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Igra sudbine Epizoda 1725,Igra sudbine 1726,Igra sudbine 1725,Igra sudbine Epizoda 1726, Igra sudbine Epizoda 1725,Epizoda 1726 Igra sudbine ,Epizoda 1725 Igra sudbine
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00:00I'm not sure how to do it.
00:13You try to get your own, Biljan.
00:17Do you want to get your own?
00:18If you do this, you do this, Biljan?
00:19I'm sorry.
00:20How do you think that you can do that?
00:22I'm sorry, but I'm going to get it to you.
00:24You see what she does?
00:25Do you understand that he tries to get out of me, that he wants to get out of this house?
00:30Now you are not on that!
00:32It's not like that! It's not like that!
00:34It's not like that!
00:35It's not like that!
00:37We are going to fight for her rights.
00:41Women's rights, right?
00:42Yes!
00:42But fighting for her rights,
00:45she will suffer another woman's rights, if I understand what I want to say.
00:49You understand what you want to say,
00:50you don't go to the Constitutional Court!
00:52You go, brother, there with people,
00:54you go to the women's rights and that's it!
00:56It's not like that!
00:58You have to have confidence in me.
01:02Do you have any support for me until now?
01:06No, no.
01:11I really don't know how we would be without you.
01:14I said that you don't have to thank me,
01:16I only do my job professionally.
01:22I heard that Alekseo Žegović is one of the most successful people in Serbia.
01:27Okay.
01:28I'll take the meeting.
01:32Where would you like to find us?
01:34No.
01:35Better with him.
01:37So, to ask him to ask that Uroš Nikolić would like to...
01:41No, no, stay.
01:44No...
01:44No, no, no, no...
01:45I don't have to know that we are the members of the Kru net Capital.
01:48Do you want to be able to come up in a very short time
01:52and grow up with us?
01:55Do I can have to pay attention to you?
01:57Actually, pay attention.
01:59I'am ready.
02:01I'm ready.
02:01I would have told you that time will take us.
02:03No, now everything is necessary. We have our man who will play as we say, when we say, and the
02:09rest of us are good for you.
02:11How do you do that?
02:12You don't have any idea of tambura, and you don't have any connection with him. What do you mean by
02:17that?
02:19Do you think Mila would do it?
02:21No, it's not about whether he would do it. It's about what I don't want to allow.
02:26I don't understand why I'm talking about it. I don't care about it. I don't care about it. I don't
02:29want anyone to sit here.
02:31Really. And you don't know how Gabriela is, how she is doing it and how she does it. It's clear
02:38to everyone.
02:39Let me ask you to not talk about this. You fight against the non-existent fraud, and now you do
02:43it.
02:44You don't have any evidence against Gabriela.
02:47It's coming, Nada.
02:48You see what you hear, Džukella?
02:50It's coming, Nada.
02:54It's drinking from Strahinja.
02:55I don't know. I asked for Tihomira and for Strahinja, but she didn't say.
03:00She said that she was bullied because she had a relationship with her.
03:03All right, so everything is fine.
03:05Well, you can call me the same thing.
03:07I mean, if you want, you understand.
03:11Why would you call me the same thing?
03:12I don't know.
03:14But what I mean, everything is fine.
03:17I understand everything, but let's first solve this situation with you.
03:22Then you go back and explain everything.
03:24And then you'll be able to solve everything.
03:27I really hope.
03:29I'm not alone.
03:30We're here for you.
03:32I contacted a colleague who is ready to answer the story that the guy told you.
03:38And this time, no Mila, no Gora, no everyone, no other people,
03:42will never be able to answer the story.
03:45Mm-hmm.
03:47A o kome se radi?
03:49O Bitomiru.
03:52Bitomiru?
03:53Mm-hmm.
03:53Mm-hmm.
03:54O kod ono celove priče?
03:55Eh, sad se spretni da čuješ jednu bombastičnu preču i plan.
04:00Kod ono celove priču i plan.
04:07O kod.
04:19The people say life is written in sermon,
04:23hoard that life is not as perfect,
04:28Sometimes it's a victory, but often it's a man
04:32And everything is useless, but it's a sin
04:42Like love in the war, there are no rules
04:51You have one life, only one chance
04:55You will become no one, because it's a sin
05:01I play dreams like a circle of happiness
05:09Someone wants, someone doesn't want
05:13Like the world is over, and we are all the ones
05:23So you should be there
05:25Oh, oh, oh, oh
05:33Oh, oh, oh, oh
06:01Oh, oh, oh, oh
06:17Oh, oh, oh
06:37I know that it's because of the fact that all of these cars have felt that in my car, there
06:44is a big Dijanerski.
06:45And that the Dijanerski says that he doesn't want to leave on a meeting with a future big star.
06:55When you start to make autograme, I already see you.
07:01How are you doing selfie with fans?
07:03I'm going to see all of this.
07:06I told him about it.
07:08I told him to go ahead and take it from the front.
07:11They came out and they were all over the place, and they were all over the place.
07:15And they were all over the place, and they were all over the place.
07:18It was all over the place.
07:19I was shocked, but the leader of everything was when one lady was a woman, the woman, the woman, was
07:24a woman.
07:25She was standing on the side and looked at her.
07:27I don't know how to do her idea that she should return.
07:29And then she went to talk to all of them. She went to talk to her who is wrong, she
07:36doesn't drive, she doesn't drive, she doesn't have a car, she doesn't have a car, she doesn't have a thought,
07:40she doesn't have a thought, she doesn't have a thought.
07:42What did she do with my time to sing?
07:45All right, Lutkice. Absolutely all right.
07:48Pa ne, ja sam razgovarala sa profesorkom Olgom, Olgisa inače naša najbolja profesorka pevanja, ona je mag za to, ja
07:58sam rekla da imam jednu divnu devojku, talentovanu, onako, lipu, finu, jednu buduću veliku zvezdu.
08:05I ona kad je to čula, zato što je to iz mojih ustari, ja sam djanerski, ono se oduševila, ali
08:11oduševila.
08:13Pa ne, pa to je, ona je bila fascinirana, tako da ništa ne brini, to će sve da bude, sve,
08:19apsolutno.
08:20Ali kad? Ja želim da počnem.
08:23Pa vidi ovako, Lutkice, pa ja ne znam zašto, tebi nije dovoljno to što si čula da te hvali profesorka
08:28Olga, još te nije ni vidjela, to je velika stvar.
08:31To je krupna sve, ne možeš da budeš nezahvala da ti to ništa ne znači.
08:35Šta, ne razumem, šta kad ćeš, kad će da poče, kad će da poče, pa, poče će, poče će.
08:40Nego, Lutkice, recite imeni kako si ti, kako je tebi na poslu.
08:42Da, dobro je za sada, ne želim se.
08:45Obrati pažnju, znaš, ovde znaju da dođu ljudi koji neće da plate.
08:49Aha, hoću. Hvala ti.
08:52Eto, ništa lepotice, ništa.
08:55Ostanite malo, opustite se, uživajte.
08:58Čuvaj glasić, nema ništa hladno da piješ, znaš.
09:01A ja imam, upravo, jedan video call sa Hollywoodom.
09:03Znaš, ja sam sa njima stalno u nekoj komunikaciji.
09:06Imam dosta saradnika tamo u Hollywoodu.
09:08Upravo, treba da pošlijem jednog dečka iz Beograda, jednog umaca,
09:11da tamo napravim veliku karijeru.
09:13Tako da idem time da se pozabavim, a mi se vidimo.
09:15Doviđence, doviđence, Lutkice.
09:17Ćao, ćao.
09:23Hollywood.
09:25Kakva žena.
09:27Da.
09:29Češ sad našto da popiša?
09:31Pa, ajde, može.
09:33Može.
09:33I daj nam dve čaše prosaka.
09:36Može.
09:37Stiže.
09:37Stiže.
09:46Hvala ti.
09:47Hvala.
09:50Hvala.
09:53Zazvao si?
09:54Ooo, jesam, zvao sam te za tebe.
09:57Treba neka pozivnica sa Zlatnim Slovjevom.
09:59Pola sata te čekam od.
10:00Izvini, zaglavio sam tomo nešto.
10:03Uvidim da si zavad.
10:04Sedi.
10:07Ovaj.
10:08Slušaj, dolazili su Maša i Asija.
10:12I sve smo se dogodili.
10:14Svečeš se pričao sam ti za onog tipa, onaj Danijel koji je tu kom ida.
10:18Da, da, znam se.
10:19Ne, to.
10:20Ne znaš sve, dogovorio sam sa njima da napravimo neku strategiju.
10:24Maša je Danijelova bivša žena.
10:26Pa smo napravili jednu strategiju da ga namamimo, da mu postavimo zamku.
10:32Kako?
10:32Tako što će ona doći do nekih njihovih zajedničkih prijatelja i njima ostaviti poruku da je trudna.
10:41Ne bi li se on javio, zato smo mu davi, zato smo joj davi ovaj broj telefona koji mi nosilo
10:48priskuškujemo.
10:49Tako da, eto.
10:56Ne bojiša.
10:58Zdravo.
10:59O, zdravo.
11:00Pa šta je to?
11:03Ovo?
11:03Da, da, to.
11:05Pa ovo je izvestna Cezar salata.
11:10Dobro, to znam, to vidim, ali zašto ona?
11:15A šta je problem?
11:17Jedan muškarac može da pojede nekad i Cezar salatu.
11:20Pa, najčešće ne jede tako nešto.
11:24I jedu obično konkretno meso.
11:26Naprimer, biftek, piju rakiju, ne piju sigurno limunadicu i jedu salaticu.
11:33Samo se ti podsmevaj.
11:35Pa moram te malo.
11:39Uvidi, ja moram da čuvam svoju liniju.
11:44A zašto? Izgledaš fantastično.
11:47Pa, hvala.
11:48Hvala, ali moram da se držim dijete, a drugo moram da dam primjer i mlazim kolegama, da ne postanu burad.
11:56Dobro, a da se maneš ti tih dijeta, da pustiš da ti ja poručim nešto konkretno.
12:01Pa ne, ne, ne. Hvala, molim te.
12:03Ti ne znaš kakav sam ja sa hranom, ja sam sjedanski bo.
12:07Sa zlatkiša.
12:09Ništa ti to nije dobro.
12:12Ne, ne.
12:14Hvala ti ovaj, ali i sve to što pričaš mi jako imponuje, ali ja mislim da ovaj susred slučajni.
12:24I nije tako slučajan.
12:26Jeste, slučajan je. Ne brine.
12:29Kancelarija mi je tu odbah iza Ćoška, dolazim ovde često.
12:32A kad sam već došla, možda bih mogla i da sednem.
12:37Naravno.
12:38Hvala.
12:44Ti razumeš šta pričaš?
12:46Šta si razumeš?
12:49Dakle, da pustimo bulu, kako ona, kako trudno je.
12:53On spada u likove kriminalaca koji žele sve da drže pod kontrolom, razumeš.
12:59Čim bude čuo da je Maša trudna, neđe propustiti priliku da dođe, da to sve isprati i mi da da
13:08klepe.
13:09Ne.
13:10Kapiraš?
13:11Ja.
13:13To je vidiš, moraš biti tu.
13:16To je pitanje trenutka kada će to desiti, da moramo biti spremni da reaguamo.
13:23Ti pratiš sve šta ja ti mi pričam?
13:25Sve.
13:26Sve?
13:27Da, dobro. Koliko je bilo san daći u autobusu?
13:33Nebojča, nešto si mi utonulo?
13:36Ja se dešava sa tomo čoviča?
13:40Kako san daći?
13:50Pa ti šta, ajde onda. Gukni, golubek upusaru stari.
13:55Panči, izvini, ja nijesam siguran da baš tako ide ta poslovica.
14:01Tebi je istekla pauza. Nastavi da ribaš.
14:04Začuva.
14:05Ajde da ribaš kad ti žena kaže.
14:07U pitanju je Gala.
14:11Kala?
14:12Gala. Nastavi da ribaš.
14:14Da?
14:15U firmi je ona sada u jednom nebranom grožđu.
14:19Kala?
14:20Ima izvesne, nastavi da ribaš, probleme.
14:23Kao?
14:25Kao?
14:26Kao?
14:26Kakve ona probleme ima u firmi?
14:28Pa optužili su je u firmi da je devijarna.
14:33Devijadna?
14:34Ne.
14:35Devijantna.
14:36To.
14:37To.
14:38I optužili su je da vezuje ljude za radijator i da im stavlja u usta kugle.
14:45Kome bre gura kugle?
14:47Svima.
14:49Svima.
14:49Čekaj bre, stadi ću otiš. Šta vas briga?
14:51Kome galak gura kugle i koga vezuje za radijator?
14:54Pa normalno će za radijator, dje će veža čoveka. Šta to tebe briga?
14:58Ali ja sam svedok u Čevidec.
15:01Zaštićeni svedok?
15:02Pa šta bi gurala kugle?
15:05Nije.
15:06Ja treba da posvedočim da ona nije takva prema muškarcima.
15:11I da ne gura kugle.
15:14I ne vezuje za radijator.
15:16Ali, ako i ja to budem rekao, nastavi da ribaš. Kaja kaže da će da se od mene razvede.
15:23Oooo, što je gadna bre.
15:26A vidi, šta to nju toliko ugrožava?
15:30A šta to tebe briga bre?
15:32Pa šta treba sada, ja ću te odvalim od batina.
15:35Ajdi u sobu, evo ti štafeta, ribaj tamo, briši prašinu i čuti.
15:40Razumijem, i nije mi teško.
15:42Prtina.
15:43Prtina.
15:45Ej!
15:46Prtina, prtina.
15:48E, sluši.
15:51Tako znači, o?
15:52Da.
15:53Pa slušaj me, mile.
15:54Sluši.
15:55Pa normalno da će me slušaš, ja ti pričam da bi me slušao.
15:58Logično.
15:58Vidio ovako.
16:01Kao prvo, jel umeš ti da budeš moško bre jednom?
16:06Jel umeš ti da lupiš rukom osno i da bude po tvome?
16:10Žene to vole, mile.
16:12Naročito ako su tako skorojevičke ko ova tvoja.
16:16Pošli, šo o tira onda će kamida.
16:19Pa kao prvo, da ne uvatim ustru.
16:21A kao drugo, ja nisam pomamljena ko ova tvoja skorojevička.
16:27Ako misliš da treba da zaštitiš Galu, a ja mislim da treba.
16:32Treba.
16:33Pa onda to uradi.
16:35Bez obzira šta ti žena kaže.
16:38Uradi.
16:39Radi.
16:40Zvi kako ćeš da lupiš rukom osno.
16:42Ma.
16:44E, nećuš tako nego ću...
16:47Ovako ću sa...
16:50Pesnica.
16:51To iznutra idem, mile, iznutra.
16:53A.
16:55Moram da ribam, aj zdravo.
16:57Ajde.
16:58Dolazi nam, Nata.
17:00Jau.
17:01Moram da da ićem.
17:03Ajde.
17:05Mido!
17:07Jel ribaš, Mido?
17:12E, ništa.
17:19Ništa se mi dešava.
17:22Pa ne možeš da...
17:24Slažeš lažova, mislim.
17:26Šta je mi ristovalo?
17:27O čemu se radi?
17:31Ne bojiš da nisi već da ponovo počeo da piješ.
17:34Ne.
17:34Ne, to sam ti rekao, to je za mene završena priča.
17:38Pa šta vam da prava?
17:41Hm?
17:43Ti zaporeš da mi sedimo.
17:46Ne možeš mene da slažeš, čoveče.
17:48Pa čak i da ne sedimo ovde.
17:49Ne možeš mene da lažeš, alo!
17:51Dobar bre, Vukasine.
17:53Drugi je dobio dete, malo smo slabili.
17:56Što si nervozom?
17:58Šta je dobio? Čerko, sine?
18:01Ne znam.
18:03Bili smo toliko uzbuđeni da mi se li pitao.
18:07Da, da.
18:08Zanimljivo.
18:09Ti ne znaš da u Srbiji kad se rodi dete.
18:13Svi prvo pitaju
18:16je li pišanja ili devojčica.
18:20Pritom tvrdiš da si došao sa tog veselja.
18:24A ti izgledaš kao da si kirno sa lopati
18:27i da si sa sa hrane stiga.
18:29Da.
18:29Upravo si zato što boli me stomak
18:32i moram da idem.
18:33Ne boljše.
18:34Nemoj da me farbaš.
18:36Ja želim tevi da pomognem.
18:38Boli me stomak, moram do WCA.
18:41Nemoj da me lažeš.
18:42Hoću da ti pomognem čoveče.
18:43Izvili, ja moram.
18:45Moram.
18:54Nije šal.
19:03I ovako razgovarala sam sa Vitomirom
19:06i on je spreman da potvrdi da je bio sa Galom u vezi.
19:12A u kakvoj vezi?
19:13U vezi u kojoj ga je Gala zlostavljala
19:17i terala ga da svašta radi.
19:19Da.
19:20Dobro.
19:21Da.
19:22I on je to morao jer ga je ona ucenjivala i...
19:27Pretila je da će dobiti otkaza koji se ne počini, jel' tako?
19:30Tako je.
19:31Bravo.
19:32Savršeno.
19:34A to nije istina, jel'?
19:36Da ne, naravno da nije.
19:37Ali Vitomir je spreman da kaže da jes.
19:41A zašto?
19:42Pa zato što voli par.
19:43Zato što nikad nije bio gadljiv na njih.
19:47To me malo brine sad već.
19:49Zašto?
19:49Pa zato što mislim da sad već previše ljudi zna za ta njaš plan.
19:53Pa da, ali Vitomir je naš.
19:54Dobro, Vitomir je naš, ali to će negde da procuri.
19:58Mislim, Vitomir glumac, mnogo je.
19:59Nije mnogo, zato što ćemo im začepiti u staparama.
20:03Oćemo i onda neće negde procuri.
20:10Dobro, nema nam druge.
20:12Tako ćemo uraditi.
20:28Jao, šta ću s tobom ba?
20:33Jao, ne znam.
20:35Jao sam, kad me...
20:37To kad mi je prošao, imam murluk, imam da obudio.
20:40Vidi.
20:42Jao, obećavam.
20:44Alkohol više.
20:46Nikad i oranžene suve umoravane.
20:51Jao, nemoj samo to da mi pričaš, molim ti.
20:56Ja ti si javila ova, ova zmijurinova bulička?
21:01Ova zmijurina?
21:02Joka.
21:06Te što?
21:07Što rođeno, dete, možete upropasti, to ne može nikako.
21:10Pa sto puta sam ti je rekao.
21:12Znam, nemoj da vičeš, znam.
21:14Znam, rekao si, nemoj da se petljaš sa njom.
21:17Drži se što dalje od njih razmišljaj svojom pravom glavom.
21:22Jasno mi je, da sam idiot.
21:25Šta sam uradio, uradio sam, nema dalje.
21:29Bit će nama dalje.
21:31Samo kada objave te, te fotografije.
21:36Kako ti da uvedeš ljude da, da to nije baš tako.
21:43Ša mu se ti, ša mu se nadej?
21:45Ana, tebi je ovo sveštalo.
21:47Ti razumeš da te fotografije mogu da nas upropaste i obeleže za cel život čoveče.
21:52Znam, razumem.
21:55Razumem, ponovio si mi to sto puta, svesta sam, napravio sam greško, šta da radim.
22:02Koji mi je samo prošao.
22:04Ovo je mam urlok.
22:06Nešto bi se možda i dosjetio ovako, ne radi ništa.
22:09Ma nemoj.
22:10Bi te tresto poglavio, ti prošao možda taj mam urlok.
22:14Bi se onda možda veček sedio.
22:16Molim te, tresti me nečim teškim, da ne mora dva pod u danes.
22:19Samo da ovo prođe.
22:41Ej, ti ne možda verjaš kako se ona ponašala.
22:45Znaš, ne znam, uvredila se, uvredila se što sam je pitala da li je namerno stavila laneno seme.
22:51Da.
22:52Stvarno, ono pobesnjela je skroz.
22:54Ko da sam je pitala da li je htjela nekog da ubije.
22:56Misli, šta, ja ne smijem da pitam, šta, zabranjeno je da pitam.
22:59Je li to problemo?
23:00Da, da, razumijem, da.
23:03Ivane?
23:03Ono.
23:08Želim da se odselim na Tahiti i da živim tomo do kraja života.
23:11Da, da, da, da, razumijem, pravo si, da.
23:15Šta je brez tobom, Ivane?
23:17Oni.
23:18Šta se s tobom dešava, uopšte me ne slušaš?
23:20Pa slušam te sve, sve u reda, da.
23:23Ne slušaš me, ništa me ne slušaš.
23:25Šta se s tobom dešava, dejte, kaži.
23:42Šta, nešto sam razmišljao, ja mislim da ulička nema nikakve veze s ovim.
23:49Pa nema. Nego Mickey Mouse. Ona mi je postao fotografiju.
23:54Ništa to nije smešno.
23:56No, slušaj me. Možda je ona napravila cirku sa tim fotografijama, ali ja mislim da ona radi za nekog drugog.
24:05Mislim, nije ona ta igrač.
24:07Za koga? I zašto?
24:10Be to, nesam.
24:14Me nije jasno da ona hoće nešto da nam namestim to, ali zašto bi, s kim bi se ona povezala,
24:20zašto bi se povezala sam?
24:21No, to mi možemo tako da mislimo, ali možda si nekom stalno žuli. Mi smo imao si prilike za to.
24:30Uuu, ti ćeš da mi kažeš. Ti, pa ti nema koju glupost nisi napravila u životu. Pa ti nema baljezgarije
24:39koja je tebe zaobišta. Ti će da mi piteš.
24:41Dobro, to je istina, ali na takvim fotografijama nikad nisam.
24:47Kako ne razumeš da je sve ovo uperano protiv tebe?
24:53To mi je jasno, ne znam zašto.
24:56Čekaj, čekaj, da nije...
24:59A da nije grkljan.
25:04A što bi bio grkljan?
25:07Pa ne znam, vidim. Dobro, u redu, to nije njegov stil, ali ako se on odružio sa Guličkom, onda...
25:15Ne znam, ne znam kakve veze ima ona sa njim.
25:19Ne znam, ali mislim da to treba proveriti.
25:42Sve u redu, samo sam nešto razmišljao, znaš.
25:46O čemu si razmišljao?
25:48Previše ovo stresa ovih dana, znaš.
25:50Nemoj da pričaš, pa dobro jutro.
25:52Vidim, možda bi trebalo da nađemo drugu služevku.
25:58I to je tvoj predlog?
26:00Pa Marijana je sama htjela da odio.
26:03To ne dolazi u obsir.
26:05Dobro, vidiš, stalno neki problem s njima, stalno se nešto duri, ko neka sjavska mlada, znaš.
26:12Izvini, ali sad je stvarno imala razlog da se naljuti na Biljanu.
26:15Pa dobro, ali vidiš, evo, sad je i tebe naljutila.
26:18Pa jeste.
26:20A pravo ti kaže, mogu i da je razumijem, situacija je stvarno neobična.
26:23Dobro, ja samo ne znam šta ti hoćeš, mislim.
26:27Zašto lepu ženu ne pustimo da ode kad već hoće?
26:31Zato što pod jedan, ona je odlična radnica, dugo je ovdje kod nas, navikli smo se na nju.
26:36A pod dva, nema šanse ovim uzurpatorkama da dozvolim da šikaniraju ljude ovdje po kući kako stignu.
26:42Dobro, ako ti tako kažeš, ok.
26:44Jao, hvala te Ivane, tvoji savjeti su uvek dragoceni, stvarno.
27:04Stvarno
27:04Na šta? Ja mislim da znam šta treba da radim.
27:08Šta?
27:11Ja treba da se obratim u kašinu.
27:13No, no, no.
27:14No, no, no.
27:14No, no, no.
27:15I think I need to go back to the house.
27:19I have a lot of trust in him.
27:20And I think that he can help.
27:22No, no.
27:23Don't try to get in front of the house.
27:25There's time to tell us.
27:27What do you want to do?
27:28When are we going?
27:29When I leave the photos, when I die life.
27:32Then?
27:32No, no.
27:35First of all, we need to wait for the request from Vuličke.
27:39What request?
27:40How do you understand?
27:44How do you understand that you can give you some information when you need it?
27:51I don't know.
27:52What information?
27:54I don't know.
27:55I know that it will soon be followed by the request.
27:59When we get that request, then we will know with whom and with whom.
28:03And then we can think about whether Vukashina will tell us all.
28:09Yes.
28:10Yes.
28:11Yes.
28:11In the meantime.
28:13Until then?
28:14Until then?
28:16Try to remove some of the alcohol that you get in.
28:20I see that it will destroy itself.
28:23I can't tell you.
28:44I can't believe that I will start dancing in the hours of dancing.
28:47No, no, no, no.
28:49I will wait.
28:53You know who is Olga?
28:55Yes.
28:56Olga is the most successful woman for music in the city.
29:00You know who are the rules for her to get one hour of dancing.
29:04When I leave, I have to give her to her leg.
29:07I have to give her to her.
29:10the X-factor that I have.
29:12Yes, yes, okay.
29:16Do you listen to what I tell you?
29:18I listen to you. I listen to you.
29:20I listen to you and all of us in this hotel.
29:23You know how, Relja?
29:25I, as a future superstar slash performer,
29:28I won't sing with signs,
29:30but with my voice,
29:32so that you start to play with him.
29:42Let's get out of here.
29:43Let's get out of here.
29:43Let's get out of here.
29:44Let's get out of here.
29:45Let's get out of here.
29:45What are you, man?
29:46Let's get out of here.
29:47Aman!
29:50Let's get out of here.
29:58We'll see you in the evening.
29:59Where are you?
30:01Everything will be clear.
30:02Just stay silent.
30:03You're right.
30:10Let's, let's get out of here.
30:23What was this morning?
30:25It was, huh?
30:30Um, you're right.
30:51Leave us one more.
30:55And, Doctor, where do you fear frayers like you?
31:01It's not the question where you fear, but who do you fear, Natasha?
31:05What's the question?
31:06Is there not a former girl?
31:08Well, I've never heard of a girl.
31:11I'm very interested in who is that woman.
31:14If you don't tell me, I'll come from this table.
31:16I don't like Nolić to come.
31:19Gabriela Vučković.
31:21Or the people who are more known as Mrs. Ožegović.
31:25But I'm not sure if I'm going to talk about this.
31:28Ožegović?
31:29That's a great title you remember.
31:33And you like to play dangerous games?
31:36It looks like I have high tolerance for the pain.
31:41I don't ask for Gabriela.
31:43I ask you how long you plan to run away from these games
31:47that are currently in front of you?
31:50It may be, but I'm that quiet fire
31:53that you don't see until you get into the skin.
31:56Or maybe I don't look like that?
32:00You look like you're worse from all of them.
32:05But the problem is that I don't know how to say that.
32:07It's not such a provocation.
32:09Ponda, don't even say no in the evening.
32:12But let's see what problem we can do in the evening.
32:16It's hard to leave.
32:18It's hard to leave, too.
32:34It's hard to leave.
32:36It's hard to leave.
32:36It's hard to leave.
32:38The people who haven't got married in the evening.
32:44I just remember that you said that you don't love when you are sad in life.
32:48Well, during the day, maybe.
32:50But, in the evening, it would be a very interesting family if you are free.
32:54But this time I want to hear everything about what you said, Gabriel.
32:59But, Žegović, I haven't done the story since the last time.
33:03You're not.
33:05I'm ready to do that.
33:07It doesn't matter to be so good as you are in the dark.
33:10I agree. We'll see you again.
33:13I hope so.
33:14I hope so.
33:47What do you want?
33:49Eh, don't worry, dear dear, why are you in such a group?
33:53I think all the best out of you.
33:56I think all the best out of you.
33:58I think all the best out of you.
33:59I think all the best out of you.
34:02I think all the best out of you.
34:04I think you are a good lover.
34:07I would never have to give up our romance.
34:09But I have to tell you, some other surroundings, some other surroundings, and I think that we are a good
34:17couple.
34:17It's interesting.
34:20It's interesting.
34:25It's interesting.
34:26Do you know what I'm thinking?
34:28I don't know, but I'm just excited to hear.
34:33What do you think?
34:34What do you think?
34:34What do you think?
34:38What do you think?
34:41What do you think?
34:43What do you think?
34:57What do you think?
34:58I have to admit that your fantasy sounds very good.
35:02I mean, you're a good lover.
35:05You're not a normal one.
35:07Okay, maybe I'm not.
35:09But think about what the whole world will think about you.
35:13And how much you are a normal one when I see those photos.
35:20What do you think?
35:22You're a good one.
35:23You're a good one.
35:25I'm listening.
35:25I'm listening.
35:26I love to hear you.
35:28I'm listening.
35:29I'm listening.
35:30I'm listening.
35:32You're listening to me.
35:33You're listening to me.
35:33And you're sending a horse where the guest says.
35:36No, no, no.
35:37Pardon.
35:38The guest.
35:50We were talking about the past.
35:55You were listening to me.
35:59You are listening to me.
36:01He is listening to me.
36:03Talia was listening to me.
36:06You're listening to me.
36:07I'm warm up right now.
36:08You're listening to me.
36:16It's really funny.
36:19But you're right now.
36:20You've found me still to turn on your job.
36:21And I'm sure you are going to write to me.
36:22The end, right?
36:23The end. And that everything is done.
36:27That everything is done?
36:28Yes.
36:32Unfortunately, I think that in this situation there is only one adequate solution.
36:38That's it.
36:51When you would be like a brother, you would have been tied up like a man.
36:56You would have been tied up like a man.
36:58You would have been so dead.
36:59You would have been so dead.
37:00The man would have been so normal.
37:05You would have been so dead.
37:06How did you have been so dead?
37:19He was dead.
37:21He was dead.
37:22He was dead.
37:25He was dead.
37:27He was dead.
37:27He was dead.
37:27He was dead.
37:30Wait a minute.
37:31Is this something you're dead now?
37:32Is it not dead?
37:45You are dead.
37:47You are dead.
37:48You are dead.
37:48The story of Dakar.
38:02Look how it is in life. There are days when God will serve everything and will be good.
38:16That's true, my son, but it seems to me that it is the smallest of such days.
38:44Let's see.
38:46Oh, a nice way to get the first one.
39:00Okay, now we just need to see how much money is going.
39:04I mean, directly.
39:06Okay, I think we should go to 5,000.
39:09EUR.
39:10Of course, EUR. I can't take that much from Alex.
39:23I can't wait to come to Nadej Ruž. I can't wait.
39:29I can't wait.
39:31It will be all right.
39:36Just to know one thing.
39:38What?
39:38It is impossible to get the fear of her.
39:43Well, okay.
39:44I can't wait.
39:48Why no?
39:49No.
39:58Siiii.
39:59Sms
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