- hace 5 meses
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00Música
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00:02:28¡Suscríbete al canal!
00:02:58What made the commissioner bore us a sudden?
00:02:59You can't third degree me.
00:03:02The commissioner doesn't approve of such methods.
00:03:04The truth of the matter is...
00:03:05The truth of the matter is, he's left town to get away from leeches like you for a while.
00:03:09When a man's been on the job for six years without a day off, he rates a couple of weeks of private life.
00:03:14Oh, man, you must have newspapers.
00:03:17No, no, no, no, no, no, no, no, no.
00:03:20I'm deaf, dumb, and busy.
00:03:21I know you are, Kelly, but...
00:03:22The department's in charge of Rogan.
00:03:24Go and see Rogan.
00:03:26He likes police reporters.
00:03:27He used to be one himself.
00:03:29Just why we're in jail, Rogan.
00:03:30Go on, Frank.
00:03:31No, it's no way to say it.
00:03:32Oh, listen, after...
00:03:36Come on, Kelly.
00:03:38Jamie, go on.
00:03:39Oh, my broken down mother.
00:03:43Go on, take it.
00:03:44Hey, you already took me...
00:03:45All right.
00:03:46All right.
00:03:46Come on.
00:03:46Let me...
00:03:46Well, I got rid of them.
00:04:11Thanks, Kelly
00:04:12I still don't see why you want to make such a secret of a vacation
00:04:15Well, that's it
00:04:17It's because I want it to be a vacation
00:04:19You see, Kelly, it's really more than a vacation
00:04:22It's a chance for me to recharge my batteries
00:04:24I'm sick of misdemeanors, disorderly conduct
00:04:28felony, arson, fraud
00:04:30larceny, embezzlement, blackmail, manslaughter, and murder
00:04:33in the first, second, and third degrees
00:04:35I want to go someplace where I can get away from all of it
00:04:37There is no such place
00:04:40Unless you believe in heaven
00:04:43I do
00:04:46My idea of heaven
00:04:52is a place where nobody can get you on the phone
00:04:54where nobody can reach you
00:04:57where nobody knows you
00:04:59As soon as I leave town
00:05:03I'm going to stop being Thatcher Colt
00:05:05For a couple of weeks I'm going to be a guy named Smith
00:05:07When are you leaving?
00:05:09Right now
00:05:09Where do?
00:05:11Search me
00:05:12You mean you don't want me to know?
00:05:15I don't know myself
00:05:16I haven't even given it a thought
00:05:18Let's find out
00:05:19Kelly, let's have the state of New York
00:05:21Gilead
00:05:33Gilead
00:05:34Lovely
00:05:35That's a good omen
00:05:37Surely there's Balm and Gilead
00:05:39Surely
00:05:40And I hope you have a nice, quiet, restful vacation
00:05:43Are you going by motor or train?
00:05:46Train
00:05:47I love trains
00:05:48I'll arrange for a ticket at once
00:05:49Two tickets
00:05:52You're coming too
00:05:53But I thought you were
00:05:55I can't get along without you, Kelly
00:05:57Not even in Gilead
00:05:58Thank you
00:06:00Thank you
00:06:01I love you
00:06:03Thank you
00:06:06¡Gracias!
00:06:36Very good.
00:06:41You see how easy lip-reading is?
00:06:42All you need is practice.
00:06:44I'm going to practice all the time from now on.
00:06:46I intend to become an expert.
00:06:48You will.
00:06:49You're a born expert.
00:06:50It's anything that interests you.
00:06:51Thank you.
00:06:52Right now, you know more about the New York Police Department than I do.
00:06:55When I get ready to retire, I'll recommend you to my place.
00:06:58Oh.
00:07:00Well, why not?
00:07:01We have women congressmen and senators.
00:07:04Why not women police commissioners?
00:07:06Women don't make good cuts.
00:07:08Too sentimental.
00:07:10But you're an exception.
00:07:11That's what I like about you, Kelly.
00:07:12You're not sentimental.
00:07:15I wonder what kind of accommodations they have in Gilead.
00:07:18There are only a couple of hotels.
00:07:20The best is the Grand.
00:07:24How do you know?
00:07:26I looked it up.
00:07:27I've made reservations.
00:07:30Oh, how long before we get to Gilead?
00:07:32We'll be there in about an hour.
00:07:33Thank you.
00:07:34I've also arranged to have the New York papers sent to you.
00:07:38The Times, Journal, and stuff.
00:07:39Now, what did you want to do with that for?
00:07:41Because you'd want to keep in touch with things.
00:07:43See how Logan gets on how you're away.
00:07:45Now, that's just what I didn't want.
00:07:46I told you I wanted to leave all that behind.
00:07:48I refuse to read any New York newspapers.
00:07:50I refuse to read any newspapers.
00:07:52I refuse to have anything to do with me.
00:07:54Oh, look.
00:07:55A circus.
00:07:56I refuse to have anything to do with that.
00:07:57I refuse to have anything to do with that.
00:07:58I refuse to have anything to do with that.
00:07:59I refuse to have anything to do with that.
00:08:00I refuse to have anything to do with that.
00:08:01I refuse to have anything to do with that.
00:08:02I refuse to have anything to do with that.
00:08:03I refuse to have anything to do with that.
00:08:04I refuse to have anything to do with that.
00:08:05I refuse to have anything to do with that.
00:08:06I refuse to have anything to do with that.
00:08:07I refuse to have anything to do with that.
00:08:08I refuse to have anything to do with that.
00:08:09I refuse to have anything to do with that.
00:08:10I refuse to have anything to do with that.
00:08:12I refuse to have anything to do with that.
00:08:13I refuse to have anything to do with that.
00:08:14I refuse to have anything to do with that.
00:08:15¡Suscríbete al canal!
00:08:45¡Suscríbete al canal!
00:09:15¡Suscríbete al canal!
00:09:17¡Suscríbete al canal!
00:09:19¡Suscríbete al canal!
00:09:21¡Suscríbete al canal!
00:09:23¡Suscríbete al canal!
00:09:25¡Suscríbete al canal!
00:09:27¡Suscríbete al canal!
00:09:29¡Suscríbete al canal!
00:09:31¡Suscríbete al canal!
00:09:33¡Suscríbete al canal!
00:09:35¡Suscríbete al canal!
00:09:37¡Suscríbete al canal!
00:09:39¡Suscríbete al canal!
00:09:41¡Suscríbete al canal!
00:09:43¡Suscríbete al canal!
00:09:45¡Suscríbete al canal!
00:09:47¡Suscríbete al canal!
00:09:49¡Suscríbete al canal!
00:09:51¡Suscríbete al canal!
00:09:53¡Suscríbete al canal!
00:09:55¡Suscríbete al canal!
00:10:23¿Cuánto?
00:10:28¿Enough?
00:10:30Aquí hay otro, por buen medida.
00:10:33Cuatro aces.
00:10:36¿Puedo?
00:10:46Trump es un maldito.
00:10:49No me importa.
00:10:50A gran granado,
00:10:52we we we'll have a dough from our salary each week
00:10:55and take it away from us at poker.
00:10:57Well, that's one way of running a circus.
00:10:59Circus!
00:11:00I've been with everything,
00:11:01from the flea show to the Olympic Games.
00:11:03and I've never seen an outfit like this before
00:11:06it's either circus,
00:11:08it's an arc.
00:11:09That'll be hip, Juliet on Friday the 13th.
00:11:12Well, I ain't superstitious,
00:11:14but this wagon show can start looking for a new press agent.
00:11:17Your Mr. Duggan is through.
00:11:19Y no más poca renewed, Lovar.
00:11:22¿Can I help it if I'm lucky at cards?
00:11:25And unlucky at love.
00:11:28Just the other way around with you, Sebastian.
00:11:31You're lucky at love, aren't you?
00:11:35Well, you heard the old saying.
00:11:38What's neat for one man is poison for another.
00:11:41You've seen Trump's hand with his cat, haven't you?
00:11:44Makes him sit up on their hind legs and roll over.
00:11:47Do all sorts of tricks.
00:11:48Looks easy, doesn't it?
00:11:50Well, it is for Trump's.
00:11:53If you tried it, they might have to carry you out.
00:12:00Yes, sir.
00:12:01They might have to carry you out.
00:12:10Good.
00:12:11Oh, Sebastian.
00:12:24What is it, Flannery?
00:12:26She told me.
00:12:27Told you what?
00:12:27That she's going to get a divorce.
00:12:29Oh.
00:12:30You knew about it?
00:12:31I told her to do it.
00:12:33Sebastian, everything was all right between my wife and me till you came along.
00:12:37If you went away, we could patch things up.
00:12:39She don't mean as much to you as she does to me.
00:12:42I've known her ever since she was a kid.
00:12:44I couldn't live without her.
00:12:46You'll have to.
00:12:48No, I'll fight the divorce.
00:12:50If you do, we'll find some other way.
00:12:52The trouble with you, Flannery, is you don't know air when you get it.
00:12:54I'll fight it.
00:13:22I'll fight it.
00:13:22Gracias por ver el video.
00:13:52Gracias por ver el video.
00:14:22Gracias por ver el video.
00:14:52Gracias por ver el video.
00:15:24Gracias por ver el video.
00:15:26¿Qué?
00:15:28¿Qué?
00:15:30¿Qué?
00:15:32No, no, no.
00:15:33Let me buy the ticket this time.
00:15:34I want to see how it feels.
00:15:35Ah, Nick.
00:15:36What have I got passes for?
00:15:38Nice trip, Durban.
00:15:40Maybe show on earth.
00:15:42See?
00:15:42That's the great Sebastian.
00:15:46Oh, I've heard of him.
00:15:48Wait till you see his hat.
00:15:49He'll give you a thrill.
00:15:53See that cookie on a horse?
00:15:55That's children mature.
00:16:01Her name would be up in life.
00:16:03If we had life.
00:16:06See that guy along the side of us?
00:16:11That's Flamblin, her husband.
00:16:12See you later.
00:16:13¡Gracias por ver!
00:16:43¡Gracias por ver!
00:17:13¡Gracias por ver!
00:17:44Don't tell me you've got sheriff trouble.
00:17:46Let me tell you something.
00:17:47This is the first time since I've been with the show that we'd welcome a sheriff.
00:17:51There's trouble popping all over the place.
00:17:53Lucky break for us that you're in town.
00:17:55Come on, Kelly.
00:18:00It's a coat.
00:18:01Now, what I want to tell you, if you'll only just listen for a moment...
00:18:05Mind if I look at that...
00:18:06Thank you.
00:18:10Rainy wants to see you.
00:18:11He's got to see you.
00:18:13Now, listen, Dugan.
00:18:14I came here to get away from work.
00:18:16Well, you want to see the circus, don't you?
00:18:17Yes.
00:18:19Well, there won't be a circus if you turn me down.
00:18:22Now, we don't expect you to do anything.
00:18:24We only want your advice.
00:18:27It'll only take five minutes of your time.
00:18:29Just five minutes.
00:18:31Now, please.
00:18:33There is no bomb in Gilliam.
00:18:34I gave Rainy my word.
00:18:36I'll get you over it.
00:18:38What's the trouble?
00:18:40Come with me.
00:18:41Come with me.
00:19:02Well, we seem to have interrupted a conference.
00:19:18What are these people supposed to be?
00:19:20Cannibals.
00:19:21From out of it, eh?
00:19:22No, on the level.
00:19:23Mr. Colt, they're the real McCoy.
00:19:25Real cannibals.
00:19:27I don't know what's come over them.
00:19:28They've been acting scruly all morning.
00:19:30Well, perhaps they're off their regular diet.
00:19:33There's nothing to wisecrack about.
00:19:35You can believe it or not.
00:19:36There were 14 cannibals in that troop last week.
00:19:39There's only 13 now.
00:19:4113.
00:19:43Well, come on.
00:19:45What's the game of the other one?
00:19:46Disappeared.
00:19:47They're cannibals.
00:19:48Figure it out for yourself.
00:19:54Won't you sit down?
00:19:55Thank you.
00:19:58Mr. Colt.
00:20:00I realize that you have no authority outside of the city of New York and that you're on your vacation.
00:20:05And I wouldn't think of imposing on you.
00:20:07Only we're up against a ghastly situation here.
00:20:10I thought that business was very good.
00:20:12What's the use of good business if you can't give a show?
00:20:14Didn't I tell you?
00:20:16What's to prevent you?
00:20:17To begin with, you saw for yourself what happened to her tour on the parade this morning.
00:20:21If her husband hadn't been on the job, she might have been killed or at least crippled.
00:20:24Yes, but the accident was fortunately averted.
00:20:27It wasn't an accident.
00:20:28That balloon didn't burst of its own accord.
00:20:30No.
00:20:30We've got it all figured out that someone along the line of March must have thrown a dart or something to explode that balloon.
00:20:36There's no doubt about it.
00:20:38Somebody's out to wreck this circus.
00:20:40What makes you think so?
00:20:41Well, look at this.
00:20:49Every one of our principal performers received one of those.
00:20:52I wouldn't pay any attention to that if I were you.
00:20:56What do you make of it?
00:20:58What do you think of it, Kelly?
00:21:00You have a very good press agent, Mr. Rainey.
00:21:02Miss Kelly used to be a press agent.
00:21:04She knows all the ropes.
00:21:05Now, let's see.
00:21:06In the parade this morning, it carefully states Miss Hatton.
00:21:09Tomorrow, Friday the 13th.
00:21:11Warning notes.
00:21:12Dear me.
00:21:13Dugan, you sent those warning notes to the performers, didn't you?
00:21:17Me?
00:21:17Well, didn't you?
00:21:20I swear I didn't.
00:21:22Come now, Dugan.
00:21:23And I have nothing to do with that accidental tour.
00:21:26I'll vouch for that.
00:21:28That was engineered by Flandern.
00:21:29He put the end of his cigarette against one of the balloons.
00:21:32How do you know?
00:21:33I saw him do it.
00:21:35And immediately before that, he leaned over and whispered something in her ear.
00:21:38What did he say?
00:21:41He said, you double-crossing cheat, I'll kill the both of you.
00:21:44You were 30 or 40 feet away at the time, and the band was playing.
00:21:46How could you hear?
00:21:48Flip reading.
00:21:49Why didn't you tell me that before?
00:21:51You said you were here on a vacation.
00:21:53There must be something to what Miss Kelly says.
00:21:55Right after the parade, Latour swore she wouldn't go on tomorrow.
00:21:57She was scared to death.
00:21:59Oh, I believe you gentlemen are unduly alarmed.
00:22:02It might have been just a touch of temperament.
00:22:03Oh, no, you don't get temperamental when you own part of a show.
00:22:07Miss Latour, your partner?
00:22:08Fifty percent.
00:22:09It's really a combination of two shows, Hus and mine.
00:22:12The animals, the Hus and the cannibal troop.
00:22:14And then, of course, there's herself and her husband.
00:22:16And lover here.
00:22:17I just took over part of Rainey's interest.
00:22:19And I'll sell it to you, Commissioner, for a dime.
00:22:22Latour is the star attraction.
00:22:24If she doesn't go on tomorrow, there'll be no circus.
00:22:26Yes.
00:22:27And, uh, Miss Latour's husband, uh, Flandron, where is he?
00:22:32Well, I dropped into his wagon a few minutes ago and he was taking a nap.
00:22:36Seems odd, with this threat of disaster all over the place, that he should be napping.
00:22:40Perhaps he's a philosopher.
00:22:42Excellent thing, philosophy.
00:22:43I suggest we go and wake him up.
00:22:45All right, come on.
00:22:48Double-crossing cheat.
00:22:49How long have they been married?
00:22:53About two years.
00:22:54But they're not living together now.
00:22:55Well, it looks as though Flandron had been rudely awakened.
00:23:25I warned you, Flandron, you were the first to go.
00:23:35This is written on the back of one of those warnings.
00:23:55Blood.
00:24:05He's been killed.
00:24:06Well, you can't establish a murder without a corpus delicti.
00:24:14What's that?
00:24:18Cannibals.
00:24:18Ladies and gentlemen, I asked Mr. Rady to get the principals of the circus together for a definite purpose.
00:24:44Now that you're here...
00:24:46Except Mr. Latour.
00:24:48Dugan went to get her.
00:24:50I want to assure you that there will be adequate police protection when the circus opens tomorrow.
00:24:54Regardless of the fact that in a couple of hours it will be Friday the 13th.
00:24:57Well, Dugan, where's Mr. Latour?
00:25:04Throw on the fifth.
00:25:05You never saw such hysterics.
00:25:06All on account of Choo-Choo.
00:25:08Beg pardon?
00:25:10Choo-Choo.
00:25:11Excellent imitation of a train, Dugan.
00:25:13What's it got to do with Mr. Latour's hysterics?
00:25:15That's the name of her dog.
00:25:16Choo-Choo.
00:25:17Somebody killed it.
00:25:18Cut its throat.
00:25:19They found it down near the animal cages.
00:25:22Well, a dog named Choo-Choo's got to take chances.
00:25:24It was the mascot of the show.
00:25:26She was nuts about that dog.
00:25:30Just a minute.
00:25:32Where are you going?
00:25:33To get Mr. Latour.
00:25:35Don't bother.
00:25:36I'll go myself.
00:25:42Mr. Rady.
00:25:43Yes, sir.
00:25:44Please see that nobody leaves the tent till I get back.
00:25:46Right.
00:25:47Come on, Dugan.
00:25:47Take me to Mr. Latour.
00:25:48Sure.
00:25:51Mr. Rady.
00:26:01How many cannibals in the troupe?
00:26:03Thirteen.
00:26:04You had fourteen originally, didn't you?
00:26:06Yeah.
00:26:07What became of the other one?
00:26:08The flu got him in Peoria.
00:26:10He died, and so did the circus.
00:26:12I'll never play that town again as long as I live.
00:26:15You know I got a good mind to close this show tonight.
00:26:17You can't do that, Mr. Rady.
00:26:18No, why not?
00:26:19Mr. Colt has never seen a circus on Friday the 13th, and he's made up his mind.
00:26:24Yeah?
00:26:25He's a very obstinate person.
00:26:27Oh.
00:26:36This is Mr. Latour's wagon.
00:26:41You wait outside, Dugan, and keep your eyes peeled.
00:26:44What for?
00:26:44I want this interview to be private.
00:26:47Okay.
00:26:48Okay.
00:26:48Pardon me for intruding upon a great sorrow.
00:27:13I'll only disturb you for a moment.
00:27:15I just heard about Chuchu.
00:27:18You received the news of the loss of your husband with admirable fortitude.
00:27:21Yet the death of your dog seems to be a great tragedy in your life.
00:27:25I love that dog very much.
00:27:27Apparently.
00:27:28More than you loved your husband.
00:27:29What do you want?
00:27:36I want to know whether you wish to confide in me.
00:27:39It will save me a great deal of effort, which I'm anxious to conserve since I'm on my vacation.
00:27:43And it may save you a great deal more than that, if you choose to tell me the truth.
00:27:48About what?
00:27:49About why your husband in the circus parade this morning said,
00:27:52I'm going to kill the both of you.
00:27:57Oh.
00:27:58My husband is crazy.
00:28:00You mean he's unreasonably jealous?
00:28:02No.
00:28:03I mean he's mad.
00:28:04As a matter of fact, I told him I intended to put him into it, and I found him as soon as I could.
00:28:08Maybe that's the reason he threatened to kill me.
00:28:11Hmm.
00:28:12He said the both of you.
00:28:14Who was the other one?
00:28:16Lovell?
00:28:17Lovell?
00:28:21Yes.
00:28:23Why are you lying?
00:28:27How long have you known Sebastian?
00:28:36Are you going to give a performance tomorrow?
00:28:38Yes.
00:28:39And you're no longer afraid?
00:28:41No.
00:28:44Because the only one you were afraid of...
00:28:47isn't alive.
00:29:04Voodoo.
00:29:04Help!
00:29:09Help!
00:29:09Help!
00:29:10Help!
00:29:10Help!
00:29:11Help!
00:29:13Help!
00:29:14Get this off me!
00:29:15Hey!
00:29:16Keep still, you fool!
00:29:17Keep still.
00:29:18Now, wait a minute.
00:29:18Who is it?
00:29:19It's me.
00:29:19It's me.
00:29:20Cole.
00:29:21Now, wait a minute.
00:29:21When do I get this thing off?
00:29:22Get off!
00:29:23Get off!
00:29:23Keep quiet now.
00:29:24Wait a minute.
00:29:25It's me, Cole.
00:29:26Now, what happened?
00:29:28I don't know.
00:29:29I was standing in front here.
00:29:31Dying the wagon like you said.
00:29:32All of a sudden, someone threw that over my head.
00:29:35Come on.
00:29:35Let's get out of here.
00:29:36Now, don't be silly.
00:29:37Let's get back to the rest of the folks.
00:29:39Now, don't be silly.
00:29:40I got those people together for only one reason.
00:29:42So that we could make a tour of investigation without being interrupted.
00:29:45We?
00:29:45Yes.
00:29:46You and I.
00:29:46We're going to prowl around a bit.
00:29:48Come on.
00:29:49Action.
00:30:10Who occupies this wagon?
00:30:11Crump's the animal trainer.
00:30:13Well, was he part of a tour's outfit before the two troops joined up?
00:30:15Yes.
00:30:16Let's have a look.
00:30:24Does Crump's get along all right with Latour?
00:30:27He's practically her slave.
00:30:29He'd do anything in the world for her.
00:30:31And Flundgren, was Crump's friendly with him?
00:30:34Well, I...
00:30:36Quite so.
00:30:37I begin to see that Flundgren didn't have a friend on the lot.
00:30:39He hated anybody that would as much as look at his wife.
00:30:42And his wife was very much worth looking at.
00:30:44You're telling me.
00:30:51What's this?
00:30:52Those are Flundgren's clothes.
00:31:09I'll stake my life on it.
00:31:11Do you think Crump's killed Flundgren?
00:31:13I'm not so much interested in who killed Flundgren
00:31:15as I am in what became of the body.
00:31:18Let's go.
00:31:19Have you ever eaten lion's meat, Duggan?
00:31:35Uh-uh.
00:31:36If you were hungry and starving, would you eat lion's meat?
00:31:39Uh-uh.
00:31:39No, sir.
00:31:40Eat bottles.
00:31:41Well, it really doesn't matter.
00:31:43The point is that a hungry lion would eat a human being.
00:31:46There's no doubt about that.
00:31:47What are you aiming there?
00:31:49A corpus delictum.
00:31:50It's very annoying to work on a murdery case
00:31:52without knowing what became of the body.
00:31:55If Crump's killed Flundgren and dismembered the body,
00:31:58he could have given his lions a very special treat tonight
00:32:00and nobody would have ever known anything about it.
00:32:02Except the lions.
00:32:04And unfortunately, lions don't talk.
00:32:08Let's go, Duggan.
00:32:09Let's get out of here.
00:32:21Let's get out of here.
00:32:28Come on, let's go.
00:32:29Wait a minute.
00:32:32What makes it this?
00:32:44This is a cannibal hut.
00:32:46This is a cannibal hut.
00:33:02This is a cannibal hut.
00:33:07This is a cannibal hut.
00:33:11¡Gracias!
00:33:41Very close.
00:33:42Yes.
00:33:43I ain't feeling very well.
00:33:45Maybe it's the night air.
00:33:47I seem to have chills.
00:33:49Couldn't you prowl around by yourself?
00:33:53Would it be all right if I hit the hay?
00:33:56Certainly, Duggan.
00:33:57Thanks.
00:33:58Pleasant dreams.
00:33:59What'll I do with these?
00:34:00Give them away.
00:34:01I don't want them.
00:34:11¡Gracias!
00:34:41Cigarette, Kelly.
00:35:03You know, the modern circus dates back to the days of ancient Rome.
00:35:08In those days, the word circus was synonymous with blood.
00:35:11Tragedy.
00:35:13Tonight, the tent is empty.
00:35:15Tomorrow?
00:35:17All these empty seats will be filled with people.
00:35:22What are they going to get for their money?
00:35:25I wish I knew.
00:35:26Thank you.
00:35:41Ladies and gentlemen, a genuine band of Congo cannibals.
00:35:58Folks who kill their enemy tribesmen with a poison dart.
00:36:03Shot through this little blowpipe.
00:36:07And no funerals are necessary.
00:36:09Folks, you all know what cannibals are.
00:36:13I told you they were 13.
00:36:15What difference does that make?
00:36:17The difference between life and death, Rainey.
00:36:19The town chemist just showed up with the report of the blood found on Flanders' car.
00:36:24It isn't human blood at all.
00:36:25No.
00:36:27It was the blood of a dog, wasn't it?
00:36:29How did you know?
00:36:30I counted the cannibals last night and there were 14.
00:36:32One of them was Flanders, made up to look like the rest.
00:36:35Why didn't you pinch him?
00:36:36For what?
00:36:37For killing a dog?
00:36:38I knew he wouldn't do anything last night.
00:36:40And I was willing to let him think he was getting away with it.
00:36:43So that I could watch him today.
00:36:44Now he's gone.
00:36:45I wish he was.
00:36:47But he's not.
00:36:48He's around here somewhere.
00:36:50We've got to find him.
00:36:51Kelly, get a couple of roustabouts and don't let any of these cannibals leave here until
00:36:55it comes time to go on for their turn.
00:36:56Yes, sir.
00:36:58Anybody here talk to cannibal lingo?
00:36:59Not now.
00:37:00What do you mean by that?
00:37:02Landron was the only one who could understand it.
00:37:04He was the only one who could understand it.
00:37:04He was the only one who could understand it.
00:37:05He was the only one who could understand it.
00:37:05He was the only one who could understand it.
00:37:05He was the only one who could understand it.
00:37:05First place.
00:37:06Dugan, get all the men you can spare and make a search of the lot.
00:37:09See if you can find the 14th cannibal.
00:37:11If you don't, there'll be no show this afternoon.
00:37:13Who says so?
00:37:14I do.
00:37:15You wanted me to take charge and I'm taking charge.
00:37:17All right.
00:37:17Anything you say.
00:37:18Where's the clown's dress?
00:37:19Right over this way.
00:37:21Let's go there.
00:37:24Ladies and gentlemen, I want to impress upon you that the most difficult time we had in
00:37:30the Congo was capturing this chief.
00:37:32Curly.
00:37:33When is wrong?
00:37:34Those two broads are made out of the midway.
00:37:36They're in the grandstand.
00:37:37Brand one for me.
00:37:39I'd rather take a sock in the jaw than go up on those stouts this afternoon.
00:37:43Why?
00:37:44It's Friday the 13th, stupid.
00:37:47Holy cock.
00:37:50I'm trying to get a little bit of a call.
00:37:52I'm trying to get a little bit of a call.
00:37:52I'm trying to get a little bit of a call.
00:37:52It's still Friday the 13th.
00:37:53Hey, you.
00:37:54Stay where you are.
00:37:55Stick around.
00:37:56Oh, come on.
00:37:56A little man.
00:37:57I don't feel like a little man.
00:37:58I don't feel like a little man.
00:38:00Well, here you are.
00:38:02Tell them to remove their makeup.
00:38:03Come on, boys.
00:38:04Get your makeup off, all of you.
00:38:05What for, boss?
00:38:06Well, we've gone in a half an hour.
00:38:08You've got a lot of time.
00:38:09Come on.
00:38:09Get it off.
00:38:10Snap into it.
00:38:10But we just got it off.
00:38:11Don't argue with me.
00:38:12Get it off.
00:38:13Come on.
00:38:13Come on.
00:38:14Come on, boys.
00:38:15Get it off.
00:38:15Get it off.
00:38:15All right.
00:38:29All right.
00:38:30Thank you, gentlemen.
00:38:31Anything else?
00:38:32Not just now.
00:38:33All right, boys.
00:38:34Get it back on again.
00:38:35All right, boys.
00:39:05You've got a lot of people.
00:39:07You're going to arrest him.
00:39:10You'll be going to arrest him.
00:39:11You're going to arrest him.
00:39:14I heard you accuse Sebastian of the murder of your husband.
00:39:22Would it make you feel any better to know he had nothing to do with it?
00:39:24How do you know?
00:39:26A dog told me.
00:39:27Sebastian, Mr. Rennie tells me that you requested a switch in routine for the performer this afternoon.
00:39:33Yes.
00:39:33I asked permission to go on before Latour.
00:39:35May I ask why?
00:39:36The whim?
00:39:37No.
00:39:38You want to go on before she does in case anything happens.
00:39:40You'd rather have it happen to you than to her.
00:39:42Oh, nothing would happen to either one.
00:39:45What is it, Dugan?
00:39:46We've lost the angel.
00:39:47Lovell's gone.
00:39:48Gone where?
00:39:48I don't know.
00:39:49Rennie sent me to find him.
00:39:51Nobody's seen him all day.
00:39:52He's not on the lot.
00:39:52He's gone.
00:39:53Where's Rennie?
00:39:54In his quarters.
00:39:55All right, Dugan.
00:39:56Now, wait.
00:39:57I have something to say to Mr. Rennie this afternoon, which you may want to hear.
00:40:00You'll be good enough to come with us.
00:40:09That's him.
00:40:09Thanks.
00:40:10Mr. Colt's telegram.
00:40:11Are you sure?
00:40:13Nobody's supposed to know I'm here.
00:40:15That's your coat.
00:40:16Carry a great or any show to Gilead, New York.
00:40:22Pardon me.
00:40:22I suppose you've heard about Lovell.
00:40:51I just heard from him.
00:40:56He's now on his way to New York.
00:40:58He sent me a telegram.
00:40:59He left early this morning.
00:41:01What did he run away for?
00:41:02Afraid of you?
00:41:03No.
00:41:04He was afraid of Flandron.
00:41:06Well, I thought Flandron was killed.
00:41:08Yes.
00:41:11Who killed Flandron?
00:41:12Flandron?
00:41:19Nobody.
00:41:19Nobody.
00:41:19He committed suicide?
00:41:24Something like that.
00:41:26He did everything necessary to make it appear that he was killed.
00:41:29He wrote the note.
00:41:30He fired the bullet.
00:41:31He killed the dog to get the blood that he smeared on the cot.
00:41:34And he must have gotten a malicious pleasure out of killing the dog because his wife loved it.
00:41:38He told me he was going to kill the dog.
00:41:40He told Lovell more than that.
00:41:45Flandron swore he would get Latour, Sebastian, and myself and wreck the circus besides.
00:41:49Stop.
00:41:49Maybe he was bluffing.
00:41:51But I decided not to wait around to find out.
00:41:53Excellent judgment, I should say.
00:41:55Well, your angel walked off on you, Rainey.
00:41:57Now I'm going to tell you just what Flandron did after he carefully created the impression that he was murdered.
00:42:03First of all, he changed his clothes.
00:42:05Then he got into a cannibal outfit, blacking his face and painting it.
00:42:08His own clothes he left in Crump's quarters.
00:42:11That was to throw suspicion against Crump's.
00:42:13He made the figure that he threw into your wagon last night.
00:42:15Then he went to sleep with the cannibals.
00:42:17That's why there were fourteen of the cannibals.
00:42:18And thirteen this morning.
00:42:20Exactly.
00:42:21And now you know why I made the clowns take off their makeups.
00:42:23It would be like Flandron to wear a makeup of comedy on the eve of tragedy.
00:42:27Dexter?
00:42:28Tragedy?
00:42:28There's a dangerous madman loose among us.
00:42:31Flandron will make good his boast if you give him a chance.
00:42:34He'll kill you two and he'll wreck the circus.
00:42:36The only way to stop him is to go out there and tell the people there'll be no show this afternoon.
00:42:40You'd better do it, Rainey.
00:42:41No, you'd better not.
00:42:42That's just what Shlandling is aiming at.
00:42:44That's his way wrecking the circus.
00:42:46But our own part of this circus never got something to say about it.
00:42:48And I'm not going to let a guy like that block me out of giving a show.
00:42:52Your own life you're risking?
00:42:53He might kill a dog, but he wouldn't have the nerve to kill me.
00:42:55How do you feel about it, Sebastian?
00:42:57I do what she says.
00:42:58I'm giving a show.
00:42:59I warn you, Mr. Tua, it may be your last one.
00:43:02Think so?
00:43:03Well, if I've got to die, it might as well be before a full house.
00:43:06Come on, Carlos.
00:43:15Here you are, folks.
00:43:16Step right this way.
00:43:17Get your tickets for the big show.
00:43:19Get your tickets there for the big show.
00:43:20Follow-up, Colt's orders.
00:43:22Sure did.
00:43:22I got a man on every entrance and exit in the place.
00:43:25Flannan couldn't get in and rattle this lot with a shoehorn.
00:43:27I want you to watch the clowns especially.
00:43:29Be sure there are no ringers.
00:43:30Okay.
00:43:30I got everything under control.
00:43:32Well, then, what are you worried about?
00:43:33It's still Friday the 13th.
00:43:42Ladies and gentlemen, you are about to witness the greatest aggregation of circus performers
00:43:50ever presented to the public.
00:43:53At an enormous expense, we have searched the four corners of the globe to secure the most
00:44:01outstanding novelties, the most hair-raising and justifying acts ever seen in one tent.
00:44:08The performers will now begin with a grand parade.
00:44:12We'll be right back.
00:44:42We'll be right back.
00:45:12We'll be right back.
00:45:43Enjoying the circus?
00:45:45No.
00:45:45We'll be right back.
00:45:48We'll be right back.
00:45:50We'll be right back.
00:45:51We'll be right back.
00:45:56We'll be right back.
00:45:56We'll be right back.
00:45:57Gracias por ver el video.
00:46:27Gracias por ver el video.
00:46:57Gracias por ver el video.
00:47:27Gracias por ver el video.
00:47:57Gracias por ver el video.
00:48:27Gracias por ver el video.
00:48:57Gracias por ver el video.
00:49:27Gracias por ver el video.
00:49:57Gracias por ver el video.
00:50:27Gracias por ver el video.
00:50:57Gracias por ver el video.
00:50:59Gracias por ver el video.
00:51:01Miss Josie Latour.
00:51:03Latour.
00:51:05Gracias por ver el video.
00:51:07Gracias por ver el video.
00:51:09Gracias por ver el video.
00:51:11Gracias por ver el video.
00:51:13Gracias por ver el video.
00:51:15Gracias por ver el video.
00:51:17Gracias por ver el video.
00:51:19Gracias por ver el video.
00:51:21Gracias por ver el video.
00:51:23Gracias por ver el video.
00:51:25Gracias por ver el video.
00:51:27Gracias por ver el video.
00:51:29Gracias por ver el video.
00:51:31Gracias.
00:51:33Gracias.
00:51:35Gracias.
00:51:37Gracias.
00:51:39Gracias.
00:51:41Gracias.
00:51:43Gracias.
00:51:45Gracias.
00:51:47Gracias.
00:51:49Gracias.
00:51:51Gracias.
00:51:53Gracias.
00:51:55Gracias.
00:51:57Gracias.
00:51:59Gracias.
00:52:01Gracias.
00:52:03Gracias.
00:52:05Gracias.
00:52:07Gracias.
00:52:09Gracias.
00:52:11Gracias.
00:52:13Gracias.
00:52:14Gracias.
00:52:15Gracias.
00:52:16Gracias.
00:52:17Gracias.
00:52:18Gracias.
00:52:19Gracias.
00:52:20Gracias.
00:52:21Gracias.
00:52:22Gracias.
00:52:23Gracias.
00:52:24Gracias.
00:52:25Gracias.
00:52:26Gracias.
00:52:27you'd almost think they were aiming those types at Latour.
00:52:30Yes.
00:52:32If they were weapons instead of musical instruments-
00:52:35It would be a simple matter to hit Latour with a poison dart.
00:52:38¡Gracias!
00:52:50¡You wait here, Kelly!
00:52:52¡I'm going over there and keep an eye on those cannibals!
00:53:08¡Gracias!
00:53:38¡Gracias!
00:54:08¡Gracias!
00:54:38¡Gracias!
00:55:08¡Gracias!
00:55:38¡Gracias!
00:56:08¡Gracias!
00:56:12¡Gracias!
00:56:12¡Gracias!
00:56:12¡Gracias!
00:56:12¡Gracias!
00:56:13¡Gracias!
00:56:13¡Beat the show going!
00:56:14¡I'll make an announcement!
00:56:15¡Ladies and gentlemen, please keep your feet!
00:56:17¡Please keep your feet!
00:56:22¡Ladies and gentlemen, kindly keep your feet!
00:56:26¡In spite of the act of your conflict, and support, the stronghold that will let continue!
00:56:33¡In this break, you will be at...
00:56:35Send for a doctor
00:56:38He'll tell you just what I'm telling you
00:56:40And what the autopsy will prove
00:56:42Latour is dead from poison
00:56:44Inflicted by means of a doc shot through a blowpipe
00:56:46One of these
00:56:50Yes
00:56:52They make devilish sounds, don't they?
00:56:56And if you remove the mouthpiece
00:56:57They make devilish weapons
00:56:59One of them cannibals blew the doctor
00:57:01I'll swear to it
00:57:03And the doll with the needle threw it
00:57:04Made something true
00:57:05All the time she was up there on the trapeze
00:57:07I was watching the cannibals
00:57:09They had those pipes aimed right at her
00:57:11One of them killed her
00:57:12I think Dugan is right, Mr. Colt
00:57:14If I had anything to say about it
00:57:15I'd pinch all 13 of them
00:57:17Dugan?
00:57:18Yeah
00:57:18Home for the sheriff and coroner
00:57:19Sure
00:57:20You have more reason than ever, Sebastian
00:57:24To watch your step now
00:57:25What for?
00:57:27Flandron said he'd get you too
00:57:28Well, he better
00:57:29If he doesn't, I'll get him
00:57:30That's all I want to live for now
00:57:32Miss Kelly
00:57:35She didn't come in here
00:57:37Are you sure?
00:57:38Have you seen her?
00:57:39Oh
00:57:39Stop where you are
00:57:59Turn around
00:58:02Now walk over here
00:58:07I've nothing against you, Colt
00:58:19But if you don't do exactly what I tell you to do
00:58:21I'll kill you
00:58:22I never argue with a man who has a gun in his hand
00:58:25What do you want, Flandron?
00:58:26I'm Sebastian
00:58:26Mind if I smoke a cigarette?
00:58:29Don't try any tricks
00:58:30Somebody's coming
00:58:41If you give me away, I'll shoot
00:58:43Locate the sheriff here, Dugan?
00:58:50Yes
00:58:50He was tied up at the city hall
00:58:52His office is getting in touch with him now
00:58:54And the coroner, too
00:58:55Good
00:58:55I'd feel a whole lot better if I knew where
00:58:59Flandron was
00:59:00Waiting for somebody?
00:59:03No, I just thought I'd step out for a breath of fresh air
00:59:05Anything I can do?
00:59:07Yes
00:59:07You might look around and see if you can find Miss Kelly
00:59:10I'm looking for her
00:59:11Okay
00:59:14I wanted her here because I thought she might come in handy
00:59:23I understand she's been with you a long time
00:59:25Well, if you don't do exactly what I say, I'll kill her
00:59:28What do you want me to do?
00:59:30Sebastian is in that prop tent over there with my wife
00:59:33I saw him carry her in
00:59:34She was in his arms like the time I caught them together
00:59:36Rainey's in there and Crump's and a few others
00:59:38Though I know just who
00:59:39I want you to go back and get them all out of there
00:59:41All except Sebastian
00:59:43You mean you want Sebastian in there alone with the body of your wife?
00:59:47That's it
00:59:48And you're going to fix it for me
00:59:49You've got the power to do it and you're going to do it
00:59:51I'll give you five minutes
00:59:52And remember, I'm going to hold on to her
00:59:55I tried to prevent the murder of your wife, Flandron, and I failed
00:59:59And now you're asking me to help you kill Sebastian
01:00:01It's either him or her
01:00:03You can take your choice
01:00:04I suppose you know what you're heading for
01:00:06Whether you kill Sebastian or not
01:00:08You can't get away
01:00:09I don't want to get away
01:00:11Do you suppose I could live without her?
01:00:13I'm keeping a bullet for myself
01:00:14Well?
01:00:17Very well, Flandron
01:00:18All right, go ahead
01:00:19Did you find Miss Kelly?
01:00:38Flandron's got her
01:00:38He's in the wagon outside the big tent and he's got a gun
01:00:40So have I
01:00:41Where are you going?
01:00:42To get Flandron
01:00:43You'll do nothing of the sort
01:00:44Do you want to create a panic among those women and children?
01:00:46We'd better get some men together and surround the wagon
01:00:48Then he can't get away
01:00:49He doesn't want to get away
01:00:49There's something he wants first
01:00:50And he pretends to kill Miss Kelly unless he gets her
01:00:52What does he want?
01:00:53Never mind that
01:00:54That's my problem
01:00:55But I don't mind telling you that Miss Kelly's life means more to me than anything else
01:01:00Come on
01:01:18Go in front of me and don't make any noise
01:01:24Good night
01:01:28Good night
01:01:32Good night
01:01:35¡Gracias!
01:02:05Now I'll go in there
01:02:07and show them
01:02:08how to die.
01:02:34Mr. Cole.
01:02:36Those bullets
01:02:37didn't come through
01:02:37but they certainly
01:02:38knocked the breath
01:02:39out of me.
01:03:02What do I do?
01:03:03Keep your shirt on.
01:03:04Start your band going.
01:03:05What for?
01:03:05Start it.
01:03:06Band.
01:03:07Music.
01:03:15There are hundreds of people here.
01:03:16Men, women, and children.
01:03:17There's a madman loose.
01:03:26I couldn't answer back you.
01:03:27He's gone.
01:03:28Where?
01:03:28I don't know.
01:03:29There he is now.
01:03:30He's got a gun.
01:03:33Yes.
01:03:34Give it to me.
01:03:35What for?
01:03:35I'll show you how to get him down.
01:03:36Are you as crazy as he is?
01:03:37He's got a gun too.
01:03:38He sees you and starts shooting.
01:03:39Later not from the crowd.
01:03:40I can't do that.
01:03:41I can't do that.
01:03:41I can't do that.
01:03:41I can't do that.
01:03:42I can't do that.
01:03:42Then I will.
01:03:48I can't do that.
01:03:50Ladies and gentlemen,
01:03:52we have the honor and privilege
01:03:54of presenting to you
01:03:56our star attraction
01:03:58the great Flandron
01:04:00the greatest circus act
01:04:02ever presented to the public
01:04:05a man
01:04:07whose every performance
01:04:09is a rendezvous with death
01:04:11this is positively
01:04:13his last
01:04:15public appearance
01:04:17are you ready Flandron?
01:04:26ready
01:04:47Flandron
01:05:17just a moment
01:05:28please keep your seats
01:05:29please keep your seats
01:05:31I will stay with you all
01:05:47this Kelly
01:05:51includes the performance
01:05:53what do you think
01:05:56you're undoing now?
01:05:58I'm going back to New York
01:05:59for a vacation
01:06:17do you think
01:06:28good
01:06:34so
01:06:38I'll be right back
01:06:40if I could
01:06:42sell
01:06:45Gracias por ver el video.
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