- 4 hours ago
Category
📺
TVTranscript
00:03Something is over the place!
00:04Here!
00:05Oh, we gotta get to a boat!
00:07Go, go, go, go!
00:08Get to a boat!
00:09Oh, God!
00:26You all right?
00:27Yeah.
00:30You all right?
00:34Hey, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait, wait!
00:36Hey!
01:00What are you doing?
01:01What are you doing?
01:08Wow.
01:19Oh, God.
01:22Okay, hurry up.
01:23Come on.
01:27Poor Billy.
01:28Poor Billy, poor Billy, what do you mean?
01:30He missed it.
01:31Yeah.
01:34Well, that's not all he missed.
01:38Come on, hurry.
01:40Shit.
01:41Shit.
01:43I lost my gun in there.
01:45Come on, let's go.
01:52Lee!
01:54Huh?
01:55Hey!
01:55Where are you going, gringo?
01:57Okay.
01:58Okay.
01:59Okay.
02:00Easy.
02:01What's the camera?
02:05Do you really think he's gonna let us go if we give it to them?
02:08Okay.
02:08Okay, well...
02:09Dale's the camera.
02:11Sorry.
02:12Mira, déjanlos ir.
02:13Nadie va a creerles.
02:15Van a pensar que están locos.
02:17SÃ.
02:17Alguien les va a creer y van a venir.
02:20Van a ver si lo que dicen estos locos es cierto.
02:23SÃ.
02:23Van a profanar nuestra tierra, estos incrédulos.
02:27Nuestra tierra, nuestra villa.
02:29No es cierto.
02:30¿Qué va a pasar, entonces, cuando Cocai no regrese?
02:33¿Ah?
02:34¿Qué va a pasar con nuestra vida, con nuestra pesca?
02:36¿Nuestra comida con nuestros peces?
02:38Nuestros secretos se van a quedar en esta villa.
02:46Dame la cámara.
02:51Dame la cámara.
02:53Dame la cámara, adelante.
02:54Dame la cámara, adelante
02:56Dame la cámara.
02:57Dame la cámara Mira.
02:58Dame la cámara.
02:59Ah...
03:02Dame la cámara.
03:03La cámara esочку.
03:13ALACAR.
04:42I'm assuming you're going out to grab a bite?
04:45I need to go home.
04:48Yeah.
04:50You were going to leave without saying anything?
04:52I'm only causing trouble here.
04:54I don't belong.
04:55No, I don't believe that.
04:57I think you have a purpose here.
04:58No, I don't.
05:00I bought into all of Dad's crap about this being my legacy.
05:04Yeah, maybe this is your legacy.
05:07Kate, you look Godzilla in the eye.
05:10You went to Axis Mundi and back.
05:11I saw you.
05:13Yeah.
05:14And what happens when people find out I'm the person that released a new Titan into the world?
05:18I think this is just what's best for everyone.
05:24Well, then you don't know what's best for me.
05:34Any idea how long it'll be before this ship can get underway?
05:37We're not going to know how much damage was done to the engines until we get engineers on board.
05:40In the meantime, it's been three years since Godzilla, and we have our first Titan loose in the world.
05:46Barriss and the rest of the board want to keep things under wraps to avoid panic.
05:49Now, the last thing we need out there is mass hysteria.
05:52And exactly how are we supposed to hide a Titan?
05:54What if we could?
05:59You two have something?
06:01Well, what if instead of waiting for it to appear, we could lead it where we wanted to go?
06:08Away from population centers, while we work on a strategy to deal with it.
06:13The Titan turned to follow us because the Scarab emitted a sound.
06:17That's what the Titan responded to.
06:19If we could replicate the sound...
06:21I believe that can reconfigure the emulator coils on the Suzuki device to emulate the frequency.
06:26Waxup Kong destroyed your device on Skull Island.
06:32I have another one.
06:36It's a prototype.
06:37In my workshop, here in Tokyo, just outside Shibuya.
06:41What?
06:41That's amazing.
06:43Okay, okay.
06:44So we build a Titan dog whistle, and we lure it out here into the Southern Ocean somewhere,
06:49and then what?
06:51One thing at a time.
06:52But the first thing we need to do, obviously, is get to that prototype.
06:57Excuse me, sir.
06:58We need you in the command center.
07:02We need you in the command, override access to the whole system.
07:17Uh, hey, excuse me.
07:19Hi.
07:19Can I help you?
07:21Ah, I'm guessing by the air of command in that bed, you must be Tom.
07:25Tim, actually.
07:26Right.
07:26Uh, Jason Trissett, head of special projects, Apex Cybernetics.
07:30Wait a minute, wait a minute.
07:31Wait, wait, wait, wait.
07:31Apex, we weren't expecting you.
07:33Oh, yeah, we need to get a jump on the situation, so I hopped a chopper.
07:36There is a Titan on the list.
07:38Take a look at that, mate.
07:39Yeah, we're aware.
07:41But I don't know, you guys are upgrading the sensor system?
07:44Well, you could call it an upgrade if you'd say that dropping a Ferrari engine into a Pinto
07:48is a tune-up.
07:50Whoa.
07:51I didn't...
07:54What we're developing is an ultra-long-wage sonar system that can piggyback to your arrays
07:59and extends their range and sensitivity.
08:00This is the best chance you have of finding that Titan.
08:05Okay, see, great.
08:07Just try to stay out of our way.
08:10I'll have somebody let you know where the coffee machine is.
08:12I'm afraid that's more than that.
08:14Um, since you lost trail of the Titan, my team's been granted operational control of our post-A-team
08:20on a temporary basis only.
08:22What?
08:23No, no, no, no, no.
08:24That doesn't make any sense.
08:29I'm, uh, I'm gonna call Director Barris.
08:31This is not the right...
08:32Give him my regards, yeah?
08:36They are a private corporation.
08:38How is Apex in charge of a monarch operation?
08:41You had orders to track down that Titan.
08:43Which I followed.
08:44But then I had to decide between that and saving those ships.
08:48So now we don't know when or where that thing's gonna turn up.
08:50I made the right call.
08:51You did?
08:52Or was it leaving Shaw?
08:56Sir, whether monarch wants to admit it or not,
08:59Colonel Shaw has a lifetime of experience.
09:01He is a criminal.
09:02We would be idiots not to listen to him and Dr. Randa.
09:05Do I need to remind you what happens when there's a Titan rampaging through a city?
09:08Because I would...
09:08Are you through?
09:10I don't know.
09:12You tell me, am I?
09:15The jury's still out.
09:17But here's the deal, Tim.
09:20Apex is offered us access to technology that may allow us to find that Titan
09:23before the public finds out what's happening here.
09:26And to that end, I'm gonna need you to support them
09:28and give them any kind of assistance they need.
09:30And to hand over Leland Shaw and Dr. Keiko Randa
09:33before they create yet another catastrophic event for monarch in the entire world.
09:37What, Dr. Randa's?
09:38Without delay.
09:41And I trust that message didn't come through Garbled.
09:45Wait, so who are Apex Cybernetics?
09:48They're a technology corporation.
09:51Bio-medical research, neural implants, real bleeding-edge stuff.
09:55So Monarch's farming out its mission to big tech now?
09:58No, no, not the mission, just the hardware.
10:00Apex has deep pockets.
10:02They were waiting to fund their operation on Skull Island.
10:04We wouldn't have gotten you guys back without them.
10:06Oh, so far I love these guys.
10:08But I don't know what's in it for them.
10:10Well, I can tell you that it's not for humanitarian reasons,
10:12but if there's money to be made in the Titan business,
10:15they're all in.
10:16And Monarch can't afford the mass panic.
10:18They gotta keep this under wraps.
10:21Be careful out there.
10:22As soon as they know you're gone,
10:24they're gonna have half of Tokyo looking for you.
10:27Hey, do you really think this Titan sound
10:29playing of yours is gonna work?
10:35Outstanding.
10:42Outstanding.
11:00Outstanding.
11:11That didn't take Monarch long.
11:12What?
11:18If we get this thing going, we can lead it to the middle of the ocean so Monarch can deal
11:22with it.
11:26No one has to know the Titans out there.
11:28How'd you get this through customs?
11:30Many bribes.
11:31You built this?
11:32Based on Dr. Suzuki's original designs.
11:35His Titan phone.
11:36It's so much smaller than his.
11:38But considerably more powerful.
11:41He used it to awaken Godzilla.
11:44You called Godzilla?
11:45Godzilla was more of a side effect.
11:47I was trying to open a rift to build up on yours and build all theories about the Titan network.
11:53All right, so we know that this thing can call in Godzilla, but what's the process here?
11:56We'll need to modify the gamma ray emulator to broadcast the Titan's acoustic signature we picked up on our post
12:01-18.
12:02Titan's song.
12:03It's a pretty extensive modification.
12:06You say extensive, and I hear time-consuming.
12:09You know, we've got a Monarch on our tail and a Titan on the lamp, so how can we help
12:13move things along here?
12:14Kentaro and I need to collect some components, but, uh, I could use the original wiring diagrams from the office.
12:19Think you guys can handle it?
12:20Just need an address.
12:22We've handled worse.
12:30Come on, come on, Kent. Go, go, go, go, go. Come on.
12:35Wait, hold on, hold on. Stop.
12:37Give me the camera.
12:38We have to keep moving.
12:39Give me the camera.
12:40We need that film, Lee.
12:41The camera.
12:42Give it to me. I'll give you the film.
12:43I'll get you the film.
12:44They're coming.
12:45I know.
12:45Look at this.
12:47There's your camera.
12:48There's a film.
12:51Goodbye, soon time.
12:51They're over.
13:38They're over.
13:46Let's go!
13:48Let's go!
13:50Let's go!
13:51Let's go!
13:51There's nothing here!
14:13Oh, my God.
14:48Everything's fine, okay?
14:50We're going to be okay.
14:57Come on, let's go.
15:16Hi.
15:16Hi.
15:20Thanks for meeting me.
15:21Seems like a cool place.
15:24So, shouldn't you be at Outpost 18,
15:27monitoring GTAS or whatever?
15:30Um, most likely the only thing they're going to need me for
15:33any time soon is an exit interview.
15:35Let me guess.
15:36You devoted your life to something, poured your heart and soul into it,
15:40just to wake up one day and realize you might have made a bad bet.
15:46To disappointment.
15:47The only thing that never fails is disappointment.
15:50I'm fine, loser.
15:55So, what are you going to do now?
15:57Eat noodles, get drunk.
16:01Is there a phase two?
16:02Uh, I mean, there's an opening at Monarch,
16:04but I haven't checked out the perks package yet, so...
16:07Well, I'm sure it's not nearly as good as Apex.
16:10No, Apex has a barista.
16:13And you have the pods.
16:15Listen, maybe we shouldn't be looking past him.
16:19I mean, maybe we should be looking at it.
16:22This whole technical makeover of Outpost 18, I mean,
16:26if we can use their tech, great.
16:29But handing over a Monarch asset to a private company?
16:34It does not make sense.
16:35Yeah, I know.
16:36Welcome to the free market.
16:38Look, I'm...
16:40Telling you, they are up to something.
16:42And we are just seeing the tip of the iceberg.
16:46I just think it would be nice to know someone on that particular iceberg.
16:53All right, I'm feeling like a little drunk,
16:54so you need to stop talking in metaphors and tell them what you want.
16:57What I want is for you to ask Brenda Holland for a job.
17:02I want you to be a mole at Apex.
17:06So what, you think that they're up to something that...
17:09I don't know.
17:10But they seem pretty damn invested in it.
17:13If they're up to something, they could start another G-Day.
17:20So how would this work?
17:26How did you get a job in the first place?
17:31Well, I mean...
17:32The best way to get a job...
17:36Is to have something that they need.
17:40And that...
17:41I have.
17:53Have a good day.
18:17I have a good day.
18:18I can't remember...
18:33I can't remember.
18:34I want mybabies.
18:34I know if it's not you.
18:34I'm going to talk to you, I'm going to ask her.
18:34I'm going to be a good day.
18:34So I do not know how I am going to be a bad day.
18:36I do not know when I am going to here.
18:38So I am going to be a good day.
18:39No, I know when I am going to be a good day.
19:03Hi, Mom.
19:07Oh, my God.
19:11Oh, my God.
19:17I'm back.
19:18It's okay.
19:19All right, here it is.
19:21Wow.
19:22You sure I can't help?
19:23Yeah, you can do the dishes.
19:24I can't believe that you didn't let us pick you up at the airport.
19:28Come on.
19:29It's my specialty.
19:30Yeah.
19:31I got an earlier flight and wanted to see the city.
19:36Cheers.
19:36Cheers.
19:46So, can you tell us anything about where you were, or is it all top secret?
19:50I'm sure that Kate will tell us all about her adventures in her home time.
19:55It doesn't even feel real.
19:58For me, I've only been gone a few days.
20:01And there's really another world where those creatures live.
20:06And you were there.
20:08There and back again.
20:12Oh, wow.
20:14So, what now?
20:16I don't know.
20:18Hey.
20:20Go see.
20:22Do whatever you need to.
20:24You know what?
20:25I saw Martin and a couple of your teacher friends the other day.
20:28Maybe you should all get together?
20:35Whatever happened to you, Kate, it's over now.
20:38It's in the past.
20:41This is the new normal, right?
20:47All right, let's find those wiring diagrams for Hero and get out of here as quick as possible.
20:51I'm going to get the blinds.
20:54Oh, man.
20:56Well, that'd be a big help if Hiroshi ever labeled anything.
21:01Hasn't changed.
21:04It's...
21:16Wait, did Kate and Kentaro, do they have different mothers?
21:23Yeah.
21:27Was Hiroshi a widow?
21:31Divorced?
21:36This is not my story to tell.
21:40Lee, I just want to know.
21:41Is he...
21:43Is he all right?
21:44Is he happy?
21:46Ask him.
21:48I guess we all have our secrets.
21:59Hold on.
22:00Hold on.
22:01Wait, wait, hold on.
22:02No.
22:03What now?
22:05We can take cover in there.
22:07I can dress that for you.
22:09Come on.
22:17Come on.
22:23That's my bad.
22:27All right, let me see.
22:30Oh.
22:31Yeah.
22:33You got to get it.
22:33I got to dress that.
22:47Worst comes to worst.
22:49You can get these photos back to Billy.
22:51Yeah.
22:52That ought to go over well.
22:54Perfect.
22:55I, uh, lost your girl, pal, but, hey, here's some glamour shots of the thing that killed her.
23:08This is gonna hurt.
23:16You ready?
23:21Yeah.
23:23You ready?
23:25Ready?
23:25Say what?
23:30Good job.
23:31Um, how's it look?
23:36I don't think you're gonna make it, Kay.
23:43Impressant bedside manner.
23:45Yeah.
23:46Well, I am not the doctor, doctor.
23:56Lee, what happened back there?
23:58I don't know.
24:00It looked like that creature came for those scarab things, and then we just got caught in
24:06the middle.
24:06I don't know.
24:06You know what I mean.
24:11Well, we danced.
24:12Yeah, we danced.
24:15I thought we were both passed down.
24:17I know.
24:18We both agreed.
24:19I know.
24:22Look, I don't know what you thought you felt, but it wasn't real.
24:26You're with Billy, we love each other, and that's the way it was.
24:32It was the wine.
24:36So...
24:40No more wine.
24:59This is it.
25:16You know what? I think I want to go somewhere else.
25:20Straight ahead, please.
25:33Hello, Cora. How are you? I have to admit I was surprised to get your call. Have you finally
25:40decided to start taking yourself seriously? Yeah, I want to try. Try won't cut it, Cora.
25:48I'm serious. After everything that I've been through, I feel like I need to have some type
25:53of purpose. I want to use what I know to stop tight necks. The last time we worked together,
26:00you tried to burn my house down. That can't happen again, Cora. I know. I understand.
26:06You erased all the copies of the code, no? No. I erased all of your copies of the code.
26:18Come inside. Monarch can't keep their secret hidden forever, Cora. The world will find out.
26:24It's about what happens next.
26:46Hey, Rowe. Hey, what are you waiting? Did you take that hat from my office?
26:50It's a city with 40 million cameras, you know what I mean?
26:53So you got him? It took us a little while to decipher your filing system, but yeah.
26:57You? Yeah. We have what we need.
26:59I'm kind of exposed out here. Let's get back to the shop.
27:02I think we should split up. All right.
27:04Kintyra, why don't you come with me? We'll scout up ahead. Come on.
27:09Hey. Hey.
27:15Your office reminds me so much of your father's. How he kept his space.
27:24I don't really remember.
27:26You used to drive me crazy, remember? It's impossible to find anything.
27:33I miss it more than anything.
27:36This must be difficult for you.
27:39I saw photos of Kentaro's mother and Kate's.
27:47You were married twice.
27:50This isn't really the time.
27:57I know I left you a long time ago, but I'm here now and I want to know you.
28:08About your life, your family, your children.
28:14Everything I missed.
28:15I wasn't married twice.
28:18I loved two women.
28:21Kentaro's mother here.
28:23Kate's in San Francisco.
28:26I gave in to what my heart wanted.
28:28I don't expect you to understand.
28:30I don't know.
28:58For a while.
29:01Maybe we should get going.
29:05Did you get any rest?
29:08The army teaches you to sleep with your eyes open.
29:12No.
29:13It's not.
29:14It's a little flesh wound.
29:19Honestly, you'd rather sit here and bleed to death than admit you need help.
29:24Hey, come on.
29:25What blew you to me if you can't move?
29:26Bleeding stopped.
29:27Mostly, but it could get infected.
29:29Give me a knife.
29:39I think we're going to perform surgery.
29:42Don't.
29:43Okay.
29:44Jesus Christ, go easy on me.
29:46Who's the tough guy now, huh?
29:53Okay.
29:54Enough.
29:55I got it, Kate.
29:56We got to go.
29:56Still.
29:57Come on, Kate.
29:59Why do you always do this?
30:00Do what?
30:01Take care of everyone else but yourself.
30:03What I always do is follow you into every situation against my better judgment.
30:07But you run right into danger every goddamn time.
30:10I was saying I'm reckless.
30:11Yes, Kate.
30:11We almost died out there.
30:12But don't you understand about that?
30:13Yes, we almost died.
30:14But there's always been a possibility.
30:16And if you can't handle it, you can leave.
30:20I can't leave you.
30:22I can't leave you.
30:30I can't leave you.
30:32I can't leave you.
30:38Yes, I can't leave you.
30:39No good.
30:44Don't you?
30:45It's been a long time.
30:45There's no way to do it.
30:47I can't leave you at any time.
30:47I can't leave you.
30:47I can't leave you, too.
30:50You'd love it?
31:18Wow, I gotta admit I was surprised to get your text.
31:21So what do you want to drink?
31:23Hey, two beers.
31:27I never could resist that smile.
31:30That was the problem.
31:31You were the problem.
31:33You know that.
31:35Okay.
31:37So, welcome back.
31:39Thanks.
31:40How's, uh, Hannah?
31:41Danny.
31:43Long time ago.
31:44Good.
31:48There's something different about you.
31:52One.
32:03Two.
32:04Two.
32:06Two.
32:09Two.
32:12Two.
32:13One.
32:13Two.
32:13One.
32:15Two.
32:16Two.
32:16Two.
32:19Flipping.
32:47Jesus Christ.
32:51They've been following us since the beginning.
33:16Clever girl, Brenda.
33:30Why the hell did they take it?
33:34Maybe they want the world to know this thing is out there.
33:54It's fine.
33:55No, I don't think it is.
33:57It's fine.
33:58It's just a watch.
33:59Just a watch?
34:02Do you have an evac plan?
34:04No, I don't.
34:06It doesn't matter, okay?
34:07It was me.
34:08It was all my fault.
34:09What are you talking about?
34:13Okay, you know what?
34:14Forget it.
34:15Um, we gotta go.
34:16Let's go.
34:17Let me go!
34:19No, please, let's go.
34:20No!
34:23You need help.
34:25I'm gonna go home.
34:27I think that you should, too.
34:32Once again, you Titan have been spotted in the Pacific Ocean.
34:36You've got to go home in the Pacific Ocean.
34:38You've got to go home in the Pacific Ocean.
34:49You've got to find the Pacific Ocean.
34:57Wee, what do we do now?
34:59Well, you can't go back to the village, obviously.
35:02We gotta find a boat,
35:03a way to get a message off the island.
35:05No.
35:11What are we gonna do now?
35:16No.
35:19Keiko!
35:22Keiko!
35:26Keiko!
35:33Keiko!
35:41Keiko!
35:42We're so lucky we found you.
35:44We've been looking everywhere.
35:47I'm sorry.
35:49No. It's okay.
35:51No, it's not.
35:51It's okay. It's okay.
35:52I shouldn't have left.
35:53I shouldn't have left.
35:54You were right.
35:56You were right.
35:58We stick together.
36:04What is it? Are you okay?
36:07You okay?
36:08What happened?
36:09Nothing. Nothing.
36:11Everything's fine.
36:11Okay.
36:12Everything's fine.
36:12We're not good.
36:13Oh, man.
36:15No.
36:17No.
36:32No.
36:33No.
36:35No.
36:35No.
36:37No.
36:39No.
36:41No.
36:42No.
36:42No.
36:44I don't want to lose any more!
36:46Stop! Stop! Everybody get out of here!
36:48But if you open that rift again,
36:50you don't know what you're going to leave.
36:52You don't know what you're going to leave.
37:01We should never push that button!
37:04Hey, no!
37:05Hey, no, go, go, go, go!
37:19Hey, dude.
38:01Dear Lee, first things first, I do love you.
38:07I realized it that night. I always have, and I always will.
38:14But Billy has my heart, so what happened between us can never happen again.
38:21It would destroy everything we have built together.
38:25It would destroy a good man who we both love.
38:28I won't allow that to happen.
38:31And I don't believe that you want that either.
38:34In another lifetime.
38:37In another world.
38:39This could have been about us.
38:41Maybe in the next lifetime, we will find each other again.
38:46Until then, I remain your Kate.
39:17You don't see.
39:21We'll find another way.
39:24We'll build another device and use it to get the Titan safely away from the world.
39:28It took me six years to build that one.
39:30We'll do it together.
39:32We have the blueprint.
39:33And the time it will take to even get the components.
39:35The Titan could have killed the gun knows how many.
39:38Now the world knows.
39:40The panic will cause...
39:41We'll go back to Monarch.
39:43Monarch.
39:45Monarch.
39:51Monarch.
40:27That's not true.
40:29I never saw him again.
40:32Billy would never leave you, no.
40:34I was just a child.
40:35But I do remember.
40:37Well, there must be some other reason.
40:39Tell me.
40:40What is it?
40:41What makes a man abundant?
40:43An 11-year-old boy.
41:17You're up?
41:18You up there?
41:18Your dinner's ready.
41:24What's going on, buddy?
41:27My knife got dull.
41:29I was hoping Uncle Lee would have something to help.
41:32Yeah, he was always good like that.
41:34I miss him.
41:43Yeah, me too.
41:47Yeah, I miss them both.
41:51Hey, why don't you, uh, go pour yourself a glass of milk.
41:54I'll clean all this up, all right?
41:55Okay.
41:56All right, come here.
41:59All right.
42:04All right.
42:08All right.
42:36All right.
42:38All right.
43:01All right.
Comments