- hace 2 meses
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de mucho
s actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de mucho
s actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00¡Gracias!
00:30¡Gracias!
01:00¡Gracias!
01:30¡Gracias!
02:00¡Gracias!
02:30¡Gracias!
02:32¡Gracias!
02:56¡Calling car one eighty eight!
02:591, 8, 8, ambulance, follow-up, 1, 16, west 40, 1, 1, 6, west, 4, 0, report, abartments.
03:18Jet on arrival.
03:20DOA, huh?
03:21Boise, Dr. Crosby had an office on the building.
03:24Come on, land, get it away.
03:29Wait a minute, wait a minute.
03:32What's this?
03:35He's been shot.
03:36Shot, are you sure, Doc?
03:38Sure, a large caliber bullet right over the heart.
03:42Report studio apartments.
03:44Doctor Who?
03:45Who?
03:48All right, have the body taken back in the house and stand by.
03:50I'll send Sergeant Melody over.
03:52Report studio apartments over on 40th Street.
03:54Doctor was shot and then got himself run over.
03:57Shot and run over?
03:59That's enough to kill a man.
04:01He was killed.
04:05Anybody important?
04:07No, a Dr. Crosby, a shady medical over on 40th Street.
04:09Never heard of him.
04:10Practicing physician, mostly male practice.
04:13Not interested, huh?
04:14Sure, but not excited.
04:16Got any idea who killed him?
04:18You got hit with a buzzsaw, would you know which tooth it did?
04:20It might be any one of a dozen.
04:22But it'll get a paragraph in your paper the first day.
04:24Second day, about an inch.
04:26Then you'll forget it.
04:26Until we dig back and find out that you didn't solve it.
04:30Well, you're not going to do any digging back in this case.
04:32You're going to sweat through it with us.
04:34Well, with Melody on the case, I better have my trunk moved in.
04:40Aren't you frightened?
04:41I'm scared to death.
04:42Well, anyway, he had it coming to him.
04:46Let's not talk about it.
04:52Pretty awesome.
04:54Beautiful.
04:57But they weren't worth it.
05:00Well, I'll go get dressed.
05:01Put them in the bag for me, will you?
05:02They're the only insurance I've got.
05:04Well, that's that.
05:21Put this in, too, will you, hon?
05:25What's the matter?
05:26I hate to see you go.
05:29Cut it out.
05:30You'll have me doing it myself in a minute.
05:32You'll take good care of yourself.
05:34As good as I can.
05:36Oh, Nora, please stop it.
05:39Well, goodbye.
05:40And look, remember everything I've told you.
05:42Check out of here just as soon as I leave.
05:45And above all, don't go near any place where you're out to meet friends of Crosby's.
05:48Yes.
05:48Understand?
05:50Bye-bye.
05:52Good luck.
05:52Thanks.
05:53You're the doorman, huh?
05:59That's me.
06:00Let's have it.
06:02What?
06:02What happened?
06:04Oh.
06:05Well, I was standing in the lobby.
06:07And I heard the brakes of the cab, and I ran out.
06:09And there I saw the cab driver.
06:11You see, Kitty, here's me.
06:13Driving down 40th Street, going about 20.
06:16What's the idea of shimmying like that?
06:18I'm crossing 6th Avenue, bumping over the tracks.
06:20Never mind acting it out.
06:22It was your business to stop.
06:24You're telling me I did stop.
06:25Like the law says, stop and give aid.
06:27Oh, so you did stop.
06:29Who?
06:30Me?
06:31Get myself in a mess of trouble?
06:32Get my insurance canceled?
06:34Well, I'd never be able to drive another hack in this town.
06:36Looks to me like you can't be trusted with one.
06:38Yeah, take me off the street, and you'd have to go back to work.
06:40That wouldn't be no novelty to me.
06:47Say, if you don't listen to me, you're going to keep on making wisecracks.
06:51See, this guy hops in front of my cab.
06:53I give the wheel a terrific twist.
06:54Collins?
07:12You Collins?
07:13Who?
07:14Me?
07:16Pack number 08216.
07:20Get your coat.
07:20They want you downtown.
07:21No, no, no.
07:51No, no, no.
08:21About $10. We just set it right with him.
08:32That's yours.
08:33Oh, gee, gee, thanks.
08:35Just so you won't think too bad of us cops.
08:37Think I might do anything for you, Chief.
08:39Don't mention it.
08:40Look, that's the cab rival.
08:56That's him.
08:56Looks like a regulation garnished by the post office department.
09:03Someone's tried to file the serial number off.
09:04Yeah, they didn't do such a good job either.
09:07No, pretty crude.
09:09Must have been in a hurry.
09:09Did you know he was dead when you run over him?
09:14No, but I was glad when I found out.
09:17Oh, so you had something against him.
09:19Gee, I never even knew the guy.
09:21Well, you just said you was glad he was dead.
09:23Did I?
09:24Sure.
09:25Well, I wouldn't want to run over a live guy.
09:27Is this the first time you ever hit a man and run?
09:30I'll bet it ain't.
09:31Well, gee, you can't drive a taxi in this town for 10 years and not hit nothing.
09:34Gee, I hit, I hit cars, I hit trees, I hit ramp poles.
09:36But so help me.
09:37Never before in my life did I run over a dead guy.
09:40Who paid you to shoot Dr. Crosby and then run over him to make it look like an accident?
09:44Answer me that.
09:45Huh?
09:48You mean that Collins shot the doctor, then he ran into the doctor's office,
09:51dropped the gun on the desk, ran out, climbed into the taxi cab, and then ran over the doctor.
09:55Yes.
09:56What?
09:56Well, maybe he had a confederate.
09:59I never had nothing.
10:00There I was, just minding my own business.
10:02We'll leave Collins out of it.
10:03Yeah, sure.
10:04For the moment.
10:06Lock him up.
10:07What charge?
10:08Material witness.
10:09Oh, gee, you can't do this to me.
10:11Listen, I stand on my gun.
10:14Now you're getting somewhere.
10:15Sure.
10:17Well, we've got the gun that he was shot with.
10:19We've got a woman's bedroom, Settler.
10:23You found this in Crosby's apartment?
10:24Yeah.
10:26Appears to have been worn recently.
10:29There are no other signs of any woman's belongings, were there?
10:31That's all.
10:33Probably cleared out in a hurry and overlooked this.
10:36L. Hiller.
10:37Well, that ought not to be hard to face.
10:43Have one of your men bring her in, Melody.
10:45I want to have a talk with her.
10:47Right.
10:47Go ahead.
11:11Right up.
11:12¿Quién es eso?
11:28La policía de la policía.
11:29La policía de la policía.
11:59La policía de la policía.
12:29La policía de la policía.
12:59¿Qué?
13:01¿Vamos a la policía de la policía?
13:03No, no.
13:04No, no.
13:05No, no.
13:06No, no.
13:07No, no.
13:08No, no.
13:09No, no.
13:10No.
13:11No, no.
13:12No.
13:13No, no.
13:14No, no.
13:15No, no.
13:16No, no.
13:17No.
13:18No, no.
13:19No, no.
13:20No.
13:21No, no.
13:22No, no.
13:23No, no.
13:24No, no.
13:25No, no.
13:26No.
13:27No.
13:28No.
13:29No, no.
13:30No.
13:31No, no.
13:32No.
13:33No.
13:34No.
13:35No.
13:36No.
13:37No.
13:38No.
13:39No.
13:40No.
13:41No.
13:42No.
13:43No.
13:44No.
13:45No, no.
13:46No.
13:47No.
13:48No.
13:49No.
13:50No.
13:51No.
13:52No.
13:53All right, dig up Lubick.
13:56He might be the last one that saw Crosby alive.
14:18What's the matter with the lights in here?
14:19The fuse is what's blowing up on this floor.
14:24What's the idea?
14:26What is it you want with me?
14:29There's a murder-rapper against you downtown.
14:32Oh, yeah.
14:34I know.
14:37I know.
14:39Come on, let's go.
14:43Willie McGuire.
14:45Yeah, Willie the Squealer.
14:47O'Shea says he's been seen going in and out of the before departments.
14:52Oh, he wouldn't have nerve enough to kill anybody.
14:56Well, bring him in and see if he can persuade him to talk.
14:59He usually does.
15:07What would you say that Rembrandt is worth?
15:09In Crosby's safe, nothing.
15:10To an art collector, a hundred grand.
15:12What do you know about that?
15:15I'll bet we get nearer three for it.
15:16You're going to buy it?
15:17That's our business.
15:18Yours is to trick it up so we can get it out of the country.
15:20Well, I guess I'd better be...
15:24I mean, I guess I'd better not stick around here.
15:28Come here a minute, Willie.
15:44Sit down.
15:48You did a nice job, Willie.
15:50Sure, I did, sure.
15:53You cracked that crib like an old-timer.
15:55Oh, bueno.
15:57I've had lots of practice.
15:58And we're going to pay you off, just as we promised.
16:01But,
16:02your job's not all done yet.
16:05You mean, I gotta do something else?
16:07Yeah.
16:08Keep your mouth shut.
16:10Oh, sure, sure.
16:14Now, here's two grand.
16:16All in small bills,
16:17so you won't suffer any embarrassment.
16:20That ought to keep you out of circulation
16:21until we've got time to shut off.
16:23You guys need to worry about me.
16:25I'm true.
16:27I can't pick another rat.
16:28That would make me a four-time loser.
16:30I'd get a book full.
16:32Just remember this.
16:33In case you should get picked up.
16:35Oh, I won't, honest.
16:37Keep your mouth shut.
16:40Because if you don't,
16:42just as sure as you're born,
16:43it's your finish.
16:44And we need it.
16:46I ain't doubting you.
16:49Just so you remember it.
16:51Okay, Willie. Beat it.
16:55I don't trust that little rat.
17:06He'll be all right.
17:07You scared the pants off.
17:09He better be all right.
17:11I meant every word I said.
17:12I don't trust it.
17:14Oh, my God!
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19:08Chirosos a conocer que tome nuestro gasto yATE sound.
19:11Vamos a saber por dónde lo pagaste´.
19:19Dónde está que ven?
19:22Yo estaba assignmentada.
19:26Informa, ¿cuál fue el dato deQUE a entratar dentro del país?
19:32Porque el día 17.
19:36¿Por qué?
19:38¿Puedes decirme por qué me fue arrestado?
19:41¿Qué pasó entre usted y Dr. Crosby?
19:44Oh.
19:45Entonces, eso es.
19:47Él se siente sobre el stuff.
19:49¿Stuff?
19:55Aquí está.
19:56Todo lo que está.
19:57Él puede tenerlo de vuelta.
20:01¿Puedo ir?
20:03¿Qué piensas de Dr. Crosby?
20:04¿De qué piensas de ver en la sala?
20:06Well, I think Dr. Crosby
20:07has very little interest to you at the moment.
20:10As a matter of fact, he's dead.
20:14Dead?
20:14Shot.
20:15Or to put it less presently, murder.
20:20When?
20:21Jules, eh?
20:24Something, uh,
20:25new, I imagine.
20:30Nora.
20:31The little sleep.
20:32Who?
20:35Oh.
20:36Creo que estaba equivocado.
20:38Sí.
20:39Sí, creo que sí.
20:42Dime, ¿por qué?
20:46¿Por qué te mataste Crosbie?
20:49No me mataste.
20:51Ya te dije que no me mataste.
20:53Lo sé, pero ¿qué hiciste en el hospital?
20:56He fue mi doctor.
20:58¿Qué haces para verlo?
21:00Te lo dije.
21:02Ya sé.
21:04¿Qué haces para verlo?
21:06Yo he visitado por mi dolor.
21:08¿No?
21:09¿Y tú fuiste el paciente?
21:11¿No?
21:12¿No?
21:13¿No?
21:14¿No?
21:15¿No?
21:16¿No?
21:17¿No?
21:18¿No?
21:19¿No?
21:20¿No?
21:21¿No?
21:22¿No?
21:23¿No?
21:24¿No?
21:25¿No?
21:26¿No?
21:27¿No?
21:28¿No?
21:29¿No?
21:30¿No?
21:31¿No?
21:32¿No?
21:33¿No?
21:34¿No?
21:35¿No?
21:36¿No?
21:37¿No?
21:38¿No?
21:39¿No?
21:40¿No?
21:41¿No?
21:42¿No?
21:43¿No?
21:44¿Vas visto una vez, está bien?
21:45¿No?
21:46¿No?
21:48¿Ya?
21:49¿No?
21:50Vamos a ver si estás contando la verdad.
21:55Ahora, tenemos una línea en todos los que estaban en el edificio de ese edificio.
21:59Y si hubiera visto alguien,
22:01debe ser uno de estos.
22:03Ahora, ¿qué fue?
22:08¡Como! ¡Como! ¿Quién fue?
22:16Pensé así.
22:17Bueno, Scotti, parece que te parece que estás en un gran problema.
22:21Bueno, déjame verlo.
22:23¿Qué es lo que hago? ¿Qué es lo que pasa?
22:24Suspicion.
22:25Suspicion de qué?
22:26La muerte.
22:27La muerte de quién?
22:29La muerte de Crosbie.
22:31Crosbie?
22:33¿Dr. Crosbie?
22:34Oh, ¿verdad?
22:38No.
22:39¿Por qué se llama Dr. Crosbie?
22:40El nombre parece familiar.
22:42Sí, sí.
22:43Fue la muerte de Crosbie.
22:45Este es el arma que les thati tuvo.
22:46¿Verdad?
22:47Sí.
22:48El número de cúpera casi se llamó, pero no.
22:50No.
22:51Estamos en cuenta de esto.
22:52Y descubrimos que lo hicimos cuando lo hicimos en el mail.
22:54Lo hicimos un poco de meses hace.
22:56¿Como tu tiendes?
22:57¿Dónde?
22:58A tiendes.
22:59¿Dónde?
23:00¿Dónde está metido?
23:01En un restaurante.
23:02¿De un parque?
23:03Sí.
23:04¿Dónde?
23:05No.
23:06No sé.
23:07No sé.
23:08No es muy malo.
23:09Scottie, ¿dónde estuviste tú el día antes de la noche?
23:13Es un cinchón.
23:14Con un par de amigos.
23:16Bueno, espero que tu memoria es mejor esta vez. ¿Quién son?
23:19Flip Morford, un amigo, y un general por el nombre de Ruiz.
23:22¿Quién es?
23:52¿Quién es un buen alibi?
23:56¿Quién es un buen alibi?
24:03¿Quién tiene una cigarra?
24:22¿Quién es un buen alibi?
24:40No hay nada que escuchar de Crosby hasta hoy.
24:50Ven en, profesor.
25:01¿Es este el hombre que ven a la doctora?
25:04Espera un momento, Melody. No es muy normal.
25:07No, no, pero no podemos dividir.
25:10Bueno, ¿qué tal, profesor?
25:19Me he...
25:20Me he quedado.
25:31¿Puedes elegir?
25:32Sí.
25:33¿Puedes elegir?
25:34Si lo hagas, voy a cuidar de él.
25:36Ven.
25:37Estas escapadas con nosotros.
25:38Pero...
25:39¿Escar de ahí?
25:40Qué Nieto.
25:41Esto es muy bueno.
25:42¡Suscríbete al canal!
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27:32No, no, no, no, no, no.
28:02No, no, no, no, no, no, no.
28:32No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
29:02Wait here.
29:32Well, I'm glad somebody was able to find you.
29:36Lynn, it's been a long time.
29:40Hasn't it?
29:42Now I meet you where you can't get away.
29:45At least not right away.
29:46Lynn, I tried to get hold of you.
29:48Don't lie to me.
29:49I'm not lying, believe me.
29:51Believe you?
29:53I waited in that hotel room for two weeks.
29:56What a sap I was.
29:59And you never found out.
30:02Found out what?
30:05Something I should have told you before.
30:10We were living on money I'd stolen.
30:14They picked me up that day, not far from the hotel.
30:18Sent me up for two years.
30:21But you could have sent me somewhere.
30:24At first, but I didn't want you to know.
30:26I thought I'd beat the rap.
30:28I wish I had those two years back.
30:32What would you have done with it?
30:34It's the things I wouldn't have done.
30:37When I got back to New York, I was broke.
30:44And I was terribly hurt.
30:47And bitter.
30:49I figured I'd get along the best way I could.
30:53Just then a Dr. Crosby turned up.
30:56Like a bad card.
31:00And I played him.
31:05Well, it's all past now, isn't it?
31:07Yes, thank God.
31:09Then let's forget it.
31:11It isn't as easy as that.
31:15Everything that's happened to you is my fault.
31:20Lynn.
31:21There's only one girl as far as I'm concerned.
31:24That's all I'll ever be.
31:26Oh, I wish I could believe that.
31:29Let me prove it.
31:30We'll start all over again.
31:32And this time, we'll start cleaning.
31:36Well, that sounds grand.
31:40Looks like you've gotten into some new trouble.
31:42What is it this time?
31:43Oh, I don't know.
31:45What about you?
31:46What do you know about this?
31:50I...
31:51I left Dr. Crosby that night.
31:54Can you prove it?
31:57I don't know.
31:59I could if I could find Nora.
32:01Who's Nora?
32:03A kid who used to be a friend of mine.
32:05Well, let's get hold of her.
32:06I said used to be.
32:08She walked out with practically every trinket I had.
32:11Well, we'll have to find her.
32:15What have they got on you?
32:18Plenty.
32:19They've got my gun.
32:20The old German says he saw me going into Crosby's office.
32:24Identified my picture and then me.
32:29Scotty.
32:32You lied to me once.
32:34And it hurt us both terribly.
32:38Tell me the truth now, please.
32:41You said that you were looking for me.
32:45Did you find Crosby that night?
32:47No doubt me.
32:50No doubt me.
32:52I don't care what they think of you.
32:53Just believe me.
32:55They've got a snack deck on me.
32:58But I'll get out some way.
32:59Just stick to me.
33:05There's your motive.
33:06Open and shut.
33:07How'd you get that hunch?
33:08One of Melody's bright boys left them together before.
33:11When I went to the door to let the girl in, I thought I heard voices.
33:14Looks like I was right.
33:15Yes?
33:20Heaven, come in.
33:22Doorman from the Bavort Studio Apartments.
33:26Come in, Caltello.
33:28Afternoon, Inspector.
33:29How are you, Mike?
33:33Mike, you see pretty much everything that goes on in that apartment house of yours, don't you?
33:36Pretty much everything, sir.
33:37You were on duty the night that Crosby was shot.
33:39Yes, sir, right on the job.
33:40It was raining, wasn't it?
33:41No, it just stopped.
33:42Well, it won't spread hairs on that.
33:44You were standing outside, Mike.
33:45No, I was standing in the lobby.
33:46I can see all the cars come up from there, and you see the phone is in there so I can answer.
33:48I see.
33:49Well, now, Mike, maybe you can help us.
33:50Lubick tells us that he saw another man going into Crosby's office as he was leaving.
33:54You remember seeing anyone else coming in?
33:57Come think of it, there was.
33:58But I didn't think when he passed me he was going to the doctors.
34:00Well, now, think carefully, Mike.
34:01Would you recognize this man if you saw him again?
34:04I might at that.
34:05Melody, get Scotty.
34:07Sit down, Mike.
34:24Thank you, sir.
34:25Come on, wait for him.
34:28That's him expecting the guy in the hospital.
34:31¿Qué es el señor?
34:37El mismo camino.
34:39¿Recuerdas lo que estaba usando? ¿Tiene un cabello de garrón?
34:43No, era un cabello que estaba usando.
34:46¿Vale, señor? Se velo.
34:48No podrías verlo.
34:50Bueno, lo veo como un cinturón.
34:52Dos personas han visto en el lugar.
34:53Ah, bueno, están todos los que están equivocados.
34:55No, no es lo que está en el lugar.
34:57Bueno, eso es lo que está en el lugar, señor.
34:59¿Vale?
35:00¿Por qué me puede explicar?
35:01¡No, no, no!
35:03¡No te preocupes por haberme visto que te llamaba a tu mujer!
35:14¡Has escuchado!
35:15¡Pero bien, no!
35:17¡Vamos a ver!
35:19¡No, no!
35:20¡No!
35:21¡No!
35:22¡No!
35:23¡No!
35:24¡No!
35:25¡No!
35:26Sit down.
35:35Right there, professor.
35:49Oh, dark in here, no?
35:53Yeah, pretty gloomy.
35:55Yeah.
35:56Uh, have you any idea of the time?
36:117.30.
36:13Thank you.
36:14Thank you.
36:14Maybe we're wrong.
36:29Maybe Crosby wasn't shot.
36:31From the size of this mob, it looks like he might have been trampled to death.
36:37I'm going to release all of you.
36:39That is all except Scotty.
36:41We're going to hold him for the murder.
36:43I don't want any of you to get the idea that we're through with you, because we're not.
36:46So don't any of you leave town.
36:48We'll pick you up if we want you.
36:50All right, Melody.
36:52Can I have my cab now?
36:54I ain't no good without it.
36:55Then you're no good with it.
36:57It's outside in the garage.
36:58Thanks.
37:03He's always hitting something.
37:06I...
37:07I can go now, Mel.
37:10You can go now, yes.
37:12Thank you.
37:17Well, I guess that's that, honey.
37:26Don't worry about him.
37:27We take care of him, all right.
37:28Kelly.
37:29We've got him.
37:54Put a tail on that girl and that German.
37:56I want him put to bed every night and wait till the morning.
37:59What are you hanging around here for?
38:02Go on, beat it.
38:04I can't.
38:05Well, you want your money, huh?
38:06No.
38:07I just want to stay here.
38:09Now, that ain't too much to ask.
38:10Go on, beat it.
38:12Oh, lock me up, will you, please?
38:14I don't want to leave.
38:16Nobody's going to hurt you.
38:17You've got a place to sleep, ain't you?
38:19Well, maybe I haven't.
38:21And maybe I ain't.
38:22But I want to stay here, witches.
38:24Well, you can stay here.
38:26We're crowded.
38:27Besides, the chief says for you to go.
38:29Oh, now, please, be a good guy and lock me up, will you?
38:32I won't bother nobody, honest.
38:34I just want to stay until...
38:35Until what?
38:36Until a couple of days.
38:39Hey, you gotta.
38:41I hoisted that money.
38:42I stuck up a guy on Park Row.
38:44I've been waiting for that.
38:45That's the nice story.
38:48You gotta lock me up for that.
38:50We'll pick you up when we want you.
38:51Just as soon as somebody reports that he's been stuck up.
38:55What are you afraid of, Willie?
38:56Has he been squealing on somebody down there again?
38:58Not a word.
38:59It's the first time he hasn't squealed.
39:01Get a radio car and send him home.
39:02Right.
39:03Come on, Willie.
39:03Oh, now, please.
39:05Officer, come here a minute.
39:06What's wrong?
39:07I have to get to Astoria in a hurry, and this man refuses to take me.
39:09Oh, he does, huh?
39:10But I gotta vote my way.
39:13Get in and get going.
39:14He'll drive you, all right.
39:15Yank down that flag and get going, or I'll give you a ticket.
39:19Don't you know the law?
39:20Do I know the law?
39:28Off you go.
39:30The law, huh?
39:42Come on, Willie.
39:43You're home.
39:43Oh, can't I ride around, witches?
39:46Come on, this isn't a rubber-less wagon.
39:48File out.
39:49But the chief said that somebody was going to stay with me.
39:52Yeah, what you need is a wet nurse.
39:54Get out.
39:54Calling car 116.
39:57Calling car 116.
39:59That's us.
40:00Go to 599 West 63rd.
40:03Go to 599 West 63.
40:07Break up rowdy beer party.
40:09That is all.
40:10What do we do with Willie?
40:11Oh, I like riding.
40:12I'll go witches and help.
40:13Check him out.
40:14Let's go.
40:14Come on.
40:14Oh, now, hang me.
40:16We're in a hurry.
40:19We're in a hurry.
40:19We're in a hurry.
40:20We're in a hurry.
40:25We're in a hurry.
40:38Gracias.
41:08Gracias.
41:38Gracias.
42:08Gracias.
42:09I've got a job for you, Melody.
42:10Swell.
42:11Where?
42:12When?
42:13I want you to take this handkerchief down to Smallman in the laboratory.
42:15Take it easy.
42:16Don't shake it and don't wipe your nose on it.
42:17Don't worry.
42:18I've got one of my own.
42:19That's the most important handkerchief you've ever handled.
42:20Tell Smallman to find out what those little black grains are on there.
42:23Probably cinders.
42:24Probably cinders.
42:25Probably not.
42:26Well, we can't spin heads.
42:27And step on it.
42:28All right.
42:54What did she come to see the old guy for?
43:13That's what I don't get.
43:14I don't know.
43:15You better phone the chief.
43:17McCurdy's phoning in for me.
43:19But you couldn't have seen Scotty at Crosby's apartment because he wasn't there.
43:23I'm sure of it.
43:25I have already told the police what man I saw.
43:28But you could have been mistaken.
43:30I am sorry, young lady, but it was no mistake.
43:33Perhaps you didn't get a good look at him.
43:36I am sorry, young lady, but I've already gone through all that with the police.
43:42Maybe you didn't get any better look at him than you did at your watch when I asked you the time.
43:48What?
43:50Watch?
43:52You couldn't see the time.
43:55Oh, no, no.
43:56Please.
43:57Don't you understand that I know?
43:59What do you know?
44:01You're almost blind.
44:03Oh.
44:04Oh.
44:05Oh.
44:06Oh.
44:07Oh.
44:08Oh.
44:09So.
44:10So you found out.
44:12You told them?
44:13No.
44:14You will tell them.
44:15Of course.
44:16I'll do anything to get Scotty out of this mess.
44:18Oh, yeah.
44:19So.
44:20So.
44:21Don't you realize what you've done?
44:23Yeah.
44:24I know.
44:25I know.
44:26I know.
44:27I know.
44:28You've made a case against an innocent man.
44:29What?
44:30You've identified a man as a murderer.
44:32A man you didn't see.
44:33What are you trying to do?
44:34Electrocute him?
44:35No, no, no.
44:36No.
44:37No.
44:38No.
44:39I lied.
44:40I lied.
44:41I lied.
44:42No, no, no, no.
45:12All clear.
45:42Try it now.
45:58Somebody go, Doc.
46:03It's no use.
46:056,000 volts.
46:06How did it happen?
46:07Didn't anyone look at the switch?
46:09I pulled the switch myself.
46:13I know I did.
46:24I pulled it, I tell you.
46:28Get something and cover him over.
46:35And you're afraid they'll find out?
46:39They will know.
46:41They will know.
46:46What shall I do?
46:52If you tell them the truth about Scotty,
46:54I'll give you my word I'll do everything I can to help you.
46:57Yeah.
46:58Yeah.
46:59I will.
47:00I will tell them.
47:02Fine.
47:03Well, shall we go now?
47:05Yeah.
47:06Yeah.
47:07Yeah.
47:14The Ashton Dame and the old Germans say they want to see you.
47:16All right, Evan, come in.
47:25Hello, Luby.
47:26Hello, Luby.
47:27Yeah, Miss Ashton.
47:28Sit down.
47:34Well, what's on your mind?
47:35I found out something I think you should know.
47:37What is it?
47:38Well, Mr. Lubeck has something to tell you, but he's afraid to.
47:42Why?
47:43I've given him my word that you wouldn't ask that.
47:46It's another matter entirely.
47:47It's just something on his conscience.
47:49You mean it has nothing to do with Crosby?
47:51Nothing at all.
47:53Well, let's have it.
47:54Well, Inspector, Mr. Lubyck can't see three feet ahead of him.
47:59He's going blind.
48:00What?
48:01He admitted to me that he didn't see Scotty that night.
48:05I know why he told you he did, but that's between the two of us.
48:09Is this true, Lubyck?
48:10You didn't see Scotty?
48:13Yeah, she... she told you right.
48:16I say that because...
48:18Why?
48:19You said it doesn't make any difference, does it?
48:20It might.
48:22What about Scotty?
48:23Lubyck's identification of Scotty is only one thread.
48:27Well, that's...
48:28What about the rest of the evidence?
48:30Well, I've just shown you by what Mr. Lubyck says that one part of it is wrong,
48:33but the rest of it can be just as wrong.
48:35It's not the business of the police to break down evidence.
48:37It's our job to build it up.
48:38Oh, but I know Scotty didn't kill Crosby.
48:41And he tells me he didn't.
48:43I know he's telling the truth.
48:45Oh, Inspector, you've got to believe in him.
48:47I don't believe in him.
48:48There's something here in your favor.
48:49The whole case has taken a new twist.
48:50And you help us?
48:51Maybe.
48:52Maybe.
48:53Please, you...
48:54You don't want me anymore.
48:56No.
48:57You may go.
48:58Mr. Lubyck, I don't know how to thank you.
49:03No, I don't want to go.
49:04You just want to know.
49:05There's nothing here in your favor.
49:06The whole case has taken a new twist.
49:07And you help us?
49:08Maybe.
49:09Please, you...
49:10You don't want me anymore?
49:11No.
49:12You may go.
49:13El caso ha tomado un nuevo cambio.
49:15¿Y te ayudas?
49:17Tal vez.
49:18Por favor.
49:19¿No me quieres más?
49:21No.
49:22Puedes ir.
49:25Mr. Lubeck,
49:26no sé cómo te agradezco.
49:28No te agradezco.
49:30No te agradezco.
49:31Es yo que te causó todo el problema.
49:43Más me dígan.
49:45I'm going to give Scotty a chance to prove he's on the level.
49:47Y, if is game enough.
49:48Oh, he'll do anything.
49:49Yes, I know, but he may not do the right thing.
49:51However, I'll take a gamble.
49:52I have an idea of my own.
49:53Melody.
49:54Bring up Graham.
49:57Scotty.
49:59This girl has almost convinced me
50:01that you're not such a bad guy.
50:03I said almost.
50:05She's brought in new evidence
50:07that may help your case.
50:09I'm going to give you a chance
50:11that may help you clear yourself.
50:12Es decir, si estás dispuesto a ganar.
50:14Es up para ti.
50:15Bueno, vamos a ver.
50:17Es necesario que me confie en ti.
50:20Ella dice que puedo.
50:23Espero que sea correcta.
50:25I'll play square.
50:27Bueno, lo mejor, Scotty.
50:29Porque si no, voy a enviar a ti.
50:31Si es la última cosa que me haga.
50:34Sit down.
50:37Ahora, aquí es lo que pasa.
50:42No te acerques.
50:52Leave your hands up and turn around.
50:57No te preocupes.
50:59I busted out a tighter spot than the one they had me in.
51:02And I've got a record for always squaring my bets.
51:04What do you want to do?
51:05Settle a few things with you and I'll take time off to tell you why.
51:08You said you saw me going into Crosby's apartment.
51:10You know you didn't, I want to know why.
51:12I thought it was you.
51:13Now this isn't a squirt gun that's going to go off unless you tell me the truth.
51:15I tell you I thought it was you.
51:16Put that down, put it down.
51:17Why did you say you saw me?
51:18I didn't see you.
51:19I'll tell them I didn't.
51:20I...
51:21I'll tell them.
51:22I had to say something.
51:24I told you I'd get them, didn't I?
51:25Come on, you.
51:26You're one of the headquarters.
51:27Sorry, Scotty.
51:29Sorry, Scotty.
51:30I told you I'd get them, didn't I?
51:31Come on, you.
51:32You're one of the headquarters.
51:33Sorry, Scotty.
51:34I told you I'd get them, didn't I?
51:35Come on, you.
51:36You're one of the headquarters.
51:37Sorry, Scotty.
51:38Come on, you.
51:39You're one of the headquarters.
51:41Sorry, Scotty.
52:08Who is it?
52:27Eric, that's one.
52:30Hold on.
52:31Hold on.
52:33Just a sec.
52:36No.
52:37No, no, no, no, no.
53:07No, no, no, no, no, no, no, no, no.
53:37No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
54:07No va a pasar a alguien que puede ayudar, ¿no?
54:10Eso me dio mi primer tip.
54:12Luego me pidió a visitar.
54:15Me encontré las filas de la guna donde te intentó
54:17la carta de la señal.
54:20No creo que me hubiera ningún problema
54:21piniendo la guión de la guna en ti.
54:24Luego, tu terminó la última vez
54:25cuando te encontré en un lugar
54:26y te identificó Scotty porque el alemán.
54:30Y ya nos ha dicho que no era Scotty.
54:33Y si no era por el hecho de que el alemán
54:35era casi blindado,
54:36y tú eres el que se encontró, ¿Costello?
54:39Porque tú eres el que se encontró ese día.
54:41¿No?
54:42No.
54:44No, antes de que me dejara tu habitación,
54:45me encontré lo que estaba buscando.
54:47Tu motivación.
54:49Y eso es lo que me preocupa.
54:52Me encontré tu libro.
54:55Si, cualquier persona que hace $15,000
54:57no hace por abrir una puerta de la puerta.
55:01Y de las noticias de tus dedos,
55:04y de las compras de Crosby,
55:05no hace falta de las prácticas de Crosby.
55:07Yo estoy seguro de que
55:08en el caso de que los pacientes de Crosby.
55:10Se encontró.
55:12Tu asesinó.
55:13¿Es todo?
55:15Bueno, creo que tal vez que lo hará.
55:20¿Barnes?
55:21Sí, señor.
55:22Pueden ir a la cama y accederlo.
55:31¿Sabes?
55:32Puede ser una buena cosa que lo hiciste con esto.
55:34Puede ser una lección para ti.
55:36We both got a lot to live now.
55:38We'll get along.
55:40Inspector, you made me a promise and kept it.
55:43Now I'm gonna make you one.
55:45You won't have any more trouble with either of us.
55:48Oh, here.
55:50Here are your...
55:52Your jewels.
55:54Say, by the way, who chiseled you out of them?
55:57Oh, a friend of mine with a baby face.
56:00Wait a minute.
56:02Don't go.
56:04Yeah?
56:06This Willie McGuire you sent me up to watch.
56:08Well, uh...
56:09Well, what?
56:10Well, he's been murdered.
56:11Shot twice through the head.
56:13All right, stay on the job.
56:14I'll send somebody up.
56:16Say, about those jewels.
56:18Would you like to get them back?
56:19Maybe we can help you.
56:21I just as soon forget them.
56:24Well, so long, Inspector.
56:26And thanks.
56:28Good luck to both of you.
56:30And try to keep out of trouble, will you?
56:32You bet.
56:33Bye.
56:35Somebody just bumped off Willie.
56:39Go on up and have a look in, will you?
56:41Say, what are you gonna do?
56:42Start this thing all over again?
56:44Will you beat it?
56:45Would you like to go along with me?
56:46Mm-mm.
56:47I'd be too lonesome.
56:53All right, here's another.
56:55Nice.
56:56This looks like a plain case of suicide to me.
57:01Okay, Inspector.
57:02From now on, I'll get my murdered out of books.
57:04You know, everyone to his own racket.
57:26I can play.
57:27Here.
57:28I can play.
57:32I'll get it.
57:33I can press the door.
57:36All right.
57:37And I'll open up 10,000 yards.
57:38And I'll do that.
57:39I can do that again.
57:40I can do that again.
57:41I can do that again.
57:42I can flip it up.
57:43I can do that again.
57:44I can do it.
57:45And I won't let you know.
57:46It's fine.
57:47I can do it.
57:48I can do it.
57:49You can do it.
57:50You can do it.
57:51Gracias por ver el video.
58:21Gracias por ver el video.
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