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00:00O que é isso?
00:34O que é isso?
01:07O que é isso?
01:13O que é isso?
01:27O que é isso?
01:27O que é isso?
01:30O que é isso?
01:31O que é isso?
01:33O que é isso?
01:33O que é isso?
01:35O que é isso?
01:37O que é isso?
01:37O que é isso?
01:40O que é isso?
01:41O que é isso?
01:43O que é isso?
01:43O que é isso?
01:44O que é isso?
01:45O que é isso?
02:13O que é isso?
02:15O que é isso?
02:22O que é isso?
02:23O que é isso?
02:23O que é isso?
02:23O que é isso?
02:25O que é isso?
02:27O que é isso?
02:37O que é isso?
02:39O que é isso?
02:41O que é isso?
02:53O que é isso?
02:55O que é isso?
02:57O que é isso?
03:10O que é isso?
03:12O que é isso?
03:28O que é isso?
03:32O que é isso?
03:42O que é isso?
03:45O que é isso?
03:47O que é isso?
03:47O que é isso?
03:48O que é isso?
03:49O que é isso?
03:50Não acredita que não...
03:52O que é isso?
03:56Não acredita que eu não tinha um vacation
03:58de 5 anos?
03:59O que é isso?
04:02Você não acredita que não lhe...
04:03Você quer que eu peguei eles no aeroporto?
04:06Boa, isso é bom para você.
04:07Foi o mesmo aeroporto que eu ia sair daqui.
04:09Ele não parece como o Nick agora, não é?
04:12Olha, eu não tenho a fluir?
04:14Você não pode dizer que eu estou morto?
04:16Eu preciso de uma vacação.
04:18Dizem que eu estou morto.
04:19Eu estou preparado e preparado para ir!
04:30Co-chack!
04:37Sim, senhor?
04:38Como você tem a fluir?
04:39Bugs nunca me, senhor.
04:41Eu pensei que você mencionou algo sobre a temperatura,
04:43um queijo stomach, ou algo, o outro dia.
04:45Me?
04:46Não, não, não, nunca, nunca.
04:48Como você nunca fica morto, Jack?
04:50Eu deve morrer, senhor.
04:51Ron!
04:52Você parece muito bom, Ron.
04:53Como você está?
04:54O que é isso?
04:55Minha coluna.
04:56Eu gostaria de olhar para sair daqui.
04:57Às 10 horas da manhã?
04:59Onde você vai?
04:59O médico.
05:00Você não importa?
05:01Eu acho que eu estou morto.
05:02Não, não, não.
05:03Eu quero que você tenha que ver.
05:04Você está morto.
05:05E a grande dose de vitamina C.
05:07Eles me fazem me morrer.
05:10Como você faz uma semana de expanse cruzada na Hanover?
05:14Pai pior.
05:15Eu tenho um tempo ruim de sear.
05:17Tudo faz você morrer, não?
05:18Você está morto?
05:19Você está morto?
05:19Você está morto?
05:20Você não está morto?
05:21Você não está morto?
05:23Você tem que viajar, Ron.
05:24Você está morto?
05:25Eu gostaria de ir para o médico.
05:27Vá!
05:28Vá!
05:28Vá!
05:28Vá!
05:29Vá!
05:29Vá!
05:31Vá!
05:34Vá!
05:35Vá!
05:36Vá!
05:37Vá!
05:37Vá!
05:38Vá!
05:39Vá!
06:06lockedرا
06:10Não entende a ideia que você está indo para a vacância.
06:13Eu quero ver essas histórias.
06:15Eu quero eles ser incisive, pensamento provável.
06:19Isso é billoso de uma cruzada, e eu quero ver essa jornada lá fora.
06:23O pretensão, o gasto, o coração, o coração, e a alegria, se há uma alegria.
06:30A alegria.
06:31E aí, claro, tem a...
06:32Tem a船 itself, a Hanover.
06:35Não, ela está indo para a Scrap Heap.
06:38Essa é a última jornada.
06:39Por favor, você pode fazer algumas peças com um...
06:43com um gostoso, sabe?
06:46Por que eu estou dizendo isso?
06:48Você deve ser um profissional.
06:50Não se desculpe, não.
06:52São coisas simples sobre pessoas que estão novos.
06:55Vamos fazer alguma coisa hoje, Mrs. Cowes?
07:05Não se desculpe, não se desculpe, não se desculpe, não se desculpe.
07:16Não se desculpe, não se desculpe.
07:392,000.
07:40Considered by many to be the grandest lady to have ever sailed the seas,
07:43she had outraced U-boats, fought off dive bombers,
07:46and weathered the wildest of parties.
07:48Mas ela não weathered the airlines.
07:51A 747 had condemned her to death.
08:09Então, se desculpe, não se desculpe, não se desculpe.
08:30E aí, cara, como você está?
08:32Oi, bom ver você.
08:34Deixa eu perguntar algo.
08:35O que você está fazendo aqui?
08:37Eu acho que eu sou o seu companheiro.
08:38Oh, ótimo. Mel Tartar.
08:41Oi, Mel.
08:41Ei, onde você tem a sua nametagem?
08:42Você tem uma nametagem.
08:44Eu não sou um passageiro aqui, eu sou uma repórter.
08:46A repórter? Você quer dizer, como a 5ª coluna?
08:49Não, a 5ª coluna foi a nazi espia de riqueza.
08:52Não, se você for a pressão, é a 4ª coluna.
08:54Oh, certo, certo, certo.
08:55Ei, have a ver aqui.
08:55Não.
08:56Não?
08:56Não.
08:57Hum.
09:00Olha, eu já fiz a toda a jornada de riqueza e de novo.
09:03E é o usual, olha.
09:05Você tem 40% de-força, 50% de-seize, e 10% de-lite-fou.
09:11Agora, isso é o 10% que estamos interessados, certo?
09:13Olha, eu vou me dar um outro.
09:15Sim, sim, sim, sim.
09:17Oh.
09:19Oh.
09:22Oi, eu sou Wendy.
09:24É Mel Chorter aqui?
09:24Bom, sim.
09:25Ei, tudo bem!
09:27Como você está fazendo, baby?
09:29Oh, punk, você olha...
09:31Olha, olha o que está em um caminhão.
09:33Olha o que está em um, e olha o que está em um.
09:35Ei, você sabe por que eles chamam isso a bikini?
09:37Não.
09:38Porque é onde eles colocam o atalão.
09:40Porque é onde eles colocam o atalão.
09:41Porque é onde eles colocam o atalão.
09:44Oh, oh, isso significa comida.
09:46Você está chegando?
09:47Não.
09:48Oh, eu me desculpe.
09:49Eu não entendi o nome.
09:50Carl Kolchak.
09:51É com a C ou a K?
09:53Ambos.
09:54C for Carl, K for Kolchak.
09:56Que legal, mas onde é o nome de Carl?
09:58Bom...
09:59Oh, olha, ele é um reporter.
10:005th column.
10:014th estate.
10:02Sim, certo.
10:03Vamos lá.
10:03Vamos lá.
10:05Paula Griffin.
10:07Oh, você quer dizer...
10:08O que é o chico que encontramos na Grog Shop?
10:10Sim, ele é perfeito.
10:11Oh, sim.
10:12Ei, listen, Carl.
10:13Paula, você vai amar ela, man.
10:15Eu me desculpe, mas ela vai virar a sua carreira.
10:17Eu vou virar a carreira?
10:18Sim, sim.
10:20Você está chegando?
10:20Não, obrigado.
10:21Eu vou virar um pouco.
10:22Eu vou virar um pouco de Chicago.
10:23Eu vou virar um carro.
10:25Eu vou virar um pão aqui.
10:25Eu vou virar um pão aqui.
10:26Chicago?
10:27Oh, certo.
10:28Eu tenho que dizer, a última vez que eu estava no loop,
10:30eu...
10:31Oh, você sabe o que vamos fazer?
10:33Você e eu irá se sentar e ter uma longa conversa, ok?
10:35Vamos falar sobre chai.
10:36Sim, sim.
10:37Até mais.
10:38Até mais.
10:38Até mais.
10:39Até mais.
10:40Até mais.
10:41Até mais.
11:07Oh, bom dia, senhor.
11:10Você deve ser, ah, Mr. Steiglitz.
11:12Eu sou o assistente Pursa.
11:13Anything you need, I'm your man.
11:15Please call me George.
11:17What do you want?
11:17Oh, just doing some unofficial checking, sir.
11:20There's a fella down on B deck.
11:21He was assigned a cabin that he doesn't like very much.
11:24It's too small.
11:25He'd be willing to pay well for a larger place.
11:28Would you be interested in a deal like that, sir?
11:32No.
11:33Because I specifically asked not to have a cabin made.
11:35Oh, that's okay, Mr. Steiglitz.
11:38Just remember, anything you need, I'm your man, George.
11:42Liquor, ladies, late-night snacks.
11:46Now, please, get out.
11:47Say, I got a honey of a telephoto lens that'll fit this camera.
11:52Trouble is, somebody just scratched off the serial numbers.
11:55Now, Mr. Steiglitz, if there's anything you need at any time,
11:58all you have to do is ring, and I'll be right here at your service.
12:27All right.
12:4110.18, dois eventos aconteceram.
12:43Uma, a Terra Terra Terra, e dois,
12:47uma senhora Louisa Prysoc de Eugene, Oregon,
12:50tinha perdido 50 dólares em dimes do seu avião.
12:5610.20 pm, a senhora Louisa Prysoc tinha perdido tudo.
13:0115.20 pm, a senhora Louisa Prysoc
13:20Ei, Cal, come on.
13:23Hey, I want you to meet Paula.
13:25You remember Wendy, don't you?
13:26Yeah.
13:29Cal Kolchak, 4th Column, I want you to meet Paula Griffin, your own little roundhouse, you know what I mean?
13:34Have fun, guys.
13:36Oh, 4th Column. Are you an accountant?
13:40No, no, I'm a reporter.
13:42Oh, a reporter, oh, that's terrific.
13:45You get to go all these marvelous places, meet interesting people, do exciting things.
13:50I'm a nut about old movies. Did you ever see Too Hot to Handle with Clark Gable and Myrna Loy?
13:53He was a reporter and she was an aviatrix. They had all kinds of adventures. They fell in love.
13:58They went up the Amazon River where this headhunting tribe was. It isn't anything like that, is it?
14:03The headhunting is, yes.
14:05Listen, would you excuse me? I've got to do a story.
14:07Oh, certainly. About what? No.
14:08Well, it's about the trip. My editor wants to do a story about the glamour and the excitement and the
14:14fun of the trip.
14:46Oh, they don't write articles like that anymore, Cal.
14:49Uh, Carl. Carl. Carl? Oh, excuse me. Everything today is either an expose or a polemic, isn't it?
14:54Polemic. Mm-hmm. It's an argument. Controversity.
15:01It's a little late at night for a lifeboat drill, isn't it?
15:04Maybe we've been torpedoed.
15:10Did you ever see lifeboat with Walter Slezak and Tallulah Bankhead?
15:13Uh, no, I...
15:15Uh, excuse me, Eddie. Mind fucker, uh, Paul, Paul, Paul.
15:19Paul Griffith, do you do this every time you hear a whistle blow?
15:23Hey, what happened? Nothing. You hear the whistle blow and he split.
15:26Well, did you say something to him? I said nothing.
15:27Oh, you must have bugged him, Paul. I was. I didn't bug him, Mel.
15:58I'm sorry, sir.
15:59You're not allowed up there. Captain Wells' orders.
16:02Oh, Wells! Oh, I've already spoken to Wellsey.
16:04Why, we're old buddies from the Yorktown in 44.
16:06We were co-helmsmen together. I didn't want to take another look at the bridge.
16:09Oh. Did you say, uh, Yorktown?
16:11Yorktown, yeah.
16:12Great ship. Great ship.
16:14But it went down in 42.
16:1642? I thought it was...
16:19Hey, Doc! Hey!
16:20Out.
16:21Sir?
16:22Down.
16:24Down.
16:25Certainly.
16:27Down.
16:52Oh, you must be lost.
16:53This area is off limits of all passengers.
16:55I heard shots up here.
16:55Oh, no, no, you didn't.
16:56It was a high-pressure hose busted, whipped around,
16:59messed up a couple of boys, that's all.
17:00Well, I want to get out of my cabin downstairs.
17:02I'm afraid this water will flood it at all.
17:03We're checking upon all the damage right now, sir.
17:05Just give me your name and your cabin number.
17:07My name is Carl K...
17:09Carl K. Wells, Royal Suite.
17:12Are you related to the captain?
17:13I certainly am. I'm his son.
17:15We haven't seen each other very much in the past few years
17:17since my mother and he divorced when I was very young.
17:20But I'd like to get through if you'd like.
17:21I'm sorry, sir.
17:22I'm sure your father would be reporting to you personally, sir.
17:25What's your name?
17:26Gribs, sir.
17:28Gribs.
17:30Yes.
18:16Carl Kulshack, I.N.S.
18:17It's a very important message to go to the Chicago office, I.N.S.
18:20Top priority.
18:21No stories going out tonight, sir.
18:23Did you hear me, son?
18:23I said top priority, triple A.
18:25I'm sorry.
18:26We're having a little trouble with the equipment.
18:27Well, when are we going to be fixed?
18:28Soon.
18:29Soon?
18:29What's that gun doing there?
18:30Uh, big swimming.
18:31We got it tomorrow.
18:32I'm the starter.
18:33Yeah, no pools closed.
18:34Now, we know that, sir.
18:44Work out every day.
18:46I love tennis and swimming.
18:48Have you ever been to the last century?
18:49Yes.
18:50What's the matter?
18:51You ought to be in commercials.
18:52Excuse me, sir.
18:53Excuse me.
18:54Oh, hi.
18:55Hey, what is this?
18:56Hey, I shell out a buck eighty for a my time.
18:59I don't even get half a dance.
19:01Oh, Bert Efren, right?
19:02No, no, it's Bernie, Bernie.
19:04Bernie, I must have heard wrong.
19:05There's a cute little redhead down by the casino
19:07who's booking all over the ship for you.
19:08Oh, yeah?
19:09Yeah, it said she met you at last year's convention.
19:11What convention?
19:11I don't know.
19:12Whichever one you were at.
19:14The Mai Tai.
19:16Oh, excuse me.
19:17That was very cute, sir.
19:20Are you that anxious to get back to the story of my life?
19:23An expose?
19:24Yes, but first I've got to ask a favor.
19:27Oh, no.
19:28No, no, Carl.
19:29I don't know if I could do that.
19:30I mean, the ship has rules.
19:31Listen, Paula, you remember, do you remember Classic Pacific
19:34with Humphrey Bogart and Mary Astor?
19:36Yeah, they were on a freighter.
19:37Sidney Greenstreet and Benson Fong played the two-axis spy.
19:40Exactly.
19:40Now, do you remember the scene in which Mary Astor created a diversion
19:45so that Bogie could go into Benson Fong's cabin and steal the coves?
19:50That never happened in Across the Pacific.
19:53Oh, sure it did.
19:54Sure, sure.
19:54It was one of the most exciting parts.
19:55Carl, I've seen it at least eight times on TV.
19:58Oh, well, they must have cut that part on the television.
20:00It never happened, Carl.
20:03It didn't?
20:04No.
20:06Is this that important to you?
20:08Oh, very.
20:11Okay.
20:12But next time, don't try to con me.
20:14Just lay it on me.
20:21Oh, excuse me.
20:24Uh, excuse me.
20:26Uh, could you help me?
20:28I, uh, lost one of my contact lenses out there,
20:31and, uh, I can't see a thing.
20:33Lady, I'm snowed under here.
20:35Well, what if I fall down the stairs and break my neck?
20:38Then you'll have a lawsuit on your hands.
20:39Please help me.
20:40All right.
20:41Thank you.
20:45All right, now, which way is this thing?
20:47It's over in this general direction.
20:48Right here.
20:49Right here.
20:52Right here.
20:53Right here.
21:18It's very tiny.
21:20This is ridiculous.
21:21I can't see...
21:21Did you look over there?
21:24It's too dark.
21:24I can't see anything.
21:25Ah, I've got it.
21:27I've got it.
21:27I didn't see anything.
21:28Where was it?
21:29Well, your eyes must be worse than mine.
21:31Thanks.
21:37The first-class pool.
21:39It was no longer in service,
21:40but two couples from Wayne, Indiana,
21:42after drinking too much,
21:43decided they simply had to swim there.
21:46They should have gone to bed.
21:48Ah!
21:51Ah!
21:55Ah!
21:58Ah!
21:58Ah!
21:59Ah!
21:59Ah!
21:59Ah!
22:00Ah!
22:01Ah!
22:01Ah!
22:01Ah!
22:05Ah!
22:13It'll take minimum 36 hours to check all passengers
22:17for possible police or psychiatric records.
22:20Maintain security in silence.
22:28The operator.
22:29Operator.
22:32Carl, did it work?
22:33They're thinking they're turning the boat around
22:34and going back to L.A.
22:35What?
22:36Oh, damn it!
22:37What?
22:37My lens.
22:38I lost it.
22:38I really lost it.
22:39Every time I really open my eyes, I lose it.
22:42Oh.
22:44Oh, these carpet fibers.
22:45If it gets buried in there, we'll never find it.
22:47Why would they do that, Carl?
22:48Quiet, quiet.
22:49Well, do what?
22:50The boat.
22:51Operator.
22:51Yeah, operator.
22:53Yeah, I'd like ship shore, please.
22:53Long-distance Chicago, Illinois, Tony Vincenzo, INS offices.
22:57Your area code 312-555-8842.
23:00I'll try that for you, sir, but it may take a few minutes.
23:02I'll hold.
23:03I'll hold.
23:04A Pacific storm.
23:05What?
23:05That's the only reason they turned the boat around.
23:07You know, I had a friend once.
23:08They took a cruise to Acapulco.
23:09There was a hurricane up ahead, and they returned to port.
23:11They never got their money back either.
23:12They'll hear from me if that happens to us.
23:14There's a lot more to worry about than getting our money back.
23:16Ah, there it is.
23:17There we go.
23:17Oh, thank you.
23:18Thank you, Carl.
23:22Hello, operator.
23:23What's going on?
23:24What's happening?
23:25Still trying, sir.
23:26I'm going to go down forward and check out down there.
23:28Yeah, all right.
23:31I'll get where you are.
23:32Check the top side.
23:34Come on.
23:35Let's go.
23:35Go back.
23:38Carl, I just got a Marlowe.
23:40Marlowe.
23:41Oh.
24:05Get this man in the infirmary.
24:19Two months.
24:21That's very odd.
24:22Do you have a history of coagulation problems?
24:24No.
24:25No.
24:25It seems to be healing, and then it just breaks open again.
24:29It has happened twice now.
24:31Then I have this constant dizziness and the blackout spells.
24:36Odd.
24:37Likely the abrupt change from Greenland's the cause for it.
24:41As for the claustrophobia, rabies, I think we can safely rule that.
24:47I know that.
24:48I'm no fool.
24:50Well, I'm sorry.
24:52It's quite natural that you'd be a little irritable.
24:56Here.
24:57You take two of these at bedtime tonight, and they'll help you sleep and ease any discomfort.
25:04Hmm?
25:07Don't you humor me with pills.
25:09They gave me pills at the Billings Naval Hospital in Montana.
25:12They didn't do anything to relieve my nightmares.
25:16You've been experiencing this much discomfort, and they've discharged you from NATO?
25:23Why didn't you stay in the Naval Hospital?
25:25I'm still with NATO.
25:27I'm merely on arrest, Steve, Doctor.
25:29Please be careful.
25:36You might think of seeking neuropsychiatric help.
25:40Now, listen to me.
25:43I don't want to look at inkblots.
25:45I don't want to discuss my nightmares.
25:47I want to stop them now, today!
25:50Now, please, give me an injection of a... of a painkiller.
25:57I can't give you any narcotics.
26:00Why can't you?
26:02Well, there's a procedure with using narcotics.
26:07You babbling fool.
26:15Dottie!
26:19Who was that man?
26:20Good morning, Mr. Kolchak.
26:21Your dad would like to see you.
26:23Dad?
26:23I don't have a dad.
26:24This way.
26:25Oh!
26:26Dad!
26:34Well, congratulations, Captain.
26:36My compliments.
26:37This is all cleaned up, spick, and span good as new ship shape.
26:40Nobody had ever dreamed there was a brouhaha in the last night.
26:43Mr. Kolchak, you are to understand and comply with the following for the duration of this voyage.
26:48One, you are to cease annoying crew members in the performance of their duties.
26:52Two, you are to desist from fomenting trouble among your fellow passengers.
26:56Three, you are to stop representing yourself as my son.
27:00Well, I thought I could get away with a little resemblance.
27:02That's all.
27:03Dismiss it.
27:05Just to admit, Captain Wells, I happen to be a reporter for the Independent News Service.
27:09News, sir.
27:10That's a press.
27:11You do know about the First Amendment, the freedom of the press?
27:14I'm fully aware of all the articles of the Constitution of the United States, Mr. Kolchak.
27:18Splendid.
27:18Are you fully aware of the articles of the Maritime Code?
27:21Article 43.
27:23The captain of the vessel shall have full and sole authority over all passengers and crew therein,
27:28and shall, in the event of a crisis, take any means he deems necessary to ensure that everyone aboard act
27:35in compliance with the best interests of the vessel.
27:38No, crisis.
27:38You did say crisis, sir.
27:39That means that you agreed that there was something very strange aboard this boat.
27:42Ship.
27:42A boat ship?
27:43Whatever.
27:44Listen, I was down here last night, and I saw something absolutely incredible before I, well, before I was blacked
27:49out, but I did see it.
27:50There was a disturbance?
27:51Yes.
27:51But the matter is now fully in hand.
27:53Disturbance?
27:54Listen, when I, what I saw down here, I saw your crew being ripped apart by some thing, some animal
28:00thing, torn into shreds like they were ragdolls, limb from limb.
28:05Now, whatever it is that's aboard this boat, Captain, is not well in hand.
28:08If you want to know what I think it is, it's a...
28:09Article 47 revised maritime code.
28:12Should any person or persons fail to comply with the captain's directives, he or they shall be placed under bodily
28:18restraint for as long as the captain sees fit.
28:20Bodily restraint?
28:21It used to be called putting a man in irons, Mr. Kalchak.
28:24Now, while we don't have that outmoded means of bodily restraint, I'm sure the ship's engineer could jury-rig a
28:30suitable substitute.
28:31Isn't that right, Mr. Hallam?
28:33Gribs here could put something together with some chains and a couple of marlin spikes.
28:37Take about 15 minutes.
28:39Marlin spikes?
28:39Oh, yeah, mean things. Metal. Looks like a shark's tooth.
28:43You mean you can really do that?
28:44Let's hope you never have to find out, Mr. Kalchak.
28:47Now, I suggest that you just do what you came on board to do.
28:50Interview the school teachers, the dentists, the aging stewardesses.
28:56Well, that's all very simple, Captain.
28:58But unfortunately, your passengers are seen to be disappearing into your deep freeze.
29:03I think you'd better make up a set of those irons, Mr. Gribs, just in case.
29:07Yes, sir. Carry on.
29:09Well, no, no, Mr. Gribs, that won't be necessary, really.
29:11I mean, that kind of thing is really out of the dark ages, isn't it?
29:16Well, those then, sir?
29:18Are these those?
29:27Mr. Kalchak won't win any prizes for his photography.
29:31But his subject is certainly startling.
29:54Dr. Ross.
30:24Operator, I want ship ashore, please.
30:25I'm sorry, Mr. Kalchak, but all the lines are busy.
30:27Please try later.
30:28They've been busy for the last two hours.
30:30How did you know my name?
30:33Buongiorno, Carlo.
30:34And what happened to you last night?
30:36I heard a lot of men running by, and then you were gone.
30:38Now, jamming the phone on me.
30:40Captain Bly has put me off limits.
30:42You know, everyone aboard has a case of the crazy.
30:45Something is very wrong here.
30:47And do you know, they closed the grog shop for the rest of the voyage.
30:50And there's a whole long section of carpeting been taken out near the lobby.
30:54And they're wasting their time.
30:55Bloodstains cannot be removed.
30:57Well, I happened to overhear a couple of Italian stewards talking.
31:00They thought I couldn't speak Italian.
31:02You know what one guy was saying?
31:05No, no, I don't.
31:06Che cosa di animale.
31:08Che cosa lupo e mano.
31:09Lupo e mano.
31:10You know what that means?
31:11No, no.
31:13Lupo?
31:14Lopo.
31:15Oh, wolf!
31:16Exactly.
31:17Isn't that absurd?
31:18I don't know what's gotten into everybody.
31:19Claws and fangs.
31:21And it's not going to stop, either.
31:23You wouldn't have to know anything about legends, would you?
31:26Legends?
31:26Yeah.
31:27You know, uh, legends.
31:29Well, you mean like Oedipus?
31:31No, no, no.
31:31Like the werewolf legend.
31:32You're not going to take a couple of Neapolitan sailors seriously, are you?
31:37Italians always over-dramatized.
31:39What about movies?
31:39I mean, you've seen them all.
31:40Certainly someone involved must have done some research.
31:44Oh!
31:46Well, it's Silver Bullets, I think.
31:48What?
31:49I forgot.
31:50What?
31:50Wait a minute.
31:50It was John Wayne.
31:52John Wayne in back...
31:52You said something a little while ago.
31:53What was it?
31:54Silver Bullets.
31:54Silver Bullets.
31:55Charlie Chan?
31:55I forgot.
31:56I didn't know.
32:07Uh, Stuart.
32:09Oh, how you doing, Mr. Kojak?
32:10Fine, George.
32:11Hope you changed your mind.
32:12I'll go as high as 18 bucks for this.
32:13George, are you available for an errand of sorts?
32:16Oh, I'm always at your service, Mr. Kojak.
32:18Really?
32:19Really?
33:09Oh, hey, there's my main man.
33:11How you doing, Carl?
33:12And, uh, what are you doing, Carl?
33:13Oh, I know, I know.
33:14You're fixing up some kind of costume for the fancy dress ball tonight, right?
33:17Wrong.
33:18No, I mean, uh, that's a helmet, right?
33:20I mean, you're into some kind of Visigoth trip.
33:22There will be no fancy dress ball tonight.
33:24Oh, yes, there will, because they announced it this morning.
33:26Yeah, and I'm playing Lady Godiva.
33:28And I'm coming as Peeping Tom, all right?
33:30You recon order this shit pretty good.
33:31Is there a priest on board?
33:33Priest?
33:33A priest.
33:34Hey, Carl, I mean, listen, man.
33:37I mean, Paul is cute, you know, but you don't have to sign up for a life sentence.
33:40I mean, getting spliced is not the object of the screws.
33:43Getting your chimes wrung is, you know?
33:45Oh, no, no, this has nothing to do with chimes ringing or splicing at all.
33:48Oh, good, man, because, you know, Wendy and me made that marriage scene for about ten years,
33:52and we're here to tell you it is nowhere.
33:54What?
33:55Let me absorb this slowly.
33:58You and Wendy were married.
34:02Yeah.
34:02I mean, to each other.
34:03Oh, right on, yeah.
34:04We got divorced about three years ago, and we've been having a ball ever since.
34:08Well, I wish you all the luck in the world.
34:10Well, thank you.
34:11In the meantime, is there a priest on board?
34:14Hey, what about, you know, what's his name?
34:16Who?
34:18Oh, yeah, I know that.
34:19Yeah, there was some cat that told me he flunked out of divinity school.
34:22Is that any help?
34:23Does he speak Latin?
34:24Well, last night he was kind of into romance languages.
34:27That's funny.
34:28That's very funny.
34:29Will you find him and bring him back in about an hour?
34:30Yeah, okay.
34:31And then you want to put on your Lady Godiva outfit for me?
34:33You know, ma'am, you just never had any respect for our marriage.
34:36What are you talking about?
34:38You know what you really are?
34:39What did you find out?
34:40We were right.
34:41When I placed the call from my cabin, I got through fine.
34:43I talked to your editor, Mr. Vincenzo.
34:45Yeah.
34:45Oh, Jesus, he sounded like he needs a vacation.
34:47Anyway, he seemed very upset when I mentioned that you wanted stuff about mutilation murders.
34:52That follows.
34:53He sounded awful.
34:55I mean, coughing and sneezing.
34:57Apparently he has the flu, but he still has to come into work because nobody else is in the office.
35:03I don't get it.
35:05You wouldn't understand.
35:07What did he say about the animal attacks?
35:09Well, last month, in Yellowstone County, Montana, a family of five was killed.
35:15The authorities there believed that they were attacked by wolves.
35:18And before that, a six-man NATO radar team in Greenland...
35:23NATO?
35:23Tell me the date.
35:24It was exactly one month before the Yellowstone County incident, right?
35:27Yes, that's right.
35:29Five were mutilated beyond recognition, but one survived.
35:32What was his name?
35:33It's not listed here.
35:34You mean there's no record of him?
35:36Who he was, where he went, where he came from?
35:38No.
35:40I've got to meet a guy.
35:41You stay here, right here in this room, and do not move.
35:44No matter what happens, do not leave this room.
35:47Is that clear?
35:48Yes.
35:49I mean, those are orders, right?
35:50You stay, lock the door behind me.
35:52On a second thought, I'll lock it for you.
36:00Oh, what, you got it?
36:02Where's the money?
36:03Money, money, yeah.
36:04Money.
36:04Fifty dollars.
36:05Could I have a receipt for that?
36:07We got to find a better place to make the pass.
36:09A what?
36:10Just give it to me, please.
36:11I want to make sure you're satisfied, you got the right material,
36:14and besides, I want to make sure nobody's giving me any phony money.
36:17What are you talking about?
36:18No, no, no, no, no, don't laugh.
36:20I got a trunk full of lira marks and piles that ain't worth a dime.
36:24Those are American dollars!
36:25So what?
36:26What do you think it's going to be worth tomorrow?
36:28Oh, good evening, man.
36:29Sir.
36:32Besides, I'm getting some pretty bad vibes here.
36:35I don't like the smell of this whole thing.
36:37Let's go down to my compartment.
36:38Come on.
36:40Who is it?
36:41Hey.
36:42Hello.
36:44Paula Griffin, Miss George.
36:45Just first names, okay?
36:47Okay.
36:48Hey.
36:49That's my stuff.
36:51Genual Valachan.
36:53You want to load it?
36:54It's not ours.
36:55It doesn't make any difference.
36:56Would you put it down, please?
36:58Let me see what you got.
36:59Come on, come on.
37:05A silver plate.
37:06That's not swimming silver.
37:08Haven't you got any real silver aboard the ship?
37:10Sure.
37:11Well, get it.
37:12Uh-uh.
37:12Not for any price.
37:14Why?
37:15It's the buttons on the captain's dress uniform.
37:19Oh?
37:46What are you doing here?
37:47How did you get in here?
37:48Well, if I told you, captain, you'd just clap me in irons.
37:51Clap you in irons?
37:52I'll have you keel-hole for this.
37:54Well, captain, you seem to be fond of living in the past,
37:56so perhaps you'd be interested in knowing that there is a werewolf on board.
38:00Really?
38:01Really!
38:02Article 22, revised maritime code.
38:05Should any passenger or passengers exhibit in the captain's opinion
38:09an unbalanced state of mind,
38:10the captain may order that such passenger be put to sleep.
38:13Yes, I know.
38:14I won't deny we've had trouble.
38:16My officers concur with me that we've had a psychotic killer on board.
38:20A psychotic killer?
38:21What about the drugs missing from the infirmary?
38:23The man may have had a serious drug problem,
38:25but since the attacks have stopped,
38:27obviously one of three things has happened.
38:29The man fell overboard,
38:30the man committed suicide,
38:31or the man suffered serious injuries
38:35and crawled away to the bowels of the ship to die.
38:37Or the thing is still alive and waiting for the moon to rise.
38:40The moon.
38:41The moon, the full moon!
38:42Check your nautical charts, captain,
38:44for the exact time.
38:48Have Mr. Hallam come up here with the security party, please.
38:50Listen, you've seen the photographs that I took.
38:54Did you see a psychotic killer in there?
38:56All right, I will address you in terms you will understand.
38:59You will understand and comply with the following orders.
39:02All security personnel are to be equipped with silver bullets.
39:05Those silver bullets are to be blessed by a priest,
39:07not in English, but in Latin.
39:10For the more, sir,
39:10before moonrise,
39:11all passengers and personnel are to be restricted to their cabins
39:14with the doors bolted and locked.
39:16End of orders, sir!
39:17Yes, sir?
39:18Take him below.
39:19Take him below.
39:21Now, wait just one minute.
39:23If you put me someplace against my will
39:24and something happens to me,
39:26you're going to have to write a new chapter in the Maritime Code
39:28or my editor's name is not Antonio Vincenzo!
39:32You're at it.
39:34Release him!
39:37Not here, outside!
39:39Now, just a minute now, but...
39:41Wait a minute, fellas.
39:42Wait just one second.
39:43Mr. Hallam.
39:44Yes, sir?
39:47Ask Royer
39:48how much time we'd buy
39:50if we change course now
39:51and try to outrun the rising moon.
39:55Sir?
39:56Nothing!
39:58Nothing!
40:20Here's your man, Jane Remy.
40:23Oh, yeah.
40:23Here it is in the pot.
40:25It has to be blessed.
40:25Hey, now, is this going to take long?
40:27See, I've invested a lot of time
40:28on a couple of young ladies.
40:29Just do it, will you?
40:30I mean, just mumble something in Latin.
40:32I mean, it doesn't make a lot of difference.
40:33Hey, you folks loaded.
40:33I mean, what's going on?
40:34Nothing is going on.
40:36I just need you to bless this bottom metal of silver.
40:38That's all.
40:39I mean, we haven't got much time.
40:41See, that's the problem.
40:42So if you know anything in Latin,
40:45prayer, anything?
40:46Well, I know a nuptial prayer pretty good.
40:48Well, that doesn't sound quite right to me.
40:50Mm, prayer for the dead?
40:52Yeah, that sounds more like it.
40:54Yeah.
40:58Now, if you ever need any more blessings,
41:00we'll talk about it.
41:01You just come on down to my cabin,
41:03we'll have a little drinky-winky or something.
41:05But leave hi-ho silver here.
41:06Just if I were you, I'd go back to my cabin,
41:08lock the door, stay sober,
41:10and remember some more prayers.
41:16Ah!
41:18No!
41:19No!
41:2610.21 p.m.
41:28Bernard Stiglitz, ordinary career soldier,
41:30answered a primordial call
41:32and had a most extraordinary dream,
41:34a nightmare that no human being
41:36could ever imagine or begin to comprehend.
41:43Mr. Stiglitz?
41:47Mr. Stiglitz?
41:48It's George.
41:49Are you all right?
41:50yyy?
41:54A.
42:02B.
42:04B.
42:04B.
42:06M F.
42:07B.
42:07B.
42:07B.
42:10B.
42:11B.
42:12B.
42:12Vamos lá.
43:02Vamos lá.
43:12Vamos lá.
43:23Vamos lá.
43:25Vamos lá.
44:09Vamos lá.
44:14Vamos lá.
44:23Vamos lá.
44:26Vamos lá.
44:35Vamos lá.
44:55Vamos lá.
44:57Vamos lá.
45:11Vamos lá.
45:21Vamos lá.
45:28Vamos lá.
45:38Vamos lá.
45:39Vamos lá.
45:41Vamos lá.
45:48Vamos lá.
45:50Vamos lá.
46:15Vamos lá.
46:18Vamos lá.
46:18Vamos lá.
46:19Vamos lá.
46:21Vamos lá.
46:37Vamos lá.
46:39Vamos lá.
46:40Vamos lá.
46:41Vamos lá.
46:54Vamos lá.
47:00Vamos lá.
47:01Vamos lá.
47:07Vamos lá.
47:17Vamos lá.
47:21Amém.
47:52Amém.
48:18Amém.
48:52Amém.
49:18Amém.
49:48Amém.
50:05Um.
50:34Abertura
50:51Abertura
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