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00:28A CIDADE NO BRASIL
00:56A CIDADE NO BRASIL
01:28A CIDADE NO BRASIL
01:57A CIDADE NO BRASIL
02:09A CIDADE NO BRASIL
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05:20A CIDADE NO BRASIL
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05:43COAL CHECK
05:43You know you're not supposed to be here
05:45Johnson, Johnson
05:46Every man must make a living
05:48Right?
05:49Well, you know the procedure, Carl
05:51What?
05:51You know
05:52Don't touch anything
05:53Don't get in anybody's way
05:55All right?
05:55Oh yes sir, Captain Sisca, sir
05:57Piagé was always the last one to leave
06:00When I left last night
06:02He was preparing the venison
06:03Marinating it
06:04When I come in this morning
06:06I find him like this
06:08It had to be that scum
06:09He always hated, hated Piagé
06:12What is it?
06:12Carl, você vai saber mais tarde.
06:15Deixe os garotos ir e fazer o seu trabalho, ok?
06:17Sim, claro, mas você tem um suspeito. O que é o seu nome?
06:20Eu vou te dizer, o homem vai ser arraigado muito tarde.
06:24Em alguns horas, você vai para o seu nome e eu vou te dar o seu nome.
06:27Eu quero dizer, o homem está tentando do seu direito, não é?
06:29Sim, claro. Você vai me dar uma mensagem, Capitão Siskas?
06:32Vai ser o usual, não comentário.
06:35Olha, Carl, Honore Piaget foi morto.
06:38Então, o motivo foi o motivo da revenge, certo?
06:41Agora, as soonas nós temos o suspeito para o seu nome,
06:45então nós vamos lançar importante, pertinente informações.
06:48Uh-huh.
06:49Bom, isso é incrível. O que é isso?
06:51O que é isso aqui? Esses leves?
06:54Oh, provavelmente salada.
06:56Isso é um restaurante.
06:57Sim, claro, mas o que vocês estão fazendo?
06:59Fazendo os salados?
07:00Não me diga. Eles vão colocar em bagas de bagas,
07:03ir para casa e ir para comer.
07:04Agora, você sabe que é um procedimento.
07:07Por que você só vai para um pouco?
07:09Siskas, o que aconteceu com você?
07:11Uh-huh.
07:11Nós chamamos de você, Mad Dog.
07:14Onde está tudo isso?
07:15O que vem da luz e a luz?
07:16Oh, sim, sim.
07:17Bem, eu estava ficando um pouco muito em meu trabalho, Carl.
07:22Eu estava...
07:23Eu estava me desculpando.
07:25Eu estava me desculpando.
07:27Possível coronaria.
07:28Você estava indo para o divórcio.
07:30e então minha esposa me convenceu que eu deveria ser parte de grupo therapy.
07:36Grupo therapy?
07:36Você?
07:37Sim.
07:39O que é o sentido de gritar?
07:41Eu quero dizer, toda a esteria.
07:44Eu aprendi como controlar a minha rage.
07:49Então hoje, quando eu digo pessoas algo, eu digo,
07:57eu estou bem, você está bem.
08:03Obrigado.
08:04Obrigado.
08:05Cuidado, amor.
08:07Um patron saint de um set de gourmet foi morto.
08:10Seria uma boa história, e eu fui lá primeiro.
08:14O objetivo agora é ser lá primeiro quando o suspeito foi arraigado.
08:18Fat chance.
08:22Capitão, Capitão.
08:24Capitão, o que é o nome?
08:26O que é o história?
08:27O que é?
08:30O nome é Roman Clemente, formerly pastry chef de Chez Voltaire.
08:34Ele confessa, Capitão?
08:35Não, não, não, mas o motivo vai ser suficiente.
08:38Depois de tudo, eu não lembro de onde ele foi na noite.
08:41Ele diz que ele se tornou insensate de consumir muito pouco.
08:44O que foi o motivo?
08:45O que é que ele foi?
08:46O que foi o que foi?
09:00O que foi o que ele foi?
09:03O que foi o que foi?
09:05Ele disse que era desculpada por uma grande condição de sangue de sangue.
09:10Condição de sangue de sangue?
09:10Vamos lá, eu vi que ele tinha visto que ele tinha sido massacrado por um bulldozer.
09:16Você quer dizer que o rumo e o nome dele era, era de sangue de sangue?
09:19Agora, Sr. Kolchek está exagerando os wounds.
09:23Nós não sabemos o tipo de arma que Sr. Correnta usava para enfrentar os blows.
09:28Os wounds? O que blows? Não havia de sangue.
09:30E o que era aquele salado? O que era? A vinaigrette ou a Green Goddess?
09:34O que era aquele salado? O que era aquele salado?
09:36Obrigado, senhoras e senhores. Não havia de sangue.
09:39Ei, Kolchek, o que era aquele salado?
09:41Eu não falei nada de salado. Eu sou um homem de carne.
09:45Ei, eu sou um homem de carne.
09:46Não, não me. Não, não.
10:00Paco, não esqueça, Kolchek. Você não precisa.
10:02Paco!
10:04É isso aí, Adrita? A friend que está tentando fazer você um favor?
10:07E aí, você é a Green Convertible, não é?
10:10Sim.
10:10Sim.
10:10Sim, eu fui para o meu caminho.
10:12E eu vi um monte de crianças em sua carro.
10:14Então, eu tento encontrar eles.
10:15Mas, antes de conseguir, eles deram todo o seu carro.
10:20Eu tento.
10:25Talvez eles vão voltar.
10:29Não há nem uma obrigada, Paco.
10:42Não há nem uma obrigada, Paco.
10:46Não há nada de risco.
10:51A série de salada, o que era o que o Siskar tinha ser tão acionado.
10:54E o Salad de Siskar era tão tão acionado.
10:55A nome que eles chamaram, eu não podia pronunciar.
10:57Mas, eu senti, eu me senti, que não era o Salad,
10:59que eu ou alguém que eu já ouvi ouviu.
11:12Piaget's file referiu o leitor para um caso anterior,
11:14que é de uma pessoa chamada Kelly Michelle Louise.
11:18Eu estava muito cansado para ver as estatísticas de Miss Kelly,
11:20mas eu percebi que ela não era uma vítima como Piaget,
11:24mas um simples hit-and-run.
11:26Se tudo isso é sempre simples.
11:32O leitor não está listo as plantas de nomes latinos.
11:35Strike one.
11:36Strike two, a Chicago phone book
11:38listed at least 2,000 Kelly's,
11:4018 of them named Michelle.
11:43Vai ter muita footwork the next day.
11:45All I could do for the night
11:46was write up a story on the murder of a chef.
11:50Mas a grande strike-out that night
11:52foi feito por Bobby Ray Solange, age 22.
11:55Ocupation?
11:56Would-be superstar.
11:58But at 11 o'clock the night of July 6th,
12:01Solange had finished a very hard day
12:03of playing street guitar to less than enthusiastic audiences.
12:06And he figured he owed it to himself
12:08to relax with his version of the evening martini.
12:11He picked the basement of the old Samuel de Champlain apartments
12:15as the place to be alone.
12:20.
12:30.
12:39.
12:40.
12:41. . .
12:41. . .
12:41. . .
12:41. . .
12:41. . .
12:42. . .
12:56. . .
12:57. . .
12:57. . .
12:58. . .
12:59Eu encontrei o que eu queria, o morto.
13:01A senhora, que não conhecia Michele,
13:03me disse que eu deveria falar com a ex-employadora.
13:10Ops! Eu pego seu perdão.
13:13Quiet!
13:14A tom-prova glass não faz tanto.
13:21Ele está reming.
13:22Muito?
13:23O que é reming?
13:25Rapid eye movement.
13:26O que é reming?
13:29Eu desculpe, Hilary.
13:31Eu só não posso ajudar.
13:33Mom?
13:35Mom?
13:38Oh, você tinha um bom rem, não?
13:40O que é o problema?
13:41Quem é?
13:41Meu nome é Karl Kolschak.
13:43Se você é Dr. Pollock,
13:47eu gostaria muito de falar com você.
13:48Oh!
13:49É tarde alguém escreveu algo sobre meu trabalho.
13:51Eu talvez seja um M.D.,
13:52mas eu sei o valor do TI.
13:54Eu espero que você seja muito interessante.
13:57Mas eu estou aqui para falar sobre Michele Kelly.
14:00Oh!
14:00O nome não significa nada a mim.
14:02Michele é o que foi derrotado por um carro.
14:04Ah!
14:06Ah!
14:07Ah!
14:08Será que ele está contra a comunidade?
14:10USe uma untersenda anterior,です
14:15para não entender. Segura
14:16uma IFER de zero. Cancer r
14:18Tibetan, nós não
14:18sabemos quase nada sobre isso. Ele está
14:21morrendo. Já está
14:23morrendo. Portanto,
14:26que não entendemos, ele pode dormir durante qualquer atividade.
14:30Trabalho, brincar, sexo, sexo...
14:34Mas talvez seja o seu parceiro.
14:36Mas é fascinante, não é?
14:37Tudo sobre o trabalho de pesquisa é fascinante.
14:40Nós temos que falar sobre o sonho, insônia, yoga,
14:45hallucinamentos, os rúos de schizofrenia.
14:49Tudo está em dormir.
14:51Mas você está interessado em um automóvil?
14:56Não, eu não tenho certeza de que ela é uma mulher.
14:58Eu acho que Michelle Kelly foi morta.
15:02Não, não, não, eu não acredito que alguém pode ter matado Kelly.
15:07Ela não tinha inimigos, não eram jovens que eu conheço.
15:10Ela foi uma chlub.
15:12Uma chlub?
15:13Como você se chama, Dr. S-C-H-L-U-B, ou S-H-L-U-B?
15:19Não posso ser certeza.
15:20Oh, she was eager, bright, but unbearably clumsy.
15:26Well, I don't think that anyone killed her intentionally.
15:30Why, why, why, why would you think that?
15:33Because if anyone could blunder out in front of a fast-moving automobile,
15:38it was her.
15:39She was always pulling the knobs off of expensive equipment, spilling bedpans.
15:45She even bumped into an oscilloscope and almost awakened the sleeping subject.
15:50And it almost ruined an entire study for us.
15:53Well, she was such a chlub, Dr. Why did you keep her on?
15:56I tried to be a nice guy.
15:58How's it working out, Doc?
16:00I don't know.
16:01Mom?
16:03Mom?
16:07I'd lived in the city a long time, but I'd never been to the Chicago Botanical Gardens.
16:11Maybe it was my hay fever, or maybe a premonition of boredom that kept me away.
16:15Whatever it was, the subject of plant life was now beginning to take on a strong and macabre interest.
16:21Oh, hi there.
16:22I'm Carl Kolschak of the Independent News Service.
16:25Could I have a few minutes of your time, please?
16:27Well, you picked a bad time, Mr. Kolschak.
16:29The pipe ruptured last night, and our podocarpus went without water, and it looks pretty sick.
16:33Oh, that's a shame.
16:35Well, maybe I should come back later.
16:37An hour from now, I have the entire Ladies' Garden Club of Evanston,
16:41and they're always a big problem, and your problem is you're standing in some of our best horse manure.
16:50Well, what I really wanted to find out was, what is it?
16:54Talansia osniodi?
16:55Mr. Noytis, it's right straight ahead of you, and it'll tell you everything you want to know.
16:59Uh-huh.
17:00Yeah.
17:03Uh-huh.
17:05Talansia osin...
17:06A Spanish moss!
17:08Oh, yeah, they say it's found in the Babel country in Louisiana.
17:12Is there any other place in Chicago where to grow?
17:15Oh, it'd be much too expensive to create the hot, wet, growing conditions.
17:20Your tax dollars have bought the only Spanish moss within a radius of a thousand miles.
17:27Yeah.
17:28Nobody, uh, would be, uh, clipping it off on you, would they?
17:35No, I check it every morning, and it's all there.
17:37Look, Mr. Kolchak, you can take the tour any time you like, but right now I am really rather busy.
17:45Uh, what's my, is that your sick portocarpus?
17:48No.
17:50This inflation is killing me, and these are my tomatoes.
17:55Oh, terrific.
18:05I blew most of the day trying to track down some connection between the two victims, Kelly and Chef Piaget.
18:10There was absolutely none that I could discern, and that baffled me.
18:14When I called into the office, Vincenzo told me I'd received an important call.
18:18There's a second.
18:19There's a 20 in it, right?
18:20Right.
18:21I said yes last night.
18:22If the chest is caved in.
18:23Any chest wounds, it doesn't have to be caved in.
18:25It's not one of the fine points of it.
18:26Just tell me what you got.
18:27No, no, I'll tell you.
18:28You'll say it's not what you want.
18:30It really is.
18:30Then you won't pay off.
18:32Unlike Las Vegas, I always pay off.
18:36A meat wagon over at St. Vincent's picked up a DOA.
18:39The chest is messed up pretty bad.
18:41Where'd they find the body?
18:42The old Champlain apartments on Dearborn, in the cellar.
18:46Uh-huh, uh-huh.
18:47Guy's name is Bobby Ray Solange.
18:50Yeah, Bobby Ray Solange.
18:51Does he, uh, did he have any, uh, Spanish moss on him?
18:54No.
18:55It was garnished with parsley.
19:50Sheesh.
19:52Sheesh.
19:54Sheesh.
19:55Sheesh.
19:55Sheesh.
19:58Sheesh.
19:59What's the big idea?
20:01The landlord wants this room closed for keeps.
20:04Yeah, why?
20:04Why?
20:05Because we've got all kinds of kids coming down here necking, smoking cocaine.
20:10Last Thanksgiving, we had a guy stab his girlfriend down here.
20:14Here?
20:14Last night.
20:16Last night.
20:16A hippie was crushed to death.
20:19Three locks we put on this year.
20:21Enough is enough.
20:23Who are you?
20:26Cold shack health department.
20:27Cold shack health department.
20:27Are you aware that there was a law that requires an open basement in every apartment building
20:32with free access?
20:33Why?
20:34What do you mean why?
20:35What do you, what do you, what do you, are you getting technical on me here?
20:37It was a breeding place for rodents down here.
20:40Look at this.
20:40You close the thing off to pedestrian traffic.
20:43It gets all hot and steamy down here.
20:45Before you can say, jeez, it's rat city.
20:47And look at this.
20:47Look at fire, fire hazards down here.
20:49People get trapped in here.
20:50The whole place would burn up.
20:52We've had a complaint on this place already today.
20:55Let me see that ID.
20:56What's your name?
20:57Just what is your name, huh?
20:58What happened here?
20:59What happened?
21:00That's what happened.
21:02$200 worth of door of Rune.
21:04Rune?
21:04Yeah, that mahogany comes from Brazil.
21:08In the thirties, this used to be something.
21:10Uh-huh.
21:11Yeah, did you see it happen?
21:12No, I had a hollered cop, wouldn't I?
21:15Must have been a gang attack, this kid.
21:17You should have seen what they done to him.
21:20The whole world's gone crazy.
21:23And then they dragged in some kind of vegetables
21:26and threw dirty water all over the floor.
21:30What kind of vegetables?
21:32Green glop.
21:33The cops took it with him, and they're welcome to it.
21:38Green glop, huh?
21:40What about the victim?
21:41You know anything about him?
21:42He was a hippie.
21:44Dirty hair, filthy jeans.
21:46Yes, yep.
21:47Carried a rotten sandwich in his guitar sack.
21:50That's the kind, all right.
21:51Guitar sack?
21:53Yeah, a broken up, crummy old thing.
21:56And all around the body on the floor,
21:57there was nickels and dimes and quarters.
22:00Hey, you don't suppose he was one of them street singers, do you?
22:05Every large city has a street musicians.
22:07I suppose it says something about us urbanites that we hardly notice them.
22:11I know I never did, always too busy.
22:13But when I had to mix among them, I began to realize how many there were.
22:18I heard more plinking and twanging the night of July 9th than I ever wanted to.
22:22Fortunately, some of it was good.
22:24And in one case, it put me on the right trail.
22:37What's the take, Pepe?
22:38Très bien, très bien.
22:41Real good.
22:41Ten more bucks and I can get another half an hour studio time.
22:43Okay, here's ten bucks right here, right now,
22:46for anybody who can tell me about Bobby Ray Salon.
22:48I know Bobby.
22:49You do?
22:50Comes from a parish near mine.
22:51Parish?
22:52What do you mean?
22:52He's religious, right?
22:53Wrong.
22:53Not that kind of parish, man.
22:54A county in Louisiana.
22:56A county in Louisiana?
22:57Well, that's Spanish moss country.
22:59Doesn't that mean Spanish moss goes down there?
23:01Did you know that Bobby Ray's dead?
23:04Listen, man, I gotta cut a demo.
23:05Ticket's low.
23:06Yeah, but is that all the things?
23:08Is that all I get for my ten bucks?
23:12Monsieur, I know Bobby Ray.
23:15You know Bobby Ray?
23:17Uh-huh.
23:21That's all the money I got.
23:22Merci.
23:23All right, now, what's your name, Pepe?
23:24Start talking.
23:25Pepe Schmeppi.
23:26My name is Maurice Shapiro from 116th Street
23:29and Jerome Avenue in the Bronx.
23:30Maurice!
23:32When you're my size and in my line of work,
23:34you gotta do the popular rule with you.
23:36Uh-huh.
23:36The public expects it.
23:37Yeah, well, that's very intriguing, Pepe,
23:40but do you know who killed Bobby Ray Salon?
23:43Did I come to Chicago in 38 to dance on the street?
23:46Yeah.
23:47No.
23:47I came to get into organized crime.
23:49Were you successful?
23:50No, I didn't make the height requirement.
23:53But I learned some things from those guys,
23:55like, uh, don't give information to somebody
23:59who might really have dark blue underwear and a badge.
24:02Well, I'm not gonna show you my underwear, Maurice,
24:04but here is my ID.
24:05I-N-S.
24:06Press, see?
24:07Mm-hmm.
24:07Okay?
24:08Now, Solange's a nice kid,
24:10but his friend Langwa, you can keep.
24:12Come on, I'll show you where him and Bobby lived.
24:14You mean you think that Langwa killed Bobby Ray Salon?
24:16Oh, Langwa has a real bad temper.
24:18Bad and stupid.
24:21Whew!
24:21And his fiddle playing.
24:23Yeah.
24:24A dying pig in a kazoo sounds better.
24:26Come on, let's go.
24:29So?
24:29Solange and Langwa had a big fight a couple of months ago
24:32about some broad back in Louisiana.
24:34Solange creamed him.
24:35Yeah?
24:36Yeah.
24:36Yeah?
24:37Langwa hates me, too.
24:38Why?
24:38Yeah, same reason.
24:39He feels threatened by me.
24:41I'm always stealing chicks away from him.
24:43Well, I can understand that.
24:45Yeah, sure.
24:46So where is this, uh, Paul Langwa's now?
24:48Well, he disappeared about a couple of months ago.
24:51Probably got fired.
24:52Yeah.
24:52Again.
24:53Well, what, he can't keep a job?
24:54Yeah, he couldn't hold his pants up this bum.
24:56They're both Louisianans, huh?
24:58Mm-hmm.
24:59Yeah, a lot of these poor southerners migrated to Chicago.
25:01They were always talking about the Bayous and the Philly Gumbo
25:04and the Paramount Faith and the what?
25:06The what?
25:06The Paro what?
25:07Yeah.
25:08Am I a Cajun?
25:10Some kind of Meshuggah and a legend.
25:11They were always laughing about it, saying,
25:13Watch out for Paramount Faith.
25:15Paramount Faith's gonna get you.
25:17That's their idea of a joke.
25:18Hicks.
25:19Bumpkins.
25:20Yeah.
25:20Listen, I've got to, uh...
25:23Pepe?
25:27Come on, Morris.
25:28Stop playing jokes.
25:32Pepe?
25:33Morris!
25:43Morris?
25:53Morris?
25:57Morris?
26:04Morris?
26:05Morris?
26:06Morris?
26:08Morris?
26:09Morris?
26:09Morris?
26:10Morris?
26:11Morris?
26:11Morris?
26:11Morris?
26:13Morris?
26:18Tchau, tchau.
26:44Tchau.
27:14Tchau.
27:16Tchau.
27:16Tchau.
27:17Tchau.
27:20Tchau.
27:34Tchau.
27:38Tchau.
27:41Tchau.
27:43Tchau.
27:48Tchau.
27:49Tchau.
27:51Tchau.
27:53Tchau.
27:54Tchau.
27:55Tchau.
27:56Tchau.
27:56Tchau.
27:57Tchau.
27:59Tchau.
27:59Tchau.
28:00Tchau.
28:01Tchau.
28:01Tchau.
28:07Tchau.
28:07Tchau.
28:16Tchau.
28:18Tchau.
28:22Tchau.
28:34Tchau.
28:35Tchau.
28:37Tchau.
28:49Tchau.
29:02Tchau.
29:03Tchau.
29:04Tchau.
29:09Tchau.
29:10Tchau.
29:10Tchau.
29:11Tchau.
29:22Tchau.
29:23Tchau.
29:28Tchau.
29:31Tchau.
29:44Tchau.
29:46Tchau.
29:46Tchau.
29:49Tchau.
29:58Tchau.
30:00Tchau.
30:01Tchau.
30:02Tchau.
30:02Tchau.
30:04Tchau.
30:05Tchau.
30:05Tchau.
30:06To tell you the truth, you're not okay.
30:08The people in group therapy didn't tell me I was ever gonna meet anybody as un-okay as you are.
30:13Carl, single-handedly, you had that strange ability
30:16to take a year and a half of group therapy and send it right down the drain.
30:20And as for your little man...
30:22Yeah, well, he's something for the Missing Persons Bureau.
30:24And Paul Langlois, well, we're way ahead of you on that, too.
30:28We tracked him down through Bobby Ray Solange.
30:31Well, that's terrific. You got him.
30:33Now, what, what, what, you gonna question him?
30:34Oh, well, uh...
30:36You see, I can't wake him up to do that.
30:39He's asleep.
30:40Asleep? Has the heat wilted your brain pan? Wake him up!
30:45He's got an ironclad alibi.
30:47He's being monitored 24 hours a day by people in those electric gizmos.
30:53He has been asleep for over six weeks.
30:56He is a volunteer subject for a sleep study at the university.
30:59He's asleep.
31:09You have a guess what Dr. Davis did in the surgeon's lounge.
31:13So I went back to my bureau chief and I told him about your place here.
31:17And he agreed with you completely that there really is a story in your work over here.
31:21So I said to him, Tony, I'm beginning to see your point.
31:25Oh-ho-ho.
31:26Yeah.
31:26And so I went down to the Times and went to the file room to look up what they had
31:30written about your place here.
31:31Well, all I could find was just a little infinitesimal blurb on your narcosynthesis program here.
31:37So I've decided to do a whole feature series of articles on you. I mean, if it's okay with you.
31:43Well, you can take your feature series and rotate on it.
31:46You take me for some sort of woolly-headed, absent-minded intellectual.
31:50I know the score. The police were already here and told me all about Paul Langlois and the murders.
31:57And?
31:58I dusted them off quick and I'll dust you off even quicker.
32:01Paul Langlois has been asleep for six weeks. Is there any more to be said?
32:04Yes. A good number of his friends have been put to sleep for good. Now, doesn't that interest you?
32:09I have never been interested in the crime genre, in movies or books.
32:13And in real life, it leaves me even colder. The only thing that interests me now is this experiment.
32:18You have kept Paul Langlois asleep for six weeks and not allowed him to dream.
32:24Why?
32:25To find out what's happened. That is science.
32:35Is he dreaming or reming or whatever you call it?
32:39Natalie, my pet, will you go get Dan Force, please?
32:43I told you he's not being allowed to dream. That's why I hate talking to laymen. Look at the EEG.
32:49Steady Delta.
32:51Yeah, well then why are all the buzzes going off like a racetrack towboat?
32:54We don't really know. It just happens occasionally. We'll find out at the conclusion of the experiment.
33:01Ah, Danforth.
33:05Well, I thought Danforth was a doctor.
33:09About the time I was getting bounced out in my ear, patrolman Warren Lunt, assigned to a beat in the
33:13south side's hillbilly ghetto,
33:15was making his nightly sweep along Dahlstrom Avenue in search of undesirables.
33:19He found a most undesirable way to die.
33:28Oh!
33:29Oh!
33:32Oh!
33:35Oh!
33:37Oh!
33:37Oh!
33:38The surveillance unit requested immediately. Officer down, the corner of Dahlstrom and Ravenel.
33:43Roger.
33:44Captain Siska, unit Bravo 9, request for instance unit, corner of Dahlstrom and Ravenel.
33:49Dahlstrom Avenue was only two blocks away from where Maurice Shapiro, alias Pepe, had been snatched from in front of
33:55my very eyes.
33:57It was definitely clear what was happening at the Dahlstrom Avenue intersection.
34:00The good captain was presiding over another murder while the prime suspect slumbered in the arms of the university.
34:06And from what I had seen at the sleep lab, he was not slumbering peacefully.
34:11Yeah, a lot of these poor southerners migrated to Chicago.
34:14They were always talking about the Bayous and the Philly Gumbo and the Paramount Faith.
34:18Oh, what?
34:19Am I a Cajun?
34:21Some kind of Meshuggah and a legend.
34:23They were always laughing about it, saying,
34:24Watch out for Paramount Faith. Paramount Faith's gonna get you.
34:30Come on.
34:30Come on.
34:54Better, but that last riff still doesn't do it for me. We'll take it again.
34:57Uh, uh...
34:58Gene, a guy named Kolchak here to see you. You wanna rap with him?
35:03Kolchak?
35:04Pedal steel player from Muscle Shoals?
35:06Uh, no, I'm, uh... How do you... How do you... How do you...
35:07No, no, I'm the reporter who gave you ten bucks the other night for a one-liner on Bobby Ray
35:12Solange.
35:13I'm here to pick up the rest of my dollars worth.
35:14Not when studio time costs sixty bucks an hour.
35:17That's what I told him.
35:18Yeah, well, uh, what is Paramount Faith?
35:21I give up. What is Paramount Faith?
35:24Can you believe this? Here I am busting my chops trying to cut a bullet, and this guy wants me
35:28to tell him bedtime stories.
35:30What do you mean bedtime... What do you mean bedtime stories?
35:32Paramount Faith's the boogeyman. That creature's lived in them swamps since before us Cajuns got there, they say.
35:38Uh, uh, boogeyman? Uh, uh, uh, does, uh, does he have... I can't work this.
35:42You know, a bullet is a tune that goes right to the top. It's a hit.
35:47Does this Paramount Faith have Spanish moss all over him?
35:49Yeah, yeah.
35:50Yeah, well, look, I'm gonna beat the drums in here all day for you, but you're gonna talk to me.
35:54Now, just, why do you call this Paramount Faith a boogeyman?
35:58Paramount Faith's supposed to come from the upper bayou regions.
36:01Yeah.
36:02He's wet, he's covered with rock and Spanish moss.
36:05And when I used to get out of line when I was a kid, my mom would bring me back
36:08around by telling me Paramount Faith'd get me.
36:10What do you mean, get you?
36:12She said Paramount Faith'd squeeze the life right out of me.
36:16And how do you get him?
36:18You have to stake him with a stick from Bayou Gum.
36:23Well, thank you very much.
36:24Why don't you and your boogeyman just boogie on out of here?
36:28And a one, two, three.
36:34And I wanted to put it on the record, Captain, that I consented to this under duress.
36:40Natalie, you're my witness.
36:41Doc, I want you to give him a second ejection.
36:43I want this man awake!
36:45Oh!
36:46Well, a dead cop's a lot scarier than the university's legal department, huh?
36:49Too bad for that motorcycle cop, you didn't make up your mind earlier.
36:51Isn't this debasing enough without having this ass spraying around here?
36:56You know, I'd tend to agree with you, Doctor, if I saw my Nobel Prize going down the shredder.
37:00But the fact remains that your guinea pig here dreamed five people to death.
37:05I don't have to listen to this poppycock.
37:08Well, you'd better.
37:09You sent him to a mental level that no human being has ever been to before.
37:14And somehow, his dreams, his nightmares have created a creature, a legend from his childhood, named Permalfe.
37:22I told you, he has not been dreaming.
37:25He wasn't dreaming.
37:27How do you know he wasn't dreaming?
37:28You yourself told me in there you didn't understand what was happening.
37:30He was in steady delta.
37:33Get the EEG.
37:34No, no, I'll get him.
37:43Steady delta.
37:46No REM, no dream.
37:48Yeah.
37:49Terrific.
37:50Listen.
37:51What time did that motorcycle cop die, huh?
37:538.30.
37:54I suppose that's got something to do with this little fantasy here.
37:56Yeah, as a matter of fact, it has, yeah.
37:57I happened to be right here in this joint at 8.30 tonight, when his vital signs went crazy.
38:03Let's see.
38:04June...
38:05June...
38:05June 5th.
38:07Wow.
38:07June 5th.
38:082 a.m.
38:09Uh-huh.
38:10Yeah.
38:11And July 6th.
38:12July 6th after...
38:1511 p.m.
38:17Right here.
38:18What about, uh, yesterday?
38:20Yesterday, there we go.
38:23At 10 p.m.
38:25It was on those times that Honoré Piaget, Bobby Ray Solange, and a little guy named Maurice Shapiro were probably
38:32killed.
38:32Are you gonna bring that little man of yours in here again?
38:34Yeah.
38:34Isn't it not that you came in through that door frothing at the mouth and screaming about swamp monsters and,
38:39and, and, and dreaming people to death?
38:41I gotta tell you something.
38:42Ever since you've been on this thing with me, you've been bugging me.
38:46Bugging me good.
38:48I want you to know you're greeting on my nerves, Kojak.
38:51Captain, must we have this emotional outburst?
38:53Relax.
38:54There is something decidedly odd here.
38:57He should be awake.
38:59Paul.
39:03Paul.
39:06Something is very wrong.
39:09I gave him twice the usual dosage of methamphetamine.
39:12He should be out of it.
39:14Well, if you don't wake him up, Doc, then somebody better start whittling a spear out of Bayou Gumwood.
39:20Because according to legend, that's the only thing that's going to kill Pam Alfay.
39:24Will you shut up about that now, right now?
39:27Shut up, shut up, shut up.
39:28Did you hear that?
39:30He heard me.
39:32No.
39:32No, not he.
39:33It.
39:34It heard me.
39:35It doesn't want to die.
39:36Listen, is this a subject that Michelle Kelly almost woke up?
39:39Yes, it is.
39:40Yeah?
39:40What time did she die?
39:41Come on, Cisco.
39:42What time did she die?
39:42About 11 o'clock on July 3rd?
39:4411.
39:44Yeah, that's right.
39:46Well, it killed her because she was clumsy and she almost woke him up.
39:49And that's your answer.
39:56He isn't dying, is he, Doc?
39:59That assumption's a bit premature, but I'll tell you one thing.
40:04I can't wake him up.
40:22Well, all of his dreams and his nightmares are over.
40:29I hope.
40:38Evening, Bruno.
40:39What are you doing, Clark?
40:40Getting any?
40:41Getting any.
40:43What happened?
40:44Leaking from the roof.
40:46Uh-huh.
40:47Plumber will be out tomorrow.
40:48Yeah.
40:48Want to bet it's next week?
40:49just kidding, Gracie.
40:50He he he.
40:54Oh, boy.
40:57I don't know why I came here different.
40:59I don't like a drink.
41:02Whoah?
41:03In that case, do you, sir?
41:05You guys want to step into my office and find some drinks on a tray of that?
41:09Tchau, tchau, tchau, tchau.
41:40Ron, good night.
41:50Well, I was going to work here.
41:59Good.
42:00Yeah.
42:05Well, they got up there anyway, Bruno.
42:09Ah.
42:12Ah!
42:17What's the matter, Carl?
42:18What is it?
42:19That ceiling isn't leaking.
42:22He's been here looking for me.
42:23Permal-Fay's been looking for me.
42:25Permal-what?
42:25What are you talking about?
42:26What is that slop there?
42:29He's not dead.
42:30He's existing independently of Paul Anglois.
42:32He's still alive.
42:34He heard me talk about that swamp gum tree spear.
42:38And he's come looking for me.
42:40Well, Carl, look.
42:41Stay here.
42:41Have a drink.
42:42Relax.
42:42What?
42:43Are you crazy?
42:43Stay here and get killed?
42:44Are you out of your mind?
42:45Listen, he killed Paul Anglois because we're waking him up.
42:49Listen, where in Chicago would you look for a swamp creature?
42:51Where would he live?
42:58He's been working too hard.
43:39He's been working too hard.
43:39He's been working too hard.
43:39He's been working too hard.
43:39He's been working too hard.
43:40He's been working too hard.
43:41He's been working too hard.
43:42He's been working too hard.
43:45He's been working too hard.
43:49He's been working too hard.
43:58Vamos lá.
44:22Vamos lá.
44:51Vamos lá.
45:21Vamos lá.
45:22Vamos lá.
45:38Vamos lá.
45:40Vamos lá.
45:40Vamos lá.
45:43Vamos lá.
45:44Vamos lá.
45:45Vamos lá.
45:46Vamos lá.
45:48Vamos lá.
45:49Vamos lá.
45:50Vamos lá.
45:52Vamos lá.
45:52Vamos lá.
45:54Vamos lá.
45:55Vamos lá.
45:56Vamos lá.
46:05Vamos lá.
46:06Vamos lá.
46:06Vamos lá.
46:06Vamos lá.
46:09Vamos lá.
46:23Vamos lá.
46:25Vamos lá.
46:34Vamos lá.
46:38Vamos lá.
46:45Vamos lá.
46:46Vamos lá.
46:51Vamos lá.
47:00Vamos lá.
47:02Vamos lá.
47:04Vamos lá.
47:17Vamos lá.
47:18Não, não, não, não.
47:54Não, não, não.
48:19Não, não, não.
48:32Não, não, não.
48:40Não, não, não.
48:51Não, não.
49:01Não, não.
49:21Não, não, não.
49:37Não, não, não.
49:52Não, não.
49:53Não, não, não.
50:06Não, não, não.
50:24Não, não, não.
50:33Não, não.
50:37Não, não, não.
50:43Não, não, não.
51:14Não, não, não.
51:15Não, não, não.
51:22Não, não, não.
51:45Não, não, não.
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