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"English Butler with Arthur Treacher" is a classic 1943 radio episode of The Abbott and Costello Show. It features British actor Arthur Treacher as a stereotypical, sophisticated English butler assisting the duo, often highlighting the comedic contrast in their social standing and manners.
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00:14The Avid and Costello program, brought to you by Camels, the cigarette that's first in the service.
00:21Camels stay fresh, because they're packed to go around the world.
00:28Listen to the music of Freddie Rich and his orchestra, the songs of Connie Haynes, Cliff Mazzaro, tonight's special guest,
00:34Arthur Treacher, and starring Bud Abbott and Lou Costello.
00:46Hey, Abbott!
00:48Costello, what are you doing in the bathtub?
00:50Ah, what do you think I'm doing? I'm taking a bath.
00:52What are you doing with your underwear on?
00:55The water's cold.
00:57Will you get out of that tub and put your bathrobe on?
01:00I've got the bathrobe on now.
01:01You're wearing your bathrobe in the tub?
01:03Sure, I don't want to get my suit wet.
01:05Oh, wait a minute.
01:06What are you doing in the bathtub on Thursday night?
01:09Abbott, I forgot to tell you, but Lynn Barry, the beautiful movie star, is coming here for dinner, and I'm
01:13going to have a big swanky party.
01:14Oh, are you expecting people?
01:16Certainly I'm expecting people.
01:18What do you think I'm going to do, have a flock of cows?
01:22Not flock, herd.
01:23Herd what?
01:24Herd of cows.
01:25Of course I herd of cows.
01:26I know, dummy.
01:27I mean a cow herd.
01:29Well, I care of a cow herd.
01:30I just say nothing to be ashamed of.
01:32All right, all right.
01:34Let's say no more about cows, please.
01:36I'm not in the mood.
01:37What mood?
01:38A cow mood.
01:39Who cares if a cow moves?
01:41Maybe it wants its little kittens.
01:43All right, look, look.
01:44Forget about the cows.
01:45You don't know anything about cows in the first place.
01:47Who don't?
01:47Wait a minute.
01:48Do you know what a cow gives?
01:49No.
01:50A cow gives milk.
01:51No, she don't.
01:52You've got to take it away from her.
01:53All right, we understand that.
01:55That's the first thing you've said right.
01:57You take the milk from the cow's udder.
01:59I beg your pardon?
02:00The cow's udder.
02:02The cow's udder what?
02:04Costello, you take the milk from under the cow.
02:07You mean the crankcase.
02:08So?
02:10That's the thing that's fastened to the cow's skin.
02:13No, no, no, no, no, not skin.
02:14Hide.
02:15Why should I hide?
02:16I didn't do nothing.
02:17No, no, no, no.
02:18Hide on the cow.
02:19How am I going to hide on a cow?
02:21A cow on top of a cow.
02:23Listen, just a minute.
02:23Please listen to me.
02:25Hide, hide.
02:26A cow's outside.
02:28Bring her in.
02:29Let her listen to the program.
02:31Oh, what?
02:32Wait a minute.
02:33Quiet.
02:33Here comes Ken and Mrs. Nile.
02:35Oh, hello, Mr. Abbott.
02:36And you too, Costello.
02:37Are you surprised to see me?
02:39No, ma'am.
02:39I was expecting a cow.
02:42What?
02:43I mean another kind of a cow.
02:45What?
02:45Another kind of a cow.
02:46Oh, Costello, I'm not a cow.
02:48I'm not going to talk to you anymore.
02:51Whoa.
02:54Will you stop that, Costello?
02:55That's no way to insult Mrs. Nile.
02:57Do you know a better way?
02:59Now, just a second, Costello.
03:00I'm getting red in the face.
03:02Where are you getting the blood?
03:05Are you calling my Kenneth anemic?
03:07Why, just look how trim he is in that blue suit.
03:10Why, he looks like Gainsborough's blue boy.
03:13He looks more like Gainsborough's bell boy.
03:16A pretty shade of blue, ain't it?
03:18You're a fine one to talk, Fatto.
03:20Me fat?
03:21I just dropped 20 pounds.
03:22You didn't drop it poor enough.
03:24Oh, now, let's stop fighting, please.
03:27Mrs. Niles, Costello invited Lynn Barry to the house,
03:30and he needs some help with dinner.
03:31Oh, well, I might be able to help.
03:33I've been cooking for 12 years.
03:35You ought to be well done by now.
03:37Ah!
03:38No, no, no, no, no, no, no, no, no, no, no, no, no.
03:40Get the kisser on that kid.
03:41You see, you see, Mrs. Niles,
03:44what Costello really needs is a butler.
03:45Do you know where we can get one, please?
03:47Well, my uncle runs an employment agency.
03:49Well, that's fine.
03:50Here's the address.
03:50Just go over there and ask for my uncle.
03:52Oh, that's very nice-y, Mrs. Niles.
03:54What's his name?
03:55You go.
03:55Ask for him.
03:56Yes, ma'am.
03:56I go?
03:57But who do I ask for?
03:58She told you you go.
04:00I know I go, but I've got to ask for somebody.
04:02Well, I told you to see my uncle.
04:04Uncle what?
04:04You go.
04:05Now, don't say that again.
04:07Don't tell me I go.
04:08Stop saying I go when Mrs. Niles says you go.
04:11All right.
04:12You go, and I won't have to go.
04:14Costello, you don't understand.
04:15My uncle's first name is Hugo.
04:17Oh, why didn't you say that in the first place?
04:19What's his last name?
04:20Guess it.
04:20Why should I?
04:22What?
04:22Why should you what?
04:24Guess his name.
04:24She didn't tell you to guess his name.
04:27Mrs. Niles, didn't you tell me his name as you go?
04:28Yes.
04:29What's his last name?
04:30I said guess it.
04:31That's what I thought you said.
04:33Is it Murphy?
04:34No.
04:34Is it Jones or Smith?
04:35No, no, Costello.
04:37Guess it.
04:37Costello, and I told you for the last time.
04:40You go, guess it.
04:41You go, guess it.
04:41You go, jump in a lake.
04:44Close the door.
04:44I'll do nothing of the kind.
04:46Come, Kenneth.
04:47Well, Costello, they're mad again.
04:50Now you've burned your bridges behind you.
04:52That's okay.
04:52I won't show it with my coat on.
04:53Oh, come on, nonsense.
04:55You've got to have a butler for the party.
04:58Now, here's Mrs. Niles' uncle's card.
05:00Call him up.
05:01Boy, this sure is for a funny phone number.
05:03What does it say?
05:04Established, 1903.
05:06That isn't a phone number.
05:08It's right here on the card.
05:09Oh, nothing of the kind.
05:10That's the year he started the employment agency.
05:12He founded it in 1903.
05:14Oh, he founded the business?
05:16Who lost it?
05:16Nobody lost it.
05:17But how could he founded it if he didn't lost it in it?
05:20Costello, I said he founded it.
05:22Can I help it if you don't speak good English?
05:24Yeah, Costello, please.
05:25You should be ashamed of yourself.
05:27Mr. and Mrs. Niles were kind enough to tell you where you could hire a butler.
05:31I was kind enough to explain how to contact the man.
05:34But did you appreciate it?
05:36No.
05:36All you do is stand there and give me silly answers.
05:39Oh, I'm a bad boy!
05:44Well, you certainly are.
05:51Don't tell my scoutmaster on me.
05:53Well, I should.
05:54Oh, if you do, he'll take away my scout pins.
05:57Gee, Abbott, anything but that.
05:59I have one pin for courtesy.
06:00I got one pin for bravery and one for safety.
06:03Wait a minute.
06:03I can see the pin for courtesy and the pin for bravery.
06:07Where's the pin for safety?
06:09It's holding my pants up.
06:11Oh!
06:21All right, come on, Costello.
06:23The Hugo Gesset Employment Agency is right down this hall.
06:26Now, let me handle this and I'll get you a butler.
06:29Now, look at it.
06:29I'm just expecting Lynn Barry.
06:31Why do I need a butler?
06:31But a butler in your house will make you more stable.
06:35Stable?
06:35Certainly.
06:36Just picture a butler in his livery.
06:37What I got, a house or a livery stable?
06:39Did I?
06:40You don't understand.
06:41He'll make you distinctive.
06:42He'll give your house a certain air.
06:44What am I hiring, a butler or a scout?
06:46Oh, come on.
06:47Shut up now.
06:48Come on in the employment agency and let me do the talking, please.
06:51Oh, Liz.
06:52You've got to get me a maid.
06:54My maid quit today after 15 years.
06:57I've lost my maid.
06:59I've lost my maid.
07:01Hey, mister, mister.
07:02Why did your maid leave?
07:03She caught me kissing my wife.
07:09Costello, look, please.
07:11Never mind him.
07:12Let's talk to the clerk at the desk.
07:13How do you do, gentlemen?
07:14What can I do for you?
07:16Well, I'd like to hire a butler.
07:17You'd like to hire a butler?
07:21Oh, you mad, impetuous boy.
07:27All right, brother.
07:28Don't knock yourself out.
07:30I just want to hire a butler.
07:32You just want to hire a butler?
07:37What am I laughing at?
07:39Oh, you fool.
07:41Why don't you ask me for a date with my wife?
07:44Okay, but one thing at a time.
07:46Now, I'll have to ask you a few questions for my file.
07:49First of all, do you work in a defense plan?
07:51No, I don't.
07:51Then how can you afford a butler?
07:55Do you own any steel mills?
07:56No.
07:57Polo ponies?
07:58No.
07:58Steamship companies?
07:59No.
07:59I'm in a rut, ain't I?
08:01Now, listen, clerk.
08:02We're in a great hurry.
08:03Haven't you got a butler we can hire?
08:05Well, there is one, Judson.
08:07But right now, he's over there.
08:08Mr. Morganbilt, the millionaire, is talking to him.
08:11Now, listen, Judson.
08:12I'll give you five nights a week off and $1,000 a week.
08:15All right, make it seven nights a week off.
08:18I'll give you my car.
08:19I'll do your laundry.
08:21All right, you're hired.
08:22Now, please stop twisting my arm!
08:29Nobody's looking.
08:30Lucky fellow, he's got a butler, just by a twist of a wrist.
08:34Clark, this isn't helping us.
08:36We've got to have a butler.
08:37Lynn Barry, the movie star, is coming to dinner tonight.
08:40Lynn Barry, coming to dinner?
08:41Oh, so you'll be putting on the dog.
08:44No, we're having roast beef.
08:46What kind of talk is that?
08:47Come with me and see our manager, Mr. Nazaro.
08:50Right this way.
08:51Mr. Nazaro?
08:52Yes, this is Mr. Abbott and Mr. Costello.
08:55Costello would like to hire a butler.
08:56You want to hire a butler?
08:58Good heavens, man.
08:59Don't you realize that butler's canter off the salary to meet
09:01and he can't raise the self-remort to raise the self-remerge of all the silverware to meet?
09:06It isn't that I want to make the same,
09:08but the foster salary could pay to the force for the very first salary.
09:11And maybe he'll be reclassified.
09:14You don't understand.
09:16Look, Brown.
09:17Didn't you tell Mr. Costello that the castle raises four of the Bites of Bites?
09:20Hasn't got any thoughts?
09:21And didn't you tell him that the reason for the whole of the silverware to meet?
09:26Didn't you tell him that?
09:27Yes, I did.
09:28You didn't say that, brother!
09:31Now, don't interrupt the man.
09:32That's right.
09:33I'm trying to show you that that's the role of the place for me.
09:36Now, not that the Cassidy or Rain or Fall or Silver, but the Garnley.
09:39You get the picture I'm painting?
09:40Yeah, but you smeared it up in the middle.
09:45Costello, he's trying to tell you that today most people are doing their own work.
09:49Even Cary Grant washes at his house.
09:51Yes, Costello.
09:52Do you wash?
09:53Certainly I wash.
09:54What do you think I am, a slob?
09:56No, no, all the picture stars are washing.
09:58I passed Dan Sheridan's house yesterday, and I saw her washing her calories for Ross's sofa fill in the moment.
10:05And even her little jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib
10:07-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib-jib
10:10-jib-jib-jib-jib-jib.
10:22You'll be a pin-up, boy.
10:25Mr. Costello, let me ask you a question.
10:28When you had your last butler, did you pay him babadidid?
10:30No, I only paid him babadid.
10:34Why didn't you pay him babadidid?
10:35Because he didn't, did he?
10:39Look, Costello, now let's not get nasty.
10:41I'm trying to tell you there's a shortage of men.
10:43Butlers today aren't just a cat for fostering with a sailor in hypnic rails.
10:50Why, even my butler cats are lost the trade.
10:51I tried, I said, to governors, did you ever sail a force of these?
10:55Bring my conjuring, bring my satel to pay, bring my corset.
10:58And he bought it with his mail to pay.
11:00You see what I mean?
11:01Frankly, I'm a little confused.
11:04Why don't you pay attention to the man there?
11:06That's what's confusing me!
11:10Well, I could put it another way.
11:12You could?
11:13But would you?
11:17Now, just a minute.
11:18You can't come in here and tell me how to cater to his salary of mailbox.
11:21Or even once a wedding.
11:23When you know that I'm the only one who tries to say that, what do you think I am?
11:25A castrant?
11:28It's men like you that cater for the south.
11:30What has everybody cost with him in a salary base?
11:32And did it hit and gin gin did it did it, if so.
11:36Ah, fuddle-dee-duddle!
11:39Fuddle-dee-duddle?
11:41That doesn't make sense.
11:42That don't make sense!
11:43Of course it doesn't.
11:45It certainly does not.
11:46Of all the ridiculous things I've ever heard in my life, it's fuddle-dee-duddle.
11:51All right, brother.
11:52What would you have said?
11:53I have said,
11:58Mr. St.
12:13Stella, come here.
12:14What are you going to do?
12:15Here it is, the night of your big party for Lynn Barry.
12:18And you haven't got a butler.
12:19Yes, but we did get a cook.
12:20I'll call up the kitchen and tell her what to do.
12:22Be careful what you say now.
12:23Hello, kitchen.
12:24This is Mr. Costello.
12:25I want to talk to my cook, Mrs. Blank.
12:27What?
12:28She did?
12:29At four o'clock in the morning?
12:31Wow!
12:32How much did it weigh?
12:34Nine pounds?
12:35At her age, too.
12:38How do you like that, Abbott?
12:39Mrs. Blank got up at four o'clock this morning and ate a nine-pound turkey.
12:42No!
12:44I never heard of such stuff.
12:50Hey, Costello.
12:51That must be Lynn Barry.
12:53Lynn?
12:54Barry?
12:54Don't get excited now.
12:55Take it easy.
12:56I like her because she's a big girl.
12:57I know.
12:58I know.
12:58I know.
12:58All right.
12:59Now, don't get excited.
12:59Boy, boy, at last.
13:00I'll go to the door.
13:02Fifty pounds of ice for Mrs. Smith.
13:03Mrs. Smith lives next door.
13:05Hey, do you mind if I leave it here or her husband's home?
13:07Right.
13:12I guess her husband don't like ice.
13:14Right.
13:15Oh, look.
13:16Oh, that was a piperoo.
13:17Well, Costello, you'd better forget about Lynn Barry.
13:20I don't think she's coming.
13:22Oh, no?
13:23I'll bet that's her now.
13:24Well, tear it up.
13:24It's for me.
13:25Hello, Lynn.
13:26Oh, Lynn, my darling.
13:27My precious one.
13:28My loved one.
13:29My own little Snooki.
13:31I love you.
13:33Boy, oh, boy, have I got the wrong number.
13:39I can't stand this waiting.
13:41I'm losing my mind.
13:42Oh, behave yourself.
13:43You're not losing your mind any more than I am.
13:45That's close enough.
13:46Yeah.
13:48Abbott, this must be Lynn Barry.
13:50I'll answer it.
13:51Darling, come into my arms.
13:54I say, aren't you a bit high-strung, old boy?
13:57Costello, look who it is.
13:59It's Arthur Treacher.
14:00Yeah.
14:09Mr. Treacher.
14:09Now, that's my line.
14:11Uh, please.
14:12I just want to find out it's a professional business.
14:14That's right.
14:14How do you do, Mr. Treacher?
14:15Find out if he is a lifesaver.
14:16You know what I mean.
14:17No, no, no.
14:19How do you do, Mr. Treacher?
14:20I'm Bud Abbott, and this is Lou Costello.
14:23I'm glad you told me.
14:24I thought it was cabbage cooking.
14:26Now, wait a minute, Treacher.
14:28The only reason I don't poke you in the nose is because I'm bigger than you.
14:31It so happens that I'm bigger than you.
14:33That's a better reason.
14:34Now, look, Mr. Treacher, don't mind Costello.
14:38He was expecting Lynn Barry.
14:40And he's down in the dumps.
14:42Yes, that's where she told me I'd find him.
14:45Now, wait a minute, Treacher.
14:47Mr. Treacher to you, punk.
14:49Mr. Punk to you, Treacher.
14:52Now, stop that, Costello.
14:54I want to know what he's doing here.
14:56What are you doing here, Shorty?
14:57For your information, you poisonous person, I am Miss Barry's butler.
15:02Before she sets one dainty foot in this hovel, I wish to inspect the premises, the service,
15:07and the food here.
15:09Here?
15:12Yes, here.
15:14Oh, dear.
15:15There.
15:17Costello.
15:17Only let go.
15:18Now, listen, man.
15:19Costello.
15:26Now, that isn't a bit nice coming.
15:28What kind of talk?
15:30Please.
15:31Please.
15:31Come from here.
15:33Costello.
15:34There's a reason.
15:35Yes, sit down.
15:37Yes.
15:37No, no, no, no.
15:38Here, here.
15:41Don't talk like that.
15:42Over here.
15:43Yes.
15:43Lou, don't you understand?
15:44Over there.
15:45Well, don't you understand, Lou?
15:48Somebody better talk besides me.
15:49But wait up at him.
15:51Come here, Lou.
15:52Don't you understand?
15:53He's English.
15:54He's, uh, he's English?
15:56Yes.
15:57If he was any more English, he couldn't talk at all.
16:00Quiet.
16:00Over here.
16:01Over here.
16:02Look here.
16:03Look here, creature.
16:04Who are you to come in here and question Costello's official standing?
16:08After all, I sprang from nobility.
16:10And you didn't spring far enough?
16:12No, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
16:14No, you didn't spring far enough?
16:16I'll have you know that my family is very prominent socially.
16:20My father has a country seat in Wembley and a city seat in Devonshire.
16:24Your father has two seats?
16:26Yes.
16:27Does Ripley know about it?
16:35Now, uh, Costello, be careful how you talk to Mr. Treacher.
16:39David, don't you start talking like that, brother.
16:41Now, wait a minute, please.
16:42Make it more pronounced with Costello.
16:44All right, all right, Costello.
16:46That's better.
16:46Be careful how you talk to Mr. Treacher.
16:48He's a polished gentleman.
16:50He sounds like he's shellac.
16:53You don't understand.
16:54Now, look here.
16:55I'm from Eaton.
16:56You're from Hunger.
16:57You're impossible.
17:01You're absolutely impossible.
17:03Hey, you're nuts.
17:04I am.
17:05Over here.
17:06No, no, no, no, no.
17:07Put it.
17:08Mr. Treacher is an educated man.
17:11He's a linguist.
17:12Yes, man.
17:12You told me he was English before.
17:14Yes.
17:15A linguist.
17:16Linguist.
17:16What's the difference between linguist and English?
17:18Never mind.
17:19Wait a minute.
17:19I can't say either word anyway.
17:21Yes, man, will you?
17:22Yes, perhaps I can make you understand it's French.
17:25Parlez-vous français?
17:26Oui, oui.
17:27Bien.
17:27Bien.
17:28Vous avez tous des dents en pensions?
17:31Oui, oui.
17:32Right.
17:33Combien des ans habitez-vous dans le sobe à Paris?
17:36Oui, oui.
17:38Hey, Abbott.
17:38I'll bet he runs out before I do.
17:42Quiet, will you please?
17:43Now, look here.
17:44You might as well know it, old boy.
17:45I'll never permit Miss Barry to attend your dinner.
17:49Oh, yeah?
17:50There's Miss Barry now.
17:52Hello, Lynn, my darling.
17:53Oh, it's me, Mrs. Niles.
17:54Am I late?
17:55Yeah, by about 40 years.
17:58What is this?
17:59Witch's night out?
18:01Costello, please.
18:02Boy, are you sure?
18:03Get around.
18:04What do you got, a C-card for your broom?
18:06Oh, stop, Costello.
18:09Mr. Treacher.
18:09I'd like to have you meet Mr. and Mrs. Ken Niles.
18:13Which one is Mrs. Niles?
18:16Now, wait a minute, Preacher.
18:18I don't go for that.
18:20Not to lie.
18:20After all, which one is Mrs. Niles?
18:23These people are friends of mine.
18:27All of them are friends of mine.
18:29Which one is Mr. and Mrs. Niles?
18:31How do you like that, Abbott?
18:32Good, good for you, Costello.
18:34You keep on at this, Kenneth.
18:40Kenneth, are you...
18:43Kenneth, are you going to stand for this?
18:44Costello is trying to make a man out of me and a woman out of you.
18:48Maybe we'd be happier that way.
18:52Will you please stop those fights?
18:54I've heard enough, Costello.
18:56I could never allow Miss Barry to associate with an illiterate like you.
18:59Ah, gee, Treacher.
19:00Don't keep Lynn Barry away from my house.
19:02You don't seem to really know me.
19:04I don't seem to really know you?
19:06You confident little corporal.
19:08Do you realize you just did an infinitive?
19:11Why, does it show?
19:12Ken, no, you dummy.
19:14He's correcting your grammar.
19:16You made a mistake.
19:17Who made a mistake?
19:18Now, listen here, Mr. Treacher.
19:19When the adjective modifies the predicate adverb,
19:22then the pronoun of the subjunctive mood
19:25modifies the dangling participle,
19:27leaving the infinitive unsplit.
19:31Do you know what I mean, Treacher?
19:33Certainly.
19:34Then explain it to me.
19:37Costello, you're not going to get Lynn Barry this way.
19:40You know that.
19:41Gee, Mr. Treacher, I've got to have Lynn Barry here.
19:43I'm in love with her.
19:44She's my whole life.
19:45She means everything to me.
19:47I've got to have her.
19:48I can't live without her.
19:49Does she really mean that much to you?
19:51Yeah, she's the only one that can string my yo-yo.
19:56Very well, if she means that much to you,
19:58let me see how you'd make love to her.
19:59Now, just imagine that Mrs. Niles here is Lynn Barry.
20:03What an imagination you've got, brother.
20:06Do what the man says.
20:07Take Mrs. Niles in your arms and kiss her.
20:09Oh, but, Mr. Rabbit, in my whole life,
20:11I've only been kissed by two parties.
20:14Yes, ma'am.
20:15The Democrats and the Republicans.
20:19That's enough.
20:20I thank you, Mother.
20:27Uh, come here, my proud beauty.
20:32Oh, I'm not proud.
20:34You're no beauty eater.
20:36Well, Castillo, what are you waiting for?
20:38Go ahead and kiss her.
20:39Not me.
20:40Treacher, if you know so much, you kiss her.
20:42I kiss her?
20:43Oh, look here.
20:43That is, I mean, I really, I mean, I mean, honestly,
20:45you can't really explain it.
20:45Oh, what have you got to lose?
20:47There'll, there'll always be in England.
20:51Oh, come on, Mr. Treacher.
20:52Over here.
20:53Yeah, yeah, yeah.
20:53Quiet, quiet.
20:55Now, Mr. Treacher, you show Costello
20:56the proper approach to kiss Lynn Barry.
20:58Take Mrs. Niles in your arm.
21:00All right, I'll do it.
21:02I have it in me arm.
21:03Now, you put your face...
21:04What do I do now?
21:05You put your face next to hers.
21:07Now, you're cheek to cheek.
21:09From where I'm standing,
21:10it looks like a dead heat at Bay Meadows.
21:12Quiet.
21:13Now, now what do I do?
21:16Now, Treacher, you kiss her.
21:21And now, what do I do?
21:23Give her back her teeth.
21:30Good night, folks.
21:31We're a little late.
21:32See you next week.
21:32Good night, folks.
21:34You're going to tune in next week
21:35for another great Abbott and Costello show
21:37with our guest, Lynn Barry.
21:38And remember, camel cigarettes
21:40make the best Christmas gift of all.
21:42Whenever you buy them,
21:43wherever you send them,
21:44camels will be fresh
21:45because they're packed
21:47to go around the world.
21:48This is Ken Niles
21:49wishing you all a very pleasant
21:50good night from Hollywood.
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