- 6 minutes ago
2009 DRAMA "Having entered the choir into a contest, Layla encourages Michael to be ruthless." IMDB Starring Sarah Lancashire, Neil Pearson, Sarah Alexander, Bryan Dick, Richard Fleeshman, Annette Badland, John McArdle
Category
📺
TVTranscript
00:01Awake the harp, the lyre'l wane, and let your joyful song resound.
00:10Rejoice in the Lord, the mighty God.
00:16Oh, God!
00:18Sorry, I'm sorry. I didn't mean...
00:21Shouldn't you be in choir practice?
00:23No. Yes, I'm a bit...
00:28Late, yes. Nearly over.
00:30No! Thingy!
00:34Nervous!
00:35Of what?
00:36Him.
00:37Michael?
00:39We're in the doghouse.
00:40For what?
00:41Losing the... what's it?
00:43The music fest.
00:44No. I don't want to sing in case I get it wrong.
00:47Well, that's what rehearsals are for.
00:50No, it is. Now you go in there and sing.
00:58Go on.
01:01Rejoice in the Lord, the mighty God.
01:07Rejoice in the Lord, the mighty God.
01:15fall in both Heaven and world as low and in strength as low and in strength as low and in
01:29strength as low.
01:31Let it rush down.
01:35Watch me.
01:38Watch me. It's not hard
01:44Tenors
01:46Could you sound less like you've been strangled?
01:50Bases where the hell were you wandering off to? Sopranos there is only one voice hitting top A. Oh
01:57God no wonder we lost the music first. Okay
02:01Here's what we're gonna do. We're gonna wipe that fiasco from our memories
02:05Excellent plan as if it never happened bravo any idea what this is tickets to Venice
02:13This is an entry form for the Northwest Coral heats
02:18Now despite last week's debout my faith remains miraculously intact
02:23But this is a massive step up for us guys fun and games have to stop
02:31from here on
02:33Get serious
02:49Chin up we'll get there. No, but it's not like him to get what's here. I see shall see ding
02:56it at me
02:58Never used to never
03:01Well
03:02Well, we know who to thank
03:04Madam butterfly
03:06No Esther for beating him now. He's got something to prove well madam certainly has
03:14Well do know I think she's a little what is it you're saying full of herself full of something
03:18Like a lily
03:20the
03:21amino Water Say
03:40hi
03:41You're
03:42gonna love this dingy. What beautiful you're watching?
03:48That'll do, Clifford. Don't be pestering the young lady.
03:51I meant... voice.
03:54Off you trot, now.
03:57Thank you. I don't quite know what to... He's a bit overwhelming.
04:03What did you make of tonight? Er, shambolic. Painful.
04:06What do you expect of a non-audition choir?
04:08Seriously, no auditions? I thought that was a joke.
04:11Oh, no, no. Any old tone-deaf waler can turn up and ruin it for the rest of us.
04:14But that's awful. For the real singers. And for Michael. He put so much into it.
04:20But the choir has so much potential. We could go all the way.
04:24If the right people are involved.
04:26And the rest?
04:51Why aren't you answering your phone?
04:54Been up to me eyes.
04:56Lots going on.
04:57Kyle's been asking for you.
04:59He doesn't understand why you're not at home.
05:02Can't you explain it to him?
05:05Barely explain it to myself.
05:08Look. The music fest thing. I did it for the kids.
05:14It wasn't meant to upset you or challenge you or...
05:17It wasn't a challenge. Unless you were thinking of repeating it.
05:22Oh, God, no.
05:24Shall we just draw a line under the whole painful episode, huh?
05:31And tell the boys it's just been difficult to know what to say.
05:38Given how things have, er...
05:42Look, Esther, there's something I should, er...
05:49I'll be in touch.
06:02Would you like me to drive?
06:04Sure. Why not?
06:10He's told you, then?
06:13That he's moved in with her.
06:19Guess he not.
06:25Moving on?
06:26That was pretty quick.
06:28What do you expect me to do?
06:30Fall apart?
06:31I have three kids and a home to run.
06:34I don't have the luxury of falling apart.
06:36Well, I'm on the way.
06:39I don't know where I'm going.
06:41I'm on my way.
06:43I'm taking my time, but I don't know where.
06:46Put that a rose.
06:48The queen of Corona.
06:49Sid!
06:50Sid, this is the happiest day of your life.
06:53See me and Julio down by the schoolyard.
06:55See me and Julio down by the schoolyard.
07:06Maybe I should call the boys.
07:08Why?
07:09Because they're my kids.
07:11And I keep putting it off.
07:14Why?
07:15Because I don't know what to say.
07:17We could invite them round.
07:18Wouldn't they like to see your new home?
07:21I somehow doubt it.
07:25So?
07:28I was wondering how far we want to go.
07:35With the choir.
07:38Northwest finals?
07:40Do you really think that's a goer?
07:42They're not that bad.
07:43God, no!
07:45No, they're...
07:49Enthusiastic.
07:51Loud.
07:54Out of tune sometimes.
07:56True.
07:57Eccentric.
07:57No question.
07:59In some cases, downright strange.
08:02Oh, you mean old Shrek?
08:03No, he's harmless enough.
08:05To be honest, I find him quite scary.
08:09Really?
08:09He's always hanging around.
08:13In the vestry by the church.
08:16It's his job.
08:17But whenever I'm there?
08:21There's something about him.
08:24I just don't feel safe.
08:25What?
08:33CarCuidate.
08:34Carper.
08:34They're inside.
08:36You thought your problems were gone.
08:39Carry me away, away, away.
08:46Swing, swing from the tangles of my heart.
08:50It's crushed by a former love.
08:53Can you help me find a way to carry on again?
09:05Don't stop that was just
09:12Merci to nice one. Thank you
09:18That's a cookie
09:21We just made two quid. Come on
09:36We just made two quid
09:37Son of our
09:40Son of our
10:01You know what this is, an eviction notice.
10:04You've had enough warning.
10:06But, I, what's it?
10:08You've got till six.
10:09But, I think it.
10:11Paid.
10:13Paid!
10:41Paid.
10:44Paid.
10:47Paid.
11:10Paid.
11:15Paid.
11:23Paid.
11:32Paid.
11:36Paid.
11:51Paid.
11:55Paid.
11:57Paid.
11:58Paid.
12:01Paid.
12:03Paid.
12:15Paid.
12:26Paid.
12:30Paid.
12:32Paid.
12:35Paid.
12:36Paid.
12:52Paid.
12:57Paid.
12:58Paid.
13:03Paid.
13:04Paid.
13:11Paid.
13:13Paid.
13:18Paid.
13:37Paid.
13:42Paid.
13:45Paid.
13:46Paid.
13:47Paid.
13:48Paid.
13:50Paid.
13:50Paid.
13:51Paid.
13:52Paid.
13:57Paid.
13:57are people looking what are people thinking what are we doing why are we
14:03here seriously why what is the point of this choir a good laugh a real good
14:11sing-song
14:20wrong answer apparently rehearsal cds for those who need more practice
14:30sorry did i make your thingy no i'm fine i just i didn't mean to what are you doing i
14:35was just
14:36hanging around waiting for me no i'm the what it's it's it's my thingy what job
14:41good take care i'll look up please just just just leave it okay just leave it
14:53darling what is it you're shaking i'm fine i'm fine i just need some air
15:22okay here's what look last week was a one-off we let you play because we were desperate but don't
15:26get any ideas this is my band
15:28since when uh since the music fest which hello was all down to me not your mum then
15:35down to me what we play down to me we have a band down to me who's in the band
15:39so as far as i'm concerned
15:40she's in
15:41she's in
15:42she's in
15:47she's in
16:13How was choir practice?
16:15Dad spat the dummy.
16:17Said we were crap, which we were, but no more crap than usual.
16:21Well, must have had his reasons.
16:24Why'd he do that?
16:25What?
16:25Stick up for him when he's pissed all over you.
16:28Oh, Georgia.
16:29And you've let him.
16:30And now you give up and you've not even tried to get him back.
16:33Well, next time I need lessons in commitment, remind me not to come to you.
16:37He actually left me.
16:39Yeah, yeah.
16:40We all know he's a twat, but the only question is, what are you going to do about it?
17:13But I paid!
17:15You didn't cash your cheques.
17:17You sold the property.
17:18He needs you out.
17:19But where do I go?
17:20You must have family.
17:21No!
17:22Mate!
17:22No!
17:23Sorry, mate.
17:24Not my problem.
18:58Locked.
19:00And this time...
19:03Where's Clifford?
19:20About time, too.
19:23Morning, Clifford.
19:27Everything all right?
19:40I have a meeting with Reverend B.
19:42I'll leave you to handle the flower rotors.
19:47Try not to turn us into a circus while I'm gone.
19:54No.
20:07No.
20:11No.
20:12No.
20:14No.
20:15No.
20:17No.
20:32No.
20:35No.
20:35No.
20:36No.
20:47No.
20:50No.
20:51No.
20:52No.
20:53No.
20:54No.
20:54No.
20:56No.
20:58No.
20:59No.
21:01No.
21:03No.
21:04No.
21:07No.
21:12No.
21:14No.
21:17No.
21:18shame and I found these who could it be someone with a serious crush on Pavarotti
21:33so what you gonna do I'll keep a lid on it I mean there's no point in alerting
21:39stormtrooper Tonks but let's both keep our eyes open here sure
21:49sorry to interrupt can you spare a minute it's sort of urgent I'm sorry I'll catch you later
22:05um you're gonna offer me absolution for which particular sin don't be like that horrible
22:12things do happen marriages break up families get wrecked people get hurt but hey none of it's
22:16ever your fault why are you so mean to me why are you here because you are
22:26I told you not to come after me well you're starting over why can't I I have to be here
22:33Jake I have to be where you are Layla get it this for me is a major deal and I
22:42can't have
22:42you jeopardize it wait you don't want me in your life why would I because I could help you fit
22:47in
22:48I could make sure people only know good things about on the other hand you could really screw
22:51things up hey that'd be a first you can't just reinvent yourself says who people were to hear
22:58some of those dirty little secrets I have nothing to be ashamed of can you say the same
23:08heaven and earth have clothed in stately dress in stately dress for he both heaven and earth have clothed
23:21medication I have to I get a bit thingy when I don't know it nervous and then I watch it
23:33panic when
23:36people get you know impatient and you never get bored
23:44no
23:51thank you I love it I love it more than anything
23:58if I can't sing it's like I'm only half alive yes how do you know that
24:18you haven't seen anyone hanging around the church someone you don't know
24:21no why well it's just we think someone might have been what in there yeah but if you haven't noticed
24:31anything no nothing sorry about that hmm I wasn't expecting a spiritual crisis must have been a bit
24:50tricky for you and for her it's very magnanimous oh Michael is pretty gorgeous in her shoes I might
24:55have done the same the way I see it we must have been getting something wrong people don't just up
25:03and leave and they might if the other person's determined enough all I'm saying is some people are
25:24pretty hard to resist
25:24now then I'm gonna take 10 years off you whatever you say
25:31so guess who I just saw
25:41I wasn't always this feeble is that how you see yourself when Michael and I met I was out there
25:46full sheer little whiskered rising star of the English department and then I married my tutor
25:53bomber had kids and then I got sort of um bogged down
26:07and him oh he sort of expanded and
26:14god maybe that's why he left if he got bigger and
26:21I got too small
26:29she made me feel small
26:32what did she say to you nothing she didn't need to the fact that she's your wife says it all
26:37she's
26:37your wife I'm just your bit on the side not true every which way she has the upper hand
26:45legally morally and the music fest with her choir that wasn't a choir
26:51beaten by a makeshift little pop group
26:59that can't happen ever again can it
27:02if we're serious really serious about our choir about the finals
27:07surely we have to be a bit more
27:18you want us to sing for our places excellent idea but we're not that sort of choir we've never done
27:26auditions
27:27maybe that's why you've never won anything those who deserve to be here will have nothing to fear
27:34when do we start
27:42awake the harp
27:45awake the harp
27:47the light awake
27:47and let your joyful song resound
27:52rejoice in the land
27:55the mighty God
27:57rejoice in the Lord
28:01the mighty God
28:07for he both heaven and earth has clothed in stately dress
28:15have clothed in stately dress
28:27for he both
28:29for
28:30for
28:31for
28:32is that a problem
28:35no
28:36yes
28:37er
28:37thingy
28:38er
28:40I'm a bit er
28:41you know
28:42Benzie
28:43when you ready
28:56I'm sorry
28:57sorry
28:58I can't
29:01I just get to
29:03to
29:04can
29:13move on
29:14moving on
29:17Eustace
29:20Margaret B
29:22Clive
29:22Nemanja
29:26Ethel
29:27Gilbert
29:29Louise
29:34Leila
29:38Georgia
29:41these people have performed above and beyond the required standard
29:48as for the rest
29:50I invite you to take a long hard look at yourselves
29:55knowing that we're going for the big one here
29:59knowing
30:00that that's
30:01likely to require more
30:04than some of you will be able to give
30:14is he saying I should leave
30:16I don't think anyone should be made to leave
30:19I won't
30:21I can do it
30:22I can sing
30:25just
30:25not when I have to
30:27thingy
30:29on me own
30:30in front of people
30:33white wine
30:34oh yes please
30:35large one
30:36what's all this
30:37meeting up after school
30:38we don't usually but
30:40after tonight's choir practice
30:43some of us felt that we
30:44we
30:44didn't do ourselves justice
30:47they're wondering which way to go
30:50oh that's brilliant
30:52no I just think we should all be big enough to admit it if we're not up to the mark
30:56you know
30:57there's nothing to be ashamed of just because we don't have what's required or if we just don't really
31:03fit in
31:03yes
31:06yes
31:18no I don't like that
31:21yes
31:30So, um, how do you think it went, the audition?
31:37I don't know.
31:39Not great.
31:41Not great.
31:43And I feel for you. I really do.
31:47I see how painful it is when you're put on the spot and asked to perform.
31:51But it's not...
31:51And now we're looking to move up a gear, I'm wondering,
31:55is it right to put you under so much pressure?
31:58Well, I...
31:58Singing should be a pleasure.
32:00And if it's making you anxious, how can it be?
32:03But it's not...
32:05Not always.
32:07I can sing.
32:08And you should.
32:10Of course you should.
32:13But in a less pressured way, maybe.
32:17Somewhere you're not so exposed.
32:20The bath.
32:25At home.
32:28You mean...
32:30Don't...
32:33Don't be in the quiet.
32:35I just worry.
32:38Knowing where we're headed.
32:42The stress would be too much for you.
33:04Is it all fine?
33:05Of course it's all fine.
33:15It's Zach Shrek.
33:16Well, if the face don't fit.
33:18Yeah, well, it's her again.
33:19She's never liked him.
33:20Meanwhile, the rest of us have been left to consider our position.
33:24And if they don't get themselves up to scratch...
33:26Whoa, well, you can't jump ship.
33:29You're not hearing them, love.
33:30They're being pushed.
33:32No, look, I'm sorry things are tough.
33:34But you shouldn't overreact.
33:37Seriously, hang in there.
33:38Michael's a good conductor.
33:39He just wants you to do your best.
33:41No, that's not just what he wants.
33:47What's going on?
33:48Why are you here?
33:49Thought you might like...
33:51another recruit.
33:53For what?
33:54Our new choir.
33:55There is no new choir.
33:56Well, there could be.
33:58There couldn't.
33:59Last week was a one-off.
34:00Right now, all I've got head space for is my home and my kids.
34:04Yeah, and your kids love the choir.
34:05And so do we.
34:06Will you stop?
34:07Please, hear me.
34:09I'm done.
34:10Seriously, I have nothing more to give.
34:13Oh, yeah, I forgot some dude ran from church.
34:16Er, Bart, somebody.
34:18Who?
34:19Barton, James.
34:22Jake?
34:23I think he said it was urgent.
34:27MUSIC PLAYS
34:33ANNES ANGELICUS
34:38FID PANIS HOMINUM
34:46DAT PANIS CELLICUS
34:52FIGURIS TERMINUM
35:02ORES MIRABILIS
35:10MANDUCAT DOMINUM
35:17PAUBER, PAUBER
35:22SERVUS E DUMILIS
35:36CLIFFORD
35:36CLIFFORD
35:40CLIFFORD, IT'S ESTA
35:41DON'T CALL ME THAT
35:43YOU DON'T HAVE TO BE
35:45THINGY
35:45WHAT?
35:46POLITE
35:47CALL ME WHAT EVERYONE ELSE DOES
35:49BUT
35:49YOU KNOW WHAT THEY CALL ME
35:53SAY IT
35:55SHREK
35:56I DON'T MIND
35:57I LIKE THE NAME
36:00I LIKE THE
36:01WHAT'S IT
36:04FILM
36:05YOUR VOICE
36:08IS BEAUTIFUL
36:12HOW COULD YOU BE ASKED TO LEAVE?
36:15I CAN'T
36:16I THINK YOU
36:18DO IT
36:19WHEN I'M MADE TO
36:20IN FRONT OF PEOPLE
36:22BUT MICHAEL MUST REALIZE
36:24AND SHE DOESN'T LIKE ME
36:25I SCARED HER
36:26SHE DOESN'T WANT ME AROUND
36:28PEOPLE DON'T
36:30WHAT PEOPLE?
36:32FAMILY
36:35RANLORD
36:36THAT WHY YOU'RE LIVING HERE?
36:38I DON'T WANT
36:39I LIKE IT HERE
36:42IT'S NOT BEING
36:43IN CHOIR
36:47NOT
36:47SINGING
36:48THAT'S WHAT I CAN
36:50I CAN
36:51I CAN
36:53YOU KNOW
36:55MICHAEL
36:56PROBABLY DOESN'T REALIZE
36:57WHAT AN EXTRAORDINARY VOICE
36:59YOU HAVE
37:01BECAUSE IN CHOIR
37:02WHEN WE'RE ALL SINGING TOGETHER
37:03IT'S HARD TO TELL
37:05IF YOU WERE TO GO TO MICHAEL
37:08SING FOR HIM
37:09AND
37:10ASK HIM TO GIVE YOU
37:11ANOTHER CHANCE
37:11BUT WHAT IF HE WON'T LET ME
37:12YOU MAKE HIM LET YOU
37:14HOW?
37:14JUST DO IT
37:16JUST GET OUT THERE
37:18AND SHOW HIM
37:18WHAT YOU CAN DO
37:28UNBELIEVABLE
37:28TURNING THE TEMPLE OF THE LORD
37:30INTO A DUS HOUSE
37:31WE DON'T KNOW THE FULL STORY
37:32HE COULD HAVE BEEN GIVEN
37:34EVERY OPPORTUNITY TO MOVE OUT
37:35AND OBVIOUSLY
37:36WE'RE NOT INSURED
37:37FOR RESIDENTIAL USE
37:39NO ONE'S SUGGESTING
37:40THAT HE LIVES HERE PERMANENTLY
37:41I'VE OFFERED HIM A BED AT MINE
37:43BUT HE RECKONS
37:43THIS IS THE CLOSEST THING
37:44TO HOME
37:45I THINK WE HAVE TO BE CRUEL
37:47TO BE KIND
37:49MY VOTE WOULD BE TO TELL HIM
37:51KINDLY
37:52BUT FIRMLY
37:53TO BE ON HIS WAY
37:55YES
37:55AND WHERE EXACTLY
37:58IS HE NOW?
38:06IF I
38:08WELL
38:08I LOVE ME
38:11TIME AND AGAIN
38:42THEN I WOULD TRY TO SAY
38:44HOW I LOVED YOU
38:54IF I LOVED YOU
39:05IS THIS YOUR IDEA OF A JOKE?
39:07WHAT?
39:08NO, NO, I JUST WANTED TO SHOW YOU
39:10STALKING PEOPLE
39:11FORCING YOUR ATTENTIONS ON THEM
39:13I WANTED YOU TO HEAR ME
39:15THINGY
39:16THINGY
39:17THINGY
39:17IT'S TOO MUCH
39:18YOU'RE TOO MUCH
39:21DON'T YOU UNDERSTAND
39:22SHE'S TERRIFIED OF YOU
39:25I JUST WANT TO COME BACK TO THE CHOIR
39:27HOW ON EARTH
39:28COULD YOU THINK THIS
39:29WOULD CHANGE MY MIND?
39:32GO HOME, CLIFFORD
39:33NO
39:33I
39:34BUT SHORLY
39:35YOU CAN SEE
39:36I COULDN'T POSSIBLY
39:38ALLOW YOU BACK NOW
39:44OH MY GOD
39:47THAT'S MY FAULT
39:49HOW?
39:50I TOLD HIM
39:51I
39:52I SUGGESTED
39:54HE SHOULD SING ME
39:55OUTSIDE DAD AND LAYLA'S
39:56I SAID HE SHOULD SHOW HIM
39:57WHAT HE'S CAPABLE OF
39:58OH
39:59GOOD MOVE
40:00WELL THERE MUST HAVE BEEN
40:01SOME MISUNDERSTANDING
40:03YOUR DAD WOULD NEVER BE SO HARSH
40:04OH YEAH HE WAS
40:06APPARENTLY OLD DURBRAIN
40:07WAS CRYING HIS EYES OUT
40:09I DON'T KNOW
40:10WHAT'S IT
40:12THINGY
40:12FRED
40:14THIS IS ALL MY FAULT
40:15NO IT'S DAD'S
40:16HE SACKED THE GUY
40:17WELL HE MUST HAVE HAD HIS REASONS
40:19YOU'RE STILL DEFENDING HIM
40:21NO
40:21WHY SO
40:22WILL YOU
40:23DAD DOES SHIT THINGS SOMETIMES
40:25HE'S SELFISH
40:26HE WALKS ALL OVER PEOPLE
40:29NOT INTENTIONALLY
40:30HOW CAN YOU SAY THAT
40:31GEORGIA
40:32HE'S NOT A BAD PERSON
40:35WHAT'S IT GOING TO TAKE
40:35FOR YOU TO GET IT
40:40OKAY
40:41I'M OUT OF IT
40:44YOU WANT TO PLAY DOORMAT
40:45FINE
40:46JUST DON'T ASK ME TO SIT HERE
40:47AND WATCH
40:49WHERE YOU GOING
40:50TO DAD AND LAYLA'S
40:52TO LIVE
41:08I JUST WANTED TO MAKE SURE
41:10YOU GOT HERE SAFELY
41:12UNBELIEVABLE
41:13WHAT
41:16DON'T YOU EVER FIGHT BACK
41:43DON'T YOU EVER FIGHT BACK
41:51WHAT'S YOU DOING HERE
41:53I'M LOOKING FOR SHREK
41:54HE'S NOT COME BACK TONIGHT
41:57HE COULD BE ANYWHERE
42:00HOW
42:01HOW COULD YOU LET THIS HAPPEN
42:08THERE
42:09OVER THERE
42:09IS THAT HIM
42:25I THOUGHT
42:26I THOUGHT
43:09AND MADE TO FEEL SMALL
43:40PEOPLE ARE TREATED UNFAIRLY
43:40I GOT ONE TOO
43:48HE WHO SAVES ONE LIFE
43:50SAVES THE WORLD ENTIRE
43:54OKAY?
43:57SO LET'S GO AND SAVE THE WORLD
44:10WELL I THINK I SPEAK FOR US ALL
44:12NOPE
44:13WHEN I SAY WE REGRET THE NEED
44:15TO EXCLUDE CLIFFORD FROM THE CHOIR
44:16BUT THREATENING BEHAVIOR
44:17TOWARDS A SOPRANO
44:18SHREK
44:20HE WAS SINGING
44:23SINCE WHEN DOES THAT CONSTITUTE A THREAT?
44:25AND HOW ABOUT THE FACT THAT HE'S HOMELESS
44:26AND PRETTY DAMN DESPERATE
44:27DO WE REGRET THAT AS WELL?
44:28I'M NOT SURE WHY WE SHOULD FEEL RESPONSIBLE FOR HIM
44:30OH LET ME THINK
44:31UM
44:33OH YEAH
44:33BECAUSE WE PROFESS TO BE DECENT HUMAN BEINGS
44:35BECAUSE HE'S OUR CARETAKER
44:37AND IT WOULDN'T COST US TO SHOW A LITTLE CARE FOR HIM
44:40ALTHOUGH
44:40AT PRESENT
44:42NO ONE ACTUALLY KNOWS WHERE HE IS
44:44THOUGH ON A POSITIVE NOTE
44:46AT LEAST THAT SOLVES THE PROBLEM OF THIS PLACE
44:49ACTUALLY IT DOESN'T
44:51THE PROBLEM OF THIS PLACE
44:52IS THAT IT'S IRRELEVANT
44:55I BEG YOUR PARDON
44:56WELL IT'S WORSE THAN THAT
44:58IT'S USELESS
44:59IF YOU CAN'T EVEN OFFER A ROOF
45:01FOR SOMEONE WHO'S HAVING A TOUGH TIME
45:02AND YOU THINK THAT'S ITS PURPOSE?
45:05YEAH
45:06ACTUALLY
45:08EXTRAORDINARY
45:09SERIOUSLY
45:10IF NOT A REFUGE
45:11A SAFE HAVEN
45:12A MEETING PLACE
45:12AND WHAT'S THE POINT?
45:13GUYS COME ON
45:15IS THIS
45:16THE BEST WE CAN DO WITH IT?
45:17WE HAVE A BUILDING HERE
45:19WHICH CURRENTLY CATERS
45:20FOR THE NEEDS
45:20OF ABOUT EIGHT PEOPLE
45:22THERE'S OFTEN MORE IN THE CHOIR
45:23THAN IN THE CONGREGATION
45:25HOW DOES THAT SERVE ANYONE?
45:29SO
45:30WHAT DO YOU SUGGEST?
45:54ETHELK?
46:11Available to use.
46:14For times and conditions, see Jake Barton or Esther Caddick.
46:18This is a sorry day.
46:38I'm sorry.
46:39My name is Hinojosa.
46:39I'm sorry.
46:42I'm sorry.
46:56Bury me
46:59You thought your problems were gone
47:05Carry me
47:07Away
47:21Swing, swing from the tangles up
47:27Tangles up
47:30My heart
47:31My heart
47:34Is crushed by a formula
47:39Can, can, you, you, help, help, me, me
47:44Find a way to carry on again
47:52My heart
47:54My heart
47:54I love you
48:08My heart
48:17My heart
48:26Cheers. See you then. Bye-bye.
48:33Look at that. First week almost fully booked.
48:36Mothers and toddlers, keep fit, yogic flyers.
48:40You've gone over the heads of the committee.
48:42Yeah, I'm afraid so.
48:45Or just taking it out of their hands.
48:47Totally.
48:48Why is my name out there?
48:49It was your idea.
48:50No.
48:51Yes, yours and mine.
48:52You said you wanted this place open and accessible and available to everyone.
48:56Yes, in principle.
48:58I didn't say I wanted to be practically involved.
49:00So you're all mouth and no action.
49:03Oh.
49:03Hi. Excuse me, Jake.
49:05Jess.
49:05Yes, Strings want to book a rehearsal space.
49:07Give me two minutes.
49:09You see?
49:09There's plenty of space for everyone.
49:11Except Shrek.
49:12We still don't know where he is.
49:15Probably never show his face in here again.
49:17And who can blame him?
49:18Well, you could get him back.
49:20Me?
49:20How?
49:21He loves singing, doesn't he?
49:23So, give him something to come back for.
49:33Okay, Jess.
49:34There's plenty of time between us.
51:31I understand your request.
51:33It's quite straightforward, Reverend.
51:36You bow to the wishes of your congregation.
51:39And have the disruptive influence removed.
51:45I wonder if I could have everyone's attention.
51:49Welcome everyone to our very first open house sing song.
51:52It's probably a totally mad idea, but hey, we've got the space, so let's give it a go.
51:57Those of you who are used to following the score, Olive, Phoebe, might be a bit freaked out by what
52:03I'm going to suggest.
52:05Some of you won't know this first song, but the good news is that's the point.
52:09There's no right and wrong. The idea is to just sing along and see where it takes us.
52:16Kyle? Would you?
52:21Grace? Yes.
52:26Fred? You up for it?
52:28That's it.
52:30Anyone else fancy trying their hands and face?
52:33Yeah.
52:37Just go along.
52:40Just go with it!
52:57I'll bring you in watch me.
53:09Do you think that I would cry?
53:13On the phone?
53:15Do you know what it feels like?
53:20Being alone?
53:23Being alone?
53:24I'll find someone new.
53:29Swing, swing from the tangles of my heart.
53:33It's crushed by all my love.
53:36Can you help me find a way to carry on again?
53:45I'm passing to the sky.
53:47I'm moving on.
53:48Through beginnings to arise.
53:50She knows I was wrong.
53:52The notes I wrote.
53:54They bend, they fold.
53:56And so do I do love.
53:59Do you think that I would cry?
54:03All about?
54:06Do you know what it feels like?
54:11Being alone?
54:14I'll find someone new.
54:20Swing, swing from the tangles of my heart.
54:24It's crushed by all my love.
54:27Can you help me find a way to carry on again?
54:35Carry me!
54:38You thought your problems were gonna carry me!
54:45Carry me!
54:45Carry me!
54:46Away!
54:48Away!
54:48Away!
54:50Swing, swing from the tangles of my heart.
54:54My heart is crushed by all my love.
54:57Can...
55:03I'm speechless.
55:06Result?
55:16Your behaviour is unacceptable.
55:18To whom?
55:19This is a house of God.
55:21Not a refuge for second-rate musicians.
55:25Well, you're more than welcome to join in and up the standard.
55:27Oh, don't attempt to be smart, laddie.
55:30Your position here is extremely precarious.
55:33Well, I'm sorry to hear that.
55:34You're upping your profile, I notice.
55:37Name on the door.
55:39Forming your own choir.
55:40What?
55:42These rags and tatters.
55:45What did you say?
55:47Well, you gotta be desperate to get involved with them.
55:49This isn't a choir, for God's sake.
55:53Esther, you're not stupid.
55:54You know your limitations.
55:57Not to mention theirs.
56:10I'm not sure that the word limitation fits.
56:13For me.
56:16Or any of my friends.
56:20Any more than what happened at the Music Fest was...
56:23undignified or inappropriate.
56:25Actually, it was pretty bloody brilliant.
56:26Hear, hear.
56:27Hear, hear.
56:28So, if you don't mind, we'd like to continue with our rehearsal.
56:30Esther.
56:31Please feel free to stay and join in.
56:36Right.
56:40Why were we?
56:43Grace?
56:45Cheers.
56:47It f in progress.
56:53Hey vamos.
56:55Cheers.
56:57Cheers.
56:57Floating us.
57:01Angels.
57:04Tin spirit break.
57:06Can you help please me
57:11Find my way to carry on again
57:20Can you hear me?
57:24Can you hear me?
57:28Am I getting through to you?
57:34Can you hear me?
57:38Can you hear me?
57:43Am I getting through to you?
Comments