- 6 hours ago
От Обич Епизод 53
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00:00The end of the day
00:30Let's go to the other side, Marcia.
00:36Now we are only two of them.
00:49I'm sorry, come back.
00:53No.
00:54No, he...
00:55The Lord is for you.
00:59The Lord is for you.
01:00No, he is for you.
01:04No, he is for you.
01:06But you have to hear my voice.
01:11No, he is for you.
01:15It's hard for me.
01:17No, I'm gonna love you.
01:20No, I'm gonna love you.
01:21The desire to love you is almost impossible.
01:24Chak Boli.
01:26It's always been so powerful and so beautiful love.
01:32You can't happen.
01:34You can't happen.
01:36The biggest regret is that you don't want to be happy.
01:40We've been so powerful, so we've lost.
01:43Let's forget it.
01:45Let's start from the beginning.
01:46No, no, no, no...
01:47It's always important to me!
01:53I can't believe it, I can't believe it,
01:57I can't believe it, I can't believe it,
02:01I can't believe it, I can't believe it.
02:02The desire to love you is always a problem,
02:05and you can't believe it,
02:05even if you have a question about it.
02:08I'm not sure, Marcia.
02:10It's terrible.
02:11But it's already a problem.
02:12You're not, my brother.
02:13I am proud of her.
02:19Pseus, Pseus.
02:25Pseus.
02:25I am proud of the chance to have a redress.
02:30Please go.
02:32How do you think?
02:36I am afraid of someone who is telling you.
02:40I want to be sure you're not going to be a black girl.
02:46I don't want to be a black girl.
02:50I'm not going to be a man.
02:52I'm going to be a woman.
02:53I'm going to be a man.
02:54I'm going to be a man.
02:56I'm not going to be one.
03:03But I'm going to be a man with you.
03:06I...
03:08...much me...
03:09...zabola...
03:10...suprach,
03:11...che I would like to do love with you,
03:14...but not to do it.
03:17But I've been changed a lot.
03:19Every time I see you see you,
03:20...you see you in your heart.
03:23And I see you in your heart.
03:24I see you in your heart.
03:27And these things are not in the world.
03:29I see you in my heart.
03:30I can't love you in your heart.
03:32...
03:35...
03:36...
04:04No one is not a problem.
04:08I'm not a problem.
04:11I'm not a problem.
04:13I'm not a problem.
04:16It's not a problem.
04:17It's a problem.
04:20Yes, he's been a problem,
04:22and he's been a problem.
04:24I'm not a problem.
04:27I've already told him that he's got a problem.
04:32I'm not a problem,
04:33but I'm not a problem.
04:37I'm not a problem.
04:38I'm not a problem.
04:40And Alfredo,
04:42which has the love for the club.
04:45Thus,
04:46it's a regret.
04:48He's doing something with no sequence.
04:52We can do nothing.
04:54We can help him.
04:58In the company, there are only people with their own experience.
05:00There is another way.
05:02But I'll say, if something happens...
05:06Nando, I think that in this new business,
05:09do you have anything for him?
05:13How?
05:14Only if I become a model.
05:16I'm not sure, Nando.
05:18I'm serious talking about it.
05:20I think it's something like a keeper or even a keeper.
05:23But he's not a keeper.
05:24He's not a keeper.
05:26He's not a keeper.
05:27He's not a keeper.
05:31I don't know.
05:32I'll see.
05:33I'll talk with Milena, but...
05:35I don't know.
05:37I'm thinking about something else.
05:39What?
05:40I'm thinking about Elena.
05:42Why?
05:45I don't know.
05:47She helped a lot.
05:48Why not now?
05:50It's a bit more.
05:57I don't know.
06:01I don't know.
06:06I don't know.
06:07I don't know.
06:09I don't know.
06:11I don't know.
06:13I don't know.
06:25I don't know.
06:26I don't know.
06:29I don't know.
06:32I don't know.
06:42I don't know.
06:45I don't know.
06:52I don't know.
06:57I don't know.
07:10I don't know.
07:19I don't know.
07:21I don't know.
07:31I don't know.
07:35I don't know.
07:36I don't know.
07:37I don't know.
07:40I don't know.
07:43I don't know.
07:44I don't know.
07:46I don't know.
07:48I don't know.
07:50I don't know.
08:00I don't know.
08:01I don't know.
08:07I don't know.
08:09I don't know.
08:12Mama дъяват, че не ти дават работа, понеже си нас 60-ет години
08:17.
08:18Да, смятят, че баща ти е стар.
08:21Но ти не си стар.
08:22Млад си.
08:24Така ли?
08:25Голям си.
08:27Интелигентен си.
08:28Четеш вестник и разбираш от всичко толкова неща.
08:32Знаеш, че аз оставам така!
08:35Да, но те искат млади хора свеже кръв.
08:38Възрастните сами не могат да се разберат.
08:41Когато хората са млади хора.
08:42They say that they are not living, that they are not living.
08:46They say that they're not living.
08:49They say that they already can't.
08:52They don't understand.
08:53Yes, you get to understand.
08:55You get to understand.
08:59I'm gonna be very happy.
08:59I'm gonna be very happy, Sander.
09:01But, Tadko, you already give me the greatest joy in the world.
09:05You have to be a father.
09:06I'm very much, very much, very much.
09:09I love you very much, Tadko, very much.
09:17I don't know how much time I'm going to sleep.
09:20I'm going to sleep and I'm going to sleep.
09:25Your face is going to my head and I'm going to sleep.
09:31And when I'm going to sleep, I'm going to sleep.
09:37I'm going to sleep.
09:38I'm going to sleep.
09:41I'm going to sleep.
09:42I'm going to sleep, with this moment.
09:44I'm going to sleep.
09:47Wilson, do you want to sleep?
09:50I'm on the side, Marcia.
09:53I won't be able to sleep.
09:55I'm going to sleep again.
09:57I'm going to sleep again.
10:04She is the only one who wants to be.
10:08She is the only one who wants to be.
10:10I need your love for you.
10:22You are the only one who wants to be.
10:26I remember.
10:30How about you?
10:31How about you?
10:33I was the only one who wanted to be.
10:36My house is my house.
10:39I was the one who was living in the day.
10:44The whole life.
10:48You have a beautiful situation, right?
10:51I know, my mom, and the tragedies are all kinds of sense.
10:57We have to share,
10:58share,
11:02and anti-trove.
11:05Everything from the same Cobra.
11:08Eduarda,
11:09you use many words
11:12that you speak about your feelings.
11:14You are strong.
11:16You are...
11:19...
11:20...
11:20...
11:20...
11:21Cobra Wanda to sell and keep a free website,
11:25...
11:27...
11:28...
11:28...
11:29...
11:29...
11:29...
11:29How would I live without sin?
11:32Even when everything falls, always leave something.
11:37You can leave the whole thing.
11:39You can start to grow again with what is left.
11:44The trust never is the same after such a big problem.
11:49I can't tell you to go back to Marcelo,
11:52but you don't have that right.
11:56Because only you know what you've experienced,
11:59how you've suffered and how you've lost it
12:02and how you've lost it.
12:03Or you'll have to stay in my mind.
12:06I'm going back to my mind.
12:09I'm going back to my mind,
12:09even if you were a little girl.
12:12I'm going back to my life.
12:13I'm going back to my life.
12:15I'm going back to my life.
12:15I'm going back to my wife and my wife.
12:19Only you can know what's best for you and your children.
12:23.
12:23No way, Mamo.
12:25I have no trust.
12:27I have no trust.
12:28I have no trust.
12:30This marriage is not supposed to happen.
12:34I have no trust with Marcelo
12:36in the day when we came back to Venice.
12:39Remember that he was a catastrophe with Laura?
12:42I have no trust with him.
12:44I have no tears, no pain.
12:48I have no trust with you.
12:50I have no trust.
12:51I have no trust with you.
12:54I have no trust with Marcelo
12:57and to think about everything,
12:58what you have to do.
12:59Maybe he is a chance to come back.
13:01Mom!
13:03I feel it's a challenge
13:05to help you to think about that.
13:07If you think that you have a chance to start,
13:12you can try to,
13:13He will trust and you have no trust...
13:15...and I have no trust with you.
13:19I have no trust, Edouard.
13:24I have no trust.
13:25I go back.
13:26You're back, Edouard.
13:26You don't have to go back.
13:28It's only a sacrifice.
13:31It's the sacrifice.
13:32The only truth is not true.
13:35He will find that you have a chance
13:37I will try your trust.
13:38there where I'm going to lose my peace.
13:41Now I'm going to live for my son.
13:44I'm going to tell you that I'm going to be very happy.
14:08And I'm going to live for my son.
14:22What do you do?
14:24I don't have enough problems.
14:27And some solutions.
14:32The company has gone crazy.
14:35And where did you go?
14:41You don't need a trust in your hands.
14:43You don't need a trust in yourself, right?
14:45You don't need a trust in your kitchen.
14:47You think that's your relationship only, right?
14:50I don't need a trust in your hands.
14:51How does it look like, but I don't want to see you.
14:53For who?
14:54For the marriage of your husband.
14:57That's my problem.
14:59I'm not sure if I have the right reason for the marriage.
15:01I have to see the case of the case.
15:04I'm not sure if I'm a participant in my opinion.
15:05of course.
15:07It will be in my way.
15:11Laura!
15:14Laura,
15:15will try to get it.
15:17She's going to go.
15:18No, good, let's go now.
15:20Laura, I'll go back.
15:22Laura, I'll go back.
15:24No, it's not the air,
15:26it's not the air.
15:27It's a lot of air.
15:30It's a lot of air.
15:33It's not the air, it's a lot of air.
15:35I'll go back, Laura.
15:36I'll go back.
15:36See you.
15:48Bye.
15:54Bye.
15:57Bye.
15:58All right, thank you.
16:00All right.
16:01Who are all?
16:03Milena, Nando, Leo,
16:05Simone.
16:07And how bad is it?
16:10It's important to me that I'll be.
16:15Come back to sleep.
16:16You have a problem with Senya.
16:23Think about Angra.
16:24You have a problem.
16:27You have a problem.
16:28You have a problem.
16:30I'll meet you with Cesar.
16:32In Japanese restaurant.
16:35Ciao.
16:46How are you?
16:48I've never seen you.
16:50You have a problem.
16:51You have a problem.
17:04You have a problem.
17:19You have a problem.
17:20I'm sure you have a problem.
17:22You have a problem.
17:32You have a problem.
17:40I have two.
17:45I think it's a very good thing,
17:49even though it's a very good thing.
17:53Do you think it's an end?
17:56No, I don't think it's an end.
17:58I don't think it's an end.
18:00I'm looking at Marcelo and seeing the other one.
18:05I think you should agree with him.
18:10That's why it's going to happen.
18:11I don't think it's an end.
18:14I respect every decision that I take.
18:16I always keep it in every situation.
18:20But I think it's necessary to take care of Marcelo.
18:24I don't need to take care of him.
18:27I don't need to take care of him.
18:29Why am I now?
18:34Why am I now?
18:35Why am I now?
18:54Why am I now?
18:57Why am I now?
18:58Why am I now?
18:59Why am I now?
19:09But, of course, the other way, the other way, Mr. Genesio.
19:14You don't have to play with it, especially when it's your own, right?
19:19How is it your own? I'm a big big man.
19:22How is it going, Mr. Genesio?
19:24You want to stay in the way only because of these kinds of things.
19:28Imagine if it was a perforated eye.
19:31In case you were a disease?
19:32I don't want it, Mr. Genesio.
19:35So, today you will be drinking tea, and without a protest, you will be able to do it, because you
19:41will make it a series like a good day.
19:44You understand me, my dear?
19:47Oh, how did you do it, if you don't have such a sunburned eye to me?
19:53Bye, my mom.
19:54Bye.
19:54Hello, I'm just going to tell you that I'm alive and I'm in an atelier,
20:01and that's why it's been waiting for me.
20:02Good, you're doing it.
20:04We're going to get rid of these pieces.
20:06If it depends on me, it's going to be a success.
20:09If Mr. Rambo doesn't understand everything...
20:12Oh, you're going to get it already.
20:13Why?
20:14We're going to get everything we can expect.
20:17No, I'm going to do it again.
20:21Why is this funny?
20:23Yes, that's the case.
20:27That's the case, you'reanıza.
20:27To be connected, you're going to get it.
20:30Mr. Rambo.
20:32Mr. Rambo, I'm going to start my dreams.
20:38How do you know Magnolia,
20:41what you do?
20:42Yes, I know everything.
20:45I'm going to tell you.
20:47Tell you then.
20:48Yes, anything?
20:50You're going to ask me.
20:53What a bad thing is it?
20:55Yes, it's not a bad thing, but it's not a bad thing.
21:00Because after the period of the sun, after the sea,
21:04the red clouds, this is a strong wind.
21:08It's surely turned into the rain.
21:11Marcia, it's not or not?
21:15Yes.
21:16It happens, friends.
21:18It's not a bad thing.
21:19It's a bad thing.
21:20It's a bad thing.
21:21It's a bad thing.
21:25Are you going to turn it into love?
21:28No, exactly.
21:30I think it should happen and the moment will be.
21:33Then what will you do?
21:35Will you start again?
21:37No, I'm going to get my thoughts.
21:41It's a bad thing.
21:42It's a bad thing.
21:44I could not get it.
21:45I don't know.
21:46But...
21:46I can't understand.
21:49I am a little conflict of my heart.
21:51You're on a bad thing, but you're going to leave.
21:54Now I'll leave you with your hands!
21:59It's a bad thing.
22:02I haven't left and Angst, no matter what you are.
22:02It's a bad thing to go.
22:06It's a bad thing.
22:08Obviously, I'll try to piss out the bad thing.
22:11It's silly.
22:12My daughter, my daughter, I'm a big fan.
22:16I'm a big fan.
22:18I'm a big fan.
22:19You're a big fan?
22:20No, that's a very young man.
22:22She'll kill me, and my daughter will be a big fan.
22:24And yet?
22:26I'm a big fan.
22:28She's a big fan.
22:29She's a big fan.
22:31I have to wait for a while.
22:32I have to wait for a while.
22:36I have to leave my daughter to be a big fan.
22:40I'm open for a while.
22:42My daughter is a big fan.
22:44What house you say?
22:44Tell me you're a big fan.
22:46You are the best in your children.
22:49He's the best in hisKS.
22:52You're the best in your child.
22:54I'm the best in your family.
22:55As much as you are.
22:56You're the best in your family.
22:58My daughter is a big fan.
23:02She's the best in him.
23:04My daughter, I'm a good friend.
23:07She's the best in your village.
23:07Oh, many of you are today, I don't want anyone to do it, I don't want anyone to do it.
23:13So, now I'm very close to my eyes, even with my eyes.
23:19I'm not afraid of it.
23:22I'm not afraid of it.
23:24The words are a lot more powerful than the need.
23:29I'm not afraid of it.
23:31I'm not afraid of it.
23:38I'm not even afraid of it.
23:39I don't know how much I'm not afraid to do it.
23:40I'm still happy to have become a slave.
23:43You're welcome, through the voice of Marcelo.
23:46I'm not afraid of it.
23:50There's one woman and one woman, she's starting to do it.
23:56They are very difficult.
23:57I'm sorry, but they are very hard.
24:00I'm not afraid of it.
24:00I'm so stupid.
24:03I hope he did eat their shit up.
24:04I should buy good food at the store for my dog.
24:06I'm selling myls.
24:10I'm selling.
24:12I'm selling.
24:22How can you go?
24:23Bob?"
24:23I said, go to the store.
24:27I thought I'd be going to the store.
24:29I've been to the king's house.
24:32I've been to the king's house.
24:33I've been to the king's house.
24:35Take a little bit of the coloreds, I'm going to the king.
24:38Yes, and the blood for the Marceleño.
24:40Yes.
24:41How is it, Sirlea?
24:43It's a very strong glove.
24:46It's a very strong glove.
24:49I'll see you soon.
24:50I'll see you soon.
24:51I know very well how this is called.
24:54Yes, it's not a glove.
24:57It's a very strong glove.
24:59I'll see you soon.
25:00Dona Leonard?
25:01First of all, go to the king.
25:03Bye.
25:04Bye.
25:05Bye.
25:06Bye.
25:08Bye.
25:10Bye.
25:11Bye.
25:12models.
25:19Bye.
25:23Bye.
25:25Bye.
25:27Bye.
25:30Bye.
25:32Bye.
25:33Do you want to go?
25:34Yes.
25:35Yes, I'm going to get a little bit on the sun.
25:37How do I get it?
25:39I'm going to get it.
25:40I don't have time for anything.
25:43I'm going to get it.
25:45I'm going to get it.
25:53Hello.
25:54Hello.
25:56How are you?
25:57Very good.
25:58How are you going to meet?
26:00Very good.
26:03Yes, I'm going to turn around.
26:05Okay.
26:06I'm going to get it there.
26:07Let's go to the side of the side of the bag.
26:16I'm going to get it.
26:17Okay.
26:18Paola, check it.
26:19Because Arnaldo will allow me to show the company's interest.
26:22And then Marcello will be able to get it.
26:28Leo, do you see if you are already in the house?
26:34I don't know that he is also in the house.
26:36It's just a way to describe it, Isabel.
26:40No, the prince is in the house and tells me where it is.
26:44Yes, leave the house in the Lady Milena and the Lady Milena.
26:49Do you agree?
26:51Do you agree?
26:52How do you agree?
26:54Do you agree or do you agree?
26:56Milena, do you agree?
27:00Okay, I'll analyze the case.
27:02See you, dear.
27:06Marcel is out of the house, but Milena doesn't know where it is.
27:11Where did you go?
27:12He was overweight, didn't you go away after him.
27:15He asked me what they did.
27:17He said, he will not go away.
27:18He's the company.
27:21He doesn't know that the company had to do it.
27:23He will not lead to the house and I'll ask him back in the house.
27:28He's fine, so he'll be here.
27:29He'll try to make it.
27:29Watch it, Leo.
27:29He'll be right.
27:31He'll be right.
27:33He'll be right.
27:33so much soon you will take a look at this company.
27:39Do you know that Marcelo is right?
27:42You lose your job for business.
28:03You divide.
28:06Longe da felicidade em todas as suas luzes.
28:11Te desejo como ao ar mais que tudo.
28:16És manhã da natureza das flores.
28:22Mesmo por toda a riqueza dos sheiks árabes.
28:27Não te esquecerei um dia, nem um dia.
28:31Espero com a força do pensamento
28:38Recrear a luz que me trara você.
28:52Não te esquecerei um dia, não me molete.
29:08Não te esquecerei um dia.
29:29Não te esquecerei um dia.
29:55Não te esquecerei um dia, Marcelo.
29:59Não te esquecerei um dia.
30:25Não te esquecerei um dia.
30:39Não te esquecerei um dia.
30:43Não te esquecerei um dia.
30:47Não te esquecerei um dia.
30:52Não te esquecerei um dia.
31:19Não te esquecerei um dia.
31:30Não te esquecerei um dia.
31:34If you know how good it is, Elena, how good it is, sexy, sexy, sexy,
31:44surely, of course, obviously, it is in a way.
31:47There are a lot of good, strong, strong, strong,
31:52every time you have to go to the blouse,
31:55so it is so much better.
31:59I don't understand what it is.
32:01I don't understand what it is.
32:03I don't understand what it is.
32:07Then you have to look good, good at you and me.
32:12When Sir Leia was a 28-year-old,
32:15all of them looked at me,
32:18all of them looked at me,
32:19even with the young people,
32:21with the young people.
32:24How are you doing?
32:25How are you doing?
32:27I don't understand what it is.
32:28I don't understand what it is.
32:33I don't understand what it is.
32:35I don't understand what it is.
32:36You are looking at me.
32:37You don't understand me?
32:37I already don't understand my wife.
32:41I'm a woman.
32:42When you look at me,
32:43I'm a woman.
32:43If you have a problem, you will put your name on Bukluka.
32:47You're going to be a bit, I'm going to be a bit.
32:49This is a very dangerous thing.
32:53I'm going to see you now.
32:54No, I have a problem.
32:55You're going to see my own.
32:57What's going to do here?
32:58This is Eduardo, mom.
32:59Eduardo and Marcelo, what do they do?
33:01What do you think?
33:03What do you think?
33:03What do you think?
33:04I'm talking about it.
33:05What do you think?
33:06You know even...
33:07What's going to do here?
33:08What's going to do here?
33:09This guy is going to leave a problem.
33:12I'm going to have a problem.
33:13I'm going to have a problem and give you a chance to come in Japan.
33:17I'm going to have two friends with them.
33:19And two of them are going to have you.
33:20I'm going to know you.
33:21Then I can tell you.
33:23Yes, right?
33:23I'm going to know you.
33:24I'm going to know you, my agent.
33:26I'm going to show you.
33:27I'm going to show you.
33:29I'm going to see you.
33:30I'm going to show you, Marcelo.
33:32You should go to street street and you can't look at all.
33:34You can kill you, but you can kill yourself.
33:37You'll I'm going to kill yourself.
33:37I'm going to see Marcelo.
33:40No one has to do what you do.
33:43You're going to kill it.
33:43It's an organized life, because I'm in this situation.
33:49You know that I have no courage to fight against this.
33:53I'm honest with you, Elena, but I'm completely honest.
33:57If she was in my place, if she understood that she has another family and doesn't want to leave any
34:04one of them, what would she have done?
34:07I'd be able to do it.
34:10Yes, I know.
34:13But you're not confident in me.
34:17Sirlea, you're not confident in me.
34:19You're not confident in me.
34:20You're not confident in what you want, according to your experience and your society.
34:24We're completely different people.
34:28Yes, you're a strong, but I'm a sliver.
34:31That's the difference.
34:34Alo.
34:35Yes, Dona Virginia.
34:38Yes, here it is.
34:44Okay, Dona Virginia, Dona Virginia, I'm going to leave you there, because Marcelo and Eduardo are there and they're there.
34:50Let's go.
34:51Oh, my God.
34:52Oh, She's already killed her.
34:55Oh, my God.
35:03Oh, my God.
35:06That's the way you are.
35:09Oh.
35:14Oh, my God.
35:18Oh, my God.
35:19Oh, my God.
35:19I think we are going to cross the border.
35:21And I think so.
35:23It's a very strong experience.
35:27The man is constantly looking at it.
35:30The Oscar is a lot looking at it, but you can see how it is.
35:33I love it, but I love it.
35:35My dear!
35:37Yes, my dear!
35:38The water for a cup of tea, I'm not sure.
35:41I'm not sure.
35:43I'm not sure.
35:45I'm not sure.
35:46I'm not sure.
35:54I'm not sure.
35:55I'm not sure.
35:55I'm not sure how it belongs.
35:56But, this is the end of the day.
36:02I'll show you guys because I'm not sure what happens.
36:04I mean, guys, I don't understand.
36:06I have a lot.
36:07I've got something...
36:09I'm not sure how it is.
36:11I'm not sure how it is.
36:13I have, I'm not sure.
36:14You don't see you.
36:15Now, I'm not sure.
36:16I'm not sure how it is.
36:16Thank you for your attention, Mr. Genesio.
36:31Ciao, Dona Magnolia.
36:36How are you in the street?
36:38What a shame.
36:42You know?
36:44Do you know?
36:44I don't know.
36:46Help me to calm down.
36:47I made everything.
36:49But when I saw nothing,
36:51two of them had to go out.
36:53I got to go.
36:55I got to go.
36:55I got to cry.
36:57I got to cry.
37:00What a surprise.
37:01So, my truth is that they will be done.
37:04I got to go.
37:05I got to go,
37:05I got to go,
37:07I got to go,
37:08I got to go,
37:08I got to go.
37:11If you did a good job,
37:14I got to go,
37:15I got to go,
37:18Where are you?
37:21I'm trying to go,
37:23before they let me go.
37:25Where are my kids?
37:26Where are you going?
37:28I got to go.
37:33I'm here with the two people.
37:37And you have to go,
37:40I got to go.
37:40It's a divag, as if he falls in front of me with parachute.
37:44Edouarda, you can't continue to do it without you to understand.
37:48You can't see it.
37:49We are friends.
37:49We are friends.
37:50But in the street, Edouarda...
37:52He starts, mom.
37:53You can't believe it.
37:57You can't continue to do it like this.
37:59You have to find a solution.
38:01You have to find a solution.
38:02The other one is not.
38:04I don't want to go with you.
38:06I just don't want to go with you.
38:07You have to go with your daughter.
38:08And that's what we are doing.
38:11Yes, we are in your house.
38:14What is your mom?
38:15We are in a pendant.
38:16I am not realizing it.
38:17It's not a moment.
38:20You are talking about it.
38:22You are no longer than you.
38:24And the two are in time.
38:27You are going to play.
38:28I am this a girl.
38:28Who is this a girl?
38:31Who's causing anything?
38:33I don't want to talk to you.
38:34Who is it? Who is it? Who is it?
38:37If you don't get to go to this idiot doctor,
38:39then it will not happen.
38:41Marcelo, I don't have to talk with you.
38:43I don't have to talk with you.
38:43I don't have to talk with my advocate.
38:45How?
38:47I have an advocate.
38:49I'm already talked with my advocate,
38:52because I want to talk.
38:54Your advocate is from the Unesia,
38:56or from the company's company.
38:58I don't have to talk with you.
39:01Marcelo, please.
39:03Now what kind of pain is?
39:04I don't have enough to talk to you.
39:05Yes!
39:09I'm sorry!
39:12I don't want to talk with you.
39:14I'm sorry!
39:16I'm sorry.
39:22I'm sorry!
39:23I'm sorry!
39:25I'm sorry!
39:26I don't have to talk to you!
39:27I have to talk to you.
39:27I'm sorry.
39:28This song is for you,
39:28Just of course.
39:30I can take you for this song,
39:32Not old, but a different way.
39:37How many years have you been?
39:40I've already been 20 years old.
39:43I'm not asking for the age of women.
39:46They're still like cats.
39:50I've been 20 years old.
39:51I've already been 20 years old.
39:54I've got a gift for you and I'll get a gift for you, Marisa.
39:57I've got a girlfriend.
39:59I've got a good friend.
40:01It's good.
40:03I've got a good friend.
40:05My birthday.
40:08But everyone will give you a gift, right?
40:11With me, I'll get a gift from you.
40:14I'll get some fun.
40:15I'll get some fun.
40:15I'll get some fun friends, Marisa.
40:21The best friend is a gift.
40:26This is not the best, but the most famous.
40:32You should be elected as a deputy.
40:34You know that I'm thinking about it.
40:37On the way to Marisa.
40:39On the way.
40:40On the way.
40:40On the way.
40:40On the way.
40:40On the way.
40:41On the way.
40:43You are the true family.
40:46On the way.
40:47I'm going to spend more time with you.
40:49How are you doing?
40:50I'm going to give you a gift.
40:52You are the gifts of.
40:54I'm 20斉 with you.
40:56Just a cup of tea.
40:57I will raise your Wasserっ once.
40:58I will notice you together.
41:01I'll сдел you.
41:01Hello.
41:02Hello.
41:05Hello.
41:07Hello.
41:07Hello.
41:09Hello.
41:13Hello.
41:15Come on.
41:15You have to come over at the우� Ozs.
41:17Yes.
41:20Hi.
41:22Marisa, this is our gift, that is from Sandrinya, Orestes, Nando and Men.
41:28Not to me.
41:30Open it, open it!
41:32How nice!
41:35With such a thing, we need to find a new gadget,
41:38because now it's not worth it.
41:45Yes, I said with the director,
41:46he says that he will lose 30% of the financing.
41:51Yes, but we are getting rid of it
41:53for 10 million dollars, tax, tax...
41:58He says that he will make it,
41:59but we can't do it,
42:01we can't do it, we can't do it,
42:01we can't do it now.
42:03The best is to do everything now
42:05and start again,
42:06by the second half of the year.
42:08The two of us are not coming,
42:10but it is not coming,
42:12but this is the most important thing.
42:13And without the end,
42:15how do we do these people working in the company?
42:19I think I think we can pay for the person,
42:23we can pay for the person.
42:24Or we can't pay for the person.
42:25Or we can't do it.
42:26Or we can't do it.
42:29We can do it.
42:30We can do it.
42:30I want to say that we can do it.
42:33Let's say 40% of the person.
42:3740%?
42:3840%?
42:38For the reason, I would say 60%?
42:43It's a moment.
42:44It means that this is something that I don't know.
42:46Right?
42:47And if it was a woman,
42:48it would be more than real.
42:50Is it a firm?
42:54Where did it go?
42:55It's a day.
42:56It's a day.
42:58I'm not sure if you were interested.
43:01It's a day.
43:02It's a problem with Edouarda when it's in the head of the head.
43:04What is that, boys?
43:06That's what I heard.
43:09You're watching a lot of films.
43:11No, no, no.
43:12You're in a woman.
43:14Marcelo, calm down.
43:15No, no, let's go.
43:17You're in a way.
43:18You're in a way.
43:18You're in a way.
43:18You're in a way.
43:19You're in a way.
43:20You're in a way.
43:21You're in a way.
43:22You're in a way.
43:23You're in a way.
43:24What's Edouarda?
43:25If not be Edouarda,
43:26it's not because she's in that place.
43:27You're in a way.
43:29No, you're in your way.
43:31You're in a way.
43:32You're in a way.
43:32You're in a way.
43:34You're in the way.
43:35You're in the way.
43:35You're out of trouble
43:38you're in your house, right?
43:41You're in my house.
43:43You're in your house.
43:43You're in an office.
43:45That's how you're in the house.
43:46In my house.
43:48You're out of your house.
43:52He has the magic to protect others.
43:55I'm not a kid, but I'm a woman.
43:58You can't be a child.
44:00You can't be a son.
44:01And you have to get a kid.
44:03If you're a kid, you have to find a football player.
44:05If you're a kid, you've got to find a kid to find a kid for a kid.
44:08It's not a kid.
44:10It's your mother's magic for the other.
44:13How am I so much?
44:16That you can't go to my mind.
44:19What are you trying to do?
44:23Don't call me a guy.
44:24Don't call me a guy.
44:26I'm a president and seek a trust.
44:29I seek a trust.
44:29You seek a trust.
44:33Don't call me a company,
44:35because, as you go to the company,
44:36you're the other one.
44:39What do you say?
44:40I'm a trustee for the company's business?
44:42Who?
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