01:10:32Nuyo, Nuyo!
01:10:48No! Let me go!
01:10:51Leave me alone, please!
01:10:54Nuyo, help me!
01:10:57Nuyo, help me!
01:11:06Nuyo, help me!
01:11:23Bye bye!
01:11:27Nuyo, help me!
01:11:30Leok!
01:11:31Ah, help me!
01:11:34Oh, fuck!
01:11:56Thank you!
01:12:31Thank you!
01:13:02Thank you!
01:13:09Thank you!
01:13:14Thank you!
01:13:17What are you doing here?
01:13:21Let me out.
01:13:23What do you do with the child?
01:13:25I have to bring it to you.
01:13:27What do you mean you have to take it? Where do you have to take it?
01:13:29That's none of your business.
01:13:32But what do you mean it's not my business?
01:13:33Give me that child right now.
01:13:35I'm sorry.
01:13:36But he paid me a lot to find out if he was alive.
01:13:39And now that I have him, I'll ask a fortune for him.
01:13:43You're not leaving here with that child.
01:13:45Give it to me right now!
01:13:46Ask me for it.
01:13:49Please.
01:13:53What will happen to the baby?
01:13:55It won't do you any good to know that.
01:13:57There's nothing you can do for him.
01:14:00Now, get out of there or I'll kill you.
01:14:26What are you doing to me?
01:14:30What are you doing to me?
01:14:33What are you doing to me?
01:14:35No os p � Wenns.
01:14:38Wait...
01:14:38What a beautiful little war because...
01:14:41Yeah.
01:14:52How are you, Cipri?
01:14:54How will he be? Complaining?
01:14:56Is she putting on a daisy-shaped burn ointment that looks like tuna in oil?
01:15:00I almost died.
01:15:01You said it.
01:15:03Cocytus is poor.
01:15:05That has made a lash like a hamstring.
01:15:07We have all the neighborhood dogs at the door.
01:15:10Andes, give it to me.
01:15:14And Elena?
01:15:16Elena, sad.
01:15:18Not sad.
01:15:21Apparently, there's a neighbor who might take care of her.
01:15:26Even if the poor woman is the sister, I don't know.
01:15:30And you go and let that savage escape.
01:15:32Saturn could not kill him.
01:15:35He was just a kid running away.
01:15:41What is that child who is looking?
01:15:43It is the only existing engraving of the black door.
01:15:46We're here.
01:15:47We're already fed up with the little door.
01:15:49We get out of one and into another.
01:15:51What if it weren't really like that?
01:15:54Saturn, we must look at the door in a different way.
01:15:57Yes, man.
01:15:57I have enough to do watching it normally, let alone making versions.
01:16:00I'm sure this engraving hides something.
01:16:03Speaking of hiding, didn't I tell you I set some rabbit traps behind San Ginés?
01:16:07One key.
01:16:08I might as well go over and see if any have fallen.
01:16:11A clue.
01:16:11Even if it's a cat.
01:16:15Yeah?
01:16:21Well, neither rabbits nor cats.
01:16:23We spent all night here wondering if the clue is jealousy, nails, squares, or the
01:16:29Those strange little decorations on the knocker.
01:16:31Hey?
01:16:32The door knocker.
01:16:34Saturn may be right.
01:16:39Right about what?
01:16:40What did I say now?
01:16:41Look, they're positioned in a very strange way, can you see?
01:16:44Let's see, my vision gets blurry when I'm on an empty stomach.
01:16:48It reminds me of something.
01:16:51In Ávila, in the Arberche valley, I saw some enormous stones, five of them, and they were also placed at a point.
01:16:57lance.
01:16:58Come on, Saturn, get ready, we're going to see them.
01:17:04Are we going to have some rocks now?
01:17:06With this cold weather, why not head to Ávila?
01:17:12Well, Alex, back on the road again.
01:17:18You won't believe it, master, that once, years ago, my buttocks fell asleep from being there for so long
01:17:25sitting.
01:17:33Of course, since it has never happened to you, it must seem like a legend to you.
01:17:39No?
01:17:42No?
01:17:47So, Pab, did it stay?
01:18:02Are there dead people down here?
01:18:04No, he's telling me it's a cemetery.
01:18:06If he sends me to the Inquisition, I will remain chaste.
01:18:10You haven't slept a wink lately.
01:18:12Is there anything that worries you?
01:18:14I've been eating this.
01:18:16I had to put something in my mouth.
01:18:18Because?
01:18:21You know Monsignor Adrian, don't you?
01:18:30If we don't have food, it's because you've neglected the house.
01:18:43Authority is meant to protect the people, not to endanger them.
01:18:52Authority is meant to protect the people, not to endanger them.