- hace 4 meses
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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CortometrajesTranscripción
00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00We're a muchas.
00:02:03Alright, Professor Carroll, we're alone.
00:02:05Let's see the formula.
00:02:06I wouldn't risk putting anything valuable in writing.
00:02:08I keep it up here.
00:02:10Now this is the heart of the process.
00:02:11It works perfectly.
00:02:13Using this as the basic component,
00:02:17our chemists will be able to blend their solutions
00:02:19with absolute certainty of success.
00:02:23I shall demonstrate
00:02:26I shall demonstrate the process to you, and you alone, so that only you and I will know it.
00:02:46Military intelligence. And hurry!
00:02:50Yes. Just a moment, please.
00:02:53George, would you mind leaving? I'll call you later.
00:03:01For the present, his death must remain an absolute secret. I'll be there to work with you.
00:03:06Right.
00:03:10This is Martin. Let me speak to the chief on his private line.
00:03:15We haven't learned any more about Professor Carroll's death.
00:03:19No.
00:03:19No. There was no one who would know his work, except a brother, Greg Carroll, in selective service at Camp Madison.
00:03:27Yes, sir.
00:03:34Hi.
00:03:36Hey!
00:03:36Say, aren't you the fellow that I saw do those card tricks the other night?
00:03:41Well, yes, sir. I'm Corporal Greg Carroll.
00:03:43Tell me you hail from Boston.
00:03:45Oh, I used to.
00:03:46Well, we got some young recruits from your hometown in today. Why don't you go over and say hello to them?
00:03:50Hey, bring any cigarettes?
00:03:53Blendy.
00:03:54Okay, Sarge. They'll be welcome.
00:03:55Hey!
00:04:02Whoa!
00:04:02Whoa!
00:04:03Don't let you pull that once to off, and I'm going to knock you right out of the nose!
00:04:05Uh-uh. Careful now. Remember me? I'm the guy who drives the colonel.
00:04:07¡Gracias!
00:04:37Carol, the captain wants you.
00:04:39I'll be right over.
00:04:41Where'd this other sister come from?
00:04:43Talk to the kid.
00:04:45Well, what are you waiting for?
00:04:46You. The captain is waiting.
00:04:48Listen, Flunky, never disturb a regular soldier when he's in conference.
00:04:52Speed it up, soldier.
00:04:53Look what's giving orders.
00:04:56Okay, Shrimp, let's see if you're really built for speed.
00:05:00I'll tell the captain to send a real man next time. Let's go.
00:05:03Hey! Hey, remember, Greg, it's the date tonight.
00:05:07Looking for something?
00:05:17Yes, you.
00:05:19In there?
00:05:21This is no time to be funny.
00:05:22I'm sorry, sir. I couldn't help that one.
00:05:24Just looking at my desk, can I help you find it?
00:05:26You'd better find it. You're under suspicion.
00:05:29Say, maybe you'd better tell me what this is all about, Lieutenant.
00:05:32What do you want?
00:05:33I'm reporting, sir.
00:05:35Delivering Corporal Greg Carroll to the captain.
00:05:37What delayed you?
00:05:39He ran ahead of me, sir.
00:05:41Wait outside.
00:05:43Come in to the captain.
00:05:45Corporal Greg Carroll.
00:05:51Carol, have you ever opened this private safe?
00:05:54No, sir.
00:05:55Do you know how to open it?
00:05:56Oh, yes, sir.
00:05:57Just where did you learn that?
00:05:58Well, the one thing I have good ears, sir.
00:05:59Oh, I suppose you heard the tumblers drop.
00:06:00Well, I don't mean that, Captain, but you see, sir, you mumble when you open the safe.
00:06:05Eighteen to the right.
00:06:06Never mind the imitation.
00:06:07Maybe you can tell us how a secret document was taken from that safe.
00:06:09Oh, you mean the paper that was in that folder?
00:06:10Yes, that's exactly what I do mean.
00:06:11Why did you take it out of that safe?
00:06:12Well, I didn't, sir.
00:06:13You left it on the desk, and I just filed it away for safekeeping.
00:06:14It's my job.
00:06:15You get that back right away.
00:06:16Yes, sir.
00:06:17Well, I didn't, sir.
00:06:18You left it on the desk, and I just filed it away for safekeeping.
00:06:19It's my job.
00:06:20You get that back right away.
00:06:21Yes, sir.
00:06:22Just a second, Carol.
00:06:23I'd like to ask him a question.
00:06:24Go ahead.
00:06:25How could you file it properly without reading it?
00:06:26Even if he read it, he wouldn't understand it.
00:06:27But I did know what it was.
00:06:28There were four names on it.
00:06:29Men working on secret inventions.
00:06:30Keep quiet, Carol.
00:06:31That's something not even the lieutenant did.
00:06:32Well, that's exactly what I do mean.
00:06:33That's exactly what I do mean.
00:06:34Why did you take it out of that safe?
00:06:35Well, I didn't, sir.
00:06:36You left it on the desk, and I just filed it away for safekeeping.
00:06:37It's my job.
00:06:38You get that back right away.
00:06:39Yes, sir.
00:06:40Just a second, Carol.
00:06:41I'd like to ask him a question.
00:06:42Go ahead.
00:06:43How could you file it properly without reading it?
00:06:51Captain, I knew it because my brother's name is on the list.
00:06:54He's a professor.
00:06:55They took him out of technical school to work on this invention.
00:06:58It's a secret explosive.
00:06:59Well, I didn't know that myself.
00:07:02Bring me the file.
00:07:03Yes, sir.
00:07:21Hello, soldier.
00:07:34Hi, Alma.
00:07:36Why didn't you come for this?
00:07:39I've been busy.
00:07:42Well, what happened to the big plate you were giving me?
00:07:45And why the quick freeze?
00:07:47I thought I was in the lieutenant's territory.
00:07:50Don't let that bother you.
00:07:53No?
00:07:55No.
00:07:56There's a file, sir.
00:08:11What was that paper she gave you?
00:08:13Well, it's a list of tonight's entertainment, the recreation hall.
00:08:16Does she come in here very often?
00:08:17Every day.
00:08:18You know what's against orders to let any outsider in these offices.
00:08:21Well, I thought the guard outside would have been given instructions if it weren't permitted, sir.
00:08:25Follow me.
00:08:27Lieutenant, bring in the guard.
00:08:29Yes, sir.
00:08:30Captain, I'd like you to believe that no one else saw that list of names.
00:08:35So, no one else saw it.
00:08:36If someone has those names right now.
00:08:37And every man on that list is in danger.
00:08:38Well, luckily there weren't any addresses on it.
00:08:39Yeah, luckily I kept those in the safe.
00:08:40Well, those men ought to be protected, sir.
00:08:41We ought to warn them.
00:08:42I suppose you'd like to sound the alarm and scare the daylights out of those poor scientists.
00:08:47No, we'd report this to military intelligence.
00:08:49But, sir, my brother, he's in danger.
00:08:50Can't I telephone him?
00:08:51Definitely not.
00:08:52And if you didn't take that list, whoever did will want the rest of it.
00:08:54I'm going to hold you.
00:08:55You can't do any more damage.
00:08:56Take him to the guard house.
00:08:57Okay.
00:08:58Thank you, sir.
00:08:59Thank you.
00:09:00Great.
00:09:01Thank you.
00:09:02Thank you.
00:09:03Thank you.
00:09:04Thank you, sir.
00:09:05Thank you.
00:09:06Thank you.
00:09:07Thank you, sir.
00:09:08Thank you, sir.
00:09:09You're gonna get your hand over here.
00:09:11Thank you, sir.
00:09:12Thank you, sir.
00:09:13Thank you, sir.
00:09:14Thank you, sir.
00:09:15Gracias.
00:09:45Gracias.
00:10:15Gracias.
00:10:45Gracias.
00:10:46Gracias.
00:10:47Gracias.
00:10:48Gracias.
00:10:49Gracias.
00:10:50...y call a blizzard iron, boy.
00:10:52¡Gracias!
00:11:22¡Then start cobbling!
00:11:52¡Hey, if you don't pay attention to me, I'm going to make your life miserable!
00:12:10Listen, you shrimp, get up on your feet and trot over here.
00:12:13I got things to say.
00:12:16Okay, I gave you plenty of chances.
00:12:18Okay.
00:12:20Yeah, I thought that'd get you. Now listen to me.
00:12:23If you don't cut this out, I'll report you to the captain.
00:12:25Yeah, what'll he do? Put me in jail?
00:12:27All right. All right, what do you want?
00:12:31You got change of a dollar?
00:12:33What could you do in there with change for a dollar?
00:12:35I want a nickel to telephone.
00:12:37Are you crazy? I suppose you want me to bring a phone into you.
00:12:40No, I want you to take me to a phone. Listen, it's a matter of life and death.
00:12:43Yeah, for me too if I ever let you out of there.
00:12:46Oh, so you want to be tough.
00:12:48Okay, shrimp.
00:12:50All I want to do is get to a telephone. Is there anything difficult about that?
00:12:53Do you want me to get special permission for you from the colonel?
00:12:56Oh, I have that special permission from the colonel. Get me special permission from the colonel.
00:12:59Send me over here with this for somebody.
00:13:01Okay, Sam. I'll let you in this monkey's cage.
00:13:04And one false move out of you and I'll clunk you on the ear with this.
00:13:07Uh...
00:13:12What for you locking me in here for? I haven't done nothing ever.
00:13:15I haven't?
00:13:16Put that food down and I'll let you out.
00:13:18Where I'm going to put it?
00:13:19Throw it at him if you have to or dump it on the floor.
00:13:22Yeah, put it here.
00:13:26All these mugs like that would give you trouble.
00:13:28Yeah, I don't want no trouble. I'm going to get out of here.
00:13:31I suppose I tell you how to keep out of trouble.
00:13:33If you know that, how come you in here?
00:13:35Because I went against these cards.
00:13:37Uh-oh. Here it comes.
00:13:39Uh-uh. It's bad luck to walk away from them. They tell you fortune.
00:13:41They told me I was going to meet up with that shrimp there. What's this card?
00:13:44Ace of spades.
00:13:46That means death and destruction.
00:13:48Death and destruction? For me?
00:13:51Oh, for the man who gets it.
00:13:52Come on. Get out of here. He's a faker, Sam.
00:13:55He said it's bad luck to walk away from them cards.
00:13:58You say your name is Sam?
00:13:59That's right.
00:14:00That's three letters in, Sam. One, two, three. Pick the thad card.
00:14:05What does it say?
00:14:07Your life is a happy one. You attract romance.
00:14:11Where can I get some of these?
00:14:13Oh, you can have these cheap. How much money have you got?
00:14:16Oh, let's see. I know.
00:14:18Oh, in that last game, let's see.
00:14:20These dyes, right a foot, and a nickel.
00:14:23That's just what I want, the nickel.
00:14:25If you don't come out now, I'll keep you in there all night.
00:14:27I'm coming right now.
00:14:29I've got to get rid of one of these cards.
00:14:31You can have this old death and destruction.
00:14:33Oh, no. I don't want it.
00:14:34Death and destruction.
00:14:40Nice trick, soldier, getting that nickel.
00:14:42Now maybe you can pull a telephone out of your hat.
00:14:45When I know the answer to that, I'll remind you of that crack.
00:14:48Death and destruction.
00:14:49Death and destruction.
00:15:18Good evening.
00:15:19Good evening.
00:15:20Good evening.
00:15:21Oh, you came to the wrong place.
00:15:24But we couldn't make that mistake. She knows you very well. Her name is Alma.
00:15:29I don't remember the lady. But you tell her I'm sorry. I only repair men's shoes.
00:15:34But you must remember the lady. Why, your name is on her recommendation paper. It's Barton. Alma Barton.
00:15:40Oh, the Barton girl. Alma Barton. I didn't know she was here.
00:15:44You don't keep in very close touch with your friends, do you?
00:15:46Well, young girls forget old men like me. But my wife, she'd be glad to see Alma. You tell her where we are, huh?
00:15:51Well, young girls forget old men like me. But my wife, she'd be glad to see Alma. You tell her where we are, huh?
00:15:59She's a very pretty girl, Alma. She should be very happy with the many soldiers at your place.
00:16:06Oh, then you did know she was in camp. Oh, yes. You just told me.
00:16:12You tell Alma, to ask you, she would be happy with the many soldiers at your place.
00:16:17Oh, you did know she was in camp.
00:16:18Oh, yes. You just told me.
00:16:22You tell Alma, to ask you, you're going for a small island.
00:16:27Y-you tell Alma, come see us.
00:16:31Don't forget.
00:16:33I won't forget.
00:16:57Hey!
00:17:10Hey, where are you going?
00:17:27Come on, come on!
00:17:44Come on, come on!
00:17:57Come on, come on, come on!
00:18:27Come on, come on, come on!
00:18:29Come on, come on!
00:18:31Well, Sergeant Blake!
00:18:39Oh, hi.
00:18:40Hi.
00:18:41You're always looking for news.
00:18:43How would you like to know something?
00:18:45Well, anything you've got to say, it'll be mighty pleasant to hear.
00:18:47You know that young fellow in the headquarters office?
00:18:49You mean your boyfriend?
00:18:51That's him.
00:18:52Well, they put him in the guardhouse.
00:18:54Well, this is news.
00:18:56Why'd they do that?
00:18:58Isn't that a terrible thing for him?
00:19:00It all depends on what he did.
00:19:02That's what I thought you'd know.
00:19:04No, this is the first that I've heard of.
00:19:06Well, thanks anyway.
00:19:09Anything else I can do for you?
00:19:11Not right now.
00:19:12Okay.
00:19:13What's the idea?
00:19:14Why'd you have to blab everything?
00:19:15How'd you know I was in the guardhouse?
00:19:16I've got ears and eyes, haven't I?
00:19:17What are you doing here?
00:19:18I want a telephone.
00:19:19You'll get caught.
00:19:20Not if you help me.
00:19:21Wait a minute.
00:19:22Keep down.
00:19:23Hello, Alma.
00:19:24Lieutenant, you're late.
00:19:25I've been looking for you.
00:19:26I'm afraid I'll have to cancel that date with you tonight.
00:19:28Don't say that, Alma.
00:19:29I've made special arrangements.
00:19:30But you're late.
00:19:31For a very good reason.
00:19:33Look, it's for you.
00:19:34Why it's...
00:19:35Why it's lovely, you're lovely, Lieutenant.
00:19:36Why it's lovely, Lieutenant.
00:19:37Oh, not Lieutenant!
00:19:38Well, you're very kind, John.
00:19:39May I take you home tonight?
00:19:40Well, I'll see you.
00:19:42Well, I'll have to sign it for you.
00:19:43You're going to have no time.
00:19:44It's not a long, long time.
00:19:45But I'll have to...
00:19:46Oh, see?
00:19:47General, you're late.
00:19:48For a long time.
00:19:49Just a long time.
00:19:50I'm in the space for you.
00:19:51I'm looking for you.
00:19:52I'm afraid I'll have to cancel that date with you tonight.
00:19:55Don't say that, Alma.
00:19:56I've made special arrangements.
00:19:57But you're late.
00:19:58For a very good reason.
00:20:00Look, it's for you.
00:20:01Why.
00:20:02It's lovely, Lieutenant.
00:20:03¿Qué pasa?
00:20:04Bueno, perdón, pero tengo algo que hacer.
00:20:08Te llamaré a mi tarde, en casa.
00:20:11Yo voy a llamar.
00:20:20Tengo una hora de un minuto antes de cerrarse.
00:20:23Si, si el camino es cerrado.
00:20:25¿Por qué me pude?
00:20:26No, no, es importante.
00:20:28Espera un minuto.
00:20:30El camino es cerrado.
00:20:33Ok, gracias.
00:21:00Tengo un minuto antes de cerrarse.
00:21:05Amén.
00:21:35Hello?
00:21:37Oh, is this Gregory?
00:21:39No, your brother's not here.
00:21:41No, I'm worried.
00:21:43He should have been home this morning.
00:21:45Now, why don't you call back in an hour?
00:21:47I can't call again.
00:21:49Tell my brother to be careful.
00:21:53He's in great danger.
00:21:55I'll wait for his call here.
00:21:57Phone me at Gladstone 16111.
00:22:03Call it out, men.
00:22:059 o'clock.
00:22:07Come on, break it up.
00:22:09Call it out, men. 9 o'clock.
00:22:11Break it up. Get going, soldiers.
00:22:13Come on, boys.
00:22:159 o'clock. Break it up.
00:22:17Get going, soldiers.
00:22:19Oh.
00:22:219 o'clock. Get going.
00:22:23Break it up, soldiers.
00:22:27Uh, that's all right, Sam.
00:22:29I'll lock it up tonight.
00:22:31I'd like to oblige, but I've got orders.
00:22:33And orders, orders to Sam.
00:22:35I've got to lock it up.
00:22:37I'm sorry.
00:22:39You've got to do what they tell me here, Norm.
00:22:41I'm not going to order.
00:22:43Okay.
00:22:45What's that you've got there, Sam?
00:23:01Miss Alma, here's a package a man at the gate for you.
00:23:03When?
00:23:05Oh, about an hour ago.
00:23:07Thanks, Sam.
00:23:09You're welcome.
00:23:11My son.
00:23:13...
00:23:15...
00:23:19...
00:23:21...
00:23:23...
00:23:25...
00:23:29i'd like very much to examine those shoes
00:23:52well captain aren't you just a bit out of your territory
00:23:56if you must play games you can start with this pair
00:23:59i'd accept your word for this pair
00:24:01you'll accept my word for anything at this time of night
00:24:03i've been on my feet all day i'm tired
00:24:06in that case i must insist upon you coming to headquarters for military inspection
00:24:11well i've had a lot of proposals but it's the first time i've ever heard it called military inspection
00:24:18wait a minute
00:24:21were you expecting a special phone call
00:24:26anything might happen around here
00:24:28in that event i'll answer it myself
00:24:30don't you leave here
00:24:33hello
00:24:47hello
00:24:50hello
00:24:53you can stay here all night on three dead telephones
00:25:04bring on your military escort
00:25:05i'm leaving
00:25:06turn on that light
00:25:11turn it on yourself
00:25:12over here
00:25:21it said big carol
00:25:26he locked me in here
00:25:28are you sure you didn't let him go
00:25:29tell you he had a key
00:25:30hello
00:25:35yeah
00:25:37this is greg
00:25:38has my brother come home yet
00:25:40no gregory
00:25:41your brother you again
00:25:43shall i call the police
00:25:44no
00:25:45wait until i can get to you
00:25:47he's in danger all right
00:25:48but you can't tell the police about it
00:25:51well can i phone you back at this same number when he returns
00:25:54no they closed this place
00:25:55i'll have to get in touch with you
00:25:57take care of yourself
00:25:59the wrong kind of people want to know what you're working on
00:26:01don't let anyone in the house
00:26:03right
00:26:04i'm
00:26:05i'm
00:26:07i'm
00:26:08i'm
00:26:09i'm
00:26:09i'm
00:27:18Where's the light?
00:27:22On the wall, sir.
00:27:31Lieutenant, look here.
00:27:36This is the crash we heard. He must have got out this way.
00:27:39Send an alarm. Give a description of Corporal Greg Carroll.
00:27:43Yes, sir.
00:27:48You know, Sergeant, that fellow worked fast to escape.
00:27:52He was in this room, and we saw that light.
00:27:55And now that light is out.
00:27:57Why did he risk turning on the light?
00:28:01And why did he stop to turn it off?
00:28:04Lieutenant.
00:28:08Captain Bryan.
00:28:18What's this about an escaped prisoner?
00:28:27Worse than that, Colonel.
00:28:29We just found Captain Bryant murdered.
00:28:36Sergeant, go over to the medical department and report this to Major Fallon.
00:28:41He'll have to make an examination before we can touch the body.
00:28:43Yes, sir.
00:28:44This man who escaped, what's his name?
00:28:49Corporal Greg Carroll.
00:28:50You think he did the killing?
00:28:51Very likely.
00:28:53Captain used to stealing.
00:28:54You...
00:28:54Hello.
00:28:56Oh, hello, Lieutenant.
00:29:18Then you didn't forget to call.
00:29:20Alma.
00:29:22Wait.
00:29:22Alma.
00:29:23Roberto time.
00:29:24Listen.
00:29:26When is the last time you saw Captain Bryant?
00:29:29Did you see him tonight?
00:29:31No.
00:29:32No, I was asleep.
00:29:37No.
00:29:38No, I didn't see the captain.
00:29:40I never talked to him.
00:29:43You sound so serious.
00:29:45What time did you leave the recreation hall?
00:29:48Now listen carefully.
00:29:50No matter what happens, don't get excited.
00:29:52Tell him you did not see the captain.
00:29:55This is important for your sake.
00:29:57Captain Bryant has just been murdered.
00:30:00They'll question you.
00:30:02I'll try to be assigned to the case.
00:30:03Hey, turn that light out.
00:30:30Hey, you jeepers, you of all people.
00:30:34The bloodhounds are after you for murder.
00:30:36Get out of this place.
00:30:36They've been here looking already.
00:30:37Oh, they won't come back again, then.
00:30:39Listen, we got work to do.
00:30:40Oh, we have?
00:30:41Yeah.
00:30:42I want you to drive the colonel's car out the gate with me in it.
00:30:44And I get there running away.
00:30:45I have to.
00:30:46Lieutenant's got his hand mixed up in this some way.
00:30:48I don't have a chance around here.
00:30:50Okay, Greg.
00:30:51I ain't let a pal down yet.
00:30:52Give me a promise.
00:30:53Come to my hanging.
00:30:55All you have to do is get the car ready and wait.
00:30:57I have to get something out of the captain's safe.
00:30:59Hey, you dappy, you're in enough trouble.
00:31:00What's in a safe that's so important?
00:31:02It's a paper with some addresses.
00:31:03And when the captain's dead, I can't let anyone else see it.
00:31:05Oh, brother, this is worse than the movie melodrama.
00:31:08Well, I'm in this deep.
00:31:10Get going.
00:31:10I'll get the car.
00:31:11Oh, thanks.
00:31:11Thanks.
00:31:12Thanks.
00:31:12Thanks.
00:31:12Thanks.
00:31:12Thanks.
00:31:14Thanks.
00:31:14Thanks.
00:31:16Thanks.
00:31:16Thanks.
00:31:18Thanks.
00:31:19Everything all right?
00:31:32Yeah.
00:31:32We haven't got all night.
00:31:33Special trip for the colonel.
00:31:50Hello.
00:32:11Now get this carefully.
00:32:13The girl that works in the recreation hall, Alma.
00:32:16She was the last one to see the captain alive.
00:32:20I know the girl.
00:32:21Yes.
00:32:22Yes, I understand.
00:32:24But how can I reach you afterwards?
00:32:26Give me that again.
00:32:28All right, I'll meet you there.
00:32:37Mamie?
00:32:39Oh, Mamie!
00:32:41If anybody calls for me, I won't be back until late.
00:32:44I just noted.
00:32:45Every time that man calls, my heart does a power die.
00:32:48Oh, Mamie, you and I have to eat, and I have to earn the money.
00:32:50Yeah, we eat, Skippy.
00:32:51Someday, then we both stop eating.
00:32:52Oh, Mamie.
00:32:56Why do I say them things?
00:32:58What's the matter with me?
00:32:59Now I'm going to have one of my worrying nights again.
00:33:04Come in.
00:33:08Sorry you have this difficulty in finding me, but we have had a tragedy.
00:33:13Captain Bryant was murdered.
00:33:14Oh, yes, yes.
00:33:15So I just heard.
00:33:16Well, maybe I can help you.
00:33:18My name is Wallace.
00:33:18I'm from military intelligence.
00:33:20You're Colonel Longstreet.
00:33:21Yes.
00:33:22Well, you certainly jumped onto this case quickly enough.
00:33:24Well, that isn't why I'm here.
00:33:26You have a young soldier in your camp by the name of Greg Carroll.
00:33:29Why, yes.
00:33:30He's the man we think killed Captain Bryant.
00:33:33No, that doesn't check with my record.
00:33:35He's the brother of a very important government scientist who was killed last night.
00:33:39Maybe there's some important connection between the two cases.
00:33:45Yes, it could be.
00:33:47But of course, for the moment, my interest is in your soldier, Greg Carroll.
00:33:51It seems that he previously worked for his brother
00:33:53and has some knowledge of a secret formula.
00:33:57I wish I could help you, but he's just escaped.
00:34:00And my orders were to turn heaven and earth to find him.
00:34:03Well, excuse me a moment.
00:34:05Yes.
00:34:05Yes.
00:34:09Say, I've been thinking as long as those papers are so important,
00:34:24why don't you give them to me before they catch you?
00:34:26Oh, then they're going to catch me?
00:34:27Besides, I haven't got the papers.
00:34:29I'd burn them.
00:34:30Well, that's kind of dumb, isn't it?
00:34:31Oh, I don't know.
00:34:32I'm the only one who knows it.
00:34:33And it's right in here.
00:34:35Well, are we on a picnic or am I holding a fugitive?
00:34:37Where do we go from here?
00:34:38I want to go to 328 Woodbury Street.
00:34:40Oh, you'll be sorry.
00:34:41Why?
00:34:42That's Alma.
00:34:42That's one gal you better hide from while you're in this pickle.
00:34:45Say, Alma can be a big help to me right now.
00:34:47Okay, brother.
00:34:48Hop in.
00:34:48I'm now the driver of a suicide wagon.
00:34:50But I'm not going to drive through town with a criminal in uniform.
00:34:53You're going to hike it part of the way.
00:35:02Come in.
00:35:03I'm just going through the captain's papers to see if I can find some reason for this tragedy.
00:35:12Somebody pick her over there.
00:35:13Be careful and don't touch it.
00:35:15I want to leave it for military intelligence.
00:35:17Colonel, I'd like to ask a special favor.
00:35:20In civilian life, I run a newspaper.
00:35:22And that training might be useful to me right now.
00:35:24I'd like to help you with this case.
00:35:26Well, I admire your spirit, Sergeant.
00:35:28Lieutenant Harmon had the same idea.
00:35:30Why don't you work with him?
00:35:31Thank you, sir.
00:35:32Go over to this address and join him.
00:35:35I sent two soldiers over with him.
00:35:38That's this girl, Alma.
00:35:39Yes, the girl from the recreation hall.
00:35:42Do you know the apartment number?
00:35:43I've checked it.
00:35:44It's 77, sir.
00:35:45Great.
00:35:45Thank you.
00:35:56Thank you.
00:36:26Alma?
00:36:27Alma?
00:36:40Alma?
00:36:41Alma?
00:36:56¿Está bien?
00:37:25A lot de pens.
00:37:28She expectas.
00:37:29Yes.
00:37:30Tell her it's Hume, Stanley Hume.
00:37:31I have an important message for her.
00:37:33Come in.
00:37:39Excuse me.
00:37:55Gracias.
00:38:25Alma wants me to take the message.
00:38:41Tell her she's getting too careless.
00:38:42She must go to the cobbler in the morning.
00:38:45Who gave you the message?
00:38:46The cobbler, Flagler.
00:38:48Okay, we'll be there.
00:38:50But not in that uniform.
00:38:52Certainly not.
00:38:55Sorry, he's closed and that's what I need.
00:39:02Take the next turn on the left.
00:39:04Drive up toward the Wilson Apartments.
00:39:25Thank you.
00:39:34Did you ring for the elevator?
00:39:56Yeah, about ten minutes ago.
00:39:59I think I'll ring it again.
00:40:09Please tell Ms. Alma Barton I'm here.
00:40:11Lieutenant Harmon.
00:40:12Yes.
00:40:14Number 77, please.
00:40:16Ms. Alma Barton.
00:40:17I have a brother who talks just exactly like you.
00:40:21Well, don't tell me your brother has...
00:40:23Let's go.
00:40:26This way.
00:40:28Sorry, sir.
00:40:28No answer.
00:40:29She must be in.
00:40:30Can I go up?
00:40:31Yes.
00:40:37Hey, are you running away from somebody?
00:40:39No, I'm just allergic to soldiers.
00:40:40That'll be tough on you these days.
00:40:42Yes.
00:40:42Come on.
00:40:54What now?
00:40:55Let's go.
00:40:56Well, my car's out that way.
00:40:57Well, we can get to it this way, too.
00:40:58Well, well, well, well.
00:41:02George, you find anything?
00:41:10Lieutenant.
00:41:10Lieutenant.
00:41:10I found this man tied up in here.
00:41:17I found the girl, Dave.
00:41:19Dead?
00:41:20Then he must have done it.
00:41:21I suppose he killed her and came in here and tied himself up.
00:41:23All right, get him down.
00:41:24We'll soon find out.
00:41:29Come on, snap out of it.
00:41:31Yeah, I got some heavy thinking to do.
00:41:35Perhaps you could do it over a cup of coffee.
00:41:37My Mamie makes great coffee.
00:41:39Well, Mamie makes great coffee.
00:41:41Sound like a radio head.
00:41:43Mamie's my maid.
00:41:53No more from me, Mamie.
00:41:54You can clean this up in the morning.
00:41:56Yes, sir.
00:41:57But it's most morning now.
00:41:58In another hour, the sun will be shining.
00:42:00You ought to get yourself some sleep.
00:42:02Why don't you come right out and tell me to go home?
00:42:07Well, that's what I am saying.
00:42:08Well, don't throw him out.
00:42:10He's only been here ten minutes, and after all, I did invite him for coffee.
00:42:13But it's too late for night coffee and too early for breakfast.
00:42:16You need to get yourself some sleep, and so do I.
00:42:19Well, you get your sleep, Mamie.
00:42:21That's all for tonight.
00:42:22Well, that may be all, but I ain't getting any sleep till you get yours.
00:42:26I'll be back in five minutes to remind you.
00:42:30That'll have for me to go?
00:42:31Oh, of course not.
00:42:32Go on and finish your coffee.
00:42:34Will you excuse me for just a moment?
00:42:35Sure.
00:42:35He's about six feet tall, fairly broad shoulders.
00:43:03Wears a size 7 hat.
00:43:07Well, his shoes are probably a size 10.
00:43:10Yes, brown color.
00:43:15Yes, you're right.
00:43:17Oh, I knew that from the very beginning.
00:43:18Okay.
00:43:33Yes, yes, you're right.
00:43:47Hang out that telephone.
00:43:49Just a minute.
00:43:50Why should I?
00:43:51I'm just telephoning for another suit of clothes for you in the morning.
00:43:53What's the matter with the suit I'm wearing?
00:43:55Well, in the first place, I don't like it.
00:43:58In the second place, it isn't yours.
00:43:59In the third place, you stole it.
00:44:00In the fourth and most important, by this time, the Army has a description of it, and they'll
00:44:04spot you the minute you show your face.
00:44:07You know everything, don't you?
00:44:08I listened in to that conversation in the other room.
00:44:12Hello.
00:44:14Deliver that suit early in the morning.
00:44:18It is almost morning.
00:44:19We'll send it over right away.
00:44:21That's perfect.
00:44:23Why are you mixed up in this?
00:44:25Don't you know?
00:44:26Huh?
00:44:26I'm a newspaper woman.
00:44:28But I'll hold it until I get the complete story and the right one.
00:44:32Well, just one more question.
00:44:33What?
00:44:33How'd you know I changed clothes?
00:44:35Oh, that's easy.
00:44:36I went over to question this girl, Alma.
00:44:38Then when I found her dead, I hurried out, and then you went in, and you came up, and that's
00:44:41you to close.
00:44:43Elementary, my dear Watson.
00:44:44Elementary.
00:45:03I brought the civilian prisoner to see you.
00:45:06Didn't you question him?
00:45:07Yes, sir.
00:45:08His lawyer arrived with the writ of habeas corpus.
00:45:10He demands we release the prisoner.
00:45:12Oh, the writ of habeas corpus gives him that power.
00:45:15Show them in.
00:45:18Come in.
00:45:24This is Colonel Longstreet.
00:45:26He has authority in this map.
00:45:27I have here a writ of habeas corpus for the release of my client.
00:45:31Would you like to read it?
00:45:33No.
00:45:34No, that's not necessary.
00:45:36You were very quick to take advances of the laws of this country.
00:45:40It's a privilege you can't get in any other country.
00:45:42But it's a privilege that bears with it a responsibility on your part.
00:45:47To help our country.
00:45:49To help us.
00:45:50If he's innocent.
00:45:51I can't add any more than I've already told the lieutenant.
00:45:54I visited the young lady.
00:45:55Your soldier attacked me and took my clothes.
00:45:58This is his uniform.
00:45:59Did you check on the number of his uniform?
00:46:00Yes, sir.
00:46:01It belongs to Corporal Greg Carroll, the escaped prisoner.
00:46:04We have a description of his clothes.
00:46:06All right.
00:46:07You may go.
00:46:08Dr. Mullen, that uniform belongs to the United States Army.
00:46:17I've got a suit of clothes for him.
00:46:18He won't take the uniform.
00:46:21Sergeant, follow them.
00:46:23Don't let them out of your sight.
00:46:25Thanks.
00:46:25I thought it was a secret that that man was a prisoner.
00:46:29So did I.
00:46:30We told no one and let no one see him.
00:46:32Then what brought a lawyer here first thing in the morning to rescue him?
00:46:34I can't explain it, sir.
00:46:36Are you sure you haven't got a confession to make?
00:46:38I'm glad you brought it up, Colonel.
00:46:40I've been wanting to talk to you.
00:46:41Well, this is a good time to get it off your chest.
00:46:44Sit down.
00:46:47It's about the girl.
00:46:49The one who was found dead last night.
00:46:51Alma.
00:46:53I was in love with her.
00:46:54Did she kill Captain Bryant?
00:46:56I don't know.
00:46:57Maybe she.
00:46:58Maybe Corporal Greg Carroll.
00:47:00Maybe anyone.
00:47:01I had no suspicion of her.
00:47:03I only know that I loved her.
00:47:05Well, if I were you, I'd stay on this case until I found out who did take her life.
00:47:09That's the way I feel about it, sir.
00:47:11I made a good search of her apartment last night and found some very important evidence.
00:47:15Do I have your permission to continue on this case?
00:47:19Yes, and my sympathy and cooperation.
00:47:21Thank you, sir.
00:47:31Hey, there's a car been following us for miles.
00:47:40Turn on that side road.
00:47:45You scared us before we knew who you were.
00:48:06You're a couple of blundering idiots.
00:48:08Why?
00:48:08The captain's dead, the girl's dead, you're free, and here I am.
00:48:11Everything's perfect.
00:48:12Yeah, until this monkey showed up too soon.
00:48:14Why didn't you wait for me to tell you?
00:48:16Now it's tipped.
00:48:17And you missed it.
00:48:18I sent you up there to steer him to the cobbler, and what happened?
00:48:20He got caught in your own trap.
00:48:22Well, that soldier had a terrific wallet.
00:48:23Yeah.
00:48:24Did he get the name of the cobbler?
00:48:25Yeah, he fell for that.
00:48:26Well, then get down there and see if he doesn't beat you to it.
00:48:28Hold him till I come.
00:48:30I'm supposed to trail you.
00:48:31See that you lose me going into town.
00:48:33Right.
00:48:33What do you want, more coffee?
00:48:56No, the doorbell.
00:48:57Miss Linda.
00:48:58Why miss Linda locked the door herself?
00:48:59She's got a key.
00:49:00She's always losing them.
00:49:02I ought to nail it on her.
00:49:06How are you, honey, Mamie?
00:49:08You hire your nothing.
00:49:09You hire Taylor out of here.
00:49:11Go around to the kitchen door.
00:49:12That's where you belong.
00:49:13That's where I'm waiting for you.
00:49:16Some men don't never learn nothing.
00:49:18Just because I let him use the front door when Miss Linda ain't home,
00:49:21he thinks he can use it when she is home.
00:49:23What's the matter with me?
00:49:26Miss Linda ain't home now.
00:49:28What's keeping her?
00:49:29She's late.
00:49:30She's late.
00:49:31She's always late.
00:49:32That ain't calming my worry none.
00:49:34Well, if you don't come home pretty soon,
00:49:35I'm going out to get her.
00:49:37Why are you peeking, whatses?
00:49:39That'll learn you to keep your nose out of keogs
00:49:40while they won't get birthed.
00:49:42You've got no right coming around here
00:49:43when we got company.
00:49:45Say, is you A.W.P.A. again?
00:49:48Who's that man in there?
00:49:49Who wants to know?
00:49:50I seem to remember him.
00:49:51Well, that man's a gentleman, so you wouldn't know him.
00:49:54You only know men's what's been in jail.
00:49:56I ain't made no jail since I've been in the army.
00:49:58Well, that's the only one you did, miss.
00:50:00I almost remember him then.
00:50:02You bumped it out at me with that door.
00:50:04Well, it won't turn black.
00:50:06Do it hurt much.
00:50:10I found the cobbler's shop, and it's open.
00:50:16Oh, that's news.
00:50:18I'll take that shoe to him and see if it works.
00:50:19Oh, did you try to telephone your brother again?
00:50:21Yeah, several times, but he's not home.
00:50:23He's gone all right.
00:50:24That note on the shoe was the truth.
00:50:25I was afraid of that.
00:50:26Oh, say, wait a minute.
00:50:27I want to speak to Mamie.
00:50:30Oh, Sam, I'm sorry.
00:50:32Did I hurt you?
00:50:32No, ma'am.
00:50:33I'm used to it by now.
00:50:35Mamie, here's an address.
00:50:36It's a cobbler's shop,
00:50:37and I want you to take four pairs of my shoes there
00:50:39and have them repaired.
00:50:40I know the cobbler's shop down on 7th Street.
00:50:42Well, that's where this one is.
00:50:44Do you know the man's name?
00:50:45No, ma'am.
00:50:45I don't remember.
00:50:47Was it Flagler?
00:50:49Uh-oh.
00:50:49Yes, ma'am.
00:50:50That's it.
00:50:51Well, you take Mamie there and show her where it is, huh?
00:50:53Uh-oh.
00:50:53No, ma'am.
00:50:54Well, why not?
00:50:55Because I'm on an extended verlo.
00:50:57He means he's on an AWPA, but he'll go.
00:51:02Well, be there in an hour and wait.
00:51:04And don't talk to me unless I speak to you.
00:51:06Oh, one of them things again.
00:51:07Uh-huh.
00:51:08I'll be there in an hour.
00:51:10Okay.
00:51:12Come on, mister.
00:51:12We've plenty of work to do.
00:51:14Okay.
00:51:17I hope the Army doesn't get me before I can finish this job.
00:51:20Maybe it'd be a good idea.
00:51:21Then you wouldn't take this risk.
00:51:24I'll take you up late on that kind remark.
00:51:27I'll be waiting, partner.
00:51:38Hey, wait a minute.
00:51:44You're not going.
00:51:45You're waiting here.
00:51:46Just on account.
00:51:47On account of what?
00:51:48Well, on account I need a sentry to turn in a fire alarm if I don't come back.
00:51:51Now, will you tell your chief bloodhound where this cobbler shop is?
00:51:54Well, on your left, beyond the alley, the fourth door.
00:51:57Okay.
00:51:59It goes.
00:52:08Good evening.
00:52:21Well, I'd like to get this shoe repaired.
00:52:30Oh, I don't repair ladies' shoes.
00:52:33Oh, well, this is a special job.
00:52:35Look at it carefully.
00:52:38The heel is hinged.
00:52:49Open it.
00:53:08Hopper.
00:53:19Take him to Cooper.
00:53:20And we're going to take him to the wheel.
00:53:21Okay.
00:53:21All right.
00:53:21Okay.
00:53:22All right.
00:53:22Okay.
00:53:22Okay.
00:53:23Gracias.
00:53:53Of course, you know that Elmer's dead.
00:54:11Yeah.
00:54:12Well, let's not waste any more time, soldier.
00:54:14We've been expecting you, so we'll proceed.
00:54:18This note says you bring us news.
00:54:20Instead, we'd like to give you news.
00:54:23This is our Exhibit A.
00:54:28Harold!
00:54:33Now, will you give me the addresses of those other scientists on that secret paper?
00:54:41Of course, in exchange for your own safety.
00:54:48That's him.
00:54:51I want these shoes repaired.
00:54:52Now wait for them.
00:54:53Oh.
00:54:54I don't repair ladies' shoes.
00:54:56Oh.
00:54:57I don't repair ladies' shoes.
00:54:59Well, I don't know nothing about that.
00:55:03We do take these away and tell her I don't repair ladies' shoes.
00:55:04Don't you dare touch them shoes, Sam.
00:55:05If you do, I'll knock your head off your shoulders.
00:55:06Orders is orders.
00:55:07Orders is orders.
00:55:08And we wait.
00:55:09Well, if we're going to wait, you might as well be comfortable.
00:55:10Come in the other room.
00:55:11Well, I'm going to wait.
00:55:12But what's the matter with waiting right here?
00:55:13I need that chair for my other customers.
00:55:15I need that chair for my other customers.
00:55:16Well, all right then.
00:55:17Well, I'm going to wait.
00:55:18But what's the matter with waiting right here?
00:55:20I need that chair for my other customers.
00:55:21Well, all right then.
00:55:27I'm going to wait for the men.
00:55:28Well, if we're going to wait, you might as well be comfortable.
00:55:33Come in the other room.
00:55:34Well, I'm going to wait.
00:55:35But what's the matter with waiting right here?
00:55:37I need that chair for my other customers.
00:55:40Well, all right then.
00:55:44All right, then.
00:55:50I can sure rest my feet.
00:55:52And he thought he'd get rid of me.
00:56:10What's your signal for?
00:56:12Negra couple came in.
00:56:13That means he got rid of him.
00:56:14What are you waiting for?
00:56:15You.
00:56:16Your soldier just came in the car.
00:56:18She's waiting for him over there.
00:56:25You sure she came with him?
00:56:27Certainly.
00:56:27That's what kept me here.
00:56:30If you hadn't shut my mouth,
00:56:31I could have told that cobbler man something.
00:56:33You could have told nobody nothing.
00:56:34I could have told him he was lying.
00:56:36Because I know he repaired ladies' shoes.
00:56:38Because I've been here before ladies' shoes.
00:56:39What lady?
00:56:40Oh, lady paid me well and good.
00:56:42Well, didn't say so.
00:56:44You got most of it.
00:56:45Well, I ought to.
00:56:46You've been eating with me long enough.
00:56:47Uh-oh.
00:56:48What's the matter?
00:56:49You got that card again?
00:56:50Well, death and destruction.
00:56:51I should never took that card from that man.
00:56:53What man?
00:56:54He's the man.
00:56:56He's the man that's at your house last night.
00:56:58He's the man to kill a captive.
00:56:59Oh, death and destruction.
00:57:01Now I knows.
00:57:03Mm-mm-mm.
00:57:05Death and destruction.
00:57:10You know, that soldier didn't have my suit on.
00:57:13He's changed his clothes.
00:57:14That means the girl has help.
00:57:16Somewhere.
00:57:17Another minute, she'll be calling the police.
00:57:19How are we going to get her off of that spot
00:57:20so she won't see us going to the cobbler shop?
00:57:33Hey, now's your chance.
00:57:34I'll head her off.
00:57:35Excuse me.
00:57:52I've had a job finding you.
00:57:53I have a message from Greg.
00:57:55Corporal Greg Carroll.
00:57:56Oh.
00:57:57I'm his friend.
00:57:57He says everything's okay and I have to take you to him.
00:58:00Oh, well, thank you.
00:58:05Where is my brother?
00:58:14You won't know that
00:58:15until you give us the addresses of those other scientists.
00:58:17I told you I'd burn that paper.
00:58:19We think you're a very clever fellow.
00:58:20If you hadn't been, you never would have found this place.
00:58:22So we think you would remember.
00:58:24Either you give us those addresses
00:58:25or you don't leave here alive.
00:58:26Oh, my life is perfectly safe with you.
00:58:29I've got something you want.
00:58:30I can't give it to you if I'm dead.
00:58:32A very pretty speech.
00:58:33But this time we'd kill you rather than have you escape.
00:58:37The last time we met in Alma's apartment,
00:58:38I was under orders not to harm you.
00:58:40This time we have other methods.
00:58:42Will you let me talk to my brother?
00:58:43No.
00:58:44Well, what do you offer me for the addresses?
00:58:46Nothing.
00:58:47That is, nothing for the addresses.
00:58:49But if the addresses are correct,
00:58:52we're only interested in the scientists.
00:58:55Come on.
00:59:03This door leads into a fever room.
00:59:06The lever closes the door tightly.
00:59:08This window, we observe the patients.
00:59:10The dry heat temperature of 110 degrees,
00:59:13the patient becomes lightheaded and delirious.
00:59:15Then he's ill and talks like a delirious person.
00:59:18If he doesn't say what we want to hear,
00:59:20then we run the temperature up to 150 or more.
00:59:23Then his patient dies.
00:59:23Linda!
00:59:28Linda!
00:59:30Our first patient.
00:59:45I have the paper they said you stole.
00:59:47The names of the chemists,
00:59:49the scientists.
00:59:50Your brother's name is there.
00:59:52We don't need his address,
00:59:53but we do want the others.
00:59:55You told me they were in here.
00:59:56Remember?
00:59:57Yeah, I remember.
00:59:59I remember a lot of things now.
01:00:01That key in the guardhouse.
01:00:03After you'd helped me escape,
01:00:04you knew an awful lot about Alma, too.
01:00:07Well, then it was Alma that stole that paper.
01:00:10Ah.
01:00:11Well, who killed the captain?
01:00:13Well, Alma didn't.
01:00:14The captain was snooping.
01:00:15He got too close to Alma.
01:00:17I had to help her.
01:00:18And who killed Alma?
01:00:20Alma was the last one to see the captain alive.
01:00:23That's why I had to get to her before you did.
01:00:26Now that we've answered all your riddles...
01:00:27Yeah, but you haven't.
01:00:29What are you doing in that uniform?
01:00:32Well, in my own country.
01:00:34I'm a much higher-ranking officer.
01:00:38Two colored people are waiting for the girl.
01:00:40Well, now we'll take care of your two friends down in the shoe shop.
01:00:45Keep that temperature at 110.
01:00:47Now, are you ready to give me those addresses?
01:01:09Craig!
01:01:11Craig!
01:01:13Craig!
01:01:14Craig!
01:01:16Why were you?
01:01:17I dropped that gun.
01:01:24All right, open the door.
01:01:31What am I doing?
01:01:32Put him in there.
01:01:33You heard what he said.
01:01:34Okay, you're next.
01:01:56I'd like you to look at this shoe.
01:01:57Oh, I don't repair lady's shoes.
01:02:02He didn't ask you to repair it.
01:02:03You did repair it at one time.
01:02:05I traced the leather.
01:02:06Manufacturer said he sold it to you.
01:02:08What about it?
01:02:09You remember the girl who brought it here?
01:02:16Sergeant!
01:02:24What are you doing here?
01:02:25What is this place?
01:02:27Maybe you'd like to come and look around.
01:02:29The boys from your outfit visit here, and we can recommend it.
01:02:35Don't do that, honey.
01:02:36You'll get me in trouble.
01:02:38How am I going to get out if I don't beat my way out?
01:02:40I'll think us out of here somehow.
01:02:41You couldn't think us out of the empty house.
01:02:44Well, don't do that.
01:02:44Come on, wait.
01:02:47Sergeant, open the door.
01:02:49You're always going to.
01:02:52How come you lock us in that room, and where's Miss Linda's shoes?
01:02:55I ain't going to stay locked up in no room waiting on a lazy, no-good hyperlutin' cobbler
01:02:59what does nothing about my Miss Linda's shoes.
01:03:02Oh, it's you.
01:03:03I might have known you'd be here whenever Miss Linda's in trouble.
01:03:06Someday I'm going to take Miss Linda out of the newspaper business.
01:03:10Where is Miss Linda?
01:03:11Well, how'd I know?
01:03:12She gave me orders to wait here for her shoes, and wait I is.
01:03:15The lady came in, took her shoes, and went away.
01:03:19Said for you to go home.
01:03:20You go home, and tell Miss Linda that I'll be up to see her.
01:03:27Well, Miss Linda and me orders to wait, but if you say so, all right.
01:03:32Come on, Sam.
01:03:36Uh-oh, Lieutenant.
01:03:37How much furlough can I get if I tell you where to find this soldier who killed Captain Brian?
01:03:44How would you know him?
01:03:45I fed him in the guardhouse.
01:03:47He's with Miss Linda.
01:03:48He gave me this old card, Death and Destruction.
01:03:51You go back to camp.
01:03:52We'll find the soldier.
01:03:54Yes.
01:03:55Sam!
01:03:56Come on, you girl.
01:03:57Come down.
01:03:59Sergeant, you were a very good friend of Corporal Greg Carroll.
01:04:01I believe you're shielding him.
01:04:02Where is he?
01:04:03I haven't any idea.
01:04:05Stop bluffing, Sergeant.
01:04:06I came here with a lady's shoe traced to the shop.
01:04:08The shoemaker lied to me.
01:04:10He just repaired some lady's shoes.
01:04:12You have the soldier here.
01:04:13We're going to search the place.
01:04:15Lead the way, Sergeant.
01:04:32Lieutenant.
01:04:58Lieutenant.
01:04:58Lieutenant.
01:05:02Keep going.
01:05:32Drop it.
01:05:39Lieutenant.
01:05:40Safe on your hands.
01:05:42Somebody better take care of those two monkeys in there before the heat gets them.
01:05:45Hey, Linda.
01:05:48Hey, you're turning it the wrong way.
01:05:50You're turning behind.
01:05:51Is that such a bad idea?
01:05:55No.
01:05:55No.
01:05:55No.
01:05:56No.
01:06:24No.
01:06:25Gracias por ver el video.
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