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00:13Abertura
00:56Abertura
01:16Abertura
01:35F. Scott Fitzgerald once wrote
01:37The rich are different than you and me
01:41They sure are, they got more money
01:43But there wasn't enough money in the world
01:45To save some of the members of Chicago's upper crust
01:48From a fiendish force so dark
01:50It can only be called diabolic
01:55Chicago's rich and super rich
01:57Are no different from the privileged few
01:59Of new york's sudden place
02:00Or the nouveau riche of los angeles
02:03They enjoy a highly protected environment
02:13November 12th, 11.20pm
02:15Rhonda June Marquet, real name
02:17Adele Saperstein, was coming home
02:19After an unusually successful day
02:21Miss Marquet was chairman of the board
02:23Of Maison de Marquet Incorporated
02:25Manufacturers of the famous
02:27Miss Rhonda June brassiere line
02:29A long-time bulwark of the garment industry
02:32Serving women from 8 to 80
02:33She designed her first bra in 44
02:36When she was an aircraft worker in Glendale
02:38Miss Marquet had a well-known proclivity
02:41For fine gems
02:42And was reputed to have
02:44Some of the biggest diamonds in Chicago
02:49Vamos lá.
03:16Meio, meio, meio, meio, meio, meio.
03:46November 13th, 1.30 a.m.
03:49Lucy LaPonte Addison, the reigning queen of what was left of Chicago's old society,
03:53was returning home after an opera opening.
03:56She supplied the opera house.
03:58Lucy Addison had accumulated fortunes like she accumulated husbands.
04:02Friends referred to her as the steel butterfly.
04:35. . .
04:44The sudden demise of these two powerful ladies jolted Chicago's elite.
04:49Both funerals were S.R.O.
05:05. . . .
05:07. . . .
05:10. . . . .
05:12. . . . . .
05:12. . . . .
05:14. . . .
05:14. . . .
05:15. . . .
05:16. . . .
05:17. . . .
05:22. . . .
05:27. . . .
05:28. . .
05:28. . . .
05:29A CIDADE NOVA
06:04A CIDADE NOVA
06:29A CIDADE NOVA
06:57A CIDADE NOVA
06:59A CIDADE NOVA
07:01A CIDADE NOVA
07:17A CIDADE NOVA
07:21A CIDADE NOVA
07:51A CIDADE NOVA
08:07A CIDADE NOVA
08:18A CIDADE NOVA
08:45A CIDADE NOVA
08:49A CIDADE NOVA
08:59A CIDADE NOVA
09:02A CIDADE NOVA
09:24A CIDADE NOVA
09:26A CIDADE NOVA
09:54A CIDADE NOVA
09:56A CIDADE NOVA
10:06Descubra!
10:41Descubra!
11:07Descubra!
11:08A million-dollar sapphire, stolen.
11:10Two guards, dead, and a man dressed like an Indian
11:13who dove off the roof into thin air.
11:17I saw it, but I didn't believe it,
11:19and I was sure the police didn't either.
11:37The End
12:14É a conclusão, então, que o roubador, ou os roubadores,
12:18criaram um distúrbio.
12:20Eles roubaram o Saffire,
12:21e, na confusão, os guardas se derrubaram.
12:25Capitão.
12:26Sim, Sr. Colchak.
12:27Did I hear you say that those guards shot each other precisely in the heart?
12:33Yes, Sr. Colchak. Regrettably, things like that do happen.
12:36Things like that do happen.
12:37Yeah, in all that confusion...
12:39You will all get the ballistic data as soon as we do.
12:42Captain, just how did this man actually escape?
12:45We assume that the man that we're looking for has experience
12:47as a high-wire aerialist, trapeze artist, or acrobat.
12:51A trapeze artist, eight feet tall?
12:53And I suppose his dog belonged to a circus, too.
12:55The dog? What dog?
12:57The dog that killed the police dog.
12:59Colchak, you disrupt this conference,
13:00and I'll have you physically ejected.
13:02Hey, but, Captain, Captain,
13:04you haven't answered the question.
13:05How do you explain the dog?
13:06Yeah, what about the dog?
13:08Yeah.
13:09That matter is under investigation,
13:10but there are a couple of possibilities.
13:12One, that the dog may have escaped
13:14while we were chasing the man,
13:16and perhaps there was no dog at all.
13:18Now, may I remind the esteemed Mr. Colchak
13:20that no one actually saw the alleged dog.
13:23What about the way this guy was dressed?
13:25He looked like an eight-foot Indian to me.
13:28When you've been in detective work as long as I have,
13:30you'll learn to expect every kind of kook
13:33and crazy imaginable, Mr. Colchak.
13:35Little shot, Colchak.
13:43This conference is over.
13:45Is that the ballistics report, Captain?
13:46No further questions.
13:50Oh, I'm sorry.
13:51No, it's not at the start, please.
13:53No more comments.
13:54Ask the Captain.
13:55Really, ask the Captain.
13:57He knows all about it, honey.
14:19Here you go.
14:35Ballistics, please.
14:38Who?
14:38What?
14:40Lieutenant, uh, Tackwood.
14:41Who?
14:42Tackwood.
14:43I just got a hold of the ballistics report
14:44on those two dead guards on the gem exchange robbery.
14:46Oh, yeah, I didn't think you guys would go for that.
14:49Listen, we examined those slugs six times.
14:51It's no mistake.
14:52Are you sure?
14:53Listen, Tackwood,
14:54I'm telling you,
14:55each guard was killed with a bullet from his own gun.
15:00What?
15:01Yes.
15:04Hey, who is this?
15:14Colchak, what are you doing in the squad room?
15:16You're absolutely right.
15:17I couldn't agree with you more.
15:18Crowley, see he gets out of here now.
15:20I've left.
15:26I decided to look up Albert Delgado,
15:28an old acquaintance
15:29and fairly reliable source for underworld gossip.
15:32Delgado was a one-time cutter of stone and gems
15:35and, more recently,
15:36a graduate of the Joliet State College of Barbering,
15:39where he had studied for seven years.
15:41No, Carl.
15:42I don't do that kind of work anymore.
15:46Ain't been near a diamond wheel in years.
15:48I'm talking about that marquee woman's diamond pendant.
15:52Do you know the...
15:52Oh, the brassiere thing.
15:54Yeah.
15:55350 carats?
15:56Yes, 350 carats.
15:57Ain't seen or heard of it.
15:58That's terrific.
15:58What about the Addison woman's emerald bracelet worth about 250 Gs?
16:03Yeah, I read about that one.
16:05Sounds nice.
16:06Sounds nice.
16:06And the sapphires on the gem exchange?
16:08Mm-mm.
16:09Nothing emerged.
16:11Nothing emerged.
16:12Nope.
16:16Uh, Albert, I want to tell you and warn you,
16:20I only have one throat.
16:21I don't nick people.
16:22You're just prejudiced because I'm an ex-con.
16:24No, I'm prejudiced not because you're an ex-con,
16:27but because your hand is shaking.
16:30Kolchak, I was a diamond cutter.
16:33What does that tell you about the steadiness of these hands?
16:36That's the point that I'm making, Albert.
16:39Kolchak, I think I've got an angle for you.
16:40Yeah?
16:41This jewel thief has classy taste, right?
16:44Yeah, right, right.
16:44I mean, all of those little pebbles that only cost a couple of thou,
16:47he passes them right by, right?
16:49Yeah, right, right.
16:49Meaning?
16:50Meaning what?
16:51The guy is a collector.
16:53He likes to have the stuff around, you know what I mean?
16:56Yeah, yeah.
16:58Kolchak, I'm going to show you something.
17:02If your tip is generous and from the heart.
17:05From the heart.
17:07Uh-huh.
17:08Still keeping your fingers at it, huh?
17:10Not exactly.
17:12Observe.
17:15Glass.
17:16All I do now, make duplicates for people.
17:19Most of the real rocks are stashed away in a wall somewhere.
17:23It takes a very dicey dame to wear real ice these days.
17:28The insurance kills them.
17:29Yeah, well, there's going to be fewer and fewer of them from now on.
17:33Kolchak, none of that stuff has hit the market.
17:35Believe me, I know, because I have my ear to the door.
17:39Frankly, the hot rock business is in a slumber.
17:44Well, thanks very much for the shave, Albert.
17:48Is that from the heart?
17:49From the heart.
17:56Come on.
17:58Congratulations.
17:59You finally got one in focus.
18:00Give me that.
18:01Dead doggers, that's pretty important, huh?
18:03Yeah, well, you can tell the difference between a dog and a cat.
18:06That correspondence school is doing wonders for you.
18:08Couldn't get it any bigger?
18:09Not without losing quality.
18:11Quality.
18:12I could have shot that better with a shoebox and a pinhole.
18:15to think I stayed here all night to develop that.
18:18Why don't you stay a little longer and develop a personality?
19:04How long have I been warning you?
19:05If you need a number from the phone book, don't tear out the page.
19:08Take the time to copy it down.
19:10Well, what was it you're looking for?
19:12I'm looking for kennels, dear.
19:14Guard dogs.
19:16Why, Cobb?
19:17For what possible reason?
19:18Well, I'm working up an angle on that gem exchange robbery.
19:21Why not?
19:22Why not?
19:23Hey, once upon a time, there was some jewels.
19:25Somebody robbed them.
19:26Can't you just write that and send it in without going to a kennel?
19:29No, no, this is not your usual run-of-the-mill caper, Tony.
19:31No, this jewel thief, who dresses up like an Indian,
19:34managed to kill two guards at the gem exchange yesterday,
19:36each with their own gun.
19:38Police report said they shot each other accidentally.
19:40Well, you've been reading too much fiction lately.
19:41That's one of your problems.
19:42Well, somebody's cannibalized my book, too.
19:45Uh-huh.
19:48I saw that Indian go off the edge of a six-story building and disappear.
19:54Now, the police say, of course, that he's an aerialist
19:56or some kind of a circus acrobat, some kind of smoke,
19:58but look at that.
20:03Oh, a dead dog.
20:06Boy, that's Pulitzer material, Carl.
20:08Yes, sir.
20:09Well, I happen to think that it's highly unusual
20:13and probably very significant
20:16that a jewel thief who dresses up like an Indian
20:17uses a killer dog.
20:19Coach, I don't care if he's got a train seal
20:20that plays La Paloma on the bicycle horn.
20:23You just let the police worry about tracking down the leads.
20:25Dogs or whatever.
20:26Now, you just write and report.
20:29Ah!
20:30Now, you just wait here.
20:31I got an assignment for you.
20:33I'm sorry, Tony.
20:34I can't have to lunch.
20:35Well, you wait there.
20:37We can have lunch together.
20:38No, no, no.
20:38I can't do that.
20:39I'm sorry.
20:39Why not?
20:40No.
20:40Well, I've had lunch with you already.
20:43Well, I'll pay this time.
20:45Thanks, Ron.
20:46All right.
21:02Reliance Guard Dog, Incorporated, and George M. Schwartz,
21:06trainer of the three-time Midwestern guard dog champion,
21:09Reliance's Teutonic Knight.
21:12Mr. Schwartz knew his dogs.
21:13He also had the caution that comes from a lifetime of paranoia.
21:25I would like to find out what kind of dog made the tracks
21:29around the dead guard dog here.
21:30Who do you want to know that for?
21:32Well, if I can find what kind of a dog it is, Mr. Schwartz,
21:34then maybe I can find the trainer.
21:35Just what have you got against dog trainers?
21:37Oh, I can assure you, Mr. Schwartz,
21:40that I have the highest respect for dog trainers, sir.
21:42Yeah.
21:43Well, you can't really tell what kind of tracks these are.
21:46You wait right here.
21:47Yeah.
21:49What does that mean?
21:50Well, it's German.
21:51They seem to like it better.
21:52Told him to keep you company.
21:54Oh.
22:17That's our food.
22:19One.
22:21One.
22:22One.
22:23One.
22:23One.
22:26O que você tem que me fazer?
22:28Desculpe-me?
22:30Não são as camadas de um cachorro.
22:32O que você quer?
22:33Eles são um cachorro.
22:36Cachorro?
22:47Se um homem se vestir como um indian para o jem exchange, eu diria que ele é estranho.
22:51Mas se ele também traz o cachorro, eu diria que ele é um indian.
23:00Sim, posso te ajudar?
23:02Dr. Temple?
23:03Sim.
23:05Meu nome é Carl Kolchak, eu sou o Independent Service.
23:08Eu vou chegar até o ponto, se você promete não se lhe.
23:12Eu procuro um homem que está em um indian e morre com um cachorro.
23:17Um homem e um cachorro.
23:18Oh, eu amo esse tipo de história.
23:20Bom, eu não diria essa história de meus filhos em casa se eu fosse você.
23:23O homem que eu estou procurando, tem um homem que está matando quatro pessoas durante a semana.
23:28Oh.
23:29Então, você acha que você seria melhor falar com um criminólogo ou um psiquiatra?
23:35Dr. Temple, eu seeki informações sobre indianos.
23:38Eu não sei o diferenço entre um Chippewa e um Chippendale.
23:45Você vê algo aqui que parece familiar?
24:16Não.
24:18O homem que está se lembrado.
24:20O homem que aprende a ser uma realidade.
24:22O homem que aprende a passar em outra realidade.
24:23O quê?
24:24Se eu não conhecia diferente, eu diria que você estava descrito um diablaro.
24:29Você vê, os diablaros têm a poder...
24:33para...
24:34Oh, é preposteroso.
24:37Não, não, não, não, não, não.
24:38Bem, claro, é só legendas,
24:40mas a lei diz que os diableros
24:42tinham o poder de jogar
24:44suas vítimas em uma trance.
24:45E também, supostamente,
24:48eles poderiam se transformar em animais,
24:51hawks, crôs,
24:52até coelhos.
24:57Mas...
24:59evenings,
25:0017ru ano 4h.
25:01Na hora de ir ao museu,
25:03Jé respondia sem futebol
25:06Umaunya rapidez!
25:55A CIDADE NO BRASIL
25:58A CIDADE NO BRASIL
26:26A CIDADE NO BRASIL
26:29A CIDADE NO BRASIL
26:32A CIDADE NO BRASIL
26:35A CIDADE NO BRASIL
26:41A CIDADE NO BRASIL
26:45A CIDADE NO BRASIL
26:46A CIDADE NO BRASIL
26:49A CIDADE NO BRASIL
27:02A CIDADE NO BRASIL
27:04A CIDADE NO BRASIL
27:14A CIDADE NO BRASIL
27:26A CIDADE NO BRASIL
27:32A CIDADE NO BRASIL
27:34A CIDADE NO BRASIL
28:03A CIDADE NO BRASIL
28:32A CIDADE NO BRASIL
28:33A CIDADE NO BRASIL
28:34A CIDADE NO BRASIL
28:36A CIDADE NO BRASIL
28:42A CIDADE NO BRASIL
28:45A CIDADE NO BRASIL
28:52A CIDADE NO BRASIL
28:59A CIDADE NO BRASIL
29:00A CIDADE NO BRASIL
29:12A CIDADE NO BRASIL
29:13A CIDADE NO BRASIL
29:15A CIDADE NO BRASIL
29:17A CIDADE NO BRASIL
29:18A CIDADE NO BRASIL
29:20e me chamo de 555-884-2.
29:25Agora, me chamo de informação e me chamo de volta.
29:32Ron, ela tinha que ir, mas ela disse que era tudo bem para você vir,
29:37e eu vou chamar de volta e dizer o tempo e o lugar,
29:40e ela vai se encontrar na frente.
29:41Muito bom, 8 o'clock, Waverley Building.
29:43Mr. Vickers, por favor.
29:44Ronald Updike, calling.
29:46Hi, nós foram cortados.
29:49Ron Updike.
29:52U-P-D-Y-K-E.
29:55Oh.
29:56Over the iron.
29:58We hung up again.
30:01Kolchak isn't here yet.
30:03No.
30:03You tell him I want to see him as soon as he sets foot in that door.
30:06Oh, dear.
30:09Emily Cowles confessed to her crime,
30:11and Mr. Updike, unfortunately,
30:13was spared the embarrassment of showing up at the auction.
30:16However, Emily did get the information to me first.
30:19It was to be the largest gem transaction in Chicago history.
30:23The auction itself was to be private,
30:25but was preceded by a reception where the most exclusive guests
30:28were allowed to view the objects of their desire.
30:31Oh, 350,000 minimum.
30:34Yeah, well, I keep telling you that it is in the glove compartment of the Bentley,
30:39and the Bentley...
30:39What seems to be the problem?
30:40Are you the auctioneer here, Mr...
30:42Beloy?
30:43Beloy, yes.
30:44Are you any relation to Roger Beloy of the Bar Harbor Beloy?
30:48No, I didn't think you were.
30:50Well, I appreciate security, Mr. Beloy, as much as the next person.
30:54But I must say that simply because I don't have your invitation on my person,
30:59I find it rather insulting to have your guards humiliate me.
31:03And your name is, uh...
31:06Coalworth.
31:06Carl Coalworth.
31:08Any relation to the Woolworths?
31:10Distantly, yes.
31:11They dealt in wool, we dealt in coal.
31:12I happen to be the personal secretary, uh, chauffeur, majordomo, et cetera,
31:18of, uh, Adriana Jennings.
31:21Oh, yes, yes.
31:23Well, uh, is Mrs. Jennings coming?
31:25Well, of course she's not coming, certainly.
31:26Well, I assume that a man in your position will be reading the society columns.
31:29She's in the Orient, but she has authorized me to attend the auction here and bid for her.
31:34Yes, well, I'm sorry, but I don't recall sending an invitation to Mrs. Jennings.
31:37Well, of course you don't recall. You never sent it.
31:39She was terribly insulted by it.
31:41As a matter of fact, when she spoke to Mrs. Ludlow,
31:43Mrs. Ludlow was absolutely shocked.
31:46Mrs. Ludlow is one of our best customers.
31:48I'd hate for her to be distressed.
31:49Perfectly all right, Beloy.
31:50I have smoothed the ruffled feathers.
31:53Thank you, Mr. Coldworth.
31:57Oh, good evening, Mrs. Ludlow.
32:00Good evening.
32:00Mrs. Ludlow.
32:02Excuse me.
32:04Mrs. Ludlow, you know that man.
32:13Why aren't you in Yucatán as you're supposed to be according to the columns?
32:17He's a reporter, Karl Kolchak, INS.
32:20Oh, yes, of the Hoboken Kolchaks.
32:23You're to leave here at once.
32:25Now, just one moment.
32:26You stand a very good chance of being robbed here tonight.
32:29Now, you do know about all the jewelry thefts from going on in town.
32:31Mr. Baker, the Chicago police, has checked out our security procedures.
32:34He feels our jewels are quite safe, Ava.
32:36Yeah, well, then, Baker must be a 24-carat chump.
32:40Because if you do get hit, you'll be dealing with something that no security force can stop.
32:45Will you please do us the kindness to leave here quietly, or I'll have you physically removed.
32:48I will leave.
32:49I'll leave by myself, if you don't mind.
32:51I know what I'm not wanted.
32:53Uh, ladies and gentlemen, we'd like to begin the auction at this time.
32:57Those of you who intend to bid on the large precious stones, please go with Mr. Beloit in the Georgian
33:03room.
33:03Those who wish to participate in the jade and pearl sale, please follow me.
33:36Okay, block her up.
33:58Get me the case, please.
34:00Would you just sit down?
34:08Well, now, shall we begin?
34:14Mr. Beloit, my wife is very concerned about the man you talk to.
34:18Are we in any danger?
34:19Danger?
34:20Well, hardly.
34:21He was only a street reporter, probably had too much to drink.
34:26Now, first, the latest offering from Van Hearn in Johannesburg.
34:50Must have been a bird.
34:51They hit this building all the time.
34:53Over.
35:18Well, what?
35:36Não, não, não, não.
35:47Não, não, não.
36:08Não, não, não.
36:20Não, não, não.
36:39Não, não, não.
36:55Não, não.
36:57Não, não.
36:58Não, não.
37:01Não, não.
37:09Não, não.
37:12Não, não, não.
37:12Não, não.
37:13Não, não.
37:15Não, não.
37:22Não, não.
37:23Não, não.
37:30Não, não.
37:36Não, não.
37:39Não, não.
37:45Não, não.
37:51Não, não.
38:06Não, não.
38:16Não, não.
38:22Não, não.
38:23Não, não.
38:23Não, não.
38:23Não, não.
38:52Não, não.
38:57Não, não.
39:01Não, não.
39:03Não, não.
39:05Não, não.
39:05Não, não.
39:06Não, não.
39:10Não, não.
39:12Não, não.
39:12Não, não.
39:13Não, não.
39:14Não, não.
39:33Não, não.
39:34Não, não.
39:34Não, não.
39:35Não.
39:36Não, não.
39:37O bairro que eu vi, era um grande bairro branco, eu quero dizer, é um bairro!
39:43Eu quero dizer, é um bairro ou é um homem?
39:45Bem, é um bairro, e não é um bairro.
39:49Ele usa a mágica de ambos, e só para o mal.
39:54O mal é tudo que ele realmente é.
39:56Oh, sim, sim, sim, sim, eu concordo com você.
39:59Então, como eu...
40:02Como você matou a diableta?
40:04Sim, sim, sim, sim, sim.
40:05Bem, desde o início das vezes, foi dito que a diableta não vive com a vista de sua própria visão.
40:13Nada mais, nada mais, vai matar ele.
40:14Oh, é incrível.
40:15É um...
40:17É um...
40:17É um bom help.
40:18Como eu encontrei ele?
40:21Não um sabe isso.
40:23Mas nós já ouvimos em nosso artigo o diableta que você diz.
40:26Ele vive por anos por uma cruz roando perto e perto.
40:29O que tipo de cruz?
40:30A cruz para a treinagem.
40:32Uh-huh.
40:33Você, esse diableto era um antigo sorcero.
40:37Amém, o cliff dwellers.
40:37O cliff dwellers?
40:38O yoke?
40:39O...
40:40O...
40:40O...
40:40O...
40:40O...
40:40O...
40:41O...
40:41O...
40:41O...
40:41O...
40:41O...
40:41O...
40:41O...
40:42O...
40:42O...
40:42O...
40:42O...
40:55O...
40:56O...
40:57O...
41:09O...
41:10O...
41:12O...
41:27O que é isso?
41:45O que você está fazendo?
41:46É Ron's desk.
41:47All right, Tony.
41:50Those are Ron's private papers.
41:52Yeah, yeah, I'm looking for something.
41:53Now, Carl, come on, you know how particular Ron is about people disturbing his things.
41:56In his ear.
41:58Buddy, you, uh, you staying here tonight?
41:59Yes, I'm staying here.
42:01You, uh, nursing a story, huh?
42:02No, I'm not nursing a story.
42:04I'm camping here because I thought that sometime during a 24-hour period,
42:08like a moth returns to the flame, you will return to this office.
42:10And the waiting was worth it, for what I'm going to tell you.
42:13Well, tell me this.
42:14What's the name of that building?
42:15What building?
42:16That deserted tower story that Ron was working on.
42:19You know, high-rise investments, take a nosedive.
42:21Tony, Tony, listen.
42:23There is an empty high-rise somewhere here in Chicago
42:25that is being used as a rest place by an 8-foot creature
42:29who has killed at least 10 people in Chicago
42:31and who knows how many elsewhere.
42:32Carl, are you insane?
42:33Yeah, he's called a Dioblero.
42:35Di-a what?
42:36Yeah, yeah, he's a member of a tribe of cliff dwellers.
42:39Carl, what are you babbling about?
42:40What's Ron got to do with a tribe?
42:42If you were a cliff dweller,
42:44where else in downtown Chicago would you be except in that building?
42:47If I were a cliff dweller, I wouldn't be downtown Chicago.
42:49I'd be dwelling in my cliff in an adobe hut two stories high,
42:52which is not exactly the Hancock Tower.
42:54Tony, have you ever seen a Pueblo?
42:56I mean, they're building the side of a cliff hundreds of feet high.
42:58Where is that story?
42:59Don't you ever read the paper?
43:02Ron's speech went out over the wire this morning.
43:04What?
43:05Right here.
43:07Champion Towers!
43:08That's it!
43:09Tony, Tony, call the police and tell me to come to the Champion Towers right away.
43:13Thank you very much, Tony.
43:14You're going to great help.
43:15Thank you.
43:16Carl, come back here!
43:18Carl, this...
43:23Cliff dwellers.
43:33The owners went broke and the whole project went into receivership.
43:36Only the first five floors had been furnished and leased.
43:42It's after hours, sir.
43:43You can't go up.
43:44Oh, no, no.
43:45Wait a minute now.
43:46See, uh, I-N-S, uh, Intercity Neon Service.
43:50We don't have a neon sign.
43:51Well, that's your problem.
43:52See, you manage your ordered neon sign at the top of the building.
43:54You could use some advertising.
43:55What are you doing coming at night?
43:56Well, when do you expect me to make my estimates?
43:58High noon?
43:58What floor do you want?
44:00The roof.
44:00The elevator only goes to the fifth floor.
44:02I want 40 floors?
44:06How many?
44:0740.
44:10I'm used to it.
44:55I'm used to it.
44:58I'm used to it.
45:19Se inscreva no canal.
45:56Se inscreva no canal.
46:28Se inscreva no canal.
46:57Se inscreva no canal.
47:14Se inscreva no canal.
47:29Se inscreva no canal.
48:06Se inscreva no canal.
48:11E aí
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51:18E aí
51:31O que é isso?
51:48O que é isso?
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