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00:00:29The Holy Spirit
00:00:58The Holy Spirit
00:01:00The fact that there were so many calls between Gerets and Monica is clear proof that they knew each other very well.
00:01:05Okay, but now that we've cooled down.
00:01:08What if we're wrong?
00:01:09What if Gerets isn't the master?
00:01:12We've already discussed that, Olmos
00:01:14Already
00:01:16But maybe he can explain it
00:01:19Who? Who?
00:01:21Gerets might be able to explain his relationship with Monica
00:01:24But what kind of relationship could Olmos possibly have with a murderer?
00:01:26Already
00:01:27Let's see, the six mercenaries were hired by the former president of Angola
00:01:32That's the connection between them
00:01:34Yes, six plus one, seven infants from Lara
00:01:36Exact
00:01:37Crystal clear
00:01:37They participated in eight missions in Africa
00:01:40They razed two entire villages
00:01:41They slit the throats and cut off the heads of women and children.
00:01:44Clear
00:01:44And something unknown must have happened on one of those missions, in one of those villages.
00:01:49And he brought about all this revenge
00:01:50No?
00:01:51Good
00:01:51A revenge long planned and meticulously executed
00:01:55And without errors
00:01:56Well
00:01:57Until today
00:01:58Because after all
00:01:59We have your mobile phone and your computer
00:02:02Doesn't that seem strange to you?
00:02:03When you start improvising
00:02:04You risk making a mistake
00:02:07OK
00:02:08Let's admit that Gerets is Salmanzor
00:02:10Very good
00:02:10But what kind of relationship did Gerets have with the mercenaries?
00:02:13Where did they meet?
00:02:14What kind of damage did they cause him?
00:02:15Any further questions?
00:02:16Yes, one more
00:02:18If this is due to a settling of scores
00:02:20What does the town have to do with that revenge?
00:02:22Why were we attacked?
00:02:23Don't know
00:02:23Ah, you don't know
00:02:25It turns out I don't always know everything, Olmos
00:02:29There's something that doesn't add up for me.
00:02:35Everyone has already left
00:02:36What are you up to?
00:02:42I guess I should stay
00:02:43The case is now closed.
00:02:45I think Robles and Olmos are right
00:02:47There is a second killer
00:02:48And he's probably a cop.
00:02:49I know
00:02:52Do you know?
00:02:53For some time now
00:02:56And why hasn't he said anything?
00:03:03Because he might be one of us.
00:03:05I had to tread carefully.
00:03:07I've been investigating those
00:03:09Those I trust the least
00:03:10Oaks included
00:03:11Oaks?
00:03:12I installed microphones and cameras in the barracks
00:03:14In the offices of the headquarters
00:03:16And do you already know what it's about?
00:03:18Not yet
00:03:20But the investigation into Viti
00:03:23It's bringing me closer
00:03:24There was more to it than just contact with the police.
00:03:27A relative
00:03:27A brother is probably an agent
00:03:30And I'm risking my job.
00:03:34That this agent is the second killer
00:03:38In less than 48 hours
00:03:40His name opens
00:03:41Haste makes waste.
00:03:44Can you close the door, please?
00:03:59You'll thank me for this, Robles
00:04:10Where are you?
00:04:11Everything was fine at the hostel
00:04:11What's happening?
00:04:12I think you want
00:04:13You could go to the Maxor
00:04:14That?
00:04:14Where did you get it from?
00:04:15Monica's phone
00:04:16He has a lot of calls from his number.
00:04:18Are you with him?
00:04:19No, he left a while ago
00:04:20Oaks
00:04:20I don't think you love who you say you do.
00:04:22But until I'm sure
00:04:23We can't trust anyone
00:04:23No calls
00:04:24OK?
00:04:25I'm on my way there
00:04:45Castro
00:04:46It's me
00:04:48Change of plans
00:04:50Today we must put an end to Olmos and Robles
00:05:17A revenge
00:05:20Can you think of another reason?
00:05:22If we could connect Gareth with the mercenaries
00:05:25They had to meet at some point
00:05:27In one of his missions
00:05:30Within Interpol
00:05:31Gareth had many enemies
00:05:32We cannot rule out that someone may have stepped on a trap
00:05:34What if he's set a trap for us?
00:05:39I'm refocusing
00:05:41From there I can control it better.
00:05:42And in the meantime, what do we do?
00:05:45You are right
00:05:46We must assume that they will attack you again.
00:05:51In other words, I'm going to a team I trust.
00:05:52Okay?
00:05:55Thank you, Alcides
00:05:57I insist, no calls.
00:05:58It is possible that communications are being intercepted.
00:06:01Wait until I get in touch with you
00:06:02OK?
00:06:04Yeah
00:06:04Don't worry
00:06:05I'll take care of it.
00:06:06Thank you
00:06:13It's lucky to have someone like Alcides, isn't it?
00:06:17Almanzor handles a lot of information
00:06:18And he doesn't miss a single detail.
00:06:20No no
00:06:21Detailed plans of all the cities where he killed the mercenaries
00:06:24Verona, Cravi, Tomar, Prague
00:06:26Access to street security cameras
00:06:28Traffic light frequency control
00:06:30Yes, but what surprises me is that there's nothing about the town.
00:06:33No information of any kind
00:06:34Me too, Olmos
00:06:35We notified the neighbors
00:06:37So that?
00:06:38They deserve an explanation, don't they?
00:06:43Yes, yes
00:06:50Nuria
00:06:51This is the point we have reached
00:06:53To avoid your father
00:06:56How long have you been dating Luqui?
00:06:57That's my business.
00:07:00You're right
00:07:02But your lying to me is between the two of us.
00:07:04First with the race
00:07:05Then she worked as a waitress.
00:07:06And now with him
00:07:11What could I have done so wrong that you don't trust me?
00:07:20Do you really want to know?
00:07:23Since Mom died
00:07:24You have taken care of me.
00:07:26You have educated me
00:07:27But you've never listened to me.
00:07:29Perhaps if I haven't heard you it's because I was too focused on taking care of you.
00:07:31And in educating yourself
00:07:32Look, Dad
00:07:33If I had told you I wanted to drop out of the program, you wouldn't have let me.
00:07:36And if I had told you that I wanted to go out with Luqui, the same thing would probably have happened.
00:07:41That's just how you are, Dad.
00:07:42And you're not going to change.
00:07:45Daughter
00:07:46After what has happened to us
00:07:49We need each other more than ever.
00:07:54Ah, of course.
00:07:55But I'm still angry with you
00:07:59How do you feel?
00:08:01From catching the heifer that escaped last year to killing a person
00:08:04Even if she's a criminal
00:08:06The truth is that everyone goes
00:08:10And you?
00:08:11How are you?
00:08:12I was a little scared to look in the mirror this morning
00:08:19I met Luqui
00:08:20In Madrid
00:08:22The day he joined the barracks
00:08:24And now I'm going to see him
00:08:27Okay
00:08:28That seems fine to me
00:08:31Go with him
00:08:32But as long as you're inside, I want the door open.
00:08:35And no more than three seconds of silence between one person speaking and the other listening.
00:08:43Before we begin, we would like to thank Isa for letting us use her house.
00:08:47No, no, nothing's wrong
00:08:48Well, I could have made some muffins.
00:08:50The thing is, I haven't had the time.
00:08:53Well, she doesn't make muffins either.
00:08:55The idea of meeting here stems from the fact that right now, every precaution is necessary.
00:08:59It's possible we're being watched.
00:09:02And if that were the case, it would be best not to arouse suspicion.
00:09:05Act normally
00:09:07This is for you, Claudio and Braulio
00:09:10It's not a good idea for you to be walking around town with shotguns.
00:09:13Who's going to suspect two doddering old men?
00:09:16Well, you're just saying that for yourself, aren't you?
00:09:20We wanted to thank you for the courage you are showing.
00:09:22And well...
00:09:24This is how this town is, my town
00:09:25And as Winston Churchill said, never was so much indebted to so few by so many.
00:09:29And I, as your mayor, tell you
00:09:31I'm not wanted here.
00:09:33Sorry, thank you, Damian
00:09:35Well, it was just a simple introductory phrase to warm up.
00:09:39We think it's only fair that you're aware of the new situation
00:09:41Like new?
00:09:42But it was already closed, wasn't it?
00:09:44Not quite
00:09:45So, the woman who killed Father Juan?
00:09:47We believe she was not acting alone
00:09:49Alcides is going to send us a support unit as a precaution.
00:09:52In other words, we remain on alert.
00:09:53Let's just say we should be alert to any unusual circumstances.
00:09:56Man, all this scares me a little.
00:10:00I spent my life in the infantry and I can assure you that in combat I can be lethal.
00:10:05Yeah?
00:10:05Very lethal, thank you very much for your attention.
00:10:08That's all
00:10:09If you need anything, you know where to find us.
00:10:12I'm wondering the same
00:10:13This humble mayor's office is always open to everyone.
00:10:16Even those who didn't vote for me
00:10:17Well, I'd like to take this opportunity to say that there's a meeting of the cooperative members at my hostel in half an hour.
00:10:21So let those who haven't come know.
00:10:23One moment
00:10:23As the owner, I demand that I be notified first and in writing for the record.
00:10:27Come on, Cata, aren't you going to tell us what it's about?
00:10:30Clear
00:10:30There's a mole among us
00:10:32And today I'm going to find out who it is.
00:10:51What happened?
00:10:55I had to kill Gerets
00:10:57We must act now.
00:11:01And Castro?
00:11:03We're on our way, but we're ready.
00:11:05Wow, watch out for that tarp!
00:11:25Oh, I'm sorry
00:11:26Don't worry
00:11:29Ah, the face
00:11:32Forgive me, forgive me
00:11:33Are you OK?
00:11:38Is something wrong with you?
00:11:40Look, Nuria
00:11:41This might sound a little strange to you, but
00:11:44After everything that has happened, I have realized
00:11:46What I want to be in life
00:11:49My boyfriend?
00:11:51Nuria
00:11:52I'm serious
00:11:54I would like to be like
00:11:55Like Lieutenant Robles
00:11:57To dedicate myself to the profession unconditionally.
00:11:59Without expecting anything in return
00:12:01So what you want is
00:12:02To be a hero
00:12:03No
00:12:04No, no, that's not it.
00:12:05But
00:12:06If your father hadn't come in, what then?
00:12:08Damn, I couldn't even protect you
00:12:12And that's because the door is open.
00:12:15Don't worry
00:12:17Here you go
00:12:17To Lieutenant Robles
00:12:19All yours
00:12:20Nuria
00:12:23Okay, kid
00:12:32Aren't you hungry?
00:12:32No, I'm right-handed and I can't do it well
00:12:36Let's see, three
00:12:38Wow, this is making me a little embarrassed.
00:12:42And seduce my daughter, right?
00:12:44Speak to the little mouth
00:12:46Lugi
00:12:46My lieutenant
00:12:47If you're feeling well, I have a job for you.
00:12:49Whatever you need
00:12:49I want you to check all the directories.
00:12:51There's something there that even Preston hasn't found.
00:12:53And if you find something strange
00:12:54Call me, only me, okay?
00:12:56I'm counting on it
00:12:57That's what I like to see, kid, with a pair
00:12:59And now you open that little mouth for me.
00:13:00Or I'll get a funnel
00:13:01I don't have all day
00:13:02He's hugging, huh?
00:13:06The mother who gave birth to me
00:13:11Let's see
00:13:20Well, first of all I want to tell you
00:13:22As your mayor,
00:13:23I
00:13:23I am very proud of the courage
00:13:26With which each and every citizen
00:13:27You are defending the people
00:13:28Well
00:13:29All but one
00:13:30Let it be known that I came here because I felt like it.
00:13:32Because it's obvious that I could never be the mole
00:13:34Just by saying that, you're already a suspect.
00:13:37Just like in the novels
00:13:38That the murderer is always the butler
00:13:40Okay, enough of this nonsense
00:13:41I want to know who the traitor is.
00:13:43Get there
00:13:44That is a very serious accusation
00:13:45So I hope you have proof
00:13:47Do you have them?
00:13:48No
00:13:48But I have my sense of smell
00:13:49And that's enough for me.
00:13:50Now it turns out you can smell moles
00:13:52I can smell the fear that a traitor exudes.
00:13:54I'm not saying anything, okay?
00:13:56But lately
00:13:57Claudio and Braulio
00:13:58They're doing some very strange things
00:14:00It's true
00:14:01That's not something we can talk about right now.
00:14:03Because?
00:14:03What are you hiding?
00:14:05Can I go to...?
00:14:05Silence!
00:14:07Last warning
00:14:08If the mole gives us
00:14:10Before the day is over
00:14:11I'm going to put my sense of smell to work.
00:14:13And you all know
00:14:15That my sense of smell is infallible
00:14:16In fact, I could start it right now.
00:14:19But I feel generous.
00:14:20So
00:14:22I'm going to give it one last chance
00:14:24That filthy traitor
00:14:25Are you listening to me?
00:14:27Mole
00:14:29If you have any dignity left.
00:14:31It would be better
00:14:32That you confessed
00:14:33Right now
00:14:40Look, I knew it.
00:14:41About them
00:14:42The old folks
00:14:43But what happened, Claudio?
00:14:45Can I go to the bathroom
00:14:46I can't take it anymore
00:14:47Yes, of course, of course
00:14:51The name and the extension
00:14:52These are the ones used by the operating system.
00:14:54To name your exchange files
00:14:55But when I tried to open it
00:14:57I've realized
00:14:58That's not what it was about
00:15:00But from a zip point
00:15:01Encrypted
00:15:02Exact
00:15:03But encrypted
00:15:04Doubly
00:15:05With two algorithms
00:15:06Symmetric cryptography
00:15:07First with 3D
00:15:08And then with AES
00:15:10Let's see
00:15:11Could you use more colloquial language?
00:15:14As if I didn't understand much about the subject
00:15:16Or as if I didn't understand anything.
00:15:17Better
00:15:17Someone has uploaded a file
00:15:20In the wrong directory
00:15:21What is called
00:15:22A disguised file
00:15:23Ah
00:15:25Clear
00:15:27And why did he do that?
00:15:28So that we wouldn't find it
00:15:31And can that be opened?
00:15:33Let's cross our fingers
00:15:40They're not after the people, Olmos
00:15:42They're coming for us.
00:15:53Thinker
00:15:55No, no, no
00:16:11And I've convinced them to sign the earnest money contract.
00:16:14You can choose whichever one you want.
00:16:16See for yourself
00:16:21So, what's the trick?
00:16:23The trick is you
00:16:24Isaac, when I met you
00:16:25I only saw an opportunity in you.
00:16:27But now that I've met you
00:16:29I only see a good person.
00:16:31And if I may offer some advice
00:16:32I wouldn't choose any of them.
00:16:34So, who do I sell it to?
00:16:35To you?
00:16:36To you
00:16:37Keep it for yourself.
00:16:37I?
00:16:38Yeah
00:16:39Isaac, for years my family
00:16:41He has always desired these lands
00:16:42You came here to sell them
00:16:44And now
00:16:44The same greedy mayor
00:16:46That he tried to deceive you
00:16:47He asks you to keep the pellets.
00:16:52That's how many times people
00:16:54Discover their site
00:16:56Finding what he didn't come looking for
00:16:58It all makes sense, doesn't it?
00:17:00Yeah
00:17:02By the way
00:17:03I forgot
00:17:04I've brought you this little gift
00:17:07I hope you like it
00:17:12You're getting excited, aren't you?
00:17:13I know
00:17:13That's a very kind gesture on my part.
00:17:15Look, get out of my house, Damian
00:17:16And take Brutus with you.
00:17:18Where have I put this?
00:17:19A whole center of flowers
00:17:20But I thought this was more personal
00:17:22That's why I didn't know if
00:17:24Damian
00:17:25Yeah
00:17:25The contracts
00:17:26Ah, yes, of course.
00:17:29Are you sure?
00:17:30No
00:17:30Well
00:17:38They finished their snack
00:17:41So...
00:17:42An exercise?
00:17:45Yeah
00:17:45A drill
00:17:47It's an order that comes from above.
00:17:49Right, Agus?
00:17:51Yeah
00:17:52Yes, from very high up
00:17:53From the Ministry of the Interior itself
00:17:55From the minister?
00:17:58Yeah
00:17:59Yeah
00:18:00And Alcibe will stay behind to watch over the town
00:18:02And some neighbors
00:18:04They will also take part in the drill.
00:18:07Ah
00:18:08And have we been left out in the cold?
00:18:11To gain perspective
00:18:13Exact
00:18:14Clear
00:18:14The two of them together
00:18:15Nothing happens by chance
00:18:19Grandmother
00:18:19This is the...
00:18:21This is your grandfather's old barracks
00:18:22I can't think of anything.
00:18:23Another better place
00:18:24To hide
00:18:25Hiding places
00:18:27Well...
00:18:27Grandmother
00:18:28We don't want to hide
00:18:29All we want is...
00:18:31Come perspective
00:18:33That
00:18:33From there you can see all the roads
00:18:36Do you remember how to get there?
00:18:38Of course I remember
00:18:46Grandmother
00:18:48You have nothing to worry about, woman.
00:18:50What if it were something serious?
00:18:52I would tell you.
00:18:53I don't know
00:18:55I'm going to prepare you
00:18:57Something to eat
00:18:58No no
00:18:58We don't have time.
00:19:01Okay, okay
00:19:02Oh
00:19:08Aren't you going to give me one, Robles?
00:19:27It must be something really big
00:19:30So that your grandson can lie to me
00:19:35Traps?
00:19:36The lieutenant has insisted
00:19:37I am the most secret sole
00:19:39Aren't they taking anything else?
00:19:40An alarm clock
00:19:47Come on
00:19:52Latiza
00:19:53Yes, Lieutenant.
00:19:54You're in charge
00:19:59Are you appointing me post commander?
00:20:02Any questions?
00:20:03After so many years in the shadows
00:20:04For me it is a true honor
00:20:06Accept this responsibility
00:20:08Let's see, Latiza
00:20:09You're left putting together
00:20:10Because there is no one else.
00:20:11He's a delight, Olmos.
00:20:13A delight
00:20:14But where are they going?
00:20:15It's better that you don't know.
00:20:16And if Cides asks
00:20:17He'll be the first to understand.
00:20:19No communication between us
00:20:21The phones may be tapped
00:20:27What are you doing?
00:20:28This is not goodbye
00:20:29Man
00:20:29That we're going to come back
00:20:30Right, Gus?
00:20:30I mean, Lieutenant
00:20:39I'm not coming back
00:20:45From now on you can call me post commander if you want
00:20:50And if you don't want to, that too.
00:20:51Come on, let's go
00:20:56I think I've made up for lost ground with Isa
00:20:58He's swallowed the idea that I'm sorry.
00:21:01Convincing her to keep the property was a brilliant idea
00:21:05And it was my idea
00:21:08And don't worry about Cata
00:21:09He's bluffing.
00:21:12Scientifically, no one can smell fear.
00:21:15I'm very sorry, but I resign.
00:21:18Sorry?
00:21:19The moles don't resign
00:21:20Well, this mole does resign.
00:21:21We all know how spies end up.
00:21:24Evil!
00:21:26But that's when you work for the bad guys.
00:21:28But now you work for the good guy.
00:21:30That's me
00:21:31Don't tell me
00:21:32I resign
00:21:33Oh, really?
00:21:34Very good
00:21:34Well, if you resign
00:21:35I will be forced to air certain matters concerning your family.
00:21:38That could make your hair stand on end
00:21:39What do you have to say about my family?
00:21:42Do you know that your uncle Rufo
00:21:43He wasn't actually your mother's cousin
00:21:45Or your father's second cousin?
00:21:47But if that were true
00:21:48My aunt Luchila from Calahorra?
00:21:50She would be the grandmother of your nephew Luis Miel de la Pichot
00:21:52Lost!
00:21:53But that would kill my cousin Menchu
00:21:56The Sayones' daughter?
00:21:58No no
00:21:58That's from the other branch
00:21:59From my grandfather Severiano's branch
00:22:00Do you see it?
00:22:01Your family tree could be a fallacy
00:22:04In fact, it's a miracle you were born.
00:22:09I don't give a damn!
00:22:11I resign!
00:22:13A statue in the main roundabout!
00:22:15Have you?
00:22:15In the style of Cristiano Ronaldo
00:22:17Colossal
00:22:19You and Raimundo the pig
00:22:22Like Don Quixote and Sancho Panza
00:22:27A bronze statue?
00:22:31Embossed
00:22:32With less belly and more hair
00:22:48I have to leave you
00:22:51At your service
00:22:52Atiza
00:22:53Luqui
00:22:55Where are Robles and Olmos?
00:22:57We don't know
00:22:59What do you mean you don't know?
00:23:00He told us that you would understand.
00:23:02Ah, of course
00:23:03Clear
00:23:05Are we still under threat?
00:23:06I honestly don't know.
00:23:07But I promised Rubles that I would take care of the town
00:23:08How many men have been brought?
00:23:10Only six
00:23:10But they are among the best
00:23:11And from my trust
00:23:13Besides
00:23:15No network price
00:23:17What do they need?
00:23:18A map of the town center
00:23:19Maps of the area
00:23:20And to know the
00:23:21Roads
00:23:22Galleries and tunnels
00:23:23That they are not registered
00:23:24And through which the enemy could infiltrate
00:23:26You'll have it in a minute
00:23:28Latest generation, right?
00:23:29That?
00:23:29The walkie-talkie, I mean.
00:23:30Wow, that was amazing!
00:23:32TDMA technology?
00:23:34Yeah
00:23:35Where can you find me?
00:23:37Uh, well
00:23:38At the lieutenant's table
00:23:39I think that's the most appropriate thing to do.
00:23:41Perfect
00:23:41Luqui
00:23:42Come here, I can't find a damn thing
00:23:43Yeah
00:23:44You already know what you have to do
00:23:58I want the town cut off from communication
00:24:02Disconnect the satellite ones.
00:24:07What about Olvos and Robles?
00:24:09We need to find out about a damaged person
00:24:10But without drawing attention to themselves
00:24:15Okay, so how does the psychiatrist explain it?
00:24:17Well, I told him the truth.
00:24:19I told him that we were attacked by mercenaries
00:24:21And of course, he didn't believe it.
00:24:22And he told me that it's gotten worse.
00:24:23Go see him
00:24:24Well, if you tell him we were all there
00:24:26Singing the cockroach
00:24:27Bouncing on a bus
00:24:28No, I'm not going to tell him.
00:24:29The whole town is closing us in.
00:24:30Hey, Cata
00:24:32I have to tell you something
00:24:33And I know you're not going to believe me
00:24:34But Damian came to see me
00:24:36And this time
00:24:37He seemed very sincere, really.
00:24:39Sincere?
00:24:40Yeah
00:24:40But that man hasn't been honest his whole life
00:24:43Hey, he brought me this
00:24:45What is it?
00:24:45Some contracts
00:24:48Four earnest money contracts?
00:24:49Yes, Cata, yes
00:24:50They are signed
00:24:51Well, I wouldn't trust it.
00:24:52Yes, because I've spoken to them
00:24:54Are they real?
00:24:55Yes
00:24:55Which one are you going to choose?
00:24:57I've been thinking about something
00:24:58I've considered not selling it.
00:25:00Okay
00:25:00Hello
00:25:01Cata
00:25:02Isa
00:25:02Hello
00:25:03You had a "Do Not Disturb" sign up.
00:25:05And I didn't want to go into your room
00:25:07But come on, if you want me to come in
00:25:10I'm coming in
00:25:10Thank you, but
00:25:12I've been making my bed by myself my whole life
00:25:14And come on, it's not necessary
00:25:16Very good, very handy
00:25:17Yeah
00:25:21And with a perky butt, just like it should be
00:25:23Do you like her or is it just flirting?
00:25:26Come on, man
00:25:27What am I going to like?
00:25:28A story between a hostel owner and a super special agent
00:25:31Come on, anyone who tells this will be sick.
00:25:33I love it, I like it a lot
00:25:35I like it a lot
00:25:36And you?
00:25:37I
00:25:37What do you say about the story of the owner of a farm and a small-town civil guard?
00:25:41Are you talking about Olmos?
00:25:43Man!
00:25:44Please, Cata
00:25:45I can read it
00:25:46Well, you have a very overrated sense of smell.
00:25:48Every time I say Olmos, the smell gets stronger.
00:25:50What are you saying, please?
00:25:52Olmos
00:25:53Well
00:25:53Please
00:25:54Olmos
00:25:55Oh, be quiet, be quiet, be quiet!
00:25:56Oh, please!
00:25:57Olmos
00:25:57Taste, taste, taste!
00:25:58Elms!
00:26:04Lieutenant, look
00:26:05Up there was a small warehouse
00:26:07As a child, I used to go in with a toy shotgun, of course.
00:26:11And I imagined the Sius were coming to attack the fort
00:26:15And this was the stronghold
00:26:16Here, on this open space, well, we've done everything.
00:26:19Camp, good
00:26:21Marvelous
00:26:23Olmos
00:26:25Olmos
00:26:26Elms!
00:26:27Are you going to help me or do I have to call the police?
00:26:29Ah, yes
00:26:30Sorry
00:26:30Then, in the afternoon, at teatime
00:26:32My grandmother would always call me out.
00:26:35Sebas!
00:26:36Sebas!
00:26:37Sebas!
00:26:38Sebas!
00:26:39Sebas!
00:26:41Grandmother
00:26:41How could you do this to me, Sebas?
00:26:44Do what to you?
00:26:46Lie to me
00:26:47And I say the same to you, Gus
00:26:48Domi, I'm sorry, but I have to take you back to town.
00:26:50Come on
00:26:51Nothing of the sort
00:26:52I'm staying
00:26:53Let's see, Grandma
00:26:54I'm so sorry I lied to you
00:26:55But it turns out that Almanzor and his men are coming for us.
00:26:58Do you think I didn't know?
00:26:59I'm staying
00:27:00That is very dangerous
00:27:02Nobody can kill me
00:27:03In any case, shorten my life a little
00:27:06Come on
00:27:06I will show you all the secrets of this place
00:27:09Okay, Domi
00:27:10But tomorrow morning, first thing
00:27:16That?
00:27:17Have we both been caught out?
00:27:41Excuse my boldness, eh
00:27:42But I wanted to thank you for taking care of us all.
00:27:46There is nothing to forgive
00:27:48And nothing to be thankful for.
00:27:49I really like your boldness
00:27:51And taking care of people is my job
00:27:53Already
00:27:57Do you want to come in?
00:27:57Well
00:28:00I know it's your job, you know.
00:28:01But you do it really well.
00:28:03Ah, thank you.
00:28:03And you said you like my boldness?
00:28:06Quite a lot, yes
00:28:07Well, I've only just begun, you know.
00:28:09Ah
00:28:10How will it end?
00:28:14I'm sorry to interrupt, but I need to talk to you.
00:28:18In private
00:28:19Oh
00:28:21Sorry, Cata
00:28:23We'll surely have another opportunity to enjoy that wine
00:28:26Clear
00:28:27Clear
00:28:38Very good
00:28:40Didn't you like the wine?
00:28:42There's a strange smell in that room.
00:28:44Well, if you mean they're up to something, then they probably are, because they're special agents.
00:28:48No, no, no
00:28:48I mean, it smells
00:28:49It smells like it's been smelling
00:28:50Smell like... a mole?
00:28:52No
00:28:54It smells like death
00:28:54What are you saying?
00:29:00Hey, do you have any idea where Olmos and Robles might have gone?
00:29:03From what they say, they're not in town.
00:29:05Oh, no?
00:29:06No
00:29:06Oh, well, I had no idea.
00:29:07First news
00:29:10Any problem?
00:29:12No, no, none.
00:29:15See you in a bit
00:29:16Ah, Cata
00:29:19Don't store the wine
00:29:20No
00:29:20Okay
00:29:25The way he looked at you, huh?
00:29:33You have to come with me
00:29:34Where to?
00:29:36A great sense of smell comes with great responsibility
00:29:38Just a moment, just a moment
00:29:39Are you going into Alcides' room?
00:29:41You can't
00:29:42What can't I do?
00:29:43This is a hostel
00:29:43Specifically, my hostel
00:29:45And when a room smells bad
00:29:47Well, we have to go in and clean it, right?
00:29:49I think I'd better stay here
00:29:50That gives me a pension
00:29:51No, no, we're going up
00:29:52It's going to be fun
00:29:53No, no
00:29:53I don't like that.
00:29:54Yes, yes, yes
00:29:55No?
00:29:56Come on
00:29:56Damian
00:29:56Let's go see the dead man
00:29:57But I'm having a hard time
00:30:00Go up, go up
00:30:09Cata
00:30:09No
00:30:09I don't know if you know that this is breaking and entering.
00:30:14Shut up, this is my hostel
00:30:15Be quiet
00:30:17Keep an eye out, someone might come.
00:30:18Keep an eye out, someone might come.
00:30:22It's not to belittle your sense of smell
00:30:24But what if there were a dead person here?
00:30:26It would be under the bed
00:30:30There is no death
00:30:32Is there a dead body?
00:30:34There is no death
00:30:35Is there a dead body?
00:30:36There is no death
00:30:41That?
00:30:43There is a dead person
00:30:43That?
00:30:44No, no, no
00:30:45What he stops doing
00:30:45You're not getting confused, please.
00:30:46There's nobody in there.
00:30:48Right, Cata?
00:30:50There is a dead person
00:31:02There is a dead person
00:31:03He's the head of Interpol
00:31:05He...
00:31:06Grets
00:31:06But it's okay, he's dead.
00:31:08That's it
00:31:09That's it
00:31:09That's it
00:31:10That's it
00:31:11But he's half dead.
00:31:12No, he's completely dead
00:31:14You can't be half dead
00:31:15That's it
00:31:16That's it
00:31:16That's it
00:31:16Yes, yes, above all, stay calm.
00:31:17Calm down, calm down, calm down
00:31:18Calm down, calm down
00:31:19Calm down, calm down
00:31:20Calm down, calm down
00:31:20Shut up, shut up, shut up
00:31:21Shut up, shut up
00:31:21I'm going to have a heart attack
00:31:22No, no, no, no, no
00:31:23Please
00:31:24Breathe
00:31:25Breathe
00:31:26Breathe
00:31:27Breathe
00:31:27They're going to hear them!
00:31:28Shh
00:31:29Let's do one thing
00:31:30Go to the corridor
00:31:31Hey?
00:31:31And tell me if anyone is coming
00:31:33Yes, yes
00:31:34I'm going to call the station, Isa
00:31:35No problem
00:31:43It's not giving a signal.
00:31:45Olmoso
00:31:48It's not giving a signal.
00:31:51There is no signal.
00:31:53The only entrance to the barracks
00:31:55That's exactly where we came in.
00:31:57This way, through the main door
00:31:59All rooms have windows
00:32:01Except here, in the basement
00:32:03Good
00:32:04Considering that there are two of us
00:32:06Three
00:32:06Two that can shoot
00:32:08Three
00:32:11We need to design a defense plan
00:32:13OK?
00:32:14I'm going to take a walk around the area
00:32:15You go and cover all the windows you find.
00:32:18Use doors, wood, whatever.
00:32:20I'm going to see where I can find some wood.
00:32:22We're just going to leave these two windows clear.
00:32:24One will be yours and the other mine
00:32:26How long are we going to be here?
00:32:27I know Gretz
00:32:29They won't take long to find us
00:32:32My men control all access points to the village
00:32:35Any news from Olmos y Robles?
00:32:37Negative
00:32:37And communications are cut off.
00:32:40Neither landline nor mobile phones
00:32:41The Wi-Fi doesn't matter because it's never worked well.
00:32:42Too much of a coincidence
00:32:44Someone must have blocked the signal
00:32:45We need to restore communication
00:32:47I'll be right back
00:32:50Oh
00:32:52It seems we can't be without each other
00:32:54We have a drink pending.
00:32:59It will soon cease to be so.
00:33:00See you later
00:33:08Come on
00:33:09Atiza, Atiza
00:33:10We found Gretz dead in Alcides' room.
00:33:13First a mole, now a corpse
00:33:15You get really bored, don't you, Cata?
00:33:16Hey
00:33:16No, no, Atiza
00:33:18That he was like this, like this, like this, dead in the closet
00:33:19Ask the mayor
00:33:20It had blood.
00:33:21That ran down
00:33:22No, no, no, no, no, no, no, no, no
00:33:24Fuck, fuck
00:33:25If Gretz is dead and Gretz will be the master
00:33:28It's not the tender one.
00:33:29And you found it in the room of...
00:33:33Alcides is to the manzor
00:33:34Thank goodness I resisted his charms
00:33:36Yes, yes, right, right
00:33:36Hey
00:33:37Will you all shut up? I can't go.
00:33:38Silence now
00:33:40We would have to inform Lieutenant Robles
00:33:41But we can't
00:33:42Because all communication systems are unusable
00:33:45And the entrances to the village were controlled by Alcides' men.
00:33:47Which are logically the bad ones
00:33:49In total there are six men
00:33:50Ch, ch, ch
00:33:51Look at it, you copy me.
00:33:52Change
00:33:54Let's go to the hostel
00:33:55Yes, please drop me off at home on the way.
00:33:57What a coward you are!
00:33:59I have to feed Margenaro
00:34:00No, no, no, the hostel isn't safe either.
00:34:01We can meet at my house like last time
00:34:03Yeah
00:34:03Perfect
00:34:04We, the residents, are going to defend this town.
00:34:06That
00:34:06Isa, don't open the door to anyone other than us.
00:34:09And how do we know?
00:34:10We need to have a password
00:34:11A password, you say.
00:34:13A
00:34:18That's it
00:34:20Fuente Ovejuna
00:34:37Wouldn't it be faster to just question any neighbor?
00:34:41Or better yet
00:34:43Why don't we get the information from that idiot Atiza?
00:34:46I know Rubles
00:34:47She hasn't told anyone where they are.
00:34:49How can you be so sure?
00:34:50To avoid putting them in danger
00:34:52That's what heroes are like.
00:34:59He hasn't told anyone
00:35:01He hasn't told anyone
00:35:20He hasn't told anyone
00:35:32Olmos, we will place tear gas canisters throughout this entire area here, okay?
00:35:36Not to be picky, but if some hitmen armed to the teeth are going to show up
00:35:41And we have some smoke bombs, traps, and an alarm clock,
00:35:44What's the plan? To make them laugh so hard they die.
00:35:46The plan is to prevent or at least hinder the three phases of a threat.
00:35:50Intrusion, execution, and escape.
00:35:51Ah, yes, yes, I had thought of that too, but I ruled it out, it's out of the question.
00:35:59It's clear they have a numerical advantage, but we have the position secured.
00:36:03All we have to do is limit the spaces available for an intrusion.
00:36:06I follow you.
00:36:07Sure?
00:36:08Man.
00:36:10We will position the car here, forcing them to pass through this side, placing the wheel clamps on the other.
00:36:15Tear gas canisters will be located here, at the height of the barricades.
00:36:19In this way they will be forced to advance only through the space contained within our field of vision.
00:36:24And what would stop them from moving the car out of the way?
00:36:28These cables and this alarm clock.
00:36:30But even MacGyver couldn't make a bomb with that, huh?
00:36:32There's no need to do it.
00:36:34If it just looks like it, that's enough.
00:36:36Come on, let's give these people a good welcome.
00:36:38Come on, come on.
00:36:44Yes, please, silence.
00:36:46Nobody move.
00:36:49Password?
00:36:49Fuente Ovejuna.
00:36:56Confirmed.
00:36:57Arcides has gone and left two of his men in the village.
00:36:59One of them is at the barracks, the other is patrolling the streets.
00:37:02But there's no need to worry.
00:37:03We have a plan.
00:37:04Affirm that it is me!
00:37:07It's me!
00:37:09Serafín, password.
00:37:10It's me!
00:37:11Photo-obsessed!
00:37:15Give me your attention for a moment.
00:37:16I have something very important to tell you.
00:37:19I am the mole.
00:37:21That?
00:37:21That?
00:37:22No, no, no.
00:37:22I don't kill!
00:37:23No, no, no!
00:37:23No, no, no!
00:37:24No, calm down, calm down!
00:37:26No, please, it's not the time.
00:37:27Isn't this the right time?
00:37:28No, no, no.
00:37:30What would you do in that moment?
00:37:31Not like that.
00:37:32What do you say?
00:37:33After all the trouble I've gone through to say this, I'm not going to leave it unfinished, am I?
00:37:36For once, the mayor is right.
00:37:38Let's get to the plan.
00:37:39That is.
00:37:39Let's get to the plan.
00:37:40That's it, let's get to the plan and we'll look at your part later.
00:37:43Let's see.
00:37:44The plan is as follows.
00:37:45One, don't draw their attention.
00:37:46Two, neutralize it simultaneously.
00:37:48Three, ask for help.
00:37:49Brilliant and inspiring as always.
00:37:51But for the plan to work, communication between us is vital.
00:37:54The walkie-talkies aren't working.
00:37:56They have been cancelled.
00:37:57That's why we will use the communication system that our ancestors used when
00:38:01They were invaded by the French.
00:38:02The female little bustard in heat.
00:38:04The song of a bird.
00:38:09Can you explain what you just said?
00:38:11A sheep has escaped.
00:38:14This is sheep.
00:38:16We're all going to die.
00:38:35We're all going to die.
00:38:58Who would have told us when we met a few months ago that we would be here
00:39:02Will the two of them one day face danger alone?
00:39:05Who is Gary Cooper?
00:39:06Based on my physique, right?
00:39:11Let's see.
00:39:12I heard over their walkie-talkies that the one patrolling the streets told the other one that at
00:39:15Eight would go to eat something at the hostel.
00:39:17That's the moment to neutralize them.
00:39:20Kill them.
00:39:22Neutralize them.
00:39:23And both at the same time.
00:39:23The idea would be to establish a communication system between the hostel and the barracks so that we could
00:39:29synchronize our actions.
00:39:31Damian and Claudio will take care of that.
00:39:34I'm sure there's someone in the village who can imitate the female little bustard better than
00:39:37I.
00:39:38Cata, you will prepare some very spicy beans for him.
00:39:41That will be a pleasure.
00:39:42He will be groggy for a few moments.
00:39:43Once I've eliminated mine, I'll make the signal that Claudio will repeat, and then Damian.
00:39:48to warn you that you can neutralize yours.
00:39:52And what is the signal?
00:39:53Owl eliminated.
00:39:55Okay, Damian.
00:39:58That's the male little bustard.
00:40:00Well, that's the one I know.
00:40:02Okay.
00:40:03Let's see.
00:40:03This is the town.
00:40:08Now let's review the plan.
00:40:11Is it time to recharge?
00:40:13Hello, Grandma.
00:40:14Do you know what I'm remembering?
00:40:16From when Grandpa would sit at that table in the corner and I would sit on his lap
00:40:23and he told me everything they did.
00:40:25And you asked him to put the tricorn hat on you?
00:40:28Ah, yes.
00:40:29Come on, when did your parents die?
00:40:32I was five years old.
00:40:35They had gone on a Nile cruise, but there was a fire and...
00:40:40Well, there were quite a few survivors, but they weren't so lucky, were they?
00:40:44And their bodies were never found.
00:40:47Go on, I'm going to have my temello sandwich.
00:40:50Oh, my grandson told me that your parents died in a traffic accident.
00:40:55Yes, my father was a prosecutor.
00:40:57I wanted to follow in his footsteps, but I ended up as a civil guard.
00:41:00You could say I came straight out of the orphanage.
00:41:03To the Baeza Academy.
00:41:04You are so different and yet so similar.
00:41:07You could say you're brothers.
00:41:09Brothers, in fact.
00:41:12As?
00:41:13As you said, we are a team of three.
00:41:16Do you know how it works?
00:41:17I have been the wife of a Civil Guard officer and the grandmother of a Civil Guard officer.
00:41:22Good, Domi.
00:41:23Now I want you to stay nice and quiet in the basement, okay?
00:41:27Yeah.
00:41:28And go home early tomorrow, Grandma.
00:41:33And you all go to your own window.
00:41:36Yes, very good, very good, very good.
00:41:37To the basement, Domi.
00:41:45Olmoso, you know this won't happen tomorrow, right?
00:41:48I know, Abus.
00:41:50I know.
00:41:53This is the hostel.
00:41:55And this is the barracks.
00:41:56Luqui and I are the olives.
00:41:59We are inside the barracks with one of the hitmen.
00:42:02And am I a croquette?
00:42:03No, Claudio, no.
00:42:05The croquettes are the men of CIDES, the hitmen.
00:42:07You are a nut.
00:42:09And where do I stand?
00:42:10You will go to Domi's house.
00:42:12And the other nut, which is Damian, will go to the corner of the egg-faced tobacco shop.
00:42:18Okay, well, give me another nut because I'm not going to leave Claudio now.
00:42:21I don't have any more nuts.
00:42:23Better one nut for both of us.
00:42:25But wait, what are the rest of us?
00:42:27The rest of you are like the grapes in the hostel.
00:42:29Once I've neutralized mine, I'll signal Claudio to pass it to Damian.
00:42:34and Damian will pass it on to you.
00:42:36And I will accompany the other hitman to the hostel.
00:42:39Where is the croquette?
00:42:40Don't eat anything until it's over!
00:43:17You know what?
00:43:17I can't stop thinking about Gerets.
00:43:21And if he is at the farmhouse...
00:43:23Stop overthinking it, homos.
00:43:24Let me tell you something, man.
00:43:26That's how I get it out of my head.
00:43:27If you want me to be quiet when I say it, just ask me.
00:43:34If that day, instead of going to the church of San Millán, you had gone directly to the Stone Bridge
00:43:40from Logroño,
00:43:40Do you think you would have arrived in time to save Smirnoff?
00:43:43We'll never know that.
00:43:45No, answer my question.
00:43:48Maybe.
00:43:50Yes or no?
00:43:51Yeah.
00:43:51So, if Gerets is the second killer, why was he so insistent that you go to the bridge?
00:44:00I forbid you from changing your objective.
00:44:02Shall we go to the Stone Bridge?
00:44:03No, sir.
00:44:03I am your superior.
00:44:04You are my superior, but I am in charge of this investigation.
00:44:10Continuous?
00:44:10It just doesn't make any sense, does it?
00:44:14Now, if we eliminate Gerets as a suspect,
00:44:19Who are we left with, considering it has to be an agent?
00:44:22The first victim of the manzor did appear in Milan; the team consisted of 23 people.
00:44:27Those in charge?
00:44:28Gerets and I.
00:44:34What do you decide?
00:44:37Should I be quiet?
00:44:41There wasn't a single document about the village on the manzor's computer.
00:44:47Maybe it was because I didn't need it, right?
00:44:50Because he knew the town well.
00:44:52I was unsure whether to come or not, because tomorrow I'm going on vacation to Costa Rica.
00:44:55There were two assassins. We killed one at the monastery, but there's another one left.
00:44:59Are you sure?
00:44:59Yeah.
00:45:00Costa Rica will have to wait.
00:45:03When we discovered Monica's weapon,
00:45:06Alcides was with us.
00:45:11We need to warn Gerets.
00:45:14Do you remember seeing him make the call?
00:45:16Olmos,
00:45:17I've known Alcides for eight years.
00:45:19We've risked our lives together more than once.
00:45:22Well,
00:45:23Maybe we're wrong.
00:45:31Alcides is the young man.
00:45:33We'll know soon.
00:45:56Shit.
00:45:58I'm so sorry, Robles.
00:45:59Don't feel sorry for me, Olmos.
00:46:01Feel sorry for him.
00:46:07They can't get in from any side, we're not taking any chances.
00:46:09No, the main one.
00:46:10Yes, of course.
00:46:13It's Claudio.
00:46:15She says to bring it to the look and with the goal.
00:46:17Calm down, calm down, calm down, calm down, calm down, calm down, calm down, calm down.
00:46:19Shut up, you're making me nervous!
00:46:21Well.
00:46:22Hello.
00:46:24Hello.
00:46:25Welcome to my house.
00:46:26Would you like a snack?
00:46:27Very kind.
00:46:28Thank you so much.
00:46:29We have some beans today, right?
00:46:31They cure hiccups.
00:46:33Yes, they are beans with sacraments.
00:46:35Yes, yes, they contain marinated pork ribs,
00:46:38with his Riojan sausage.
00:46:39Yes, his chorizo pepper, his pancetta.
00:46:41His pig's ear, his black pudding, his pork rib.
00:46:44Two ribs.
00:46:44The one the mayor told him and the one I told him.
00:46:46And chili pepper, where some Rioja-style beans have been seen
00:46:49They don't have chili peppers, right?
00:46:53Caparrones with sacraments.
00:46:54Oh, yes!
00:46:55Very good!
00:46:55There it is, there it is!
00:46:59Oh!
00:47:16And now I clean mine with olive oil
00:47:18And it's going great for me.
00:47:21But it has to be local olive oil, okay?
00:47:22None of that Italian stuff.
00:47:30I'm remembering
00:47:31of a joke
00:47:33that which goes from a son to his father
00:47:34and tells him
00:47:35Dad, what's farther away?
00:47:37Huelva or the moon?
00:47:38And the father answers him
00:47:40But let's see, son
00:47:41Can you see Huelva from here?
00:47:46Okay, at the beginning
00:47:48The truth is that when you tell yourself about it
00:47:50You have no money
00:47:51But then you think about it.
00:47:52and tie your chest.
00:48:06What does it say?
00:48:07I'm about to pee.
00:48:09As?
00:48:10That's what I get fired up about.
00:48:11that the hitman is already there
00:48:12at the hostel
00:48:13But I'm about to pee myself.
00:48:19What's that?
00:48:20It is the common session female,
00:48:21zeal.
00:48:22A local bird
00:48:23that is in danger of extinction.
00:48:25I'm going to answer it.
00:48:26I feel sorry for you.
00:48:27so that she doesn't feel alone.
00:48:46What does it say?
00:48:47That the little bump
00:48:48It's already in the bag.
00:48:59Where is it endangered?
00:49:19They both realized
00:49:20throughout all this time
00:49:21that it was me
00:49:22the infamous second assassin.
00:49:24Narrowly
00:49:25But he's right, isn't he?
00:49:26Either you're very stupid
00:49:28That's another possibility too.
00:49:30It is too.
00:49:31The game is over.
00:49:32This is what's going to happen.
00:49:34You are going to die.
00:49:35You have no choice.
00:49:36So if you go out right now
00:49:38I promise you,
00:49:39really,
00:49:41I will kill each and every one of you.
00:49:42with a clean shot,
00:49:43painless,
00:49:44without suffering,
00:49:45For old times' sake,
00:49:46Robles,
00:49:47with the affection that unites us,
00:49:48from the heart.
00:49:51If you don't,
00:49:52I swear that in a little while
00:49:53You'll regret it.
00:49:55Have I expressed myself clearly?
00:49:58I still can't believe it.
00:49:59Get used to the idea, Olmos.
00:50:02It seems not.
00:50:03Come on.
00:50:07No, no, don't touch it.
00:50:09It could be a trap.
00:50:21Tell him, shut up here,
00:50:22your pot.
00:50:26Azor, here's Daedalus.
00:50:28I'm in a hostel.
00:50:30Change.
00:50:31Azor, here's Daedalus.
00:50:33I repeat.
00:50:34I'm in a hostel.
00:50:36Azor, here's Daedalus.
00:50:37Copies.
00:50:41What's going on here?
00:50:42Nothing.
00:50:43Here?
00:50:44Here?
00:50:44Nothing.
00:50:45What had you told him?
00:50:46To my colleague?
00:50:47No, no, no, no, no.
00:50:48He's calm, he does everything he says.
00:50:49Don't worry.
00:50:50That's it!
00:50:52Don't you like caparrones?
00:50:53Everyone against the wall.
00:50:55Fast!
00:50:55Yes, yes, yes.
00:50:57Come on.
00:50:58What happened to him?
00:50:59To my colleague?
00:51:02The same thing is going to happen to you.
00:51:04Not one more move
00:51:05or I'll blow your brains out.
00:51:14Leave me alone!
00:51:15Pastao!
00:51:16Don't move, okay?
00:51:17Turn around!
00:51:20I want the Civil Guard!
00:51:22I'm hurt!
00:51:24That's fine!
00:51:25Don't worry too much, Damian,
00:51:27They're just a few pellets in the ass.
00:51:31Volgan, on the right.
00:51:34It's about to start, Olmos.
00:51:40Come and see the traps!
00:51:41Long live the perimeter!
00:51:48What a load of crap!
00:51:59He's covered it!
00:52:04Domi!
00:52:05Hey!
00:52:05Move to the basement!
00:52:06Not at all!
00:52:07We need staff here!
00:52:12Tomi!
00:52:13Make it scorch, Lieutenant, Grandma!
00:52:15Have!
00:52:16Seba!
00:52:17It's nothing, Grandma!
00:52:18It's no big deal!
00:52:18Seba, you're hurt!
00:52:21Turn around!
00:52:22Turn it around!
00:52:23The bullet exited through the back!
00:52:25Tomi!
00:52:25Press hard here!
00:52:27Ah!
00:52:34Olmos, go down to the basement.
00:52:37Quick, now!
00:52:38I'm going to leave you here alone!
00:52:40That's an order, corporal!
00:52:43Come on!
00:52:46Come on!
00:52:51Come on!
00:53:11Let's see, friend.
00:53:12I'm going to ask you some questions.
00:53:14And you're going to answer them for me.
00:53:16The first one is very easy.
00:53:18Where has Alcides gone?
00:53:20Oh.
00:53:21So what's that got us?
00:53:22Alright.
00:53:24Claudio, Braulio.
00:53:27I'm not going to say anything.
00:53:29It's clear he's not going to answer.
00:53:31What if we torture him a little?
00:53:33I wish, I wish.
00:53:34But we are not like them.
00:53:35Don't forget to take notes on him.
00:53:38But where are Olmos and Robles?
00:53:40I have no idea.
00:53:40Think, Atiza, think.
00:53:42I think, I think.
00:53:43Think.
00:53:43Come on, think.
00:53:45Leave me alone already, okay?
00:53:46I'm already thinking about it.
00:53:48Let's see.
00:53:49Yeah.
00:53:49If I were in the same situation
00:53:51and had Robles' mind...
00:53:53Okay, think, but don't get carried away.
00:53:55Shut up!
00:53:57Where would I hide?
00:53:58Where would you hide?
00:53:59Where?
00:53:59That's what I'm wondering, Issa.
00:54:00Where?
00:54:01Where?
00:54:01So, where?
00:54:02Where?
00:54:02Where?
00:54:02I'm going to a bathroom,
00:54:04which is where I think best.
00:54:04No, there's no time for that.
00:54:06Hurry up, Dad.
00:54:07Don't gang up on me or put pressure on me, okay?
00:54:09Likewise, if you sit in a chair,
00:54:11Imagine you're in Tigre
00:54:13and pick up a magazine...
00:54:16I don't know.
00:54:17Anyway, it's an idea.
00:54:18Ah, ah, ah, ah!
00:54:20I know where they are.
00:54:21Where?
00:54:21Where?
00:54:21I won't be able to think like Robles,
00:54:23but yes, like Olmos.
00:54:25Nobody move from here.
00:54:26And especially not that chicken.
00:54:28Luqui, you're in charge.
00:54:29At your service.
00:54:30So, where are you going?
00:54:30First, we need to find reinforcements.
00:54:32And then to the old barracks.
00:54:36Very good.
00:54:37To the old barracks.
00:54:41But there is a barracks even older than ours.
00:54:54What a pity.
00:54:55Didn't you want him to die?
00:54:57Yes, but I wanted to kill him myself.
00:54:59I have waited a long time for this moment.
00:55:01Life.
00:55:03What sometimes deprives you of these small pleasures?
00:55:06It's still bleeding a lot.
00:55:10Stay here.
00:55:11I'm going for the little one.
00:55:24Oaks.
00:55:25Is that you?
00:55:33Well, well, well, well, well.
00:55:36Grandmother and grandson together.
00:55:39Grandma, I present to you the great son of a bitch.
00:55:42You've understated it.
00:55:46Don't speak, corporal.
00:55:48You're losing a lot of blood.
00:55:49And if it was a shame that you died,
00:55:51before I kill you.
00:55:53Hey!
00:55:54Quiet, Olmos.
00:55:55Lower your weapon.
00:55:57Hey!
00:55:57Carefully.
00:56:00Slowly.
00:56:01Don't hurt yourself.
00:56:07Know it!
00:56:12It's better if you give up.
00:56:14Robles is about to arrive.
00:56:16Oaks.
00:56:17I would love for you to join us.
00:56:20It's a shame that he's dying right now.
00:56:23That's not true.
00:56:24You're right.
00:56:26He's probably already dead.
00:56:31Ah!
00:56:43Ah!
00:56:48Ah!
00:57:00Ah!
00:57:23Thank you!
00:57:35Thank you!
00:57:37Let my grandmother go.
00:57:40I'm sorry, but...
00:57:42No.
00:57:44You have to pay for everything you did to me.
00:57:47I'm going to kill in front of you
00:57:50to the most important person in your life.
00:57:53And then I'll kill you.
00:57:55What did we do?
00:57:57Goodbye, Tommy.
00:57:58Alcides!
00:58:00Let it go, brother.
00:58:00Well, well!
00:58:02Robles!
00:58:03Drop the weapon.
00:58:04What a joy to see you!
00:58:05Take it down!
00:58:05Alive?
00:58:06Put the weapon down, Alcides.
00:58:09Wow, that's handsome!
00:58:10Drop the weapon!
00:58:11Calm down, Robles, calm down.
00:58:14Look.
00:58:15The top of his class.
00:58:17And your grandson's partner.
00:58:20Alcides.
00:58:21I'm not shooting you because we were friends.
00:58:23Drop the weapon.
00:58:24Always so arrogant.
00:58:27Even when you know you've lost everything.
00:58:29TRUE?
00:58:30For example, like now.
00:58:34Lower your weapon.
00:58:37Already!
00:58:40Alright.
00:58:42Don't worry.
00:58:43Don't worry.
00:58:44Leave it on the floor.
00:58:49Get her away!
00:58:59I have to admit that I feel sad right now.
00:59:04I'm serious, Robles.
00:59:06We became great friends.
00:59:09And I won't deny that we had some great moments together.
00:59:13But...
00:59:14Yes, yes.
00:59:15Now's when things get intense.
00:59:16You say you have a reason for doing all this.
00:59:18You know her.
00:59:21I was a child who lacked great role models.
00:59:24And caresses.
00:59:26Like you, Robles.
00:59:28Or not?
00:59:34We lived in Luanda.
00:59:36My parents were international aid workers.
00:59:39He was a lawyer and she was a teacher.
00:59:42They were too annoying for the authorities.
00:59:45My father's head was cut off.
00:59:48My older sister was hanged from a tree.
00:59:52And they slit my mother's throat.
00:59:58I escaped by a hair.
01:00:06Obviously, that group of mercenaries was hired by the then-president of Angola.
01:00:13It was a pleasure to kill them.
01:00:15One by one.
01:00:18But...
01:00:20Why us?
01:00:21We are going to die.
01:00:31That day my brother and I were saved.
01:00:35Viti.
01:00:36Yeah.
01:00:37Viti.
01:00:42Joaquín was his real name.
01:00:43The one you killed.
01:00:56In the seven children of Lara, why?
01:00:58Why did you choose that legend for your revenge?
01:01:04My brother and I had to spend several days hiding in the bathroom.
01:01:07And that was the only book I had.
01:01:10He was scared to death.
01:01:12I couldn't stop crying and thinking about our mother's murderers.
01:01:15So, to distract him, I would read that song to him over and over again.
01:01:20Again and again.
01:01:24Until one day it all ended.
01:01:49Until one day it all ended.
01:01:51She couldn't stop crying.
01:01:53She couldn't stop crying.
01:01:59She couldn't stop crying.
01:01:59She couldn't stop crying.
01:02:00You are completely loguio.
01:02:03Well.
01:02:04It's a point of view.
01:02:06From whom I disagree.
01:02:07I once read that when you get used to evil,
01:02:11Over the years,
01:02:12Crime becomes an art
01:02:16And that's true, Robles.
01:02:17But
01:02:20Why kill Father Juan?
01:02:22To Father John?
01:02:24And 17 others?
01:02:2620 with you?
01:02:28Why were they in my way?
01:02:30Just because they were in your way
01:02:32When you spend more than 20 years
01:02:34Preparing a revenge
01:02:38You can't leave anything to chance.
01:02:42Almost, calm, that's right
01:02:47If you knew
01:02:48How insignificant you are
01:02:52If you only knew what awaits me
01:02:55I'll give you a sneak peek.
01:03:08Oaks
01:03:15Did you know?
01:03:21He cut off a head
01:03:24You will see six
01:03:29Your father knew it
01:03:32Your father knew it
01:03:37Now you know it too.
01:03:39What do you know about my father?
01:03:41What do you know about my father?
01:03:43Yes, Ignacio
01:03:44Can you stop it?
01:03:54Rot in hell
01:03:58Are you OK?
01:03:59Are you OK?
01:04:00I've been better at other times, to be honest.
01:04:02Thank you
01:04:03Domi
01:04:03Domi
01:04:07Grandmother
01:04:08But why haven't you said anything, woman?
01:04:11We have to get her out of here
01:04:12Come on
01:04:35But why haven't you said anything, woman?
01:04:38No, no, no, no.
01:05:35No, no, no, no.
01:05:38No, no, no, no.
01:06:08She deserves them, right?
01:06:11How brave he has been.
01:06:14And to think they wouldn't let her be a civil guard.
01:06:18Well, someone made a mistake.
01:06:20In the end he got his way, didn't he?
01:06:27Gust.
01:06:29Do you think that...?
01:06:30It's either well controlled or it's not.
01:06:32She's a tough girl.
01:06:51Mister?
01:06:53Preston, have you brought me what I asked for?
01:06:56Yes, but there's no rush, Robles.
01:07:08Atiza.
01:07:10Thanks for everything.
01:07:13It is directed to you.
01:07:15It has been an honor to serve under your command.
01:07:17One time is more than others.
01:07:18I'm wondering the same.
01:07:21Luqui, lesson 14.
01:07:23To be first, you just have to work harder than second place.
01:07:27I will do so, Lieutenant.
01:07:35Lieutenant.
01:07:44Thank you.
01:07:48For saving my life.
01:07:51Well, I owed you one.
01:07:54Wish you all the best.
01:07:57Sebas.
01:08:00Me too, Gus.
01:08:22Say goodbye to the people of the town for me.
01:08:24Tell them I'll miss them.
01:08:25I don't plan to do it.
01:08:27Do it yourself.
01:08:28Do you have them there?
01:08:31Meeting tomorrow at the cooperative.
01:08:33There are things that have to change.
01:08:34And you can't imagine how many, Mayor.
01:08:37Bye bye.
01:08:37Seven.
01:08:40Bye.
01:08:41Where did it go?
01:08:41Don't get up.
01:08:43Damn, I'm in for it.
01:08:44Damn it...
01:08:52Good.
01:08:55Are you leaving too?
01:08:55I promised my mother that I would only sell the estate to someone who deserved it.
01:09:02That someone might be me.
01:09:08And maybe I'm glad about that, huh?
01:09:13Well, I'm there, everyone.
01:09:14Thank you.
01:09:16Hey, where are Claudio and Braulio?
01:09:18Claudio and Braulio.
01:09:19Guys, look over there.
01:09:21How wonderful!
01:09:24How wonderful!
01:09:25How wonderful, how fun!
01:09:27Excellent!
01:09:28Excellent!
01:09:40Braulio, these have been very tough months, but you have achieved your dreams.
01:09:45Travel in a hot air balloon.
01:09:47No, my dream was to travel in a hot air balloon with my best friend.
01:09:52Don't make me cry, I get emotional and remember my son and my grandchildren, whom I...
01:09:57I haven't seen them for I don't know how long.
01:09:59Do you know that dreams bring other dreams?
01:10:03Nonsense.
01:10:04Well, yes.
01:10:07My son.
01:10:09Throw me.
01:10:09Dad!
01:10:10Yes, it's me.
01:10:11Where are you?
01:10:12If I tell you, you won't believe it.
01:10:14Do you want to talk to the children?
01:10:15Yes of course.
01:10:16I'm going to look for them.
01:10:16One moment.
01:10:18Yes, I told you.
01:10:20Dreams call to other dreams.
01:10:31Come on, lieutenant.
01:10:33What is this?
01:10:34He told me to let him know if I found anything strange among Alcides' belongings.
01:10:55Cifio one!
01:10:59Come on, come on, come on!
01:11:05What is this?
01:11:06How to praise the mother who gave birth to me?
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