- 2 minutes ago
1975 SITCOM "The Brandon family and The Three Great-Aunts From Glossop assemble for Auntie Edna's funeral; after 25 years of marriage, Annie wants Les to take her on a second honeymoon; Carter's girlfriend Pat decides it's time they got engaged." IMDB Starring Robin Bailey, Liz Smith, Ray Mort, Stephen Rea, Anita Carey
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TVTranscript
00:29Satsang with Mooji
00:44Right, everybody. I have an important announcement to make.
00:48Now, hands up those who know what it is.
00:51I'll give you a clue. It's to do with death.
00:54Oh. Yes, Mort?
00:56Are you going to take up crown green balls?
01:00Crown green balls? What's that got to do with death?
01:03Everything. When a woman takes up crown green balls,
01:06it's a fate worse than death for us men.
01:09Women are all right behind tea urns.
01:12You can't see their faces because it's steam.
01:15But once they get on greens, what a sight.
01:18White gym shoes, wobbly bosoms, mottled legs,
01:23and the racket they kick up.
01:25Good word, Winifred. Good word.
01:28Oh, Celia, it hasn't got the legs, love.
01:32It hasn't got the legs.
01:36Parrots in Bellevue Zoo get a dick mimicking that lot.
01:40Hey, and the sinister way they look at you when they pick up the jack.
01:43Eyes slanting, wrists quivering, knuckles turning white.
01:48Makes you tingle in all the wrong places.
01:50Really, you men, you'd think us women was ogres.
01:54Just imagine what would happen if there was no women in the world.
01:57Yeah, well, come dancing, it'd look right peculiar, wouldn't it?
02:01Now then, Lil, don't pay them no heed, love,
02:04and give us your important announcement.
02:06Put that boat down, Carter, and listen to what your auntie's got to say.
02:10We've got more important things to do than listen to important announcements.
02:14Have you now?
02:15Yes, we have.
02:17It just so happens that I'm looking through this mail order catalogue
02:20to pick out luncheon sets for my bottom drawer.
02:23Luncheon? What the hell's luncheon?
02:26It's what you old-fashioned people call dinner time.
02:29It's true. I've voted socialist all my life.
02:31I end up with a prospective daughter-in-law that calls dinner time luncheon.
02:36That's the old tragedy of the Labour movement in a bloody nutshell for you.
02:40Come on, Lil, let's be having your announcement.
02:42Thank you, Leslie.
02:44Well, then, my important announcement is this.
02:47I intend, here and now, to read my last will and testament.
02:54I do love a good last will and testament.
02:58Hey, I never shall forget my mother, so it did cause a lot of trouble.
03:01She never made it clear, you see,
03:04who was to have the upright piano.
03:06So, to save any bother,
03:08we chopped it up into four equal parts
03:10and divided it amongst the daughters.
03:13We'd have done saying,
03:14we're doggone it, we didn't want no trouble from RSPCA.
03:18Right, well, I'm ready now.
03:20Now, if anybody wants to leave the room,
03:23it's too late, you should have thought of it before.
03:27Now, first and foremost,
03:30thank you all for my lovely funeral.
03:32That's all right, Lil, it was a pleasure.
03:34I hope you'll do the same for me someday.
03:37I am sorry I couldn't be at the funeral party
03:40owing to personal bereavement.
03:42However, enough of my woes
03:44and let's get down to brass tacks.
03:46If I die of something interesting,
03:50I hereby bequeath my body
03:52to the Royal Society for the Protection of Birds.
03:56Well, it's truth, Lil.
03:57You don't want them to stuff you
03:58and shove you in a glass case, do you?
04:00No, but if I die of something unusual,
04:05they can sell me to medical science
04:07and use the money to buy mess boxes
04:10for the tomtits and finches.
04:12Oh, well, let's hope you die of epidemic, Lil.
04:15They'll be able to house a whole flock of vultures,
04:18won't they?
04:19Any road, let's get on with the revelation, shall we?
04:22There are certain small tokens
04:25I'm going to give as presents to members of the family
04:28to remind them of the happy days we spent together
04:31when we wasn't quarrelling
04:33and pulling all the people to pieces behind their backs.
04:36To my dear sister-in-law, Annie,
04:40I leave the Cerise dress with flounces
04:43in the open knowledge that she will be able to let out the bust.
04:48Oh, Lil, thanks very much.
04:52Just what I wanted.
04:53Do you think I could have the matching handbag, too?
04:55Oh, I'm sorry, Annie, but the handbag's gone the way of all flesh.
05:00My Bob gave it to the milkman's horse to use as a nosebag.
05:04It was very much appreciated,
05:07but unfortunately the horse could never manage to open the zip.
05:12Now, to my brother-in-law, Mort,
05:16I hereby bequeath my late husband's crimping scissors.
05:20What would I want them for, Lil?
05:22To cut your hair with.
05:24I never cut my hair, though.
05:25I wait till it drops out every autumn.
05:29My Bob was most meticulous about his hair.
05:33I used to cut it for him every Friday night in the nude.
05:36In the nude, Lil?
05:37You!
05:38No!
05:39My Bob was in the nude.
05:42He couldn't bear them spiky little bits of hair
05:44getting stuck under his vest.
05:46No.
05:47Oh, I was fully clothed when I cut his hair.
05:51Of course, he made me keep my eyes closed.
05:57No wonder he looked like a lopsided hedgehog.
06:02After I'd cut it,
06:03I used to gather all the little bits up
06:06and throw them out to the birds.
06:08What did you do that for, Lil?
06:09Well, so they could line their nests with it
06:12and keep themselves warm in winter.
06:15Oh, go on, Lil.
06:16You must have had the only blackbirds in town
06:17with rampant dandruff.
06:20Any more aspersions like that,
06:22and I shall have to delete this next paragraph.
06:25Now,
06:25to my darling brother, Leslie,
06:29I leave something that will be
06:31of inestimable use to him
06:33when he goes on his second honeymoon
06:35with his dear wife, Annie.
06:38What is it, Lil?
06:40Is it practical,
06:41or will I like it?
06:43Well,
06:44it's my Bob's autographed copy
06:47of Victor Sylvester's
06:48Beginner's Guide to Ballroom Dancing.
06:51Smash you, Lil!
06:52And fancy having Victor Sylvester's autograph.
06:56Oh, no,
06:57it was my Bob that autographed the book.
07:00Victor Sylvester only wrote it.
07:04Ballroom dancing.
07:06Gorgeous.
07:07On our second honeymoon,
07:09we'll be dancing till dawn.
07:11Won't we, Les?
07:13I'll not be dancing till dawn.
07:15I want to get my full eight-hour's kit.
07:17You want to dance till dawn on your honeymoon,
07:19you'd better find someone else to take you.
07:21Men.
07:23No romance in their soul.
07:25I don't like dancing, I tell you.
07:27It's all squeaking shoes
07:28and men with toothbrush moustaches.
07:30It's right, inefficient and all.
07:32Yeah.
07:33Well, dancing's a form of locomotion, isn't it?
07:36Yes.
07:36Well, what's the point of locomotion?
07:38It's to get from place A
07:40to place B, isn't it?
07:42Yeah.
07:43Well, what's shortest road?
07:45Straight line.
07:47What do you do when you're dancing?
07:48You're bobbing and ducking,
07:50you're heaving and weaving.
07:51I mean, a journey what should take you one minute flat
07:55takes your bloody near half an hour.
07:57It's not the point of dancing,
07:59it's to tone you up,
08:01to keep your muscles supple,
08:03to make your skin tingle.
08:05Yeah, I can get that from a mustard bath woman.
08:08You don't need to wear
08:10patent leather dancing pumps, neither.
08:12Well, if that's how you feel about dancing,
08:15you'll not be wanting my next bequest.
08:18Go on, Lil, read it out.
08:20Then, come on, don't keep us in suspense.
08:22I want you to have a night out on the tiles
08:25at my expense.
08:27And to that end, I have provided money
08:30to purchase tickets for my nephew Carter's
08:33works, dance and social.
08:35Oh, Lil!
08:36A dance!
08:37Oh, how lovely, oh, thanks very much.
08:40Oh, heck, isn't it?
08:41Gay and glamorous.
08:44Oh, are you right excited, Pat?
08:47No.
08:48Paddle, love?
08:49Well, we're not going to know
08:50works, dance and social.
08:52Why not?
08:53Because we're supposed to be
08:54saving up to get married.
08:55But we don't need to spend money
08:57on tickets for the dance.
08:58No, but we'll have to spend money
08:59on a new dress for me.
09:01What's wrong with the one you wore last year?
09:02Can't wear the same dress twice to a dance.
09:05I mean, I'm not like your mother
09:06and your auntie, Lil.
09:07They're old-fashioned.
09:09Don't matter what they wear
09:10so long as it's clean
09:11and don't smell them off balls.
09:13We can't afford to spend money
09:15on new dresses for me
09:16when we've got to spend money
09:17on under felt for the stair carpet,
09:19draft excluded for the scullery
09:21and pots and...
09:22Well, we're not going
09:23and that's flat.
09:25I see.
09:26Well, there's only one answer then,
09:29isn't there, Pat?
09:30Oh, what's that?
09:31Carter will have to take me instead.
09:34You can't go, Lil.
09:36You're supposed to be dead.
09:38It's the only reason
09:38we're going in first place.
09:41Well, you're Carter, will you?
09:43Oh, well, go on then.
09:45Oh, lovely.
09:47Come on.
09:48Let's get a little bit of practising.
09:50La-da-dee-doo.
09:55E-dee-dee-dee-dee.
10:08You're Auntie Lil.
10:10You're tucking your auntie to a dance.
10:12Mm.
10:13You want your bumps
10:14feeling you do, kid.
10:16You'll be going on the geriatrics out into New Brighton next.
10:19Yeah.
10:20What's up, Carter?
10:21Has little Miss Snootyjaw's put her foot down?
10:23Is she rattling the old wedding bells, eh?
10:26Aye.
10:28Marriage.
10:29It's a mugs game, kid.
10:31It's for the new hoopers.
10:33It's for blokes with loud laughs and damp fingers.
10:37It's for women with sharp noses and tight little backsides.
10:41Hey, old man, then, dude.
10:42Give us a look at your kegs, eh?
10:44Get in there, Carter.
10:45Go on, lad, get in.
10:48Shriveled up little turds like him.
10:50Oh, wind and vinegar with a wife the size of a Grimsby troller.
10:55It's not for you, kid.
10:57You deserve something better than that.
11:00Maybe.
11:02Maybe.
11:05Having trouble with the love life, are you, Carter?
11:09What do you mean?
11:10Pat's still keeping you short.
11:12Pardon?
11:13You're not garing your ration, are you, kid?
11:15Give over.
11:18Tell me something, Carter.
11:19What?
11:21Have you ever had it?
11:22Give over.
11:23You poor devil, you haven't, have you?
11:26You haven't.
11:26Give over, will you?
11:28Well, stick around me at the works dance, kid, and you never know, you might break your duck.
11:34Good seeing you, Carter.
11:57Was that Linda Preston I just saw you with?
11:59That's right.
12:02That's right.
12:03She's right common, isn't she, Carter?
12:05I bet she comes from a terrible home.
12:07I bet they don't have tangerines at Christmas.
12:10Mmm.
12:11I bet they wear the vests in bed and all.
12:13I bet they keep...
12:13Listen, I've been thinking.
12:15What, you thinking?
12:17Aye, me, thinking.
12:19If you don't want to go to the dance, I won't go either.
12:22I'll jack it in.
12:22Oh, but I do want you to go.
12:24What?
12:25That's why I come to find you, to tell you that I want you to go.
12:28Why?
12:29As long as you'll have a lousy, rotten time.
12:33Pardon?
12:34When you go to that dance, you'll realise that life without me just isn't worth living.
12:40You'll have such a rotten time dancing with fat ladies with sticky hairdos that you'll appreciate me even more than
12:47you do now.
12:48Right, Carter?
12:49Why?
12:50Why?
12:52I appreciate you.
12:53And I trust you, too.
12:55I trust you to spend every minute of that dance looking thoroughly fed up and wretched.
13:02Now, do you promise me you'll do that?
13:04Mmm.
13:06Carter, I do love you.
13:07I do.
13:09Hey!
13:10Ha-ha-ha-ha!
13:11Hey!
13:12Whoa!
13:16Looking thoroughly fed up and wretched.
13:22Eh, lad.
13:24Fancy going to a dance together after all these years.
13:27Takes me back to days of our prime when we went courting in our utility overcoats.
13:34Do you remember them halcyon days, Les?
13:37No, uh...
13:38We still had a third division north and a third division south in them days.
13:42There's romance in the air all over again with our second honeymoon in the offing.
13:47Eh, I feel now just like I felt before the first one.
13:50That's true.
13:51You're not getting another attack of lumbago, are you?
13:55I'm not talking about bodily functions.
13:58I'm talking about mental functions.
14:01I'm talking about...
14:03Emotions.
14:05Oh, them things.
14:07I'm talking about being starry-eyed and all of a flutter.
14:12I'm talking about what it was like 25 years ago
14:15with me dashing about all over the place, arranging our wedding,
14:18and you sitting on your BTM doing note.
14:22Me?
14:22Doing note?
14:23Who was it meant in your dad's chain guard?
14:25Who was it tarpauling his rabbit hutch for him?
14:29You love.
14:30Eh, and you looked ever so romantic with your mouth full of tin tacks.
14:36Les.
14:37What?
14:38Eh, did you ever have second thoughts about being married?
14:42I mean, did you ever get cold feet and want to call it off?
14:45No.
14:46Oh, once we bought that stair carpet from Coop,
14:49there's no going back, was there?
14:51Oh, Lee, just look at you.
14:55Eh, what does she look like, Les?
14:58I'd rather not say thank you very much.
15:01I think you look smashing, Auntie, Lou.
15:03Oh, thank you, Carter.
15:04My Bob made me this dress for the Boy Scouts Annual Pantsy Dress Ball.
15:08What did you go as, Lil?
15:10A wall map at Balkans?
15:13No.
15:13Oh, the theme of the ball was famous criminals and their victims.
15:18Oh, we did have a laugh.
15:19I went as one of the brides in the bath.
15:22My Bob wanted me to go as Edgar Lustgarten,
15:25but he hadn't got the right attachments on his fretwork machine.
15:29His fretwork machine?
15:31For sewing!
15:32Oh, he could do some most unusual things on his fretwork machine, could my Bob?
15:38Well, now, let's not hang around.
15:41The sooner we get there...
15:43The longer it'll be over.
15:45Come on, then.
15:46Grin and bear it.
15:53Here, answer it, Carter.
15:56It might be bad news.
15:57We'll not have to go to the dance.
16:02Hello?
16:03Hello, Carter.
16:04Oh, it's you.
16:05I'm just ringing you to remind you to have an awful time tonight.
16:09And, Carter?
16:10Yeah?
16:11You know that I trust you, don't you?
16:13Oh, aye.
16:14Try, then.
16:14Try.
16:15Well, are we in luck?
16:18A family bereavement?
16:20No, it was Pat telling me she trusts me.
16:22It's the truth.
16:23You can't get much worse news than that, lad.
16:34Good evening, Carter.
16:36This is Jolly Lock, your party.
16:38That's right, Herbert.
16:39Oh, I see.
16:40Well, then, on behalf of the social committee,
16:42I'd like to welcome you to this dance.
16:45But I must warn you, excessive drinking and rowdism will not be tolerated.
16:50Thanks very much.
16:52Fancy being welcomed at Doolin.
16:55It's just like being royal family, isn't it?
16:58And where would the ladies' cloaks be if it isn't too personal a question?
17:03Oh, no, it isn't to me, love.
17:06It's over there on the left.
17:07And remember, vandalism and writing on walls will not be tolerated.
17:14Do you get a funny smell of gas here?
17:17You never know.
17:18We could have a nasty explosion before the night's out.
17:21Nasty explosion?
17:24It'll be suppin' hell when disaster strikes.
17:26I'd hate to meet me maker with empty glass in me hand.
17:29Come on.
17:30Hey, Opsid.
17:31Come for a pint.
17:32Good God.
17:32No, the missus would skin me alive if I went in her without her.
17:35She's like an aircraft carrier coming into dockies, my missus.
17:37She'll not go nowhere without her attendant tug.
17:40Hey, Opsid.
17:41Look, Arthur, you should see Linda Preston.
17:43Hey, you should see Linda Preston.
17:44Oh, no.
17:50Oh, hell, it's a balloon and screamer's job.
17:54I'll bet Titanic looks like this just before she's struck that iceberg.
17:58Must have come as a blessing relief to passengers, mustn't it?
18:01Well, three pints of bitter, is it?
18:03No, make it six.
18:05It's a night for double banking, isn't it?
18:22They always get these bloody show-offs at dances, don't they?
18:27It's blokes like him and slits side down.
18:30I bet he knows how to mend fuses and all.
18:33Do you mind if we join?
18:34You're a bit too boy to sit back for me, you see.
18:36There's no need to ask permission.
18:38It's a public dance, is this?
18:39Budge up and give us some room.
18:41Go on.
18:42And I don't intend to be sat here all night, you know.
18:46No, dear.
18:47I didn't put on me dance dress just to sit like a wall fly, you know.
18:50Yes, dear.
18:51I expect to spend most of my time dancing.
18:54And I hope they've got a decent buffet laid on.
18:56I'm starving, I could eat a horse.
18:58I thought cannibalism were illegal these days.
19:01What's that you say?
19:02No, I mean, no, pardon?
19:04What's that he said, Sidney?
19:06Nothing, dear, nothing.
19:07Ain't it a lovely chance to have a night out with Missy's?
19:10Hey, I'm Sidney.
19:13I'm just watching me purse.
19:14Oh, is that what it is?
19:15What a disappointment.
19:18Hey, come on, Sidney.
19:19Don't be shy.
19:20Give us a kiss.
19:21Take your teeth out like what you did on the trip to Skegness.
19:27I'd like to dance, if you don't mind.
19:29And I'd like your teeth to accompany us, too.
19:32I see what he meant about aircraft carrier.
19:43I'll be bringing her out in an airfix model next year.
19:47Come on, then, Carter.
19:48Let's be having a nice close feed of your chassis there.
19:51I don't think I'd better.
19:52Carter, I've promised this first dance to me auntie, Lil.
19:54Oh, aye, and you promised the last waltz to your uncle, I suppose.
19:57Come on.
19:58Don't be such a wet.
20:01Hey, look, give over.
20:03Everybody's looking.
20:06You remember what I said about, um, breaking your duck, Carter?
20:11Well, the offer's still on, kid.
20:14You come on home with me and I'll let you take the covers off the pitch.
20:20Come on, Carter.
20:21Don't be a mug, lad.
20:23Don't be a mug.
20:27Testing, testing.
20:28One, two, three.
20:31Now, then, listen this way.
20:33The purpose of this function is enjoyment.
20:37But I don't know how you can do that with all the pestilence, strife and trouble in the world today.
20:43If you haven't got a conscience, well, be it on your own heads.
20:47Anyway, listen this way.
20:49Funny acts will be provided for them that want to make a fool of themselves.
20:55And the buffet will be open at nine o'clock.
20:58And the next dance will be, uh...
21:03A destiny waltz.
21:06That was a phone call for Carter Brandon in the foyer.
21:11Ah, well, uh, you'll have to excuse me.
21:13I'll see you later.
21:13I'll be waiting, kid.
21:15I'll be waiting.
21:24Hello?
21:25Hello, Carter.
21:26Are you having a rotten time?
21:28I'm trying, me hardest.
21:29Good.
21:30Well, I suppose I'd better go back in.
21:32I'm having such a miserable time, it seems a shame to waste it talking to you.
21:35Uh, Carter?
21:36Yeah?
21:37Is, uh, Linda Preston having a miserable time, too?
21:40I don't recall having come across her.
21:42I expect she's decided not to bother...
21:44Um, what's she wearing, Carter?
21:46Well, it's, uh...
21:47Well, it's just sort of...
21:49You know, it...
21:50It shows all...
21:51She looks right dowdy, really.
21:53I see.
21:55Well, ta-ra, then.
21:56Have a rotten time.
21:57And remember this, Carter.
21:59I trust you.
22:01Thank you very much indeed.
22:08We're making our escape.
22:10Escape?
22:10Ah, the women are dancing, the groom and potters just down the road.
22:13Beer off the woodland.
22:14Liver and bacon sandwiches.
22:16A men only bar with a slate of api-board.
22:18What more can a man ask for from life?
22:20Come on, do a bunk with us.
22:22I can't.
22:22Why not?
22:23I've got to go back in there to me mother and me auntie Lill and face up to reality, haven't
22:27I?
22:27Reality is all a cod, is that?
22:29If there were any reality of this world, there'd be no keg bitter.
22:33There'd be no doberman pinches.
22:36There'd be no back collar studs.
22:39And united with old FA Cup in perpetuity.
22:43Come on, do a bunk while you've got chance.
22:45Sorry to lay you down.
22:48No.
22:55Large scotch, please.
23:09Fancy a dance hatty, Lill?
23:11Oh, no, thank you, Carter.
23:13Look, I've just finished one with the ambulance man.
23:16No, I just want to look on now and rummage back in my memories.
23:20Aye, they're nice things aren't memories, aren't they?
23:22Aye.
23:23You want to build up a few good'uns for yourself?
23:26How do you mean?
23:27Well, do something positive, lad.
23:29Do it tonight.
23:30Give yourself something to remember the good times by before you get swamped in the drudgery
23:36of marriage.
23:37It's easier said than done.
23:39Oh, you're wrong, Carter.
23:40And?
23:42Go on, ask her to dance.
23:44Who?
23:45You know.
23:49You know, lad.
23:51Do your stuff before it's too late.
24:01Well, well, Carter, what's all this?
24:04Is all that glue cursed out, making the sap rise?
24:08You know your offer?
24:09Yes, Carter, I do.
24:11Well, I was thinking.
24:13Oh, aye.
24:14And what was you thinking, Carter?
24:17Well, I was thinking, why don't we...
24:20Testing, testing.
24:22One, two, three.
24:25This is just a moment that there's been a fatal accident in the kitchen.
24:31On the buffet, it'll be a bit late.
24:34Till we've wiped the mess up.
24:36And the next dance will be...
24:41A dinky doodartuse.
24:44And there's a phone call for Carter Brandon in the foyer.
24:47What the hell!
24:53What do you want now?
24:54I just thought I...
24:55You thought, right, I'm having a lousy time.
24:57The beer's flat, the band's flat.
24:58And what about Linda Preston?
25:00No, she's not flat.
25:01Yeah, she's having a lousy time, too.
25:03Just so long as I know.
25:05Well, goodnight, Carter.
25:07And remember what I said about trusting you.
25:11And so another chance bites the dust.
25:13Thank you very much indeed.
25:16Hey, what are you rabbiting about?
25:18Oh, look, Sid.
25:19You're not leaving already, are you?
25:20Aye, it's the missus.
25:21She played Mary Elle up about Linda Preston, you know.
25:24She never stopped.
25:25Who's that?
25:26Who's this?
25:26Does she work with you?
25:27Does she show her drawers off?
25:29It's worse than the Spanish Inquisition.
25:31At least they burn shit steak when they finish with it.
25:33I've got to sleep in the same bed as her when we get home.
25:37It's the same every year.
25:38We always leave it this time.
25:40Not once have I seen them balloons come down from the ceiling.
25:43I think she only comes here because it makes a change to have her house somewhere different
25:46to our back kitchen.
25:48Never mind, old son.
25:49We're all in the same boat.
25:51Aye.
25:51Sex are easy.
25:52It's ugly head no matter where you go, doesn't it?
25:54Hey, do you see all the machines?
25:55It bogs.
25:56Mm.
25:57But machines for everything these days.
26:00Wish I'd invent a machine for kissing my wife.
26:02Never mind, eh?
26:03Never mind, old son.
26:05Hey, what did Pat have to say, Carter?
26:08Pat?
26:09How do you notice?
26:09Pat?
26:09Oh, go on, Carter, make your escape now.
26:13I'll hold the fort with Pat if she fawns again.
26:16Aye, but...
26:17Oh, memories, Carter, memories.
26:21Come on, kid.
26:22It's only a short cricket season these days, you know.
26:25Come on.
27:09Yeah!
27:10Yeah!
27:23That's it, then.
27:24It's all off, finished, finito.
27:27I've spoken to my mother and we've decided the engagement's off.
27:30I never want to speak to you again as long as I live.
27:32Or as long as you live. Or whichever comes first.
27:35You ought to be ashamed of yourself,
27:37gallivanting round at Dead of Night with Linda Preston.
27:40Linda Preston? How did you know?
27:41Your Aunt Lil told me when I phoned the dance.
27:43You? You told her?
27:45You're a pig, Carter Brandon.
27:47You're a bluebeard in sheep's clothing.
27:50You're a disgrace to your old boys' association
27:53and don't bother to speak to me again!
27:57Oh, dear!
27:59What a night!
28:01What a disaster!
28:04Me husband and me brother deserve me at the dance
28:07and slink off to a pub boozy!
28:10And now me son brings shame and disgrace on me
28:14and loses his fiancée!
28:17Oh, what a night!
28:20You're worse than Herman Gorin you are when he bongers on night of bliss!
28:26But at least he gave us warning through Lord Orr!
28:29You!
28:30Why?
28:32Well, I told you I'd leave you something in my last will and testament, didn't I, Carter?
28:38Well, what is it?
28:39Oh, your freedom, lad! Your freedom!
28:42Damn!
28:43It's truth, Lil.
28:44You haven't got something similar what I can swap for my victual vestibule, can you?
28:48whisky Jul!
28:48Ha, ha, ha, ha!
28:58capacity.ga
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