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مسلسل Psych مترجم - Episode 8
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00:06You're dead, Spencer.
00:12What you doing, Sean?
00:14Nothing.
00:14Looks like something to me.
00:16Okay. I was running away from Ryan Brickhouse.
00:20That him?
00:21Uh-huh.
00:21Is he the same kid who's been hassling you all week?
00:24Yeah.
00:29And why is he chasing you today?
00:31I might have thrown a rock at him.
00:35Did you hit him?
00:36Almost.
00:41Get back out there.
00:42What?
00:42You can't run away from the bad guys forever, Sean.
00:44Eventually, you've got to come up with a new approach.
00:47So...
00:47So, find one.
00:59You're flunkin' math proudly.
01:03Here's the deal.
01:04Leave me alone.
01:06I'll make sure you ace the test tomorrow.
01:08How?
01:09Every third answer is C.
01:11There's a pattern to all her tests.
01:13Mrs. Bodansky does it every time.
01:15I memorized it.
01:16I'll show you.
01:17You better not be lying.
01:23Not bad.
01:24You faced your fears.
01:25You got a new result.
01:26You came out ahead.
01:28Did you really memorize those test answers?
01:30Yeah.
01:37What are you calling?
01:40Your math teacher.
01:51No.
01:52No.
01:52No.
01:53No.
01:53Yes.
01:54Yes.
01:56Nickel.
01:57That's a nickel.
01:58Yes.
01:59Yes.
02:00Yes.
02:01Who is that?
02:01Who is her?
02:02The girl sitting at our front desk.
02:04Ah.
02:04You're talking about the lovely Dagmar.
02:06Dagmar?
02:06She's on your receptionist.
02:08How does she get the job?
02:09Agency sent her over.
02:10You contacted a temp agency without consulting me?
02:13Gus, anyone can get a secretary from a temp agency.
02:15It takes real foresight and creativity to get one from a modeling agency.
02:19A modeling agency?
02:22Wow.
02:25Now, why would a beautiful lady like that want to be our secretary?
02:30Well, that's a bit of a story, you see.
02:33Apparently, she got it in her head that this was a runway gig.
02:36I blame the agent.
02:37I was very clear on the phone.
02:38But she's cool with sticking around for the rest of the day, seeing how it goes.
02:42You know how slow it gets when it's not modeling season.
02:45Does she answer the phone?
02:46Yes, but only her cell phone.
02:48She's expecting a call from Milan.
02:49Does she file?
02:50Mostly her nails.
02:52Coffee?
02:52Yes, she wants some.
02:54Can I make you anything?
02:55No.
02:57Dude, I thought you weren't coming in until, like, noon.
02:59Big drama at the office today.
03:00A doctor we supply a product to got killed.
03:03Whoa.
03:04Whoa, whoa, whoa, whoa.
03:04You didn't call me immediately?
03:06You don't know him.
03:06Gus, this is what we do.
03:08Remember, we can solve the case.
03:09The place is already there.
03:10This means nothing to me.
03:11They're going to need help, guidance, psychic vibrations.
03:15Dagmar?
03:21She doesn't speak English?
03:25Does she need to?
03:32Where, in the name of all that is holy, is my forensic team?
03:35All right, what can you tell me about this doctor that I can pretend to ascertain from the spirit world?
03:39Dr. Blinn wasn't on my route.
03:41I did cover him a few times.
03:43All I remember is he always made you wait, and he had a picture of Pete Rose on his wall.
03:46Look how cute she is in the future.
03:51I have been sent by the spirit of Pete Rose.
03:53Pete Rose isn't dead.
03:54There was a photo of Pete Rose in the wall.
03:55Okay, why have I been drawn here?
03:56Was there a murder?
03:58Do I need the little booties for the crime scene?
03:59Thanks, but we're doing just fine.
04:06Don't go in the back room.
04:10My grandpa loved Pete Rose.
04:11All right, I want you guys to ring in the doorbells.
04:13If anybody in the neighborhood saw anything, I want to know about it.
04:15Patient files.
04:16Cabinet's locked.
04:16They haven't found the key.
04:17Got to hold the DA's office.
04:18Tell them I need access to those files if they say we need a warrant.
04:21Get it.
04:22Also, get me a copy of his desk calendar.
04:25I thought I told you no.
04:27But your eyes said yes.
04:29Hey, who's that Cincinnati Red over there with the bowl cut?
04:38Let me be perfectly clear.
04:41This is my crime scene.
04:42I don't need your help.
04:43I don't want your help.
04:44If you don't leave right now, I will have you arrested for interfering with the police investigation.
04:48Am I clear?
04:50I like better.
04:58I've given this a great deal of thought.
05:01I think we should take the rest of the day off.
05:03What say you?
05:04All you've done is eat off a box of animal cookies and crash a crime scene.
05:07The case with the doctor.
05:08They're coming back to us eventually.
05:10You know this.
05:10So let's go to the beach.
05:12It's two nights a day for murder and mayhem.
05:14I have to see them right now.
05:16It's important.
05:17I'm sorry.
05:18I don't mean to barge in, but I need help.
05:24Mr. Dunn, Robert, how can we help you?
05:27And can I call you Bob?
05:29This is difficult.
05:30Take your time.
05:31We're here.
05:32Yeah.
05:34I'm just going to come out and say it.
05:38I'm being haunted.
05:40Haunted?
05:41Yes.
05:42It's a haunting.
05:46Gus, can I talk to you outside?
05:47Not now, Sean.
05:47We're in the middle of something.
05:48Gus.
05:49Stop talking.
05:49Sit down.
05:51Now, what exactly do you mean when you say haunted?
05:57Well, my home.
05:58Sometimes I smell perfume when no one else is around.
06:02Things get broken or move.
06:05Oh, Gus, I think you have a text message.
06:06I'll get it later.
06:07I think you should get it now.
06:17Sorry.
06:18We're in business.
06:19Okay.
06:22Can I ask you a question?
06:23Yeah.
06:24Do these spirits ever speak to you?
06:28No.
06:28No.
06:28Whatever.
06:30Whoever it is, it hasn't spoken to me.
06:33Oh.
06:34Have you contacted the police?
06:35Yeah, but they said that there was nothing they could do.
06:38So, here I am.
06:41Robert.
06:42We deal with this kind of phenomenon all the time.
06:46What you need to realize is that evicting a spirit is a very time-consuming and absurdly expensive process.
06:52I don't care, okay?
06:54I just can't go on living this way.
06:56Excuse me.
06:59Oh, really?
07:00Yes.
07:01Yes, Sean.
07:02Look, all I'm saying is that it might be easier to try moving into a different house.
07:07One that's less haunted.
07:09I tried that.
07:10Whatever this thing is, it followed me all the way from San Francisco.
07:13Maybe it likes you.
07:15I don't think so.
07:17What makes you say that?
07:20I think it tried to kill me.
07:23I don't think so.
07:23I don't think so.
07:23I don't think so.
07:27I don't think so.
07:31I don't think so.
07:37I don't think so.
08:05I don't think so.
08:10I don't think so.
08:12I don't think so.
08:52I don't think so.
08:56I don't think so.
09:10I don't think so.
09:28Shut up.
09:39I don't think so.
09:51I don't think so.
10:23I don't think so.
10:25I don't think so.
11:12Okay, well, listen.
11:13Let's get in there.
11:14Let's get in there, get those addresses and bring these nutjobs in for questioning.
11:20Here's where I found all my paintings last weekend, upside down.
11:24I got a cold spot.
11:26I got a cold spot.
11:26Right here.
11:28Feel it?
11:28Yes.
11:30Yes.
11:30Yes.
11:31Yes, I do.
11:31Robert, we've definitely got something here.
11:33You're standing under a vent.
11:45Oh, so all these are yours, huh?
11:47Yeah.
11:48I'm trying to get ready for a show.
11:50No kidding.
11:51Has anything strange ever happened here?
11:54Sometimes I get the feeling that the furniture has been moved.
11:59Did you actually see it happen?
12:00No, I just come into a room and everything's not where I left it.
12:11Robert, do you have a photo of them?
12:13Um, yeah.
12:18Ah.
12:21Oh, that's a nice shot, huh?
12:25Oh, I feel it.
12:28I feel it.
12:30Oh, Gus.
12:30Gus.
12:31Oh.
12:32Oh, she is angry.
12:34She is angry.
12:35She is soaring.
12:36With rage.
12:39She wants to go to the bedroom.
12:41Where's the bedroom?
12:42It's here.
12:42Take me.
12:43Oh.
12:58I've lost her.
13:02You don't believe me, do you?
13:04No, of course we do.
13:05You saw it too, didn't you?
13:07Guys.
13:09Please.
13:10Stay the night.
13:11Then you'll see.
13:13I mean, you don't know what it's been like.
13:15I can't work.
13:16I can't concentrate.
13:17I wake up in the morning more tired than when I went to bed.
13:20Days pass when I can't remember what I've done.
13:23Well done!
13:25That was a рок.
13:33No.
13:51Why did he do the sobbing?
14:01this pulls out into a bed but that's all i got oh no worries what's a little spooning
14:05between old pals like us oh good night night rob you got the floor oh we'll make it work
14:13you don't mind if i uh nude up for the sleepover right seriously sean only one of us is sleeping
14:18at a time the other one is on watch oh no we'll both sleep i'll put on some socks make
14:23you feel more comfortable stop playing sean we're here to solve a case i already solved it when when
14:31you were flapping a book like a bird gus you must know it was a bald eagle and yes
14:40you found a ghost there's no such thing as ghosts yes there is sean no there isn't but there is
14:45such thing as a pissed off ex-girlfriend what ex-girlfriend no one mentioned anything about
14:49an ex you didn't look at the photo album redhead she's cute what makes you think she's an ex oh
14:57come on there's dirty dishes everywhere his bedroom is a mess his nails are filthy his hair is horrible
15:04no girlfriend's gonna put up with that and exhibit a who else would x through his face in all these
15:09pictures okay okay okay say she's the ex we still don't know she's actually been here there are strands
15:17of red hair all over the studio should we tell robert how psychic would that be no we'll spend the
15:29night
15:29it's fine catch up with the ex tomorrow talk to her see what's going on meanwhile i'm going to do
15:35some
15:35sit-ups come hold my feet i'm going to do a thousand
15:40go ahead and hit me i'm going to do a thousand
15:49go ahead and hit me i'm gonna do some shit
15:56god get off fire
16:08I could have died
16:12If you guys weren't here
16:15Why is it doing this to me?
16:18Why is it trying to kill me?
16:20Okay, okay, Robert
16:21Hey, hey, hey
16:24Hey, Bobby
16:25Look at me
16:26Now, who here has communicated with more dispossessed souls?
16:31You or me?
16:32You?
16:33That's correct
16:33Now, I am telling you that this, this fire was not an attempt on your life
16:38It wasn't?
16:39No
16:40This was a sad and desperate cry for help
16:43From a very frightened, very lonely apparition
16:46Are you sure about this?
16:47Absolutely
16:49Of course, it's also possible that someone simply left a candle burning
16:53I don't burn candles
16:54Gus, did you burn a candle?
16:56Why would I do that?
16:57Private help it is
16:59No one came in while we were sleeping
17:01I checked the doors and the windows
17:02They were all locked
17:04From the inside
17:12Why are you looking at me like that?
17:14That's all you did?
17:15Checked the doors and the windows?
17:16Yeah, why?
17:29Where did that come from?
17:30Don't look at me
17:31I'm not wearing lipstick
17:35This is the only post office box listed for Regina Kane
17:38According to Dr. Blood's calendar, she was his last appointment
17:40She might have seen something
17:41I want to find her
17:43Well, if this is where she picks up her mail, she probably lives close by
17:45Can I visit the neighborhood and see if anyone knows her?
17:47That's a really smart approach
17:50What?
17:50That shocks you?
17:51I meant that as a compliment
17:52Really?
17:54Yeah
17:55Thanks a lot
17:57Is that sarcastic?
17:59No
18:00Oh
18:01Okay
18:03You're welcome
18:06You still think it's the ex-girlfriend?
18:08A woman scorned is a woman with motive
18:10We need to talk to this woman
18:13You're on your own
18:14I'm tired of her work for the rest of the week
18:16Gus, that's so lame
18:17Ooh
18:18Bulletin
18:22Good morning, detectives
18:24Collecting donations for the policeman's ball?
18:26We don't have balls
18:30I honestly have no response to that
18:31Need I remind you, Mr. Spencer
18:33What happens when you interfere with the police investigation?
18:36Uh, the case gets solved?
18:38Wait a minute
18:38You guys are working on that murder thingy, right?
18:41I completely forgot about that
18:42How's that going?
18:48Silly question
18:49We'll let you guys get back to your investigating
18:51Bye, Juliet
18:54Okay, where to next?
18:55Listen, we change our poles
18:57We get some lunch
18:57And now have to get back to work
18:59Gus, the plot is thickening
19:01Sean, I've already missed two days this week
19:02Oh, fine, fine, fine
19:03I respect your wishes
19:05Thank you
19:05Jerk chicken
19:06You know that's right
19:10Oh, you're
19:11There he is
19:14What time is daytime?
19:19What happened?
19:21I might have dropped six allergy pills in your frosty while you were peeing
19:24You did what?
19:25Where are we?
19:27Palo Alto
19:27San Francisco?
19:29No, but close
19:30Robert's ex-girlfriend lives up here at Gus
19:32And we really need to talk to her
19:33I will kill you, Sean
19:34And then you're gonna buy me some new tires
19:36Oh, come on
19:37This is fun
19:37Road trip
19:38Kidnapping
19:40That's exactly what this is
19:42That's it
19:43We're not talking
19:49What, seriously?
19:58So we're really not talking now?
20:00Come on, how mature is this?
20:01The silent treatment is not how conflict gets resolved, Gus
20:03We need to work through this
20:05We need to share our feelings
20:07Maybe a smoothie
20:14Yes?
20:16Never mind
20:17It's not her
20:20Pardon me
20:34What do I mean it's not her?
20:37Lips
20:38Lips
20:39Lips don't match
20:39Lips that kiss your forehead do not belong to Amy Kessler
20:43Therefore, she's not our ghost
20:50You didn't drive all the way out here
20:52So you could say it's not her and leave
20:54We're talking to Hep
20:59Her
21:07Carlton
21:09Separation means apart
21:14What you got there?
21:15Nothing
21:16Are you okay?
21:18Of course I'm okay
21:19You look sad
21:21I am sad
21:22Why are you sad?
21:23I'm sad because I don't have my forensics report on my dead doctor
21:27Or a lead on my possible witness, Regina Kane
21:30What about that psychic guy?
21:31Isn't Sean great at this sort of thing?
21:33Finding people?
21:34Maybe we should bring him
21:35Maybe you should just keep your ideas to yourself
21:39That's a joke, right?
21:41Yes
21:43Yes, it is
21:52Very nice
21:55Exquisite brushstrokes
21:56It's a print
21:58I'm referring, of course, to the original
22:01I'm sorry, what's the name of your gallery again?
22:03That's been a bit of a problem, actually
22:05We wanted to call it
22:07Le Petit Louvre
22:09But apparently the art snobs in France
22:12Think they have a monopoly on all things Louvre
22:15We also tried
22:16Louvre 2
22:19Louvre Jumier
22:21Night gallery
22:22Nothing cleared
22:23The important thing is
22:24We want to show the amazing work of Robert Dunn
22:27And he listed you as a character reference
22:29We are very select with the clients that we take on
22:32Isn't that right, Francois?
22:35I have to admit, I'm surprised Robert would list me as a character reference
22:38We dated for a period and it didn't end well
22:40Can I ask why?
22:42Not to pry, but he did list you as a reference
22:45The usual, forgetting dates, standing me up
22:47Sometimes he'd get so wrapped up in his work he'd disappear for days at a time
22:51The worst was when he cheated on me and lied about it
22:53Oh, he must have been burning with furious anger
22:56He was just so stupid
22:58A girlfriend of mine saw him at a club with another woman
23:00He was drunk and pretended that she had him confused with someone else
23:03He said his name was, get this, Martin Brody
23:07Martin Brody?
23:09Roy Scheider's character from Jaws?
23:11Yes, how'd you know?
23:14I've seen Jaws
23:15It's his favorite movie
23:16Anyway, when I asked him about it, he pretended he'd never even heard of the club
23:19That, uh...
23:22How I did
23:23You must have wanted to kill him
23:26But, probably not so much anymore
23:29You're pretty happily engaged, aren't you?
23:33Yes
23:34Isn't the ring great?
23:44Okay, so she's not our ghost
23:47Even the longest journeys can start with a tiny misstep
23:50Overall, still a very good day
23:52How is it a good day?
23:54Oh, come on, Gus
23:56First of all, road trip
23:57Always fun
23:58We got some fresh baked sourdough
24:00Very nice
24:01And the agency is sending us a new secretary tomorrow
24:03And yes, she speaks English
24:06Fluently
24:06Sean, we talked about this
24:07We can't afford a receptionist
24:09I don't think we can afford not to have one
24:12Gus
24:13What? I think maybe we should move.
24:16Come on, guys. Get your gear. Go, go, go.
24:19Go, go, go, go, go, go, go, go, go, go, go, go, go, go.
24:26Hey, hey.
24:34It's like a whippet.
24:35Tell me about it.
24:37What's the super smell say?
24:39Somebody had too much to drink.
24:47What are you so happy for?
24:49We almost got killed.
24:50This was not an accident.
24:52Whoever that is is waiting for us,
24:53and we have a new suspect for Robert's ghost.
25:01He didn't answer his phone. Maybe he's not home.
25:06Robert!
25:07Or maybe whoever tried to kill us last night
25:10also paid Robert a visit.
25:12And left the door unlocked.
25:14Anybody home?
25:16Robert!
25:17Bob!
25:21Sean, you might want to see this.
25:24Save me. I'm trapped.
25:26Hmm.
25:27I don't want to jump to conclusions here,
25:29but this very well may be a cry for help.
25:31Maybe someone died here.
25:32I was buried alive.
25:34This could be the cry of a tortured soul.
25:36So this guy just happens to move into two haunted houses in a row?
25:40Don't touch that. It's blood.
25:42It's not blood.
25:43Enjoy your hepatitis.
25:45And this tortured soul might be less tortured with a latex enamel.
25:49He wouldn't get these messy drips.
26:07Oh, boy.
26:16I got it. I got it. I got it. I got it.
26:24Wow.
26:26What?
26:30You got to see this.
26:38Not what I was expecting.
26:42Okay.
26:44I know what I'm looking at, but what does it mean?
26:53Is it a ghost?
26:54No, buddy.
26:56It's not a ghost.
26:58Is there a woman living up here?
27:01Well, that would certainly explain the perfume Robert's been smelling
27:04and all the red hair laying everywhere, but no.
27:07No dice.
27:07Then what is he?
27:08Oh, come on. Gus.
27:10Look.
27:15What?
27:16What?
27:17Robert is a woman.
27:19No, he's not.
27:20Not all the time, but sometimes.
27:23No.
27:24Doesn't seem like the type.
27:25He's not the type.
27:25Then how?
27:26Unless he has that personality thing.
27:30What personality thing?
27:31Oh, you know what I'm talking about.
27:32The multiple personality disease.
27:35You know that, uh, what's-her-name had?
27:36The Flying Nun in the other thing, the TV movie.
27:39Smokey and the Bandit.
27:41Yeah, dude.
27:42Smokey and the Bandit.
27:43Yes.
27:44What does that have to do with multiple personalities?
27:46You asked.
27:46I asked a real question.
27:47You're supposed to give me a real answer, not a random guess.
27:50Okay, fine.
27:51Hooper.
27:52Hooper.
27:53Hooper.
27:53Hooper was a stuntman.
27:55Oh.
27:55I don't think Sally Field's even in Hooper.
27:57Who are you thinking of?
27:58You know.
28:00Terry Bradshaw.
28:00Yes.
28:03Is it Norma Ray?
28:04No.
28:04That would have made that movie a lot cooler.
28:06The thing you're asking about, Sean, is referred to as dissociative identity disorder.
28:11That's it.
28:11That's what Robert has, Gus.
28:13It all makes sense.
28:13Do you know how rare that is?
28:14I'm not saying all of Santa Barbara has it.
28:16Just Robert.
28:17One guy.
28:17I think that qualifies as pretty rare.
28:19I don't know, Sean.
28:20These are huge.
28:22Look.
28:23Think about it.
28:23It's two separate but distinct personalities.
28:26One body.
28:27One's a man.
28:28The other's a woman.
28:30The female personality cooks dinner.
28:32Robert thinks the meals are the work of a ghost.
28:35The female rearranges the furniture.
28:37Robert thinks the ghost is moving things when he's not around.
28:41His old girlfriend did say that he would disappear from stretches at a time.
28:44Which would explain.
28:45When a female personality was in control, Robert would disappear.
29:17And he would have no clue to any of it.
29:19Where did all this stuff come from?
29:23Is this where she lives?
29:26The angry female spirit that you sensed?
29:30Oh, yes.
29:32I feel her very strongly here, Robert.
29:36Do you?
29:38Do you feel pretty?
29:45What?
29:47Do you feel pretty?
29:51Do you feel a female presence?
29:56Uh, no.
29:57But I'm not a psychic.
30:01Do you think that you can...
30:07Communicate with her?
30:08I'm trying.
30:10I am.
30:11Uh.
30:14Sorry.
30:15Okay.
30:16You guys are starting to creep me out.
30:18So, if I'm not needed, I think I'll go back downstairs.
30:21Okay.
30:22Let me just put this away.
30:23We'll all go down together.
30:32You coming, Sean?
30:34Yes.
30:35Oh, wow.
30:37Robert.
30:39These are some terrific clothes.
30:41I bet they look absolutely beautiful on you, Regina.
30:48Regina?
30:49Who are you talking to?
30:51Yes.
30:52Yes, Gus.
30:53Why don't you tell Regina how much you like her nice clothes?
31:02Wow.
31:06Yeah, Regina.
31:09Regina.
31:10You look beautiful.
31:15I mean...
31:18Regina.
31:19Regina.
31:24Thank you, Gus.
31:28I can't tell you how glad I am that you got my message.
31:37So, do you think that you can help me?
31:41Please?
31:46Dude.
31:50This isn't right.
31:58I must look horrible.
32:00No.
32:01Not at all.
32:02You are too kind.
32:03But then again, I already knew that.
32:05The way you comforted Robert.
32:07You are so sweet.
32:12Unlike most men.
32:14Afraid to show their emotions.
32:16Well, I...
32:16I've been hurt a lot.
32:18Now, if you two don't mind, I really must put on my face.
32:25Wow.
32:28So, Regina, this message on the wall, this was your way of trying to get Robert's attention?
32:33Well, he doesn't even know I'm alive.
32:35Why not write him a letter?
32:36Or an email?
32:38Or even a post-it, even?
32:39I tried.
32:40I really did try.
32:42But every time something or someone stopped you.
32:45What are you talking about?
32:46I think there's another personality.
32:48Regina.
32:49There's another personality, isn't there?
32:51I mean, you don't smash pictures or start fires.
32:53You would never strangle Robert.
32:54No.
32:55I wouldn't.
32:56Regina, the police would like to speak with you.
32:59They're investigating Dr. Blinn's murder.
33:01They think you might have seen something.
33:02You could be in danger.
33:04I didn't see anything.
33:05I didn't even go to my appointment.
33:07Why would anyone want to hurt Dr. Blinn?
33:10He was such a nice man, and he was doing so much to help me.
33:17With what?
33:19Well, you ought to know better than to ask that.
33:22That's between a woman and her doctor.
33:25You okay?
33:27Unless you're going to ask her out, I think we're done here.
33:29How do we get Robert back?
33:31I have no idea.
33:32Well, you're a very special friend.
33:41Regina.
33:43We would like to speak with Robert.
33:45Robert, can you let Robert come out and play?
33:58For you?
34:00Of course I can.
34:03And I do hope that we meet again.
34:07Robert.
34:13Robert.
34:16Robert.
34:18Try Bob.
34:23Ah!
34:25Easy, easy, easy, easy, easy.
34:27We know it seems weird.
34:29And, and, and...
34:30Actually, it is.
34:31It's...
34:31Yeah.
34:32It's really weird.
34:33But we have good news.
34:35We figured out who your ghost is.
34:38Who?
34:39You.
34:42You're haunting yourself.
34:48Yep.
34:49Life is good.
34:50Life is great.
34:52I mean, Robert gets the help we're so desperate who needs.
34:54We get to marinate in the delicious satisfaction of another job we've done.
34:57And leading Lasseter to Regina, even though she saw nothing?
35:01That's professional courtesy.
35:03Plus, it helps raise our stock, Gus.
35:05Ooh, crime scene photos.
35:07Love crime scene photos.
35:11May I help you?
35:13Detective O'Hara.
35:15A truly pleasant surprise.
35:17Mm-hmm.
35:17Uh, I just dropped by to tell Detective Lasseter that I have...
35:21We have information regarding the whereabouts of a one Regina Cade.
35:27How did you know about it?
35:30Never mind.
35:31Stay right here.
35:32Don't move.
35:33I'll go find him.
35:35Ooh.
35:37Sean.
35:38Sean, don't do this.
36:07Oh, gosh.
36:07Look at this.
36:07Look, look, look.
36:08What?
36:08Here, on the floor, where poor Dr. Blynn's body was laying.
36:11A toothpick.
36:14A chewed toothpick.
36:19Yeah, so?
36:20Don't you remember?
36:20The car that tried to ram us on the seat.
36:23Chewed toothpick.
36:24Oh!
36:25Oh!
36:26That means it's the person that killed Dr. Blynn.
36:28It's the same person that tried to kill us.
36:29It's a chewed toothpick, Sean.
36:31Lots of people with chewed toothpicks.
36:32Yes, but we were working for Robert.
36:34Robert is also Regina.
36:35Regina is a patient of...
36:37Dr. Blynn.
36:38Yes!
36:38Take the baton!
36:39So whoever the killer is knew both Robert and Regina.
36:43He said his name was, get this, Martin Brody.
36:47How dumb is that?
36:51Oh, Martin Brody.
36:53Of course, that's Robert's other personality.
36:56The violent one.
36:57But why would he kill Dr. Blynn?
36:58Depends entirely on what Regina was seeing him for.
37:02Oh, you've got to be kidding me.
37:04What?
37:05Dr. Blynn's patient files.
37:07Dr. Blynn's patient files.
37:08All we have to do is find Regina's.
37:24What are you doing?
37:26What are you doing?
37:28What are you doing?
37:29Shooting?
37:30Relaxes me.
37:32Sean Spencer says he has information for you.
37:34Where is he?
37:35At your desk.
37:36Is anyone watching him?
37:39Uh...
37:40Found it!
37:42Oh, no.
37:43What?
37:45Gender reassignment?
37:49Oh...
37:49Regina's tired of feeling like a woman trapped in a man's body, so she wants to have her parts...
37:54Oh, my...
37:55Wait a second.
37:57That means if Regina was successful, both Robert and the Martin personality will also lose their parts.
38:03Martin can't do anything to hurt Regina because he'll only be hurting himself.
38:06So, dressed as Regina, he goes after Dr. Blynn.
38:09That would explain how Robert got the marks on his neck.
38:11And with Dr. Blynn dead, Robert figured that Regina would change her mind about the gender reassignment.
38:16Right?
38:17We got that, Joey.
38:19Only she hasn't.
38:24Cus.
38:25No, no.
38:25She found another doctor.
38:26She's seeing him.
38:27Today.
38:28When?
38:30Right now.
38:31Right now, Sean?
38:32Like in ten minutes.
38:33Oh.
38:34Okay.
38:40Okay, now.
38:45There had better be a really good explanation for this.
38:47It was a sort of trance.
38:48I couldn't control one.
38:51He says this is the killer.
38:53Kill him.
38:54Kill him.
38:55He's going to kill him.
38:57Kill him.
38:58This is ridiculous.
39:00Who?
39:00Who's he going to kill?
39:01What is it?
39:03Watch out.
39:04Watch out.
39:05Watch out.
39:08Angel.
39:09Angel.
39:17Dr. Drake?
39:42I know this can be a difficult process, but it really is necessary to ensure that you're
39:50ready psychologically for a change like this.
39:52You do seem like an excellent candidate for surgery, but our time is up.
39:58Why don't we pick up here again next week?
40:00Okay, Regina?
40:02Okay, okay.
40:04Okay.
40:10Only...
40:11My name is not Regina.
40:15Hold it!
40:21What's going on?
40:22Robert, Bob, you back there, buddy?
40:25What am I doing here?
40:36Great. Thanks.
40:40Good news.
40:41They're going to mid-Robert and to the HT Windsor facility in Chicago.
40:45And his doctor thinks his paridosis is good.
40:48Don't you understand, Sean?
40:51That's the premier mental health hospital in the country.
40:53Yeah, that's good. That's awesome.
40:54Who is that?
40:57Leslie.
40:58Oh, no.
40:59No, no, no, no.
40:59That's not supposed to be a swimsuit model.
41:02Unfortunately, he is.
41:03Although he says he's getting completely sick of the grind.
41:05I have to call the agency.
41:06They're completely misrepresenting their clientele.
41:08Leslie's a guy's name, too.
41:10Okay.
41:12We have to fire him.
41:14Fire him?
41:14On what grounds?
41:15On the grounds that he's a dude.
41:18That's discrimination.
41:19We can't do that.
41:20Okay.
41:20Listen to me.
41:21No woman is going to look at us twice if we're sharing our office with that ridiculous Adonis.
41:25He's better looking than both of us, but together.
41:27Yeah.
41:29I'm my door name.
41:31Gus.
41:33You know I can't fire people.
41:35They look too sad.
41:36This was your idea?
41:37Figure it out.
41:38Let's go.
41:39Let's go.
41:43Let's go.
41:53Let's go.
41:56Let's go.
42:12In between the lines there's a lot of obscurity
42:16I'm not inclined to resign to maturity
42:19If it's alright, then you're all wrong
42:23But why bounce around with the same damn song?
42:27You'd rather run when you can't crawl
42:34I know, you know, that I'm not telling the truth
42:37I know, you know, they just don't have any truth
42:41It's a deception, learn how to bend
42:44Your worst inhibitions, they'll psych you out in the end
42:48I know, you know
42:51I know, you know
43:01I know, you know
43:04I know, you know
43:10I know, you know
43:12I know, you know
43:13You know, you know
43:13You know
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