00:00Sous-titrage Société Radio-Canada
00:31Sous-titrage Société Radio-Canada
01:00Sous-titrage Société Radio-Canada
01:32...
01:34...
01:35...
01:35...
01:48...
01:49...
01:50...
01:50...
01:51...
01:57...
02:03...
02:04...
02:05...
02:05...
02:06...
02:06...
02:06...
02:07...
02:07...
02:07...
02:07...
02:08...
02:08...
02:09...
02:10...
02:10...
02:11...
02:11...
02:12...
02:12...
02:12...
02:12...
02:12...
02:13...
02:13...
02:13...
02:14...
02:14...
02:15...
02:16...
02:18...
02:18...
02:18...
02:19...
02:19...
02:20...
02:23...
02:24...
02:25...
02:25...
02:27...
02:29...
02:29...
02:29...
02:59...
03:00...
03:01...
03:03...
04:33...
04:34...
04:34...
05:14...
05:15...
05:16...
05:16...
05:25...
05:26...
05:26...
05:27...
05:28...
05:28...
05:29...
05:29...
05:29...
05:29...
05:29...
05:30...
05:31...
05:31...
05:31...
05:32...
05:32...
05:32...
05:32...
05:33C'est une bonne chambre, ma femme.
05:36Je ne comprends pas, père.
05:39Tu m'as toujours dit tout.
05:41Donc, pourquoi tu ne me dis pas que tu a acheté un nouveau gun?
05:44J'ai vu la boxe dans le study.
05:46Non de les plus grands guns dans la maison n'est pas dans ça.
05:49Et depuis quand je dois répondre à toi sur quelque chose, Antonio ?
05:52Tu peux dire ça, mais je ne peux pas aller sur un vol sans te demander où je vais.
05:56C'est ta faute.
05:57Tu es la personne qui s'assure une femme qui n'est pas ta femme.
06:00Une femme qui était une femme de mon mariage.
06:01C'est une femme qui était presque assassinée et toute la ville wants her kille, aussi.
06:06Oui, mon fils.
06:07Ici, tu as reabras ce que tu as.
06:09Ou tu as vraiment penses qu'elle ne deserve ça ?
06:11Je ne peux pas croire que mon père m'a dit ce que j'ai dit.
06:14Un homme qui a toujours dit qu'il est fair.
06:17À chaque fois, mon fils, dans cette vie,
06:20les gens doivent suller leurs mains en order de cleanser leur soul.
06:23C'est ce que tu as fait, père ?
06:26Tu as cleanser votre soul ?
06:28Qu'est-ce que tu veux dire ?
06:29Go on.
06:30Just me dis déjà.
06:31Je n'ai pas la personne qui s'assure dans les yeux comme un rat.
06:35Comme un vermin.
06:36J'ai mis en main avec de l'eau.
06:38Tu vas respecter moi, Antonio.
06:40Juste matin, je t'aimais vous de marcher.
06:43Tu ne peux pas parler de moi que j'ai dit.
06:44Je n'ai pas votre père.
06:45Je n'ai pas votre père.
06:45Ce qui est-ce qui est-ce qui est-ce qui ?
06:49C'est-ce qui ?
06:49C'est-ce qui ?
06:50C'est-ce qui ?
06:52C'est-ce qui est-ce qui ?
06:54C'est-ce qui est-ce qui ?
06:56C'est-ce qui est-ce qui ?
06:57Si Pesha s'assure, je ne va pas être des cosines.
07:02Je ne va pas être.
07:03Excusez-moi.
07:04Antonio !
07:08Sous-titrage Société Radio-Canada
07:35Sous-titrage Société Radio-Canada
08:05Sous-titrage Société Radio-Canada
08:07Sous-titrage Société Radio-Canada
08:39Sous-titrage Société Radio-Canada
08:46Sous-titrage Société Radio-Canada
09:15It's okay.
09:17Sous-titrage Société Radio-Canada
09:19Sous-titrage Société Radio-Canada
09:20Sous-titrage Société Radio-Canada
09:30Sous-titrage Société Radio-Canada
09:31Sous-titrage Société Radio
10:01Sous-titrage Société Radio-Canada
10:02Sous-titrage Société Radio-Canada
10:03Sous-titrage Société Radio-Canada
10:06Sous-titrage Société Radio-Canada
10:22Sous-titrage Société Radio-Canada
11:06Sous-titrage Société Radio
11:14Sous-titrage Société Radio-Canada
11:15Sous-titrage Société Radio-Canada
11:17Sous-titrage Société Radio-Canada
11:43Sous-titrage Société Radio-Canada
11:46Sous-titrage Société Radio-Canada
12:22Sous-titrage Société Radio-Canada
12:46Sous-titrage Société Radio-Canada
12:48Sous-titrage Société Radio-Canada
12:51Sous-titrage Société Radio-Canada
12:54Sous-titrage Société Radio-Canada
12:59Sous-titrage Société Radio-Canada
13:25Sous-titrage Société Radio-Canada
13:26Sous-titrage Société Radio-Canada
13:27Sous-titrage Société Radio-Canada
13:53Sous-titrage Société Radio-Canada
13:57Sous-titrage Société Radio-Canada
14:00Sous-titrage Société Radio-Canada
14:01Sous-titrage Société Radio-Canada
14:06Sous-titrage Société Radio-Canada
14:07Sous-titrage Société Radio-Canada
14:25Ce que vous devriez faire, c'est rentrer à l'honneur, et rentrer à l'Antonio.
14:47Adorado n'a jamais rêvé de perdre Beja. Elle était toujours amoureuse de lui. C'était son ami de son
14:51grand-père.
14:51C'est son ami.
14:53Alvis ? Donc, vous croyez vraiment dans la amie entre les drunks ?
14:57Un drunqueur va toujours te dire la vérité. Pas seulement avec un homme sourire.
15:01Alors, vous pouvez demander ce que vous voulez, mon ami. Je vais te dire la vérité.
15:08Je suis sûr que vous savez que Beja a travaillé avec des collègues locales, n'est-ce pas ?
15:12Pour rejoindre les politiques locales.
15:15Peut-être qu'un colonel de Mara Sha'af a perdu.
15:17C'est vrai.
15:18Alors...
15:20Quand le sujet de la conversation s'entendent à des politiques locales,
15:24ça veut dire que c'est l'heure de retourner.
15:27Excusez-moi, mec.
15:33Hey ! Vous voulez attendre pour moi, père ?
15:37Attendre pour quoi ?
15:38Tu m'as demandé de retourner à la farmhouse pour s'entendirer le problème jaguar.
15:41Je suis prêt.
15:42Alors, tu ne peux pas s'entendirer.
15:43Tu ne peux même pas s'entendirer un roche, ne pas s'entendirer un jaguar.
15:47Mais tu m'as demandé de retourner, et...
15:49Non, tu n'as pas retourné à la farmhouse.
15:50En fait, tu ne peux pas s'entendirer là-bas.
15:52Tu comprends ?
15:59Ah, père, le colonel a dit des choses, n'est-ce pas ?
16:03Ah, parce qu'il y a des hôres.
16:05Je pense qu'il y a des hôres à sa maison et ne veut pas me voir.
16:09Ou qu'il ne veut pas partager.
16:13Donc, tu dis que tu penses que le colonel Battelio se cache quelque chose ?
16:17Il doit y avoir quelqu'un dans sa maison qu'il ne veut pas voir, je suis sûr de ça.
16:21Est-ce qu'il est capable de...
16:24Qu'est-ce qu'il est capable de...
16:25Qu'est-ce qu'il est capable de...
16:27Quand le coup s'entendit...
16:29Quand Filizardo voulait mettre sa gun dans la plaza,
16:32Colonel Battelio a dit quelque chose...
16:34quelque chose qui a l'air assez strange.
16:36Qu'est-ce qu'il dit ?
16:38Calm down, Filizardo, calm down.
16:40There are more effective ways of solving this problem.
16:44Are you thinking that Colonel Battelio hired an assassin to put an end to Beja ?
16:48Yes, it's possible.
16:51So you believe someone wants to kill me ?
16:53Beja, come.
16:55I was coming to see you.
16:56Antonio said you woke up.
16:58How are you ?
16:59I'm confused.
17:00My headache spit.
17:01I told her she should stay in bed resting, but you know she's stubborn.
17:06Slowly.
17:09You should be upstairs resting.
17:12It's important.
17:15Fortunato said so, remember ?
17:18Sit.
17:19Sit down here.
17:22What matters now is knowing who...
17:25Who wants to kill me.
17:27I heard you mention Battelio.
17:29What's he got to do with this ?
17:31We're not sure just yet.
17:32But we'll find out.
17:33In the meantime, do you know who wants to kill me ?
17:35Beja, we must do what we can to keep you safe.
17:38Huh ?
17:39I should visit the farmhouse.
17:41Severina told me someone broke into the estate.
17:44What if we set up a sort of ambush for them ?
17:53Thank you so much for your prayers, father.
17:56God has listened and Beja woke up.
17:59But she's still in danger.
18:05We're going to take Beja to the estate.
18:07It's safer there.
18:12May God bless you, my child.
18:21Excellent.
18:22In a few minutes, the entire village will hear about it.
18:26Father, my apologies for involving you in our ambush.
18:29If this will save a life, then God shall help you.
18:43Thank you.
18:59Thank you.
19:09Are you upset with me ?
19:12Of course not.
19:13You haven't said a word since we sat to eat.
19:17Silence is important to keep things in their place.
19:20Right where they must remain.
19:23But sometimes...
19:25What occupies space has died already.
19:29But we are still alive, right ?
19:33I don't know exactly where you're trying to go with that, Evelino.
19:36But I have to stop now.
19:38Excuse me.
19:53I don't think so.
19:55I don't think so.
19:58I don't think so.
20:03I don't know exactly where you are.
20:04I'm sure he's on the floor next.
20:06You're an attorney that, Evelinoalaala, and he doesn't, and he'm sure what is going on.
20:07I'm sure he's on the floor for two days.
20:07I don't want to be left.
20:08I'm not going to turn on the floor next.
20:08You're with him, right?
20:09And he's going to turn on the floor next.
20:12You're here.
20:13I'm sure he's on the floor next.
20:14I'm sure he's on the floor next door.
32:33Mais je n'ai pas de laisser. Je m'en prie que je n'ai pas.
32:35Je vais faire ça avec mes propres mains.
32:41Mort.
32:45Mort, mort, mort, mort, mort.
32:47Fitch, retourne, retourne à la terre que tu n'aurais jamais pu descendre.
32:52Mort, mort, mort.
32:57Angelica, Angelica, nous devons aller maintenant, ou ils vont nous catcher.
33:00Viens, frère, viens, viens.
33:03Oh, oh, oh, oh.
33:33Come, come, come.
33:35You two went too far.
33:36What if you were caught?
33:38What if the rest of the village found out about this?
33:40Is that all that occurs to you, father?
33:42What they were about to do is unacceptable.
33:45Antonio, I never thought about putting an end to anyone's life.
33:48But for my husband and for our son,
33:51while I was willing to do anything.
33:53That's how you want our love to be?
33:55Is that how you'll earn my love?
33:56By killing those that I love?
33:58I just want peace.
34:01For God's sake, I've prayed long and hard for that.
34:04I just want peace.
34:05Peace and my husband right beside me.
34:07I don't care about your motives, Angelica.
34:10I only demand one thing from all of you.
34:14This story doesn't leave here.
34:17Of course, my love, never.
34:18Not a word.
34:19Not to anyone.
34:19Not to anyone.
34:20To anyone.
34:21Calm down, honey.
34:22This will cause harm to the baby.
34:24You mean even more so?
34:25I almost fainted at mass today.
34:27My husband was not there with me.
34:29He wasn't even there to unlock this sacristy for me.
34:32If it wasn't for Colonel Botelio...
34:34What about the colonel?
34:36He looked after Angelica at the church and brought these two back home.
34:39How do you think my earring ended up in his carriage?
34:41I never tried to hire a killer.
34:44And besides, Colonel Botelio is a saint.
34:46A saint?
34:47Both of you should know you were at serious risk of death in the estate.
34:51What are you talking about, Antonio?
34:52Colonel Botelio hired an assassin who tried to get to Beja's bedchamber so that he could end her life.
35:00If he had crossed paths with you, you'd both be dead right now.
35:05Good lord in heaven, Angelica and I...
35:08What the both of you did was reckless!
35:11Angelica, you are carrying my child in your womb.
35:15So I ask you, don't be reckless.
35:18But Beja can be.
35:20Can't she?
35:21As reckless as she wants.
35:23Like leaving her fiancé behind and lifting her skirt at the magistrate.
35:27You left your wife alone.
35:30All for a vile wench like her.
35:33You left me pregnant and without any...
35:35Enough, Angelica.
35:36There's a murderer on the loose.
35:39Excuse me.
35:51Josefa.
35:53Now that Beja's asleep...
35:57We really need to have a talk.
36:00About us.
36:04No, there is no us, Avelino.
36:07Please stay back.
36:09Just leave me be.
36:23Tell me I'm imagining things.
36:26That you feel nothing for me.
36:29Tell me that you don't want to touch me.
36:33To feel my lips.
36:37Then I'll promise to leave you alone.
36:41I just cannot have let myself feel anything for you, Avelino.
36:45You'd rather stifle your heart?
36:48Without allowing love to flourish?
36:52I have experienced great love.
36:55I don't want to hurt anyone...
36:58On account of a whim.
37:00I can't...
37:01It's just a whim.
37:03It's real.
37:28Excuse me.
37:29Is anyone there?
37:32Honorado.
37:33Honorado.
37:35Talk to me.
37:36Talk to me.
37:38I...
37:39No, don't move.
37:40You lost so much blood.
37:42Who did this to you?
37:46Please tell me.
37:48Please tell me.
37:49He...
37:49He couldn't manage to find Beja.
37:51Who is he?
37:53He...
37:54He was going after her.
37:56I tried to stop him.
37:57But he was quicker than me.
37:59How is she...
38:00Please tell me.
38:02How is she...
38:02Honorado, it was awful.
38:04Someone fired.
38:05She fell from her horse and hit her head.
38:06Is Beja dead?
38:07No, thank God.
38:08No.
38:10I know who shot her.
38:12It was the same man...
38:13That stabbed me here.
38:15Who's that man?
38:18Honorado.
38:19Honorado.
38:36Partner, sir.
38:37Just conducting the usual patrol.
38:39Go patrol inside, Dan.
38:41You come in and hear if called upon.
38:42J-I-S-M.
38:45Joaquim Ignacio Silvera da Mota.
38:48Son of a bitch.
38:50So Colonel Botelio is protecting the magistrate.
38:53Who wasn't even there to unlock the sacristy for me.
38:55If it wasn't for Colonel Botelio...
38:57What about the colonel?
38:58He looked after Angelica at the church and brought these two back home.
39:03If Colonel Botelio knew that the sacristy was locked...
39:07And so did Mota.
39:08Beja is in danger.
39:10Go.
39:10Go.
39:21Beja!
39:24Did you really think I'd let you get away with it?
39:26What you did to me in court?
39:28Huh?
39:29Beja!
39:30She's the fiancée.
39:31You have a right just in time to watch her die.
40:03You have a right just in time to watch her.
40:07La Sra.
40:07Do you think I'd like to watch her die?
40:16She's the frosty person.
40:16What you did to me in court?
40:19It took to college and the act.
40:20Beja!
40:24Time to watch her.
40:24Bye.
40:28Resume it.
40:30Me, man.
40:33I was sick.
40:34And I was sick.
40:36I can't get an śrjcz.
41:03Sous-titrage MFP.
41:06...
41:36...
Commentaires