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00:25And how is the most beautiful woman in this company?
00:29Huh? How's that pregnancy going?
00:32And what pregnancy are they talking about?
00:37My love, please, I pray.
00:39What's happening?
00:41I think you misheard, Marcos.
00:43No, I heard perfectly. Alberto asked you how the pregnancy is going.
00:46Marich, are you pregnant? Is that it?
00:48Don't tell me you're going to have a child.
00:51Why didn't you tell me before?
00:53You just found out.
00:55My love, look me in the eyes.
00:59Are we going to have a child?
01:04How do you know who my daughter is?
01:08Did she say anything to you?
01:09No, no, no. He didn't say anything to me.
01:13You mentioned that she lives with you.
01:16And yesterday they saw her enter your house.
01:20To my house?
01:21Look, I know you don't live in that building where I left you yesterday.
01:27You also told me that they are in the artistic field.
01:30And that's not true, Regina.
01:33I don't like lies.
01:37My daughter's situation is very complicated for me.
01:45She is my biggest disappointment.
01:51But why?
01:54Your daughter is very talented.
01:57He has noble feelings.
01:58And furthermore,
02:00It's very pretty.
02:06Do you think my daughter is pretty?
02:10Oh, Regina, please.
02:12Don't be so modest.
02:14I don't know why you told me I was unattractive.
02:18You should be proud of your daughter.
02:22Maritza, besides being intelligent, is beautiful.
02:30Maritza?
02:40Yes, everything seems to be in order.
02:44That means I can start working now.
02:47No, no, no, no.
02:48It's not that easy.
02:50Stay here.
02:51I speak with staff.
02:56Hello, Luzmila.
02:58How are you?
03:00Hey.
03:02Well.
03:04Since you'll be working here,
03:07maybe...
03:09You could be my assistant.
03:10Don't even think about it, Charlie.
03:13With you, ten blocks away.
03:15Oh, Luzmila, but...
03:16Well, I'm not the devil either.
03:18No, you just need the horns and the cure.
03:22Look, it's fine.
03:23I know I spent too much time at the academy and...
03:25and that I should never have kissed you, but...
03:28But understand me, no...
03:30I couldn't resist the temptation.
03:32The thing is...
03:33I love you and...
03:35Oh, Charlie, now.
03:37Save your nonsense for the easy women you hang out with, okay?
03:41Listen to me carefully.
03:42I am going to work at this company.
03:45And if you keep bothering me,
03:47I swear I'd rather quit.
03:49I'd rather not work here, Charlie.
03:50Did you know?
03:52Do you look beautiful when you're angry?
04:07Why are you so quiet?
04:10There's no reason for you to hide that from me.
04:12Oh, yes.
04:16Marcos, I...
04:18You'd better tell him the truth, Maritza.
04:22Do you remember what we talked about?
04:23You, get out of here.
04:26This is a matter between the two of us.
04:28Nope, no.
04:29This also concerns me.
04:30I told you to get lost.
04:32No, sir.
04:33I'm staying here.
04:34And we're going to solve this together.
04:36Do you know why?
04:38Because the child Maritza is expecting is mine.
04:48Is that true, Maritza?
04:55Maritza is your daughter, isn't she?
04:58Maritza.
05:03Maritza, yes.
05:05Yes, she's my daughter.
05:08She's very beautiful, isn't she?
05:10Regina,
05:13I know that
05:13You live a very simple life
05:16in that neighborhood
05:17where I picked you up
05:18and where your friend supposedly lives.
05:22But,
05:23But that doesn't stop you being
05:24a very nice person,
05:26very pretty.
05:28And very valuable.
05:30The same thing happens with Maritza.
05:33You have no reason to be ashamed of her.
05:36Oh, Gabriel,
05:37forgive me.
05:39But she wants to live
05:40there, in that place.
05:43She is very attached to the neighborhood.
05:46I told him he's ugly,
05:48But she...
05:49She
05:49He has achieved very important things.
05:52in my company
05:53and in a very short time.
05:55Tell me one thing.
05:57Why didn't you tell me?
05:58who worked with me?
06:00I don't know.
06:05Maritza mentioned to me that...
06:10that you are very sick.
06:12What do you have?
06:15Tell her the truth, Maritza.
06:18Look,
06:18Stop making things up already
06:19so many stupid things
06:20And please leave.
06:22Marcos, please,
06:23Accept it.
06:24Maritza is going to have
06:25one of my sons.
06:26That's not true, my love.
06:28It isn't true.
06:30You
06:32you could never be
06:33with this type
06:33because I was
06:34the only man
06:34in your life.
06:36Isn't that right?
06:38For the love of God,
06:39speaks,
06:40Because if it is...
06:41Okay, just a moment.
06:44If that's true
06:46What Alberto says,
06:50Well, I...
06:52I'll leave you alone
06:54and never again
06:55I'm coming closer to you.
06:55So please,
06:56I already told the truth, Maritza.
06:57What's happening?
07:02Marcos,
07:04The truth is that...
07:07the child I am expecting
07:11It belongs to Alberto.
07:27For your friend
07:28It's no longer possible
07:29Do nothing, ma'am.
07:31Besides,
07:32the judge already
07:32He gave the order
07:33so that he can be transferred
07:35to the central penitentiary.
07:37Perfect.
07:38I think it's time
07:39ideal for him to be able to go out.
07:41And what is he thinking about?
07:42You, ma'am?
07:44In what do you
07:46Can it help him escape?
07:50No, no, ma'am.
07:52I can't do that
07:53by his friend.
07:55Besides,
07:55Rosemary
07:56He is a prisoner
07:57very important.
07:59There are procedures
08:00that follow
08:00when we deliver it.
08:02Besides,
08:03is involved
08:03Lieutenant Andrade.
08:05He has his eye on him.
08:07Yes, but...
08:09but you could
08:11buy from their colleagues
08:13so that it looks
08:14that they handed it over.
08:17That would cost him
08:19A lot of money, ma'am.
08:20A lot.
08:21A lot.
08:25Much like this.
08:35Well...
08:36Yes, I was
08:37a little delicate
08:38in the hospital.
08:40It was for a few days.
08:43But people
08:44youths
08:45like us
08:46We recovered quickly,
08:48TRUE?
08:51Youth.
08:54Excellent,
08:55excellent.
08:56Know?
08:56I'm so happy!
08:57that you are the mother
08:59from Maritza
09:00because also
09:01She's dating
09:01with my son Marcos.
09:03You knew that, didn't you?
09:05A couple?
09:07Yeah.
09:08What a lovely couple.
09:10Besides,
09:11They are very much in love.
09:13And it seems that
09:13They have plans
09:14to get married.
09:17When that happens,
09:20we will become
09:22relatives
09:23or something like that, right?
09:25Well,
09:26What do you think?
09:26of all this
09:27Mr. Ferrer,
09:28the father
09:29your daughter?
09:33Gabriel,
09:34I'm
09:37a little dizzy
09:38with all this.
09:39Can you give me a ride?
09:40to my house,
09:41please?
09:42I zero
09:43the check,
09:44please.
09:45Excuse me
09:46that I interfered
09:47in your life
09:48in this way.
09:49Sorry.
09:51Regina,
09:52I need
09:53that Maritza
09:53begin
09:54as soon as possible
09:55with their classes.
09:58Is...
09:59I...
10:00I'll go later
10:02if you don't mind.
10:03Of course.
10:04When you're feeling better,
10:05When you feel well,
10:05I'll send my driver for you.
10:07Does that sound good to you?
10:14How could you
10:16your oaths,
10:19your words of love,
10:22You swore you loved me,
10:25who was the only one,
10:26the only man
10:28in your life
10:28which turned out to be
10:30A ball of lies?
10:33Marcos,
10:34forgive me.
10:34No, I don't forgive you.
10:35no, no, no.
10:36I don't forgive you,
10:37my love,
10:37I don't forgive you.
10:39Because I don't accept.
10:42I do not accept lies
10:43nor deception.
10:48You played with me
10:50and you played
10:51in the way
10:51more brazen
10:53and cynical.
10:55Let's see,
10:56making me believe
10:56that you were a...
11:00a pure woman,
11:02sincere,
11:03which I could trust.
11:07And you turned out to be a...
11:11a shameless woman.
11:12Hey, hey, hey, hey.
11:13I'm not going to allow it
11:14that you continue insulting her
11:15in front of me.
11:16Did you hear me?
11:16And you
11:18You're just like her.
11:19Oh, Marcos.
11:20And you'll pay for it.
11:22Allow me.
11:23She doesn't regret it.
11:24if nothing.
11:24But it's not expensive.
11:26No!
11:27No!
11:29No!
11:30You wretches!
11:30No!
11:34No!
11:35No, Marcos!
11:36No, Marcos!
11:38But what's going on here?
11:39Oh, me.
11:40Isn't that Maritza?
11:41You're not going to make fun of me,
11:43unfortunate.
11:43She doesn't love me
11:44and get it through your thick skull.
11:46No!
11:46No!
11:47And what's going on here?
11:49I didn't stay here!
11:50I didn't stay here!
11:50I didn't stay here!
11:51I didn't stay here!
11:52They're amazing!
11:53Marcos, Marcos!
11:54I'm not going to call you anymore.
11:55Security, huh?
11:55Otherwise, just go crazy.
11:56No, no, I'm not crazy anymore.
11:57Okay, calm down.
11:58Okay, calm down.
11:59Simply
12:01I'm fixing my account
12:02with this
12:03pair of traitors.
12:05So it's already going up.
12:06Marcos!
12:06Yes, yes!
12:08Did you know?
12:08Already!
12:09I am calm,
12:09I'm calm now.
12:10Okay, Charlie, okay.
12:12Did you know?
12:17There's the fabric,
12:18But Maritza.
12:23Wow!
12:24You deceived me.
12:27You are a...
12:28You are a...
12:29You are a...
12:30You're not going to say it, you idiot!
12:31What's the matter?
12:32What's the matter?
12:33No, nothing!
12:34Did you know?
12:37Excellent couple
12:38you found yourself.
12:39Excellent.
12:40They're a perfect match
12:41I don't regret it.
12:43Listen carefully!
12:45How do I repent?
12:46had I met you?
12:48Shame!
12:50Where can I
12:52To take control of my destiny?
12:57Any illusions?
13:00that time may grant me?
13:19Maritza,
13:20Everything's going to be great, right?
13:22Calm down.
13:27Okay, that's it.
13:28Yes, please.
13:29Everyone leave.
13:30Let's get back to work.
13:31No, Charly.
13:32I'm going to stay
13:32With Maritza, yes?
13:33I'm going to see
13:34that...
13:35What's wrong with Marcos?
13:37Maritza,
13:38I'm going to bring you
13:38an aromatic one.
13:39Yeah.
13:40Machela!
13:43Midwife.
13:44Hey godmother, what happened?
13:46What did you say to Marcos?
13:47Oh, Rubín,
13:48the thing is...
13:48That?
13:49Marcos heard
13:50when Alberto
13:50I was wondering
13:51because of my pregnancy.
13:53AND...
13:54AND...
13:55I told him
13:56that I'm waiting for
13:56to a son of Alberto.
13:58Godmother, you...
14:00You're crazy.
14:01How did you do?
14:02To say such a thing?
14:11Thank you.
14:12Thank you for coming.
14:14I had already lost
14:14hope.
14:16Stop being cheesy
14:17and get up.
14:19Doña Bárbara,
14:20Get me out of here.
14:22I'm being transferred tomorrow.
14:23to the central office.
14:24You are the only person
14:25that I can trust.
14:26Well, silence!
14:27Everything is sorted now.
14:29Tomorrow when they transfer him
14:31They're going to let him get away.
14:32Yeah?
14:33I knew it.
14:35I knew
14:36that I could trust you.
14:38Thank you.
14:39Let me go, damn it!
14:41Let me go!
14:42And look at me closely.
14:43Because I will not tolerate
14:45not a single mistake
14:46this time.
14:47They're going to let him get away.
14:49And you're going to leave.
14:50to the farthest corner of the world,
14:52Do you get me?
14:52And that's where it's going to stay.
14:54Until I tell you to.
14:55Yes, yes, ma'am.
14:57I will do as you say.
14:58But,
14:59Why did he do this for me?
15:02And why would that be, Romero?
15:03Why would that be?
15:04Because you
15:05will help me
15:06to face Maritza Ferrer.
15:08And because I'm not going to rest
15:10until I see her here,
15:12sunken
15:12behind these filthy bars
15:14and repenting
15:15of having put
15:16a foot in mutilating companies.
15:18I'm very close now.
15:19of the triumph,
15:19very close
15:20And I will not allow it.
15:21that nothing and nobody
15:24gets in the way.
15:28I'm going, I'm going, I'm going, I'm going, I'm going, I'm going, I'm going, I'm going, I'm going, I'm going.
15:31Now then, Dad.
15:35But look,
15:37Nino outburst
15:39as a babysitter.
15:42What do you want now, Ginger?
15:45Do they not make you laugh anymore?
15:47My jokes?
15:48No,
15:50It doesn't amuse me anymore.
15:51nothing of yours.
15:52Really?
15:54Look,
15:55Why don't we forget?
15:56all the bad things from the past?
15:57And we're back again
15:59as before.
16:01We have shared
16:02things
16:02very tasty
16:03in the days.
16:10No, Ginger,
16:11No.
16:11I don't want to.
16:13Sure?
16:14They can show it again
16:15if you like.
16:18Besides,
16:20Today is the day
16:21of the lovers.
16:29Child!
16:31A gentleman came
16:33And he brought you this.
16:47Hey, who brought her?
16:53He deceived me,
16:54He deceived me.
16:56I thought it was
16:57the only man
16:57in his life
16:59and not.
17:00There she was, entangled.
17:01with Alberto.
17:02Marcos,
17:03You know that
17:03it isn't true.
17:05My suspicions
17:06were true,
17:07man.
17:08I knew something
17:09between the two of them
17:10It was weird.
17:11Marcos,
17:12You know that Marisa
17:12That's not the case.
17:14The very fake one is.
17:15Don't you realize?
17:16Don't you realize?
17:18She is waiting
17:19a son of that type
17:20me too...
17:21Let's see, let's see, let's see.
17:23Where do you get them from?
17:24That pregnancy thing?
17:26From Alberto.
17:27That's why it began
17:27The discussion, Charlie.
17:28What's the matter?
17:29And like Alberto
17:30She tells you a big lie,
17:31You're going to believe it.
17:32Alberto likes Marisa
17:33and wants to make you sick
17:33from the head,
17:34my brother.
17:35You don't understand.
17:35You don't understand.
17:36You don't understand.
17:39Marisa confirmed it to me.
17:42She told me
17:42that is waiting
17:43a son of that wretch.
17:48No, Juliana.
17:49Juliana,
17:50How did you come up with that?
17:51For God's sake,
17:52No wonder, Marcos
17:52It is what it is.
17:54Luzmila,
17:55I didn't invent it.
17:56Alberto invented it
17:57And so I told him
17:58yes.
17:59That was it
18:00my only way out.
18:01What else?
18:01No,
18:02What do you mean, your only way out?
18:03Marisa,
18:03Oh my God.
18:04For God's sake,
18:05reason.
18:06This is absurd.
18:08Your image
18:08before Mark
18:09It's on the ground
18:10And you can't allow that.
18:12Come on,
18:12right now
18:13You talk to him
18:13and you explain
18:14all things.
18:15No, no, no.
18:15Look,
18:16Understand me,
18:17Do you know why I lied to him?
18:18Because he told me
18:19that if I told him
18:20yes,
18:21He was going to walk away
18:22from me forever.
18:23Oh no.
18:24Luzmi,
18:25look,
18:26Understand me,
18:26please.
18:28I couldn't find it
18:29a way
18:29to finish this
18:30And I saw
18:31that he was going to suffer a lot,
18:33But what if I
18:34I told him yes,
18:36It was the only way
18:37that he left
18:38to suffer for me.
18:39Let's see,
18:40Did you do it?
18:41Did you do it, Marisa?
18:42He's thinking
18:43the worst of you.
18:45I know,
18:45but this
18:46It had to end.
18:48Forgive me, my friend,
18:50but this time
18:50You were wrong
18:52And you were wrong
18:53wall to wall
18:53Because this lie
18:54It will take you
18:55to another and another.
18:57Please,
18:58Think again.
18:59There's no going back.
19:00You are waiting
19:01one of his sons.
19:03This story
19:04such a beautiful love
19:04It had to end
19:06and I wasn't living
19:07found
19:08the way to do it
19:09and well,
19:10This was the best way
19:11so that Marcos
19:12forget about me
19:13once and for all
19:14and so that he
19:15can be happy.
19:17Friend,
19:21Lumi,
19:21No.
19:23At the moment
19:24the only thing for me
19:25I don't care
19:26He is my son
19:28And I'm going to take it out
19:29Just go ahead.
19:32I don't mind
19:33nothing else.
19:46Lady,
19:49There is one thing
19:50that will be
19:51very difficult
19:51and that's to give it back
19:53your money.
19:54Well, it's going to have
19:55another chance
19:56to do good
19:57your little job
19:58And this time
19:59I think it will be easier.
20:01It's going to be outside
20:02of the company
20:02when she leaves
20:04Let's eat.
20:05I'll talk to my people.
20:06No no.
20:08Sorry.
20:09With his people?
20:10No.
20:12It has to be you
20:13whoever does it.
20:14It seems to me
20:14which is a job
20:15very important
20:16as if to give it to him
20:17to those
20:18inept.
20:20You can be sure
20:21that
20:22tomorrow afternoon
20:24Maritza Ferrer
20:25It's going to be
20:28visiting
20:28to Saint Peter.
20:33With that confirmation
20:35Yes, it is put
20:35The situation is serious.
20:36because you can't anymore
20:38pull back
20:39and
20:40Oh Marcos
20:41She really put you on
20:42some horns
20:43but
20:43of this size.
20:45How can you be
20:46So stupid?
20:47Look,
20:47neither do you
20:48martyrs
20:49because anyone
20:50by more experienced
20:51that it was
20:51would have fallen asleep
20:53in front of that woman, huh.
20:55I never
20:57I had never
20:58in love
20:59from someone
21:01and less
21:02of a woman
21:03So
21:04who deceived me
21:05so blatantly
21:07so disgusting.
21:08Well, you know what?
21:09You're going to have
21:10to swallow
21:11all that pain, huh.
21:13Because you're going to keep going
21:14Seeing Maritza
21:14here at the company
21:15and with even more reason
21:16now that they chose him
21:17campaign model.
21:18You haven't forgotten
21:19which is the image
21:20from the company, right?
21:21No no,
21:22But you know what?
21:23I don't want to see her
21:24anymore
21:27And what I'm going to do
21:28it's me leaving
21:29of this company.
21:32That's what I'm going to do.
21:34When you find
21:35my soul weeps
21:38There will be some love
21:51Well, if you leave
21:52you are going to commit
21:53A very serious mistake, Marcos.
21:54That'll give him
21:55the triumph
21:56to Maritza and Alberto.
21:57I don't want to see her anymore.
21:59I don't want to know
22:00none of that...
22:00Brother,
22:01Don't you realize?
22:02that your dad
22:03He needs you
22:03to take out
22:04to this company
22:04of the crisis?
22:05I don't think
22:06turn your back on him
22:06to my dad
22:07but neither...
22:08See nothing!
22:09Yeah?
22:09You're going to stay here
22:10And you're going to take it out
22:11to Maritza Ferrer
22:12of the head.
22:13Yes, okay?
22:16You're right.
22:17You're right,
22:18I...
22:19I'm not going to leave.
22:21But I can't believe it
22:22that this is happening to me.
22:24Because?
22:28Because?
22:30It looks awful on you.
22:33Horrible, Nino!
22:34But of course,
22:35You are happy
22:36with the little gift
22:37that the rich girl gave you.
22:38I'm not complaining,
22:39It's very thin.
22:41And look.
22:43Imported.
22:43Aren't you ashamed, Nino?
22:45You're going to let yourself go
22:46buy with sweets.
22:48That woman
22:49all he wants
22:49It's about playing.
22:50Play with you!
22:51And then he's going to leave you.
22:53That sounds familiar to me.
22:54acquaintance.
22:55Could it be?
22:57that you already did
22:58Does that affect anyone?
23:02Don't even think about it.
23:03You'd better leave.
23:24with love
23:25for a man
23:26who knows how to be
23:27man.
23:27good day
23:29of the lovers.
23:32Barbara.
23:36It wasn't Antonio.
23:47You know
23:48in which part
23:49of the company
23:49Does Maritza Ferrer work there?
23:51Why, Mommy?
23:53I really need it urgently.
23:54talk to her.
23:56I said something that...
23:59Juliana,
24:00Have you told him
24:01to Gabriel Muti
24:02Are you my daughter?
24:03No,
24:04no, no, no, mom.
24:06Look,
24:07I don't want you to mention it.
24:08with no one.
24:10If you say something
24:11I can get in
24:12in a terrible mess,
24:13Did you hear?
24:15Yes, Mom,
24:16I understand you.
24:17After a while
24:17See you there,
24:19But don't bother.
24:20in looking for me
24:20because I'm going to be
24:21very busy.
24:22I'm going to train
24:23to Maritza Ferrer.
24:25Ah,
24:26Alright,
24:27Mommy,
24:27See you tonight.
24:28Bye bye.
24:29And don't forget
24:31What I told you.
24:33Regina.
24:36How can you be
24:37so cruel
24:38with your own daughter?
24:42Oh,
24:42Oh.
24:45midwife,
24:47midwife,
24:48I'd better go.
24:49I don't think so
24:50Let this be the moment
24:51to ask for a job.
24:53Oh,
24:53don't say that,
24:54Luzmi.
24:55I don't want to
24:55that my problems
24:56harm you
24:57and...
24:58And if,
24:59at the moment
25:00Marcos must be
25:01thinking the worst of me
25:04and I don't know
25:05What can I tell you?
25:10Luzmina,
25:10that goes up
25:11to the office
25:11from engineer Marcos.
25:21Paco,
25:22the thing is
25:24when Gabriel
25:25he asked me
25:25that if Maritza
25:26She was my daughter,
25:28I told him
25:29yes
25:30And I don't want to.
25:31that he thinks
25:32that I am a liar.
25:33But woman...
25:34I did it
25:34to save
25:35my honor.
25:37I can't
25:38tell
25:38that Juliana
25:39She is my daughter
25:40and much less
25:41what is
25:41her daughter.
25:43Well,
25:45poor Juliana
25:46How sad
25:47knows how to walk
25:48And she's so ugly.
25:50Oh,
25:50I wouldn't give it to myself
25:50a disgrace.
25:52Regina,
25:53You're crazy.
25:55Know
25:55what is it that
25:56What surprises me most?
25:57That he has
25:58invited to dinner
25:59today.
26:01Precisely
26:01today,
26:02Valentine's Day
26:02and friendship.
26:03You think
26:04that
26:04Does it mean anything?
26:06Midwife,
26:07midwife,
26:08We're talking
26:08of your daughter.
26:10Some day
26:11You'll regret it
26:12to embarrass you
26:13her.
26:13You'll see!
26:15Paco,
26:16You're unbearable.
26:18Ah,
26:18I?
26:19That?
26:21That?
26:22That?
26:23That?
26:26That?
26:27That?
26:29That?
26:29That?
26:36I can't believe it,
26:37Alberto.
26:38Everything has turned out
26:39much simpler
26:40than we thought.
26:41You would have seen it
26:42that idiot's face,
26:44Barbara.
26:44You would have seen it
26:45when Marisa recognized
26:46that the child she is expecting.
26:47It's mine.
26:48I would have...
26:48Wow!
26:49It was like something to take
26:50a photo,
26:51So.
26:53But anyway,
26:55hey,
26:55We cannot be complacent.
26:57No no.
26:57But we must take advantage
26:58This situation.
26:58Look, we don't know.
26:59at what point
27:00She goes and tells him
27:01the truth to Marcos.
27:02Yes, yes, yes.
27:03But you know what?
27:03That's what...
27:04It doesn't make sense to me, Barbara.
27:05How come you haven't told him
27:06Nothing to Marcos?
27:07That doesn't make sense to me.
27:08Don't know
27:09And if it's strange.
27:10But we must
27:11keep them on their toes.
27:12Look, we don't know.
27:13when might be missing
27:14that hare.
27:15I don't know.
27:16Oh, Alberto.
27:17God, I prayed so much.
27:18an opportunity
27:20to get her out of the way
27:21And here comes the idiot.
27:22and doesn't put them on
27:23on a silver platter.
27:25It's wonderful.
27:26But still,
27:28even so,
27:29That woman can't
27:29to stay alive.
27:31And I have a plan.
27:33Oh, really?
27:33I have a plan
27:34And you're going to help me.
27:34Of course, tell me.
27:36I want you to invite him
27:37lunch.
27:38Sájala de H.
27:39Yes indeed,
27:40I don't want anyone
27:41I see them leave.
27:42What's your plan?
27:43Look, you do what I tell you.
27:45That's what's coming.
27:46that woman
27:47I don't want any witnesses.
27:49Okay.
27:49Okay, then.
27:50Okay.
27:51Perfect.
27:52But
27:55You're going to have it for me
27:56What can I say?
27:57tonight
27:57under the sheets.
28:04Did you see?
28:06Well,
28:11I know that afterwards
28:12of what happened
28:13with Maritza
28:14surely
28:15Don't try to hire me,
28:16But don't worry.
28:18What happened
28:18with Maritza
28:19It has nothing to do with it
28:20not with you
28:21not even with Pedrito.
28:21Well,
28:22I am still
28:23his godfather.
28:25The reason
28:25which is why I made you come
28:26It's for you to sign.
28:28This contract.
28:31I want you to begin
28:32to work today.
28:33What I need to know
28:34That's what you want.
28:36If combing
28:37or to put on makeup.
28:38I already spoke
28:39with Juanco
28:39and I asked him
28:40that would train you
28:41for whatever you want.
28:45Thanks, Marcos.
28:47I have always believed
28:48that you are an angel.
28:49You are welcome.
28:53And Maritza
28:54I believed it too.
28:56Marcos,
28:56She is very good.
28:58I know it's late
28:58That's early.
28:59I'm going to ask you
28:59a favor,
29:00Luzmila.
29:01You answer.
29:02for your own.
29:03Pretend
29:04that Maritza
29:06and I never had
29:06nothing to do with it,
29:07Yeah?
29:08I'm going to thank you
29:08Don't mention her,
29:10that you don't say
29:11nothing about her.
29:12Is that clear?
29:14Yeah.
29:15Excuse me, engineer.
29:16Don Gabriel
29:17He needs it.
29:18Thank you, Cristina.
29:22I'm a little bored.
29:24Can we
29:25Go to the park?
29:26Ah,
29:26Are you feeling better now?
29:27Yeah,
29:28It hardly hurts anymore.
29:31Ready.
29:32Then tomorrow
29:33I'll take you
29:34return
29:34to school.
29:36Oh,
29:36Oh,
29:36It hurt again.
29:38I still don't feel well.
29:42Dance Academy
29:43The Shake.
29:44Hello,
29:44child,
29:45Is he talking to you?
29:45Barbara Muti?
29:47How are you?
29:48lady?
29:50Nor am I talking
29:51because I want to invite you
29:52to have lunch at my house.
29:53Notice that Antonia
29:54He would be so pleased
29:55See you there.
29:56Very sorry,
29:57But now I can't.
29:58Oh,
30:00And did you receive
30:01the gift
30:01that I sent you?
30:02Yeah,
30:02I received it,
30:03but I can't
30:03accept it,
30:04lady.
30:05Well,
30:05did you know?
30:05Let's talk.
30:06After that,
30:07but in any case
30:08It's very bad.
30:09that you can't come.
30:10Hey,
30:11I wanted to
30:11Give her that surprise
30:12to Antonia.
30:14Notice that today
30:14on the day
30:15Valentine's Day
30:15He's already so sad
30:17and I wanted
30:18cheer him up
30:18inviting you to lunch.
30:20But there are no more
30:20somehow
30:21so you can
30:21reconsider it.
30:23Yeah,
30:23but...
30:24But then
30:24I'll be waiting for you at my house.
30:25at lunchtime.
30:27Good?
30:27Bye bye.
30:32Yeah,
30:32forward.
30:34Permission,
30:34dad,
30:35Did you want to see me?
30:35Yeah,
30:36Yeah,
30:36Marcos,
30:36happens,
30:37happens.
30:39Sit down,
30:39son.
30:41Look,
30:42I just hired
30:43to the person
30:44that he's going to prepare
30:44to Maritza.
30:45Excellent.
30:46Do you know who she is?
30:48No,
30:48I have no idea.
30:50Regina Solar,
30:52a friend from my youth
30:53and she's the mom
30:54Maritza's.
31:13Well, I didn't know.
31:15that you knew
31:16to the mother
31:16Maritza's.
31:17Yeah,
31:17Yeah,
31:18Yeah,
31:18I met her
31:18a while ago
31:19And I treated her too.
31:22But I understand
31:23that she is
31:25very sick.
31:26Yeah,
31:26He was,
31:27But now it's okay.
31:30Marcos,
31:31Do you have a problem?
31:32No,
31:33none.
31:35No,
31:35No,
31:35at all.
31:36Marcos,
31:37son,
31:37look,
31:38You know we are
31:38going through a stage
31:40criticism in the company,
31:42and I would like
31:42that you were
31:43engaged
31:44with this campaign,
31:45100%.
31:46Don't worry,
31:48dad,
31:48Count me in.
31:55There they are.
31:56Well.
32:00Oh,
32:01I still can't believe it
32:02that I have hired.
32:03I'm so happy for you.
32:06And Marcos,
32:07Didn't I ask you about myself?
32:08Hey,
32:09No,
32:10No,
32:10and he told me
32:11that he didn't want
32:12that he mentioned
32:12your name.
32:14Oh,
32:15No,
32:15midwife,
32:16Why did you do that?
32:18And precisely today,
32:19Today is the day
32:20of the lovers.
32:23Marcos hates me,
32:25He hates me.
32:25Luzni,
32:26but,
32:26But I still can't.
32:27do nothing.
32:29When the campaign is over
32:30I'm leaving the company.
32:31Why don't you correct yourself?
32:33Yeah?
32:33AND,
32:34And you go,
32:34You go and tell him the truth.
32:35No,
32:36No,
32:36Luzni,
32:37I don't want to talk anymore.
32:38more than that.
32:39No.
32:43Love,
32:43It's true
32:44it hurts me
32:44my anguish
32:46see Antonia
32:46so,
32:47so lonely,
32:48so boring.
32:50I don't know why,
32:52Why better
32:52Aren't you inviting him to lunch?
32:54Yeah,
32:54That's a good idea.
32:55Yeah.
32:55The three of us can go.
32:56And we celebrate this day.
32:58No?
32:58The three of them?
33:00Love,
33:01I think that with Antonia
33:02We need to go slowly.
33:04I don't know why,
33:05But you know
33:05that he doesn't like me very much.
33:07But if someone
33:07It can touch his heart,
33:09That's you.
33:10Alright.
33:15Cristina,
33:15please,
33:16Please put me in touch with my daughter Antonia
33:18and make a reservation
33:19for two people
33:20at your favorite restaurant.
33:23Yeah,
33:23That's you.
33:24Thank you.
33:27Oh,
33:28Yeah,
33:28Yeah,
33:29teacher,
33:30I got the job.
33:31Excellent,
33:32You have no idea how happy I am.
33:34Teacher,
33:35I'm starting work right now.
33:37and,
33:38And that's why I need
33:39ask him a small favor.
33:41Could it be that you
33:41Can you help me?
33:42to take care of the children
33:43a little longer today?
33:45Because Nino told me
33:46that he couldn't do it all day.
33:47Don't worry,
33:48I'll take care of it.
33:49Your cousin just left,
33:51but he left them in my care.
33:52Oh,
33:53Oh,
33:54teacher,
33:54I'm sorry about you.
33:55Don't rush,
33:57Do what you have to do.
34:02Well,
34:03Mila,
34:04to work.
34:05Yeah,
34:06lady.
34:06You'll see
34:07that you can buy
34:08to your son
34:09clothes,
34:10shoes
34:11and,
34:12why not?
34:12Even a new toy.
34:17Oh,
34:18Oh,
34:19poor,
34:19poor,
34:20my little Peter
34:21with that dad
34:21that I went to give.
34:31this old woman
34:32What are you doing here?
34:36What could he have come for?
34:46Rosita,
34:47Hasn't Nino called me?
34:48No,
34:49little girl.
34:50Isn't that right, you
34:51Does she like that young man?
34:53He's a good friend.
34:54If it weren't for him
34:55which set off the alarm,
34:57Who knows?
34:57what would they have done
34:58The thieves?
35:00Would you do me a favor?
35:01Rosita?
35:01Yeah,
35:01little girl.
35:02If you call Nino,
35:03He tells her to call me.
35:04the cell phone,
35:05I'm going to have lunch
35:05with my dad,
35:06please.
35:07I'm going to take advantage
35:08that Barbara's witch
35:09He left him alone for a while.
35:11Well,
35:11little girl.
35:12Thank you.
35:19Sorry?
35:20How can I help you?
35:23I can't believe it.
35:25You work
35:26in a company
35:27modeling
35:28and he doesn't recognize me.
35:29No.
35:30I am the model
35:30that they are waiting for.
35:34This is wonderful
35:35for the class.
35:36Little girl,
35:37Do me a favor.
35:38Go up to the office
35:39by Gabriel Muti
35:40and you tell him
35:41I'm waiting for it.
35:42Sorry?
35:43What did he say?
35:44Go up to the office
35:45by Gabriel Muti
35:46and tell him
35:46that Regina Soler
35:47It's here.
35:48Go on.
35:55Maritza,
35:56daughter.
36:00I need to talk to you.
36:05Gabriel Muti,
36:06Hasn't he asked you?
36:07nothing?
36:08No,
36:09nothing.
36:10Maritza,
36:12you have always been
36:13very kind to me
36:14And I hope you understand me.
36:18I told Gabriel
36:20that...
36:21that you are
36:24my daughter.
36:46You understand me?
36:48Yeah,
36:49Yeah,
36:50Yeah,
36:50I understand.
36:51You have to help me.
36:53Gabriel thinks you are
36:55my daughter.
36:58Maritza,
36:59You have to tell me
37:01mother.
37:03Yeah,
37:04lady.
37:05Mother,
37:06mother,
37:07but,
37:08Could it be his daughter
37:10Isn't that Juliana?
37:11Yeah,
37:12But you have to understand
37:13that in this medium
37:15I can't look like
37:17with her.
37:19So ugly,
37:22I would be very embarrassed.
37:33Good afternoon,
37:34Rosita.
37:35Oh,
37:35young,
37:35How are you?
37:37Good,
37:37Antonia.
37:38No,
37:38It's not there.
37:39He went out to lunch
37:40with Don Gabriel
37:40and he agreed
37:41that marked him
37:42the cell phone.
37:43And so
37:44Who is it for?
37:45For the girl?
37:46No,
37:46this is
37:47for someone else.
37:49Tell him I came,
37:50please,
37:50Yeah?
37:51Well.
37:51Hello,
37:52Child,
37:52how are you?
37:54Rosita,
37:55Tell Antonia
37:56Nino is here.
37:57The girl is not here.
37:59Don Gabriel
37:59He invited her to lunch.
38:01Oh,
38:01Too bad.
38:03Really,
38:03I feel very sorry.
38:04that Antonia is not there,
38:05but,
38:05But you're staying for lunch,
38:06TRUE?
38:07Rosita,
38:07Prepare everything.
38:08With great pleasure.
38:12Would you like a snack?
38:14Or something before eating,
38:15No?
38:17Come with me to the living room.
38:22Well,
38:23ladies,
38:24ladies,
38:24your attention,
38:24please,
38:25your attention.
38:27I want to introduce you
38:28to Regina Soler.
38:30She was
38:31one of the models
38:32most prominent
38:33of this country
38:34in the decade
38:35from the eighties.
38:36So,
38:37please,
38:37follow their advice
38:39and they will
38:39very,
38:40But very good.
38:41Besides,
38:41respect her.
38:42She is the mother
38:43by Maritza Parrazo.
38:46Regina,
38:47welcome.
38:49Good afternoon.
38:50How are you, ma'am?
38:52Are you here?
38:53Well yes.
38:55Regina,
38:56look,
38:56I'm going out
38:56to eat with my daughter.
38:57So,
38:58anything
38:59that you need,
39:00please,
39:01Tell Cristina,
39:02my secretary.
39:03She will communicate
39:04with me,
39:05for whatever.
39:06Are you OK?
39:07Are you calm?
39:07Yes, thanks.
39:08Well.
39:10See you.
39:11Thank you.
39:12Ah,
39:13clear.
39:14Better.
39:15Excuse me.
39:17Come on.
39:20What is it?
39:21Looking for, ma'am?
39:23Oh,
39:23Why, ma'am?
39:25Look,
39:25you and I
39:26We don't get along
39:26so many years.
39:27Better
39:28call me
39:28Barbara.
39:30What do you want?
39:32Barbara?
39:35Just like you,
39:37i guess.
39:38Antonia's happiness.
39:40It's because she feels
39:41all alone
39:41in this city.
39:45Here I brought you your gift.
39:46I told him I couldn't
39:47accept.
39:49Come,
39:51Come with me, okay?
39:51I want to show you something.
39:53Please.
39:56And then
39:57Where are you going to invite me?
39:58Lunchtime?
39:59Charlie,
39:59I'm not hungry.
40:01I don't feel like it
40:01You're welcome, okay?
40:02Well, not you.
40:03But I do.
40:04And it's Valentine's Day,
40:06Friendship Day,
40:07my brother.
40:08Charlie,
40:09No.
40:09You,
40:10Calm down, man.
40:10No,
40:10Why not?
40:11Will you come with me?
40:12because you're with me.
40:13Come on, now.
40:14Could this be it?
40:17Come on, mamacita.
40:19Why are you taking so long?
40:21So much, my love?
40:23Here you are
40:24a little surprise.
40:37Marisa,
40:39concentrate
40:40in what I'm telling you.
40:42Follow the instructions
40:43that I'm giving you.
40:45Let's try walking,
40:46but concentrated.
40:47Come on.
40:49Chin up
40:50and walking.
40:53Excuse me,
40:54I'm sorry about that.
40:55lady,
40:56but Marisa
40:57cannot leave
40:57for lunch.
40:59So,
40:59Why don't we do
41:00a brief pause
41:01in his class
41:01and we resume
41:02in an hour?
41:03Does that sound good to you?
41:04Alberto,
41:04I'm not hungry
41:05And I don't want to either.
41:07leaving my mom alone.
41:08Pepe,
41:09Calm down, daughter.
41:11Go have lunch
41:11with Mr.
41:12And that's how I take advantage
41:14and I prepare
41:15what I'm going to teach you
41:16the rest of the day.
41:22I'm only going to ask you
41:23a favor.
41:27Put it on,
41:28Yeah?
41:29Please.
41:30Hey,
41:31You have nothing to lose.
41:32Yeah?
41:33Just put it on.
41:35Okay.
41:37Look.
41:39If you're going out
41:41with Antonia,
41:42you need
41:44some more clothes
41:45And the truth is,
41:46this jacket
41:47It fits you well.
41:49I don't need it.
41:52Antonia met me
41:53with my clothes
41:53And he accepted me.
41:55I am poor,
41:56but much honor,
41:57lady.
41:57Alright.
41:58What are you doing?
41:59What are you doing, ma'am?
42:00What, they can't guess?
42:07Well then,
42:08What do you want to eat, Maritza?
42:12Today is a day
42:13very special.
42:16Look,
42:17There is a restaurant
42:18delicious
42:19which is not very far away
42:20We can even walk there.
42:25Anything
42:26Don't get dirty,
42:26petita.
42:34either
42:35I
42:35it
42:37it
42:42heavy
42:43and
42:46Don't get dirty,
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