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  • 2 days ago
Боротьба доньки швейцара Феріхи та її матері Зехри, які живуть у розкішній квартирі в Етілері, проти всіх несприятливих умов свого життя, суцільної війни за існування.
У той час як університет є ключовим пунктом мрій про майбутнє матері та доньки, сестра-близнюк Феріхи Мехмет, яка не вчилася після початкової школи, та її батько Різа, фаталістична людина за своєю природою, не відчувають такого ж хвилювання. Хоча Мехмет таємно ревнує Феріху, він також знає про ентузіазм свого близнюка та його прагнення до пишного життя «нагорі».

Гравці:
Я бачив це у Вахіде
Хазал Кая
Кагатай Улусой
Немає захоплення тексту
Меліх Сельчук
Сейда Атес
Юсуф Акгун
Деніз Угур
Аху Сунгур
Меч миру
Уфук Тан Алтункая
Пелін Ерміс
Седеф Шахін
Фейза Цівелек

ВИРОБНИЦТВО: МІЙ МЕДІААПІМ
РЕЖИСЕР: БАРІС ЙОШ
ПРОДЮСЕР: ФАТІХ АКСОЙ
ОПОВІДАННЯ-СЦЕНАРІЙ: МЕЛІС ЦІВЕЛЕК, СІРМА БЕРН
МИСТЕЦЬКИЙ КОНСУЛЬТАНТ: Есра Ергун Казмірчі

Category

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TV
Transcript
00:00This is a great idea of the world's world.
00:05I am a part of the world's world's world.
00:10I am a part of the world's world's world.
00:43You have to cry, when you see me in the middle of the night.
00:47And could it be different?
00:53So?
00:55I know. I also wanted to call you.
00:59I know.
01:01I'm the same with Jeansu.
01:03What evening?
01:06Okay, then we'll talk.
01:08We have a lot of things.
01:09We'll write.
01:13He said something about Emiro?
01:17Where did you take it?
01:19You stopped talking to him,
01:20when he told you about the evening.
01:23The evening at the club Emiro?
01:25Oh, my God.
01:27All your problems started.
01:30And then, as you went to him on the evening.
01:33Don't forget about this.
01:34Don't be afraid.
01:36I still don't want to look at him in the eyes.
01:40I don't want to go.
01:42This evening at the mask.
01:44I don't want to go.
01:46I don't want to go.
01:47In masks?
01:48Jeansu.
01:50Masks and parole.
01:51Don't be afraid of this.
02:02Show me your real face.
02:19Good evening.
02:21Are you going to Leventa?
02:22No, I'm going to sleep.
02:24There's no sleep.
02:25There's no Leventa.
02:27But if you want to give you a refund,
02:29give me a refund.
02:32You don't have a refund?
02:34Yes.
02:35Well, and when you give it?
02:38Of course.
02:40I understand.
02:40But you, to not be ashamed,
02:42you're going to lose your money.
02:45You're going to be a friend of Leventa.
02:47Although your brother pays well,
02:49and he doesn't give you a refund.
02:50It's my fault.
02:53It's my fault.
02:53Don't take care of yourself.
03:17I have taken care of.
03:20Yes.
03:21You're going to take care of her.
03:23Yes.
03:30I'm going to fix business in the right direction.
03:33What are you talking about?
03:36Maybe we'll sit there and talk?
03:40Good, Yonal.
03:41Good.
03:44You met me with Yonal?
03:49Don't worry, please.
03:51We're only friends with Yonal.
03:55Ms. Aysun is surprised.
03:57You were born, because you couldn't be able to hurt him?
04:01Yonal is my personal life.
04:05I'm talking about him not only about work, but also about you.
04:09He didn't say that I took you to the hospital.
04:12He wanted to destroy his partner.
04:14I was on the hospital.
04:16I hope you don't get into business.
04:58He's 있어요, so he could be heard.
05:01I thought he'd halt crook work.
05:01I knew that I was able to buy anything.
05:01Not the house, you don't miss.
05:02You got linked elements in a memorial of the hospital.
05:02It was really nice to kind of masteròlasm.
05:02But I'm having trouble doing boys.
05:02and I was able to write a sense of א myself about it.
05:02I killedIDAmy too.
05:08Made up a noise on the table.
09:13Thank you so much.
09:26You're such a thing.
09:27Everything, what you hate, is Mr. LeVent.
09:30It's all about what we can talk about.
09:32Yes, I'm not.
09:34Because then, when I was here, I told you about what nobody told you.
09:38What changed?
09:40What did it bring?
09:42To this.
09:44We're looking at each other and we don't see it.
09:48Go and talk to them.
09:51Tell them everything you want.
09:53Tell them everything you want.
09:55I don't know. Tell them what you want.
09:58Yes, Mr. LeVent knows.
10:00He knows why I'm with you.
10:03And if you were in the night, you would know.
10:06But you don't want to listen to me.
10:08So I don't want to tell you anything.
10:11I'm not going to tell you, right?
10:13Yes.
10:14Because as long as you try, I'm crazy.
10:18I'm very secret, right?
10:22What is it?
10:24You look at me and you don't hate me.
10:26You look at me.
10:49You look at me.
10:56You look at me with my lips.
10:57You look at me.
10:59You look at me.
11:00You look at me.
11:00I don't know.
11:02You look at me.
11:03You look at me.
11:05You look at me.
11:05I'm already kidding.
11:10You look at me.
11:50What is it?
11:51What is it again?
11:51I don't think it's a bad thing.
11:52It's not a bad thing.
11:54Maybe it's good, Levente?
11:55It's just a wonderful thing,
11:57if you were to stop moving towards us.
12:06Guys!
12:07Let's go!
12:20I see you all here.
12:22I used to live in the ocean.
12:25I learned not to go back to you.
12:27Do you want to tell you something?
12:30How are you?
12:32This woman, whom you love,
12:34you have to cry for her.
12:37How do you feel?
12:39I'm here not only because of her.
12:42But if you're a hero for her,
12:46it's not clear.
12:48The role of the hero is to give you,
12:49captain.
12:50I'm just going to stop.
12:52You have to plan something.
12:54What is your goal?
12:56It's you.
12:57I?
12:59I know her from the early childhood.
13:02If he doesn't like anything,
13:04if he doesn't believe,
13:05it's not easy.
13:08He doesn't believe you.
13:09He doesn't believe you,
13:09captain.
13:11And this is your love for her.
13:14And why do you have to cry for her?
13:17Why do you cry for her?
13:18Because I'm happy.
13:19Because I'm happy.
13:21I see you,
13:23you're a very alone.
13:25You are a very alone,
13:25a happy man.
13:26You love the woman who you can't leave.
13:29She needs to be friends.
13:32You're a happy man,
13:33you're a happy man,
13:34you're a happy man,
13:36you're a happy woman.
13:36You're a happy man,
13:39you're a happy woman.
13:42Well, at least a little bit of time.
13:47It's a bit more interesting to me.
13:50If you were in my life someone,
13:53maybe not every day,
13:55who would help me not to break down.
13:59Captain, do you understand?
14:02We can support each other.
14:05My heart doesn't matter.
14:07I need support.
14:09Just now, you need me.
14:25Father, I've never found another one.
14:28Of course, I'm not happy to say that,
14:31but there is no one.
14:35Do you not welcome me?
14:41I do not.
14:56I'm happy to say that,
14:58I will try to raise my hand.
14:58I am not happy to take a玉米 here.
15:00There he is.
15:02I will never stop me.
15:03I will take a hand over my hand.
15:05If it is a hand over my hand,
15:06I will go and fold it.
15:08I will go to my hand over my hand.
15:08I will do my hand over my hand.
15:14What do you want to do in the morning?
15:17What do you want to do in the morning?
15:19What do you want to do in the evening?
15:20So fast?
15:30Oh, boys!
15:32Where did you go?
15:33How can you go with such a little bit?
15:35And don't ask, Shukriu.
15:37We are in your hands.
15:39Today is evening.
15:40We are friends and lost.
15:42We are here to help you.
15:45Emíren, don't worry.
15:49How are you doing?
15:51I went to work at Club Night.
15:54Oh, I know. It's a great club.
15:58Come on, come on.
15:59Okay, come on.
16:00I'll come on.
16:03Everything as always.
16:05How are you doing?
16:08How are you going to go and mention?
16:08Let's go and ask,
16:14what is my friend?
16:17What do you want?
16:17What do you want?
16:17As long as you get here.
16:20As long as you get here,
16:34you can tell for us.
16:34What's your friend?
16:37It's a bomb.
16:38It's a bomb.
16:39It's a bomb.
16:40Yes, it's a bomb.
16:43Yes.
16:44I've just got SMS to show you.
16:46Let me show you the real face.
16:48Yes, when all of us will show you the real face.
16:54Where do we go?
16:55I have a partner.
16:57I'm with him.
16:58Look, she's a partner?
17:00Is this the one who I think?
17:02Maybe.
17:03What do you say?
17:05You're serious?
17:06Come on in the evening, see you.
17:08Where do you go?
17:11Yes, here.
17:13Good.
17:14Now, let's go and ask her the parole.
17:17Don't do it.
17:18Do what I say.
17:20See you in the evening.
17:28Show me the real face.
17:30Tell me the last one.
17:38Hello.
17:40I need a toilet.
17:42We have a toilet.
17:44There's a toilet there.
17:44Not.
17:45I have to remember that I needed a suit.
17:50Sorry, you just got to get out of here.
17:53I'm sorry to get out of here.
17:56No, no.
17:58So, can I quickly pick something ready for me?
18:02Well, what suit you need?
18:06I need to go to the club for the night.
18:10Are you going to go to the airport?
18:12No, I'm ready for a surprise.
18:18I'm going to tell you, right?
18:20Yes.
18:21Because as long as you try, I'm curious.
18:25I'm very curious, right?
18:28What do you mean?
18:29You look at me and you hate me.
18:32Show me the real face.
18:38Aynur.
18:43I'm sorry.
18:44You promised to call me.
18:48I have bad news about an attorney.
18:52I don't know anything.
18:54We didn't find a common language.
18:55I'm the same.
18:57Don't forget it.
18:58It's better to be the same than with someone else.
19:01I want to ask you something.
19:03Do you want to go to the theater?
19:05Yes.
19:06We even got a costume.
19:08Can you help me?
19:19Do you go to the evening?
19:21Every minute.
19:23I'll take care of you.
19:25I don't understand.
19:27I haven't figured out.
19:28I don't know.
19:38I don't know.
19:40I don't know.
19:48I don't know.
19:50I don't know.
19:51I don't know.
19:51I don't know.
19:52You should know the paroles.
19:53That's what I'm doing.
19:57I don't know.
19:59I'm not sure.
20:00I'll show you what you're doing.
20:04Thank you very much.
20:06Good to see you.
20:10We'll see you, on the way you're capable of.
20:22The holiday is close to you.
20:24My life is going to be in the evening,
20:26but before I didn't want to be in the evening.
20:28This is the first evening,
20:29who you're going to be in the evening.
20:31You're not going to be in the evening,
20:32but you're going to be in the evening.
20:34That's why you're going to be in the evening.
20:38Mr. Amir,
20:39he's coming to you.
20:41Let's go.
20:45Do your job,
20:46and I'll go and check it out.
20:53You start?
20:59I've gotaden,
21:00We're here.
21:00You're here.
21:01All right.
21:03We're here.
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