- hace 2 días
Categoría
📺
TVTranscripción
00:23No, no, no, no.
00:30Where the hell is my daughter?
00:31She, she is my cousin, Mrs. Regina, my cousin.
00:39Your cousin?
00:40Yes, yes, she's a cousin who just arrived from the mountains.
00:45What a lack of respect!
00:48What? Haven't they realized that there are still social classes in this world?
00:53Excuse me, Mrs. Regina, but imagine, she arrived, she arrived in the early morning, right?
00:58So I came in at this very moment to tell you, to explain to you, because it could no longer be left unresolved.
01:04my house, because Pedro is already living with me.
01:07And then I asked Juliana if she could stay in her room and she said yes.
01:13My house is not a boarding house where any little girl who comes from the mountains can come and settle.
01:19Oh, Mrs. Regina, I'm sorry, yes, don't be angry, but it was very late.
01:25And as you know, sleeping little ages you a lot, I didn't want to wake you up, Doña Regina.
01:31It was a very urgent emergency.
01:33You know what?
01:36Even though he stayed in Juliana's bed, don't think he's going to stay and live here.
01:42So he gets up and leaves.
01:44This is not a boarding house where just anyone can come and settle.
01:48Yes, ma'am.
01:50I'll get you some clothes that Juliana told me to lend you, no problem.
01:54Then I returned them.
01:55Does my daughter also want me to make her breakfast?
01:59Oh.
02:00It's not...
02:00Walk.
02:02Is...
02:02I'll just go right now, I'll do my hair and leave, I promise.
02:05Uh-huh.
02:05Oh yes, Mrs. Regina.
02:07Look, excuse me, excuse me, we'll return all this to you later.
02:12This means that the poor girl didn't bring any clothes.
02:15Alright.
02:16Juliana will have to give me some explanation.
02:21Do you know that peasant woman isn't so Israeli?
02:24I imagine Juliana's clothes must look nice on her.
02:28Oh, why is my poor daughter so neglected by God?
02:32What a disappointment to have such an ugly daughter!
02:35Doña Regina, have you had breakfast yet?
02:37If you'd like, I can prepare some eggs for you.
02:40I haven't had breakfast yet.
02:42Clear.
02:42It's just that now, Juliana abandons me on Saturdays because of that filthy job.
02:52I'm so sorry about everything, and thank you very much, ma'am.
02:57Bring me my clean clothes!
02:59There are some shameless people in this world!
03:04Charlie, luckily I arrived in time and stopped her.
03:07But you know.
03:10We ended up making love and I don't know if things will get worse now.
03:14Well, that's great, isn't it? Because I thought it was awful.
03:17Is he/she feeling better now?
03:19Yes, she's calmer now, but...
03:21But I don't like seeing her so unwell.
03:30Testing, testing, ready?
03:32Ready, boss?
03:33That devilish Maritza Ferrer is taking far too long.
03:37Just say the word and we'll attack.
03:43Idiots, what do you think the little red button is for?
03:45Rosemary.
03:47Romero, what kind of answer is that?
03:49I'm so sorry about you, Mrs. Barbara.
03:52I thought it was someone else.
03:54Well, I hope you have everything ready.
03:56Yes, ma'am, don't worry.
03:57I have everything under control.
03:59I don't want to see that woman in the office on Monday.
04:02No, I don't know, you'll see how you do it.
04:04But he understands very well that if he doesn't get rid of her,
04:07You will be the one who suffers the most.
04:09Because that woman, Romero,
04:11That woman is going to take his job.
04:13What's happening?
04:15What's happening?
04:33Time to wash your face and brush your teeth.
04:35Okay.
04:44That Miss Maritza Ferrer be given a bonus.
04:49It's amazing how some people make easy money, isn't it?
04:53Who is this woman?
05:01But this is the hottie who threatened me
05:03because he saw me stealing my wallet,
05:06He must live in the neighborhood.
05:20Where were you?
05:22I'm hungry, shorty.
05:24I was, I was sorting out a problem at Juliana's house.
05:27Ah.
05:28Yes, well, Pedro,
05:29I'm going to prepare breakfast for you right now.
05:31Also, remember that today we have to take Pedrito's catechism.
05:34Okay, okay, but hurry up,
05:35I have to go out too.
05:36Already.
05:45It's coming, it's coming.
05:47Is that her in the green dress?
05:48Are you copying me?
05:49I already heard it.
05:50Well, about her.
06:05This old woman must have a lot of money.
06:09So, Mommy, where do you work?
06:13Cancelled, operation cancelled.
06:15Maritza.
06:32Are you OK?
06:34Yeah.
06:35Yes, a little scared, but I'm fine.
06:38Thank you, engineer.
06:39Let's go to the cafeteria; you didn't give me any trouble, okay?
06:45You can't imagine what I felt when that car was coming towards you.
06:48It was like...
06:50Oh, if only we had been run over,
06:53You would have taken the hit.
06:55The least I could do for you.
06:59Maritza, I was at your house last night
07:00and I only ran into your friend Luzmila
07:03And the other girl, that one, the shy one,
07:06With the hair like that, it's tangled.
07:09And why did he come looking for me?
07:12To be honest, I don't like leaving things unfinished.
07:14And since you refused to listen to the model's explanation,
07:18I...
07:19I didn't stay this afternoon and...
07:22And you didn't arrive.
07:25Well...
07:25Where were you?
07:29Please forgive me for saying this
07:30And after everything he's done for me,
07:34but...
07:34But I don't want to talk anymore.
07:36nor the model he was kissing
07:39nor his girlfriend.
07:40Yes, girlfriend, Xiomar.
07:42You look for me as if she didn't exist.
07:46As if I were just another model for the company.
07:49And I am not like them.
07:52And look, I don't want any problems.
07:54neither with his girlfriend nor with you.
07:56You won't have any more problems, I promise.
07:58I just want to explain...
07:59No, yes, I am going to have more problems.
08:03So I ask you a favor
08:05Don't look for me.
08:07Don't invite me.
08:09Look,
08:10Honestly, believe me,
08:12This job is very important to me.
08:16This is not a game.
08:23Where are you, my love?
08:24I'm waiting for you.
08:26I'm on my way there now.
08:28Hey, I was thinking of going to the club for lunch.
08:30Does it tempt you?
08:31Yes, yes, that sounds good to me.
08:34Barbara came for me,
08:36So I'll be waiting for you there.
08:37Don't delay.
08:39I'll be out there in a moment, okay.
08:41Don't worry, I...
08:44I also have to go to the lab now.
08:47And again,
08:48Thank you so much for what you did for me.
08:56So here's the banknote factory
08:59where that woman works.
09:03What bad luck!
09:04that that engineer showed up
09:06by the company.
09:10Damn,
09:11He failed us again.
09:13They're leaving right now.
09:14for that little woman's house
09:15and don't move from there
09:17until they've finished with her.
09:20Get in touch,
09:21I don't want to see them around here anymore.
09:29Oh, my dear,
09:30forgive me.
09:31I left very early
09:33and I didn't get a chance to warn you
09:34that Luzmila's cousin
09:35He was going to stay in my room.
09:36But Luzmila told me
09:37I was going to tell you everything.
09:40Oh, don't be angry anymore, Mom.
09:43How can I not be angry?
09:45I almost had a heart attack.
09:48First I find myself
09:49to that mountain goat in the house.
09:52And second,
09:53You didn't leave me any money for the doctor.
09:56Regarding my surgery, Juliana.
09:59Mommy,
10:00I was only able to get paid today.
10:01But,
10:02But I call Luzmila
10:03so that he can take the money to you.
10:06Goodbye, Mom.
10:13Yeah?
10:15Luzmila,
10:16Could you do me a favor?
10:27Luzmila,
10:28What the hell is my mom doing here?
10:30From now on
10:32You are my cousin from the mountains.
10:35Oh, what a thought you have, Luzmila!
10:38And another one who saved me today
10:40It was Marcos.
10:42I almost got run over right here in front.
10:44But he got involved
10:45and he saved my life.
10:46Oh, really!
10:47How exciting!
10:49I'm right,
10:50You realize it.
10:51That man
10:52is your angel
10:52of the official guard.
10:55Hey,
10:56And you didn't take advantage?
10:57to give him a big hug?
11:00Oh, Luzmila!
11:01You're so bold!
11:02No!
11:02Okay, fine.
11:03look,
11:04This is the money
11:05that my mom needs.
11:07He needs it urgently.
11:07It was the doctor.
11:09This
11:10It's for the suit
11:11of the first communion
11:12Pedrito's.
11:14Oh,
11:14little hand.
11:16Little hand,
11:17thank you so much.
11:18Pedrito is going to get
11:19very happy.
11:21Well,
11:22And this one is for my godfather,
11:24the landlord
11:25and other debts
11:26that I have.
11:27Oh,
11:28You're going to stay
11:28with nothing
11:29about your bonus,
11:30No.
11:31Oh no, godmother.
11:33Then you give me
11:34about the child.
11:35No, no, no.
11:35What is urgent,
11:36It's urgent.
11:37Let's go
11:38so you arrive early
11:39with my mom.
11:45Just look at that
11:47where from
11:49meet
11:49Luzmila
11:50to that woman.
12:13Luzmila
12:36Luzmila
12:41I want to celebrate because Xiomara and Marcos are here with us.
12:46They hadn't been with us for quite some time.
12:48So here's to that
12:50Here's to that
12:50By Marcos and Xiomara
12:52Health
12:54Health
12:56Well, now that we are in this situation
12:59Why don't you tell me something I'm dying to know?
13:02Marcos
13:03When are you marrying my cousin?
13:06Oh my love
13:08How lovely
13:09I don't think this is the best time for them to answer that question.
13:13But why not?
13:15I also understand there was a reconciliation last night, right?
13:19Well, the thing is, we still have things to talk about.
13:22My love, don't pressure them, don't pressure them
13:26When they know and feel it, they will give you the good news
13:29Yes, you'll see it's much sooner than you expect.
13:37Do you know that peasant woman isn't so ugly?
13:39I imagine Juliana's clothes must look nice on her.
13:42Because my poor daughter is so abandoned by God
13:45What a disappointment to have had such an ugly daughter
13:51Juliana, why are you sad?
13:53Oh, it's so good you're back, aunt
13:56I imagine you sent Luzmila to save me today.
14:00If she hadn't arrived, I don't know what I would have invented.
14:03You need to learn to trust yourself
14:05Oh, girl, I feel like all this is a punishment.
14:12Look, people are having their weekend, everyone is happy
14:18And here I am, alone, unable to be with the people I love.
14:24That's your main challenge.
14:27Accept and enjoy the opportunity to be someone else
14:29What do I get out of all this?
14:32In fact, you're starting to find out.
14:34Oh no, I feel the same way
14:37No, not the same, worse.
14:39Are you sure?
14:42Well, the only difference is Marcos
14:49But he doesn't love me anyway.
14:51He just likes
14:54Maritza
14:56Juliana
14:57Things are not what you feel, they are what they look like
15:03Sumara didn't seem like it to me.
15:04So, why did you have to tell Barbara what happened between us last night?
15:08My love, why not?
15:10It doesn't have to be a secret that we're back
15:12Yes, but you don't have to be telling everyone what we do
15:15No, don't tell me that what happened last night was a mistake.
15:17I'll die if you tell me that.
15:19No, no, but we need a little more time
15:21Let's see what happens
15:24What do you have?
15:26I don't feel well
15:28Let's sit down
15:30No, no, take me to your apartment
15:32I don't want to see people, I just want to be with you, my love
15:40Auntie, I don't understand why you're telling me I'm better off this way.
15:43Aren't you happy to have met Marcos?
15:46Yes, but why am I kidding myself?
15:49He likes Maritza
15:51And not me
16:00He will never love the one who is reflected in the mirror
16:04Love wasn't made for me
16:06Love exists for everyone.
16:10You just have to recognize when it's true
16:13Don't be afraid
16:15Very soon you will receive a sign that will clarify everything.
16:25This woman is as crazy as she is good.
16:29Oh!
16:30Until you finally arrive
16:32What happened to that cousin of yours, the one from the mountains?
16:34Did he finally find another place to go and cause trouble?
16:37There
16:37What a mean person you are, Mrs. Regina
16:40Just so you know, my cousin from the mountains is a really good person
16:43Oh, that sounds perfect to me.
16:44Because I was wondering if that young girl might be of use to me
16:50I can't keep doing everything alone.
16:52No, I need a maid like when I was a top model
16:58Well, you see, she can't because she already has another job.
17:02But this little chest will serve you for whatever you need.
17:05Oh, my dear, you're just bread for today.
17:08Hunger for tomorrow
17:10Well, Mrs. Regina, to brighten your day
17:13I brought him the money that Juliana sends him
17:15He told me it was urgent
17:17Oh, thank you.
17:25Oh
17:26Juliana had to be good for something after all that sacrifice.
18:03Here you go, doctor.
18:06So I'm hoping they'll operate on me bright and early Monday morning.
18:09That's not going to be possible
18:10What do you mean it won't be possible?
18:12This is major surgery.
18:14It is very impactful on your body.
18:17First, it needs to be prepared
18:19Oh, how come?
18:21I thought one arrived very early and on an empty stomach.
18:25And that's it?
18:26How did he come up with that?
18:28First, I need to calm her skin and pheromones.
18:32So that?
18:34To address the impact on fibromyalgia neurotransmitters
18:38We don't want to create a leak of meloids
18:42And that could cause us to develop a lot of wrinkles later on.
18:48What do you recommend? What should I do?
18:52I need her to sleep all day tomorrow.
18:56Then she gets locked in.
18:59When I say locked up, I mean she doesn't even go to the corner store.
19:02Another thing, I hope the sun's rays don't touch it.
19:05Not even with a rose petal
19:07Later
19:10When we are ready
19:13And stabilized
19:15We make the transformation
19:26We make the transformation
19:27And sure
19:27And strengthening
19:44Dinta
19:45Dinta
19:46Dinta
19:46etc
19:47Dinta
19:47This
19:47Dsta
19:47My
19:50Take it easy, sweetheart, because you're going to give me everything you've got on you.
19:55Peter?
19:58What are you doing?
20:02Did you actually believe that?
20:04What's up? You can't even take a joke anymore, can you?
20:06One of the conditions we set for getting you out of jail was that you were going to let yourself be robbed.
20:12But what a genius, I already told you, it was a joke.
20:17I wish I could escape this reality, I wish I could lie and say I'm someone else.
20:32Shumara, stop watching the movie?
20:35I don't want to watch any movies, my love.
20:38I want to be yours again.
20:41It's very dangerous.
20:41No, but we're watching the movie, please, it's good.
20:45I don't want to right now.
20:47Don't you want to, or can't you?
20:51Can't?
20:52You're saying that to provoke me.
20:54No, no, I'm being very serious.
20:59I don't think I can.
21:01But I can't.
21:06Can't.
21:08Can't.
21:09No, wait.
21:11No, no, no, no.
21:15I liked you.
21:18My idiot, my Marija.
21:22What did you say?
21:26How can you be so shameless?
21:28And so miserable?
21:30Are you with me and thinking about that idiot?
21:32Cut my witness out, please.
21:33No, no, what are you going to explain to me?
21:35You'll never change,
21:36You don't respect me.
21:38But what are you doing?
21:40I don't want to go on living.
21:41if you're going to deceive me like that.
21:44For love, for love, calm down,
21:46For love, goodbye, calm down.
21:52You don't understand me.
21:56I'm terrified.
21:58of losing you every time...
21:59What are you thinking, you're so scared?
22:02in another woman, Marco.
22:10Until you finally appear,
22:13You should have gone with me.
22:15The River Doctor
22:17He is a prodigy.
22:19He explained
22:20how my surgery was going to be.
22:23Well, Mommy,
22:23Let's go upstairs and you can tell me about it.
22:27Will you prepare me, Muti?
22:32Three, four, five...
22:33Where were you during the day, little one?
22:37Here?
22:38Where else?
22:39Oh, really?
22:40Don't play dumb.
22:41I know very well
22:42that you went to a company
22:42whose name is Muti.
22:45Tell me who that girl is
22:46with whom you left here.
22:49What's going on?
22:50What is it called?
22:55Don't you know?
22:57What's going on?
23:00What's going on?
23:01Go?
23:02What's going on?
23:06No...
23:07What's going on?
23:10Go?
23:10What's going on?
23:13bijea?
23:15Yes, as I say,
23:17Marquitos, you're untrained, huh?
23:20She went crazy the other day.
23:22And I don't know what to do anymore.
23:25I don't know if it's true or...
23:27or he's simply manipulating me.
23:30I saw her looking very ill last night.
23:32But I never imagined it would go this far
23:34because they would clip his wings.
23:36Nor me?
23:37See how long our separation lasted?
23:40Of course, he tricked you again.
23:42And since you saw her so sad,
23:44So you did him a little favor, didn't you?
23:46You're so generous, my friend,
23:47that you don't make fun of me anymore.
23:49I'm worried about him leaving for real.
23:51Oh, you want to talk about serious things?
23:53So my opinion is
23:55The time has come to hit on the girl from the lab.
23:59I already told you, my brother,
24:00She is the one for me.
24:01Don't bother me anymore.
24:06Oh no.
24:07So you were spying on me, Pedro.
24:09No.
24:10No, but that's not the important thing.
24:12You tell me immediately who that woman is.
24:15She's my cousin, Pedro.
24:17My cousin Maritza,
24:19who came from the mountain
24:20and I went to see her at her work.
24:22Okay, okay, what's wrong with that?
24:23I didn't know you had a cousin
24:25that came from the mountain
24:26and even less that she was so hot.
24:28Because, forgive me,
24:29But she's very nicely dressed up.
24:30and very nicely placed
24:31as if I were family.
24:32Also, to work there
24:34He must earn a lot of money.
24:36Answer me now.
24:36Tell me the truth.
24:37Who is it?
24:37Oh, yes, yes.
24:38That's the truth.
24:39The end.
24:41But why so much interest?
24:43Do you like it?
24:44Do you like my cousin or what?
24:45No.
24:46No, it's simply
24:47I want to meet your family
24:48because I want to know who they are.
24:50Okay, I'll introduce her to you another day.
24:54Okay, fine.
24:56See you later.
25:06I don't know what to do.
25:09Chumara has put up with a lot from me
25:11all this time,
25:12it's the truth.
25:14But there it is.
25:16There's Marisa.
25:17That woman is so special
25:20with his clumsiness,
25:23his naiveté,
25:26his intelligence,
25:27blue.
25:28You are buried
25:29in something that has no future,
25:30Marcos.
25:31She can be
25:32anything you want to invent,
25:34But the truth is that
25:35It doesn't have the class
25:35that Chumara has.
25:36It's not your world.
25:38But I, on the other hand,
25:39I am flexible,
25:40I adapt
25:41to all social classes,
25:43I mean,
25:43an SUV,
25:44my sister.
25:46I hope they're not there.
25:47talking about women.
25:48What do you think?
25:49You are the only one
25:50in the world.
25:51What was rising?
25:52I thought
25:53that you were sleeping.
25:55I feel better,
25:56my love.
25:56Don't worry.
25:58Well,
25:59I came to invite you
26:00to a party,
26:00But I see.
26:01that I'm in the way here,
26:02So I'd better leave you to it.
26:07Besides,
26:08The doctor gave me
26:09some pasta
26:10so that tomorrow
26:11Sunday sleep
26:12all day.
26:13Imagine,
26:14I can't leave
26:14than the sun's rays
26:15touch me
26:16not even with the petal
26:17of a rose.
26:19So,
26:20Aren't we leaving tomorrow?
26:21let's see?
26:23Well,
26:23No.
26:24I need to prepare myself
26:25for surgery
26:28and all week
26:29I'm going to be
26:30locked up here.
26:31Mother,
26:32I want to talk
26:33with the doctor.
26:34Yeah,
26:34I want to meet him.
26:35Yeah,
26:36Yeah,
26:37Here are your details.
26:39Now,
26:39Let me sleep.
26:42Juliana,
26:43in the future
26:44I don't want another little surprise
26:47like the cousin's
26:48from the mountain
26:48that you came
26:50and you installed it for me
26:51here
26:51without my permission.
26:54Yeah,
26:55Mommy,
26:56I already apologized to you,
26:57But I promise you
26:59that won't work
26:59to happen again.
27:07We've been here all day
27:09expecting
27:10and the chick
27:10This one doesn't appear.
27:14Bold type,
27:15Let's go in.
27:15No?
27:24It's been a while since I've seen them,
27:25a couple of gems.
27:27Pedrito,
27:29how have you been,
27:30partner?
27:32We were partners.
27:33Now each one
27:34For their part,
27:34So they leave
27:35of my territory.
27:52Charly is right.
27:57I have to forget
27:58Marisa's.
28:01Even though I like it
28:03so much,
28:05so much,
28:06But no more,
28:07no more.
28:09It's over.
28:10It's over
28:11and
28:13I'm going to resign
28:16and forget about her.
28:17vacuum
28:18that suffocates me.
28:21Oh,
28:22midwife,
28:23midwife,
28:24It's great that your mom...
28:25She's going to be missing
28:26tomorrow,
28:27because that's not how it works
28:27he'll be looking
28:28to his Juliana.
28:29Well yes,
28:29but...
28:30Hey,
28:31And what do you think?
28:31To finish,
28:33Pedro too
28:34He saw us together
28:35at your job
28:36and I had him
28:37Which is to say, the same thing.
28:38that you were
28:39my cousin
28:39who came from the mountain.
28:41And what was
28:42What are you doing there?
28:43He says he was just passing by.
28:45How strange,
28:46because today
28:47me too
28:47I found it
28:48and he played me
28:48a joke
28:49very heavy.
28:50Oh,
28:51What did he do to you?
28:52Oh,
28:53forget it.
28:54Oh,
28:54There's something
28:55very important
28:56that I haven't told you,
28:57Luzmila.
28:58Today I spoke
28:59with my aunt,
29:00Oh,
29:00No,
29:00souls in purgatory,
29:01the dead woman.
29:04And what did he say to you?
29:06In short,
29:08that it was ready
29:10to recognize
29:11love.
29:12You already recognize it.
29:14Let's see,
29:14Do you want a hint?
29:16Start by
29:17M de Marcos
29:20and is just waiting
29:23shut him up
29:23to the chocolate drink.
29:25Oh,
29:26Luzmila,
29:27Don't be such a clown.
29:28No.
29:28I can't...
29:29to launch Marcos thus.
29:32If only there were
29:34that signal
29:34that gives me the courage
29:35to get closer to him,
29:36even if it's like Maritza.
29:39Sign?
29:40You?
29:40Oh,
29:41let's see,
29:42What are you waiting for?
29:43Some little aliens
29:44with a flying saucer
29:45including.
29:46Oh,
29:46No.
29:47My aunt Mercedes
29:48told me
29:49that I was going to see
29:50a sign
29:50and that with that
29:52I was going to see
29:52Everything is clearer.
29:53Oh,
29:53midwife,
29:55the only sign
29:56That's what one feels
29:57here,
29:58here
29:58And here.
30:00Oh,
30:01You haven't told me
30:01a thousand times
30:02that you feel
30:03like little butterflies
30:04in the belly.
30:05Well,
30:07so
30:07what you have to do
30:08it's about taking the plunge
30:09to find
30:10love
30:10from that hottie,
30:11although the pool
30:13is empty.
30:14Oh,
30:15Luzmina,
30:15You are beyond help.
30:17No?
30:17Well,
30:18Well,
30:18oh really.
30:20Oh,
30:21love
30:22It's the cutest thing ever.
30:23What's up,
30:24that of a man
30:25and a son.
30:27Tomorrow
30:27Let's buy
30:28together
30:29about the first one
30:29Pedrita's communion.
30:31Ready.
30:32Oh,
30:33future godmother,
30:35then tomorrow
30:36We're leaving
30:37shopping,
30:38shopping.
30:40Gee,
30:41Gee,
30:42What is this?
30:43What a joy!
30:44I feel bad seeing them
30:45that happy.
30:46Oh,
30:46godfather,
30:47I came to pay him
30:48the money
30:48that he lent me
30:49to pay
30:50the hospital
30:50from my mom
30:51and I was going to ask him
30:52a favor,
30:53Let's see if I can
30:54hand over the money
30:55to the landlord.
30:56With great pleasure,
30:58goddaughter.
30:59Yeah,
30:59Yeah.
31:00Child,
31:01Here you are
31:02the money
31:02that you lent me
31:03to pay
31:03Pedro's bail.
31:09Who are they looking for?
31:10Already,
31:11we've come to give it to you
31:12I killed a little woman.
31:13What little woman?
31:13Who are they looking for?
31:14To a little cake
31:15who lives right here.
31:16Do you know him?
31:17Here's the only little cake
31:18She is my wife
31:20and what it is with her
31:21It's with me,
31:21bunch of thugs.
31:23What is it?
31:30Oh,
31:31Juliana,
31:31Juliana,
31:32you always thinking
31:33in the others
31:34and never in yourself.
31:36I bet you stayed
31:38penniless.
31:39If you like,
31:40I can wait
31:41one more week
31:42and...
31:43mother,
31:44mother,
31:45they are hitting
31:46to my dad.
31:47That?
31:47My God,
31:48My God,
31:48the one who was going to be
31:49for Mexico.
31:49Again.
31:52But what's going on here?
31:54Call the police!
31:55Call the police!
31:59Call the police!
32:12Call the police!
32:12Luzmila!
32:13You,
32:13What are you talking about?
32:14Pedro?
32:15Why are they looking for you?
32:16Tell me the truth
32:16because...
32:17Very badly.
32:18Nobody is looking for me,
32:20Don't make it up.
32:20I'm going to investigate
32:21And if I find out what I think,
32:23It must be going very badly.
32:24Luzmila,
32:25very badly!
32:25Pedro,
32:26enough!
32:27Call the police!
32:43Call the police!
32:52Call the police!
32:54Call the police!
32:56Call the police!
32:57Call the police!
33:03Call the police!
33:06Call the police!
33:06Stop it, Mom!
33:07We're going to stay with my new aunt,
33:09the one from the mountain,
33:10to buy my suit
33:11first communion,
33:12Yes my love,
33:13I'm hurrying now.
33:15And why isn't Juliana coming?
33:17with us?
33:19No,
33:20She can't, sweetheart,
33:21But he left me
33:22all the money
33:23to buy you
33:24a complete suit,
33:25even with new shoes.
33:27Yay!
33:28New shoes,
33:29new shoes.
33:31And why isn't my dad coming?
33:34He stayed
33:35with some friends.
33:45Heart,
33:45Peter,
33:47You grabbed an envelope
33:49that I had
33:49in my aurochs.
33:50No, Mom.
33:52Hello,
33:53Luzmi.
33:54Hello, Pedrito.
33:57Are you my new aunt?
33:59The one in the mountains?
34:01Yes, the one in the mountains.
34:03Nice to meet you.
34:05I saw a picture of him.
34:10Pedrito,
34:11Can you brush your teeth?
34:13please?
34:13On.
34:17Oh, godmother,
34:19You have to go alone.
34:21I can't go.
34:23But why
34:24we said we were going
34:25to go together?
34:27Because I lost it
34:29the money you gave me,
34:30midwife.
34:31But how?
34:32I don't know,
34:33I don't know,
34:34Suddenly it fell
34:35from the wallet,
34:36I don't know.
34:38Peaceful,
34:39peaceful,
34:40Luzmila,
34:40I'll replace it for you.
34:41No,
34:42No,
34:42That's not it.
34:43Alright,
34:43really,
34:44I feel very sorry.
34:45No,
34:45of course,
34:46the main
34:47It is First Communion
34:48of the child,
34:48No?
34:49But I don't think it's fair.
34:52Oh.
34:55Well,
34:56Alright,
34:57Yeah,
34:57the child.
34:58Pedrito,
35:00Pedrito,
35:01Are you almost there?
35:02No,
35:03mother.
35:13No,
35:26No,
35:26No,
35:27No,
35:28No,
35:33No,
35:33No,
35:33No,
35:33No.
35:36Maritza, it's so good you arrived
35:37There is a very important meeting in the boardroom with Mr. Gabriel
35:41And they're waiting for you.
35:43Well, in this transparency we can see
35:45Yes, go ahead.
35:46How exactly does body makeup look on the body...
35:50Maritza, please come in, come in
35:54Forward
35:54Come, come
35:55I want to introduce you to our investors
35:59She is Maritza Ferrer
36:01She is the author of our new product
36:03I would like you to explain how you came up with this formula.
36:08And now our student Juliana
36:11One of the most outstanding students in the school
36:13He is going to say a few words on behalf of all his colleagues.
36:16To say goodbye to this school term
36:19Ladies and gentlemen, Juliana Soler
36:23This year that is ending
36:25We, the third-grade students, learned a lot.
36:28That's why we thank our teachers who...
36:34We give teachers grease
36:42Lift your face
36:43That's why...
36:45Not even fats...
36:52Not even teachers...
37:01The key was...
37:04That love spreads
37:05No, no, sorry, sorry
37:09When love flourishes, there is love.
37:12No, sorry, sorry
37:15No, uh...
37:17That the key is that when love spreads, it spreads
37:22No, sorry, sorry
37:23That's not how it is
37:24What Maritza means is that she was the person
37:27He found the key to this formula
37:29Yes, that's right, that's right
37:31And I also want to let you know that we have already started production of this body makeup.
37:35Barbara is at the factory supervising that the start-up is done correctly.
37:40And now it's up to us to take charge of the official press presentation.
37:46Before the main distributors
37:48I think Maritza should go too.
37:51After all, she was the one who perfected engineer Romero's formula, wasn't she?
37:55Yes, yes, of course
37:56You'll go too, of course you will.
37:59Thank you, ma'am.
38:00Very well, that day...
38:01That day we will have a fashion show
38:03It's going to be daytime, of course.
38:05Well, it goes without saying that we need to achieve a wide reach.
38:09If there are no further concerns
38:10That's all for today.
38:12Thank you
38:13Thank you, Maritza
38:19See you later, thank you very much, okay?
38:21Thank you so much
38:22No, see you later
38:25See you later, take care.
38:26See you later, take care.
38:27Thank you so much
38:37I didn't come home to sleep until my anger subsided.
38:52You stole Estrada's money and the boy's shoes.
38:55You're a thief, but
38:56But, Zapadito, how was I supposed to know that money was for that?
39:00Get out of this house, Pedro
39:02Get out
39:02Go away and leave us alone
39:04And I'm not going to let this one slide.
39:06And don't come back
39:07Don't come back because I don't want a thief in my house
39:09Don't talk to me like that
39:09Who do you think you are?
39:10Are you not going to hit me?
39:12Are you not going to hit me?
39:13I thought you were going to change, Pedro
39:15Leave
39:16I'm leaving this house, Luzmila
39:17But you know what?
39:18The child is coming with me.
39:19No, Pedro, let him go
39:20You're not going to take it.
39:22Peter, let him go
39:23Let him go, his daughters are with him
39:24Let it go
39:25What's coming with me?
39:28Peter
39:29Mother!
39:30Mother!
39:30Pedro!
39:32Pedro!
39:33Mother!
39:35Pamita!
39:45Pedro!
39:48Pedro!
39:50Pedro!
39:52Pedro!
39:53Pedro!
39:56Pedro!
39:57Goodbye, don't go!
39:59Goodbye, don't go!
40:01Goodbye, don't go!
40:02Goodbye, don't go!
40:06Caico!
40:09Marcos, come here.
40:19I'm glad everything went well with you, Maritza.
40:22Congratulations.
40:23Thank you very much, Miss Xiomara.
40:25Things are getting better for me too.
40:29Marcos and I had a huge fight.
40:32But we made up this weekend.
40:35And you know what, it feels like a honeymoon.
40:39Look! We even took a picture.
40:44Excuse me, Miss Xiomara, you have an urgent call.
40:48Thank you, Karina.
40:49Okay, excuse me.
41:00Let's see if Maritza Ferrer still wants to meddle where she's not wanted after this.
41:06Poor stupid girl.
41:08I'm telling you, Marcos is a fool.
41:11He swallowed it all.
41:12All.
41:13That I was going to commit suicide.
41:14And twice.
41:17But.
41:19No, no, no.
41:20Forget about the idea that she doesn't want to marry me.
41:22After all that drama I put on, she finally agreed to talk about marriage.
41:27How are you?
41:30Uh-huh.
41:32I'm finally going to be a very rich woman with lots of money, cousin.
41:37Definitely, as you say, men are stupid.
41:44As if?
Comentarios