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PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.

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Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!

Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
Transcripción
00:00:27¡Gracias!
00:00:58¡Gracias!
00:01:19¡Gracias!
00:01:46¡Gracias!
00:02:01¡Gracias!
00:02:05¡Gracias!
00:02:13¡Gracias!
00:02:19¡Gracias, Pop!
00:02:20You sure missed a wonderful luncheon.
00:02:22Contradiction, please.
00:02:23Not having eaten, have missed nothing.
00:02:26I had turtle soup, chicken a la king,
00:02:28y tres cream puffs.
00:02:30¿Then hay un ice cream?
00:02:31¿Puede, Doc?
00:02:33Mention de la comida más painful
00:02:35que el surgeon's knife
00:02:37sin anestesia.
00:02:38¿Puedo ir a tu medicina, Pop?
00:02:41Una buena dose de land,
00:02:42solo una efectiva medicina.
00:02:44La bulletin board dice
00:02:45que se va a dock a 4 o'clock
00:02:46esta noche.
00:02:47La única sight de dock
00:02:48que no hay un interés en la vida.
00:03:28La bulletin board dice
00:03:37La bulletin board dice
00:04:00¡Stoid!
00:04:01¡Stoid!
00:04:02¡Stoid, get me out of here!
00:04:03¡Stoid, somebody open this door!
00:04:08¡Stoid!
00:04:10¡Stoid!
00:04:11¡Stoid, help!
00:04:13¡Open this door!
00:04:15¡Stoid!
00:04:16¡Stoid!
00:04:17¿You hear that?
00:04:18¡Yeah, it sounded like
00:04:19somebody calling for help!
00:04:20¡Stoid, somebody get me out of here!
00:04:24¡No, no!
00:04:27¡No, no!
00:04:31I'm so sorry to intrude.
00:04:34But etiquette ignored when lady in distress.
00:04:38I guess it must have locked accidentally.
00:04:41Chair on the doorknob indicate purpose, not accident.
00:04:47Better check your belongings, miss.
00:04:48It looks like a robbery to me.
00:04:51Why, I can't imagine.
00:04:53¿Por qué no hay nadie que quiera robar mi estatero?
00:04:57Después de todo, no hay nada de valor aquí.
00:05:04Absolutamente nada.
00:05:05Maybe you better take a look through that trunk anyway.
00:05:08Something might be stolen.
00:05:09I haven't lost anything.
00:05:11I'm quite sure of that.
00:05:14Evident thief not interested in diamonds.
00:05:17Note.
00:05:19Jewelry untouched.
00:05:21Oh, they're phonies.
00:05:23The real ones are in my bank, I hope.
00:05:25Well, thank you all for coming to my rescue, more or less.
00:05:28No trouble at all.
00:05:30Sorry I couldn't have done more.
00:05:32Thanks.
00:05:33Let us know if anything else happens.
00:05:35We're in the next cabin.
00:05:37This is my father, Mr. Chan.
00:05:38My name's Lee.
00:05:40Thank you both.
00:05:41So happy.
00:05:43Oh, by the way,
00:05:45if you don't mind,
00:05:47I just assume you didn't mention this to anyone.
00:05:49But don't you think if there's a thief on board,
00:05:51the purser ought to know about it?
00:05:52Oh, I don't want to answer a lot of useless questions.
00:05:54You see, I've been feeling perfectly miserable during this whole trip.
00:05:58But, Pop,
00:05:59I'm in identical boat with Fair Lady.
00:06:02We'll say nothing.
00:06:04Thanks a lot.
00:06:09Go.
00:06:16Go.
00:06:27Go.
00:06:29Go.
00:06:30Go.
00:06:47¡Suscríbete al canal!
00:07:00¡Suscríbete al canal!
00:07:30¡Suscríbete al canal!
00:07:32¡Suscríbete al canal!
00:07:43¡Suscríbete al canal!
00:07:52¡Suscríbete al canal!
00:07:56¡Suscríbete al canal!
00:08:13¡Suscríbete al canal!
00:08:24¡Suscríbete al canal!
00:08:27¡Suscríbete al canal!
00:08:37¡Suscríbete al canal!
00:08:50¡Suscríbete al canal!
00:09:00¡Suscríbete al canal!
00:09:02¡Suscríbete al canal!
00:09:53¡Suscríbete al canal!
00:09:56¡Suscríbete al canal!
00:10:14¡Suscríbete al canal!
00:10:25¡Suscríbete al canal!
00:10:42¡Suscríbete al canal!
00:10:52¡Suscríbete al canal!
00:10:55¡Suscríbete al canal!
00:10:59¡Suscríbete al canal!
00:11:08¡Suscríbete al canal!
00:11:11¡Suscríbete al canal!
00:11:12¡Suscríbete al canal!
00:11:12¡Suscríbete al canal!
00:11:15¡Suscríbete al canal!
00:11:16¡Suscríbete al canal!
00:11:26¡Suscríbete al canal!
00:11:42¡Suscríbete al canal!
00:11:57The bigwigs expect you to tear a duck apart with him tonight.
00:12:00So sorry.
00:12:01Come again, please.
00:12:02You'll have to excuse the inspector's broken English, Mr. Chan.
00:12:04He's a Brooklyn immigrant.
00:12:06He's trying to tell you that the police department's giving a banquet tonight, in your honor.
00:12:09Thank you so much.
00:12:11I'm unworthy of so great honor.
00:12:13Will feel like Sparrow, perched on limb with peacocks.
00:12:17I don't get you.
00:12:18He says he accepts.
00:12:19Your interpreter?
00:12:20In Big City, yes.
00:12:22Otherwise, number one son, Lee.
00:12:25Oh, yeah.
00:12:26Well, I've got to mush on, Mr. Chan.
00:12:27If there's anything you want, the bigwigs can't rustle up for you.
00:12:29Just toot your whistle.
00:12:30Speed patent of the bullet.
00:12:33I wonder if that was a personal crack at me.
00:12:36New York English.
00:12:37Too baffling for humble detectives.
00:12:39Oh, yeah.
00:12:40Those pencil pushers sure kick it around, don't they?
00:12:42Come on, Mr. Chan.
00:12:43We'll take care of your baggage.
00:12:44Is this all your baggage, Mr. Chan?
00:12:46All here.
00:12:47Open luggage for gentlemen's inspection.
00:12:50That won't be necessary, Mr. Chan.
00:12:51Now, the commissioner has extended you the freedom of the port.
00:12:54Oh.
00:12:56What's all it?
00:12:57Right this way, Mr. Chan.
00:13:00Goodbye.
00:13:00Goodbye.
00:13:02You know the little lady, Miss Bronson?
00:13:04Quite casually.
00:13:05Why, Inspector?
00:13:05A year ago, that little dame was so hot in this town, she had to skip the country.
00:13:09Grand jury wanted her as a key witness.
00:13:11She had enough info to blow the lid right off this island.
00:13:14Some of her boyfriends shipped her abroad till things cooled off.
00:13:16What did I tell you, Pop?
00:13:17A lot of funny things happen on the boat.
00:13:21Please keep eyes open and mouth shut.
00:13:28Oh, Porter.
00:13:29Yes, Miss?
00:13:30Please have my baggage sent to the Carlton Hotel also.
00:13:33Certainly, Miss.
00:13:34Your name, please.
00:13:36Yes.
00:13:47Beep, beep, beep, beep.
00:14:07Call the hotel.
00:14:23Still the freshest guy on Broadway, aren't you?
00:14:26Oh, no, Billy.
00:14:27Just the smartest.
00:14:28Sometimes you make it hard to tell where your brain ends and your nerve begins.
00:14:31Maybe.
00:14:32But while every other newspaper guy on that dock follows an Indian Maharaju,
00:14:35can't make anything but the sport page,
00:14:37I'm riding around with Billy Bronson,
00:14:39the gal who can make history.
00:14:41Look, Steve, just forget you ever saw me.
00:14:43I'm not here for publicity.
00:14:45What are you here for, honey?
00:14:48I want to see Grant's tomb.
00:14:50And get a swell view of it from the river.
00:14:52What do you mean by that crack?
00:14:54I'm not hot anymore and you know it.
00:14:55Yeah.
00:14:56But does the D.A. know it?
00:14:57I didn't come back to see the D.A.
00:15:00I've got a date with somebody else.
00:15:03That wouldn't be a guy by the name of Burke
00:15:05at the Hottentop Club.
00:15:07Would it?
00:15:07You get around, don't you?
00:15:09Yeah.
00:15:10And it's a big circle.
00:15:13So you're going to have a showdown with Burke, huh?
00:15:15If you print that, you better put on your diving suit.
00:15:18I'll take that chance if it's okay with you.
00:15:23Here's your hotel.
00:15:31Listen, Speed, if you can keep quiet for a while,
00:15:34I may slip you something.
00:15:35You'll have to print out asbestos.
00:15:36What's the deal?
00:15:37Meet me here at midnight.
00:15:38It's a date.
00:15:40Drive me to the bulletin.
00:15:45Don't get up, boys.
00:15:46I can make it.
00:15:47You just think you can make it.
00:15:48Better lay off, Joan.
00:15:49He's vicious.
00:15:50I just got tossed out.
00:15:52I've got the passkey.
00:15:53I want to see Murdoch.
00:15:55Just a moment, Miss Wendell.
00:15:58Save me an extra column on Sunday, will you, Chief?
00:16:00I got a swell human interest, John,
00:16:01on the Marraja of Rodford today.
00:16:03Do you think the subscribers can stand the excitement?
00:16:07Yes.
00:16:08Miss Wendell would like to see you, sir.
00:16:10I can't see her now.
00:16:11You can if you look up.
00:16:12Hello, Murdoch.
00:16:13Hi, Speed.
00:16:14What do you want, Miss Wendell?
00:16:15A hundred bucks.
00:16:17I think you'd better see a doctor.
00:16:19You're delirious.
00:16:20Yeah, and I'll drop in at the psychopathic ward
00:16:22and hold your hand later, sweetheart.
00:16:23Okay, have your little jokes.
00:16:25But would you like to take a peek
00:16:26at this beautiful enlargement
00:16:27before I sell it to the Times?
00:16:29I got a dozen pictures of Charlie Chan.
00:16:31Maybe, but if you look close,
00:16:32she'll see a girl,
00:16:33and it isn't Chan's daughter.
00:16:36Billy Bronson, eh?
00:16:39I got a dozen pictures of her, too.
00:16:41Sure, and I've got a dozen editors
00:16:42who'd love to know
00:16:43that I took this picture today.
00:16:45I'll give you fifty dollars.
00:16:46It was awfully nice seeing you.
00:16:48Wait a minute.
00:16:49Give me that photo.
00:16:52Instruct the cashier to pay Miss Wendell
00:16:55one hundred dollars.
00:16:57I want you to forget
00:16:58that you ever took this picture.
00:17:00But mine's a complete blank.
00:17:01I suppose you remember
00:17:02the way to the cashier's office.
00:17:04And how.
00:17:05Thanks, Murdoch.
00:17:06So long, Speed.
00:17:06See you later.
00:17:11You were down at that pier today, Speed.
00:17:13Didn't you see Miss Bronson?
00:17:14Sure.
00:17:15I thought I was the only one who did.
00:17:16I even jumped in a cab
00:17:17and had a little chat with her.
00:17:19I don't want to pry into the affairs
00:17:20of this newspaper,
00:17:21but would you mind telling me
00:17:23why you kept it a secret?
00:17:24Because she didn't spill anything.
00:17:26I'm going to see her tonight
00:17:27and get the load out.
00:17:31Yes?
00:17:32Who?
00:17:35Put her on.
00:17:38Hello, Miss Bronson.
00:17:40Yes, I heard you were back in town.
00:17:43You remember that little deal
00:17:44we discussed about a year ago?
00:17:46That's right.
00:17:47Well, we may be able to do business now,
00:17:49but it's going to cost you twice
00:17:51what you offered last time.
00:17:52Boy, that's insane.
00:17:54How do I know it's on the level?
00:17:55I haven't even read it.
00:17:57Fine.
00:17:59I'll be over at your hotel
00:18:00at 11.30 tonight.
00:18:02Goodbye.
00:18:05And call off your date
00:18:06for tonight, Speed.
00:18:07I'm taking over the Bronson story.
00:18:09Now, look here, Chief.
00:18:10I started this thing.
00:18:12Yes, and I'll finish it.
00:18:13And I'll make it hotter
00:18:15than the Chicago fire.
00:18:18Okay.
00:18:19But look out,
00:18:20you don't get burned.
00:18:25Nice scoop, kid.
00:18:26Scooping you
00:18:27is getting monotonous, Mr. Patton.
00:18:29Well, how about marrying me?
00:18:30And kill a beautiful friendship?
00:18:32Nothing doing.
00:18:33I'll tell you what.
00:18:34You take me to the
00:18:35Hottentot Club tonight
00:18:36and we'll blow some of this hush money.
00:18:38Why the Hottentot?
00:18:39Why not?
00:18:40You got me.
00:18:41Anyway, I'd better stick with you
00:18:42or I'll be scooped
00:18:43on my own love story.
00:18:46Okay.
00:18:56I'll be sure you keep
00:18:57your mouth shut.
00:18:58Don't worry.
00:18:59You'll cost me my job
00:18:59if I don't.
00:19:10Pop.
00:19:11Hey, Pop.
00:19:12Where are you?
00:19:14Frustrated on floor.
00:19:19What are you doing, Pop?
00:19:20Hiding?
00:19:22Color button is one who hides.
00:19:25I'm searching for things.
00:19:26I'd help you, Pop.
00:19:27But you said one room too small
00:19:29for two detectives.
00:19:34Assistance very welcome
00:19:37Unpresent difficult case.
00:19:39You'll find it
00:19:41if you go about it scientifically.
00:19:43Logic very good.
00:19:46Plainly saw fugitives sitting here.
00:19:50Turned back unseen
00:19:51while searching for trousers.
00:19:55Number one son passed by trunk
00:19:58while parent descend
00:20:00barley into trousers.
00:20:03Return here
00:20:05and collar button
00:20:06absconded.
00:20:09Also
00:20:09number one son.
00:20:16Thank you so much.
00:20:19One room
00:20:20still too small
00:20:22for two detectives.
00:20:26Say, Pop.
00:20:27Can I have a couple of weeks
00:20:28allowance in advance?
00:20:28I only have one buck
00:20:29to see the town on.
00:20:32New York
00:20:33like mouth
00:20:34of great river.
00:20:36Many reefs
00:20:37in channel
00:20:37to wreck
00:20:38small sightseeing boat
00:20:40from Honolulu.
00:20:42Oh, boy.
00:20:43Twenty bucks.
00:20:44Thanks, Pop.
00:20:46Don't worry.
00:20:47I can take care of myself.
00:20:48New York's no different
00:20:49from any other town.
00:20:50It's just a little bigger.
00:20:53Sorry, buddy.
00:20:55Well, that's all right.
00:20:56Cap, sir?
00:20:57Please.
00:20:58Me too.
00:21:00Pop,
00:21:01my money's gone.
00:21:02I know.
00:21:03The man who just
00:21:04bumped into me,
00:21:04he must have taken it.
00:21:06Save breath
00:21:07for lamentations.
00:21:08Your cab, sir.
00:21:09Thank you so much.
00:21:11Suggest
00:21:11you return to room
00:21:13and lock yourself in
00:21:14before dinner suit
00:21:15snatched from body.
00:21:17But gee, Pop.
00:21:19Good night.
00:21:19Ask the hotel, please.
00:21:23Thank you.
00:21:24Thank you.
00:21:24Good night.
00:21:24Thank you.
00:21:24Thank you.
00:21:26Thank you.
00:21:27Thank you.
00:21:31Mr. Chan's room, please.
00:21:37There's no answer.
00:21:39Thanks.
00:21:56¡Gracias!
00:22:11Hello.
00:22:13Hello, Miss Bronson.
00:22:14Well, I'm in trouble again.
00:22:16I can't unlock my door.
00:22:18But that's our room.
00:22:20Well, how do you like that?
00:22:22I've got the right location, but they let me over the wrong floor.
00:22:25I'm in 413.
00:22:30Well, you look like you're all dressed up to do the town tonight.
00:22:33No, not exactly.
00:22:36I'm waiting for dad to get back from the banquet
00:22:38So I can show him the town
00:22:40Well I hope you have a good time
00:22:42Good night
00:22:42Good night
00:23:11The Hottentot Club
00:23:17The young lady that just left
00:23:19Did you hear her say where she was going?
00:23:21She mentioned the Hottentot Club
00:23:22Thanks
00:23:25The Hottentot Club
00:23:48Flashlight
00:23:48Roll
00:23:49Film
00:23:50Give me a roll of film
00:23:51I'm going to use a flashlight
00:23:53Boy what pictures I've got
00:24:24Hello Gloria
00:24:25Gee this is a surprise Mr. Moran
00:24:28You haven't been around for quite a while
00:24:29Oh I've been around
00:24:44Wait a minute
00:24:47When did you get back in town?
00:24:49This afternoon
00:24:50Did Burke send for you?
00:24:52Well what if he did?
00:24:54I just wanted to know
00:24:56Listen Buzz
00:24:57I've got a good reason for coming back
00:24:59You've got a better reason for staying away
00:25:02You get out of town before morning
00:25:04I mean that
00:25:06Okay
00:25:07I will
00:25:10Sure you will
00:25:22I'm sorry Buzz
00:25:23You all can't go in there
00:25:24What's the idea?
00:25:25There's someone inside I've got to see
00:25:26The rules of the house say
00:25:28No gentleman allowed in
00:25:29Without a lady friend
00:25:44You can't button that one
00:25:45It's a freckle
00:25:46My mistake honey
00:25:57Hello Burke
00:25:57Good evening Mr. Mac
00:25:59Mr. Burke
00:25:59This guy signed his check
00:26:00Is it okay?
00:26:01He's a pony
00:26:02Get his dough
00:26:03Hiya Johnny
00:26:04Hello
00:26:05Evening Johnny
00:26:06Hiya Spreed
00:26:07Hello Miss Wendell
00:26:08Hello Mr. Burke
00:26:08You got a lot of competition around here tonight kid
00:26:10I can't complain
00:26:11Their pictures make the family album
00:26:13Mine make the front page
00:26:14Say did you ever figure on this camera night idea of yours causing a lot of beefs?
00:26:18About what?
00:26:19It's a known fact that somebody's wife will go out with somebody else's husband
00:26:22Where are they?
00:26:25You know I haven't seen you here in months
00:26:27Any special reason for tonight's visit?
00:26:29No
00:26:30Just slumming
00:26:31That's right
00:26:32And you can be the perfect host by supplying me with a nice juicy story
00:26:35A murder for instance
00:26:37That always goes good in a nightclub yarn
00:26:39Sure and I'll even take your pictures standing next to the body
00:26:41And if they're good I'll buy a dozen
00:26:43And if they're good I'll be the perfect host of yours causing a lot of beefs and a lot of
00:26:58beefs and a lot of beefs and a lot of beefs and a lot of beefs and a lot of
00:26:58beefs and a lot of beefs and a lot of beefs and a lot of beefs and a lot of
00:27:00beefs and a lot of beefs and a lot of beefs and a lot of beefs and a lot of
00:27:01beefs and a lot of beefs and a lot of beefs and a lot of beefs and a lot of
00:27:02beefs and a lot of beefs and a lot of beefs and a lot of beefs and a lot of
00:27:03beefs and a lot of beefs and a lot of beefs and a lot of beefs and a lot of
00:27:03beefs and a lot of beefs and a lot of beefs and a lot of beefs and a lot of
00:27:04beefs and a lot of beefs and a lot of beefs and a lot of beefs and a lot of
00:27:08beefs and a lot of
00:27:35¡Gracias!
00:28:05¡Gracias!
00:28:24Don't yell like that.
00:28:25I'm not going to hurt you.
00:28:28Gosh, I'm sorry I scared you.
00:28:30What do you want?
00:28:32I'm here on something awful important.
00:28:34Maybe you can help me.
00:28:35You see, I'm sort of a detective.
00:28:37That is, my dad is Charlie Chan.
00:28:39And I work with him on big cases.
00:28:41Charlie Chan?
00:28:42Well, I know who he is.
00:28:44Then, will you help me?
00:28:45What can I do?
00:28:46Get me in the club.
00:28:47I've got to see somebody.
00:28:48All right.
00:28:49As soon as I get some more film,
00:28:51I'll take you down the back stairs.
00:28:52Well, let me help.
00:29:13You kind of go for our ballerina, don't you, Mr. Burke?
00:29:16I like her dancing.
00:29:18That thing could appear in a wheelchair, and he'd call it dancing.
00:29:21I like her dancing.
00:29:23I like her dancing.
00:29:39I love you.
00:29:42¡Gracias!
00:30:14¡Gracias!
00:30:15¡Gracias!
00:30:17¡Gracias!
00:30:28¡Gracias!
00:30:45¡Gracias!
00:30:46You're doing our call, baby.
00:30:47Okay.
00:30:51Wait here, Joan.
00:30:52Hey, you're not holding anything out of me, are you?
00:30:54Take it easy, honey. I'll be right back.
00:31:03Hello, Johnny.
00:31:05What are you doing in town?
00:31:07I got lonesome. Aren't you glad to see me?
00:31:10Sure I am, but it's risky.
00:31:11You know, you're still hot enough to blister.
00:31:12I'll take my chances.
00:31:14How's everything with you?
00:31:15Not so good.
00:31:17Well, that's what you wrote me.
00:31:19But I saw an awful lot of cover charges when I came in tonight.
00:31:23What's on your mind, Billy?
00:31:24Why did you lie to me?
00:31:26I don't get you.
00:31:28Oh, yes, you do.
00:31:29You didn't want me back in New York.
00:31:30I told you I wasn't safe.
00:31:31Oh, skip it.
00:31:32I walked through the whole police force today,
00:31:34and all they did was tip their hats.
00:31:36No, Johnny.
00:31:37You fooled me long enough.
00:31:38Cutting down my dough so I didn't have enough money to buy a ticket back home.
00:31:41Saying the club was failing.
00:31:42Lying about everything.
00:31:43You talk too much, Billy.
00:31:44Yeah, well, I haven't even started yet.
00:31:46And I don't think I would if I were you.
00:31:48I'm afraid the boys wouldn't like it.
00:31:49You mean Marie wouldn't like it.
00:31:51Leave her out of this.
00:31:52Why should I?
00:31:52You've been giving me the runaround because of her.
00:31:54That's why I came back.
00:31:55Things have been too perfect for you.
00:31:58Okay, Johnny.
00:31:59You're a smart boy.
00:32:01And you've bluffed a lot of people.
00:32:04But you can't bluff your way out of what I'm going to spill.
00:32:06You little double crosser, I'll slap you.
00:32:07Stay away from me.
00:32:11Where are you going, Marie?
00:32:12Johnny's office.
00:32:12Listen, he's busy right now.
00:32:14I think you'd better wait.
00:32:15Oh, yeah?
00:32:16Maybe you can order the busboys around, but not me.
00:32:18Now listen.
00:32:25Police of New York and Honolulu have one thing in common.
00:32:29They both live on a very small island.
00:32:32But while we have big volcano, you have biggest shake-up.
00:32:41Some day, I hope to greet honorable brothers in Hawaii.
00:32:46Where roar of surf replaced noise of subway.
00:32:50And a hot rhythm of Broadway cooled by strains of aloha.
00:32:58There goes my fishing trip when I was all set to get away in the morning.
00:33:03I've just been called on a little case uptown, Charlie.
00:33:05I think you'd better come along.
00:33:06Now, what's the idea of taking our guest of honor away?
00:33:09Can't you handle it alone?
00:33:10Maybe not.
00:33:11Billy Brunson was just murdered at the Hottentot Club.
00:33:14And Mr. Chan's son is being held as a suspect.
00:33:17I may go right away.
00:33:19Excuse, please.
00:33:20Of course, Charlie.
00:33:21Excuse.
00:33:36Where's the trouble?
00:33:37Upstairs.
00:33:37Have you got a cigarette?
00:33:38I don't smoke.
00:33:39Metropolitan newspaper people more prompt than police.
00:33:43And also more numerous.
00:33:45Oh, those.
00:33:45Those ain't reporters.
00:33:46They're worse.
00:33:47Camera hounds.
00:33:48This is candid camera night.
00:33:49They're all shooting for prizes.
00:33:51They've even got a dark room for them so they can develop and enlarge their pictures right here.
00:33:55Very interesting.
00:33:57Camera.
00:33:58Remember many things human eye forget.
00:34:00Huh?
00:34:01You're right.
00:34:02Don't let anyone out of here with a camera.
00:34:04I want every roll of film in the place.
00:34:05Yes, sir.
00:34:11I'll carry it.
00:34:13Good night, Mr. Moran.
00:34:14Good night.
00:34:18Hi, Nelson.
00:34:19Hello, Mr. Chan.
00:34:20You didn't waste any time getting here, did you?
00:34:22Somebody has to protect the taxpayers.
00:34:23All the policemen I know were at a banquet tonight.
00:34:25When you gotta eat, you gotta eat.
00:34:27Have you seen the body?
00:34:28Seen it? I found it.
00:34:29Good. That makes you a suspect.
00:34:31Flatterer.
00:34:32Over there, Doc.
00:34:34I knew I'd be seeing you on business sooner or later.
00:34:37Pop!
00:34:38Tell him who I am.
00:34:39What is charge against young men?
00:34:42We found him hanging around in the hall outside.
00:34:44He says he's your son.
00:34:46Reluctantly confess, he is potion of posterity.
00:34:50Oh, yeah?
00:34:51Then what was he doing peeking through a keyhole?
00:34:55Publicists suggest murderers not likely to go outside and contemplate victim through keyhole.
00:35:03But please explain embarrassing presence here.
00:35:06She was trying to get into our room at the hotel.
00:35:09So I followed her.
00:35:10That kid's okay releasing.
00:35:12Lay off that phone.
00:35:13Don't touch anything in this office.
00:35:14I got a right to call my lawyer.
00:35:16What makes you think you'll need one?
00:35:17He'll need one with you handling the case.
00:35:19You and your funny ideas.
00:35:20I got an idea right now.
00:35:21And believe me, it's far from funny.
00:35:23What'd you find, Doc?
00:35:24The bullet entered the back just below the left shoulder blade.
00:35:27Passed through the right ventricle.
00:35:28And was probably stopped by a bone.
00:35:31We can't get the bullet until the autopsy.
00:35:33Yeah, okay.
00:35:36Excuse, please.
00:35:37Can give approximate time of death?
00:35:40About half an hour ago.
00:35:41Thank you.
00:35:42Half an hour ago, I was thinking of bass instead of bullets.
00:35:46Anybody find the gun?
00:35:47I did, sir.
00:35:48Sir, it's a .25 caliber automatic.
00:35:49The sergeant sent it down to headquarters to check the number and any fingerprints.
00:35:52Good.
00:35:52I want this whole room going over for fingerprints.
00:35:55I'm headquarters.
00:35:55Send a man up.
00:35:56Yes, sir.
00:35:56May I ask a question, please?
00:35:58Sure, go ahead.
00:36:00Understand you were first to discover body.
00:36:02That's right.
00:36:03Well, go ahead, Nelson.
00:36:04Give me the third degree.
00:36:05But I warn you.
00:36:06If anybody slugs me across the Adam's apple with a rubber hose.
00:36:09Ah, you talk too much as it is.
00:36:12Body in same position now as when discovered?
00:36:15Sure, I didn't touch it.
00:36:17I had to leave something for him to do.
00:36:18Thank you so much.
00:36:21Position of body sometimes gives solution of murder.
00:36:26So sorry to intrude.
00:36:27But like number one son, keep forgetting this not my affair.
00:36:31Gee, Pop, I was only trying to find out what she was doing.
00:36:35Obviously, she kept appointment with murder.
00:36:38And that brings us around to you.
00:36:40I ain't saying a thing without my lawyer.
00:36:41Maybe we got different ideas about that.
00:36:43Billy Brunson come up here to see you, didn't he?
00:36:45So do a lot of other people.
00:36:46But they don't all get murdered.
00:36:48Stop me if I'm wrong.
00:36:49She could come up to visit Johnny without him killing her, couldn't she?
00:36:52You ought to know.
00:36:52What do you mean by that crack?
00:36:53You and Billy were friends until she had a blow town.
00:36:55Then, like a good little pal, you move in on her boyfriend here just to keep him from getting lonesome.
00:36:59After a year, he gets fed up with you and he sends for Billy.
00:37:01Is that on the level?
00:37:02No, he's just fishing.
00:37:03I wish I was.
00:37:05Well, anyhow, Billy hits town, beats it up to see you, and you bump her off.
00:37:08That's a lie.
00:37:08She was all right when we left the room.
00:37:09Then you were in this room with her, both of you.
00:37:11Tell him, Johnny.
00:37:12I ain't talking.
00:37:13No, you see, he could alibi if he wanted her, but he won't.
00:37:15He'll let you take the rap.
00:37:17That's what happens to his dames when he gets in a jam.
00:37:18It won't happen to me.
00:37:19Shut up.
00:37:20You killed her with his gun.
00:37:21You're crazy.
00:37:21He put me out of the room.
00:37:22Then he killed her.
00:37:23Oh, no, he didn't.
00:37:23I waited in the hall.
00:37:24You couldn't have dragged me away from that door.
00:37:26He only stayed inside a minute, and I saw her when he came out.
00:37:27And she was still alive?
00:37:28I'll say she was, and mad.
00:37:30Now, wait a minute.
00:37:31In other words, you both leave the room.
00:37:33She's all alone.
00:37:34She gets so mad, she shoots herself in the back and then hides the gun.
00:37:37Now, don't tell me that.
00:37:39We ain't telling you anything until we get a lawyer.
00:37:41Interruption, please.
00:37:43Perhaps keyhole observation made by Number One Son can prove if ladies speak truth?
00:37:49No.
00:37:50She was dead when I looked in.
00:37:52Say, how did you know she was up here?
00:37:54I didn't.
00:37:55I was just looking in all the keyholes.
00:38:00Say, what's the idea?
00:38:01I can't get out of this joint.
00:38:02You can't after I've seen your pictures.
00:38:04Give.
00:38:04I only enlarged one, but it's a honey.
00:38:07You see, I came up here and found the body.
00:38:09He says he did.
00:38:10It was my turn to do the scooping, darling.
00:38:13Well, as Mr. Chan would say, one picture was 10,000 words.
00:38:17Thank you so much.
00:38:19Say, Mr. Chan, take a look at this.
00:38:25That napkin isn't in the picture.
00:38:28Also interesting to note, telephone jumped back on hook since picture taken.
00:38:35You're right.
00:38:36Was that phone on or off the hook when you found the body?
00:38:39It was off.
00:38:40I put it back on.
00:38:41Well, that's just ducky.
00:38:42You know, there might have been some fingerprints on there.
00:38:44I'm sorry, Nelson.
00:38:45But when I saw it was off the hook, I thought Billy might have been talking to someone.
00:38:48When nobody answered, I went ahead and phoned in my story.
00:38:52Do you use a napkin when you phone?
00:38:55Why?
00:38:56Should I?
00:38:56Don't evade the issue.
00:38:57When did you pick up that napkin and put it on the tray?
00:39:00I never touched it.
00:39:02If it isn't asking too much, can I have a picture back now so I can get out of here?
00:39:06One moment, please.
00:39:08Observe the picture more closely.
00:39:15Look out, Pop!
00:39:19Let go of your little...
00:39:21Back in that light!
00:39:23I got him, Chief!
00:39:24You got me, you dummy!
00:39:27Where's Burke?
00:39:28I got him, Mr. Nelson.
00:39:36What happened to you?
00:39:37Someone slugged me.
00:39:38But I'm all right now, sir.
00:39:40I'll have to take your word for it.
00:39:41Get headquarters.
00:39:42Send out an alarm for Johnny Burke.
00:39:44I want him picked up before morning.
00:39:45Yes, sir.
00:39:52I'm going to get you ten years for putting out those lights.
00:39:54Who, me?
00:39:55Yes, you!
00:39:56Did Burke get away clean?
00:39:57What do you think?
00:39:58Hey, come here!
00:39:59Stop yelling, will you?
00:40:00I've got to pull that story into the office.
00:40:01It puts the finger right on Burke.
00:40:02If you touch that phone again, I'm going to put five fingers on you.
00:40:05Now get out of here and use the one downstairs.
00:40:07Now, Lance, take that game with you.
00:40:08And the picture?
00:40:09That's evidence!
00:40:10Beat it!
00:40:10Come on, honey.
00:40:11They want to be alone.
00:40:14Speaking of pictures, Charlie, what were you going to show me when Burke took a powder?
00:40:17First, must point to fact that napkin entree also take powder.
00:40:22Well, I'll be.
00:40:27Now, why would Burke take that napkin?
00:40:30Picture may hold answer to same riddle.
00:40:35Observe carefully.
00:40:36Contents of unfortunate ladies' purse scattered on floor.
00:40:41Yeah.
00:40:43Compare articles now on floor with those shown in picture.
00:40:47Say, wait a minute.
00:40:48There's no key there.
00:40:49But there's one in the picture.
00:40:52Missing key may fit door to solution.
00:40:56Looks like a hotel key.
00:40:57There's a tag on it.
00:40:58Perhaps can decipher number?
00:41:00Yeah.
00:41:01It says, Carlton Hotel 313.
00:41:06Gee, Pop, that's our room!
00:41:08Yes.
00:41:09What?
00:41:10Who's got a cigarette?
00:41:12Never mind.
00:41:13We'll get some at your hotel.
00:41:14Come on.
00:41:16Even if I knew her boyfriend, I wouldn't tell you.
00:41:19And you can't hold me.
00:41:20Pipe down.
00:41:21You stay out here with her.
00:41:22A key, please?
00:41:46Stabbed through the ribs not over a couple of minutes ago, either.
00:41:49Get the coroner.
00:41:53Pop!
00:41:54It's the man who met this morning on the boat when someone tried to rob Miss Bonson's stateroom.
00:41:58You know this guy?
00:41:59Encountered him once only on board steamship.
00:42:03Take him to the bed and search him.
00:42:05I wonder where he fits in.
00:42:08Hey, Mac, anything out there?
00:42:09Nothing, sir.
00:42:10Well, that's not good enough.
00:42:12Climb out and take a look in every window as you go below.
00:42:14And no matter what you see, remember, it's Burke you're looking for.
00:42:18I wish the fishing season was as open as the one for murder.
00:42:21Excuse, please.
00:42:24Would suggest key undergo fingerprint examination.
00:42:28Right, Charlie.
00:42:29That may be the one from Billy Brunson's purse.
00:42:31Anything on him?
00:42:32No, sir.
00:42:33Maybe the steamship company would have his name.
00:42:35Oh, chances are it'd be listed under a phony title, but we'll check that later.
00:42:38Take this down to the Bureau of Identification.
00:42:40I can check any fingerprints they may find against Johnny Burke's.
00:42:42His are on file.
00:42:43Yes, sir.
00:42:43This whole thing is getting me a little bit screwy.
00:42:46What would that mug want in your room?
00:42:49Mud of bewilderment now beginning to clear from pool of thought.
00:42:54This man followed Miss Brunson on boat to secure unknown objects she possessed.
00:43:01To safeguard the same, she used my baggage as hiding place.
00:43:06I remember, Pop.
00:43:07That's when she came in for the aspirin.
00:43:09Huh?
00:43:09Have hit tack on cranium.
00:43:13Tonight, Miss Brunson, try to regain secret possession here.
00:43:18But number one son proves stumbling block.
00:43:22Then Burke gets your key when it drops from Billy's purse.
00:43:25Comes up here.
00:43:26In time to catch that guy in the room.
00:43:29The rest is easy.
00:43:30He stabs him and makes a getaway with whatever they were all after.
00:43:33Quite possible.
00:43:35But what were they after?
00:43:37Listen, Nelson, you're gonna let me out of here.
00:43:45You know this man?
00:43:48He's...
00:43:48He's my husband.
00:43:50Your husband, eh?
00:43:50What's his name?
00:43:51Tom Mitchell.
00:43:52Now we're getting somewhere.
00:43:54Were you living with him?
00:43:55No.
00:43:55You left him for Burke.
00:43:57Didn't you?
00:43:57I'm not talking.
00:43:58You don't have to.
00:43:59I get the whole set up.
00:44:00Well, why don't you deny it?
00:44:01Please.
00:44:04Perhaps kinder to question Lady later.
00:44:07Okay, gentlemen.
00:44:08Take her down to headquarters.
00:44:10Come on, lady.
00:44:12Keep her in my office.
00:44:14I'll see you later.
00:44:16Now, what I want to know, Chuck...
00:44:24What have you got now?
00:44:26Most interesting reading found on torn paper.
00:44:33This is something.
00:44:36Billy kept a diary, too.
00:44:38Bob, that's what they were after.
00:44:41No poison more deadly than ink.
00:44:43I'd give up that fishing trip to see the rest of these pages.
00:44:50Hey!
00:44:51Hey, Pop!
00:44:54Gee, I thought you were someone else.
00:44:56Put that thing away.
00:44:57Did you find anything?
00:44:58No, sir, and I went all the way down at the bottom.
00:45:00Say, do you think he might have gone up?
00:45:03Why?
00:45:03Well, I just remembered.
00:45:05Miss Bronson said her room was 413, and that's right above us.
00:45:08What?
00:45:09Regret, slow progress at fault.
00:45:12But rejoice at final arrival.
00:45:14Get out on that fire escape and keep your eye on the window above.
00:45:17Come on!
00:45:29Hello, Nelson.
00:45:30This is a surprise.
00:45:32I'll say it is.
00:45:33What are you doing here?
00:45:35What would I be doing here?
00:45:36I'm waiting for Miss Bronson, of course.
00:45:38And you got an awful long wait.
00:45:41She's not coming back.
00:45:43She's dead?
00:45:44Murdered.
00:45:47I'm not surprised.
00:45:49Wait a minute.
00:45:50You've got some explaining to do.
00:45:52What about, may I ask?
00:45:54Billy Bronson was shot an hour ago at the Hottentot Club.
00:45:56The key to room 313, which is directly below this one, was stolen from her purse.
00:46:00We just went in down there and found a man stabbed to death.
00:46:04Go on.
00:46:05You go on.
00:46:06That window there is open, so is the one downstairs.
00:46:08So, I could have killed that man down there, then come up the fire escape into this room.
00:46:12Right.
00:46:13Wrong.
00:46:13I didn't.
00:46:14I had an appointment to meet Miss Bronson here at 1030.
00:46:17It's now 20 minutes of 11.
00:46:21Excuse, please.
00:46:24Would object to revealing nature of appointment?
00:46:27Not at all.
00:46:29I came up here to buy her diary.
00:46:32Diary, eh?
00:46:33What were you going to do with it?
00:46:34I'd have to read it first to answer that question.
00:46:37But no doubt can produce money intended for purchase of diary.
00:46:49Gee, Pop, look at that.
00:46:53There's enough dough here to buy the city hall.
00:46:56Then cheap at that.
00:46:57Miss Bronson's diary contains enough information on rackets and politics
00:47:00to blow this whole city higher than a kite.
00:47:05Well, well.
00:47:06What's this?
00:47:07The pay-all?
00:47:08Always a wise guy, aren't you?
00:47:10I have to be to keep up with you boys.
00:47:11Why don't you like some place where you can be found?
00:47:13Hey.
00:47:15Get a load of this.
00:47:17We scooped the others?
00:47:18Sure.
00:47:19You know, you ought to drop in at the office once in a while, Chief.
00:47:21You were out when I phoned that story in.
00:47:23You knew I was coming here.
00:47:24Yeah, but you crossed me up.
00:47:25You weren't due here until 1130.
00:47:27Just a minute.
00:47:28You told us 1030.
00:47:30Please don't attempt any unwieldy deductions, Nelson.
00:47:32The original appointment was for 1130.
00:47:35The sponsor telephoned and changed it.
00:47:37Most unfortunate.
00:47:38Proof of alibi now locked behind dead lips of murdered girl.
00:47:43Yeah, and I'm not so sure you didn't get that diary without paying for it.
00:47:47You wouldn't mind being searched, would you, Murdoch?
00:47:51Am I under arrest?
00:47:53No.
00:47:54Then I'm afraid that technically you'll have to keep your hands in your own pockets.
00:47:58Am I right?
00:48:06Hello?
00:48:07Yeah.
00:48:09Yeah, go ahead.
00:48:11Come on, let's have it.
00:48:14Swell.
00:48:16Swell.
00:48:17Now let Marie Collins go and trailer.
00:48:19She'll lead you to Burke, all right.
00:48:21The key didn't show anything, Charlie.
00:48:22But the gun we found in Burke's office was sold to Billy Bronson a year ago.
00:48:25There are two sets of fingerprints on it.
00:48:27A woman's and Johnny Burke's.
00:48:29We'll pick up Burke tonight and I'll be fishing in the morning.
00:48:31And I presume that my part in this case is closed.
00:48:35Perhaps.
00:48:36But murder case like revolving door.
00:48:38When one side closed, other side open.
00:48:44Well, good luck, gentlemen.
00:48:46Thank you.
00:48:48So much.
00:48:52I wish you hadn't moved us up here, Pop.
00:48:55I bet there's some clue in our old room that would clinch the case.
00:48:59What are you reading, Pop?
00:49:01Murder case of Miss Billy Bronson.
00:49:04Gee, I should think you know enough about it already.
00:49:07Still much to learn.
00:49:09Mr. Speed Patton, very good reporter.
00:49:12Is my name in his write-up?
00:49:14As suspect, yes.
00:49:19Good night.
00:49:21Good night.
00:49:23The whole case looks perfectly clear to me, Pop.
00:49:26They found Burke's fingerprints on the gun, didn't they?
00:49:29Evident to forget.
00:49:31Disappearing some napkin.
00:49:34You know, I've been thinking about that napkin, too.
00:49:38Burke probably stole it because Marie Collins' fingerprints were on it.
00:49:41Have you thought of that angle?
00:49:43For the time being, only consider which angle to arrange self on matters.
00:49:51Now, please, turn out lights and extinguish conversation.
00:50:10Hello.
00:50:11Hello, Mika.
00:50:12Did you get my message?
00:50:13Yeah, yeah, I'm in a jam.
00:50:15I'll say it's bad.
00:50:16You get up here as quick as you can to see that you're not tailed.
00:50:17What?
00:50:18Yeah, I'm expecting it, Maurice.
00:50:19You ought to be up here right away.
00:50:21Uh-huh.
00:50:21Step on it.
00:50:31Hello, Hot Fingers.
00:50:34What do you mean, Hot Fingers?
00:50:35If you'd kept Billy out of town like I said, we'd have been okay.
00:50:40Too bad it had to happen in your office, Johnny.
00:50:42I know you don't.
00:50:43They'll never burn me for that.
00:50:45I'll say they won't.
00:50:46You watch your step, Buzz.
00:50:47I will.
00:50:49Oh-oh.
00:50:51Oh-oh.
00:51:03Oh-oh.
00:51:09Oh-oh.
00:51:13And though almost 24 hours would elapse since Billy Bronson and Thomas Mitchell were murdered,
00:51:16The police have discovered nothing tangible enough
00:51:19To justify an arrest
00:51:20All they have is a torn diary page found by Charlie Chan
00:51:23Which they consider an excellent clue
00:51:25But in the opinion of this observer
00:51:27It only indicates the work of a perfect criminal
00:51:29So clever and daring
00:51:30That he has deliberately planted it
00:51:32To obtain free publicity
00:51:33For a terrific blackmailing scheme
00:51:35This may be a subtle way of warning certain people in New York
00:51:38That he has this dynamite diary
00:51:40And is ready to light the fuel
00:51:41I wonder if Johnny Burke is the only racketeer
00:51:43Whose blood pressure will remain high
00:51:45As long as the Bronson diary and its unknown possessor
00:51:47Are in circulation
00:51:49Well, how's that for a journalistic gem?
00:51:52Is that what you call it?
00:51:54Why not?
00:51:55A boy
00:51:55And wait till you see tomorrow's story
00:51:57It'll top this one
00:51:58Take that to Mr. Murdoch, will you?
00:52:00Just stick around me, honey
00:52:01And you'll get the latest lowdown
00:52:03You know old speed never misses
00:52:04Neither does Johnny Burke or Moran
00:52:06You're going to crack wise once too often
00:52:08On that typewriter of yours
00:52:09And I'll be sending you posies
00:52:10Now stand still and look healthy
00:52:13How's this?
00:52:13Fine, I want to shoot you before
00:52:14Or somebody else does
00:52:15Yeah, I just saw because I scooped you on that Bronson murder
00:52:18Well, I'm warning you right now
00:52:20I'm going to scoop you on the rest of the case too
00:52:21Want a bet?
00:52:22Sure, a week's pay
00:52:24Make it something worthwhile and you're on
00:52:25There's one time you both scooped
00:52:27Johnny Burke just walked in the police headquarters
00:52:30And gave himself up
00:52:32Five will get you fifty
00:52:33He's got a smart mouthpiece with him
00:52:35Now wait a minute
00:52:35You haven't a thing on Johnny
00:52:36Except the fingerprints on the gun
00:52:38Oh yeah, that's all
00:52:39And the fact that Mitchell was rubbed out
00:52:41A couple of minutes after Bert took it on the lamb
00:52:42From the hot and hot
00:52:43I didn't shoot Billy or Mitchell either
00:52:45May I humbly remind
00:52:47Mr. Mitchell stabbed, not shot
00:52:49Now don't you try to trick Johnny into admitting one thing
00:52:52By suggesting another
00:52:53I demand the right
00:52:53Have you got a cigarette?
00:52:55Yes, there
00:52:56Thanks very much
00:52:58Now what were you saying?
00:52:59I want to know what time Mitchell was rubbed out
00:53:01Why don't you ask Johnny?
00:53:02If it was after ten o'clock he was with me
00:53:04Now try and break that alibi
00:53:06Excuse please
00:53:07Perhaps paraffin test
00:53:09Better alibi
00:53:10If proved negative
00:53:11You're right
00:53:12How about it, Johnny?
00:53:14You're not afraid of a little scientific test, are you?
00:53:17No
00:53:18Let's go
00:53:18Wait a minute, you can't get away with this
00:53:20My client is a respectable citizen
00:53:21Let's go
00:53:22Johnny, please wait a minute
00:53:23Hey
00:53:25Say, just what is this paraffin test?
00:53:28A new method
00:53:30To reveal powder marks on hand that fires gun
00:53:33Well that's silly
00:53:35He washes his hands, you know
00:53:37Undoubtedly
00:53:38But even most vigorous scrubbing
00:53:41Will not remove powder stains for 72 hours
00:53:4772 hours?
00:53:49Nelson can't get away with this
00:53:50This is a direct violation of
00:54:00Keep your hand under that water
00:54:02It's okay now
00:54:04Paraffin's hard enough
00:54:10Take it easy
00:54:11You're pulling the skin out of my hand
00:54:12Skin isn't all this
00:54:13It'll pull off
00:54:15If there's any gunpowder there
00:54:16It'll be on the wax too
00:54:25Hey, what's that stuff?
00:54:26A solution of the phenylamine and sulfuric acid
00:54:29Which reacts instantly to nitrates
00:54:32Watch those chemicals, Burke
00:54:33If they turn blue, your goose is cooked
00:54:47It's negative
00:54:49Then you didn't shoot him
00:54:50I told you I didn't
00:54:52Get out of here, Burke
00:54:53And take that shister with you
00:54:54Okay, don't get excited
00:54:55Thanks a lot, Mr. Chan
00:54:57For suggesting that test
00:54:58Talk up to the club sometime
00:55:00Thank you so much
00:55:01May accept generous invitation
00:55:03As case progress
00:55:11Well, that lets Burke out
00:55:14Maybe
00:55:15But this one case
00:55:18Where murderer could have clean hands
00:55:21Huh?
00:55:22Remember napkin that disappeared at nightclub?
00:55:25Yeah
00:55:26Possibly used to cover hand
00:55:27That fire murder gun
00:55:30Hey, here they go
00:55:30What happened?
00:55:34Hey, Johnny
00:55:36How did you clear yourself?
00:55:37I keep my hands clean
00:55:38How about a picture, Mr. Burke?
00:55:39Why not?
00:55:40Now make sure you get that sign in with me
00:55:41I want to prove I'm going out of here
00:55:42Instead of coming in
00:55:43We'll get it in, all right
00:55:44Okay
00:55:45Hey, where are you going?
00:55:47I want to sell this picture of Burke's release
00:55:48Before he's arrested again
00:55:50Come on, let's go see what the inspected
00:55:51Good idea
00:55:55What happened, Inspector?
00:55:56Yeah, did you give Burke a clean bill?
00:55:57What's your next move?
00:55:58Come on, Nelson
00:55:59Give us a lowdown
00:56:00I've got nothing to say yet
00:56:02What about you, Mr. Chan?
00:56:03Looks like Burke pulled a nifty on you
00:56:05Perhaps
00:56:06But release of Mr. Burke
00:56:09Suggest other nifty
00:56:10What have you got up your sleeve, Mr. Chan?
00:56:12Yeah, what's the new angle?
00:56:13Give us a lowdown
00:56:13Just a minute, boys
00:56:14If there is a new angle on this case
00:56:16We'll try it out
00:56:17Before you report as advertised
00:56:18Come on
00:56:19Now wait a minute
00:56:21Now, sir, I'm entitled to a break
00:56:23I've been on this case since it started
00:56:25So long
00:56:25Out
00:56:28Give us a chance here, will you?
00:56:31Now, what was on your mind, Charlie?
00:56:33You have candid camera photos
00:56:35Taken last night at Hot and Top Club?
00:56:38Yeah, they're in the department files, but
00:56:40Please do send for same
00:56:42Right away
00:56:44Yeah, sure, yeah
00:56:47Now, let's see
00:56:50Burke and Miss Collins were standing there
00:56:53Pop was right back here
00:56:56I'm getting awfully tired, Lee
00:56:58We've been going over this for more than an hour
00:57:00But doesn't your intuition tell you anything?
00:57:03Pop says one woman's intuition better than ten scientists
00:57:06I don't know anything about intuition
00:57:08But I've got a feeling we ought to get out of here
00:57:11Let's try it once again
00:57:13Put yourself in the place of the murderer
00:57:15Now
00:57:16When the lights went out
00:57:17He grabbed the napkin off the desk here
00:57:19And ran to the door
00:57:24What are you doing up here?
00:57:25Why, why nothing
00:57:27Beat it
00:57:30Your old man sent you here, didn't he?
00:57:32No, sir
00:57:32It was my own idea
00:57:43Throw him out
00:57:44Hey, let me go
00:57:48Hey, let me go
00:57:50We're getting out of town, kid
00:57:51What's the idea?
00:57:52You've got nothing to worry about now
00:57:53Yeah, that's what you think
00:57:54Remember the crack the Chinese dick made about seeing us later?
00:57:56Yeah
00:57:56Now we catch this kid up here mucking around?
00:57:58Well, that's enough for me
00:57:58We'll have a plane for Chicago tonight
00:58:00And lay low and the heat's off
00:58:02But, Johnny, don't you think that
00:58:18There he is
00:58:21Let's go
00:58:21That's the passport
00:58:22Leave me alone
00:58:23Make it easy, sister
00:58:24What's the idea?
00:58:25It ain't my idea
00:58:26It's Inspector Nelson's
00:58:28Come on
00:58:35Special delivery, Mr. Murdoch
00:58:36Oh, thanks
00:58:37Mr. Murdoch
00:58:58Who are you?
00:59:01Central Bureau
00:59:02Inspector Nelson, won't you?
00:59:11I'm ready
00:59:14What do you think of them letting Burke go?
00:59:17Because they couldn't prove anything on him
00:59:20Everybody but the cops knows he pulled the job
00:59:24That's right, boss
00:59:28Move over
00:59:31Where do you think you're going?
00:59:33With you
00:59:33This is a pinch
00:59:48Lee?
00:59:48Yes, Pop
00:59:49Have already consumed own steak?
00:59:52No
00:59:53I
00:59:54I've got it here
00:59:55On my eye
00:59:57Has the swelling gone down any?
00:59:59Cannot see through gravy
01:00:01Puppy detective
01:00:03Perhaps now realize
01:00:05Snooping
01:00:06Very dangerous business
01:00:15Hello, Mr. Patton
01:00:16Hello
01:00:18Hey, what did you run into?
01:00:19Mr. Burke
01:00:22That's what I came up to warn you about, Mr. Chan
01:00:23There's a rumor around town
01:00:25That certain people are out to get you
01:00:26And they wouldn't be as easy on you
01:00:28As they were on your son
01:00:30Very good omen
01:00:32Prove suspects getting worried
01:00:34You've got a lot of nerve
01:00:35But just the same, I'm sticking with you tonight
01:00:37If I
01:00:38Anything might happen
01:00:39Well, I did, kid
01:00:41Excuse me for not knocking, Charlie
01:00:42But the door was open
01:00:43Well, Speed
01:00:44Here's your chance for another scoop
01:00:45We'll all take a run down to the Hot and Tot Club
01:00:47And
01:00:47As you just said
01:00:49Anything might happen
01:00:50You mean it's a payoff?
01:00:51Maybe
01:00:51Have you got a cigarette?
01:00:53Gosh
01:00:53Can I go too, Pop?
01:00:55Unfortunately
01:00:56Yes
01:00:57Only way to save other eye
01:01:02Hello, everybody
01:01:03Well, Mr. Murdoch
01:01:04Can I sell you a picture of yourself as a murder suspect?
01:01:07Don't be ridiculous
01:01:09Where's Nelson?
01:01:10I can't waste all night here
01:01:11I've got a newspaper to get out
01:01:14It can wait
01:01:21Now look here, Nelson
01:01:22You've gone too far with this
01:01:23All right, all right
01:01:24Keep quiet
01:01:25Now, Mr. Chan has a few words to say to all of it
01:01:28And I advise you to listen closely
01:01:30Thank you so much
01:01:32Excuse
01:01:33Abrupt invitation here tonight
01:01:36But all present
01:01:38Seriously involved
01:01:40In death
01:01:41Of Miss Billy Bronson
01:01:42And Thomas Mitchell
01:01:44Mr. Mitchell
01:01:45Follow Miss Bronson from Europe
01:01:47To secure
01:01:49Diary
01:01:50Which contained
01:01:51Much scandal
01:01:53Plan using the same
01:01:55To ruin Mr. Burke
01:01:56Who stole love of wife
01:01:58Marie
01:01:59That's plain downright collusion
01:02:01I'm a respectable girl
01:02:02Pardon, please
01:02:03I'm not questioning respectability
01:02:06Merely offer proof
01:02:08Of intimacy
01:02:11Candid camera photo
01:02:13Taken
01:02:14On night of crime
01:02:16Triangle
01:02:17Very ancient motive
01:02:18For murder
01:02:19But not only
01:02:21Angled
01:02:22To present case
01:02:23Sudden appearance
01:02:25Of late Miss Bronson
01:02:27Cause
01:02:29Perspiration on brow
01:02:30Of another gentleman
01:02:32Name
01:02:33Buzz Moran
01:02:34Wait a minute
01:02:36I didn't even know she was in town
01:02:39Contradiction, please
01:02:46All right
01:02:47I'd better talk to her
01:02:49But when I heard she was murdered
01:02:50I didn't want to get mixed up in it
01:02:52So I kept my mouth shut
01:02:53Sure
01:02:53They had Johnny on the spot
01:02:55So you had nothing to worry about
01:02:56Shut up, Marie
01:02:57Go ahead, Johnny
01:02:59Miss Bronson came to this office last night
01:03:02Mr. Burke
01:03:03And then
01:03:04Miss Collins
01:03:05Talked with her
01:03:07Testimonies state
01:03:08Both people
01:03:09Leave her alone
01:03:11For a few minutes
01:03:12In the same few minutes
01:03:14Someone murdered her
01:03:16With gun
01:03:17Wrapped in napkin
01:03:18To hide fingerprints
01:03:20Arrival of an inquisitive girl photographer
01:03:25Now create interruption
01:03:28Murderer hide
01:03:29While girl photograph body
01:03:31With napkin off tray
01:03:33Girl then leave
01:03:36And murderer
01:03:37Return napkin to tray
01:03:39After which
01:03:40Mr. Patton
01:03:41Enter
01:03:41Find body
01:03:42And telephone story
01:03:44To Mr. Murdoch
01:03:47By strange coincidence
01:03:49Mr. Murdoch absent
01:03:51On trail of diary
01:03:54Mr. Chan
01:03:56May I ask
01:03:57If you have a picture of me
01:03:58In your
01:03:59Invaluable collection
01:04:00Regret
01:04:02Distinguished features
01:04:03Only once missing
01:04:05Under the circumstances
01:04:06I believe that exonerates me
01:04:08From having murdered
01:04:09Miss Bronson
01:04:10Oh yeah
01:04:11How about Mitchell
01:04:12Now look here, Nelson
01:04:14I've been very tolerant with you
01:04:15But unless I'm released
01:04:17From this room instantly
01:04:18Excuse please
01:04:19Before you remove
01:04:21Honorable presence
01:04:22Would request letter
01:04:24Received through mail tonight
01:04:27What letter?
01:04:29My mail is very heavy
01:04:30We're wasting time
01:04:32You got a special delivery letter tonight
01:04:33We've had your mail watched
01:04:35Since yesterday
01:04:35Hand it over
01:04:46It's a page from Billy's diary
01:04:48I wouldn't have printed it
01:04:49Without your permission, Nelson
01:04:51After all
01:04:51It just arrived
01:04:52When your man came
01:04:53To pick me up
01:04:54I
01:04:55Haven't even read it through
01:04:57Who sent it to you?
01:04:59How should I know?
01:05:00You know what I think, Murdoch?
01:05:01I think you sent it to yourself
01:05:02Why, that's absolute
01:05:03You've got that diary
01:05:04You've always been after it
01:05:05I charge you with the police
01:05:08Perhaps better to read
01:05:09Contents of page
01:05:10Before making arrest
01:05:12Oh, all right
01:05:15May 7th
01:05:16Was up all night
01:05:17On a big party
01:05:18Johnny swung for
01:05:19Lieutenant R
01:05:19Of the Central Bureau
01:05:20When
01:05:21You officers
01:05:22Better wait outside
01:05:28He's retiring from the force
01:05:29Because the commissioner
01:05:30Got wise to him
01:05:31The big dummy
01:05:32Showed everybody
01:05:33A diamond watch
01:05:34Buzz Moran gave him
01:05:35For certain important
01:05:36Tip-offs
01:05:36That Johnny told me about
01:05:38Been shooting your mouth
01:05:39Off again, huh?
01:05:39I don't know how
01:05:40She found out, Buzz
01:05:41I never told her anything
01:05:42All right, all right
01:05:43Take it easy
01:05:45It was sure funny
01:05:46To see everybody
01:05:47Kowtow to Johnny and Buzz
01:05:49I guess they don't know
01:05:50That the double-crosser
01:05:51Who uses his newspaper job
01:05:52As a cover-up
01:05:53For the blackmailing
01:05:54He pulls
01:05:55Is Speed Patton
01:05:56The smoothest guy
01:05:57In the rackets
01:05:59Just a minute
01:06:00Let me see that
01:06:02This is a phony
01:06:03Can prove?
01:06:05Certainly
01:06:05Why, even the paper
01:06:06It's written on
01:06:08Go ahead
01:06:10Hey, what is this?
01:06:12You are murderer
01:06:13Of Billy Bronson
01:06:15And Thomas Mitchell
01:06:16You're crazy
01:06:17Beg to differ, Mr. Patton
01:06:19First suspicion arrived
01:06:21After reading your newspaper story
01:06:24Of Billy Bronson crime
01:06:26You state victim shot in back
01:06:29Quite true
01:06:30Yet photographs show
01:06:32Body face upward
01:06:33Only murderer
01:06:35Could know location
01:06:37Of hidden wound
01:06:38Then fearing discovery
01:06:40Of all fingerprints
01:06:41On napkin
01:06:42When attention called to it
01:06:44Through photo taken
01:06:45By young lady
01:06:46You remove
01:06:47Same as lights go out
01:06:49And Mr. Burke escape
01:06:51You are indeed
01:06:52Clever man
01:06:53But not smart enough
01:06:55To avoid ancient traps
01:06:57Set tonight
01:06:58Inspector Nelson
01:06:59And humble self
01:07:00Plant bogus diary page
01:07:03On Mr. Murdoch
01:07:04And you were the only one
01:07:05Who swallowed the bait
01:07:06You'll never convict me on that
01:07:07Contradiction, please
01:07:08To no foddery
01:07:10One must have original
01:07:14Well
01:07:15Come on
01:07:16Why don't you deny it?
01:07:17All right
01:07:19I did it
01:07:21I killed them both
01:07:23I overheard Billy tell Burke
01:07:25That she was going to the DA
01:07:26And blow the lid off his town
01:07:28Well
01:07:28That would have meant me too
01:07:31I offered her plenty
01:07:32To keep quiet
01:07:32But she wouldn't take it
01:07:34So I killed her
01:07:36You almost caught me, Joan
01:07:37When you walked in
01:07:37And found Billy dead
01:07:39If you had, I
01:07:40I guess I'd have killed you too
01:07:42Just as I did Mitchell
01:07:43When I caught him
01:07:43In that hotel room
01:07:44He already had found the diary
01:07:46And I had to get it
01:07:48Well, that's the story
01:07:50Nelson wouldn't have caught me
01:07:51In a million years
01:07:53I was sitting pretty
01:07:54Until you got too smart
01:07:56For me, Mr. Chan
01:07:57You're the one I can thank
01:07:58For being in this spot
01:07:59And here's how
01:08:00I'm going to show my gratitude
01:08:01All right, boys
01:08:10Take him down to headquarters
01:08:12You okay, son?
01:08:13I'm all right
01:08:14Charlie
01:08:14Charlie, Billy's diary
01:08:15Is somewhere in Patton's apartment
01:08:16And that's all I need
01:08:17To put that guy on ice
01:08:18Come on
01:08:20Well, thanks to you, Charlie
01:08:22There's the baby
01:08:22That's going to sweep Broadway
01:08:23Cleaner than it's been
01:08:24Since the Indians sold it
01:08:25I'm most happy
01:08:26To have placed
01:08:27A new broom
01:08:28In hands of
01:08:29Father Nicker
01:08:29Yeah
01:08:30Say, I'm sorry
01:08:31You're going home, Charlie
01:08:32How about staying
01:08:33An extra week
01:08:33As guests
01:08:34To the commissioner
01:08:34And myself
01:08:35Gee, Pop
01:08:35Let's do it
01:08:36I never did get
01:08:37To see Broadway
01:08:38Holy mackerel
01:08:39Look, another mouse
01:08:42Perhaps better
01:08:43To return to Honolulu
01:08:45Evidently
01:08:46Broadway
01:08:46Very hard on eyes
01:08:48I think you've got
01:08:50Something there, Charlie
01:08:51I think you've got
01:09:21And myself
01:09:23And myself
01:09:39And myself
01:09:41I only thought
01:09:42We'd love
01:09:47Internet
01:09:48Etc
01:09:50Each
01:09:51Gracias por ver el video.
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