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00:00:00Did you know that the former president of Angola is going to visit Spain again?
00:00:03When? I don't know, but I'll find out.
00:00:04As soon as I resolve this case, I'm returning to the unit.
00:00:06I've heard that Melquiades wants to buy your property.
00:00:08Well, you know how these things are, it doesn't get signed until it's finalized...
00:00:11Well, I don't need to tell you that I'm at your complete disposal for anything you need.
00:00:16Isa, I'm very interested in keeping the pellets.
00:00:19I have plans. They all depend on having access to those very special lands.
00:00:23Are we looking for a notary?
00:00:24What? So soon?
00:00:25Okay, then tomorrow.
00:00:26Melquiades, I advise you as a friend not to buy this property.
00:00:30I was here a month ago inspecting and all these vineyards are unusable.
00:00:34We're going to train lung capacity.
00:00:36What does it have to be here?
00:00:37He doesn't deserve us.
00:00:40I'm telling you, my Sebastian has a crush on ISA.
00:00:43It's perfect for him.
00:00:45The former president of Angola arrives in Madrid tomorrow.
00:00:47Who is in charge of security?
00:00:48A certain Whitman.
00:00:49Can you get me the phone number?
00:00:51You have nothing to say to me, do you?
00:00:53Like what?
00:00:54What were you doing in Alfaro yesterday when you were supposed to be in Madrid?
00:00:57It's none of your business.
00:00:58Okay, hey.
00:00:59If we know that the former president is going to Madrid, the second assassin,
00:01:03He might know this too and try to finish his revenge on the seven children.
00:01:06Richards!
00:01:07Now!
00:01:09Now!
00:01:25Now!
00:01:31Now!
00:01:35Come on, he's done it.
00:01:37I'm taking the inkwell, the squirrel, the taste, the ashtray, and the paintings.
00:01:41But they remove the frames, otherwise it would cost me a fortune.
00:01:44But let's see, Don Julián.
00:01:46Does he expect them to be dismantled for a measly two thousand pesetas that won't get them anywhere?
00:01:50I don't know anywhere.
00:01:52But it certainly won't help your wallet.
00:01:56Oh, and you're putting it on as a gift.
00:02:14We arrived too late. They were all dead.
00:02:17The bodyguards, Whitman himself, and of course the former president.
00:02:22The seventh infante.
00:02:24Hanging from the roof, decapitated and in a death position.
00:02:30Maybe, who knows.
00:02:32Maybe, it's likely.
00:02:34Perhaps if the three of us had been there, we wouldn't be regretting this now.
00:02:38It wouldn't have mattered, Olmos.
00:02:39I'm sorry. I know we agreed that we had to...
00:02:42Yes, yes. You and I agreed that we would resolve this case between the two of us.
00:02:46But it seems you confused "we" with "you."
00:02:49I wanted to save you from trouble.
00:02:51Yes, but I know you well and you probably thought that if I accompanied you I would give them to you.
00:02:55Yes, that's true. But I also thought about the other thing.
00:02:57That?
00:02:58The first thing was to protect you, Olmos.
00:03:00Protect myself from what?
00:03:01What are you? I don't think I'll show up.
00:03:05I suppose that with the beheading of the former president, the revenge of the seven Lara children came to an end, didn't it?
00:03:11Yeah.
00:03:12It was the last piece of crap to cling to.
00:03:15Latest.
00:03:19Grandma, I don't want to intrude on your privacy.
00:03:22But what sins can you commit that would make you want to confess?
00:03:25Not separating the trash correctly.
00:03:26I understand.
00:03:28Am I interfering in your business?
00:03:30That's it.
00:03:33Good afternoon, Father.
00:03:34Good afternoon.
00:03:35That?
00:03:36Preparing for the half marathon in true Karate Kid style, right?
00:03:40Give furniture cleaner.
00:03:42Polish furniture polish.
00:03:45By the way, when is it?
00:03:46Tomorrow.
00:03:47He cleans very well, father.
00:03:49Why don't you come to my house and clean the outside of my windows?
00:03:52Because what is learned well is forgotten poorly.
00:03:54And all that I learned studying fine arts.
00:03:57Well, but you came to confession, didn't you?
00:03:59Domi?
00:04:00I bet you don't understand it either, Father.
00:04:05Sorry.
00:04:06I'll be back in a minute.
00:04:06Ah.
00:04:07Hello, Rodrigo.
00:04:08Man, if you haven't requested your race number, you won't be able to do the marathon.
00:04:10This man looks like he's made of rubber.
00:04:12No, but it's not going to happen.
00:04:15Juan, hey, be careful.
00:04:17That?
00:04:17Be careful, if you go there with those big hands you might destroy it.
00:04:20Grandma, please.
00:04:21I'm not saying you don't need to study to paint it, but come on, to clean it.
00:04:29Okay, calm down, grandma, it's just a tiny little squirt, okay?
00:04:33I told you so.
00:04:34Yes, yes, yes, but that's good, I'll fix this in a moment, woman.
00:04:36Clean it carefully like this and...
00:04:39Oh, mother.
00:04:40A whole painting is running.
00:04:48Grandmother?
00:04:49What is this?
00:04:52Wait.
00:04:53Is there another picture underneath?
00:05:00If it weren't so crazy, I'd say this is a Renoir.
00:05:04It's not crazy.
00:05:13It's not crazy.
00:05:17It's not crazy.
00:05:33Thank you.
00:05:41Did you sleep well, Mr. Polar?
00:05:43Perfect. Please prepare the bill for me.
00:05:45Right now.
00:06:01Hello.
00:06:02Hello.
00:06:06Hello.
00:06:07Hello.
00:06:08Hello.
00:06:09Hello.
00:06:10Hello.
00:06:12Hello.
00:06:36Thank you!
00:06:54Is anyone there?
00:06:57Excuse me
00:06:58Please, miss
00:06:59How can I help you?
00:07:01I am looking for Professor Pierre Polar
00:07:03Do you know where it is?
00:07:05He went into the bathroom a while ago, but I haven't seen him come out.
00:07:08Is the bathroom around here?
00:07:09Yeah
00:07:09Thank you
00:07:17Let's go
00:07:20My name is Pierre Polar
00:07:22I am Pierre Polar, an art teacher
00:07:28Their restroom is the one on the other side
00:07:30Yes, the one that's busy
00:07:47Man, that's a great car!
00:07:54No, man, to Aurelio
00:07:57Nobody's going to let you have a gas station
00:07:58Of earthly things
00:08:21But why aren't you granting me the loan?
00:08:24And they keep going on about the guarantee.
00:08:26Meléndez's a real jerk, he should get on.
00:08:28And mind you, I say this with affection.
00:08:32Hey
00:08:33I can't hear you
00:08:35I can't hear you
00:08:37No, listen
00:08:39Now yes
00:08:40Hey, look, are you going to tell Meléndez?
00:08:42Forget about the guarantee
00:08:43And I'm going to shit on his father
00:08:46Sorry?
00:08:47Ah, you're Meléndez.
00:08:49Hey, Meléndez
00:08:52About your father
00:08:53I was telling you this out of affection.
00:08:56Hey
00:08:58We have to pull
00:09:00And she hangs up on me.
00:09:02Listen everyone
00:09:03That Father Juan appears in the newspaper
00:09:04But it's not a bad thing, is it?
00:09:06He came in second.
00:09:07In the La Rioja half marathon
00:09:09I don't see her, where is she?
00:09:10Yes, man, this is it.
00:09:10The thing is, the bouquet of flowers
00:09:12He's covering her face
00:09:12Oh, yes, yes
00:09:13Those two legs that are like little chicken feet
00:09:15They're kind of like him, aren't they?
00:09:17Ah, of course.
00:09:19My lieutenant
00:09:20Catalina
00:09:21A coffee
00:09:22One who leaves
00:09:23Only Cata
00:09:26Well, it's coming from that direction.
00:09:27I'm sure someone will be invited to something.
00:09:28One who stays
00:09:29Very good, father
00:09:30Congratulations
00:09:35Congratulations, father
00:09:35Although coming in second is always a bit sad, isn't it?
00:09:38Thank you, Satiza
00:09:39No, man, no
00:09:40Ask for whatever you want
00:09:41Juan invites you to the Marathon today.
00:09:42Okay, okay, okay
00:09:43But no asking for menus, okay?
00:09:44Father
00:09:45The only grace you have
00:09:46It is God's
00:09:48Excuse me, Lieutenant
00:09:50Can I sit down?
00:09:51You've already done it, Luqui
00:09:53Yes, well
00:09:55But if I don't tell him this
00:09:56I'm bursting
00:09:57You see, you know that at the Aero Academy
00:09:59Well, it's very popular.
00:10:01Everyone admires her
00:10:03Including me, of course
00:10:05Well, the thing is that
00:10:06I'm not trying to be a suck-up, okay?
00:10:07But
00:10:08I would like to tell you that I would love to
00:10:09To look like you
00:10:11I know this is impossible
00:10:12But
00:10:13I would like that very much
00:10:14You just have to put it into practice.
00:10:15What you've learned, Luqui
00:10:17Yes of course
00:10:18As if it were that easy
00:10:20I'm sure there are
00:10:22Little tricks
00:10:22That in the Academy
00:10:22They don't teach you, do they?
00:10:25Could you describe me?
00:10:25The people behind you?
00:10:27Clear
00:10:27No, without looking
00:10:29Use your memory
00:10:31Remember what you saw
00:10:32When you came in here
00:10:33Okay, the first thing I saw
00:10:34When I entered
00:10:37No, I didn't notice anyone.
00:10:39Sorry
00:10:39There are some strangers
00:10:40There are some strangers at the table in the back.
00:10:41They must be around 50 years old
00:10:43She is flirtatious
00:10:44But she's wearing shoes from a flea market.
00:10:47And he has sunburned skin
00:10:48So he's probably a farmer.
00:10:52They must have been together for a long time.
00:10:53Because they barely look each other in the eyes
00:10:55At the end of the bar
00:10:56There's a guy who's been around for a while
00:10:58Reviewing his notebook
00:10:59I suppose that will be their route
00:11:01I know that
00:11:02Because he's wearing a delivery man's shirt
00:11:03It's not that complicated either.
00:11:04She dyes her hair
00:11:05With a generic product
00:11:06And that would explain
00:11:07That artificial color it has
00:11:11How does he do it?
00:11:12Pay attention to your surroundings
00:11:14Pay attention to people
00:11:15When you enter a place
00:11:16Draw a map and memorize it
00:11:18Always alert, Luqui
00:11:19Always
00:11:20That's the first thing.
00:11:21Things you need to keep in mind
00:11:23Perfect
00:11:24Then there will be
00:11:25More things that you can teach me
00:11:30I'd better leave.
00:11:30Thank you
00:11:31Thank you
00:11:52Bonjour
00:11:52I am Pierre Polar
00:12:19The Impressionist painters
00:12:22They photographed objects
00:12:23According to the impression
00:12:25That light produces in sight
00:12:27And not according to the supposed
00:12:29Objective reality
00:12:30Olmos
00:12:32Do you know anything about Alcides?
00:12:33Uh, no
00:12:34Since he left, nothing has happened.
00:12:35I wanted to introduce you
00:12:37To the eminent professor
00:12:38Pierre Polar
00:12:39He is an advisor to the Reina Sofía Museum
00:12:41It's an honor.
00:12:42To be able to collaborate
00:12:44With the Civil Guard
00:12:45Thank you
00:12:46Olmos
00:12:47Provide him with everything he needs
00:12:48Of course
00:12:50That
00:12:51Wild Painted
00:12:53That sharp color
00:12:55There is no doubt that we are
00:12:56Before a true Renoir
00:12:57No
00:12:58It's a fake.
00:13:00Ah
00:13:00Yeah
00:13:01But it's good, huh?
00:13:04Eh, oui, oui
00:13:04It is indisputable
00:13:05Very good
00:13:06Yeah
00:13:08Please continue
00:13:09Enlighten me
00:13:10The Impressionist painters
00:13:14They photographed objects
00:13:15According to the impression
00:13:18That light produces in sight
00:13:20And not according to the supposed
00:13:21Objective reality
00:13:25Sorry, uh
00:13:25That's not the same thing
00:13:27What did you just tell me?
00:13:27Just a moment
00:13:29Oo-la-la!
00:13:30Yeah
00:13:32It is possible
00:13:33I've been doing this my whole life
00:13:35Telling the same story
00:13:37To my students
00:13:39But
00:13:39I'll tell you one thing
00:13:42Between you and me
00:13:44Impressionism
00:13:46It's overrated
00:13:47And why is that?
00:13:50Because they enjoy it
00:13:51He tore off the ear
00:13:52Did he tear off your ear?
00:13:58That's what French is all about.
00:14:02No?
00:14:02Say what you will
00:14:03It always sounds good
00:14:05Especially if you don't find out
00:14:07Already
00:14:10Then he doesn't care
00:14:11Why should I take it?
00:14:12TRUE?
00:14:14A counterfeit
00:14:15So extraordinary
00:14:17I need to analyze it
00:14:18In the museum
00:14:19Clear
00:14:19They already apply it there.
00:14:20X-ray
00:14:20Laser
00:14:21And everything else
00:14:22Oh, yes
00:14:23Clear
00:14:24High technology
00:14:25Come on
00:14:26Come on
00:14:29Damian, what have you brought here?
00:14:30I've discovered that my father
00:14:31He bought it 30 years ago
00:14:32Three paintings
00:14:33In an antique shop
00:14:34One of them was this
00:14:35The other two
00:14:36They ended up at the church
00:14:37And maybe this
00:14:38If this were
00:14:40Authentic
00:14:41But
00:14:42Did Ale go to the gas station?
00:14:43Go to gas
00:14:44When
00:14:45He won't be cleaning
00:14:46With sparkling water
00:14:47TRUE?
00:14:48Here's something
00:14:49Here's something
00:14:50Damian, let me introduce you
00:14:51Professor Pierre Polar
00:14:52Even in you
00:14:53That seems very good to me
00:14:53Tell me, professor
00:14:54What do you think?
00:14:55Is it authentic?
00:14:56Hey?
00:14:56Hey?
00:14:57Hey?
00:14:57Hey?
00:14:58Hey?
00:14:58Tell me, tell me, tell me
00:15:00That wild brushstroke
00:15:02That color so
00:15:05Pouncing
00:15:06Hey?
00:15:07This is formidable
00:15:20That?
00:15:21Are you still angry?
00:15:23No
00:15:24If it were
00:15:26Well
00:15:26I wouldn't have come
00:15:28Let it be known
00:15:29I am not a suspect
00:15:31The one you can interrogate
00:15:32Is that clear?
00:15:33Crystal clear
00:15:35But no
00:15:35I don't understand
00:15:37What were you doing in Alfaro like that?
00:15:38Incognito
00:15:39He wasn't incognito
00:15:40Oh, no?
00:15:42And then?
00:15:43What were you doing there?
00:15:48Look
00:15:49Let's do one thing
00:15:52Let's play a game
00:15:54To the game of secrets
00:15:56You tell me one
00:15:57And I'll tell you another one.
00:15:58Look, for example
00:15:59At nine
00:16:00A cousin of mine
00:16:01It gave me such a fright
00:16:02That I started to change
00:16:02The ceres
00:16:03Because of the fish
00:16:05Instead of home
00:16:06He said, "Pass."
00:16:07And instead of Lucas
00:16:08You said magnifying glasses
00:16:09Well yes
00:16:09And to top it all off, he was wearing glasses.
00:16:11So imagine
00:16:13But come on
00:16:14Don't worry, okay?
00:16:15I've got everything under control.
00:16:19You haven't laughed a little yet
00:16:21Your turn
00:16:24I am not studying medicine
00:16:29I quit a year and a half ago
00:16:31And now I'm working as a waitress in Alfaro
00:16:35Let's see, let's see, let's see, let's see
00:16:37So, you're telling me that you've been wearing
00:16:3918 months cheating on your father
00:16:40Which doesn't say much for him as a civil guard
00:16:43I don't understand, Nuria
00:16:44I swear I don't understand it
00:16:45I thought that
00:16:45That you loved the race
00:16:47That it was something vocational
00:16:48It wasn't
00:16:50Until we dissected the first corpse
00:16:53It gave me an impression
00:16:56Then I realized
00:16:57That it wasn't for me
00:17:02Luki, you know
00:17:03How my father boasts
00:17:04In front of people
00:17:06Saying that
00:17:07Your daughter is going to be
00:17:08The best doctor
00:17:09From all of La Rioja
00:17:12Look, Nuria
00:17:13That you deceive your father
00:17:15It's wrong.
00:17:16But you're deceiving yourself
00:17:17That's much worse.
00:17:20So what do I do?
00:17:21What should I do, Luki?
00:17:22Am I ruining her life?
00:17:23No
00:17:25Live your own life
00:17:26But first you should tell him the truth
00:17:29Look, I'm sure
00:17:30That behind that armor
00:17:31There is a sensitive man
00:17:33Comprehensive
00:17:33That he will support you in everything
00:17:34And he's going to tell you
00:17:35Luki, what are you doing here?
00:17:37To patrol it to the office
00:17:38I don't care
00:17:38But get to work
00:17:40And if you don't have a job
00:17:41You're making it up
00:17:42And you
00:17:43To study
00:17:45Come on
00:17:46At your service
00:17:53Do you look good today?
00:17:54Daddy
00:17:58Daddy
00:18:00I don't know, I don't know
00:18:04Look what was down there, Father
00:18:06What do you think?
00:18:08I don't know
00:18:09I don't know, I don't know
00:18:09The truth
00:18:09Come on
00:18:10Say something, man.
00:18:11Come on
00:18:11If you're interested in my opinion
00:18:13No
00:18:13We're not interested.
00:18:15Father, you studied fine arts
00:18:17Well
00:18:17No, that's not true
00:18:19You are being too modest.
00:18:21I don't know, Olmos
00:18:22I don't know
00:18:23Authentic or fake
00:18:24Let's see
00:18:25If I had to decide
00:18:28Fake
00:18:28But just to say something
00:18:30The father who has the gas tank
00:18:31That's false.
00:18:32Yeah
00:18:33Well, regarding
00:18:34To the third frame
00:18:36I called the previous parish priest
00:18:37And he told me that the mayor at the time
00:18:39He must have been a pretty despicable guy.
00:18:40Did he say my father was vile?
00:18:42Yeah
00:18:43Okay, but
00:18:44Yes, but
00:18:44According to people who didn't know him
00:18:46Which was evidently very little
00:18:47I knew it!
00:18:48Well, the thing is, he must have been a guy.
00:18:49As generous as you
00:18:50And it turns out he gave it away
00:18:52Two canvases for the parish
00:18:53Which means a third panel would still be needed
00:18:56Sorry?
00:18:57Did he say
00:18:57A third party?
00:18:59If you're interested in my opinion
00:19:01Here is the invoice
00:19:02That my father paid for the paintings
00:19:04Thirty-five thousand
00:19:05From the old pesetas
00:19:07You don't have to thank me.
00:19:32It doesn't have to fly
00:19:38May I invite you to breakfast?
00:19:40No, thank you very much.
00:19:41Please, s'il vous plaît, monsieur
00:19:44What kind of French would I be?
00:19:46If I didn't invite you to
00:19:48The croissant
00:19:49Or a pepito?
00:19:51Hey?
00:19:51My favorite
00:19:52Does he mean
00:19:54Éclair?
00:19:55Eh, oui
00:19:56Éclair or pepito
00:19:58You're a lucky man, aren't you?
00:20:00He came for a painting
00:20:01And he takes two.
00:20:01Ah, yes
00:20:02Why not wait a little longer?
00:20:03And so you see if you can get the third one?
00:20:05And if that were the case
00:20:06The mayor
00:20:07He is a generous man.
00:20:08And kind
00:20:09He offered to send it to me
00:20:11But he's right.
00:20:13As the saying goes
00:20:15If the tourmaline
00:20:17We have Benzema
00:20:18The father
00:20:19If bonqui
00:20:20The croissant
00:20:22And what does that mean?
00:20:24If you're traveling for something
00:20:26Take advantage and bring two
00:20:27Ah, how interesting.
00:20:29Eh, oui
00:20:30Okay, sir
00:20:31Goodbye
00:20:32Thank you for the
00:20:33Yes
00:20:35C'est un francés
00:20:36Awful
00:20:36Thank you
00:20:38I feel
00:20:39Que vous n'aimez pas
00:20:39Qui prétendez-ne être
00:20:42Oh, la, la
00:20:43Oh, la, la
00:20:44C'est la vie, mon ami
00:20:45C'est la vie
00:20:46Voulez-vous danser avec moi
00:20:47Soir
00:20:49Thus, donc, placez con nos él
00:20:50Les messieurs
00:20:51Je vous rie de moi
00:20:52Eh, oui
00:20:53Yes
00:20:54The Tour de France
00:20:55Quand même bien
00:20:56Very good
00:20:57Et je suis désolé
00:20:58Thank you
00:21:01Yes
00:21:02Uh, no, oui
00:21:04Hello
00:21:04Whatever your name is
00:21:06If you come to the barracks with me
00:21:07Oui ou oui
00:21:10Cinecidat
00:21:30I can't take it anymore, I can't take it anymore
00:21:32I can't take it anymore, I can't take it anymore
00:21:34We're going to be here for a long time
00:21:36In a place
00:21:36Where we won't be able to do it
00:21:37So learn to control yourself
00:21:41Take
00:21:43Use it
00:21:43And practice sessions along the way
00:21:45Oh, yes, yes
00:21:45Well, it will be easy to guess correctly.
00:21:46You would hold it for me
00:21:50The fact that?
00:21:50The bottle, of course.
00:21:52No
00:21:54Well, I could, if I had the chance.
00:21:55But amidst the trembling
00:21:56From your hands
00:21:57And mine
00:21:58Better not
00:21:59Better not
00:22:00Right now
00:22:01There are three people
00:22:01Interested in the property
00:22:04August
00:22:04Vargas
00:22:05And Linares
00:22:05And the three
00:22:07I've been made an offer
00:22:08And I have answered them
00:22:09But since I answered them
00:22:11I know nothing about them
00:22:12It's still too early
00:22:14Bring me those offers
00:22:15So that I can study them
00:22:16In depth
00:22:18Would you do that for me?
00:22:19I would do that for you.
00:22:20And by any neighbor
00:22:23Even though they didn't vote for me
00:22:27My tricks
00:22:27To convince Isa
00:22:28That he likes my grandson
00:22:30They're not working
00:22:31Already
00:22:32You know what I'm saying?
00:22:33What more could Isa do than bring her closer?
00:22:34To Sebastian
00:22:35What needs to be done
00:22:35It's about keeping her away from the mayor.
00:22:37Do you think Isa
00:22:38Does the mayor like it?
00:22:40I'm more worried about it
00:22:41The matter of the estate
00:22:43It gives me the wrong idea.
00:22:44Damian is up to something
00:22:45And you know
00:22:46This one never fails me.
00:22:47Never
00:22:48Cata, please
00:22:49Write down Isa's information for me too.
00:22:51A pleasure, ladies
00:22:52Yes, go ahead
00:22:52Go away now
00:22:53That for working a little
00:22:54Nothing will happen to you
00:22:56Already
00:22:56You're right
00:22:58I wish I had
00:22:58Your capacity for sacrifice
00:23:00And that nose
00:23:02Have a good day
00:23:05Can't you see he's up to something?
00:23:06If I've sent him a dig
00:23:07And she hasn't answered me.
00:23:08I'm telling you, something's going on here.
00:23:09Yes, it's happening.
00:23:10Damian is helping me a lot.
00:23:12You shouldn't trust him
00:23:13Not a hair of this one
00:23:14Ah
00:23:15And what about you?
00:23:17But if you finish
00:23:18Selling the cooperative
00:23:19So, the mayor
00:23:20It's good for you.
00:23:21But not for me
00:23:23See you later
00:23:26If I knew the truth
00:23:27Yes, but he can't yet
00:23:28And what about the cooperative?
00:23:29Well, it caught us.
00:23:30I don't know if your nose
00:23:32He is right
00:23:32But we can't
00:23:33Leave her alone
00:23:34Already
00:23:40Does Emiliano Pozuelo have that?
00:23:43I have no idea
00:23:46Didn't you write this note?
00:23:50No
00:23:54Do you recognize the lettering?
00:23:59Who's asking me?
00:24:00The graphology expert?
00:24:02Look, it's not that I
00:24:03I am completely unfamiliar with that field
00:24:04I know, for example
00:24:05That Aristotle and Dimitrio
00:24:07They were the first graphologists
00:24:08From history
00:24:08No no
00:24:10Dimitrio no
00:24:10Demetrius
00:24:13But we're talking
00:24:14From the same person
00:24:15Careful
00:24:15Olmos
00:24:16Do you know who wrote the note?
00:24:17Or not?
00:24:18I don't know.
00:24:18Good morning
00:24:21I am Pierre Polar
00:24:22Art teacher
00:24:23And advisor
00:24:24From the Reina Sofía Museum
00:24:25I've been kidnapped
00:24:27And tied
00:24:28To a tree
00:24:31Pierre Polar
00:24:32Do you have any documents?
00:24:33Let him prove it?
00:24:34I would like to show you
00:24:35My identity channel
00:24:36But I've been robbed
00:24:37Even the wallet
00:24:39Please sit down
00:24:40Yeah
00:24:41Where was he attacked?
00:24:43In my own hotel
00:24:46Luki?
00:24:47Yeah
00:24:48Bring the fake Polar
00:24:49At your service
00:24:50Did he say false?
00:24:52Yeah
00:24:52Someone has been impersonating him
00:24:55How did you get here?
00:24:58Well
00:24:59I got
00:25:00To undo myself
00:25:01Of the
00:25:02Bonds
00:25:03And then
00:25:03I followed the course
00:25:05River
00:25:06I went
00:25:07A Boy Scout
00:25:08As a child
00:25:08Where do you come from?
00:25:11From Bordeaux
00:25:12I spent the night
00:25:14About 40
00:25:1550 kilometers
00:25:17From here
00:25:17M. Polar
00:25:20Arrives
00:25:21Some time
00:25:21I was in Bordeaux
00:25:23Je dois admettre
00:25:24That I was
00:25:25Impressionné
00:25:26For the
00:25:27The
00:25:28Gros
00:25:28Bliche
00:25:30Je parlais
00:25:31From the Big Cloche
00:25:32The lady
00:25:34Of the Great Port
00:25:35The Medieval Tour
00:25:37C'est la Grande Cloche
00:25:38Yes
00:25:38C'est la quissan
00:25:39Supplement
00:25:40L'heure d'occasion
00:25:41Très spécial
00:25:42Voilà
00:25:42C'est ça
00:25:48Could you assure me of that?
00:25:52The very gossipy one
00:25:53M'y attaquó por la espalda
00:25:54Son of his mother
00:25:55Archer
00:25:56Lick
00:25:56Je suis l'autentique
00:25:58Pierre Polar
00:26:00Les enfants de la Paris
00:26:02Conci
00:26:02Conca
00:26:03Live Platini
00:26:05Did Platini tell you?
00:26:06The footballer?
00:26:07Luqui
00:26:09Please take it away
00:26:10Come on, go on
00:26:11More than Franchu
00:26:13You look stained
00:26:13Whoops!
00:26:15We're sorry
00:26:16This was absolutely necessary.
00:26:17You will understand that afterwards
00:26:18About what happened
00:26:19We need to verify.
00:26:20Are you the person?
00:26:21Who claims to be
00:26:22Obviously
00:26:23That's right.
00:26:34Yeah
00:26:34I am Lieutenant Robles
00:26:36From the Civil Guard
00:26:37From Azcaray
00:26:37I need to talk
00:26:39With the director
00:26:39Are you calling?
00:26:41To the museum?
00:26:44Oh
00:26:45Yes, I can wait.
00:26:46Yeah
00:26:51Mr. Director
00:26:52I have before me
00:26:54To your advisor
00:26:54The professor
00:26:55Pierre Polar
00:26:56Yes, I need you to confirm.
00:26:57Your identity
00:27:01Speak
00:27:05Mr. Director
00:27:06Pierre, what happened?
00:27:12A matter
00:27:13Something unpleasant
00:27:14But don't worry
00:27:15I'm fine
00:27:16Will he be able to handle the job?
00:27:18Of course
00:27:19That's what it's for.
00:27:20I have come
00:27:21Can you confirm?
00:27:22Through the voice
00:27:23What is it about?
00:27:24Of the true
00:27:24Pierre Polar?
00:27:25Of course
00:27:26Definitely
00:27:26It's him
00:27:27Very good
00:27:27We will not bother you anymore.
00:27:28But aren't you going to tell me?
00:27:29What happened?
00:27:30Don't worry
00:27:31It was a misunderstanding.
00:27:32It's already been resolved.
00:27:33Thank you again.
00:27:48I'm telling you
00:27:49Cata is on the lookout for trouble.
00:27:50Behind the ear
00:27:51That sense of smell of his
00:27:52It never fails him.
00:27:53I'm sure that by now
00:27:54He already senses
00:27:55I'm on the lookout
00:27:55From Isa's farm
00:27:57That's it
00:27:58We're going to do it
00:27:59And we're going to do it now.
00:28:02We'll stay in touch
00:28:03Ancagua
00:28:05Genaro
00:28:05Stay here
00:28:06Behave yourself
00:28:12Pass that one
00:28:13What a surprise
00:28:13What a surprise
00:28:14Because?
00:28:15You told me to bring you
00:28:16The offers
00:28:17Well, here they are.
00:28:20Oh
00:28:20But there weren't three.
00:28:21Vargas and Augusto
00:28:22They just retired
00:28:24What a setback!
00:28:25Only Linares remains
00:28:27Yeah
00:28:27See how I had reasons
00:28:29Why be worried?
00:28:30Already
00:28:32Look, Brutus
00:28:33What a face
00:28:35It's still just as disgusting.
00:28:36That when he was alive
00:28:38Do you remember that excursion?
00:28:39What we did in Logroño
00:28:40By bus?
00:28:41Yes, yes, yes
00:28:42A little girl fell asleep
00:28:43And you put the hamster in.
00:28:45In the mouth
00:28:45Do you remember that?
00:28:47Yeah
00:28:48Perfectly
00:28:48It was me
00:28:50And I did my best.
00:28:51To avoid it
00:28:52I remember perfectly
00:28:53I hope they didn't cause you any problems.
00:28:55No trauma
00:28:55Those miserable wretches
00:28:57Excuse me
00:29:00Yes please
00:29:02I'll wait a second
00:29:03Thank you
00:29:09Well, then
00:29:10Well, well, I'm leaving.
00:29:11Hey
00:29:12A question
00:29:13Do you know Linares?
00:29:15Not much
00:29:16Well
00:29:17Don't worry
00:29:18Trust me
00:29:19You'll see, everything will turn out alright.
00:29:22Yes, Linares
00:29:36Linares, my friend
00:29:37How are you?
00:29:38Yeah
00:29:38I called you this morning
00:29:40I just found out
00:29:40What do you want to buy?
00:29:41The farm of the partridges
00:29:43Well
00:29:43It is my duty
00:29:44As a friend
00:29:45Warn you
00:29:46That farm
00:29:47Those lands
00:29:48They're worthless
00:29:49Friend
00:29:50No
00:29:52What would I do in your place?
00:29:53I wouldn't want them
00:29:54Not even as a gift
00:29:57Please
00:29:58No, you don't have
00:29:59Thank me.
00:29:59To you
00:30:00To you
00:30:01To you
00:30:06Brutus
00:30:08What have they done to you?
00:30:09But who?
00:30:10Genaro
00:30:11Genaro
00:30:12Genaro
00:30:12I knew you were jealous of him.
00:30:15Come here
00:30:16Come here
00:30:17Come
00:30:19I'm not going to do anything to you.
00:30:22You have to see it
00:30:24Obviously
00:30:25Is
00:30:26Unquestionable
00:30:27What is it about?
00:30:28Excellent
00:30:29Imitations
00:30:30Yeah
00:30:30So they will have to be
00:30:32Studied in the laboratory
00:30:33From the museum
00:30:33I guess so
00:30:34Yes of course
00:30:35And with even more reason
00:30:36After that
00:30:37Phony
00:30:38He was acting silly.
00:30:39Abnormal
00:30:40I have cleaned the painting
00:30:41With
00:30:41With
00:30:42With
00:30:43Aguagas
00:30:44My God
00:30:45That's awful!
00:30:45TRUE
00:30:46Imagine if there had been
00:30:47Result
00:30:47Authentic
00:30:49Do we know anything?
00:30:50What game was played?
00:30:52Yeah
00:30:52Father Juan
00:30:53Keep looking for it
00:30:54My lieutenant
00:30:55As?
00:30:56Polar was hosted
00:30:57At the Magnolia Hotel
00:30:58At kilometer 135
00:31:00From the highway
00:31:01Very good
00:31:02Thank you
00:31:08Teacher
00:31:08Does that ring a bell?
00:31:10The name Emiliano Pozuelo?
00:31:11It's curious that you do this to me
00:31:13This question
00:31:13Right now
00:31:15I was getting tired of him
00:31:16It has a painter
00:31:17No
00:31:17Much more than a painter
00:31:19It was a
00:31:20Awesome Fasifier
00:31:22Far superior
00:31:23To the already known
00:31:24Eric
00:31:25The Belgian
00:31:26I don't know if you remember him
00:31:27The thing is
00:31:29That happens to all Spaniards.
00:31:31You sell them very badly
00:31:33Yeah
00:31:34And why did she remember him?
00:31:36Because
00:31:38Many years ago
00:31:39Pozuelo and his gang
00:31:42They robbed
00:31:43Three masterpieces
00:31:44From Impressionism
00:31:46They intended
00:31:47Replace them
00:31:48For copies
00:31:49And sell
00:31:49The originals
00:31:51Given his mastery
00:31:52Nobody would notice
00:31:54The change
00:31:54The thing is
00:31:56They caught him
00:31:57Before concluding
00:31:58His plan
00:31:59And what became of those
00:32:00Three works?
00:32:01Yeah
00:32:01That's the mystery.
00:32:03They never appeared
00:32:05Pozuelo complied
00:32:06Conviction
00:32:06In Cadiz
00:32:07That's how it is
00:32:08It's true
00:32:10I would be
00:32:10Years later
00:32:13When he got
00:32:15An interview
00:32:16AND
00:32:16When they asked him
00:32:18Because of those paintings
00:32:19He said
00:32:20It's not gold
00:32:20Everything that glitters
00:32:21If you want paintings
00:32:23True
00:32:23Look in my paintings
00:32:25TRUE
00:32:25That's where true art lies.
00:32:27That is
00:32:28So
00:32:29People
00:32:30He assumed he was
00:32:31Giving
00:32:32Some clues
00:32:33Regarding his whereabouts
00:32:34Since then
00:32:36Hundreds of fans
00:32:37And also
00:32:38Criminals
00:32:39They're after them
00:32:40Of those forgeries
00:32:42Hoping to find
00:32:43Some detail
00:32:44Let him solve the enigma
00:32:46And may it take them
00:32:47Even the authentic ones
00:32:48You said
00:32:49Enigma
00:32:50Olmos
00:32:52Now that I think about it
00:32:54I understand why.
00:32:56They have tried to impersonate me
00:32:57There is a lot of good fortune
00:32:59Behind this
00:32:59So in this case
00:33:00We are not facing
00:33:01Mere forgeries
00:33:03But rather faced with an enigma
00:33:04Which leads us
00:33:05Even a great treasure
00:33:06Olmos
00:33:07Mister
00:33:07Let's leave it at that, it's legendary.
00:33:09Good
00:33:10Pozuelo is dead
00:33:11And with it, the answer
00:33:12Of that enigma
00:33:13I'm going to the antique shop
00:33:17Where the mayor's father lives
00:33:18He bought his squadron
00:33:21Come on, Luqui
00:33:22Yes, sir
00:33:26We are facing an enigma
00:33:28Yeah
00:33:29An enigma, indeed.
00:33:57Go, walking
00:34:08Sit here
00:34:08And don't you dare move.
00:34:11Okay?
00:34:17What's wrong, mattress?
00:34:18How's it going?
00:34:19Shut your mouth!
00:34:20What do you want?
00:34:21Let him discover that we know each other.
00:34:22Oh, oh, oh
00:34:23How do you say it in French
00:34:24Make shit bricks?
00:34:25No no
00:34:26Don't tell me
00:34:27Cagandé de la terra
00:34:29It is said
00:34:30Sure, he catches him
00:34:31Yes, because you say so
00:34:32No
00:34:32Because I have studied
00:34:34French at the Sorbonne
00:34:35And you didn't even make it to the first boss.
00:34:37No, not at all.
00:34:38Do you know why you attacked me?
00:34:40And why did you leave me hanging?
00:34:41Because this plan is beyond you.
00:34:43Can you beat me?
00:34:44So why do they call me the brain?
00:34:46And late
00:34:47Well, for the same reason they call the Chinese guy in my neighborhood "hojas" (a derogatory term for a type of pastry).
00:34:50I don't understand
00:34:51Well, you'll never understand.
00:34:53Know?
00:34:54I could have betrayed you before, but I didn't.
00:34:56And do you know why?
00:34:57But let me tell you something
00:34:58Either get me out of here
00:35:00Or I'll tell the Civil Guard officer that you're a fraud.
00:35:02You won't be able to
00:35:03Put me to the test
00:35:06Alright
00:35:07And one more thing
00:35:08From now on, I'm in charge.
00:35:11Control of what?
00:35:11From the coup
00:35:12What blow?
00:35:13From the Impressionist Blow
00:35:14You're really getting on my nerves
00:35:16Do you agree, yes or no?
00:35:18What else can I do?
00:35:20Take care!
00:35:22I can't justify it, but it's easier to rob a bank.
00:35:25That they grant you a loan
00:35:27Okay, come on, I got platinum.
00:35:29Come with me
00:35:29Officer, please
00:35:31Hello hello
00:35:32Don't ever leave me alone with a criminal like that again.
00:35:37He must be around here.
00:35:40My father was an example of an orderly man.
00:35:43He kept everything in its place
00:35:44And I'm more like my mother.
00:35:48Go on
00:35:50The car's documentation
00:35:52I could look for it in the glove compartment.
00:35:53Could you please find the invoice?
00:35:56Yeah
00:35:56Luqui
00:35:58Did you take the fingerprints from the gloves?
00:36:00Affirmative, my lieutenant
00:36:01Give us something as soon as possible
00:36:03Here it is
00:36:07I think so
00:36:09And where are my glasses?
00:36:12Maybe in the glove compartment
00:36:15Dude, I can't see anything
00:36:16Let's see if...
00:36:24Yeah
00:36:25No, he's wearing glasses.
00:36:27Ah, that's right.
00:36:28I knew I could see very well.
00:36:30Sorry
00:36:31As I was saying
00:36:331998
00:36:35Three paintings with religious themes
00:36:41Yes, it's the same as the mayor's.
00:36:43Except that this one's father
00:36:45She inflated it slightly
00:36:48Slightly?
00:36:49From two thousand pesetas they thus became
00:36:51In thirty-five thousand
00:36:53I know Damian, and like father, like son.
00:36:55Or what?
00:36:58No, no, no
00:37:03Don't you have anything to ask?
00:37:04Ah, yes
00:37:07Where did your father buy these paintings?
00:37:10What paintings?
00:37:12Ah, yes, she's referring to the nuns.
00:37:14Yes it's true
00:37:15Clear
00:37:15Yes, they were bought by monks from a monastery
00:37:17The monastery of...
00:37:19What was his name?
00:37:21Yeah
00:37:21The monastery...
00:37:26I don't remember
00:37:27The fact is that they had to sell them to survive
00:37:37Okay, please.
00:37:38A little bit of silence
00:37:39Silence
00:37:41Silence
00:37:41Silence
00:37:42Silence
00:37:43Silence
00:37:43Please
00:37:44Already
00:37:44Can someone tell me what these people want?
00:37:47Perhaps the missing canvas is hidden in one of his paintings
00:37:50And get rich in the process
00:37:51Yeah
00:37:52They all come thinking
00:37:54I'm wearing a fleece jacket for this.
00:37:56What is your name, Polar?
00:37:59Okay, forgive me
00:38:00You did get it, didn't you?
00:38:01I've already told you they're fakes.
00:38:03And that the missing one is probably in the parish.
00:38:05But you see
00:38:06Ignore them
00:38:07This is the real one, huh?
00:38:08Seriously, Macario?
00:38:09Yes, yes, yes
00:38:10Oh really?
00:38:10Sure, sure
00:38:10This
00:38:11This is the calendar they were giving away last year at the fishmonger's.
00:38:14Go home
00:38:14Come on, please
00:38:15Let's see, agrimine
00:38:16Aren't you here?
00:38:17What are you going to do?
00:38:18Pole vault?
00:38:19This
00:38:19This doesn't fit the framework.
00:38:20Not even if you washed it with hot water and it shrank
00:38:22Please, good try
00:38:23Come on
00:38:24Following
00:38:24Let's see, Celedonio
00:38:26This
00:38:26This
00:38:28This is not the painting that is in the library.
00:38:30No, this is the real one.
00:38:31The one there is a photocopy
00:38:32Let's be serious, please.
00:38:34This is a still life
00:38:36Above the fifth row
00:38:38What we are looking for is
00:38:39Religious egg
00:38:40Obviously with a chromatic touch
00:38:43From the beginning of Impressionism
00:38:46They've already heard
00:38:46They're going to have to keep playing the lottery.
00:38:49And now, please, let's let the professionals do their work.
00:38:51Thank you very much, Mayor.
00:38:52I was referring to the professor
00:38:53Good afternoon
00:38:54Thank you
00:38:54Come on, let's go
00:38:55Fulgencio, what is this?
00:38:56This is religious
00:38:57She looks very much like a virgin.
00:38:58Without this third canvas, never
00:39:01We'll solve the mystery, right?
00:39:02We mustn't lose faith, okay?
00:39:04But above all
00:39:05You need to look in more professional places.
00:39:07That in the houses
00:39:07Of these four bumpkins
00:39:12Where is Lieutenant Robles?
00:39:15Forgive me
00:39:18Good afternoon, commander
00:39:20Didn't you hear me?
00:39:22Yes, it's out
00:39:24Call him and have him come back immediately.
00:39:27Why don't you leave him alone, you idiot?
00:39:29What did he say?
00:39:30What am I going to see?
00:39:31I don't know where I was.
00:39:37With your undisciplined behavior
00:39:39And selfish
00:39:41Not only did you fail to prevent the death of the former president
00:39:43But now
00:39:44Everyone's talking
00:39:46That one of my men
00:39:48And a Civil Guard officer from a small town
00:39:51They have been involved
00:39:53In the event
00:39:55Tell me, Robles
00:39:56What am I going to do with you?
00:39:59I take responsibility, commander
00:40:01That's all that's missing
00:40:05I thought you had learned your lesson.
00:40:07Do you remember what happened?
00:40:08The last time you made me want you?
00:40:12An advisor to President Putin was assassinated
00:40:16Nothing else
00:40:18And nothing less
00:40:19What's happening?
00:40:20Are you a vigilante of the night now?
00:40:24Commander
00:40:26We need to know who the former president saw in his final days.
00:40:30If there is any call log
00:40:31We need them
00:40:33Images from a security camera
00:40:35Something
00:40:36Why are these questions coming now?
00:40:38The killer of the infant sites did not act alone, commander
00:40:41Do you remember the video?
00:40:43Just as the killer was hanging the corpse from the bridge
00:40:46A slight correction in the camera zoom is noticeable.
00:40:49This means someone was driving it
00:40:52And that he didn't want something
00:40:53Or rather, someone
00:40:54It was seen in the video
00:40:56And Olmos realized this.
00:41:07I'm telling you this one last time.
00:41:09Oaks
00:41:10I want you to stay out of the case.
00:41:12And that's not a suggestion.
00:41:14It's an order.
00:41:20Challenge me again
00:41:21And I will dedicate the rest of my days
00:41:23To ruin your career
00:41:26And if necessary
00:41:27Your life too
00:41:31Did you understand me, Lieutenant?
00:41:35I didn't hear you
00:41:38Yeah
00:41:39I understand.
00:41:41Commander
00:42:05Damian, you have to do me a favor
00:42:08You need to talk to the bank manager so they can grant me the loan.
00:42:11Already
00:42:12And where were you when I needed you?
00:42:14You deliberately hid the cooperative matter from me.
00:42:17To me, your mayor
00:42:18Your best friend
00:42:19I've never been your best friend.
00:42:23But if you do me this favor
00:42:25I'll take Genaro for a walk
00:42:27Really?
00:42:28That's very thoughtful of you.
00:42:31But I'm afraid that won't be possible.
00:42:32Genaro can't stand you
00:42:34He doesn't like the way you smell
00:42:38But since I appreciate your intention, I'll think about it.
00:42:41I don't know how you do it.
00:42:43But you inspire me like chalk.
00:42:44You inspire me
00:42:49Sometimes I think you're an idiot.
00:42:52But how could you even think of putting the talices in there?
00:42:54In the case of the seven children
00:42:55Just like that, nicely.
00:42:56Because Olmos and Robles
00:42:57They are right
00:42:59There is a second killer
00:43:02Okay
00:43:05Let's suppose there is a second killer
00:43:08Let's assume that Olmos and Robles
00:43:10They are right
00:43:12Let's suppose that I am interested
00:43:14But that's not true.
00:43:19From now on
00:43:21Nobody should know anything about the matter
00:43:24There is no second killer
00:43:26There is no new evidence
00:43:29Have you understood?
00:43:33And if really
00:43:35You appreciate Robles
00:43:37Convince him that this matter
00:43:40It's closed
00:43:46The thing about sinking him
00:43:48I was serious
00:44:03Were
00:44:03The
00:44:03It's not too late.
00:44:04The
00:44:15The
00:44:15The
00:44:15The
00:44:35Miss, please
00:44:37Tell me, sir
00:44:39Look, the letter said
00:44:40This sauce contains mustard.
00:44:42But that's not the case.
00:44:44Excuse me
00:44:49I'm sorry to tell you that you're wrong.
00:44:51Miss, you're the one who's wrong here.
00:44:54Uh, no, I guarantee it
00:44:56That sauce contains mustard.
00:44:58Very mild, but it contains mustard.
00:44:59But neither gentle, nor strong, nor anything
00:45:01This doesn't have mustard.
00:45:02I hate to contradict you, but this one never fails me.
00:45:06Look, miss, I'm going to propose a game to you.
00:45:08Let's see which of the two
00:45:10He has the best sense of smell
00:45:12I appreciate it very much, but it's because I don't play
00:45:14I don't even play the lottery.
00:45:15Cowardly men in Spain
00:45:17They're called chickens, right?
00:45:20Yes sir
00:45:20Then to the cowardly women
00:45:22What are they called, chickens?
00:45:31I can detect a faint aroma, though.
00:45:36I say there's butter under my cup
00:45:40Sorry, sorry
00:45:43Underneath mine there's a strawberry syrup
00:45:46I have no doubt whatsoever
00:45:53Don't worry
00:45:54As a sample of the large or French
00:45:57I'm going to propose a rematch.
00:45:59Don't get used to it
00:46:01This time it's going to be with...
00:46:02What do you say?
00:46:04With a wood hoop
00:46:06No, thank you, my mother
00:46:07May he rest in peace, he told me to persevere
00:46:09But that he wouldn't bet
00:46:10Does that sound good to me, sir?
00:46:12200
00:46:13Forgive me, mother
00:46:14One or two meters?
00:46:21Two
00:46:30Under my cup there are...
00:46:33A couple of olives with pits
00:46:39Underneath his cup there are a couple of pickles
00:46:42And beneath mine there is a bay leaf
00:46:45Freshly cut, by the way
00:46:46How arrogant!
00:46:57Monsieur
00:46:58Can you leave me 200 euros here in small, unmarked bills?
00:47:04You've been very lucky, miss.
00:47:06Because I trusted
00:47:08Clear
00:47:08Two olives have been entrusted
00:47:14This is very strange
00:47:21Let's see
00:47:22Aikido is a martial art of Japanese origin
00:47:25It is used for self-defense
00:47:27OK?
00:47:28Aikido means the way of harmony, right?
00:47:30Aikido maintains that by attacking in a straight line
00:47:32The fastest, tallest, and strongest always wins.
00:47:35Citius, altius, fortius
00:47:38Latin
00:47:43If you manage to deflect that straight line
00:47:46You can beat your opponent
00:47:47OK?
00:47:49Olmos
00:47:49Come closer for a demonstration
00:47:51I?
00:47:51Yes and you?
00:47:52Watch out for me, eh
00:47:53I am neither high nor strong
00:47:54But I'm quite citius
00:47:56Very good
00:47:56Let's see, a doll
00:47:58Always looking for dolls
00:48:00What's the matter?
00:48:01Come on, man, tickle
00:48:02Okay, give it to me 30 before
00:48:05What are you doing?
00:48:06What are you doing?
00:48:06The lieutenant?
00:48:07Let's see
00:48:08Okay, take it away, take it away, take it away
00:48:10Attack, Luqui
00:48:11Careful, Lieutenant, eh
00:48:12Watch out, I'm coming
00:48:18I understand now.
00:48:19It's about taking advantage of the opponent's strength.
00:48:21To turn her against him
00:48:23Exact
00:48:24Attack, Lieutenant
00:48:25Yes, yes, attack, attack
00:48:27Watch out, eh
00:48:27One, two
00:48:29Get out of here!
00:48:31No, not now, not now
00:48:35Back off, cheater
00:48:36Luqui
00:48:37The second thing you need to know
00:48:39Work
00:48:40Work
00:48:40And work
00:48:41And when you think you've learned everything
00:48:43Keep working
00:48:44Victory favors those who prepare.
00:48:46OK?
00:48:48Amad victoria curam
00:48:49Latin
00:48:51Yes, yes
00:48:53AND?
00:48:54Nothing
00:48:57Come on, let's go
00:48:58It is played
00:48:59Attack me, take it
00:49:01Watch out, eh
00:49:02Tona?
00:49:03Catalina
00:49:05Hey?
00:49:06If there are places, eh
00:49:07Are there any places?
00:49:09Counterfeit bills
00:49:15I'm going to ask him one more time.
00:49:17Where did he get the counterfeit bills?
00:49:20And I answer him again once more
00:49:22I have no idea
00:49:24Surely
00:49:24They put them on me
00:49:26Those who kidnapped me in the hotel
00:49:29A man capable of uncovering a fake Renoir
00:49:31Are you kidding us?
00:49:32Sirs
00:49:34They're treating me here like I'm a criminal.
00:49:37When I am a victim
00:49:39If it is not imported
00:49:40I would like to speak with my embassy.
00:49:42Look, sit down
00:49:46His real name is Manuel Echevarría
00:49:48Born in Almanza, Albacete
00:49:50He is a representative of the Reina Sofía Museum.
00:49:52Arrested five times
00:49:54All for minor offenses
00:49:56And related to counterfeiting and scams
00:49:59Well, many of those crimes were not so minor.
00:50:02With your permission
00:50:04Here's the other Polish guy
00:50:07Alas, Romás
00:50:08Sit down
00:50:09And enjoy your meal!
00:50:13Hey
00:50:17Hey
00:50:18Your name is Justino Peláez
00:50:19Small-time swindler
00:50:21Arrested on multiple occasions
00:50:23Also for minor offenses
00:50:25Tell me one thing
00:50:27Do you know this man?
00:50:29Cushion for nothing
00:50:31You just can't get any dumber.
00:50:32Am I stupid?
00:50:34So why does everyone know me as the brain?
00:50:37Because you have a mosquito brain
00:50:40So tiny
00:50:41Which is ironic
00:50:42But of course, you
00:50:43The word irony doesn't fit in your head
00:50:45Ah, yes
00:50:46So how was I able to steal a piece?
00:50:49In the Louvre Museum itself?
00:50:54You just became a Spanish citizen through the fast track
00:50:57Oh, sorry.
00:50:58In the Louvre Museum itself
00:51:01What he stole from the Louvre Museum
00:51:03It was a shitty fire extinguisher
00:51:05He mistook it for a Dadaist statue
00:51:11One moment
00:51:12And what about the bills I used to make the bet at the bar?
00:51:16I've told them
00:51:20My sister, that is, his wife
00:51:22He gave me a loan
00:51:23And I returned it to you a few days later
00:51:26That's what happens when you keep the money.
00:51:28So they're family
00:51:30Brothers-in-law
00:51:31No, this can't be.
00:51:32It just can't be
00:51:33Imagine paying me with...
00:51:35So what now?
00:51:37Don't do it
00:51:38Has he fallen asleep?
00:51:39Yes
00:51:39The poor man is narcoleptic
00:51:42It's not a good idea to wake up
00:51:45Ah, that's why they call them mattresses.
00:51:47Huala?
00:51:47Convert, you fakes!
00:51:48Let's see, let's see
00:51:49Where is the real Pierre Polar?
00:51:52In the forest
00:51:53Tied to a tree
00:51:55Yes
00:51:56Mayor, I know these are not good times for selling
00:51:58But don't you think poor Isa is having too much bad luck?
00:52:02Define bad luck
00:52:02Define your black hand
00:52:04I don't know what you mean.
00:52:05But in business, you have to be patient.
00:52:07Already
00:52:08Isa, if I were you
00:52:09I called all the buyers again, one by one.
00:52:11Don't even think about it
00:52:13That's what they want
00:52:14Make yourself look desperate
00:52:15Okay, but why don't you give it a try?
00:52:17And that clears things up, right?
00:52:18Look
00:52:19I have Linares' phone number here.
00:52:22Call him, let's see
00:52:24Listen to me, don't call
00:52:25Listen to me and call.
00:52:26He only wants what's best for you.
00:52:27No, he just wants what's best for him.
00:52:28Don't call
00:52:29No, call
00:52:29Don't call
00:52:30Calls
00:52:30Calls
00:52:31Calls
00:52:32Please
00:52:34Sorry, sorry
00:52:35You're right, don't call
00:52:37I shouldn't have taken you there.
00:52:38You too, Cata
00:52:40Look, to clear up any doubts
00:52:42I will call Linares myself.
00:52:44Would a sinister force do that?
00:52:49Forgive me
00:52:49So, what's your gut that's broken?
00:52:52Do we know anything about my loan?
00:52:54Listen carefully to yourself
00:52:55If you answer no to everything I ask you
00:52:57Consider it done.
00:52:58And the batch of frying pans?
00:53:00They told me it was going with the loan
00:53:02Chs, mayor
00:53:03Would you mind putting it on hands-free?
00:53:05Of course, you didn't have to say that.
00:53:09Listen to me carefully, Linares
00:53:11Have I called you in the last 24 hours?
00:53:15No
00:53:17Ever, since we've known each other
00:53:19Did I recommend that you don't buy a property?
00:53:22No
00:53:24Thank you very much, Linares
00:53:26Stop being like Linares
00:53:27And take care of my loan
00:53:28Or are we going to have more than
00:53:30Okay, is everything clear?
00:53:31No, nothing has been clarified
00:53:32Leave me your phone
00:53:33Let's see who you called
00:53:34Okay, fine.
00:53:34Yes, please, Cata
00:53:36Also, please
00:53:36I'm sorry
00:53:37I apologize.
00:53:39We shouldn't have distrusted you.
00:53:41I'm really sorry.
00:53:41Don't worry, Isa
00:53:42These are things that, as mayor, I...
00:53:43I have to endure it every day
00:53:45Well, you know you have me here.
00:53:47For whatever you need
00:53:48Well, thank you very much.
00:53:50Really
00:53:52I have to go
00:53:53Goodbye, Isa
00:54:01Mayor
00:54:01This is not over
00:54:02Of course not, Cata
00:54:03This has only just begun
00:54:10My lieutenant
00:54:11The results have arrived.
00:54:12From the footprints
00:54:13That I took from the forgeries
00:54:16Well, I had just gone into the bathroom
00:54:19And this man appeared
00:54:20For now
00:54:21A wheelchair
00:54:22And he attacked me
00:54:24Yes, well
00:54:25Manuel Echevarría
00:54:26She worked as a showgirl
00:54:27In the museum
00:54:28So
00:54:28It's logical that he knew
00:54:29All of his movements
00:54:30Even that he was going to be
00:54:31Staying at that hotel
00:54:33Have they found my car?
00:54:34Yes, yes, yes
00:54:35We have it safely in hand.
00:54:38Escaray Barracks
00:54:39Tell me
00:54:41Yeah
00:54:41Yes, just a moment.
00:54:43My lieutenant
00:54:44The Magnolia Hotel
00:54:45The place where the professor was kidnapped
00:54:48I'll put you through.
00:54:52Lieutenant Robles
00:54:54Yeah
00:54:55I understand
00:54:56Two vehicles
00:54:58Good
00:54:59OK
00:55:00Thank you so much
00:55:03Father Juan also called
00:55:04A little while ago
00:55:05The third canvas
00:55:06It still hasn't appeared
00:55:07Third canvas
00:55:08Did you say that?
00:55:09Yeah
00:55:10Are you familiar with the legend?
00:55:11From Emiliano Pozuelo?
00:55:12Perfectly
00:55:12Who gets the three forgeries
00:55:15He will solve the enigma
00:55:16Exactly
00:55:17Come on, Luqui
00:55:18Where to, Lieutenant?
00:55:20Like the Magnolia Hotel
00:55:23Goodbye, Luqui
00:55:25Could I go to my car for a moment to get something?
00:55:29Okay, don't worry, I'll go.
00:55:31You rest
00:55:32No, no, no, no
00:55:32That's not important either.
00:55:34His company is better
00:55:36We were talking about the painting
00:55:38I think the answer may lie in that painting.
00:55:41In that field of flowers
00:55:42Think about it
00:55:43Yeah
00:55:44Pozuelo worked in his father's workshop
00:55:47He was a craftsman who made picture frames.
00:55:50In the flower district of Seville
00:55:52It's a clear influence there in the stroke.
00:55:55In the color of the pigment
00:55:56Do you see it?
00:55:57Yes, yes
00:55:58Furthermore, in that neighborhood the dominant flower is the pansy.
00:56:01Oh
00:56:02And the father's workshop was located precisely on Thought Street.
00:56:05You are very well informed
00:56:07I try, yes
00:56:15Marcial, we said that this game was played in pairs
00:56:19Ah, but look, you're going to be lucky.
00:56:21Alcides, do you know how to play dominoes?
00:56:23One of them let us down.
00:56:24I'd love to, but it's gotten late.
00:56:26Maybe another day?
00:56:31If you want to stay overnight, that's no problem at all, okay?
00:56:34We have rooms available.
00:56:36Ah
00:56:37Well, maybe you can relax a little.
00:56:39Give the bad guys a break
00:56:44Well, the truth is that I love dominoes.
00:56:47I accept that room
00:56:48Very good
00:56:51Claudio, Raúlio, let's go
00:56:53Come on
00:56:57Do you want us to give you a head start?
00:56:59An advantage, you say?
00:57:00Look, the stakes per game are high, huh?
00:57:04That's ten cents
00:57:05Wow, what a start!
00:57:07Come on
00:57:10I see them
00:57:13It's good.
00:57:15There's a lot of counterfeit goods circulating around here lately.
00:57:18Ah, I see, I see
00:57:21Excuse me, but I really need to go to the bathroom for a moment.
00:57:24Luck
00:57:25Go on, Cata, daughter
00:57:26Sit in his place
00:57:28The thing is, this is going to take a while.
00:57:32Well, nothing.
00:57:35Here are my ten
00:57:36Very good
00:57:37Let's begin
00:57:43They've been here since Tuesday without anyone claiming them.
00:57:45It seemed very strange to us.
00:57:47He did well to call us
00:57:48If you need anything, I'm in.
00:57:50Luki?
00:57:52Yes, my lieutenant
00:57:53Have you sent the license plates to headquarters?
00:57:55Affirmative
00:57:57I just received them
00:57:59That car over there belongs to Manuel Echevarría
00:58:02The museum caretaker
00:58:03Exact
00:58:04And this one here belongs to...
00:58:06To Piespola
00:58:07How do you know?
00:58:08According to French license plates, number 33 belongs to the Gironde department.
00:58:12Capital Bordeaux
00:58:13Where is the professor from?
00:58:17But I don't understand, his car is supposed to be in the barracks parking lot.
00:58:29Lieutenant, can we do this?
00:58:31Only if it's justified, Luki
00:58:34And how do we know that it is?
00:58:36Am I doing it?
00:58:38Okay
00:58:50Luki, how tall would you say the teacher is?
00:58:53About 80
00:58:55But this seat is adjusted for a very short person.
00:59:02Close
00:59:06Lieutenant
00:59:07Lieutenant
00:59:09In a single day I've learned more about art than in my entire life.
00:59:12And that's despite the fact that two of the three teachers I've had were fake.
00:59:16Have you seen Isa lately?
00:59:20Since that trap dinner you set for us, no
00:59:24Are you implying that I'm playing matchmaker?
00:59:26As a civil guard and as a grandson, I'm not implying it.
00:59:29I affirm it
00:59:31Grandma, I like Isa a lot
00:59:33But I don't think anything can happen between us.
00:59:38And now can we focus on what's important?
00:59:41Alright
00:59:43Pozuelo was born on the street of thought
00:59:46In his father's workshop, the craftsman
00:59:50A craftsman who made frames
00:59:52One moment
00:59:59Clear
01:00:01Not all that glitters is gold
01:00:03If you want real paintings
01:00:07Look in my paintings
01:00:08That's where true art lies.
01:00:09That's what he said in the interview
01:00:11And that explains why for years he will seek the answer in them.
01:00:15Sure, but nobody paid attention to the first sentence
01:00:19Not all that glitters is gold
01:00:22That is
01:00:24Grandma, I love you
01:00:27That means I'm good at being a matchmaker.
01:00:30Oh, yes.
01:00:31Thank you so much for everything, it's been a pleasure
01:00:38Sorry
01:00:42AND?
01:00:43Mr. Polar
01:00:44I have to see him
01:00:45Ah, that's not going to be possible
01:00:47I'm going to the barracks to get the car keys right now and then I'll leave.
01:00:51I think I've solved the enigma
01:00:57Sorry?
01:00:58The enigma
01:00:59I think I've found the key
01:01:01Where would you like to meet?
01:01:06Advance until Mr. Polar appears
01:01:09But yes, that's it.
01:01:10Are you sure?
01:01:12In order to register him, I had to verify his information.
01:01:15Just a moment
01:01:16If that's the real Professor Polar
01:01:17So, who's the one at the barracks?
01:01:22Latiza, I am Robles
01:01:23Listen to me carefully
01:01:26Lieutenant, I'm arriving at the car.
01:01:42As planned, nothing can be seen inside.
01:01:44I'm going to check the trunk
01:01:53Atiza
01:01:54Atiza, Atiza, it smells like death there
01:02:07But when you called me, you told me that you had already solved the enigma.
01:02:12He knew how to find the original canvases.
01:02:15Well, I told him that I thought I had solved the enigma.
01:02:19But I didn't tell him anything about the canvases.
01:02:21Well, in any case, have a little patience, Mr. Polar
01:02:25I don't have much of it; it's not a virtue of mine.
01:02:29Sorry
01:02:31Don't worry
01:02:32No no
01:02:33Don't worry
01:02:34I'm sorry it took so long, but they were at the back of the warehouse
01:02:42My father and his obsession with keeping everything in its place
01:02:44Yeah, yeah
01:02:45Tell me, in all these years you haven't managed to sell them, have you?
01:02:48No, they're too heavy
01:02:50The walls today are made of cheap, flimsy stuff.
01:02:53To hang one of these frames, you need to apply for a building permit.
01:02:57Wow, those little frames are something else!
01:02:59I still don't understand anything that's happening
01:03:02Be patient, Mr. Polar
01:03:04Patience is the art of science
01:03:06That's true?
01:03:07Don't they say that in France?
01:03:09Yes, yes
01:03:10Okay, then I'm going to proceed
01:03:17Sorry
01:03:17Don't worry
01:03:19Yes, but...
01:03:20No ifs, ands, or buts, it has to be done.
01:03:33Gold?
01:03:36Well, in Spain they say
01:03:38Not all that glitters is gold
01:03:39In this case, yes, Mr. Polar.
01:03:41Eighteen carats
01:03:43Come on, Olmos
01:03:45Come on
01:03:45And to think I've had it in my warehouse for so long.
01:03:48And how were you able to find that out?
01:03:51Emiliano Pozuelo sold the original canvases
01:03:53And with the money he bought gold
01:03:55He melted it down
01:03:56And he made these frames
01:03:57Now that's a top-notch agent!
01:04:01Okay, okay, okay, okay
01:04:01Eighteen carats here
01:04:04Seventeen in the Canary Islands
01:04:07Grab it
01:04:10How did you pay?
01:04:11Good
01:04:11Well, I have to take the frames with me.
01:04:13Very good
01:04:18Answer, answer
01:04:19Yeah?
01:04:21No
01:04:22Hello
01:04:24Miss
01:04:24Yeah, I can't hear.
01:04:25Miss, why don't you try the other phone?
01:04:28Of course, how am I supposed to listen?
01:04:30The one in the store is ringing
01:04:32Yes, tell me
01:04:33Yeah
01:04:33Just a moment
01:04:35Agent
01:04:36Yeah
01:04:36It's for you
01:04:38For me?
01:04:42Thank you
01:04:44Agent, I tell you, Sebastian Olmos on the line
01:04:47Olmos
01:04:48Open up, Gus, I mean, Lieutenant
01:04:50The real polaje is dead
01:04:51Be very careful with the other person, they could be the killer.
01:04:59If you manage to deflect that straight line
01:05:01You can beat your opponent
01:05:08I'm too many places for you
01:05:16In French, in Spanish
01:05:17In Spanish with a French accent
01:05:19Who starts?
01:05:19I
01:05:20And I'm the boss.
01:05:21As you already know
01:05:22I am the fairground worker at the Reina Sofía Museum.
01:05:26And if
01:05:27He had an accomplice in the administration
01:05:29Pierre, what happened?
01:05:32A rather unpleasant matter
01:05:34But don't worry
01:05:35I'm fine
01:05:36Will he be able to handle the job?
01:05:38Yeah
01:05:38And thanks to him I learned that Pierre Polar was going to travel from Bordeaux to Escaray
01:05:45And that's why you also knew the legend of Emiliano Pozuelo
01:05:49I've been obsessed with that topic for years.
01:05:51I couldn't let this opportunity slip away
01:05:53Already
01:05:54The task of impersonating Pierre Polar, keeping the paintings, and solving the enigma
01:05:58Man, that's a pretty ambitious plan, isn't it?
01:06:00Perfect for me.
01:06:02Well, almost.
01:06:04Almost?
01:06:05Why did you screw up by leaving me out?
01:06:06No, I messed up the day I married your sister
01:06:09I won't allow that, mattresses.
01:06:10Hey, silence.
01:06:12Continue
01:06:13Who?
01:06:13He or I
01:06:13Both
01:06:14But in order, please.
01:06:15So I
01:06:17After subduing Pierre Polar in the restrooms
01:06:20Their restroom is the one on the other side
01:06:22Yes, but he's busy
01:06:24Well, I thought it was Pierre Polar's restroom.
01:06:27I took him out in a wheelchair
01:06:29In the world of scams, we call this pulling a Steve Hawking.
01:06:33That's always been called doing an Ironside
01:06:37That was back when people knew Ironside
01:06:39But young people today neither know nor respect the classics
01:06:43Can I continue?
01:06:44Thank you
01:06:45Then I put him in the car, started the engine, and drove off.
01:06:49And I followed him
01:06:50I arrived at the forest
01:06:51And I waited for Manuel to tie up the supposed Pierre Polar
01:06:56Well, I'm Pierre Polar
01:06:58Then I crept up behind him stealthily
01:07:01And I knocked him down with a king of clubs
01:07:04That's called making an ace of clubs.
01:07:07Then I tied him to a tree and left.
01:07:09What is commonly known as a typical joke between brothers-in-law
01:07:13Now I have this bump here
01:07:15But what hurt me the most was
01:07:18That left me out
01:07:20Because I won't be the brightest
01:07:22But yes, the most loyal
01:07:24That's why I've always wanted to impress him
01:07:28Are you serious?
01:07:30Brain?
01:07:31Yes, mattresses, yes
01:07:32I have always admired you
01:07:35I didn't know anything
01:07:36Well, now you know
01:07:37But I don't know what to tell you
01:07:41Let's see, let's see
01:07:42I'm so sorry to interrupt this declaration of love
01:07:44One detail
01:07:45The individual you have mistaken for Pierre Polar
01:07:49He is a very dangerous criminal.
01:07:52You have been very lucky
01:07:53Some more
01:07:55And you live out your romance in the autopsy room
01:07:57I just don't know what to tell you
01:07:58I can only tell you
01:08:00That?
01:08:01Again?
01:08:03Please
01:08:04Speak more quietly
01:08:05He has fallen asleep
01:08:09I love you, Justino
01:08:15Hello, daughter
01:08:16Hi, Dad
01:08:18Something tells me
01:08:19That today can be
01:08:20One of the happiest days of my life
01:08:21Glad to hear it
01:08:26Do you have a second to talk?
01:08:27Always for you
01:08:29Okay, Dad
01:08:29You'll see
01:08:30That
01:08:32I'm going to tell you the same thing.
01:08:33You're not going to like it very much
01:08:34But
01:08:36Forgive me, daughter
01:09:06Atiza, tell me
01:09:07The best university in Chicago
01:09:09That?
01:09:11You don't seem very happy.
01:09:12You don't seem very happy.
01:09:13So, what did you want to tell me earlier?
01:09:16Nothing
01:09:18Nothing, well, I don't know how to thank you
01:09:21That you think so much about me
01:09:22In me, I wanted to say
01:09:24Look, that's very easy.
01:09:26You just have to make your mother happy
01:09:27Wherever I am
01:09:29I've never told you that.
01:09:30But
01:09:32The idea that she would study medicine
01:09:34It was hers
01:09:36One day
01:09:37He saw it on television
01:09:38That the best doctors in the world
01:09:39They had done that master's degree
01:09:40AND
01:09:42It got into his head
01:09:43That
01:09:44That you had to do the same
01:09:47AND
01:09:47I had never met
01:09:49To a woman
01:09:49Better than her
01:09:52But neither
01:09:53Closer
01:09:57Give me a hug, darling.
01:10:21Luqui
01:10:21My lieutenant
01:10:22Father Juan is here
01:10:24Thank you, Father.
01:10:26Luqui
01:10:27Leave us alone for a moment, please.
01:10:28Clear
01:10:29Have you finished the report?
01:10:32I'm sorry, Lieutenant.
01:10:33The third thing you need to know
01:10:35Always submit the report at the end of the day.
01:10:38Yes, sir
01:10:41Father
01:10:42I wanted to thank you for the note you left us.
01:10:44With the name of Emiliano Pozuelo
01:10:46It was crucial in solving the case.
01:10:48I don't know what grade you're talking about.
01:10:50And she didn't study Fine Arts either.
01:10:56You have followed my careers
01:10:59It's curious.
01:11:01In all the photos her face is covered
01:11:06Except in this
01:11:06From five years ago
01:11:10The caption says your name is audio
01:11:14Well
01:11:15Everyone makes mistakes
01:11:16Including journalists, right?
01:11:22When we take the fingerprints
01:11:24We identified those of the fake teachers
01:11:27And theirs too
01:11:30I don't know what's so strange about that.
01:11:32I had to touch them, lieutenant.
01:11:33What's strange is that they were already archived.
01:11:36That just happens
01:11:37If the person is on file
01:11:41You are a protected witness
01:11:45The second truth
01:11:56Some time ago I had to testify against a luxury drug cartel
01:11:59And because of that
01:12:00I entered the witness protection program
01:12:02I've discovered it.
01:12:04Someone else can do it
01:12:06You should call your contact as soon as possible.
01:12:17Do you know me?
01:12:18Yeah
01:12:21Yes, it's Viti
01:12:23Viti
01:12:29Did he belong to the cartel I testified against?
01:12:34Sure?
01:12:56So our killer has a name
01:12:58And how do you know Viti, father?
01:12:59I saw her several times with the leaders of the Percedes clan
01:13:01The clan for which you are now a protected witness
01:13:04Robles, I want to speak with the priest.
01:13:05It would be best to question him before they take him away.
01:13:08I'll decide what's best.
01:13:10Stay out of this matter
01:13:13The crow, the dead crow!
01:13:14The bad omen has already arrived
01:13:16The nutman's son has been found dead
01:13:18Who?
01:13:18The hardware store
01:13:19The sirloin steak dream?
01:13:20The butcher
01:13:20No, that's his last name.
01:13:21He is the etidist
01:13:22The bird is very important to this people
01:13:24That's why I've called Dr. Filar to perform the autopsy.
01:13:27Please, we're talking about a dead crow.
01:13:28Would it be possible to get a white raven anywhere?
01:13:30That's impossible, getting a white raven
01:13:32Don't call him that.
01:13:33Call him
01:13:34Chicken in Sherry Sauce
01:13:35What a mess you've made!
01:13:36On behalf of the white crow
01:13:38It will end because of your father.
01:13:39I would like you to accept this gift.
01:13:41I give thanks to my God every time I remember you.
01:13:44Always, in all my prayers
01:13:46Praying with joy for all of you
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