#Cop Drama #Police Procedural #Crime #Drama #Mystery #Thriller
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Short filmTranscript
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16:59place juvenile detention center and what happened when you left there I went home
17:11again as she got married and they didn't want me staying with them so they moved my things
17:16to my tights house he was gone by then and you live there on your own will gainers husband he
17:25got me a job to help me get by I didn't like it but they said I had to do
17:30it at the reclamation yard
17:32with mr. Roberts doing our jobs and building work and pulling stuff down yeah I like working with
17:40my hands and but you give us these masks sometimes I didn't like the masks but we had to do
17:47what mr.
17:47Roberts said do you remember who else worked there do you remember any names about William
18:01Parry William John Parry there were different ones there all the time I I didn't like it
18:15the night Anna was killed she stopped by the yard
18:23she used to come sometimes used to walk home with me and what did you talk about when she came
18:31round
18:32I think she just liked being quiet she mentioned any boyfriends to you
18:42anyone she might have fallen out with oh she wasn't like that she didn't like falling out with anyone
18:58January 2006 Michael Lee Thompson former summit of yours he said that you confessed to killing Anna
19:10said that you told him that you'd strangled her hidden her clothes and left her in the woods
19:18no no no no I I never said that why do you think he said those things about you then
19:24I don't know
19:27yeah he said he wanted to be my friend said he wanted to help me that's what he said but
19:31he knew
19:31things details things that hadn't been made public he wanted to know all about he wanted to know what
19:42what the police were asking me said he could help me if I told him everything I I don't understand
19:49why
19:50he said those things about me it doesn't make sense doesn't make sense at all
20:36you can't die here
20:40you can't die here
20:46the table a chair a sink a bed a lamp a picture a window
21:07a table a chair a bed a table a chair a sink a lamp a picture a window
21:28a chair a chair a chair a chair a chair a chair a chair a chair a chair a chair
21:39a chair a chair a chair a chair a chair a chair a chair a chair a chair a chair
21:41a chair a chair a chair a chair a chair a chair a chair a chair a chair a chair
21:42a chair a chair a chair a chair a chair a chair a chair a chair a chair a chair
21:42a chair a chair a chair a chair a chair a chair a chair a chair a chair a chair
21:42a chair a chair a chair a chair a chair a chair a chair a chair a chair a chair
21:42a chair a chair a chair a chair a chair a chair a chair a chair a chair a chair
21:42a chair a chair a chair a chair a chair a chair a chair a chair a chair a chair
21:43a chair a chair a chair a chair a chair a chair a chair a chair a chair a chair
21:44a chair a chair a chair a chair a chair a chair a chair a chair a chair a chair
21:46a chair a chair a chair a chair a chair a chair a chair a chair a chair a chair
21:50a
23:59Can you open it?
24:00Can you let me out?
24:03Please?
24:04Can you help me?
24:05No, no, no, no.
24:06Please don't go.
24:07Don't go.
24:07Come back.
24:08Come back.
24:08Come back, please.
24:09No, no.
24:10Come back.
24:24Hello?
24:30Hello?
24:35Hello?
24:38Hello?
24:40Hello?
24:40Hello?
24:46Listen to me.
24:48You need to look for a key.
24:50Can you see a key?
25:12Can you see a key?
25:18Can you see a key?
25:20Can you see a key?
25:33Can you see a key?
25:54Can you see a key?
25:54Can you see a key?
25:55Can I see a key?
25:56.
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26:06.
26:06.
26:18What do you think?
26:20The sound of a new voice is the reaction.
26:23I see.
26:24Leave me alone.
26:27I don't have a photograph.
26:29I want to give a that.
26:31Do I want that?
26:33Do I want that?
26:34Do I want it?
26:35Do we want it?
26:36Do I want it?
26:37Doos, I'm going to show you what I'm doing.
26:41But what do you think?
26:44I'm going to go to the house for you,
26:46if you don't know what I'm doing.
26:55What do you think?
26:56Do you know what I'm doing?
26:58Do you know what I'm doing?
27:00Do you know what I'm doing?
27:06Do you know what I'm doing?
27:10Do you know what I'm doing?
27:15No, no, no.
27:18I'm running for you.
27:25No, no, no.
27:30No, no, no.
27:33No, no, no.
27:34I don't know.
28:11Vaughan?
28:21Megan Ruddock, a student at the university, was reported missing last night.
28:26The friend that reported her missing says that Megan has a history of self-harming.
28:31She might have been something to hurt herself.
28:33You don't seem convinced.
28:40You don't need me to point out my concern to you.
28:55I should be reading now. With the chaplain.
29:01I read a book about gardening, keeping bees.
29:05Bees?
29:08I always thought it'd be nice to have bees.
29:11You can't have bees.
29:13People don't understand. They're wild.
29:16Got a mind of their own.
29:18I used to keep them.
29:20Had hives at home.
29:23Used to make honey.
29:27So, Anna, is she...
29:29You were teaching her?
29:31She was a quick learner.
29:34Bit clumsy.
29:36Kept knocking things over.
29:38Forgetting things.
29:39But...
29:40She liked going down to the hives.
29:43Like watching the bees.
29:46She understood them.
29:51The more you look at them, the more you understand them.
29:53And the more you understand them, the more you want to keep them.
29:58Know what they're thinking.
30:07So, um, Anna would come over for some peace and quiet.
30:13Must have been nice.
30:15Talking to Anna.
30:17To feel like you had somebody to share something with.
30:20Yeah.
30:22I miss that.
30:28Nobody likes me in here.
30:30They call me names.
30:32Say I killed her.
30:33They get angry when I say I didn't do it.
30:38What about the men at the reclamation yard?
30:41Were they your friends?
30:43They liked going drinking after work.
30:47I didn't do that.
30:48I just wanted to go home.
30:55I'd like to show you some photographs.
30:57If that's okay with you.
30:58Mmm.
31:06Do you recognise this man?
31:12Does he look familiar to you?
31:20Maybe he was someone you knew.
31:24Someone you saw around the yard.
31:31I can't see his face.
31:33It's not very clear.
31:42I'm sorry, I don't know.
31:59I'm sorry.
32:01I'm sorry.
32:06But I'm sorry...
34:00Yes, Fawn.
34:03I'll be down now.
35:52Sorry.
37:55you've all got the same look
37:58hopeless
38:00lost
38:03at least you've cleaned yourself up nothing worse than a dirty bitch
38:14I won't be touching any of your filth
38:18if you want to wash anything
38:19there's a sack behind the door
38:22Dylan will see to it
38:25why are you doing this to me
38:27do you think I want you here
38:29you could let me go
38:31it's too late
38:33you're here now
38:34to stay
38:35I won't say anything
38:37I won't tell anyone
38:40just let me go
38:44my father used to lay traps in the woods
38:48I remember once
38:50he caught a fox by the leg
38:52she was tugging at the trap
38:55and the boy was digging deeper and deeper into her leg
39:01she was scared
39:02she was frothing at the mouth
39:04she knew there was no way out
39:07if she'd have stopped struggling
39:08my father would have clubbed her
39:10killed her outright
39:13painless
39:20she was snarling at him
39:21she was snarling at him
39:22snuffing at him
39:23struggling to get away
39:26he let the dogs go
39:29and they ripped her apart
39:32but she was stupid
39:34she thought she could get away
39:36but where would she go
39:43you belong to my son now
39:45and as long as you make him happy
39:48nothing will happen to you
39:53no
39:55what makes you think you've got a choice in this
40:01now pick up your clothes
40:03before Dylan gets home
40:59what makes you think you've got a choice in this
41:02what makes you think you've got a choice in this
41:32what makes you think you've got a choice in this
41:59what makes you think you've got a choice in this
42:02All right. I'll take them in a minute.
42:04For all the good they do me.
42:06Is Cad home?
42:08Gone to Gladwell Prison, Gloucester.
42:11Left first thing this morning.
42:13Gloucester?
42:14A young girl was killed.
42:17Anna Williams.
42:20She was 17 years old.
42:22About the same age as Bethan was at the time.
42:26November 2005.
42:29The greyest time of the year.
42:32And there she was, lying in the dead leaves.
42:36Dad.
42:37The evidence...
42:40The evidence was strong.
42:43At least that's what we thought.
42:47But maybe we got it wrong.
42:50Maybe I got it wrong.
42:51Don't.
42:53Look, your job.
42:56My job.
42:57You can't dwell on the things that you could have done or should have done.
43:02But we make mistakes.
43:08How do we live with those mistakes?
43:13It's the price we pay.
43:18Troubled consciences.
43:19Sleepless nights.
43:26Broken marriages.
43:30Did Caddy say something?
43:34Let's not tell the dying father.
43:36What he doesn't know won't kill him.
43:38I didn't want to worry you, that's all.
43:42I'm sorry.
43:48I'm sorry, too.
43:53You should take those tablets.
43:56I'll get them.
44:13The night Anna was killed.
44:16You said that she'd come to meet you from work.
44:19And you'd walked home together.
44:25We'd lost one of our queens.
44:29The bees get angry when that happens.
44:33Sometimes the bees lose trust in the queen.
44:36They start talking amongst themselves.
44:39It's like her rumor starts and then they all turn against her.
44:46They drag her from the hive out into the open and they kill her, sting her to death.
44:51And you have to put a new queen into the hive.
44:55In a cage.
44:57A crown of thorns, they call it.
44:59It lets the bees get used to her scent, her language.
45:06We wanted to check on her, the queen, before the winter.
45:12Anna met me after work.
45:14At the reclamation yard?
45:16She came home with me.
45:19And we checked the hive.
45:23And then we had some tea in the house.
45:28And then she left, went home.
45:31She said she was going home.
45:33And what happened next?
45:35I don't know.
45:37Everyone keeps asking me, but I don't know.
45:39I wish I did.
45:40But did anybody else know that Anna was coming back to yours that night?
45:45No.
45:47Could she have been followed?
45:48Could you have been followed?
45:51What about the men?
45:53At the yard?
45:57Did any of them ever say anything to you about Anna, ever show any interest in her?
46:03No.
46:04And the name William Parry doesn't mean anything to you?
46:07No.
46:08He wasn't one of the men that worked with you at the yard.
46:10No.
46:10And you're 100% sure about Anna.
46:12Oh, I don't know.
46:13Please think.
46:14Oh, no, no.
46:14William Parry.
46:15William John Parry.
46:17Oh, I don't know.
46:18I don't know.
46:19No, I don't know.
46:22It wasn't me.
46:23I didn't do anything.
46:25I didn't touch her.
46:27Someone else did, and I got the plane.
46:29Get off me.
46:31Get off me.
46:32Get off me.
46:34Why did you come here?
46:35Why did you leave me alone?
46:37I haven't done anything.
46:39I haven't done anything wrong.
46:48I haven't done anything wrong.
47:12So, thank you.
47:13All that is.
47:46I don't know if I'm going to put it in the middle of the water, but I don't know if
47:50I'm going to put it in the middle of the water.
48:02Do you want to do what you want to do?
48:09Do you want to do what you want to do?
48:29Do you want to do what you want to do?
48:47You look much better.
48:51Nice.
48:58I brought you some things.
49:12I brought you this.
49:16I hope you like chocolate.
49:32I put the dirty clothes in the bag like your mum said.
49:37She was here.
49:40What did she want?
49:44She was just checking on me.
49:54Your mum, she's who?
49:57She's what?
50:02I guess she just reminds me of my mum.
50:06Just like nothing I ever did was good enough for my mother.
50:11Do you know what I mean?
50:14I could see it in her eyes when she looked at me.
50:17That disappointment.
50:21I tried to make her proud.
50:25But I could never be what she wanted me to be.
50:29I never shone.
50:36And you were right.
50:39I don't feel comfortable in my own skin.
50:45I don't fit in.
50:46I don't fit in anywhere.
50:48It's like people can see right through me.
50:50And there's nothing inside.
50:57It's that why you hurt yourself.
51:01Cutting myself makes me feel better.
51:06It's like I have control over something.
51:14Or alive.
51:23You don't have to hurt yourself anymore.
51:28I'm here for you.
51:31You can talk to me about anything you want.
51:36I'm a good listener.
52:29And it's like you still don't get me feel better.
52:33Sounds pretty beautiful.
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