- 6 weeks ago
Igra sudbine Epizoda 1827,Igra sudbine 1828,Igra sudbine 1827,Igra sudbine Epizoda 1828, Igra sudbine Epizoda 1827,Epizoda 1828 Igra sudbine ,Epizoda 1827 Igra sudbine
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TVTranscript
00:13I'm not a guest, but ask me a little bit if I wanted a partner like you are?
00:19I need a man who is old, and not a dealer who acts like a clown.
00:23Good, good. I'm just going to invite you a little bit.
00:29I'll leave you for 15 minutes. I'll ask you.
00:32Listen, you have five.
00:35Okay, what is it?
00:36You're all in Japan.
00:38Guys, we need to work together.
00:42I'm not called you today as a performer,
00:46but we have one important task.
00:49What's on the day?
00:51One of the things that you've talked about.
00:54Is there any fun?
00:56No.
00:57But one who has a bad attitude on your head.
01:02No, no, no, no.
01:04You look fine.
01:05See, there's some weird ones.
01:08That's the thing I can't remember here ever.
01:12The biggest maniacs look the most normal,
01:15even if they don't become different.
01:18Guys, we have to be into chaos.
01:21Let's say that one.
01:27Hello, dear.
01:29I have to blame the fact you won't speak to you.
01:34Why did you panic?
01:36I have to blame the fact that your health is not appear.
01:44I don't know.
01:45I don't know.
01:46I don't know.
01:48What do I do?
01:49The kumstum, it's not going to be done.
01:53This is going to be done.
01:55What is wrong, mate?
01:58No one can guarantee
01:59that he will be a group of people tomorrow
02:01or to kill him.
02:03What?
02:05Wait, what would you do if he wouldn't have?
02:08And what now?
02:10God,
02:10God, that the crime is going to be a bunch of empathy
02:12and that he will start to kill him.
02:26Excuse me.
02:28Nothing. Thank you for your colleagues.
02:31Do you think about my unemployed?
02:34Is there any problem?
02:37This is a company.
02:39Maybe it's a problem,
02:40because the company is a place
02:42on whom you work,
02:43and not a place for private jobs.
02:45Let's go back to the job.
02:48When you talk about it,
02:50you don't have the right to talk about it.
02:52That's why we are in society.
02:54I am Elibor.
02:56I promised that I will
02:58this family, his family,
03:00hold up,
03:01and the children will be peaceful
03:03and peaceful.
03:05Okay.
03:06What do I have with you now?
03:07You don't have any connection with you.
03:09I am the man.
03:11I am the man.
03:14Everything is useless.
03:17In order to spend money
03:18that we don't have,
03:19I don't know,
03:21to send me to a monastery.
03:23It won't be paid.
03:23I don't want to hear you there.
03:25Even if you are free,
03:27I will get away from you.
03:29You will be better than me.
03:30That's your decision.
03:31That's your decision.
03:32That's your decision.
03:32That's your decision.
03:33That's your decision.
03:37That's your decision.
03:39I am the man.
03:39What do you think of the way?
03:42I think I'm going to renovate the building.
03:45So I don't want to be a bit
03:47on your seat.
03:49I think that's your job.
03:50I'm a bit more than you.
03:52I'm not even going to be a bit more than you.
03:53what do you think of the way?
03:56I'm going to be a good day.
04:06If you join me with them, instead of fighting with them,
04:14and then you fight together with each other.
04:19Baby.
04:21I don't understand you yet.
04:24I'm not even more than ever, but I don't know how to use it.
04:29You want to help you with Marianne.
04:33That's right.
04:33Okay, what do you suggest?
04:35I suggest one of you.
04:39I need something else from you.
04:41I'm standing on the floor, madam.
04:44I hope you have this information,
04:46because if you don't have it, you'll see it without thinking.
04:50Let's go.
04:52What's the name of the child, Velvora Tomić?
05:12But think it's like family writing novels,
05:18that they say that life isn't fun.
05:23Sometimes it's a lot, but often it's a lot
05:27And everything is not enough, but it's a sin
05:37Like love in the war, there's no way to do it
12:32No, nobody does.
12:33It is at your, your place.
12:36It is out, you have a goal.
12:39Yes, come on.
12:39I agree. But there is still a little bit left.
12:46Especially after everything that happened with your parents.
12:50Yes, unfortunately, it was in the past.
12:53And you are the only one left.
12:57And it is important to know how you are, whether you are good.
13:02I understand, yes. I think you are the only one left.
13:07Lenka, I wanted to meet you with your memories and memories of you.
13:12Yes.
13:14But I wanted to hear whether you are happy with me.
13:18Yes.
13:19It is because of that.
13:23And I am only because of that.
13:26Yes.
13:28I have a love for you.
13:32What a love for you?
13:45I have a love for you.
13:56Look.
13:58As you asked..
14:00As you called me for the finances, I have to tell you, it isn't a good situation.
14:04Nisam te zato zvala, ali eto, kad si već počela, hajde da čujem do kraja.
14:10Pa ništa, u principu to je to. Ja presipam iz šupljegu prazno, pokušavam da stvorim neki privid da je sve
14:18okej, a nije.
14:20I kako nam ide?
14:21Šta?
14:22Pa to, presipanje. Je li nam uspeva?
14:27Pa, za sada.
14:28Da.
14:29Dobro. Bar nam nešto ide, ali nisam te zato zvala.
14:36Nego?
14:38Saznala sam nešto o našoj omiljenoj zaposlenoj.
14:43Aha, Leji ili Suni?
14:46Ova druga.
14:47A, Suna, dobro. Šta si rećila?
14:51Kako se Beše zove njen brat? On je, dolazi ovde, ti si ga upoznala.
14:56Da, da, da. Relja, ako se dobro sećima.
15:00Relja.
15:02To je to?
15:04Šta je to to? Mislim, ne razume.
15:08Je znaš ti čije su to, dajeca?
15:11Ne, čije.
15:25Venka, da li imaš kontakt sa nekim u Vili Kanački?
15:31Prvo, to je sad vila u Žegoviće. Drugo, ne razumijem šta te to zanima sad?
15:36Hm, interes u me našto.
15:39Ne, nisam u kontaktu s Aleksom od kad me je povredio kao što znaš.
15:44A da li sad čujem u tvom glasu malo ljutnje?
15:50Pa naravno da možeš da čuješ ljutnju. To je jedina logična emocija koju mogu da imam prema njemu.
15:56Pa da nije bilo ljubav, ne bi bilo ni ljubav.
16:00Dobro, Aleksandra, vidi, ja stvarno ne vidim potrebu da ti mene sad nešto ovde psihoanaliziraš na tu temu.
16:05I onako mi je puna glava svega i još sada se bavi Maleksom i emocijama.
16:10Dobro, izvidi, nisam htav da te iznevjeram.
16:13Što te zanimat vila uopšte?
16:17Pa, vila je jedna važna građevina predstavlja istoriju ovog grada.
16:22Pa mislim, kjer sam da je običan, da vidim kako izgleda iznutra.
16:26Pa, ako te zanima istorija grada, evo izvoli, možeš lepo da odeš na Kalemegdan.
16:34Kalemegdan?
16:35Da, tamo imaš sunce, imaš reku, možeš da uživaš, malo saznaš nešto o istoriji i to ti je mnogo bolje,
16:41mnogo zdravije.
16:42Da, znaš da si upravo. I hoću.
16:45Evo, izvini, neću da smetaniš.
16:48Ne, ne, ne smetaš, sedi, hoćeš kafu, nešto.
16:50Ne, ne, žurim, ipak ću da idem na Kalemegdan.
16:53Dobro, ajde, ispraći ću te.
16:57Hvala ti puno.
16:58Jej, bravo mi je da ste videla.
17:00Čup.
17:01Ćao.
17:24To su deca Velibora Topića.
17:30Velibor Topić, poznati mafijaš i kriminalac.
17:33Pa dobro, šta sad s tim?
17:35Kako šta s tim, Banja?
17:36Ti slušaš šta ti ja pričam?
17:38Ona je čerka kriminalca.
17:41Nema nikakvog bogatog trgovca i tih ostalih priča što nam je ovde podveljivala.
17:45Pa razumem, ali...
17:47Šta ali, šta ali?
17:49Pa dobro, svako ima u životu nekog rođa kog se stidi.
17:53Ja sad ne razumem kako mi to da iskoristimo, tu situaciju.
17:56Nogo si ti tupava.
17:58Nisam ja tupava, ja sam sam...
17:59Nije jesi, tupava si.
18:00Ti si dolazila ovde i kukala si mi kako ti je pretila.
18:04Ja razumem to, samo ne razumem kakve veze ima sad pokojni otac sa tim.
18:08Šta? Šta tebi nije jasno?
18:11Pa li ti stvarno misliš da od takvog oca šta će deca da budu?
18:14Akademski građani, šta?
18:17Kaži mi kako ti se činio taj njen brat?
18:25Izvinite, koga tražite?
18:29Pa do sadi nisam baš bio siguran koga tražim, ali sad kad vas vidim...
18:35Mhmm.
18:37Izvinite, nisam baš razumela.
18:40Ne, izvinite, ja sam prije misli da se predstavio.
18:43Relja, Sunin brat.
18:46A!
18:48Drago mi je, ja sam Vanja.
18:51Drago.
18:52Ja sam došao malo da vidim kako je Sunin na poslu, kakvi su uslovi...
18:59Ako to ne morate da brinete, mi vodimo računa o svojim zaposlenima.
19:04Ma dobro, po ostalom to može i Suno da vam potvrdi.
19:06Da, da, da, da, sve je stvarno ovde divno i nemam potrebu da se žalim.
19:11Pa jel vam treba još radnika?
19:13Tako.
19:14Mislim kad čujem da su tako dobri uslovi, to je ove...
19:19Kakva je gazdarica, možda bih se i ja zao poslijeo.
19:24Kako da vam kažem, ali nisam ja gazdarica.
19:27Pa za mene biste bili i gazdarica i još ponešta.
19:39Drago mi je da smo se upoznali.
19:44Svećam ga sve ja dobro, on je došao ovde nju da traži i onda se meni ne bacio.
19:49Pa to je zanimljivo.
19:52A kako ti izgleda ovako, jel? Kao kriminac?
19:55Pa pravo ti kažem da, nisam o tome razmišljala, ali sad kad to tako kažeš, bio onako bezobrazan.
20:02Neotesan, onako, kako je kažem, intenzivan je bio.
20:09Jel? A taj neotesan i intenzivni momak od oca mafijaša, šta misliš da je mogao da postane u životu?
20:16Je bibliotekar sigurno, jel da?
20:18Ti si ju pravo. Mi njih moramo da otpustimo.
20:21Mi ne možemo da dozvolimo da našu firmu dovedu u vezu sa kriminalcima.
20:25Ne, dobro. Ne možemo to da uradimo.
20:28Kako misliš ne možemo, Gabriela? Mi moramo.
20:30Pa ne možemo da ugrozimo naše poslovanje koje je već ugroženo.
20:34Mi moramo da otpustimo ne samo Osulu, nego i Leu, zato što je ona znala a prečutkivala nam je.
20:40Vanja, nikome nećemo dati otkaz.
20:58Oooo, eloga, veliki pregovarač.
21:03Misli, da ti je robo, a?
21:04Ja sam.
21:05Ne, bre, nemoj tako proridno vršta tije.
21:08Šta?
21:08Ta je malo dosuptilnije, Peru.
21:10Čo?
21:12Čo?
21:12Čo?
21:13Čo?
21:13Toto je što baš zada me, da ja ti kažu, ja sam ti.
21:19Na sednom nebo.
21:21Šta si, majke?
21:24Gledaj čoveke.
21:25Jednom mu radi posao kako treba i odmaš je posto zvezda, a?
21:29Na. Da. Zvezda pozemlja koražen.
21:32Ne mislim što opud da latino, jedno.
21:34Pod toč se neko zaljivi kaže da je na sreba meloda, sumeš katerina.
21:38Ma te išeš mi reči kao da ne znam šta to znači.
21:41Nego, reci mi, majke ti, u koju si se sad nesreću zaljubil?
21:48Hehehe...
21:57I don't understand. I mean, how do we not give anyone advice? Everything is so evident.
22:04We cannot do that, because Alex would not do that. He would be opposed.
22:08He would never give me advice on his own business, even if he had a fiege.
22:13You know how he does everything according to the rules?
22:15I know, Gabriela, but we are against the company.
22:18I don't have to be a marketing instructor, to say that it will be a threat if we are dealing
22:24with criminals.
22:25I know. I'm aware of that.
22:28Are you aware of what the tabloids know that the mafia princess is the director of marketing?
22:35Do you know what to do at the company?
22:37I don't know. Who would have come, what would happen? I don't understand.
22:40How would who would have come? We would not only have news on our heads.
22:45The police would have come.
22:47I would have come.
22:49I would have come.
22:50I would have come.
22:52Okay, sorry. I'm going to say that I know.
22:55I know.
22:55I'm sure.
22:55Okay.
22:56Okay.
22:57Okay.
22:57Okay.
22:57I don't want to remind you that your head would be the first one.
23:01Why would it be my head?
23:02Why would it be my head?
23:03Why would it be?
23:04I think I have taken the money that had to be the humanitars,
23:08and they were coming to someone.
23:13I would have gone.
23:14Okay.
23:19Okay.
23:20Okay.
23:23Okay.
23:23I just think that we have to do this very slowly.
23:25And we have to think about what we will exactly do.
23:31Do you understand?
23:32I understand.
23:33And we don't want to get into conflict with them.
23:37What do you want to say?
23:39That I need to hear from their provocations?
23:41That they will be inexplicable?
23:42And I will hear that?
23:43And that doesn't fall on memory, Gabriela.
23:46Okay.
23:47Okay.
23:48I would recommend you to hear that.
23:50In the same way,
23:53maybe you will fall down the metal chainsaw under the nose.
24:03Okay.
24:05Tell me.
24:07Something?
24:08No.
24:25I don't know why you all have to go.
24:29People are looking for love.
24:29Hang on.
24:32Watch this.
24:32And I will be able to go for a little bit.
24:39That's the reason I hate you.
24:43Who is in love?
24:44Let's go for one bit.
24:44Let's go for one bit.
24:44I don't know.
24:44I was a little bit.
24:46You've got a little bit.
24:47I'm sorry, I'm sorry.
24:48I'm sorry.
24:49My mother is...
24:51My mother is...
24:54How can I know that?
24:56I was in my life...
24:58Yeah, I was...
24:59I can tell you, that you are very nice,
25:01and you are a person.
25:04You're just a nightmare in my life, mother.
25:07Okay, brother, what's wrong?
25:08What's wrong, brother?
25:10Your friend can't be able to thank you
25:12that I found you in my life.
25:13And we are robots.
25:15We are only working on this job,
25:17and we are working on this job.
25:19I want to give you some nice news.
25:22You can?
25:23You can.
25:24You can.
25:25You can.
25:26You can only do it yourself.
25:28You don't have a minute to tell me.
25:30What?
25:30What do you want to tell me?
25:32Here, I'll tell you.
25:33Because you are completely degraded.
25:36You don't have anything,
25:37but in the midst of half of the city
25:40you have the greatest crimes
25:41and you don't want to tell me.
25:43You are now like a clown.
25:45You see what you say.
25:46And you tell me about some love.
25:50Okay, okay.
25:52My brother, what do you want to tell me?
25:54Let's start talking about
25:56how to find Dr. Milošević
25:59and Natasha.
26:19What are you doing?
26:20What?
26:24I don't know.
26:26I see that I'm fucking mad.
26:28I don't know.
26:29Wait, bro.
26:31I'll pour this stuff.
26:33You're going to pour it.
26:34You've got to pour it.
26:35Don't pour it.
26:36You've got to pour it.
26:37When I pour it?
26:38You've got to pour it.
26:40I'm forgot.
26:41Let's sit down.
26:46Let's go.
26:48Let's go.
26:49Oh, my mother.
26:52Oh, my God.
26:55Oh, my God.
26:57Oh, my God.
26:59Oh, my God.
27:00I love my child.
27:01I love it.
27:03It's tough.
27:06Help me.
27:07I don't know.
27:07I don't know.
27:09If she went to her like she is,
27:11she would be back home,
27:14my mother.
27:15Okay.
27:15Well, come back.
27:16Let's go.
27:17He'll clean his head.
27:18It's all.
27:21I don't know.
27:22I don't know.
27:22I don't know.
27:23She will be back home.
27:24She will go back home.
27:26When?
27:27When?
27:27When he's a little calm.
27:28Oh, when he's a little calm.
27:31Let's go.
27:32You don't know him well.
27:35You don't know him.
27:36You don't know him.
27:38Never happened to him like this.
27:42Never.
27:43He has no experience with these people
27:45and these situations.
27:52Oh my god.
27:55I'm afraid he doesn't explode.
27:59No.
28:00I don't know, Nado.
28:02I'm afraid he can do something.
28:04He can do something that's not done after.
28:07No.
28:08No.
28:09No, he's not that guy.
28:11I don't know him.
28:13I've been looking for him.
28:14He didn't get lost.
28:18Oh my god.
28:20I'm going to do something.
28:21Do you believe me?
28:26Do you believe me?
28:41No.
28:45No.
28:47No.
28:48No.
28:49No.
28:49No.
29:02No.
29:05No.
29:06No.
29:17No.
29:32No.
29:32No.
29:40No.
30:00No.
30:02No.
30:02No.
30:03No.
30:28No.
30:29No.
30:32No.
30:32No.
30:34No.
30:35No.
30:36No.
30:37No.
30:43No.
30:47No.
30:49No.
30:51No.
30:52No.
30:53No.
30:53No.
30:53No.
30:53No.
30:54No.
30:55No.
30:55No.
30:56No.
30:57No.
30:57No.
30:58No.
30:58No.
31:04Except for her, that's the other way.
31:05Hang on...
31:06She wants to take care of her.
31:09What do you want to take over?
31:12Yes, she wants to take care of her in the house
31:16and has an absolute control for her daughter.
31:22That's right!
31:23I'm not sure how to do a...
31:24What do you know?
31:26I know that she was a good one and that she was a good one.
31:31I want to play with her game and play the test.
31:37That's it. I don't know Alexa.
31:43You can't do it.
31:46No, you're not.
31:47What do you mean?
31:50What do you mean?
31:51I'm not sure.
31:51We thought we should go.
31:55Wait, do we go?
31:57Yes, do we go.
31:58Do we need to repeat it?
31:59No, let's go.
32:09Horvat, he's a good one.
32:13He's a good one.
32:13He's a good one.
32:16Although...
32:18Natasha isn't so slow.
32:22I don't see the reason why she would find her with me,
32:25because she was back from Burazera.
32:29What do you know?
32:31What do you know?
32:34I know that it's the top fish.
32:37It's really a bomb.
32:42I've tried to throw something out of me,
32:44and I'm afraid that I would never see you with me.
32:46Yes.
32:47You're talking about fish,
32:48and I'll be with you.
32:49What do you mean?
32:50No, I'm not dekinted,
32:52and I'm not scared as a boxer for you,
32:54and you have more chances.
32:55No.
32:55What are you doing?
32:56You're a good one.
32:57Okay, let's talk about what you know before.
32:59Before that,
33:00before that,
33:01I know that he was taken to Burazera.
33:03I know that he's working at a company.
33:05That's more than that.
33:11You're here, man.
33:12What are you talking about?
33:13Are you listening to me?
33:14No, no, no, no.
33:15I'm not thinking about it.
33:16I'm listening to this.
33:18I'm listening to this.
33:19I'm listening to this.
33:20We're doing a strategy for the future.
33:22Okay, Burazera.
33:23You're doing a strategy for me.
33:25I'm not here.
33:27I'm here.
33:29I'm here.
33:30I'm here.
33:31You know who I am?
33:50What are you talking about, Mido?
33:52Well, it's a shame.
33:53Well, listen.
33:54Look at all the things you heard.
33:56I think that it could be a little easier.
33:58Do you understand?
33:58A little less.
33:59No, my God.
34:01Well, that isn't my female intuition.
34:04That I'm not moved into all the ways I'm moved into.
34:09So, Rospijetina would have destroyed him more than ever!
34:13Okay, all of us think so.
34:15Budget, but life sometimes rejuves some things on their own way.
34:19We can't do this.
34:20And wouldn't it be better that I opened my eyes?
34:23I don't want to.
34:27I don't want to.
34:28I don't want to.
34:29I don't want to drink, understand?
34:30I don't want anything.
34:31Wait a minute.
34:32Who would help him if not?
34:34Okay.
34:35What is it?
34:37I helped him to break his grave.
34:39KURVICU!
34:39KURVICU!
34:40No, it's not a grave.
34:43That's it!
34:45And it's not like that, Pancetta, that you come and tell him everything.
34:50It's like you put him on his arm.
34:52Do you understand?
34:54But now nothing.
34:56You can only wait and...
34:59That's it.
35:01Tension won't help us.
35:03Wait a minute.
35:04What?
35:04You tell me.
35:06You should have to sit with my hands.
35:09No, Pancetta, you can't do anything else.
35:11What?
35:12How much?
35:13You can't do it.
35:15You can't do it.
35:17You can't take it.
35:18You can't take it.
35:18You can't take it.
35:19You can't take it.
35:21You can't take it.
35:22I'm going to drop him, I'm going to drop him.
35:24Yes, I like that.
35:27I'd like to say that it's going to be about Ivan.
35:29What happened?
35:30Well, Ivan, you know that it's not the most successful situation.
35:33You see, I'm really afraid of the government that I don't have money to finance it.
35:37I just wanted to talk about that. Maybe we found something new.
35:41What?
35:44I've closed the pact with Žikom.
35:57What does he want for us?
36:00I don't know. I don't know where he lives, I don't know where he lives, I don't know where he
36:04lives, I don't know what he eats.
36:07I don't know, but they say that he's the first class of Lopov.
36:25Let's listen to me now. I really love when you come here, but...
36:31Is there any problem?
36:33I see.
36:34These people in my company, where I work...
36:39They...
36:40Nobody knows who I am, I know.
36:43Nobody knows who I am, my family, my father, my brother, nothing.
36:47Why?
36:47Why?
36:58What's happening?
36:59I would like to be a little more interesting thing.
37:02To be a little more interesting thing.
37:05Well, you see, we're all the interesting things.
37:09I've talked with my mother.
37:12Okay.
37:13What did she say to you?
37:14I've had a pretty unusual desire from me.
37:19What a desire?
37:34I've lost my life, my career, my love.
37:38He said, what did you say to me, Cleo?
37:42Let me tell you.
37:44I tell you the same way.
37:46In the best days, bro.
37:48You can see it for the next time, and you can find it in this room.
37:51You're right there, and you're right there now, like...
37:53Now you're right there.
37:53When they don't go, they don't go.
38:08It's not a dream anymore.
38:11It's not a dream anymore.
38:13I'll be looking for it.
38:13Okay, there is no need for it to do so.
38:15There is no need for it.
38:17I give my money.
38:18Where I want to, where I want.
38:20Who wants to.
38:33I don't understand what you're talking about.
38:36I'm giving up a curse. I don't want to break it.
38:39What a curse, man. Do you hear yourself? What are you talking about?
38:44The way I'm talking about our world.
38:47What a curse, man.
38:49Do you hear what you're talking about now?
39:03Don't have to stop. You don't have to stop.
39:08If you've arrived here, because of your little pity and yearna,
39:12then say it to heaven.
39:13You weren't hanging out with bling around.
39:16You made fling down, you put a cup of tea,
39:20taking out the surreal things.
39:21I don't like it, I'll drop it, I think.
39:33What?
39:33My head is here.
39:35Wait for me.
39:36You don't have anything to do with it.
39:38No.
39:38Did you put it in your head?
39:39No, no, no.
39:42I have to call.
39:43I have to go to the car.
39:45Where is my card?
39:46What car?
39:47What car?
39:48Oh, of course.
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