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00:00:09Music
00:00:57And on the main wall
00:00:59We've put up an impressive sign like this one
00:01:02A beautiful design
00:01:03From your new wine brand
00:01:05I love
00:01:06Oh Reyes, this celebration is very important
00:01:08For the launch of Damian's lordship
00:01:10May it be a complete success
00:01:11It will be, don't worry.
00:01:13The wine you have made has great potential.
00:01:15And the party is going to be memorable.
00:01:17Just let me do it
00:01:18Excuse me, I came for the bottles
00:01:20Ah, yes, these are the ones here
00:01:21Beware, they are a limited edition.
00:01:25Kings, I want one of them to be for you.
00:01:28Thanks a lot
00:01:29No, please
00:01:29Thanks, Santi
00:01:30Thank you so much
00:01:31By the way
00:01:31I had thought
00:01:33Maybe it was a good idea
00:01:34Bring one of my pets
00:01:38Better not, Damian
00:01:39Not even Enrique
00:01:39No, no, no
00:01:40Hello
00:01:41Santi, my friend
00:01:42I was so looking forward to seeing you
00:01:44Santi, it's Damian.
00:01:45Damian?
00:01:47Damian!
00:01:47Man
00:01:48Thank you for counting on me
00:01:50Please, thank you
00:01:51Because she is the face of the campaign
00:01:52Santi Velasco
00:01:53The best rocker this country has ever produced
00:01:54That's true
00:01:55I saw you once in concert
00:01:57And it was amazing, wasn't it?
00:01:58I loved it
00:01:58It was ok
00:01:59Damian
00:01:59Hello
00:02:00Oh, Damian
00:02:01You hadn't told me that Diego Lezama was coming
00:02:03Hey?
00:02:03I've eaten at their restaurant a trillion times.
00:02:05I think there aren't enough of them, Madam President
00:02:07Ah, well we fixed it.
00:02:09Next, playing bugs
00:02:11Which
00:02:11Yes, I sent the amateur one either
00:02:13So, yes
00:02:14Those were the days, huh?
00:02:15They sent me some of that wine to the provincial council.
00:02:18I don't like it badly at all.
00:02:26Ash, cinnamon, oak, musk
00:02:29No, musk is you, it's your perfume
00:02:31Oh really?
00:02:32Yes, and vanilla and chance
00:02:35It's just something I was born with.
00:02:37It's a gift I have in my head
00:02:38Go down, grab him from below
00:02:40Well, I've been thinking about it.
00:02:42And what we need is to gather much more information for our objective
00:02:46I have a space encyclopedia
00:02:48No, we need something more modern.
00:02:51A computer
00:02:52Hey, kid
00:02:55Very good
00:02:58Thank you
00:03:07Hi, I applauded you
00:03:09Just so you know
00:03:10Well, and I was saying hello to you.
00:03:13Wow, I see you're still in town.
00:03:16I already knew you were in the big city
00:03:18No, no, not yet.
00:03:20I have to...
00:03:21I have to do something
00:03:23Okay, so if you need anything, just call me.
00:03:25By the way, give me your mobile number.
00:03:27If I have it...
00:03:28I don't have a mobile phone.
00:03:32Well
00:03:34We went from being lords
00:03:35Two drinks are enough for us
00:03:38The wine that's least spicy
00:03:40He is the one who sleeps in Barreica
00:03:41Yeah
00:03:41Come with me
00:03:44Just a moment, dears
00:03:45If you'll give me a second of your attention
00:03:47Damián Navarro would like to say a few words to you.
00:03:51Okay, thanks Santi
00:03:53You hear it
00:03:53Diego, president
00:03:55Well
00:03:56Thank you all for coming
00:03:57It is an honor for me to have you here with me today.
00:04:00The day I present the lordship of Damian
00:04:02A personal project
00:04:03Mine
00:04:04In which I have worked trying to achieve the excellence of Digo
00:04:08You know it's weird.
00:04:08That's why this wine is full of nuances.
00:04:10It's a wine that tastes like dreams come true.
00:04:13Promises kept
00:04:14Hopes
00:04:15It's a wine that tastes like...
00:04:16Blood
00:04:18This wine tastes like blood
00:04:21Don't talk nonsense
00:04:23No, no, no
00:04:24Stay calm
00:04:25That's not the same as the cups
00:04:27This is...
00:04:29This barrel
00:04:43Good
00:04:45Enlightened
00:04:45What is the verdict?
00:04:48Not everything is aged in barrels
00:04:49I think it's better.
00:04:50I think it's better.
00:04:51I think it's better.
00:04:51I think it's better.
00:05:23Good evening, ma'am
00:05:24Good evening, ma'am
00:05:27See you around
00:05:31What's happening?
00:05:32Doesn't he like seeing you, Lieutenant?
00:05:33In the 15 days I've been here
00:05:35You've played it for me every single time we've gone out on a ride
00:05:38Because I thought he liked it
00:05:40But if he doesn't like it...
00:05:41I'll move the Fari for you too, eh?
00:05:42That?
00:05:43Yes, I like it.
00:05:47Yes, tell me the mos, tell me
00:05:49Attention, colleagues
00:05:50We urgently need to visit Boderas Navarro
00:05:52A body has been found inside one of the vats.
00:05:54Aren't you talking about a human corpse?
00:05:55Not a goat or a rabbit, right?
00:05:57Negative, Gus
00:05:58He is one of the waiters
00:05:59That he worked at the mayor's party
00:06:01I haven't told you anything about Gus.
00:06:02And until we know the cause
00:06:04I don't want anyone moving at the crime scene
00:06:06I expect complete professionalism from you.
00:06:08Yes, Gus
00:06:08Oh, uh, my lieutenant
00:06:10I've already told them not to move from there.
00:06:12That as soon as he returned he would begin the interrogations
00:06:14When will you be back from where?
00:06:16From the barracks
00:06:17I've come to change
00:06:18I don't like to go around in civilian clothes when there's work to be done.
00:06:20Can you come and pick me up here?
00:06:22No
00:06:23Thank you
00:06:25Stop, stoke
00:06:26I'm driving
00:06:27I want to get there before the worms eat the corpse
00:06:40Okay, okay, okay
00:06:41But he's already dead.
00:07:05Thank you
00:07:05Thank you
00:07:07Thank you
00:07:08Thank you
00:07:08Thank you
00:07:09Thank you
00:07:09Thank you
00:07:09Thank you
00:07:15Yes, this man is very underrated.
00:07:17If my sites are any
00:07:38Agent
00:07:39I am the president of the Provincial Council
00:07:42And I would be delighted to collaborate.
00:07:43Perfect
00:07:44When we call him, he'll tell us everything.
00:07:45Listen
00:07:46I didn't know the victim
00:07:47I say that those of us who didn't know him
00:07:48We could go now, couldn't we?
00:07:50Because we're going
00:07:51My restaurant needs me.
00:07:53Excellent
00:07:53When we call him, he'll tell us everything.
00:07:54Just a moment, just a moment
00:07:55So when you call us
00:07:57We have to tell him everything, right?
00:08:00That
00:08:00But how could it not happen?
00:08:02But what if there's a dead body?
00:08:03There's a dead person
00:08:03But death is
00:08:04What's wrong with you?
00:08:05As my colleague said
00:08:15All of you will have to be questioned.
00:08:18And to keep moving forward
00:08:20Did anyone know the victim?
00:08:22I had no idea what her name was.
00:08:29Perfect
00:08:29At that time, nobody knew the victim.
00:08:32I do
00:08:37Andrés was one of the waiters in charge of the party
00:08:40Besides being a sommelier
00:08:42I own an event planning company
00:08:44And Damian hired me
00:08:45To make the presentation
00:08:46From their new wine brand
00:08:48Andrés was having problems at work
00:08:49Perhaps with a partner
00:08:51As far as I know, no.
00:08:53He hadn't been working with me for very long either.
00:08:55He was just another waiter
00:08:56Well, now that's one less waiter
00:08:59This is crazy
00:09:00Of all people, a dead body has to turn up.
00:09:01The day I present my wine
00:09:03We need to organize our schedules better.
00:09:04You're very funny, Olmos
00:09:05Now I'm going to have to repeat the party.
00:09:08Reyes, could you stay a couple more days?
00:09:09With your whole team?
00:09:11Yes, yes, of course.
00:09:11Of course
00:09:12Marvelous
00:09:12Thank you
00:09:13Perfect
00:09:14I'm going to take a couple of these boxes.
00:09:17Have you bought one of these limited edition ones?
00:09:19Yes, yes
00:09:19You gave it to me
00:09:21Can I leave now?
00:09:22No
00:09:23Just a couple more strokes and I'll finish it
00:09:27Yes, you can leave.
00:09:28But I'm going to need all the information I have about the victim.
00:09:31Of course
00:09:31I would call my office
00:09:33And as soon as I have them, I'll let you know.
00:09:34Thank you
00:09:38Can you tell me what you're doing in that notebook?
00:09:41Nothing
00:09:42I like to draw
00:09:43It helps me uncover what they're hiding.
00:09:46And if they escape
00:09:47Well, now we have a composite sketch
00:10:02Are you here yet?
00:10:03Have you had time to examine the cellar?
00:10:05Yes, Lieutenant.
00:10:06And let's have a coffee
00:10:06Shall I bring you one?
00:10:07Atiza
00:10:08Atiza
00:10:09Oh really?
00:10:10Have you had time to do the technical analysis of the perimeter?
00:10:13Yes, yes, my lieutenant.
00:10:14I took a walk all the way there
00:10:15I've kept an eye on everything
00:10:17And there's nothing noteworthy.
00:10:18But what do you mean, a lap?
00:10:20Okay, okay, gentlemen
00:10:22We have a dead body
00:10:23I want you to go back there
00:10:25And explore the winery inch by inch
00:10:28And pocket everything that seems like evidence to you.
00:10:30And when you finish
00:10:31You get in the tub and do the same thing
00:10:33Wait a minute, but for that we'd have to empty it
00:10:37Uncle, Olmos
00:10:37The mayor is not going to be happy about this.
00:10:39AND?
00:10:40AND?
00:10:41AND?
00:10:41AND?
00:10:48Let's see
00:10:49Around 60 years old
00:10:52He's in good shape
00:10:54This wrist sting
00:10:55It could be a sheep
00:10:59And here could be the cause of death
00:11:01He has suffered an impact to the occipital bone.
00:11:03He could also have died from drowning.
00:11:05He could have climbed into the barrel
00:11:07Slip
00:11:07Hitting your head on the side
00:11:09Fall in
00:11:09And drown
00:11:10It's also an option
00:11:11Anyway
00:11:12Whatever it is
00:11:13We can't do anything
00:11:14Until we receive the results
00:11:15The autopsy will be done in a couple of hours.
00:11:21Four hours?
00:11:24Eight hours?
00:11:25If we count it in hours
00:11:27We never finish.
00:11:37Two hours, he says.
00:11:39They haven't even come to pick you up in two hours.
00:11:42Mayor
00:11:42The creature looks unwell
00:11:44He seems to be having trouble breathing.
00:11:46Sorry Genaro
00:11:47I'm nervous
00:11:48Well, be careful.
00:11:49Because I've got a ballot coming up
00:11:51If I have to give Genaro mouth-to-mouth resuscitation
00:11:53This is serious, Atiza
00:11:54What happens if the matter becomes public?
00:11:56What happens if it gets out?
00:11:57Bad publicity for the town
00:11:58Who is talking about the people?
00:12:00Alqueador
00:12:01I'm referring to my wines
00:12:03Damian's Little Master
00:12:05If the matter comes to light
00:12:06I could sink
00:12:07Well, maybe the thing about putting
00:12:08A dead man in the wine
00:12:10It has its point.
00:12:11The Chinese don't put a lizard in the liquor
00:12:14You'll find it very funny
00:12:15But for me it's a catastrophe
00:12:18Atiza
00:12:19Stir, stir, stir
00:12:20You're going to erase my last name
00:12:21What if this is just a warning?
00:12:23What if I was the target?
00:12:25Now that you mention it
00:12:28You might be right.
00:12:30I have many enemies
00:12:31More than friends for sure
00:12:33Although it also makes sense
00:12:34A man's power is measured
00:12:36Because of the number of his enemies
00:12:37So, the thing about
00:12:39The dead man in the wine
00:12:41It was a warning.
00:12:42What if it's a warning?
00:12:44What will happen next?
00:12:45What if you wake up with Genaro's head?
00:12:47Under your fires?
00:12:48No!
00:12:55Nuria, darling
00:12:56When you come?
00:12:57It's been many weekends since I've seen you
00:12:59Okay, you'll see me tomorrow.
00:13:00Tomorrow?
00:13:01Alleluia!
00:13:02I'll come pick you up at the bus stop
00:13:03No, no, don't worry.
00:13:04That it's not necessary
00:13:04Do you want me to call you so you don't fall asleep?
00:13:06No, Dad.
00:13:07Nor is it necessary
00:13:07Yes, yes
00:13:08I know I've been a pain.
00:13:09But it comes with a parent's license.
00:13:11Hey, honey
00:13:11I'll leave you now, a storm is coming.
00:13:12Okay, okay
00:13:13See you tomorrow
00:13:18What's that?
00:13:19My research whiteboard
00:13:20Here I present the case in its entirety.
00:13:22And most importantly
00:13:24Without any risk of losing information
00:13:26Because when the day is over
00:13:32Ah! The day is starting!
00:13:36Ta-da!
00:13:36And everything is in its place.
00:13:38Assuming any of that has a place
00:13:40He's got it, he's got it
00:13:42Well, you'll get used to my method in no time, Gus.
00:13:44I mean, Robles
00:13:45Let's get things straight, Olmos
00:13:47I am the highest-ranking officer here
00:13:49You're going to get used to my method
00:13:51Starting with the interrogations
00:13:53They do not interrupt
00:13:54If you have a question
00:13:55You raise your hand
00:13:56I ask first
00:13:58You ask later
00:13:59Okay, okay
00:14:01But I'm keeping the whiteboard.
00:14:03Hey?
00:14:03Does it help me see the case clearly?
00:14:06Wow!
00:14:07We've got some laughs going on.
00:14:09They assign us a guard fresh out of the academy.
00:14:12So that she can do her internship here
00:14:13A certain Lucas Mellado
00:14:15He will give it, he will join
00:14:21Day after tomorrow
00:14:22Well, chalk, man
00:14:23Don't complain
00:14:23That way there will be more joy in the barracks
00:14:25Yes, this is going to be the pacheca's corral
00:14:29Go on, see if they're coming to look for the body
00:14:33The corpse is still here
00:14:35If he has not risen
00:14:47But hey, Dad, where are you going?
00:14:48His church is burning down
00:14:49No, I have mass in five minutes.
00:14:51And I don't have any wafers
00:14:52See you
00:14:52My God
00:14:57Oh, darling, come here and I'll help you
00:14:58Bring it, bring it
00:14:59No, no, no, thank you.
00:14:59No, no, no
00:15:01How are you?
00:15:02Good
00:15:05That family is such a pain with the WhatsApp group, huh?
00:15:08Yes, yes, yes
00:15:09Look, I'm going to send them a good piece of shit with eyes
00:15:18Isa?
00:15:33Yes, tell me
00:15:34Hello, Lieutenant Robles?
00:15:36Yes, it's me.
00:15:37Yes, I am Reyes Fernández
00:15:38I'm calling because I already have what you asked for.
00:15:40For the investigation
00:15:42I have all the data
00:15:44Do you have the data I requested?
00:15:45Ah, yes, exactly
00:15:48Excuse me, how embarrassing
00:15:50I'm a little absentminded.
00:15:52Don't worry, it's not my best day either.
00:15:54Okay, I'll bring you the data right now, okay?
00:16:03I'll take it myself.
00:16:04Okay
00:16:06Well, this
00:16:07The data
00:16:20Thank you so much
00:16:21Thank you so much
00:16:21Have a good day
00:16:27Olmos
00:16:27I already have the victim's information
00:16:29We're going to Calahorra
00:16:50Hi, Cata
00:16:51Hello
00:16:52What's happening?
00:16:54I'll bring you the bags you left in the plaza
00:16:56Oh my goodness, what a blunder!
00:16:58Thank you so much, really
00:16:59Well, if one day I lose my head
00:17:01Bring it to me, okay?
00:17:02Yeah
00:17:02Okay, thanks.
00:17:03Since I've already come
00:17:05Could you buy me a drink?
00:17:07I just can't right now
00:17:08Because I'm very busy
00:17:09I have a lot of things to do
00:17:10Why don't you let me in and we can talk?
00:17:12No, no, no
00:17:13Because no, no, Cata
00:17:14Okay, fine, yes, yes
00:17:16Yes or no?
00:17:17No, Cata, no, no, no
00:17:18Well, look
00:17:19Yes, something is wrong with me.
00:17:21Of course, I knew it.
00:17:21Let's see
00:17:24The fact that?
00:17:26Well, this is what happens to me
00:17:27I can't even make a decision.
00:17:28Even if it's for something silly like this
00:17:31But woman, why?
00:17:33Well, I've been working for ten years.
00:17:35In a consultancy
00:17:36And, well, I spent all day
00:17:38Making very important decisions
00:17:39With a thousand calls
00:17:40And then
00:17:41I don't know if I should tell you.
00:17:43Shouldn't I tell you?
00:17:44Yes, you must
00:17:45I must, I must tell you
00:17:46Well, that's it.
00:17:47I spent all day working
00:17:48And one day I exploded
00:17:49Look, I just don't want to talk about it.
00:17:53I have nomophobia.
00:17:55Do you know what it is?
00:17:56Well
00:17:56That you left the town
00:17:58And I stayed
00:17:59It doesn't mean you're very smart.
00:18:00It's not like I'm that stupid, you know?
00:18:01No, please
00:18:02Don't take it like that
00:18:03That's not what I meant.
00:18:04Really
00:18:06What is nomophobia?
00:18:07Mobile phone dependency
00:18:08I can't have a mobile phone
00:18:10Not even a computer
00:18:11Not even close to it
00:18:12No, no, I can't
00:18:13No, no, don't worry
00:18:14You're coming here for a season
00:18:16And you'll stay as fresh as a daisy.
00:18:17Well, that's what I want
00:18:19I'll stay here until I sell the property.
00:18:21But the problem I have
00:18:23I just don't know how I'm going to do it.
00:18:24Because I'm kind of scared.
00:18:25Without guarantees
00:18:26But woman
00:18:27How do you sell a property?
00:18:30Selling it
00:18:30Yeah
00:18:31I'll help you
00:18:32Yeah
00:18:32You've placed an ad
00:18:33A similar ad
00:18:34No
00:18:35We put it
00:18:36Yes, of course, we'll put it on.
00:18:38Clear
00:18:41Who is it?
00:18:42Oh, darling
00:18:43Forgive me, forgive me, forgive me
00:18:48Nor hao
00:18:49Nor hao
00:18:51Chinese is the language of the future
00:18:54I am Lieutenant Agustín Robles
00:18:55From the action group
00:18:56From the Civil Guard
00:18:58Uh, I'm Corporal First Class Sebastian Olmos
00:19:00And Belin
00:19:03Ask him if he knows the victim
00:19:04Uh, yeah
00:19:05Do you know this man?
00:19:06But you don't speak Chinese
00:19:07I think I speak Chinese
00:19:08And what about the language of the future?
00:19:10Well, I was certainly left speechless.
00:19:11To turn it on
00:19:14Yes, I know
00:19:15Hey man, photo, Mr. Andrés
00:19:17But did he live here?
00:19:18Was this his house?
00:19:19No, no, no, no, no, house
00:19:20Store, this store
00:19:22What a crazy person lives in a store
00:19:23I don't
00:19:24You do
00:19:25I don't
00:19:26You do
00:19:26Why was this address listed?
00:19:28As your usual address
00:19:29In your employment contract?
00:19:30He pays me
00:19:31For getting here
00:19:33His tail
00:19:34Ah
00:19:35He pays you
00:19:37For getting here
00:19:38His tail
00:19:39And lately
00:19:40Has any of its tail reached here?
00:19:42No
00:19:42Mr. Andrés
00:19:43He comes and takes everything.
00:19:45But a letter from Mr. Andrés
00:19:47Shuffle with cards from Mr. Yuvelin
00:19:49I
00:19:49Wait, I'll look
00:19:51In the end we're going to get lucky
00:19:54Here
00:19:55Letters from Mr. Andrés
00:20:00It's the final settlement of a company
00:20:02Where she worked a year ago
00:20:03Come on, let's go
00:20:04Wait
00:20:04One moment
00:20:05You
00:20:06Prepare
00:20:07Stay alert
00:20:09In your life, a clan will come.
00:20:11Change
00:20:12I'm updating the predictions
00:20:14You're two weeks late
00:20:20El Cedro Gris Institute
00:20:21We train for excellence
00:20:24This sounds like a scam.
00:20:27Because?
00:20:29Because excellence is not learned.
00:20:30It's something innate.
00:20:31Like intuition
00:20:33You either have it or you don't.
00:20:34Nothing
00:20:38Let's see
00:20:39Intuition is a matter of luck
00:20:41Human beings are capable of understanding
00:20:44Memorize
00:20:45And execute
00:20:46And those are the three basic guidelines
00:20:48For a training session
00:20:49That can lead you to excellence
00:20:50Yes, but some
00:20:51No matter how much they train
00:20:52Even if you take the donkey to university
00:20:54The donkey will stay
00:20:56Yes indeed
00:21:01Look
00:21:03Speaking of donkeys
00:21:13How can I help you?
00:21:15Yes, one question
00:21:15Why do they have a photo
00:21:17De Santi and Velasco here?
00:21:18Well, first of all
00:21:19Because it's super attractive
00:21:21And photogenic
00:21:22And second
00:21:23Because he's the boss
00:21:27Oh
00:21:28It's a wild ride, huh?
00:21:29You told us
00:21:30That he did not know the victim
00:21:31Just look at our surprise
00:21:33When we have encountered this
00:21:35A severance payment
00:21:35That your company paid
00:21:36To Mr. Andrés Gómez Hurtado
00:21:38Two months ago
00:21:39It's just that I
00:21:40Sometimes
00:21:42I suffer
00:21:43Of some light
00:21:45Lagoons
00:21:46I know him
00:21:47But it turns out that I thought
00:21:49That I didn't know him
00:21:49Now I remember.
00:21:53Why your company
00:21:54Is it called The Gray Cedar?
00:21:55Because a cedar
00:21:56Is
00:21:57A tree
00:21:59It grows very fast
00:22:00And it holds up very well.
00:22:01The times of drought
00:22:03And Gray
00:22:04Because one day I saw him
00:22:05All Gray
00:22:09In other words, like a
00:22:10Like an illumination, isn't it?
00:22:12No
00:22:13Like a car crash
00:22:15Against a Gray Wall
00:22:17And then I decided to leave it all behind.
00:22:19I quit smoking
00:22:20I stopped drinking
00:22:21I do not consume any type of substances
00:22:23Well, it doesn't seem so.
00:22:24The truth
00:22:25AND
00:22:26I found
00:22:27A path
00:22:28That is what I want to convey
00:22:30I don't know if they're following me.
00:22:32Good
00:22:33I have signed a contract
00:22:34With a major record label
00:22:36And then I don't want to
00:22:37Because of a scandal
00:22:38Unfounded
00:22:39My career is going to ruin
00:22:41One more time
00:22:48And I need to sing
00:22:50The best way to achieve that
00:22:52It is not obstructing
00:22:53A murder investigation
00:22:54I agree, people
00:22:55What was your relationship with the victim?
00:22:57It was a relationship
00:22:59Spiritual
00:23:01Clear
00:23:01That is
00:23:03You and the victim
00:23:03They were in a romantic relationship
00:23:05You broke up with him
00:23:07But he
00:23:07Wounded by love
00:23:09He threatened to leak it to the press
00:23:10His homosexuality
00:23:11TRUE?
00:23:13Believe
00:23:13No
00:23:14This man
00:23:15Job
00:23:16In my company
00:23:17Under maintenance
00:23:18But it was a temporary thing.
00:23:19Just a few months
00:23:20Then
00:23:21The Gray Connection
00:23:23It gradually faded away
00:23:24And we had to fire him
00:23:26Why did he fire him?
00:23:28Whom?
00:23:30Ah
00:23:30To Andrés
00:23:31Therefore
00:23:56Santi said goodbye to the victim
00:23:57Because, according to him
00:23:58I wanted to sell that little spoon
00:23:59On eBay
00:24:01He says that
00:24:02His fans would pay
00:24:03A fortune for her
00:24:04There are people, duck
00:24:06We already have a computer
00:24:09I got it
00:24:10From the library
00:24:27Listen, beautiful
00:24:28Do you know where they are?
00:24:30Filming an expo
00:24:31Souls and Santi Velasco?
00:24:32Well, look, nice
00:24:33It's not an expo
00:24:34It's a presentation
00:24:36From a wine
00:24:36But come on
00:24:36It's a bad wine.
00:24:37TRUE?
00:24:38It's one of those wines
00:24:38To unclog a drain
00:24:40Let's go, let's have some calimocho.
00:24:42Cap, I'm not cracking up with you.
00:24:43Cata, you crack me up.
00:24:48Welcome to Ezcaray
00:24:49Are you friends with Santi?
00:24:51What is it?
00:24:52No, no, no
00:24:52We went a while ago
00:24:53We were working with him
00:24:54A year on tour
00:24:55Technicians? Do you know him?
00:24:57Of course, since I was little.
00:24:58Or better.
00:25:00Are you going to give us tequilas now?
00:25:02No, no, no, not for me, Cata.
00:25:03Tequila in the morning gives me...
00:25:07But if you want a glass of Damian's lordship...
00:25:09Stop being so high and mighty and give us some tequila already.
00:25:12Okay, let's try to calm down a little.
00:25:13What would you find useful, sweetheart?
00:25:16Are you going to have some tequilas?
00:25:17But only because I say so.
00:25:18Either you drink it or I'll make you drink it.
00:25:23Do you want to leave him alone?
00:25:24Calm down, Grandma.
00:25:24No, don't worry, I'm here.
00:25:27Gentlemen, I'm not just Santi's friend...
00:25:29But I am also the mayor.
00:25:31You have a knife and you put two tequilas on.
00:25:38Hey old lady!
00:25:42Want to hit someone? Try me.
00:25:56No!
00:25:57No!
00:25:58No!
00:25:58No!
00:26:12No!
00:26:22No!
00:26:24No!
00:26:26No!
00:26:28No!
00:26:30No!
00:26:32Oh!
00:26:40No!
00:26:40Thank you so much.
00:26:42Have you seen it?
00:26:44Well, I want a walking stick like that.
00:26:47Sorry, sorry. Step by step, step by step.
00:26:49Excuse me.
00:26:51Stop! Stop!
00:26:54Stop!
00:26:54Stop!
00:26:55Stop!
00:27:01Damn it. I had to take that bus.
00:27:03Me too.
00:27:05You'll see what my dad's reaction is when he finds out.
00:27:07Yes, well, when mine finds out, you'll see.
00:27:16Well, hello.
00:27:18Hey...
00:27:19My name is Luqui.
00:27:20Well, Lucas Mellado, but...
00:27:22My colleagues call me Luqui.
00:27:25Delighted, Luqui Mellado.
00:27:27Thank you.
00:27:29I am Nuria. Atiza.
00:27:31And, well, my friends call me on my cell phone.
00:27:38We're out, right?
00:27:56Tell me something. I need to know if my concern is justified.
00:27:59Well, in broad strokes, the body was found in a large barrel.
00:28:05Enormous.
00:28:07But as of today there are no suspects or motive.
00:28:11Do you want a mobile phone?
00:28:12I'll give you one.
00:28:12Finish me off.
00:28:13What would you think if I told you that three hitmen have been sent after me?
00:28:16Who is it?
00:28:17The three bikers?
00:28:17Ah, because I stood up to him.
00:28:19Otherwise, I'd be dead by now.
00:28:23Santi?
00:28:24I recognize it from years ago.
00:28:25He's crazy, but I don't think so.
00:28:27Aurora Menéndez?
00:28:29Reyes Fernández?
00:28:30That.
00:28:31He has nothing against me.
00:28:33The chef?
00:28:34He was with me the whole time, I don't think...
00:28:37Lola Portillo.
00:28:38The president of the Provincial Council?
00:28:39I don't trust her.
00:28:41Politicians are the worst.
00:28:43They are the devil's skin.
00:28:44Well, you'll know.
00:28:45It's not the same.
00:28:47I am independent.
00:28:49Atiza.
00:28:50I need you to protect us.
00:28:51What do you mean, protect us?
00:28:52Who would be the other person I should protect?
00:28:54Foreign.
00:28:55You're out of your mind.
00:28:56I'm asking you as a friend.
00:28:57I am not your friend.
00:28:58As a confidant?
00:28:59Neither.
00:29:00Like your mayor?
00:29:01Yes indeed.
00:29:02But know that I never left you.
00:29:09Bye.
00:29:15Hello.
00:29:16Hey.
00:29:17And that car?
00:29:18From my father.
00:29:20I asked him after the talk.
00:29:21Because I couldn't wait until tomorrow.
00:29:23Can I give you a ride?
00:29:25Okay.
00:29:27You leave your suitcase behind.
00:29:28Oh, the suitcase.
00:29:29If I'm having a lapse in concentration today.
00:29:31No, no, leave me alone, leave me alone.
00:29:32I'll help you.
00:29:32It's because it's very heavy.
00:29:33No, don't worry.
00:29:42Don't worry.
00:29:44Don't worry.
00:29:45Oh, sorry.
00:29:46Stop, stop, stop.
00:29:49So you're going to Azcaray?
00:29:51Yeah.
00:29:52I'm from there.
00:29:54It's just that now I'm living here because I'm at university and all, but I grew up there.
00:29:57And it's strange because I've never seen you there.
00:30:00And that's despite the fact that Azcaray is a small town, and you know how it is, in the end we all know each other.
00:30:03I've never been to Azcaray.
00:30:05I just finished at the academy and I'm going to do my internship there.
00:30:08I am a civil guard.
00:30:10That?
00:30:12Brilliant.
00:30:13Judging by your face, I'd say you don't have much affection for the Civil Guard.
00:30:16No, no, no.
00:30:17Quite the opposite.
00:30:17I have a lot of affection for the Civil Guard.
00:30:19Oh, really?
00:30:19Yes, I love the Civil Guard like a father.
00:30:22Already.
00:30:23As if it were my own.
00:30:29No, no, no, it can't be.
00:30:31Because...
00:30:32Let's see...
00:30:33Nuria, right?
00:30:35Nuria...
00:30:35Atiza.
00:30:37Nuria Atiza, no.
00:30:39You will not be the daughter of...
00:30:41Gregorio Atiza.
00:30:45He is my father.
00:30:46He is my superior.
00:30:49Well, hey, if you don't want to take me, that's fine.
00:30:51Well, the truth is...
00:30:53But...
00:30:56Of course I want to take you.
00:30:58Besides, here... nothing happens.
00:31:00Nothing.
00:31:01Because what's going on here?
00:31:02Nothing.
00:31:03No problem.
00:31:06No problem.
00:31:09Atiza.
00:31:11Don't you have anything better to do?
00:31:13I have it, I have it.
00:31:14But...
00:31:14If I do it all at once...
00:31:16The rest of the day feels very long.
00:31:18Oh, really?
00:31:19Come on, Atiza.
00:31:20To begin, find out how the forensic report is progressing.
00:31:22Because until we know the cause of death, the date and time, we cannot move forward in the
00:31:25case.
00:31:25And even less so to verify the alibis of the witnesses.
00:31:28Well, that's it.
00:31:29Let's get to work.
00:31:31Juan doesn't want me to let the bikers go.
00:31:32You're not going to file a complaint.
00:31:34No no.
00:31:34Let them get over the balloon.
00:31:47Can you tell me what you're doing?
00:31:49And I'm trying, Lieutenant.
00:31:50When he's thinking in front of the window, he's like a statue.
00:31:52If a pigeon flew in through the window, it would poop on it.
00:31:55How long can it stay like this?
00:31:56Depends.
00:31:57But don't worry, he always comes back.
00:31:58No, that's what worries me.
00:32:00It's the same.
00:32:01Nobody answers here.
00:32:06I have it!
00:32:07I have it!
00:32:08I know who the killer is!
00:32:09I know I'm going to regret asking.
00:32:13Who is the killer, Olmos?
00:32:15Santi!
00:32:16Santi Velasco!
00:32:17The singer!
00:32:19The victim was very interested in him.
00:32:22Well, especially in their fluids.
00:32:23And why would anyone be interested in a rock star's bodily fluids?
00:32:27Because they reveal what is unseen.
00:32:29Prohibited substances.
00:32:30Are you implying that the victim discovered Santi was using drugs?
00:32:33No, I'm not implying that.
00:32:34I affirm it.
00:32:35And then he blackmailed her to keep her from revealing it.
00:32:40This is an excerpt from the contract that Santi signed with the record label.
00:32:44Look at this clause they've added.
00:32:46They force him to promise that he will not take any kind of drugs.
00:32:49Or the contract would be cancelled and he would be forced to pay millions in compensation.
00:32:53It's him.
00:32:54He killed Andrés so that he wouldn't ruin his career.
00:32:57We have to set a trap for him so he'll confess.
00:33:01Let's take it slow, Olmos.
00:33:03All of this is very well and good, but it's just speculation.
00:33:06Until we have concrete evidence, we will not accuse anyone, much less set a trap.
00:33:12Is that clear?
00:33:15I ask them both.
00:33:17Yeah?
00:33:18Yes, Lieutenant.
00:33:20Crystal clear.
00:33:20Like water.
00:33:26If you've come here to cause trouble again, please behave yourself.
00:33:29I remind you that you were the one who had a corpse in your cellar.
00:33:33That's also true.
00:33:36There it is.
00:33:37I need to get a sample of hair or saliva, whatever.
00:33:40Then we'll send it for analysis so we can find out if she has used drugs.
00:33:44Although I haven't seen him take a single drink.
00:33:45Well, you'll see how you do it.
00:33:48Already.
00:33:50You keep an eye on the lord who never takes his eyes off me.
00:33:52Come on.
00:34:00A little question.
00:34:01Is all this regular red wine or is there also tinto de verano (summer red wine)?
00:34:11Man, have you seen that?
00:34:12Cata gave him a little piece of paper.
00:34:14She's probably flirting and has given him her phone number.
00:34:16Take it away, take it away, take it away.
00:34:17I also gave one to Domi.
00:34:18These people are up to something.
00:34:19Do you know anything?
00:34:20Go on, go on.
00:34:21You're getting drunk.
00:34:23Stop making things up.
00:34:45Well, thank you all for coming.
00:34:47It is an honor for me to have your presence today, on the day that I present, Your Lordship Damian, a project
00:34:53staff in which I have worked trying to achieve viticultural excellence.
00:34:58That's why this wine has many nuances.
00:35:00It tastes like dreams come true, like wishes fulfilled.
00:35:03This wine tastes like...
00:35:04Shit!
00:35:12I had to apologize to Santi Velasco to convince him not to file a complaint.
00:35:17If you had waited five minutes, he would have forgotten about it.
00:35:19Shut up, Atiza.
00:35:20You have disobeyed a direct order from your superior.
00:35:23What do I do with you?
00:35:24It was my fault.
00:35:25Atiza has had nothing to do with this.
00:35:32I'm stepping out for a moment, Atiza.
00:35:37Be very careful with that look.
00:35:38My lieutenant doesn't take it badly.
00:35:40This is the face I have.
00:35:45Olmos, I'm fed up with putting up with you.
00:35:48My life has been a fucking mess since you came into it.
00:35:51Since I met you, only calamities have happened to me.
00:35:53It's not my fault that you were removed from your unit.
00:35:56Don't you think so?
00:35:57I just wanted to help.
00:35:58End my career?
00:36:00I'm not going to put up with your nonsense.
00:36:03If I have to rot in this barracks, I'll do it, but on my own terms.
00:36:07Being the highest-ranking officer doesn't make your rules any better.
00:36:10Maybe not.
00:36:11But these are the ones that will be followed.
00:36:13And if you don't like it, let me go.
00:36:16I don't know who the hell you asked to assign me here.
00:36:19But I have submitted my resignation three times.
00:36:21And they have denied me all three times.
00:36:26Okay.
00:36:28Do you want to leave?
00:36:29Yeah.
00:36:30Right now.
00:36:31Very good.
00:36:32Well...
00:36:32I propose a deal.
00:36:34If you solve the case,
00:36:36I'll make sure they accept your resignation and you can leave.
00:36:39But if I solve it, you stay.
00:36:41And we will act as colleagues, without hierarchies.
00:36:44But why don't you just call your contact and tell them to let me go?
00:36:47Is there a deal, yes or no?
00:36:48Besides, with my nonsense, as you call it,
00:36:51It's going to be very difficult for you to solve it before I do.
00:36:55Yes or no.
00:37:09Oh, one more thing.
00:37:10You're coming to my grandmother's house for dinner tonight.
00:37:12The woman has already invited you five times, huh?
00:37:14Alright.
00:37:16And another one.
00:37:16If I win, I can call you Gus.
00:37:20My lieutenant.
00:37:22My grandmother.
00:37:25My grandmother.
00:37:29My grandmother.
00:37:31My grandmother.
00:37:41My grandmother.
00:37:43My grandmother.
00:37:44My grandmother.
00:37:45My grandmother.
00:37:45My grandmother.
00:37:47My grandmother.
00:37:47My grandmother.
00:37:48My grandmother.
00:37:49My grandmother.
00:37:49My grandmother.
00:37:50My grandmother.
00:37:50My grandmother.
00:37:51My grandmother.
00:37:51My grandmother.
00:38:10Subscribe to the channel!
00:38:21Yes, the dry cleaner's label, Grandma.
00:38:23How will they call her down? With a harpoon?
00:38:34I need the call log for this mobile phone for the last six months.
00:38:37I need it there. When will you have it?
00:38:39Well, if it's twenty-five, you'll have it here in two months.
00:38:43Are you kidding me?
00:38:44I look like I'm joking, Lieutenant.
00:38:46I'll pass it on to the command post and it'll arrive.
00:38:50Never mind. I've already fixed it.
00:38:52That's why there's no one who loves.
00:38:53There's a difference between moving forward and running.
00:38:58Two months.
00:38:59I lose sight of you all for two days.
00:39:14Here, here, here, signal.
00:39:15It's easier to hunt pigeons with a slingshot than to get free Wi-Fi.
00:39:24I already told you to sign up for the adult classes.
00:39:28It would have been the same. My fingers are like sausages from driving buses.
00:39:32Okay, don't bother me about that, we might lose the signal.
00:39:35The key to all of this lies in the isobars.
00:39:38One thousand and twelve millibars?
00:39:40That would keep us safe.
00:39:46See you later.
00:39:47Bye bye.
00:39:47Bye bye.
00:39:49And why is he running everywhere?
00:39:50As in Braulio, the isobars.
00:39:52Isobars.
00:39:57Where are you going?
00:39:58Well, start a proper investigation.
00:40:00Hey, do you want them to go together?
00:40:02No no.
00:40:03Thank you so much.
00:40:05Right now my only goal is to solve this case and get out of here as soon as possible.
00:40:09I prefer to go alone rather than wander around town like a headless chicken.
00:40:12Really? You don't want to come with me?
00:40:14But what part of "no" don't you understand?
00:40:16I don't want to work with you.
00:40:18I don't want to live in this town with you.
00:40:20And I don't want to ride in the same car with you.
00:40:33That car doesn't work because it doesn't have a battery.
00:40:37And your investigation isn't progressing.
00:40:54Hello.
00:40:56Is anyone there?
00:40:57I'm waiting too.
00:41:05Man, Lieutenant Agustín Robles.
00:41:10How long has it been since I last saw him?
00:41:12Well, get used to it.
00:41:14How did you find the paint shop?
00:41:17So I decrypted the mobile ping, contacted a friend of mine at Interpol to get the call log of
00:41:22the last six months.
00:41:24I noticed a recurring pattern of phone calls that corresponded to this painting.
00:41:28And here I am.
00:41:29You?
00:41:30Me, wearing my grandma's jacket and a staple.
00:41:33That?
00:41:34And then I thought that if the victim paid to pick up the mail at the Chinese bazaar, then he'd probably look for a
00:41:40dry cleaner in the area.
00:41:41And here I am.
00:41:44Jualín!
00:41:45But you didn't have a bazaar.
00:41:47Man, Mr. Almo.
00:41:49And partner.
00:41:50Juan Luis owns a bazaar, a dry cleaner, and a bar.
00:41:54Yes, yes, very good.
00:41:55We want to know if Mr. Andrés Gómez brought his clothes here.
00:41:58Yeah.
00:41:59Why didn't he say anything yesterday?
00:42:00Can I not ask?
00:42:02Mr. Joanín is right about that.
00:42:05Let's see.
00:42:06Is there anything else about Andrés Gómez?
00:42:08That we didn't ask, but you do know.
00:42:11That.
00:42:12No.
00:42:13Information no.
00:42:14But he does have a suit, like Mr. Andrés Dal, because he doesn't wear the most.
00:42:18Please.
00:42:21Hey, can you explain to me what this is about your grandma and a staple?
00:42:25Leave it, leave it, leave it.
00:42:27Which I'm sure is another one of your stupid ideas.
00:42:30Let's just say I deciphered the label on my grandmother's jacket.
00:42:38Beekeeper's suit.
00:42:40Look, it's delicious!
00:42:41Mr. Andrés, give away jars of honey.
00:42:43I will go to Valpaco to bring back honey.
00:42:52Honey toast, shall we?
00:42:53No.
00:42:55Okay, okay.
00:42:55I'll keep it just for myself.
00:42:57No, no, put down that jar, it's evidence.
00:42:59A test?
00:43:00But there are tests for 10 or 20 pieces of toast.
00:43:19It seems like we're not getting anywhere, does it?
00:43:22You'll only speak for yourself, right?
00:43:24I'll be packing my suitcase soon.
00:43:25That?
00:43:27Have you found out anything?
00:43:30No, you haven't found anything out.
00:43:34Or is it?
00:43:39Now I have to go.
00:43:42But I will return to say goodbye forever.
00:43:44So, where are you going?
00:44:02Sorry.
00:44:03Ah, if you want to call someone's taste appealing, buy yourself a hamster.
00:44:14What do you mean, no, damn it?
00:44:22She's pretty, she's nice.
00:44:25Look at that smile.
00:44:26But why can't you be the daughter of a firefighter?
00:44:28Oh, he's so cute.
00:44:30She could have studied at a hairdressing academy.
00:44:32So what do I do now?
00:44:33Should I ignore her?
00:44:36Well, maybe your father is understanding.
00:44:38Look, if my father finds out I like him,
00:44:40He kills him, revives him, and kills him again.
00:44:44I'm going to stop here for a second, okay?
00:44:47I'm going to buy a drop of water.
00:44:50Do you want something?
00:44:53What can you bring me?
00:45:12What do I think?
00:45:20What do I like?
00:45:22Well, actually it's not my car, it's my dad's car, but...
00:45:25Okay, okay, don't give me the chassis number either.
00:45:28So you arrive late in the afternoon, right?
00:45:30Yes, yes, but don't worry, I'll go to the barracks.
00:45:33You have no idea how relieved you make me feel.
00:45:36Have a good trip!
00:45:46My father, my father, what do I do?
00:45:48What I do?
00:45:49Okay, okay, you too, just like me, stay calm, okay?
00:45:52That's perfectly normal, because he doesn't know anything.
00:45:55Yes, that's a good idea, I'll put it on speakerphone.
00:45:57Okay.
00:46:00Hi, daddy.
00:46:01Daddy?
00:46:03You haven't called me daddy since I was five.
00:46:05What's happening?
00:46:06Because something is happening.
00:46:07What's wrong? No, no, nothing's wrong, I'm just really happy to see you, because you wanted to, Daddy.
00:46:12Nothing, daughter, I just wanted to know how your trip was going and to tell you that, as always, I'll come looking for you.
00:46:16to the bus stop in the square.
00:46:19Brilliant.
00:46:21See you there.
00:46:22A little kiss.
00:46:25You have to catch that bus no matter what.
00:46:27Yeah.
00:46:33Hello.
00:46:34Sorry, I just overtook you on the right.
00:46:37How's it going? How are we doing?
00:46:38Well, we're getting by, just getting by.
00:46:40But pulling upwards.
00:46:41Water, water.
00:46:42Hello.
00:46:43Hello.
00:46:44They're seen together a lot, couple.
00:46:46Those who are very close end up sleeping in the same nest.
00:46:51I've told them to wear hats because they say a lot of silly things when they're sunburned.
00:46:56We are only interested in our neighbors.
00:46:59That's true.
00:47:00Did you know that the president of the provincial council is getting married?
00:47:02Ah, yes.
00:47:03We're all going to a wedding soon, aren't we?
00:47:05I don't know anymore, luck will fall on you and the bouquet will fall.
00:47:08Well, that's it, may they be very happy and live a long life.
00:47:10They will eat partridges, but spread with honey.
00:47:12Why would they eat partridges coated with honey?
00:47:14It's just a figure of speech.
00:47:15You don't know that she's marrying that businessman, Carlos Manrique, the one from the ads.
00:47:20He started out selling honey with his father in small towns and now he has an empire.
00:47:24He grows everything.
00:47:25And how is eco-friendly being fashionable?
00:47:26Yes, yes, it's fashionable.
00:47:28Clear.
00:47:29That is.
00:47:30Okay, Isa, see you later.
00:47:32See you later.
00:47:32But where are you going?
00:47:33Be careful with the sack.
00:47:38Have you ever heard the saying, "Ask me anything and I'll answer whatever I feel like"?
00:47:42The truth is, no.
00:47:44Well, I'm not even going to give him the chance.
00:47:46Leave.
00:47:47Very good.
00:47:48In that case, accompany me to the barracks to interrogate her.
00:47:50And please, don't give me that "don't you know who you're talking to" line.
00:47:53It's not my style, Olmos, but I can't believe you're capable of doing something like that to me.
00:47:58It's not my style either, but I like to innovate.
00:48:01We sat down.
00:48:07We know that the victim worked for her fiancé's company, Carlos Manrique.
00:48:11It has 300 employees.
00:48:13He won't expect me to know him.
00:48:14Well, the truth is that it's exactly what I expected.
00:48:17And one more thing.
00:48:19The victim discovered that her fiancé's company had acquired some recently gifted land that became
00:48:24buildable.
00:48:25AND?
00:48:26Well, that happened a week before he announced his engagement to you.
00:48:30Doesn't that seem like too much of a coincidence?
00:48:32A coincidence is exactly that.
00:48:35Already.
00:48:37The victim discovered that you are a corrupt politician and wanted to bribe her.
00:48:42How dare he?
00:48:43Be careful with those accusations, I'm warning you.
00:48:47Well then, tell me the truth.
00:48:48Come on, I'm telling you the truth.
00:48:50He's lying.
00:48:50I'm not lying.
00:48:53There is only one way to be sure.
00:48:54Perfect, that way we're done.
00:48:56Let me hypnotize her.
00:48:57What did you say?
00:48:59Hypnosis.
00:49:00If I verify that he told the truth, then nothing has happened here.
00:49:04A lot has happened here.
00:49:06You're stupid, you're doing it to yourself.
00:49:08I'm leaving this town.
00:49:08No, not until we've solved the case.
00:49:12Mr. Andrés Gómez worked as a beekeeper in an organic farming company.
00:49:18And that company is the official supplier for all of its restaurants.
00:49:24AND?
00:49:25What do you mean, "so?"
00:49:26He lied to us when he said he didn't know the victim.
00:49:30Well, yes, that's true.
00:49:31I lied, but I didn't lie.
00:49:33Did he or she know the person who was found drowned in the barrel?
00:49:36Yes and no.
00:49:40Is hesitating?
00:49:41No.
00:49:42Look, I remember that on a visit to the farm something very strange happened to me with a man who worked as
00:49:48beekeeper.
00:49:49What do you mean by strange?
00:49:50That man gave me a small spoon to taste a jar of honey.
00:49:54Because I really like to taste the raw ingredients from their origin, but that day I was already...
00:49:57raw materials to eyebrow piercing.
00:49:59But the uncle insisted again and again until he almost put the spoon in my mouth.
00:50:02So in the end I ended up trying it.
00:50:04And what's so strange about that?
00:50:05As I was leaving, it seemed to me that they were putting the spoon I had used into a small plastic bag.
00:50:12But I can't see his face, okay? Because the guy always wore that helmet.
00:50:16Very good.
00:50:17We're finished for now.
00:50:18Do not leave town until further notice.
00:50:20No, man, I have to go.
00:50:21My restaurant needs me.
00:50:24But I'm staying here, in the village.
00:50:27Hi, Cata.
00:50:28Hello.
00:50:30Well, first I'm letting you know that you have two calls from prospective buyers.
00:50:36Buyers?
00:50:37Yeah.
00:50:37For the farm.
00:50:38Two calls?
00:50:39Yeah.
00:50:39Well, fine, I have to face the situation, right?
00:50:41Yeah.
00:50:42Yes, well, let's organize the agenda first.
00:50:45Are you ready?
00:50:46List.
00:50:47Okay, very good.
00:50:48Well, first buyer.
00:50:49Monday at 4:30 p.m.
00:50:51Second buyer, on Tuesday at 10:30.
00:50:54No, no, no, no, wait, wait a moment.
00:50:56Better yet, change Tuesday to Wednesday.
00:50:59And look, after we ate today, nothing changes.
00:51:01From 4:30 p.m. to 7:30 p.m.
00:51:05Okay?
00:51:05No, no, no, wait a moment.
00:51:06Wait a moment because Monday is a terrible day to negotiate.
00:51:09So let's do one thing.
00:51:10Let's change Tuesday to Wednesday and Wednesday...
00:51:13Thursday at 4?
00:51:14Okay, fine, Thursday at 4.
00:51:17Look, I need to stop for a bit because these things are overwhelming me, okay?
00:51:21Then we continued.
00:51:22Forgive me.
00:51:23Come on, boss.
00:51:26Isa, how are you?
00:51:27How are you?
00:51:27Well, more or less.
00:51:29Excuse me, I heard you're going to sell the partridge farm, is that correct?
00:51:32Yes, yes, yes.
00:51:32And why the rush?
00:51:33It is one of the best farms in the region, it has a lot of potential.
00:51:36If I were you, I wouldn't rush into anything.
00:51:38There's always time to sell.
00:51:39You might regret it later.
00:51:40No, no, no, no, I'm going to sell it.
00:51:42Of that I am certain.
00:51:51I have it right where I wanted it.
00:51:54If you're so interested in his property, why don't you tell him directly?
00:51:57My friend, as a good taxidermist I must be precise.
00:52:01And as a good winegrower, I must be patient.
00:52:03What do you think?
00:52:04Honestly, I couldn't care less.
00:52:07You inspire me, Atita.
00:52:08You inspire me.
00:52:16Lola Portillo and Carlos Manrique have been dating for a few months.
00:52:19And apparently, they've just announced their engagement.
00:52:22But that's not a direct relationship with the victim.
00:52:25And what about the cook's?
00:52:26Didn't he even see his face?
00:52:26Look, Olmos, yourself.
00:52:28I think it's great that you give credence to two gossipy old men.
00:52:31Oh.
00:52:32Look, just so you know, those two gossipy old men, as you call them, are my informants.
00:52:36And they know everything that happens even before it happens.
00:52:38The coroner's report has arrived.
00:52:44Should I open it?
00:52:45Or do you ask the informant grandparents what it contains?
00:52:48Well, it wouldn't be the first time they've opened someone's email.
00:52:53Okay, fine.
00:52:54What does it say?
00:52:58Well, we've been following a ghost.
00:53:01Our victim's name was not Andrés Gómez Hurtado.
00:53:03His real name was Jesús Fernando Sancho Benajes.
00:53:07There is an address.
00:53:08So what are we waiting for?
00:53:12What a house he had!
00:53:13Of course, with so many multiple jobs...
00:53:14We don't know if it was his house, okay?
00:53:16Or if he was simply working here temporarily.
00:53:19Anything can be expected from a person with two identities.
00:53:25Good afternoon.
00:53:27The butler told me they wanted to talk about my brother Jesus Fernando.
00:53:31What happened to him?
00:53:33He's dead, isn't he?
00:53:35Yeah.
00:53:36Yes, ma'am.
00:53:37I don't know how he found out she was dead.
00:53:39He won't know for sure who killed him.
00:53:47Excuse my colleague, ma'am.
00:53:51So, his brother lived here.
00:53:53Was this his house?
00:53:54Yes, this is it.
00:53:56It was his residence.
00:53:57I have lived with him all my life.
00:54:00Could you tell us how you found out about your brother's death?
00:54:04I had a bad feeling.
00:54:06My sister-in-law Aurora died five years ago.
00:54:08And on his deathbed he gave my brother a letter, this one.
00:54:13She hid it from him for 30 years.
00:54:17A lover of my brother left it in the mailbox and, by chance, it fell into the hands of my sister-in-law.
00:54:26That woman confessed that she had had a child with Jesús Fernando and that she needed money to raise him.
00:54:32She didn't want to extort him, she just wanted to be able to raise her son.
00:54:36The woman explained that if she didn't get a response in 15 days, she would have to hand him over to an orphanage.
00:54:45My brother and Aurora had no children.
00:54:49But did his brother know about the existence of that child?
00:54:51Not until that night.
00:54:53The next day he decided to dedicate his life to finding his son.
00:54:59He soon found out that there were four possible candidates.
00:55:02Clear.
00:55:03That's why he worked in so many trades.
00:55:06I was trying to reach them.
00:55:08Do you know if he found it?
00:55:09Well, a few days ago he called me excitedly to tell me that his search was over and that he was going to tell me
00:55:15who was his son.
00:55:16My brother was very distrustful.
00:55:18If I was going to tell him, it was because I was sure I had found him.
00:55:23And he didn't say anything else to her?
00:55:27No.
00:55:28Except that he had a brilliant gift and was very proud of it.
00:55:35Man or woman?
00:55:36He didn't tell me.
00:55:38I assumed it would be a man.
00:55:40He didn't tell me anything else.
00:55:45That was the last time I spoke to him.
00:55:48I think that's enough.
00:55:50Keep the letter if you want.
00:55:52Ma'am, thank you very much.
00:55:54You have been a great help.
00:55:55Please keep me informed of everything.
00:55:58We will do it that way.
00:55:59I promise you.
00:56:04Now!
00:56:12No, no, no, no, no, no.
00:56:29Now!
00:56:31Here's my little girl.
00:56:33Hello.
00:56:35Wow, it's really messed up, I've been sleeping the whole way here.
00:56:37Shall we go?
00:56:39And your suitcase, daughter? Aren't you going to take it?
00:56:42The suitcase?
00:56:44Of course, I'm not going to leave it there.
00:56:46Let me go, let me go and extract that.
00:56:47No, the trip went great, I'm going.
00:56:49But I don't care.
00:56:50I know you don't care, but I'm going, you stay there.
00:56:53Okay.
00:57:05Thanks, handsome.
00:57:06You're welcome, beautiful.
00:57:09What? Can you find me? I'm sending you to the dark circles under your eyes.
00:57:16You're impatient.
00:57:20I'm impatient for what's coming my way.
00:57:21Do you know who sends us a trainee guard?
00:57:24Oh, really?
00:57:25And do you know who's going to take the fall? Your father.
00:57:27Oh, well, I had no idea.
00:57:37Look how much trouble you had coming to dinner.
00:57:40Gus loves being called Gus.
00:57:46He's very reserved, but he'll get used to it.
00:57:49He's going to spend a lot of time with us.
00:57:53I saw these thugs get a real beating.
00:57:57Do you have a girlfriend, Gus?
00:57:59No, ma'am.
00:58:02Why? Are you gay?
00:58:06That's a no.
00:58:09Okay, that's enough, Grandma.
00:58:12I think it's already clear who the killer is, isn't it?
00:58:14I don't think this is the best place to talk about that, Olmos.
00:58:17How come you don't have a girlfriend with that plant?
00:58:20And that accent?
00:58:22Is he from the Canary Islands?
00:58:23Yes, ma'am.
00:58:25Well, I think the son is the murderer.
00:58:28He discovers who his father is 30 years later and, filled with hatred, kills him.
00:58:32The mother probably died in poverty.
00:58:34He considers him guilty.
00:58:35Don't you think so?
00:58:36Let's see.
00:58:37The only thing that's certain here is that the victim told his sister that her son had a
00:58:41gift.
00:58:42And the only one who has a gift is Diego.
00:58:44Olmos's cuisine is internationally renowned.
00:58:46Lola also has a very special gift.
00:58:49Whatever you say, Olmos.
00:58:51Unfortunately, I have to go, ma'am.
00:58:53But thank you so much for everything.
00:58:55The food was delicious.
00:58:56Do you want to take the meat in a Tupperware container?
00:58:58No, don't bother.
00:59:00Thank you so much.
00:59:04He's nice.
00:59:06But we'd have to take that stick out of his ass.
00:59:10She has gotten dressed.
00:59:13And he's clever, huh?
00:59:17He was right.
00:59:19The victim died from a blow to the head.
00:59:22They hit him with a circular object.
00:59:24But no remains have been found that would allow the murder weapon to be identified.
00:59:28The only remains are of wine.
00:59:31Normal.
00:59:33Inside a cot.
00:59:36Ah, it's like that saying.
00:59:38A blackberry stain can be removed with a green one.
00:59:43Clear.
00:59:45That is.
00:59:47Grandma, you're the best.
00:59:54Robles, I know how...
00:59:55Not now, not now.
00:59:56I already know what to use on him...
00:59:57Wait a moment, let it finish.
01:00:00Okay, we have three people related to the victim.
01:00:02But we don't have a single piece of solid evidence to accuse them.
01:00:06Reyes Fernández, Diego Lesama, Santi Velasco.
01:00:08And Lola Portillo.
01:00:09That woman is hiding something.
01:00:10Because?
01:00:11She wouldn't even let me hypnotize her.
01:00:14Okay, you go on, I'm following you.
01:00:16The victim discovered that he had fathered a child with another woman.
01:00:20Did he go out to look for her?
01:00:21Yeah.
01:00:21What clue did he follow?
01:00:23Possibly the date of the letter.
01:00:24I have it there in the window.
01:00:26December 10, 1980.
01:00:31Thanks to that date, the victim was able to locate more or less the child's date of birth.
01:00:36I have entered the details of the 25 guests.
01:00:38But why are you bothering?
01:00:40I have everything there on the window.
01:00:45Okay, four coincidences.
01:00:50And look at that, four of them.
01:00:52If I were the victim, I would have looked for all the admissions to orphanages in La Rioja during those Christmas dates.
01:00:58Okay, we're looking for orphans.
01:01:00According to the sister, the victim had already found his son, the heir to that multimillion-dollar fortune.
01:01:08The computer has already crashed.
01:01:09The large window is much better.
01:01:11You're the one who's out of your mind.
01:01:13The four were abandoned in orphanages.
01:01:17The killer has to be one of them.
01:01:20The son or the daughter.
01:01:23Or not?
01:01:24Perhaps Mr. Benajes' lawyer has the answer.
01:01:30What was that important thing you had to say?
01:01:31I already know how they killed the victim.
01:01:34But you haven't let me speak.
01:01:39Jesús Fernando Sancho Benajes.
01:01:41He was actually a millionaire businessman who was looking for his son, whom he had with another woman years ago.
01:01:4735 years old.
01:01:48That woman confessed that she had had a child with Jesús Fernando and that she needed money to raise him.
01:01:54That's why the victim stole the glass you had been drinking from, insisting that Diego
01:01:59taste the honey.
01:01:59As I was leaving, it seemed to me that they were putting the spoon I had used into a small plastic bag.
01:02:05At some point during her relationship with Carlos Manrique, the owner of the honey company, the victim
01:02:09She managed to get hold of some object or sample of him.
01:02:12And he picked up the spoon that Santi had been sucking on.
01:02:15He was taking DNA samples to find out which of the four of you was his son.
01:02:20And the four of them have two things in common.
01:02:24They are orphans and were given up in the same week and to the same orphanage 35 years ago.
01:02:37We knew the killer killed the victim with one blow, but what did he hit him with?
01:02:43With a wine bottle, the remains of which we did not find on the victim's body because of the stain of the
01:02:51One blackberry is removed with another green one.
01:02:53The victim's body was completely covered in wine.
01:02:58While we were talking in your hostel room, at one point you tripped over the wine box that
01:03:02the mayor had given it to him.
01:03:04At that moment I thought it was strange that the box weighed so little, but I didn't think much of it.
01:03:08Until Olmos told me everything.
01:03:10Then everything made sense.
01:03:12The box weighed so little because it was empty.
01:03:14And it was empty because Reyes broke the bottle it contained over the victim's head.
01:03:25That's absurd.
01:03:26I had no reason to kill that man.
01:03:30You found out before he did that she wasn't the heir, and that's why you paid the analysis company.
01:03:35DNA to falsify the results.
01:03:37She wanted to pass herself off as his daughter and keep the inheritance.
01:03:40What he didn't know was that Mr. Benajes was a very distrustful person and ordered the same thing to be done.
01:03:44Try another company.
01:03:45But when she discovered the trap, she threatened to report you and the clinic.
01:03:49That's a lie.
01:03:50That's true, miss.
01:03:52The victim's lawyer just confirmed it to me.
01:03:54And here, the best sommelier in Spain chose to have the victim taste a bottle of wine.
01:04:01That's a shame.
01:04:02Because that murder is going to bring him a very long hangover.
01:04:07I mean, you're going to jail, miss.
01:04:13Sorry, in the end we were left without knowing who that man's son is.
01:04:41Polmons, it's time to settle accounts, huh?
01:04:45Is the case solved?
01:04:46Yes, and even though I solved it myself...
01:04:48As?
01:04:50Have we solved it together?
01:04:52Man, 60-40, right?
01:04:54But don't worry.
01:04:56If you want to leave, you can go.
01:04:59I'll make sure they accept your resignation this time.
01:05:02Thank you.
01:05:03This is not my place.
01:05:05You'll be better off without me...
01:05:06Good morning, gentlemen.
01:05:07Chalk.
01:05:08Good morning.
01:05:09Okay, kid.
01:05:10Lieutenant Robles, Corporal Olmos.
01:05:13This is the trainee guard, Lucas Mellado.
01:05:16At your service.
01:05:17Welcome.
01:05:18With your permission.
01:05:19It's a pleasure.
01:05:20I've heard a lot about you.
01:05:22Thank you very much, kid.
01:05:24With your permission, but I was referring to Lieutenant Robles.
01:05:28Dad, can I borrow the motorcycle keys?
01:05:30Oh, yes, look, darling.
01:05:31This is Lucas, the guard I told you about.
01:05:32Nuria, my daughter.
01:05:33Hello.
01:05:34Nice to meet you.
01:05:35The keys, Nuria, are on my table.
01:05:39Let's see, looky look.
01:05:41My daughter looks at herself, but doesn't touch herself.
01:05:45Is that clear?
01:05:46Yes, yes, yes.
01:05:46Okay, let's take a walk and I'll show you around the town.
01:05:51You'll see how beautiful it is.
01:05:53Thank you.
01:05:55Thank you.
01:05:57Thank you.
01:06:06Thank you.
01:06:07Thank you.
01:06:11Thank you.
01:06:25Thank you.
01:06:47Thank you.
01:07:21Can I show you something before you leave?
01:07:44What do you want me to see?
01:07:53This.
01:08:09If you stay, I'll help you get back the life you love so much.
01:08:15And besides, I owe you one.
01:08:18Do you owe me one?
01:08:20I've been going up to the fig tree hill to shoot for fifteen days.
01:08:30It was you.
01:08:42Thank you, Lieutenant.
01:08:49But I don't understand.
01:08:51This case has already been resolved.
01:08:53I don't think so.
01:08:55And the proof is here.
01:09:07Sometimes the bells ring in the village and you don't know what time it is.
01:09:10I don't follow you, Hermos.
01:09:11Pay close attention to that.
01:09:12It just can't be.
01:09:16He's running away, come on.
01:09:17Come on!
01:09:17What happened? Did a girl appear?
01:09:19No, it has appeared.
01:09:20Dead.
01:09:25They say that a Templar knight, mortally wounded, took refuge in the monastery of Najera.
01:09:29He carried with him the very relic containing the remains of Santel.
01:09:36Poor things, they don't know who's playing with whom.
01:09:42Someone is trying to find the hidden relic.
01:09:46That relic of Saint Elmo has been there for centuries.
01:09:53We need to solve this enigma.
01:10:00The day after Olmos killed the murderer in the monastery, his body disappeared from the morgue.
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