- hace 4 semanas
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EN "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00¡Gracias!
00:02:08¡Gracias!
00:02:10¡Gracias!
00:02:12¡Gracias!
00:02:13¡Gracias!
00:02:14There's been showers in Florida.
00:02:16Oh there are extras out.
00:02:20Yes, a new day is starting, and most of us greeted with hope..
00:02:22like these Hollywood extra girls on their way to work.
00:02:25United Art Studio, please.
00:02:27For these stenographers, salesgirls, waitresses, yesterday's beauty contest winners from all over the world.
00:02:36Oop, he didn't get her phone number.
00:02:40Of course, for some people, yesterday still hasn't ended.
00:02:43These fellows have been rehearsing all night.
00:02:57Oop, he didn't get her phone number.
00:03:27Take a break, feelin' up, bring it right back.
00:03:34Take a break, feelin' up, bring it right back.
00:03:45All polished and ready to go.
00:03:47You know, I'm going to that radio show, Breakfast in Hollywood.
00:03:50Isn't that the one where the guy tries on a lady's hat?
00:03:52Yes, that's right.
00:03:54Do you notice anything silly about me?
00:03:56Anything?
00:03:57You mean something out of the ordinary?
00:03:59Oh, my hat.
00:04:00I thought it was a hair dryer.
00:04:02Oh, Mr. St. John, you just made me the happiest woman in the world.
00:04:05You couldn't have said anything to please me more.
00:04:08I can't believe it's all yet.
00:04:13Oh, Mr. St. John.
00:04:15Thank you.
00:04:16I'll be right back.
00:04:24Thank you.
00:04:32¡Gracias!
00:05:02Miss Larson.
00:05:04Miss Larson.
00:05:06I guess I must have fallen asleep.
00:05:11Did you locate him?
00:05:15San Pedro just phoned.
00:05:17They said they had no record of Seaman First Class James Glennie ever having been there.
00:05:21In his last letter, that's where he said he was going.
00:05:24How long ago was that?
00:05:26About three months ago.
00:05:28A lot can happen in that time.
00:05:30When he stopped riding, I thought...
00:05:32Yes?
00:05:34I think.
00:05:36Do you think he might be in San Diego?
00:05:38No, my dear. Let's be practical.
00:05:40You come back here at 5 o'clock tonight and I'll have a return ticket to Minneapolis for you.
00:05:44I'll tell you what I'll do.
00:05:46You go to the lounge and freshen up.
00:05:48And I'll give you a ticket to Tom Brenneman's breakfast in Hollywood.
00:05:51You've still got time. That'll cheer you up a bit.
00:05:53How'll that be?
00:05:54You've been awfully kind.
00:05:56Forget it.
00:05:57Thank you.
00:06:00Now, don't you worry about me, Gibby. I'm gonna be all right. I'll only be gone about an hour or so.
00:06:28I'm gonna do something this morning that I've wanted to do for a long time.
00:06:36There you are.
00:06:40Now, see? You're a little croupy this morning.
00:06:48Well, now maybe you'll pull in that pride of yours and let me get a little box of sand in the house at night.
00:06:54Come here.
00:06:56Nobody need know about it but you and me.
00:07:00Well, have it your own way.
00:07:02Now, darling, stay in the sun this morning and don't take your sweater off.
00:07:06Good-bye, Tiffy.
00:07:16Good-bye, Tiffy.
00:07:18Good-bye, Tiffy.
00:07:19Little-bye, Tiffy.
00:07:20Richard.
00:07:21Richard.
00:07:22Huh?
00:07:23no
00:07:31i'm leaving
00:07:35where are you a woman who gets up at daybreak to see a radio show the nuts
00:07:42now richard
00:07:43but go ahead
00:07:45if you get a kick out of being goofy don't let me spoil your fun
00:07:48oh would you rather I go with you to san diego today
00:07:52No creo que me hace que voy a pedirlo.
00:07:55Voy a voy a visitar no tiempo para presentar.
00:07:58Ahora, vayamos a la mesa.
00:08:00La radio show!
00:08:05¿Van a enterrarme a favor?
00:08:10Buen un caro disfrute, Neil, y no se duplica.
00:08:14¡Suscríbete al canal!
00:08:44¡Suscríbete al canal!
00:09:14¡Suscríbete al canal!
00:09:16¡Suscríbete al canal!
00:09:18¡Suscríbete al canal!
00:09:20¡Suscríbete al canal!
00:09:22¡Suscríbete al canal!
00:09:24¡Suscríbete al canal!
00:09:26¡Suscríbete al canal!
00:09:28¡Suscríbete al canal!
00:09:30¡Suscríbete al canal!
00:09:32¡Suscríbete al canal!
00:09:34¡Suscríbete al canal!
00:09:36¡Suscríbete al canal!
00:09:38¡Suscríbete al canal!
00:09:40¡Suscríbete al canal!
00:09:42¡Suscríbete al canal!
00:09:44I wonder, will you spare a kiss?
00:10:03¿Vamos a ir a Hollywood, sir?
00:10:04Sí, vamos, vamos a ir.
00:10:05La glúě bravely!
00:10:14Where's your home?
00:10:15Minneapolis, sir.
00:10:16You is that the right time?
00:10:17Yes.
00:10:18Why?
00:10:19I'm trying to catch an early radio show.
00:10:21Breakfast in Hollywood.
00:10:21Ever hear of it?
00:10:22I'm afraid I have.
00:10:24My aunt back in Minneapolis listens every morning.
00:10:27A very intelligent woman.
00:10:29Very good taste too.
00:10:30Oh.
00:10:31It's..it's good then, huh?
00:10:32Oh, terrific.
00:10:33No, no, no, no, no.
00:11:03No, no, no, no, no, no.
00:11:33No, no, no, no, no, no, no.
00:12:03Don't spoil me.
00:12:16How do you like getting up in the middle of the night?
00:12:20What time did you get up?
00:12:21Four o'clock.
00:12:22Sucker.
00:12:23I'd like to know, first of all, how many of you ladies here have never heard Breakfast in Hollywood?
00:12:34I mean, you've never listened to it on the air.
00:12:36Is there anybody?
00:12:38Just you?
00:12:39Will you please get out?
00:12:40Seriously, folks, each morning, just before we hit the air, we kind of like to visit a bit with you guests
00:12:48and kind of find out where you're from.
00:12:50You know, kind of break the ice, one of those sort of things.
00:12:53And hello there.
00:12:54Who are you?
00:12:56Mrs. Marie Edgedahl of Cherry Valley, California.
00:12:59Cherry Valley?
00:13:00Mm-hmm.
00:13:00So, Mrs. Edgedahl, where is Cherry Valley from here?
00:13:03Up near Beaumont.
00:13:04You mean down near Beaumont.
00:13:06Up.
00:13:09Well, isn't Beaumont down by Banning?
00:13:11Yes, but we're up on the mountain.
00:13:13That's up.
00:13:17Let's get this right now.
00:13:19When you go south, you go up south or down south?
00:13:23We go up south, but we're a little northeast.
00:13:29You're over that-a-way, in other words.
00:13:31No, northeast, and it's up.
00:13:36Now we're just 29 miles from Palm Springs.
00:13:39Oh, is that so?
00:13:39Uh-huh.
00:13:40Up or down, or south?
00:13:42Oh, we're just to the right of us.
00:13:44Yeah.
00:13:49Oh, yeah.
00:13:56Listen, Mrs. Edgedahl, did you ever hear of a down in Sleepy Valley?
00:14:01Oh, yeah.
00:14:04Well, look, you know of any valley which you have to go up to get to.
00:14:09Yeah, yeah.
00:14:10What?
00:14:11Cherry Valley.
00:14:13I gave up.
00:14:19Well, let's go over here and visit them a little bit now.
00:14:22Hello there.
00:14:22Who are you?
00:14:24Dorothy Larson.
00:14:25Dorothy Larson.
00:14:26Well, come on, Dorothy.
00:14:27Stand up here and let the lady see you.
00:14:28You, you're pretty.
00:14:29Where are you from?
00:14:31Minneapolis, Minnesota.
00:14:33Minneapolis.
00:14:34Well, with a name like Larson, you couldn't be from any other place but Minnesota.
00:14:39No.
00:14:41Tell me, Dorothy.
00:14:42Do you hear the program back there occasionally?
00:14:44Oh.
00:14:45Do I have to tell?
00:14:47My goodness, we're not that bad, are we?
00:14:49Oh, no, but...
00:14:51Well, my boss may be listening in.
00:14:52Don't worry about it.
00:14:53We're not on the air just yet.
00:14:54Oh, I...
00:14:55But you do hear circadianly, huh?
00:14:56Oh, yes.
00:14:57Back in Minneapolis at this time each morning, I used to have coffee and donuts in Manny's
00:15:01drugstore and, well, I listened then.
00:15:04You weren't supposed to be listening.
00:15:07I wasn't supposed to be having coffee and donuts.
00:15:09No.
00:15:11Oh, well, I think the last's on me.
00:15:14Oh, why not?
00:15:15Well, I quit my job two weeks ago.
00:15:17Oh, you did?
00:15:18Well, I'm quitting you, too, right now.
00:15:21She's all right.
00:15:22It's all right, Mother.
00:15:46It's all right, Mother.
00:15:46You're okay.
00:15:48Call an ambulance.
00:15:49Right.
00:15:50Don't sit up again.
00:15:53Everything's all right.
00:15:56Who's the driver in this car?
00:15:57I am, officer.
00:15:58But it really wasn't my fault.
00:16:00I'm still in second gear.
00:16:01I just turned the corner.
00:16:02I'm sick or off.
00:16:03Don't try to get up with me.
00:16:04That's right, Mother.
00:16:05You just stay here and rest a little.
00:16:07Oh, what do you mean, rest?
00:16:09I just got out of bed an hour ago.
00:16:11You might be hurt.
00:16:12Oh, the way was such foolishness.
00:16:16I'm all right.
00:16:17Are you sure?
00:16:17Why, certainly.
00:16:19I'm not a bit hurt.
00:16:21I'm going to get back to the cycle.
00:16:23Wait a minute.
00:16:23I've got an ambulance coming.
00:16:25Oh, don't tell me that.
00:16:26I haven't time for such foolishness.
00:16:28I've got to go someplace.
00:16:30I think perhaps, officer, the lady says that...
00:16:31Well, you keep out of this.
00:16:32Where do you want to go, lady?
00:16:33Well, just down to breakfast at Hollywood.
00:16:35It's only a little ways down the street.
00:16:37And I tell you, I'm all right.
00:16:39But I don't know that, you see.
00:16:40Oh, well, I'll miss it.
00:16:41I've been looking forward to it for weeks.
00:16:43And I'm late now.
00:16:44Really, officer?
00:16:45I think if she feels it...
00:16:46Will you be quiet?
00:16:47Listen, I'll go into Mr. Brenneman's and sit down.
00:16:50And then if you want to, you can come and look in on me, if you don't mind.
00:16:53All right, Mother, you go ahead.
00:16:55I'll come down to see you just as soon as I get through here.
00:16:57Thank you.
00:16:58Sorry to be in so much.
00:16:59Oh, excuse me, but when you say as soon as you're through here, does that mean...
00:17:03It certainly does.
00:17:04It means you and I are going to have a nice, long chat.
00:17:07Let me see your driver's license.
00:17:08Oh, but officer, this is going to throw me off schedule.
00:17:17Good morning, ladies.
00:17:20And good morning to you out there along our network.
00:17:23Good morning from the ladies having breakfast in Hollywood.
00:17:26And say we have a swell turn out here this morning.
00:17:28Long about this time of our program, we'd like to visit a bit.
00:17:31I think we'll start with maybe you.
00:17:34What is your name?
00:17:35Harriet Dean.
00:17:36Where are you from, Miss Dean?
00:17:37I'm from Miami, Florida.
00:17:38Miami, Florida.
00:17:39Hmm, hot down there, isn't it?
00:17:42And let's see, who are you, please?
00:17:44Your name?
00:17:45Mullins, this morning.
00:17:46Oh, this morning.
00:17:47This afternoon, it will be Henderson.
00:17:49Oh, being divorced?
00:17:51I'm being married.
00:17:53Oh, congratulations.
00:17:55I suppose you're the happy groom-to-be.
00:17:57Yes, ma'am.
00:17:59I'm, sir.
00:18:00Tell me, Mr. Henderson, are you being married in Hollywood?
00:18:03We are.
00:18:03Hmm.
00:18:05What is your business, Mr. Henderson?
00:18:08I'm Miss Mullins' secretary.
00:18:10Hmm.
00:18:11What some folks won't do to keep a secretary, do you?
00:18:19Oh, thank you.
00:18:20I'll see you on.
00:18:22All right, folks, now we're going to meet our service boys and girls.
00:18:25And I'll ask you to hold your applause, as I do each day, until we've met them all.
00:18:29We just want to be sure if the home folks have a chance to hear them.
00:18:31You.
00:18:32Peter Michael, Northborough, Maine.
00:18:33Oh, excuse me.
00:18:36Is this seat taken?
00:18:37No.
00:18:37No, I came alone, too.
00:18:39Well, that's nice.
00:18:40So did I.
00:18:40I didn't want to embarrass anyone.
00:18:47Why don't you put a clove in your mouth?
00:18:49Then nobody will know you've been drinking.
00:18:53No.
00:18:53No, I mean my hat.
00:18:55Do you think it's silly enough for Mr. Brennan to pull on?
00:19:00Brennan.
00:19:01It is kind of crazy in an artistic sort of way.
00:19:08Oh, thank you.
00:19:09Thank you very much.
00:19:11You know, for seven months I've been trying to wear a hat that Mr. Brennan would put on.
00:19:16Well, I bet this is it.
00:19:17Oh, you think so?
00:19:18Well, I hope so.
00:19:20Lieutenant?
00:19:21Lieutenant Stephen Wayne, Baltimore, Maryland, sir.
00:19:23Went there, too, haven't you?
00:19:24Yes, sir, a little bit.
00:19:25What are some of those things, Lieutenant?
00:19:27That's the Navy Cross and the Purple Heart.
00:19:29Oh, we only have 30 minutes.
00:19:31We can't find all that.
00:19:32Well, look, Hugh's here.
00:19:33Do you recognize me?
00:19:34Who are you, anyway?
00:19:36Electricians made third class, Minneapolis, Minnesota.
00:19:38Well, that'll help.
00:19:39What?
00:19:39What's your name?
00:19:40No coaching, please.
00:19:41Oh, Ken Smith.
00:19:43Well, wait a minute, Ken.
00:19:44Don't get mad about it now.
00:19:45You hear me?
00:19:46What were you doing out in San Fernando Valley?
00:19:48Trying to find some people from Minneapolis.
00:19:50What for?
00:19:51Just to talk to, I guess.
00:19:52Oh, Ken, you don't have to go out to San Fernando Valley to find people from Minneapolis to talk to.
00:19:57Come on here, son.
00:19:58Now, old Cupid and Grandma, I'll be Cupid.
00:20:09Now, tell us who you are again.
00:20:11I'm Dorothy Larson.
00:20:13Oh, Dorothy.
00:20:14I want you to meet Ken Smith.
00:20:16Come on, Ken.
00:20:17Pull up a chair.
00:20:18Oh, this is going to be swell.
00:20:20Now, you kids get together and talk your heads off with you.
00:20:22You need somebody to talk to.
00:20:23Oh, Ken.
00:20:24Right there.
00:20:25Thanks.
00:20:28Justin, I hate to leave here without...
00:20:31Without what?
00:20:33Without finding my fiancé.
00:20:34Oh.
00:20:35I came here to look for him.
00:20:37He's from Minneapolis, too.
00:20:38His name is James Glennon, and he's in the Navy.
00:20:40Jimmy Glennon?
00:20:42Do you know him?
00:20:43Oh, I know him.
00:20:44Why...
00:20:46Yes, go on.
00:20:49What were you going to say?
00:20:51Nothing.
00:20:51I don't think he's the same fellow that you know.
00:20:54Now, I guess we've met them all.
00:20:55I wish everybody in uniform in the restaurant would please stand,
00:20:59because we want to give you a welcome to Breakfast in Hollywood.
00:21:02Go on, you see.
00:21:03And let him round.
00:21:04That's good.
00:21:06Look, the more I think of it,
00:21:07I'm not even sure if he came from Minneapolis.
00:21:09But you said this guy was engaged to a girl by the name of...
00:21:13What did you say your name was?
00:21:15Dorothy.
00:21:16Oh, there you are.
00:21:17His girl's name was Cora.
00:21:18All right, come on.
00:21:18Come on, come on, Minneapolis.
00:21:19Break it up.
00:21:20The convention is over here now.
00:21:21Okay.
00:21:21And you get back to the table.
00:21:23All right.
00:21:23And before you go, for being such a good sport,
00:21:25here's a couple of $5 bills for you.
00:21:27Oh, gee.
00:21:28Thanks, Mr. Brown.
00:21:28And if you're in Hollywood tonight,
00:21:30spend it on her, will you?
00:21:31Yes, I will.
00:21:32And spend it in here.
00:21:34Come on, give him a hand there.
00:21:35Come on.
00:21:41Now then, we're going for a hat.
00:21:44This silly routine every morning.
00:21:46I don't know what you're laughing about.
00:21:52Who are you, please?
00:21:53Mary Calder.
00:21:54Mary Calder.
00:21:55Where are you from, Mary?
00:21:56Kansas.
00:21:57You're from Kansas?
00:21:57Where did you get that silly number?
00:21:59Just a little thing I cooked up myself.
00:22:01You cooked it up yourself.
00:22:02Looks like it boiled over.
00:22:05Look at there.
00:22:07That is a monstrosity down there.
00:22:09Hmm.
00:22:10I simply have to get a closer look at that thing.
00:22:13No, we're talking about you.
00:22:15Don't look over your shoulder.
00:22:16Who are you?
00:22:17Alvarez Spriggins.
00:22:18And where are you from, Miss Spriggins?
00:22:21Pomona.
00:22:21Pomona.
00:22:22I should have known.
00:22:24That is the silliest thing I've seen in this place in a long time.
00:22:28Where do you live now?
00:22:29In Hollywood.
00:22:30In Hollywood.
00:22:31That looks like a typical Hollywood model.
00:22:33What is it, Bobby?
00:22:36There?
00:22:36Oh, my goodness.
00:22:40This is even worse.
00:22:42Do you want me to take it off?
00:22:43No, not just right now.
00:22:44Do you like this?
00:22:45Yes, I'll be back.
00:22:46Look at this thing.
00:22:49Hello, Tom.
00:22:50And it's awfully nice of you to come over and say hello to us.
00:22:52Oh, I'm so glad to be here.
00:22:54Pleasure.
00:22:54And do you know Mrs. Cooper, Gary's mother?
00:22:56No.
00:22:57Hello, Mrs. Cooper.
00:22:59Gee, it's nice to see you.
00:23:00How's Gary?
00:23:01Pretty well, thank you.
00:23:02That's great.
00:23:03Did you have a nice breakfast?
00:23:04Oh, the loveliest bacon.
00:23:05Oh, fine.
00:23:07And Mrs. LeSearch, your Harper's mother.
00:23:09Oh, hello.
00:23:10How are you?
00:23:11How is Joan?
00:23:12Fine.
00:23:13Please give her my regards.
00:23:14I certainly will.
00:23:15Thank you.
00:23:16Thank you.
00:23:17And you hear our program, too, do you?
00:23:19Every morning.
00:23:20You enjoy it?
00:23:21Very much.
00:23:22Well, that's nice.
00:23:23Do you think I'm a good master of ceremonies?
00:23:24The best ever.
00:23:26Do you think I'm handsome?
00:23:28Very handsome.
00:23:29And terribly underpaid, wouldn't you say?
00:23:31Yes, very much underpaid.
00:23:32Do you know you sound just like my mother?
00:23:35I am your mother.
00:23:36And she is, too.
00:23:40Oh, what a lot of ham in that family.
00:23:44Say, speaking of ham, Hedda, I'm inviting you all down for dinner tonight.
00:23:48Why, thank you, Tom.
00:23:49We'd love to.
00:23:50Oh, that'd be swell.
00:23:51Hedda, I know that you're famous for dappy hats, but what is that supposed to represent?
00:23:55Well, when I left home this morning, it was a goldfish boat.
00:23:58Hedda, I simply have to try it on.
00:24:00Do you mind?
00:24:01What do you suppose I wore it for?
00:24:03Miss Cooper, would you please hold the microphone?
00:24:06Just like that.
00:24:06Thank you.
00:24:08There you are.
00:24:08This is the silliest thing I've ever seen, even for you, Hedda.
00:24:14There you are, kid.
00:24:19Don't you feel bad, dearie.
00:24:20I think yours is much worse than hers.
00:24:24Wait a minute, you smarties.
00:24:26After all, on me, it didn't attract a duck.
00:24:28No, but brother, what an invitation to a woodpecker.
00:24:31Hi, Hedda.
00:24:39Spike Jones and his city slickers.
00:24:41Need I say any more?
00:24:44Well, what'd you expect, Tchaikovsky?
00:24:45Take a sprig of parsley, add a rubber bath tub stopper.
00:25:13What do you got?
00:25:15A hat for a head of hopper.
00:25:17Mix a batch of concrete in a five-and-dime corn popper.
00:25:21What do you got?
00:25:22A hat for a head of hopper.
00:25:25Take a ripe banana and a jigger of pointreau.
00:25:29Roil it over charcoal, that's Miss Hopper's new chapeau.
00:25:33Add a pickle to the side of Grandpa's old silk topper.
00:25:36What do you got?
00:25:37A hat for a head of hopper.
00:25:40When the swallows can crack at the strand.
00:25:43You can bet your life they'll land right on Miss Hopper's new hat band.
00:25:47Listen to the mockingbird.
00:25:49Listen to the mockingbird.
00:25:51Please have pity on that kid he's slated for Miss Hopper's lid.
00:25:55Listen to the mockingbird.
00:25:57Listen to the mockingboy.
00:25:58Our feathered friend's a real dead pigeon now.
00:26:02First you take a...
00:26:03Then you add a...
00:26:06Why a hat for a head of hopper.
00:26:09Then you mix a...
00:26:11With a...
00:26:13Why a hat for a head of hopper.
00:26:18Scientists are busy with a plan.
00:26:20They're working on it.
00:26:22Mixing up synthetics for Miss Hopper's Easter bonnet.
00:26:25So if you see a Frankenstein, don't faint of a hopper.
00:26:29Because what you see is a hat for a head of hopper.
00:26:37And then the cop discovered that my driver's license had expired.
00:26:40Of course, there's only a formality, my dear.
00:26:42But I shall have to take, well, a slight examination.
00:26:45And I shall be delayed, well, five or ten minutes.
00:26:48All right, Mr. Cartwright.
00:26:49But please, hurry.
00:26:51You're late already.
00:26:53Goodbye.
00:26:54Goodbye.
00:26:55I wish we could hit on some way to do it.
00:26:59Do what?
00:27:00Let him know Tuesday's my birthday.
00:27:04Well, it is.
00:27:07Now we're going to award our wishing ring.
00:27:10That's it.
00:27:11Let me see here.
00:27:12Who are you?
00:27:13Wanda Ricketts.
00:27:14From where, Miss Ricketts?
00:27:15Denver, Colorado.
00:27:17From Denver.
00:27:17Please draw a number out of the basket.
00:27:19All right.
00:27:20This is the winner.
00:27:21Four, nine, three, six, six.
00:27:24Four, nine, three, six, six.
00:27:28When's the ring?
00:27:29I have it.
00:27:30Here it is.
00:27:31Oh, good.
00:27:32Well, look.
00:27:32It's Minneapolis.
00:27:33Well, come on here, honey.
00:27:35You've won our wishing ring.
00:27:39Come on over here, Mr. Lady C.
00:27:41Well, this is swell.
00:27:43Dorothy Larson, the donut and coffee girl.
00:27:46That's right.
00:27:47Oh, this is grand.
00:27:49Tell me, Dorothy, it must have been swell to come in here and have a first-class breakfast.
00:27:53Well, I was a little late getting a seat, and when they served me, all I got was...
00:27:57Coffee and donuts, yeah.
00:28:00Dorothy, you say you're a secretary, huh?
00:28:01I was.
00:28:02I'll be a housewife soon, I hope.
00:28:04Oh, gee, that's swell.
00:28:06So instead of taking dictation, you'll be giving it, eh?
00:28:10I hope to live on a farm.
00:28:11Why?
00:28:12So I can hatch baby chicks.
00:28:14Well, now, don't laugh.
00:28:16That's a good trick if she can do it.
00:28:20Dorothy, you've won our wishing ring.
00:28:21Here, I want to show it to you.
00:28:23Same time, I want to show it to the lady.
00:28:25There it is.
00:28:25Oh, it's beautiful.
00:28:27All right, now, I want to put it on your finger.
00:28:29You make a wish, and we'll ask everybody here and everybody along our network to wish along with you.
00:28:35Now, what's your wish?
00:28:38I wish that I may find a friend.
00:28:41Well, Dorothy, you've found 300 new friends here this morning.
00:28:45Isn't that right, folks?
00:28:46You're better yet.
00:28:49Thank you, but, well, I mean a certain friend.
00:28:52He's my fiancé, and he's still in the service.
00:28:54Oh, well, gee, we hope you'll find it.
00:28:56Thank you.
00:28:57And, Dorothy, it's a special treat this morning.
00:28:59We have something here that'll make wishing all the sweeter.
00:29:02Stand up there, Andy.
00:29:04Ladies and gentlemen, Andy Russell.
00:29:13Andy's going to sing a little song dedicated to the winner of our wishing ring.
00:29:17And you keep wishing, honey.
00:29:18Sure, Andy.
00:29:19Good.
00:29:19Okay, Andy.
00:29:20If I had a wishing ring
00:29:27I'd never ask for any worldly thing
00:29:37My heart and I agree
00:29:41On what a wish you'd be
00:29:45One miracle would do
00:29:50The miracle that you'd love me
00:29:54You'd be my treasure
00:30:01Way beyond compare
00:30:06For my heart says your name
00:30:13In every place
00:30:15No dream would be denied
00:30:20And I'd be satisfied
00:30:26With all your love could be
00:30:29And I'd be satisfied
00:30:30With all your love could be
00:30:30And I'd be satisfied
00:30:35With all your love could be
00:30:35I had a wishing ring
00:30:41My heart and I agree
00:30:45My heart and I agree
00:30:46On what a wish you'd be
00:30:51One miracle would do
00:30:55The miracle that you'd love me
00:30:59You'd be my treasure
00:31:02You'd be my treasure
00:31:06Way beyond compare
00:31:11For my heart says your name
00:31:16In every place
00:31:20No dream would be
00:31:50That's swell
00:31:57Andy, come on over here
00:31:59Just a moment, will you?
00:32:00I would have words with you
00:32:01If you think you're gonna get away
00:32:04With one number, you're crazy
00:32:06What would you like to sing
00:32:07For an encore?
00:32:08Well, uh, how about
00:32:09Magic is the Moonlight, Tom?
00:32:10Oh, that'd be swell
00:32:11Especially in view of the fact
00:32:12You rehearsed it all morning
00:32:13Magic is the Moonlight
00:32:20Magic is the Moonlight
00:32:23On this lover's night
00:32:27As I see the Moonlight
00:32:32Shining in your eyes
00:32:35Can't resist their power
00:32:39In this moment, love began to flower
00:32:48Yes, this new paradise
00:32:51Living in the splendor
00:32:57Of your gifts so tender
00:33:00Makes my heart surrender
00:33:04Makes my heart surrender
00:33:04To your love divine
00:33:07Magic is the Moonlight
00:33:12Much more than it's tonight
00:33:16Magic is the Moonlight
00:33:21For a new life
00:33:22For a new life
00:33:23For a new life
00:33:24For a new life
00:33:25For a new life
00:33:26Muñequitas lindas
00:33:28Teca de los yoros
00:33:30De dientes, de perlas
00:33:32De dientes, de perlas
00:33:36¡Suscríbete al canal!
00:34:06¡Suscríbete al canal!
00:34:36¡Suscríbete al canal!
00:35:06¡Suscríbete al canal!
00:35:08¡Suscríbete al canal!
00:35:10¡Suscríbete al canal!
00:35:14¡Suscríbete al canal!
00:35:16¡Suscríbete al canal!
00:35:18¡Suscríbete al canal!
00:35:20¡Suscríbete al canal!
00:35:22¡Suscríbete al canal!
00:35:24¡Suscríbete al canal!
00:35:28¡Suscríbete al canal!
00:35:30¡Suscríbete al canal!
00:35:32¡Suscríbete al canal!
00:35:34¡Suscríbete al canal!
00:35:36¡Suscríbete al canal!
00:35:38¡Suscríbete al canal!
00:35:40¡Suscríbete al canal!
00:35:42¡Suscríbete al canal!
00:35:44¡Suscríbete al canal!
00:35:46¡Suscríbete al canal!
00:35:50¡Suscríbete al canal!
00:35:52¡Suscríbete al canal!
00:35:54¡Suscríbete al canal!
00:35:56¡Suscríbete al canal!
00:35:58¡Suscríbete al canal!
00:36:00¡Suscríbete al canal!
00:36:02Hola.
00:36:32Now then, tell me, is it Miss or Mrs. Reed?
00:36:37Mrs., of course.
00:36:39Oh, I love that, of course. Why'd you say that?
00:36:41Well, because I was married.
00:36:45Tell me, do you have any children?
00:36:48Yes, one son.
00:36:50Grandchildren?
00:36:51One.
00:36:51Great-grandchildren?
00:36:52One.
00:36:53Annie, you're in a rut.
00:36:57Tell me, you don't mind my calling you Annie, do you, honey?
00:37:00Oh, no, I like it, Tommy.
00:37:02You're a very active woman for 82.
00:37:06Oh, sometimes I feel that I'm not very active, but I've got my own teeth.
00:37:13I have mine, too, on the lower side.
00:37:18Do you and Mr. Reed live in Hollywood?
00:37:20Oh, no. Mr. Reed passed on about 26 years ago.
00:37:25I live alone with my little dog, Tippi.
00:37:27Well, gee, you smell nice.
00:37:29No, no, I didn't mean it to sound quite like that.
00:37:31I mean, that perfume you have on is lovely.
00:37:34What is it?
00:37:35It's Muguette.
00:37:36Lily of the Valley in French.
00:37:38Oh.
00:37:39My favorite.
00:37:40Is that your favorite?
00:37:41No, but where were you born?
00:37:43Well, originally in Claremont, New Hampshire.
00:37:45You were born originally.
00:37:46Oh, that's terrible.
00:37:50And where did you meet Mr. Reed?
00:37:52In Newport, New Hampshire.
00:37:53And where did you go to live after you were married?
00:37:55In Claremont, Newport.
00:37:56Then you lived in both places.
00:37:58How was that?
00:38:00Well, I'd live a month or two in Claremont, and then I'd live two or three months in Newport.
00:38:05Mm-hmm.
00:38:06Why, though?
00:38:07Well, my husband used to be on the fire department, so he had to live in Newport at odd times for the calls.
00:38:15Oh, I understand.
00:38:16Paremont was my home, and Newport was where my husband lived.
00:38:20Well, that's a little inconvenient, isn't it?
00:38:24Huh?
00:38:25It was inconvenient when a call had come through at two or three o'clock in the morning.
00:38:29Yes, I imagine so.
00:38:33Oh, Annie.
00:38:37Now, from Newport's convenience, I mean from...
00:38:40Yes, I guess it would be.
00:38:41That's right.
00:38:42Then your husband was in Newport most of the time.
00:38:45No, only for fire.
00:38:46Oh, only for fire.
00:38:47And at other odd times while he was in Claremont.
00:38:49Well, where did he sleep?
00:38:51At the firehouse.
00:38:52Oh.
00:38:54Where was your son born, in Newport or Claremont?
00:38:57White Pidgeon, Minnesota.
00:38:59You know, Annie, you could have saved us both a lot of trouble.
00:39:13What do you mean if I'd just take back him, Claremont?
00:39:15No.
00:39:16No, if you'd have burned the firehouse down in Newport.
00:39:23Oh, there you are.
00:39:24Well, now, honey, look what we have for you.
00:39:28There it is, the orchard.
00:39:33Oh, it's awful pretty.
00:39:35Yes.
00:39:35And it's for you.
00:39:37Oh, thank you.
00:39:39You're welcome.
00:39:40You've heard the program, have you?
00:39:41Oh, yes.
00:39:42I listen to it every morning.
00:39:44Well...
00:39:44Is that your first orchard?
00:39:46It most certainly is.
00:39:49And I want what goes with it.
00:39:50Say, listen, dear.
00:40:05When I was taking my driver's test, I ran over a traffic button and I had a blowout.
00:40:09How about your meeting in my office at 1230?
00:40:12Fine.
00:40:12That's only four hours away.
00:40:14Hey, where are you having this tire next?
00:40:18New Guinea?
00:40:21Oh, all right.
00:40:22But you be there at 1230, you hear?
00:40:26Now we're about to award our famous beauty kit.
00:40:30We'll ask one of our guests to draw a number here.
00:40:32Who are you, please?
00:40:33Florence Promise.
00:40:34From where, Miss Promise?
00:40:35I'm from Philadelphia.
00:40:36From Philadelphia.
00:40:37What are you chewing?
00:40:38Gum.
00:40:38Oh, you have to spit it out.
00:40:40You can't chew gum in the ready.
00:40:41That's it.
00:40:43Will you draw a number out of the basket, please?
00:40:45Hope it's mine.
00:40:46I hope so, too.
00:40:49Well, here it is.
00:40:55Four, nine, four, oh, seven.
00:40:59Four, nine, four, oh, seven.
00:41:02Here it is.
00:41:04Over here it is.
00:41:06Oh, nice.
00:41:07This is your lucky person.
00:41:08Come on out here, now.
00:41:10Isn't it nice?
00:41:15Tell us, who are you?
00:41:18I can't, can't remember my name.
00:41:21Come on.
00:41:22Oh, Mr. Richard.
00:41:24I mean, Mrs. Richard Cartwright.
00:41:28Well, now, congratulations.
00:41:29Thank you.
00:41:31Where do you live, Mrs. Cartwright?
00:41:32I live in Ohio, Columbus, Ohio.
00:41:35I mean, I live in Hollywood.
00:41:37I can't seem to remember anything.
00:41:40No.
00:41:41Just a little nervous.
00:41:42Now, don't be afraid of this microphone.
00:41:43No.
00:41:44You've won our beauty kit.
00:41:45I know.
00:41:46Beverly, won't you show it to Mrs. Cartwright?
00:41:48Same time, show it to the ladies here.
00:41:50Isn't that a dandy?
00:41:57Oh, it's very nice.
00:41:58Well, you don't seem very excited about it, Mrs. Cartwright.
00:42:01Oh, but I am.
00:42:02Except that I don't go in very much for a cosmetic.
00:42:05Oh, well, you will now.
00:42:06There's enough goop in there to keep you beautiful for a year.
00:42:09I'm afraid my husband wouldn't care for that.
00:42:14You see, he likes the plain, natural, home-type girl.
00:42:18Well, in this day and age, he's a novelty.
00:42:20At least.
00:42:24I figured he'd do that.
00:42:26Do what?
00:42:30Split the wheelbarrow in, that's all.
00:42:33Boy, was that, uh, is that serious?
00:42:34Well, we ain't got none in stock.
00:42:36Well, I'd just end up for a woman.
00:42:38Thank you very much.
00:42:39You're very welcome.
00:42:40Thank you, Mr. Blenemann.
00:42:41Thank you for asking.
00:42:42Goodbye.
00:42:43All right, ladies, let's move on, please.
00:42:45Let's make a little room here.
00:42:49What in the world happened here, Bobby?
00:42:51Now, Lady Prentice.
00:42:52All right, let's move on, please.
00:42:54Take one here, please.
00:42:56Why, Annie, you rascal, I'm surprised at you.
00:43:01I'll be all right in a minute.
00:43:04Here's my pocketbook.
00:43:05Oh, go away, honey.
00:43:05It's right here.
00:43:06Oh, thank you.
00:43:07Here you are.
00:43:08She was hit by a car about Nora Gauton.
00:43:10Oh.
00:43:11She claimed she wasn't hurt, so I let her come on in here.
00:43:13Do you have any pain?
00:43:15Not much.
00:43:16I called an ambulance, too.
00:43:17Oh, no ambulance.
00:43:20Don't let them take me to the hospital, please.
00:43:22Well, they just want to see if there's anything wrong with you.
00:43:24I'm, I'm all right.
00:43:27Thank you.
00:43:28Honest, I am.
00:43:29All I need is a good cup of tea in my own house.
00:43:34Well, if there's nothing wrong with you, that'll take you right home.
00:43:36Oh, no, they're liable to keep me there.
00:43:39Then what's become of Tippy, my little dog?
00:43:44He's old and alone.
00:43:46He's got to have someone take care of him.
00:43:48I'd be glad to take care of him today.
00:43:50I have nothing else to do.
00:43:51Oh, there you are.
00:43:52That's awful nice of you.
00:43:56You'd take him for a little walk, maybe?
00:43:59Why, sure.
00:44:01No, you have nothing to worry about.
00:44:03Well, you're sure that they'll bring me home if they find there isn't too much wrong with me?
00:44:09I'll guarantee it.
00:44:11And by golly, just to make sure I'll go with you.
00:44:13How's that?
00:44:15Oh, you've been so nice to me.
00:44:19I, I just hate to put you out.
00:44:21Besides, you're going to be awful mad at me.
00:44:30Look what I did to my pretty flower.
00:44:43All right, folks.
00:44:43Right, get up.
00:44:44Hold on, please.
00:44:45Well, there you are.
00:44:52May I speak to you for a minute?
00:44:54Well, sure.
00:44:54You were teasing me this morning, weren't you?
00:45:00About what?
00:45:01About not knowing Jimmy Gennon.
00:45:02Oh.
00:45:03Of course you know him.
00:45:04Because he sent me to sit you several months ago.
00:45:07Thought you looked familiar.
00:45:08Then I remembered this.
00:45:10Yeah, sure I know, Jim.
00:45:12Maybe you can tell me where to find him.
00:45:14I wish I could, but I don't know where he is.
00:45:16Honest, I don't.
00:45:18I'm sorry.
00:45:20Would you mind if I asked you a favor?
00:45:22Not a bit.
00:45:24Jimmy means an awful lot to me, and I was wondering if I'd be ever so grateful if you just talked
00:45:29to me a few minutes about him.
00:45:31It'd be a pleasure.
00:45:33Tell me how he looked and some of the things he said and some of the things he did.
00:45:37Say, listen.
00:45:37I have to take Mrs. Reed's little dog for a walk.
00:45:40Would you like to go along?
00:45:42You wouldn't mind?
00:45:43Mind?
00:45:44Well, it might be a slight inconvenience, but I think I can manage to stand up under the
00:45:49strain.
00:45:58Hey, well, this is an unexpected pleasure.
00:46:02I was just going to write you a letter this afternoon.
00:46:05Are you kidding?
00:46:06You told me to meet you here.
00:46:09This is Myrtle, my roommate.
00:46:10How do you do?
00:46:11Oh, sweet.
00:46:12Why, Gloria, why didn't you tell me he was so good looking?
00:46:17Miss Hammer, suppose you run along to lunch, eh?
00:46:19I'd be glad to.
00:46:22Honey.
00:46:23Yes?
00:46:23Listen, I...
00:46:25Honey, Myrtle's broke, and so we thought it would be nice if you'd want some money for
00:46:33her at the races today, too, huh?
00:46:35Really?
00:46:35Well, I mean, say, after all...
00:46:37Uh, Mr. Cartwright, did anyone ever tell you that you look like Gable?
00:46:42Oh, really?
00:46:42You think so?
00:46:43Why, I haven't got his shoulders at all.
00:46:45Look, are we going to the races today or not?
00:46:47It's 20 minutes to one.
00:46:48You bet we are.
00:46:49On our way, we'll stop at the barbershop, and then we're off.
00:46:52Nothing can stop us now.
00:46:53I've been to the barbershop.
00:46:55Cartwright?
00:46:56Yeah?
00:46:56I have to come to the police station.
00:46:58That old lady you hit this morning has hurt worse than we thought.
00:47:00It's a bench warrant for you.
00:47:01Did you ever go to the Crystal Ballroom in the media office?
00:47:06For sure, every Saturday night.
00:47:08We went on Friday.
00:47:09I guess maybe that's why I never saw you there.
00:47:11Yeah, that's just like me.
00:47:12I never get to meet a good-looking girl, so it's too late.
00:47:16How about Doc's for hamburgers?
00:47:19Yeah, but we were more on the chop-so-y side.
00:47:21That was a little expensive for Jimmy.
00:47:23It's one thing I never had to worry much about, though.
00:47:26With me, it was always here today and gone tomorrow.
00:47:29Don't you ever worry about your future?
00:47:31No, I've got a grabby old uncle who does that.
00:47:33Not much sense in both of us, weren't you?
00:47:35You're lucky.
00:47:36I didn't have anybody to worry about me.
00:47:39That is, until I met Jimmy.
00:47:41He worries about me all the time.
00:47:43Look, uh...
00:47:44Oh, and I feel a ways I need you.
00:47:46Like not letting me sit and draft,
00:47:48or telling the fellas to watch their language when I'm around.
00:47:51Doesn't that make you a pain in the neck of the other guys?
00:47:53Of course not.
00:47:55What if I get a kick out of the way that...
00:47:57I never thought of it like that.
00:48:01Those are very pretty flowers.
00:48:03Yes.
00:48:04Aren't they beautiful?
00:48:06Mm-hmm.
00:48:07They remind me of the ones down on the island.
00:48:08Because they're so different.
00:48:09Oh.
00:48:21Oh, Ken, that's terrible.
00:48:46Oh, well, they're scared to death.
00:48:47Well, let's take another one.
00:48:49Well, it's time.
00:48:50Okay.
00:48:51You know, the trouble is,
00:48:53we're posing like two other people.
00:48:56Maybe, well, could we...
00:48:59Huh?
00:49:00Huh?
00:49:00You know, sort of act like we know each other a little bit better.
00:49:05Oh, all right.
00:49:08How's that?
00:49:09It's well.
00:49:10Go ahead.
00:49:13Huh?
00:49:14Put the quarter in.
00:49:15Oh, gee.
00:49:17Well, let's do it again.
00:49:19That pose is great.
00:49:21You smiling?
00:49:22Uh-huh.
00:49:23Go ahead.
00:49:24Okay.
00:49:35Ken, that wasn't fair.
00:49:37I'm sorry.
00:49:37I couldn't help it.
00:49:38Honestly, I couldn't.
00:49:40I'm sorry you misunderstood my friend.
00:49:44I didn't doubt it.
00:49:45It's just that you're so darn sweet.
00:49:47What?
00:49:47I say you're so darn sweet and I'm so darn lonesome.
00:49:50Well, that isn't very flattering to me either.
00:49:52No, no.
00:49:53What I mean is that we're both sort of in the same boat.
00:49:56What we need is somebody to help us over a hurdle, see?
00:49:59No, I don't see.
00:50:01There's something that you ought to know.
00:50:03I'm going to tell you what you're not going to like.
00:50:05I don't want to hear anything more.
00:50:06As far as you're concerned, I'm terribly disappointed.
00:50:09Don't bother taking me back to the bus.
00:50:12What?
00:50:13Dorothy.
00:50:13Please, I don't want you to think I'm just making a play for you.
00:50:17I meant that kiss from the bottom of my heart.
00:50:19Do you realize what you're saying?
00:50:21I sure do.
00:50:22Then you're a fine friend of Jimmy.
00:50:24I'm a better friend of yours.
00:50:25That's why I want to tell you something.
00:50:27What are you driving at?
00:50:28Just this.
00:50:29You may be in love with Jimmy, but you're not engaged to him.
00:50:31Why do you say that?
00:50:32Because he's married to somebody else.
00:50:35He's married.
00:50:37I didn't want to tell you before because it was none of my business and I knew it would hurt you.
00:50:43I don't believe you.
00:50:44You're making it up.
00:50:46If it is true, why didn't Jimmy tell me?
00:50:48Why didn't he write me?
00:50:50He was waiting to get up enough nerve.
00:50:52He met a girl in Spokane.
00:50:54He hadn't seen you for over a year.
00:50:55He just went hook, line, and sinker for this other girl and married her the week I shipped out.
00:51:00Somebody had to tell you sometime.
00:51:02You thought for your own convenience you'd tell me now.
00:51:05I just didn't want you to go on eating your heart out for somebody else.
00:51:07When you were on hand.
00:51:09That's the real reason you told me, wasn't it?
00:51:11I just told you.
00:51:13At first I didn't think it was any of my business, but...
00:51:15Oh, don't try to explain.
00:51:18Don't try to explain anything.
00:51:22I'm smuddled up.
00:51:24I don't know what to do.
00:51:26Dark.
00:51:27Don't run out on me.
00:51:31I got the dog on my hands.
00:51:44I don't know.
00:51:46For a smart guy, you're a first-class pumpkin.
00:51:48Now, now, baby, I...
00:51:49If you had posted bail and kept your mouth shut, we'd have been out of here an hour ago.
00:51:54Now, old girls, ease up a little bit, will you?
00:51:55After all, when I started talking to that pleasant gentleman in the gray suit and told him what I thought of the police,
00:51:59how did I know he was a chief of detective?
00:52:01At the rate we're going to Del Mar, I'll never make any money.
00:52:04Now, now, let's not lose our temper.
00:52:05Well, for pity's sakes, let's get going.
00:52:08Unless there's nothing flat, sweetheart.
00:52:09First, we go to the barbers, and then we'll really hit the open road.
00:52:14Here's the car.
00:52:15Get your beautiful selves in there.
00:52:16There you are.
00:52:18There you are.
00:52:20All right.
00:52:23Make them crack.
00:52:24Give us the last thing.
00:52:26All right.
00:52:54Oh, good afternoon, ma'am.
00:53:11Good afternoon.
00:53:13But won't you come in?
00:53:14Mrs. Reed, we want to thank you for being so kind.
00:53:16Some other time, please, ma'am.
00:53:17Right now, there's something important I have to do before five o'clock.
00:53:20Very well.
00:53:20Goodbye.
00:53:21So long.
00:53:21Greg is in Hollywood.
00:53:29Oh, I'm sorry.
00:53:30His line is busy.
00:53:31You're welcome.
00:53:32Oh, there's Beale.
00:53:33Yes?
00:53:34This gentleman's waiting to see you.
00:53:36Excuse me.
00:53:36My name is Ken Smith.
00:53:37Is Mr. Brenneman in?
00:53:38Do you have an appointment, Mr. Smith?
00:53:40No, I don't, but...
00:53:41Well, then I'm afraid he can't see you today.
00:53:46This is very important, miss.
00:53:48I'm awfully sorry.
00:53:49Mr. Brenneman is a very busy man.
00:53:51Could you come in tomorrow?
00:53:52That won't do me any good.
00:53:53I'm in trouble, and tomorrow will be too late.
00:53:55Well, what sort of trouble?
00:53:57Girl trouble.
00:53:58Look, miss, you don't want to see two people who really need each other.
00:54:01Both end up with a kick in the heart, do you?
00:54:03Wait a minute.
00:54:09Yes?
00:54:10Excuse me, Mr. Brenneman.
00:54:11There's a young sailor out here.
00:54:13I'm Mr. Kenneth Smith.
00:54:14It's time to come in, please.
00:54:15All right.
00:54:16You may go in.
00:54:18First door to the right.
00:54:19Thank you.
00:54:19Thank you.
00:54:19Hello, Ken.
00:54:24What's on your mind?
00:54:25Hello, Mr. Brenneman.
00:54:26Oh, boy, you sure got me into something.
00:54:28Now you've got to help me out.
00:54:29I got you into something.
00:54:30What?
00:54:30You introduced me to Dorothy, that girl from Minneapolis.
00:54:32She won the wishing ring this morning, remember?
00:54:34What happened?
00:54:35Did her fiancé show up?
00:54:36No, sir, and he isn't going to.
00:54:38Yes?
00:54:39I have a call.
00:54:40I'll help you see for you.
00:54:41All right, hold it.
00:54:41Now I'll take it in just a moment.
00:54:43The fellow she was engaged to married somebody else and didn't tell her.
00:54:45I suppose you rectified that error.
00:54:47Well, how did you know?
00:54:48I can tell by that sick look on your face.
00:54:50Oh.
00:54:51Well, when I told her, she got me all wrong.
00:54:53She broke out crying and ran away.
00:54:55Well, what am I supposed to do about it?
00:54:56She's going back to Minneapolis tonight.
00:54:57Her bus leaves in 25 minutes.
00:54:59We'll get down and talk to her.
00:55:00Will you explain to her?
00:55:01Explain what?
00:55:02Can't you see what she means to me?
00:55:04If she gets on that bus tonight, look, there's only 20 minutes left.
00:55:08Mr. Brenneman?
00:55:09Yes?
00:55:10I thought you were still waiting on the phone.
00:55:11They say it's urgent.
00:55:12Okay, I'll tell you right now.
00:55:14This isn't just a crush.
00:55:15I'm goofy about her.
00:55:16This morning when I met you, I had nothing to gamble for.
00:55:18Now I've got everything.
00:55:19You're not going to let me blow it without getting a fair shake for it, are you?
00:55:22You're the gabbiest guy I've ever met.
00:55:24I'll tell you what you do.
00:55:26You broke the bus default.
00:55:28Hold her till I get there.
00:55:29Okay.
00:55:29And I'll be over just as soon as I answer this phone call.
00:55:33Ah, gee, Mr. Brenneman, you ought to talk.
00:55:35Oh, there you go.
00:55:36Gab, gab, gab.
00:55:37Now go on, beat it.
00:55:38I'll be over in a few minutes.
00:55:39And look, don't try to be persuasive.
00:55:41Beat yourself.
00:55:42Okay.
00:55:42So long.
00:55:43That telephone call?
00:55:44You can take it here, sir.
00:55:45All right.
00:55:47Hello?
00:55:48Mr. Brenneman.
00:55:49This is Mrs. Reed's a nurse.
00:55:51I'm a little worried.
00:55:52Mrs. Reed has had a pecuniary spell, and I've called the doctor.
00:55:55I wonder if you could come over for a minute.
00:55:57Oh, you bet I will.
00:55:59I won't be gone long.
00:56:01All right.
00:56:12Won't you just look at me a minute?
00:56:14I can hear you without looking at you.
00:56:16Honest, Dorothy, I didn't tell you about Jimmy just because I was...
00:56:18I've already told who it's unimportant anyway.
00:56:22Now what more can I say?
00:56:23Well, you could tell me you're not angry with me.
00:56:27Can't you see I don't want to talk to you?
00:56:38Excuse me.
00:56:39Say, do you know Tom Brenneman?
00:56:40What do they look like?
00:56:41Well, he's, uh...
00:56:43Oh, skip it.
00:56:45Sorry.
00:56:46Sorry.
00:56:51Phoenix, Laysay, Albuquerque, Kansas City, Chicago.
00:56:54Oh, boy.
00:57:03Annie, you're a bad girl.
00:57:05You're not trying, and you know it.
00:57:07Oh, I'll be all right.
00:57:10Well, you don't sound very convincing.
00:57:12You're not putting up a fight at all.
00:57:15I've been fighting for 82 years.
00:57:18I could give you a good spanking for talking like that.
00:57:22To win a battle, you've got to have something to fight for.
00:57:26You see, Tiffy's the only one that needs me, and he's lived his life, too.
00:57:36Oh, you're talking through your head.
00:57:38We all have work to do.
00:57:39We have people who need us.
00:57:41Oh, that's a lot of nonsense.
00:57:46You're right.
00:57:47It is a lot of nonsense.
00:57:49I guess you and I both are fed up with this good neighbor stuff.
00:57:53That's right.
00:57:53All right, golly, Annie, I wish I could be more like you.
00:57:57Then maybe I'd have some sense, too.
00:58:00When you face fact, your work is done.
00:58:03Why stick your nose into somebody else's business?
00:58:07Well, have a good night, honey.
00:58:11I think I will.
00:58:13I feel sleepy now.
00:58:15I'll get back to the office.
00:58:17Let somebody else help me.
00:58:21Good night.
00:58:22Good night.
00:58:23Help who?
00:58:25Oh, I was just thinking out loud.
00:58:28Good night.
00:58:29Wait a minute.
00:58:30Yeah?
00:58:32Who's in trouble?
00:58:34Oh, I don't want to bother you with it.
00:58:35You're tired.
00:58:37Now, you come back here and tell me.
00:58:39I want to know who's in trouble.
00:58:42Well, do you remember the young sailor and the girl from Minneapolis
00:58:44who were in the program this morning?
00:58:46I most certainly do.
00:58:47And a mighty cute pair they were, too.
00:58:50Well, the boy got a crush on the girl and they had a quarrel,
00:58:53and she's going back to Minneapolis tonight.
00:58:55Oh, what a pity.
00:58:57Yes, he's been over at the office moving around.
00:59:00Wants me to help him.
00:59:01You'd think it was the end of the world.
00:59:04Well, to two young people in love, a quarrel is the end of the world.
00:59:09Well, let's forget about it.
00:59:11I've got to go back to the office.
00:59:12Now, if you want anything...
00:59:13Wait.
00:59:15I got an idea.
00:59:16Yeah?
00:59:18You go and get those two young people and bring them here,
00:59:22and I'll bet you I can get them together again.
00:59:25Well, I wouldn't think of it.
00:59:27You're a sick woman.
00:59:28Now, if you say that again, I'm going to get right up and go get them myself.
00:59:32Are you sure you want to be bothered?
00:59:34Just a moment ago, you said...
00:59:35Oh, that was just a lot of talk.
00:59:37Now, please do me the favor and go get them and bring them here.
00:59:43All right.
00:59:43But you're forcing me.
00:59:49San Francisco, Sacramento, Salt Lake City, Cheyenne, Omaha, Minneapolis, or...
00:59:58Look, if I write your letter, it's here at Doc's Hamburger Joint.
01:00:01Will you answer me no?
01:00:03Gosh, not even a postcard?
01:00:06No.
01:00:06All right, sailor.
01:00:07Will you get in or out, please?
01:00:17Sorry, buddy.
01:00:18No moving on the platform.
01:00:19I'm sorry.
01:00:20No moving on the platform.
01:00:21Oh, my God.
01:00:22Thank you.
01:00:22Thank you, my God.
01:00:24Thank you.
01:00:24Thank you.
01:00:24Thank you.
01:00:25Thank you.
01:00:30Thank you.
01:00:31Thank you.
01:00:32Oh, brother, is this a happy day?
01:00:56Jim Jam won the first race in Del Mar.
01:01:02Oh, Ken! Just a moment, please. I'm awfully sorry I'm late, but I really have a good excuse.
01:01:09Yeah, sure, it's okay.
01:01:10Don't tell me what happened.
01:01:11Look, let's just forget about it.
01:01:12No, no, don't be that way, Ken. I want to know, really.
01:01:14Look, Mr. Brenneman, I know you're a good guy, but it's too late for talk. Now she's gone. I'll see you around sometime.
01:01:19Mr. Brenneman, what a lovely coincidence.
01:01:22You know, I just bought a new hat and the lady said I looked just like a pen girl.
01:01:26Well, that's nice, yes.
01:01:27Mr. Brenneman, will you go across the street, Mr. Brenneman, and take a look? I want to see if it'll make you laugh.
01:01:32Not now, please. Bring it down to the restaurant tonight. I'll have more time.
01:01:35Tonight?
01:01:36Yes, and the name is Brenneman. Bye.
01:01:39Brenneman, Brenneman. Mr. Brenneman.
01:01:43L-A-R-S-E-N, Larson.
01:01:56L-A-R-S-E-N, Larson.
01:01:58She's on the Salt Lake bus, left Hollywood at 5 o'clock.
01:02:02Oh, thank you, Sergeant. You're doing the Mayor of Ancino a big favor. Bye.
01:02:08Do you know of any other place where a sailor who's lost his hero might go?
01:02:13No. Unless maybe a cocktail bar.
01:02:16Well, sure he would. What's the matter with us? Let's start phoning him right now.
01:02:20There's only 900 of them in and around Hollywood.
01:02:23Well, try it anyway. Tell him it's for breakfast in Hollywood.
01:02:26And tell him we'll give a reward to anybody who brings Cam to the phone.
01:02:29How much?
01:02:30Well, two tickets to the radio show, of course.
01:02:32What do you expect, that half interest in the joint?
01:02:35What? I'd hardly know it's me. You've changed my whole appearance.
01:02:44You have a type of features, Dean.
01:02:46It is just that you have been neglecting to bring them out to good advantage.
01:02:50Oh, I can hardly wait till my husband sees me.
01:02:53Why not surprise him? Telephone and have him meet you someplace for dinner.
01:02:57I can't. He's out of town.
01:02:59Oh, but if I deal with that beautiful hairdo, surely you are going somewhere.
01:03:03No. I'm afraid not. I'd like to have my bills.
01:03:06Yes.
01:03:07We will get you. Thank you.
01:03:12Really, c'est easy. Such a lovely makeup and hair style.
01:03:16Your scarves to be taken out. I'm sorry. I'm afraid you'll have to wait.
01:03:20You see, I'm a little old fashioned. I don't believe in wives gallivanting around while their husbands are away.
01:03:26Working as hard as mine does. I understand perfectly, dear. Thank you so much.
01:03:32Thank you. And come on, Kate. Oh, indeed I will. Thank you, Mrs. Carter.
01:03:36Thank you, Mrs. Carter. Thank you.
01:03:37Thank you.
01:03:38Ha, ha, ha, ha, ha, ha, ha, ha.
01:03:39Ha, ha, ha, ha, ha, ha, ha, ha.
01:03:44Ha, ha, ha.
01:03:46And when we come out of the police station, if I am out of gas, ha, ha, ha.
01:03:50Well, those two little lollipops could have kicked over the battleship with a moccasin.
01:03:53Ha, ha, ha, ha, ha, ha.
01:03:55Ha, ha, ha, ha, ha, ha, ha, ha.
01:03:57They walked right out on you, huh?
01:03:58Are you kidding?
01:03:59No, no, no, no, no, no, no, no.
01:04:29You better forget the shampoo, Herman, and let me get out of there.
01:04:34No need carrying the punishment to the point of cruelty.
01:04:40What can I do for you, please?
01:04:45Well, good evening.
01:04:47If you and your girlfriend think it's going to be one, you're optimistic.
01:04:56You guys, that was my wife.
01:04:58¡Hink!
01:05:28¡Hink!
01:05:29¡Hink!
01:05:36What's wrong, officer?
01:05:37We got a passenger by the name of Larson, a young lady going to Minneapolis.
01:05:41Is there a Miss Larson on board?
01:05:46My name is Larson.
01:05:47Miss Dorothy Larson.
01:05:48That's right.
01:05:49Why?
01:05:50Something the matter?
01:05:51Do you know Tom Brenneman?
01:05:53Yes.
01:05:54I was at his radio broadcast this morning.
01:05:56OK, lady, I'm sorry, but you'll have to come back to Hollywood with us.
01:05:59What for?
01:06:00Step outside and I'll tell you.
01:06:19What is this? What's happened?
01:06:21It's about a ring.
01:06:22Mr. Brenneman claims you stole one from him.
01:06:24Come on.
01:06:26I'll tell you what it smells like,
01:06:27ераifen flour très bien.
01:06:29Yes.
01:06:30Who says you are?
01:06:33Let's see what happens now.
01:06:34For you who says Oberon, help me,
01:06:36Don't you start to walk you down and see you at the bottom of your backyard?
01:06:38Love you somewhere.
01:06:39Oh, nice because you are!
01:06:40Well we'll have to get a new house in your house.
01:06:42I'll see you somewhere.
01:06:43Why you'll see you at the rain?
01:06:44Oh, look.
01:06:46Come on, get the rain?
01:06:47I'll see you again because you might play my house.
01:06:48You'll see all like packs of doors.
01:06:49Where can guys be with your sun?
01:06:50Like some 집 will have anything to get secret down.
01:06:51There's to learn to see you in my house.
01:06:52Of your work, you will see it.
01:06:53When the night falls silently, the night falls silently, on forest dreams, the birds wonder what will be, they wonder what will be.
01:07:23The bright star of green, and if they should lose their way, if they should lose their way, the glow arms lie, like their tidy lovers gay, the tidy lovers gay.
01:07:53And to inkle brightly, here and there and everywhere, through the sea, there and hallow, hallow.
01:08:11Hello.
01:08:13Hello.
01:08:15Hello there, gal.
01:08:17What do you say, boy?
01:08:19Floating, gliding through the air, the corner to hallow.
01:08:27Oh, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
01:08:34Ha!
01:08:36Doesn't I?
01:08:37Thank you.
01:08:38¡Suscríbete al canal!
01:09:08¡Suscríbete al canal!
01:09:38¡Suscríbete al canal!
01:10:08¡Suscríbete al canal!
01:10:38¡Suscríbete al canal!
01:10:40¡Suscríbete al canal!
01:10:54¡Suscríbete al canal!
01:10:56¡Suscríbete al canal!
01:10:58¡Suscríbete al canal!
01:11:00¡Suscríbete al canal!
01:11:02¡Suscríbete al canal!
01:11:04¡Suscríbete al canal!
01:11:06¡Suscríbete al canal!
01:11:08¡Suscríbete al canal!
01:11:10¡Suscríbete al canal!
01:11:12¡Suscríbete al canal!
01:11:14¡Suscríbete al canal!
01:11:16¡Suscríbete al canal!
01:11:18¡Suscríbete al canal!
01:11:20¡Suscríbete al canal!
01:11:22¡Suscríbete al canal!
01:11:24¡Suscríbete al canal!
01:11:26¡Suscríbete al canal!
01:11:28¡Suscríbete al canal!
01:11:30¡Suscríbete al canal!
01:11:32¡Suscríbete al canal!
01:11:34¡Suscríbete al canal!
01:11:36¡Suscríbete al canal!
01:11:38¡Suscríbete al canal!
01:11:40¡Suscríbete al canal!
01:11:42¡Suscríbete al canal!
01:11:44¡Suscríbete al canal!
01:11:46¡Suscríbete al canal!
01:11:48¡Suscríbete al canal!
01:11:50¡Suscríbete al canal!
01:11:52¡Suscríbete al canal!
01:11:54¡Suscríbete al canal!
01:11:56¡Suscríbete al canal!
01:11:58¡Suscríbete al canal!
01:12:00¡Suscríbete al canal!
01:12:02There'd be an awful secret about it.
01:12:04Oh, they are, are they?
01:12:05Well, that means they're trying to pin something on her.
01:12:07The very thing I said to myself when I heard it.
01:12:10Oh, you can bet your life, if I had my strength,
01:12:13I'd be right down there with bells on.
01:12:16Where are they taking her?
01:12:17I don't know exactly, but I'd go to Mr. Brenneman and find out.
01:12:21I will, and don't you worry, Mrs. Reed, I'll find her.
01:12:32Oh, excuse me, but have you by any chance seen a lady in here by the name of Cartwright?
01:12:51What do you think this is, the Bureau of Missing Persons?
01:12:53Well, I don't know.
01:12:53What is she looking like?
01:12:54She's the most beautiful woman in the world.
01:12:56Why don't you try Tom Brenneman's?
01:12:58They all wind up there sooner or later.
01:12:59Do you think so?
01:13:00Yes.
01:13:00I never thought you'd hear it.
01:13:10It's better to be by yourself.
01:13:16It is better to be by yourself.
01:13:22Love is made by two, don't include third.
01:13:26Cause you lose your chicken and you get the bird.
01:13:29So it's better to be by yourself.
01:13:35Never trust a gal who puts on a sweet dialogue.
01:13:42Never trust a pal.
01:13:46Cause remember that man's best friend is his dog.
01:13:49So it's better to be by yourself.
01:13:50So it's better to be by yourself.
01:13:55It is better to be on the shelf.
01:14:02Be just like a hermit living in a cave.
01:14:05You don't get much loving, but the dough you save makes it better.
01:14:10To be by yourself.
01:14:12To be by yourself.
01:14:13It's better to be by yourself.
01:14:13To be by yourself.
01:14:13¡Gracias!
01:14:43¡Gracias!
01:15:13¡Gracias!
01:15:15¡Gracias!
01:15:19¡Gracias!
01:15:23¡Gracias!
01:15:25¡Gracias!
01:15:27I want to use the item tomorrow as column king.
01:15:29Will you check on it and let me know right away?
01:15:31Okay.
01:15:33Ok.
01:15:45Oh, excuse me, but could you by any chance direct me to someone who would perhaps help me?
01:15:50Oh, what about?
01:15:51Well, as a matter of fact, I'm looking for my wife. It's quite a long story.
01:15:55Well, this sounds like a good story. You couldn't have chosen a better person. What's her name?
01:15:59Cartwright, but she probably isn't using it now.
01:16:02Well, what does she look like?
01:16:04Oh, she's out of this world. She's gorgeous.
01:16:06This, I must say. Come on, I'll help you track her down.
01:16:09Excuse me, it's because of this and that that I'm looking for her now. Thank you.
01:16:32You're Hannah Hopper, aren't you?
01:16:34Well, I was when I left home this morning.
01:16:37You know, I'm one of your most ardent fans.
01:16:40You mean you were?
01:16:41What?
01:16:42Oh, look what I've done to your hat.
01:16:44Oh, that's perfectly all right. It wasn't silly enough anyway.
01:16:48Oh, it couldn't have come to a happier end.
01:16:51Well, of course I'll replace it.
01:16:53Oh, no, but this Hopper, you know I...
01:16:54Oh, I ruined yours and I insist upon giving you mine.
01:16:58A head of Hopper, huh?
01:17:00Oh, well, you've been so swell about it. I wonder if that will be silly enough.
01:17:03Do you think so?
01:17:04On you, it looks good.
01:17:06Hopper, I...
01:17:09Oh, Frances! Oh, there you are, darling.
01:17:26I beg your pardon?
01:17:28Oh, come now, let's not be ridiculous. Why, I've been worried sick about you.
01:17:31Oh, please don't pop this down. I'm just about to leave.
01:17:34Well, after all, my dear, fun is fun, but this is becoming ludicrous.
01:17:37Your cab is here, ma'am. Oh, thank you.
01:17:39As your husband, may I be so nosy to inquire where you're going?
01:17:43Oh, I don't know. The Macombos. Maybe Sheryl's? I don't know yet.
01:17:48Well, may I accompany you?
01:17:50Oh, I'm afraid not. You are hardly dressed for the occasion.
01:17:53Ha-ta!
01:17:58Don't crack, but she had me tell the cab company she wanted to go to 26 Canyon Drive.
01:18:0226 Canyon Drive? Why, that's our home.
01:18:06First door to the rough.
01:18:24Thank you.
01:18:26Is this her, Tom?
01:18:27This is the girl, all right.
01:18:28How can you have me arrested when I haven't done it?
01:18:30This is the girl, all right.
01:18:32How can you have me arrested when I haven't done it?
01:18:33Now, wait a minute. Take it easy.
01:18:35Officer, do you mind if I have a few words whether you wait right here?
01:18:38No, don't.
01:18:43What is this all about?
01:18:45You know I didn't steal that ring. You gave it to me.
01:18:48No, but you did steal something else.
01:18:50The heart of a swelled kid, Ken Smith.
01:18:53Is this your idea of humor?
01:18:56Bringing me all the way back here just to tell me that?
01:18:59I'm not trying to be funny. This is serious.
01:19:00Serious for both you kids.
01:19:03I don't see why you had to know anything about it.
01:19:06Well, inasmuch as I started this thing,
01:19:07I thought I'd help to bring it to a happy ending.
01:19:15I'm sure you meant well, Mr. Brenneman, but...
01:19:18Well, really, there isn't anything that can be done.
01:19:23After all, he knew I was engaged to somebody else.
01:19:26He knew the fellow you were engaged to married somebody else.
01:19:29That's what Ken knew.
01:19:30Oh, I don't know.
01:19:37Oh, let's be sensible about this thing, Dorothy.
01:19:40You're in love with Ken, and I know it.
01:19:42What makes you think so?
01:19:44Those tears.
01:19:45Here, honey, have one on me.
01:19:54Oh, gee, honey, the only reason I had you brought back.
01:20:07I want you kids to have the chance you're both entitled to.
01:20:12Where's Miss Larson?
01:20:14Inside with Mr. Brenneman. Why?
01:20:15What's the idea of arresting her? What did she do?
01:20:17Why, are you a friend of hers?
01:20:19I sure am, and I'd like to know what this is all about.
01:20:21Hey, come here.
01:20:23Ah, you big phony. I'll show you everything.
01:20:25Here, you.
01:20:25Ken, Ken, stop it. He's only trying to help.
01:20:28What do you mean?
01:20:28It's all right, officer. Anything can happen in here.
01:20:31Usually does, too.
01:20:32I was told he had you arrested.
01:20:33He just had me brought back because you asked him to.
01:20:36Shall I take him outside?
01:20:37No, let him stay. The excitement's all over.
01:20:39This thing will settle down to a good old-fashioned family fight.
01:20:42Then you won't need me.
01:20:43No. Thank you very much, officer.
01:20:45You've done the Mayor of Encino a great turn tonight.
01:20:47Not at all, Your Honor.
01:20:48Good night.
01:20:52I only asked him to talk to you.
01:20:54You wouldn't listen to me.
01:20:56Because I'm not interested in anything you're trying to say.
01:20:59Can't you get that through your head?
01:21:00Gee, I'm sorry, Mr. Brenneman, but, gosh, now what do I do?
01:21:12The only thing a gentleman can do.
01:21:14Leave her alone?
01:21:15No. Give her a chance to change her mind.
01:21:17But she just walked out.
01:21:18Only to be followed.
01:21:19How do you figure that?
01:21:22Holy mackerel, am I dumb.
01:21:30Gee, I'd like to see you like that just one more day before I die.
01:21:34Dorothy.
01:22:01Yes?
01:22:01You forgot your pocketbook.
01:22:04Oh, so I did. Thanks.
01:22:07You're welcome.
01:22:09Could I talk to you a minute?
01:22:11Well, I...
01:22:12I wonder, could I do it while we're dancing?
01:22:34Well, I wonder, could I do it the same?
01:22:36I wonder, could I take a hand?
01:22:36Well, I wonder, could I go on the side?
01:22:37I wonder, could I just leave the hand in the side?
01:22:38Well, I wonder, could I do it while we're dancing?
01:22:39OK, well, I wonder, could I do that?
01:22:40Why, well, could I not do it?
01:22:41That's good.
01:22:46Hell, if I was not on the edge?
01:22:47¡Gracias!
01:23:17Amor, amor, amor
01:23:23This word so sweet that I repeat means I adore you
01:23:32Amor, amor, my love
01:23:40What you deny this part that I have placed before you
01:23:47I can't find another word with meaning so clear
01:23:54My lips try to whisper sweeter things in your ear
01:23:57But somehow or other nothing sounds quite severe
01:24:02As this soft caressing word I know
01:24:06Amor, amor
01:24:10Amor, amor
01:24:13Nació de ti
01:24:17Nació de mí
01:24:19De la esperanza
01:24:21Amor, amor
01:24:27Nació de Dios
01:24:33Amor, amor
01:24:40Amor, amor
01:24:51Amor, amor
01:24:53Amor, amor
01:24:54Amor, amor
01:24:55Amor, amor
01:24:56Amor, amor
01:24:58Amor
01:25:00Amor
01:25:02Amor
01:25:03Amor
01:25:05Amor
01:25:07Amor
01:25:09Amor
01:25:11Amor
01:25:13Amor
01:25:14Amor
01:25:16Amor
01:25:18Amor
01:25:20Amor
01:25:24Amor
01:25:24Amor
01:25:25Amor
01:25:27Amor
01:25:29Amor
01:25:29Amor
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01:27:35No, no, no, no, no, no, no, no, en la garra de...
01:27:39...en mi duele, no, no, no, no, no, no, no, no, no, no, no, no, no...
01:27:51...que no me con...
01:27:53...lelego a ti, ¿sabes?
01:27:55...o si te pin ee esta...
01:27:56...o lep tu soy un caso de mi familia que te lo heatican...
01:27:59...o dame tu vestida...
01:28:03...o, gracias, hermano...
01:28:05Oh, you do kiss the ladies whose hats you try on, don't you?
01:28:11Oh, why not? Everything else has happened to me today.
01:28:15Thank you, Mr. Brenneman.
01:28:17Oh, the name is Brenneman, honey.
01:28:19Good night.
01:28:35Good night.
01:29:05Good night.
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