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00:06My daughter will most likely go with you.
00:09No, sir. She's not going. She lets them go out with us.
00:13No, no. Of course, of course. There's no problem with you.
00:18Can I suggest something?
00:20But of course, Don Martín. He can very well do so.
00:23Don't take them somewhere boring.
00:26Ah, take her somewhere bustling, joyful, and musical, where they can have a blast.
00:34Well, there's no problem with us, but I don't know if they'd like it.
00:38I know them well. Sarita and Jimena need something to motivate them.
00:45Otherwise, she won't go out with you again.
00:49Are you feeling okay, Franco?
00:51It feels good to be back home.
00:53But don't worry so much about me because it makes me feel useless.
00:57I'm getting up early tomorrow and I'm going to work with you.
00:59Look, the doctor recommended you rest for a couple of days.
01:03So you're going to stay here.
01:04Juan, I'm not going to stay alone, locked up between these walls.
01:07It seems I would have stayed in the hospital.
01:08But you'll have company.
01:10What do you mean?
01:13I'll explain if the person who rings the doorbell is the one we're expecting.
01:22Look who's arrived.
01:24I thought he wasn't coming.
01:26I was not going to miss it, being as punctual as I am.
01:28When I give my word, I don't back down.
01:30I'm here for whatever you'd like to send.
01:32Forward.
01:35With your permission.
01:45Where are we going for dinner?
01:46To no restaurant.
01:48Their grandmother advises us to take them somewhere else where they won't get bored.
01:52In that way?
01:53Where are they taking us?
01:54To a seedy bar.
01:56No, no, no.
01:57They're not serious.
01:58Yeah.
01:59But what kind of invitations are these, ladies?
02:01It's not a vulgar bar.
02:03How can they believe this fat guy who doesn't know anything?
02:06It's a bar located in the center, super fun.
02:09Alcalá bar?
02:10No, no, no.
02:10We'll go back home right now or we'll get off here.
02:13Oh, we're going to get off.
02:14Don't be silly.
02:15I think it's delicious in a bar.
02:18I think I'm starting to like it now.
02:30We met this lady by chance.
02:32Franco will start working with us today.
02:36Is he your other little brother?
02:37Yes, he is Franco, I am Oscar and he is Juan.
02:40Here is the whole family.
02:43All three of them are very handsome.
02:45Because you can definitely tell they came from the same mold and were made by the same daddies.
02:50I am Quintina Canosa.
02:52Nice to meet you.
02:53I can say goodbye to you.
02:55Quintina what?
02:57Quintina Canosa.
02:58But they've always called me Cuca, and if you want, you can call me that.
03:02Cuca Canosa.
03:02No, no, no.
03:04We called her by her name.
03:05By Quintina.
03:06And how did you meet her or who recommended her?
03:09My greatest recommendation is my own work and my honesty.
03:12Although they know for a fact that I wasn't the one who took that wallet yesterday, that briefcase.
03:16How many times have I come across wallets and purses full of letters?
03:20Stop it, stop it, Quintina.
03:21Stop it, for crying out loud.
03:24You seem to talk too much, don't you?
03:28I don't know if it's a good idea to hire her because she talks like a parrot.
03:33Don Juanito, don't come at me with a load of nonsense now.
03:37I'm very hopeful, and now that I know all three of them, even more so.
03:41They seem like really good people, don't they?
03:43I am a very good worker, I swear on my soul.
03:47I don't charge a fee.
03:48All I ask is that they treat me well.
03:49Yes, don't worry, Quintina.
03:51I'm sure you're the person we need.
03:54Look, starting today you will begin taking care of Franco.
03:58He is staying at home because he is recovering from an illness.
04:00Who is she with?
04:04He is recovering from an accident.
04:07I take care of him and I'm in charge of the house and everything they tell me to do.
04:11I swear you won't regret trusting me.
04:13By Chuchito.
04:20It comes in your affection!
04:24Viva!
04:27In your eyes, the gaze, a little cloudy like water,
04:31from a puddle like glass,
04:32of fixed, dirty and fogged glasses.
04:39Viva!
04:40That your face doesn't match the shape of your back,
04:44your screwed-on head, short neck and big belly.
04:48Oh, what thin little legs!
04:54Oh, oh, oh, oh, love!
04:59Believe it or not, I love you.
05:06You are my taco, my tortilla, my enchilada and my quesadilla,
05:10my beer and my tequila.
05:14Oh, my beer!
05:15Oh, my beer!
05:22Oh, I didn't want to do a little dance like this!
05:25Yes, I'm realizing that.
05:27It looks like a blender, Jimena.
05:28Oh, I'd get it out of my head, mate, Sarita.
05:31We're having a wonderful time.
05:32No, maybe you, not me.
05:34I don't like this place, Jimena.
05:35Why not?
05:36It's an elegant place.
05:37Oh, Benito, there's nothing elegant about it.
05:39It's a place full of undesirable people.
05:40If Mom saw us, she'd faint.
05:42Oh, don't get like that.
05:43I'm telling you, some very respectable people come here.
05:45The Alcalá bar is distinguished by its excellent clientele.
05:49In addition, they put on some amazing shows.
05:52Yes, I'm realizing that.
05:55I'm talking about dancers and singers.
05:58There is one in particular who has an overwhelming personality.
06:01And here it is!
06:04Rosario Montes!
06:32Rosario Montes!
06:35That I carry here in my heart
06:37It's the fault of an ungrateful love
06:52Look at me, I'm the other one
06:57The one with the fire
07:00The one who knows exactly what she's doing
07:05Your smile is a caress
07:11That moves me, that drives me crazy
07:18And that's why I ask.
07:26Who is that man?
07:29Who looks at me and undresses me?
07:33A restless beast that outshines me a thousand times over
07:36And it makes me tremble
07:37That makes me feel like a woman
07:42Nobody can take it away from me.
07:46I will always be her owner
07:49That's why she doesn't sleep.
07:51The one you die for
07:52Through which she breathes
07:59I am his wife
08:01I am his wife
08:30Are you sure that ever
08:31One of you
08:32He didn't get involved
08:34With one of us?
08:39Are you worried about something?
08:42No, it's just that I'm not used to it.
08:44These meetings
08:44Less so after death
08:46From my dad
08:47I had the opportunity to meet him
08:49He was an excellent person
08:50Don't you have
08:52Three more sisters?
08:53No, two sisters
08:54Sarita and Jimena
08:56I know them
08:57But I thought I had another daughter.
08:58A pretty girl
08:59That he frequently went for walks with him
09:02No, no, no
09:03I don't know who he's referring to.
09:05A young girl
09:05Around 17 or 18 years old
09:08I saw her several times
09:09Walking with him
09:09And I thought she was his daughter
09:14When did she meet Millán?
09:17Sir, I knew him
09:19Accidentally
09:20Several months ago
09:21And he...
09:23Well, he...
09:24He convinced me
09:25So that we could keep seeing each other
09:27In secret
09:28How is this possible?
09:29Someone like you
09:31I will accept that proposal
09:32From a married man?
09:34I swear
09:34That I didn't know
09:35That he was married
09:36He told me
09:37She lived with her sister
09:38And with her sister
09:39And with her sister
09:40Rule
09:42Are you still upset?
09:43Regarding the worker issue?
09:45The problem is you.
09:47Please understand me.
09:48It's natural to feel jealous
09:49You were very close
09:50practically touching it
09:53I would have liked
09:54To be in their place
09:56If they gave it to you like that
09:57I would do exactly the same.
09:59I'll take off your shirt
10:00And I come closer to heal you
10:01I'm going for a knife.
10:02And I cut my wrists
10:03Let's see if I have the same luck
10:05Rule
10:07How long will I keep this up?
10:08We don't want this situation
10:09I can't stand it when you run away from me
10:11How are you doing it?
10:12Look at the time!
10:13And you're not in the room
10:14No
10:16I'm sleepy
10:17Besides
10:19I think about many things
10:20They make me nervous
10:21In your sisters?
10:23Yes, also
10:24Don't you agree?
10:25What if they go out with Leandro and Benito?
10:28The truth
10:29It bothers me
10:30That my mom
10:30I want to compromise them
10:32They are some boys
10:34Decent
10:35Yeah
10:35They have Raquel's money
10:37But without love
10:39Loveless
10:40In a relationship
10:41There is nothing.
10:58Don't you think it's divine?
11:00Oh, how pink!
11:01Leandro
11:01He does it very well.
11:02To me, she looks like a thumb.
11:04I love it
11:05Every time I see her
11:06I like it more
11:07In matters of women
11:08I'm very selective.
11:09It's very noticeable.
11:10Why are you coming to this place?
11:12No?
11:12And in very good company
11:14Of course
11:15All by myself
11:16To see what he likes
11:20Health
11:23By Sarita
11:24By Sarita
11:26I don't know that you left
11:28Far
11:29In my love
11:29He didn't stay anymore
11:31Asleep
11:31In the pain
11:32But if you come back soon
11:34Heart
11:35Heart
11:36Heart
11:36It turns on
11:37This passion
11:38I don't know that you left
11:45Far
11:46He didn't stay anymore
11:48Asleep
11:48In the pain
11:56Okay, now we're talking
11:57It was our turn
11:57To dance
11:58Leandro
11:58Health
11:59Health
11:59No, one moment
12:00One moment
12:00No, no, no
12:01We're ready to go home.
12:02I can't stand it
12:02One more minute
12:03In this place
12:03No, no, don't even dream about it.
12:05I'm not going to waste this opportunity
12:06This opportunity
12:06I'm having such a great time
12:08Ximena
12:09Have fun and relax, Sarita
12:11Please sit down
12:13Benito, please
12:14If you value me
12:15I beg you to take me
12:16For my house
12:16So
12:16You know Leandro
12:18I don't
12:19Furthermore, I don't know
12:20This area
12:20And it scares me.
12:22We had a drink
12:24No, thanks
12:30Oh, I feel awful.
12:36Tonight
12:38I'd gladly leave.
12:39For my house
12:40Right now
12:40Oh no, Rosario
12:41Put effort into your work
12:43Yeah?
12:44Look, how many of these
12:44Will she wear two dresses?
12:45I don't care who anyone is.
12:47Emilia
12:54Emilia
12:54It can leave us
12:55Do them, please.
12:55Yes, Mr. Fuentes
12:58Rosary
12:59I'm sorry to bother you.
13:00But I must tell you
13:01Something very delicate
13:03Mr. Fuentes
13:04I need to get ready
13:05Why don't we leave it?
13:05For after the presentation?
13:07I'm afraid
13:08That this will be
13:08The last one you're going to do
13:10What does he mean by that?
13:11Forgive me
13:12But I have to tell you
13:13Until tonight
13:13You work at the bar
13:14The contract is cancelled
13:20This is!
13:22Yeah, yeah, yeah
13:23Jimena, shut up
13:24Shut up, please
13:25No, kill her
13:26That you're happy
13:27No, you're just drunk.
13:29Aren't you ashamed, Jimena?
13:31You looked like a crazy person
13:32Dancing in that bar
13:33She danced like a madwoman
13:34My brother
13:35I knew that seeing
13:36The way she moved her hips
13:38Oh, Jimón
13:38Oh, fatso
13:39In my God
13:39Because you couldn't move
13:41Elephant's feet
13:43I have more than enough.
13:44It's grace and charm.
13:46I am an excellent dancer
13:48Me too
13:48Me too
13:49I am an excellent dancer
13:50I love music
13:52And the dance
13:52And someday
13:53I dream of being an actress
13:55And singer
13:56Bravo!
13:58Have another drink, Jimena!
14:00That here still
14:01What remains strange
14:03Yeah, yeah, yeah
14:04Chito
14:04With posture, gentlemen
14:06What's happening to you?
14:07No, no, no
14:08None with a posture
14:09Nor any lord
14:10Nor anything at all.
14:11Here we address each other informally.
14:14We break the ice
14:15And we have more confidence
14:17That's how I like it when you talk, Jimena.
14:20Let's repeat this outing
14:21We're going to visit all the sites
14:23Full of shows
14:25Of music and joy
14:26Because I love tail
14:28Good, no!
14:29Good, no!
14:31Good, no!
14:32You can't do this to me, Mr. Fuentes
14:34As?
14:35How did he suspend me?
14:37Any time now
14:37Without giving me
14:38No explanation?
14:40Who do you think
14:40What am I?
14:42Rosarito
14:43Understand me
14:43Yeah
14:44It's a question
14:45Force majeure
14:47That's no explanation.
14:49I have failed to do my job
14:51I've missed a few nights
14:53I'm singing so badly
14:54That the customers
14:54They can't stand me
14:55No, no, no
14:56How can you say that?
14:57Look, Rosarito
14:58I have no complaints about you.
15:00What's more, if it were up to me
15:01Well, you were staying here indefinitely.
15:03So!
15:05What's happening?
15:07The problem is
15:09Armando Navarro
15:10He was the one who terminated the contract
15:14That man has no right.
15:16He is no longer my manager
15:18Nothing.
15:18I handle my own affairs.
15:21Without intermediaries
15:22Yes, but I was the one who signed the contract.
15:24Well then, let's make a new one
15:27Let's negotiate directly
15:28Rosarito, look
15:29I admire you
15:30And I appreciate you so much
15:31But you know
15:32What is Armando like?
15:33I don't want to have problems with him.
15:35A couple of days would be enough
15:36So that he would retaliate against me
15:38Are you afraid of him?
15:40Well
15:41Let's say I'm
15:43Cautious
15:44Understand that I
15:45I have to make this business work.
15:46I have to forget it
15:47AND
15:48Rosary
15:50I can't do anything for you.
15:51Understand me
15:53Very sorry
16:03I don't understand what could have happened
16:05Where did they go?
16:07To a very elegant restaurant
16:09But apparently the food didn't agree with Jimena at all.
16:12She is intoxicated
16:13What did you have for dinner?
16:14Seafood?
16:15Yeah
16:16Yes, lots of seafood.
16:19Do you feel very bad?
16:21Wow, more than you can imagine
16:24I wish the earth would swallow me up
16:27Everything is spinning and spinning and spinning.
16:30I'm going to call the doctor
16:32No, Mom, don't worry.
16:33Don't worry
16:34I know it will pass.
16:35Sleeping a little
16:36I need rest.
16:38If you don't get better soon
16:39I'll call the doctor
16:40Dominga
16:41Come on, prepare some herbal water for the girl.
16:51Oh, you didn't feel like singing anymore.
16:54But how beautiful you are, drunkenness
16:57Huh?
16:58Be grateful I'm not telling you the truth, Mom
17:00Because I swear I really want to, Jimena
17:03Well, it's not in your best interest.
17:04Because you were in that bar too.
17:08Oh, close that curtain.
17:09The light bothers me
17:12Let's see if you learn how to get worked up
17:15Oh, Jimena, you don't hold back.
17:17You take everything to extremes
17:19Oh, don't even think it's going to change.
17:21She's going to continue going out with Leandro and Benito.
17:25Oh, really?
17:27Don't tell me you're starting to take an interest in Leandro and Benito
17:30Well, it's in my best interest to have them as friends.
17:32Because with them I can go everywhere
17:34Oh
17:35I'm warning you
17:36You're still doing your crazy things
17:38And I'm going to have no choice but to tell Mom everything.
17:40Because I'm not going to be a cocahueta (a derogatory term for a woman who is easily fooled).
17:41Not at all
17:42Oh, yes, yes
17:43Please don't scold me, okay?
17:47Leave me alone
17:47I want to be alone
17:49Oh yes, I want to be alone.
17:50I hope you passed on my horrible headache.
17:58It's a rat
18:00How could he do this to you after robbing you and destroying your house?
18:04You should report it to the police
18:06You know very well that it won't do any good, Panchita
18:09Armando is a shameless guy, I don't know how he does it
18:12But he always gets away with everything.
18:13Forcing you to leave the Alcalá bar
18:17I still can't believe it
18:18Because you are the main attraction of that place
18:21Most customers aren't because of you.
18:23What do you plan to do?
18:25Oh, my love, I don't intend to stand idly by.
18:27I'm starting to look for a job elsewhere today.
18:30After all, Alcalá isn't the only bar in town.
18:32But they paid you well.
18:33But I have a name and a track record.
18:35I'll get paid the same anywhere else.
18:36Don't get your hopes up
18:38The competition is tough.
18:41Panchita
18:42I know my worth
18:43And I trust myself
18:46In addition, many businesspeople know me.
18:47And I've already been offered a job.
18:50I will choose the one that suits me best.
18:51And I will show that miserable Armando
18:53That I can live without him
18:54Now you need to stop worrying about that boy Franco.
18:58And thinking of you
19:02I haven't forgotten Franco, Pacha
19:04I haven't given up hope of finding him
19:09Especially now that I'm rid of Armando's scourge
19:14There's a lot of work to be done in this house
19:16It seems that nobody lifted a finger for a long time.
19:19There's dust by the ton.
19:22Since the death of my sister Livia
19:25This house is a bit run down.
19:28Did they have a sister?
19:30Yes, but let's not talk about her
19:31Because remembering her makes me feel a little bad, Cuca
19:35Cheer up if you want to recover
19:38Look, I don't see him as sick.
19:39Just a little sad
19:42What kind of accident did he have?
19:44The accident doesn't matter.
19:46But yes, the person responsible
19:49And as soon as I can, I'm going to collect.
20:11Mrs. Norma
20:12Is Juan still worried?
20:16He is worried, yes.
20:18The injury he sustained was not very serious.
20:20No, no, I'm not thinking about that
20:22There are other things that worry me more
20:25The way he looks at what he says
20:27His strange behavior
20:30Can I help you?
20:32There are certain things I'd like to find out.
20:34But I'll take care of that.
20:36My way
20:49I'll be downtown all day
20:50Attending to some matters
20:51Is there anything you need?
20:53No, nothing, thank you.
21:00Do you think about your dad?
21:04I think about the relationship they might have had
21:06With that girl
21:07She claims to be pregnant by him.
21:09Why do you think that?
21:10Doesn't that make sense?
21:12Because I have many doubts.
21:15I think he really fell in love with her
21:17And I think he deceived her.
21:18Even if that had happened
21:20What do you gain by tormenting yourself with those thoughts?
21:23Don Bernardo is dead
21:25And it's best not to think about anything
21:26Of course, because it's not in our best interest.
21:28Then it's best to forget.
21:30But what about that girl?
21:31And your family?
21:32That?
21:33Are they going to forget what happened?
21:35And what happens if he comes back to complain again?
21:37What are you demanding?
21:38It was just one of your dad's flings.
21:39You say that with great confidence.
21:41As if you knew
21:42You're forcing me to say things
21:43That I don't even think
21:45She said her name was Livia
21:47And do you remember his last name?
21:49What am I going to remember?
21:50Nothing
21:50I didn't even remember his name.
21:52We need to investigate that girl.
21:54Rule
21:55What's the matter?
21:57How could you even think of stirring things up?
22:00Don't even mention it.
22:00Because you would upset your mom.
22:09Think about more positive things instead.
22:11As in us
22:13And in the future of our marriage
22:16That
22:17Yes, it is really important.
22:39How are you feeling, Juan?
22:40Very good
22:42Don't worry, Eva
22:44Do you want anything else?
22:47No, not me
22:50Thank you
22:56I'm not fooled by Juan.
22:58I know he's a good man
22:59And she has a big heart.
23:00But he is also very resentful.
23:02And that worries me.
23:03He doesn't hide it
23:05He's talking too much.
23:06In front of Mrs. Norma
23:08What's wrong with her?
23:09She begins to suspect him
23:11Where do they want to go?
23:12Why don't you tell me?
23:13The other day I ran into Franco
23:15Wandering all over the house
23:16What was he doing there?
23:17Why aren't they honest with me?
23:19I repeat that we will not use
23:20Violence
23:21To settle our accounts, Eva
23:22Don't worry
23:24We have another plan.
23:25What kind of plan is that?
23:26That's what I want to know
23:27Look, we can't tell you.
23:29But what if it fails?
23:31We'll go to this house
23:32Without anything happening
23:33I swear
23:33Just as we arrived
23:34We're leaving
23:35And no one will ever hear from us again.
23:38Excuse me, Eva
23:48Did you like the food?
23:49Or do you have any complaints?
23:51Well, that's the best.
23:52What have we eaten?
23:53For a long time, Quintina
23:54Oh, then I'll serve you another plate
23:56You should eat well.
23:58To take care of that health that is being used up.
23:59No, it's not necessary
24:00That's enough.
24:01I don't want any more.
24:01I say this because of your work
24:03It must be tough.
24:04What do they do for a living?
24:06Hey, we're builders, Quintina
24:10Builders of what?
24:11Of houses
24:12We built walls
24:13And we put up roofs
24:14I thought they were dedicated
24:15To the bakery
24:16I was cleaning the living room
24:17Where there are ovens
24:18And tins for bread
24:19Look
24:21I recommend
24:22Don't interfere too much
24:24We don't like them
24:24Curious people
24:26Is that clear?
24:28Understood?
24:31And don't get angry with me.
24:34Hey, Juan
24:35Don't treat her so roughly, okay?
24:37She's very trusting, yes
24:38But look at the house
24:40And they are one day
24:41What we are born
24:42Since the death of Libya, right?
24:53What's wrong with him?
24:56Let me take him to him
25:06Eva is very worried, you know?
25:09Why does he say that Norma Elizondo
25:11Does he suspect you?
25:13You don't trust my plans, do you?
25:15No, I don't believe in them
25:17Because that thing about deceiving
25:18And to seduce the Elizondras
25:20It's more than a story
25:20That loses strength
25:22Neither you nor Franco
25:23Not at all me
25:24We can do it
25:25It's a matter of patience.
25:26And cunning
25:27And not to fix your eyes
25:28In the wrong person
25:29And I'm referring to Norma Elizondo.
25:33Do you think I don't notice?
25:34What's wrong, Juan?
25:35You don't even notice Jimena
25:36Not even in Sarita
25:37Of course, because you only have eyes.
25:38For Norma, right?
25:40You transform
25:40When you see her and challenge her
25:41And you don't listen.
25:42Heeding my warnings, Juan
25:43They cut a radish
25:44Your warnings
25:45Oh my God!
25:46Do you think I'm happy?
25:47Building walls
25:48In the house of my enemies?
25:49Well no
25:51Because at this point
25:53I would have dared
25:53Worst
25:55And it is precisely she
25:57Who is stopping it?
25:58Rule!
26:05I don't know what the hell I feel
26:06When I have her in front of me
26:07I am transformed by her gaze
26:10With his voice
26:13But I can't hate her
26:15And I can't hurt him either.
26:17What does he care about their pride?
26:21I only know that with her I feel
26:22I've never felt like this before.
26:23With another woman
26:25This is beyond belief.
26:27Juan
26:29I didn't think you'd fall in love
26:30Because that's what's happening to you, right?
26:32You're in love with her
26:33And if that's the case
26:34Well, we need to analyze the situation
26:36And to get away from that estate
26:37And let's forget about revenge.
26:38And forget about everything
26:40I told you that you couldn't manipulate me
26:43And certainly not to play with me.
26:45Like a doll
26:47So what are we going to do, huh?
26:49Take an interest in her
26:50That's the least we can do, Juan
26:51Because she's married
26:53So what if she's married?
26:55She's married!
26:58What can we only focus on?
26:59For single women or what?
27:01It's dangerous.
27:02You understand?
27:03Everything is dangerous.
27:04And we've gone too far.
27:06To back us out
27:07I'm not giving up, do you hear me?
27:09Escape from that estate
27:10It's cowardly.
27:11So understand it well
27:14Whatever happens
27:16We will move forward
27:32Rule
27:39What are you doing?
27:42I felt like taking a walk for a while.
27:44That seems very good to me
27:46Because of the confinement
27:47It's affecting your nerves.
27:48Will you come with me?
27:51Where to?
27:53I don't know
27:53Go for a drive in the car
27:55Dinner
27:56Whatever you prefer
27:57The point is to entertain ourselves.
27:59No, I have no desire to go out
28:01And please
28:02I ask you not to insist.
28:05Alright
28:06Whatever you want
28:08But I will.
28:09Because I need it
28:11Because I need it
28:55I'm telling you this isn't going to work, Armando
28:58Look, not even this one
28:58Nor any other singer
29:00Bring
29:00She will be able to replace Rosario
29:02Nobody
29:02It is irreplaceable
29:04Mr. Fuentes
29:05Maybe at the beginning
29:06Customers resent it
29:07With the change
29:08But they'll get used to it.
29:10Think very carefully
29:11What you do
29:12Due to personal disagreements
29:13You're going to harm Rosario
29:14And while I'm at it, here's my business
29:15I felt so sorry for her
29:17Tell him I couldn't
29:18Go back to work here more
29:18Me too
29:19It hurts me to the core
29:20Mr. Fuentes
29:21But what do you want me to do?
29:22The young lady was difficult.
29:24And he forced me
29:24Put it in its place
29:25I cannot allow
29:26That artists abuse
29:28You know that I am
29:29A very serious representative
29:44You realize
29:46Nobody liked it
29:48I'm going to order Pachita to come out
29:50Or else
29:51This is where the chaos begins.
29:57Armando Navarro
29:58I knew I'd find you here
30:02Fernandito, my dear friend
30:04It's so nice to see you again
30:07Wendy, a glass
30:26Did it come out?
30:27Did Fernando leave?
30:29Yes, Mom went out
30:30Where to?
30:32I don't know
30:33He said he wanted to take his mind off things for a while.
30:35Doesn't it worry you?
30:36Does that sound good to you?
30:38That your husband
30:38Did he escape at night?
30:40I don't see anything wrong with it.
30:41He is free to do so
30:42Whatever you want
30:42No
30:43Fernando is not free
30:44He is married to you
30:46And you shouldn't leave him alone
30:48Aren't you worried?
30:50The risk
30:50What are you running from losing it?
30:53Are you saying that?
30:53Based on your own experience?
30:57Rule
30:59You were very sure of my dad
31:03You never suspected anything bad.
31:04Not even when he was late
31:06From their meetings
31:06And from their work meetings
31:08Mother
31:09If death doesn't take it from you
31:10You would have lost it anyway.
31:11Because at this moment
31:12I will be living with another woman.
31:14How dare you say that to me?
31:15Because it's the truth
31:16And you know it, Mom.
31:19But my situation
31:20It's not like yours
31:21I don't care
31:22Let Fernando look elsewhere
31:23What he doesn't have with me
31:24If I don't comply
31:25With my duties as a wife
31:26He is within his rights.
31:27To replace me whenever he wants
31:44I LIVED
31:44In your eyes the gaze
31:46A little cloudy, like water
31:48From a puddle like glass
31:50From some old layers
31:51Dirty and cloudy
31:56Tell me
31:58Your face doesn't match
32:00With the shape of your back
32:02Your screwed-on head
32:03Short neck and big belly
32:05And what thin little legs!
32:11Oh, oh, oh, oh
32:14Love
32:16Believe it or not
32:18I want
32:19Ah, little fox, little fox
32:22So you want to see Rosario Montes?
32:25You offered it to me, didn't you?
32:26You assured me that I could have her whenever I wanted.
32:28And tonight I want to be with her
32:30Your wife is gorgeous.
32:33You start to get bored of her
32:34No, of course not
32:35There is no woman in the world I desire more than my own wife
32:39But sometimes there is a need to meet others
32:44Variety is the spice of life.
32:46And with Rosario Montes, anyone would die of happiness.
32:48So, what? Are you going to bring her?
32:51I know he works at this bar
32:52Too late, my dear friend
32:55We had a small problem and broke down
32:57I am no longer his friend, nor his representative, nor anything.
33:00He doesn't even work here
33:02You disappoint me, Armando
33:04She disappointed me much more
33:06But relax, man
33:08Women are like that and they change their minds
33:10I'm sure that very soon I'll have that little dove eating corn from this hand
33:15So
33:16I will call you to fulfill the offer I made to you
33:30Of course I know you and I know who you are, Rosario
33:33I would gladly hire her.
33:34But at this time, I don't have room for any more singers like you.
33:40Would you mind coming back in three months?
33:43It is true that I often asked him to work with me
33:45But business is bad.
33:46And I'm not in a position to hire her
33:49It's a shame to let her go.
33:51But
33:53I have no other choice.
33:54I would be happy to have it in my establishment
33:57Because I like you as a singer and as a person.
34:01But
34:01I'm going to be honest with you, Rosario
34:03If I hire her
34:05I'm going to get into trouble with Armando Navarro
34:08He already warned me not to give him a job
34:20Beautiful, but blind
34:22Watch where you're walking
34:36We made him wait quite a while, Fernando.
34:39But we're ready now.
34:40And what about Norma? Isn't she coming?
34:42We tried to convince her, but she refused.
34:44He says he doesn't feel like going for a walk in the countryside
34:46In that case, I'm not going either.
34:48I'll keep it.
34:49Oh, after you organized this trip
34:51No
34:51We can't let this beautiful day go to waste
34:54Leave her alone
34:55Sure, Fernando
34:57She's the one who's missing out.
34:58My aunt prepared an out-of-this-world feast
35:03Come with us, guys
35:04If she wants to stay, that's her problem.
35:18Muja!
35:24Muja!
35:26Muja!
35:27Muja!
35:39Muja!
35:51Juan, where do you think you're going?
35:52You're not going into that house, much less...
35:54when that woman finds herself alone.
35:55What do you think?
35:56Try to stop me and I swear I'll finish.
35:58Let's get this over with once and for all.
36:00Juan, please don't ruin everything.
36:02Oh my God.
36:04Just leave me alone.
36:06Or I'll tell you who we are and why we've come to this place.
36:09What do you prefer, brother?
36:11What do you prefer?
36:17What do you prefer, brother?
36:21What do you prefer, brother?
36:23What do you prefer, brother?
36:24What do you prefer, brother?
36:26What do you prefer, brother?
36:26What do you prefer, brother?
36:27What do you prefer, brother?
36:27What do you prefer, brother?
36:29What do you prefer, brother?
36:29What do you prefer, brother?
36:30What do you prefer, brother?
36:30What do you prefer, brother?
36:31What do you prefer, brother?
36:31What do you prefer, brother?
36:32What do you prefer, brother?
36:32What do you prefer, brother?
36:33What do you prefer, brother?
36:35What do you prefer, brother?
36:37What do you prefer, brother?
36:39What do you prefer, brother?
37:06Thanks for watching the video
37:36Thanks for watching the video
38:07Thanks for watching the video
38:19No, really, Ineo, I can't imagine you in that state
38:23Did the drinks really make you feel that bad?
38:26Oh, if you had seen me kneeling in front of the toilet all morning
38:31Oh my god, it was so bad it hurt my liver, I almost died
38:34Thank you, my God, please let this suffering end.
38:37Oh, he wasn't listening to me at all.
38:38Okay, okay, Jimena won't get dirty.
38:40Aren't you ashamed to recount those unpleasant details?
38:43Oh, there's nothing wrong with that.
38:45We've all experienced it at some point, from eating or watching too much.
38:48Let me tell you that one Thanksgiving day, when I ate a...
38:52Okay, Benito, please don't tell anyone.
38:54I uploaded it for you
38:55Oh, you're so stingy.
38:57We're on vacation and we should have fun
38:59The old ladies are in the other car
39:00Why don't you go with Doña Gabrielita and Aunt Raquel?
39:02Should they be praying the rosary?
39:11I like hanging out
39:12And especially not when I have to leave Calixto
39:14He is very old and the employees don't know how to take care of him.
39:18Well, but since it's my nephews, it's worth it.
39:21Doesn't Ruz help you take care of him?
39:23Of course, she adores him
39:26The thing is, he has many commitments and is almost never home.
39:31Fernando, what's wrong with you? Why are you so quiet?
39:34I also don't like leaving Norma alone
39:37Norma is not alone
39:38She's with my dad, with Eva, and with the other employees.
39:41Even so, he should have come with us.
39:50Why didn't she go to the meeting with her family?
39:52It was a very special invitation from Doña Raquel
39:55Oh yes, it was quite a compromising invitation.
39:58No, I really don't want to play along with Raquel and my mom's little game.
40:02Do you think they're going to set up your sisters with Don Leandro and Don Benito?
40:07Oh, Eva, do you doubt it?
40:09But they're desperate to get them engaged.
40:10The thing is, I don't want to get involved in that matter.
40:13Not for now
40:14Oh, Eva, please call Olegario, Grandpa wants to come downstairs
40:17Do you want to leave the room?
40:19After I fix Doña Gabriela's closet
40:21Okay
40:50Thank you!
41:19Thank you!
41:20Thank you!
41:21Thank you!
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