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Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
NUESTRO FACEBOOK:https://www.facebook.com/profile.php?id=100076118118963
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y cliquear "seguir" para saber de próximos estrenos en versión original y subtitulados. ES GRATIS!!
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CortometrajesTranscripción
00:05:02¡Suscríbete al canal!
00:05:32Oh, don't give me that.
00:05:34He's laying right out here in an alley now.
00:05:36And stop giving me arguments.
00:05:38Give me Max Hurley.
00:05:44Max, I got Joe Wells.
00:05:47Oh, yeah?
00:05:48What you been drinking?
00:05:50Joe Wells has been a concrete block
00:05:52holding up a bridge somewhere
00:05:52for the past five years.
00:05:54Ah, wise guy, ain't you?
00:05:56We just don't like making calls
00:05:58to our little men that ain't there.
00:05:59All right, all right.
00:06:00Hang on now.
00:06:01I'm going to go take another look.
00:06:02Now, make sure it is Joe Wells.
00:06:14Poor Murphy.
00:06:15He's about ready for the old cop's home.
00:06:17I think he's having optical delusions.
00:06:21$20.72
00:06:23and standing on my feet all day.
00:06:26Oh, you're just mercenary.
00:06:28Oh, you're just mercenary.
00:06:28Oh, you're just mercenary.
00:06:30Mm-hmm.
00:06:31Mm-hmm.
00:06:32Mm-hmm.
00:06:32Mm-hmm.
00:06:33Mm-hmm.
00:06:33Mm-hmm.
00:06:34Mm-hmm.
00:06:34Mm-hmm.
00:06:35Mm-hmm.
00:06:35Mm-hmm.
00:06:36Mm-hmm.
00:06:36Mm-hmm.
00:06:37Mm-hmm.
00:06:37Mm-hmm.
00:06:38Mm-hmm.
00:06:39Mm-hmm.
00:06:39Mm-hmm.
00:06:40Mm-hmm.
00:06:40Mm-hmm.
00:06:41Mm-hmm.
00:06:41Mm-hmm.
00:06:42Mm-hmm.
00:06:42No, no, no.
00:07:11Now, this is all very nice, Clutch, but I'm tired.
00:07:14I'd like to go home.
00:07:16What a lack of depreciation.
00:07:19Mr. Meigs, if you'll give me your attention for just a moment,
00:07:22I'll endeavor to explain the intricacies of this chair.
00:07:24Now, this is all very nice, Clutch, but I'm tired.
00:07:28So you're tired.
00:07:29So what?
00:07:30So you ought to thank me.
00:07:32Only trying to fix it so the customers can get the proper enumeration for their money.
00:07:35Now, get a gander at this.
00:07:41Oh, give myself a hot foot, didn't I?
00:07:47I've got to fix that.
00:07:48No, no, no, no, no.
00:07:49Please, Clutch, not now.
00:07:51Come on.
00:07:52Come on, Clutch.
00:08:00Double-crosser.
00:08:01I don't know what I'm going to do.
00:08:09My life hasn't been the same since my brother-in-law had to die and leave me this place.
00:08:14Wish he'd left it to me.
00:08:16Yeah, but you weren't retired.
00:08:18You hadn't worked hard all your life like me.
00:08:22I'm an old man.
00:08:23What do you think I am, kindergarten stock?
00:08:25Hey!
00:08:30Hey, Ernie!
00:08:31Hey, Ernie, he's gone.
00:08:33The body's gone.
00:08:35Disappeared.
00:08:35It's bare moose.
00:08:37Listen, Max, I ain't blind, and I know Joe Wells when I see him.
00:08:41Hmm.
00:08:42Murphy's really at it tonight.
00:08:43I think something fit him.
00:08:45Maybe we'd better go see.
00:08:48And I tell you, it was him.
00:08:51Ah, sure, I'm sure.
00:08:53Say, what is it?
00:08:54Well, right, I'll wait for you.
00:09:00Just too bad.
00:09:01Murphy, I'd advise you to see an optimist.
00:09:04Very funny.
00:09:05You'll go home, Miggs.
00:09:06I'll lock up after you.
00:09:07I wouldn't trust him, Miggs.
00:09:08Not in his condition.
00:09:10I don't mind waiting.
00:09:11Is there anything I can do?
00:09:12No, I just got to wait around here until Lieutenant Hurley shows up.
00:09:15Then we'll be out of here in a couple of minutes.
00:09:16It's broken down, Rubber Hill.
00:09:18Why don't they detach him off the force?
00:09:20Why don't you shut up?
00:09:22Well, I hope you'll all be out of here soon.
00:09:24I'm very tired.
00:09:26What do you think I am?
00:09:28I'll bite.
00:09:29What are you?
00:09:31Well, if it ain't Joe typewriter herself.
00:09:36Oh, Miss Gallagher, there's been some kind of trouble.
00:09:39Hey, Gallagher, give me a match, will you?
00:09:40A twerp like you, smoking that.
00:09:43Big things sometimes come in little packages.
00:09:45You'll keep on, they'll make you a moron.
00:09:47Junior grade.
00:09:48Think you can afford this?
00:09:51What's the trouble?
00:09:52I really don't know.
00:09:54How'd you do today?
00:09:54Any better?
00:09:56Any better?
00:09:57Imagine.
00:09:58Just because I lost my expense account in a crap game,
00:10:01they put me on a leg job in some corny police station out in the sticks.
00:10:05Who?
00:10:06My paper.
00:10:07For crying out loud, aren't you listening?
00:10:09Oh, this is Miss Gallagher, Mr. Murphy.
00:10:11She lives upstairs over the exhibit.
00:10:13A fleabag renovated into an apartment.
00:10:16Hey, got another match?
00:10:17Just want you to give me this damage.
00:10:18Beat it.
00:10:19I think it's a nice little place you've got upstairs.
00:10:22Those places go.
00:10:24Oh, don't mind me tonight, Mr. Miggs.
00:10:26I'm just mad at the world.
00:10:28She's a reporter.
00:10:29But you wouldn't know it.
00:10:31You're a disgrace to the Chronicle, they said.
00:10:33We're going to teach you a lesson, they said.
00:10:35Get fast, will you?
00:10:36They're going to teach me a lesson.
00:10:38Me, the one who covered the gardener Stanley hanging.
00:10:40And how about the Kingman fire?
00:10:43I even had the newsboys crying.
00:10:45I wasn't crying.
00:10:46You.
00:10:47Give me the news bulletin, Pete Willis, any day.
00:10:49There's a reporter for you.
00:10:51Pete Willis?
00:10:52That double-crossing snake?
00:10:53Double-crossing snake?
00:10:55He got my father in a clear after being sent up for that murder rap, didn't he?
00:10:58He found the guy that really done it and pinned it on him, didn't he?
00:11:01That took brains.
00:11:02And fight him while you wasn't calling him a snake about a month ago.
00:11:05While you two was lollygagging around together.
00:11:08Should have seen him, Murph.
00:11:09It was really a panic.
00:11:10I wish you'd quit rattling your head.
00:11:12I got all I can do worrying about what happens with Joe Wells.
00:11:15Joe Wells?
00:11:16What about him?
00:11:18I find him murdered, then he disappears again.
00:11:21Yeah?
00:11:21Ha!
00:11:22I'd give my eye teeth for an exclusive on it, if it really happened.
00:11:28Gee.
00:11:29If it only was Joe Wells, maybe then I could make that rag I work on take me out of the
00:11:33doghouse.
00:11:34I knew a doghouse looks good.
00:11:36Oh, quiet.
00:11:37Is he very important, this Joe Wells?
00:11:41Never heard of Joe Wells?
00:11:43Now, there's total ignorance for you.
00:11:44Do you not never read no newspapers?
00:11:47Joe Wells was just the biggest noise in the rackets, that's all.
00:11:50Why, Joe had so many notches on his Tommy gun, it looked like a buzzsaw.
00:11:54And Fledamore, I'll tell you something.
00:11:55He disappeared about five years ago, and everybody thought his own boy's done it.
00:11:59I still think so.
00:12:00Well, I'm still thinking about that reward.
00:12:03Five grand for the guy that fined him, and I had him.
00:12:06Sure, sure you did, Murphy.
00:12:07But stop making it worse for yourself thinking about that five grand.
00:12:11How are you going to stop thinking about five grand?
00:12:14Well, I'm going to bed.
00:12:16Good night.
00:12:17Happy nightmares.
00:12:21Say, Murphy.
00:12:24Just between you and me, was that really Joe Wells you had?
00:12:28Look, kid.
00:12:28I'm the guy that put the pinch on him that time at the World's Fair, ain't I?
00:12:32Well, I'd know him, wouldn't I?
00:12:51Joe Wells.
00:13:02Too hot in here, I'm going to wait outside for the lieutenant.
00:13:19Yeah, I guess I could use some fresh air, too.
00:13:32Thank you.
00:14:02Can you give me a number, please, please?
00:14:29Yeah.
00:14:30N-W-I-L-O-R-I.
00:14:31Yeah.
00:14:33Well, I had your number, but I must have displaced it.
00:14:35I wonder if it'd be complimentary enough to give it to me.
00:14:37Huh?
00:14:39Yeah, I'll wait.
00:14:39But make it snappy, will you?
00:14:40Hello, Pete.
00:14:56This is Clutch.
00:14:58Clutch.
00:14:59Clutch.
00:14:59Clutch, you know.
00:15:00Oh, Clutch.
00:15:01What do you know?
00:15:02What's new at the waxworks?
00:15:03Come on.
00:15:03Come on.
00:15:05Yeah?
00:15:06Yeah?
00:15:07Yeah?
00:15:07You tell the kid to go to a picture show and call back later.
00:15:10I've got to get home, and I'm out two bucks already.
00:15:12Yeah, come on, will you?
00:15:13Go ahead, Clutch.
00:15:14Nobody's listening.
00:15:15Look, there's a cop over here by the name of Murphy.
00:15:18Claims he found the body of Joe Wells.
00:15:21Uh-huh.
00:15:22I don't know.
00:15:23Out in an alley someplace.
00:15:25You say Murphy found him?
00:15:26Here's my cabbage.
00:15:27Will you shoot again?
00:15:28Oh, what's he use?
00:15:29He always wins anyway.
00:15:30And Gallagher knows, huh?
00:15:32Okay, sweetheart.
00:15:32I'll be over in five minutes.
00:15:34Hey, where are you going?
00:15:35What about our dough?
00:15:35You don't have to leave, fellas.
00:15:37You can spend the rest of the evening in this joint.
00:15:40What are we going to do for money?
00:15:41You've won it all.
00:15:42And don't break the glassware, will you?
00:15:43I only live here.
00:15:45Oh, this will be much safer in the car.
00:15:48Well, how do you like that?
00:15:49I've got a quarter.
00:16:14I've got a quarter.
00:16:19Well, how do you like it?
00:16:20I'll be honest.
00:16:21I'll be honest.
00:16:22Okay.
00:16:23¡Gracias!
00:16:53Oh, Bob.
00:16:58What a lucky stiff.
00:17:03Stop telling me that, Murphy.
00:17:05So you think you had Joe well.
00:17:06So you think he got away.
00:17:07So what?
00:17:08So I think I'm telling you that, Joe.
00:17:10¡Gracias!
00:17:40¡Chonicle!
00:17:55¡Extension 13!
00:17:57¡Hello! ¿That's you, Marty?
00:17:58¡Gallagher!
00:17:59¡Look!
00:18:00¡Get over to my place quickly, will you?
00:18:01¡And bring that camera, pal!
00:18:03¡Yeah, yeah! ¡It's hot!
00:18:05¡Now, get over here before it boils over!
00:18:10¡Gracias!
00:18:40She thinks I shoot craps with a load of dice.
00:18:42Has it got anything to do with that Washington assignment you and her went on last week?
00:18:45Where she lost her expense account?
00:18:47Her expense account?
00:18:48Where is she now?
00:18:50Upstairs.
00:18:51Let's go in here and see what's going on.
00:18:53Right.
00:18:54And another thing, Murphy.
00:18:55I don't believe...
00:18:57Hey, what is this?
00:18:59Who called you in, Willis?
00:19:00I have little birdies working for me, Max.
00:19:02Little birdies with golden wings.
00:19:05Oh, yeah?
00:19:06Someday I'm going to clip them golden wings for you.
00:19:08Good.
00:19:08I don't believe a word of your whole story.
00:19:11Well, you start clipping.
00:19:12How about give me a match?
00:19:14Joel Wells is deader than a mackerel.
00:19:15He's been...
00:19:17And he's been that way for a long time.
00:19:19Boy, you never can tell.
00:19:21You say you saw him, Murph?
00:19:23Ah.
00:19:25So what are you suggesting?
00:19:26That we conduct a house-to-house canvas in search of the body?
00:19:29And on this kind of evidence?
00:19:30I don't care what you do from now on.
00:19:33You're not letting this thing upset you, are you, Mike?
00:19:35Tell me more about it, Murph.
00:19:36Where did I grab the shots?
00:19:38What shots?
00:19:39Hey, what is this?
00:19:40What are you trying to pull, Willis?
00:19:42I don't know him.
00:19:42He's not my boy.
00:19:43Well, Gallagher called me.
00:19:45That's all I know.
00:19:46She was all excited about something she had and wanted me to take some pictures.
00:19:49Gallagher?
00:19:50Who the place is this Gallagher?
00:19:51Ah, she's some gallin who lives upstairs.
00:19:53That's nothing to do with the newspapers.
00:19:54Well, go on home.
00:19:55We ain't got nothing to photograph.
00:19:56The dame had plays in her bonnet.
00:19:58I don't know.
00:19:59Maybe I ought to do that.
00:20:00Well, she's gone to bed.
00:20:01Yeah, she's retarded for the evening.
00:20:03She called downstairs a few minutes ago and told me to tell you that it was all a mistake.
00:20:06A mistake?
00:20:06Yeah.
00:20:07No, no, that ain't like Gallagher.
00:20:09She don't play hunches.
00:20:10Oh, believe me, pal.
00:20:11She'd be highly insulted.
00:20:12Did you ever spoil her sleep?
00:20:13In fact, she'd be inflamed.
00:20:14Yeah.
00:20:15That's the last.
00:20:16Spoiled her sleep.
00:20:17Oh, sorry, old boy.
00:20:18Goodbye.
00:20:20Goodbye.
00:20:23What are you figuring, Pete?
00:20:25See you later.
00:20:26Oh, let me go with you.
00:20:27Maybe I can help you.
00:20:28I said later.
00:20:29All right.
00:20:30I'll be around.
00:20:31Here, practice on this till I come back.
00:20:34Ah, thanks, Pete.
00:20:35Mucho gracias.
00:20:45That you, Marty?
00:20:57Darling, don't you know my knock anymore?
00:21:00You stick your nose in your feet, Willis, and I'll throw my typewriter at your head.
00:21:04Baby, can't you talk without screaming?
00:21:07This is business.
00:21:10Go away, Mr. Willis.
00:21:11I'm very busy.
00:21:13You're busy?
00:21:13You don't think looking for Joe Wells is any fun, do you?
00:21:19You're not still sore about that crap game, are you, honey?
00:21:21That's one thing I'm not talking about.
00:21:23That's the kitchenette.
00:21:25Mm-hmm.
00:21:25You know, they weren't my dice.
00:21:27They belonged to Charlie Baker.
00:21:29That's the closet?
00:21:30Yeah.
00:21:31Besides, they weren't crooked.
00:21:33I just ran into a streak of luck, that's all.
00:21:35Isn't that what you call it?
00:21:37Uh-huh.
00:21:37Excuse me.
00:21:43If you're looking for dirt, it's not there.
00:21:46And Joe Wells, either.
00:21:48I didn't think you were that dumb, honey.
00:21:49But you never know.
00:21:51Oh, no, Pete, I'm really not mad anymore.
00:21:54I mean about the crap game.
00:21:56But I'm busy.
00:21:57No kidding.
00:21:58I think I've licked the first act of that play I told you about.
00:22:01I was just playing around with the idea of when you knocked.
00:22:04Oh, did I tell you you were gorgeous tonight, honey?
00:22:06Thank you.
00:22:08I'm such a wonderful liar.
00:22:10Writing a plague, huh?
00:22:12While Detective Lieutenant Hurley's plainclothesman stalked through New York Street,
00:22:16searching apartments and alleyways,
00:22:18creating terror in the hearts of innocent bystanders,
00:22:20the body of Joe Wells was lying in...
00:22:23Lying where?
00:22:23You're so good.
00:22:24Why don't you finish it?
00:22:26You know, this is really horrible.
00:22:27You should go back to writing Lovelown columns.
00:22:29Yeah, well, it's a lot more exciting than that stuff they put under your name.
00:22:32All right, baby.
00:22:33I want to help you.
00:22:34Where have you got it?
00:22:35Got what?
00:22:35That is just in case it's found.
00:22:38Oh, I'm sure.
00:22:39If you don't get out of here, I'll call the cops.
00:22:42Yes, you will.
00:22:46What are you going to do?
00:22:47Nothing.
00:22:48I'm going to let you finish the plague.
00:22:50But I'm afraid you're going to write the last act in jail.
00:23:03Oh, my God.
00:23:14You are not going to.
00:23:25Well, you're dreaming.
00:23:29¡Suscríbete al canal!
00:23:59¡Suscríbete al canal!
00:24:29¡Suscríbete al canal!
00:24:31¡Suscríbete al canal!
00:24:35¡Suscríbete al canal!
00:24:37¡Suscríbete al canal!
00:24:39¡Suscríbete al canal!
00:24:45¡Oh! ¡Wait!
00:25:15Take care of that, Gwendolyn.
00:25:19Don't let the smoke get in your eyes.
00:25:29¡Oh!
00:25:32My legs, what's the matter?
00:25:34What are you so dissipated about?
00:25:35You look like you fell in a barrel of flour.
00:25:37Out there, out there, sitting out there.
00:25:41Who's sitting out there?
00:25:42There's a corpse out there, playing cards.
00:25:45What?
00:26:10He's really dead.
00:26:10What do you think you're doing?
00:26:13You shouldn't have done that, Clutch.
00:26:14I'm just telephoning the police.
00:26:16What do you want to do to get us in trouble?
00:26:17We got something on our midst.
00:26:19That stiff is really rigor mortis.
00:26:21But I got to telephone the police.
00:26:22What are you doing, using last year's brains?
00:26:24You know what'll happen if you call in the cops?
00:26:26They'll throw bright lights in your eyes.
00:26:28They'll give you the rubber hose treatment.
00:26:29They'll break you down.
00:26:30Break me down?
00:26:31For what?
00:26:32For what?
00:26:33Now, there's a clever injection.
00:26:35For killing that guy out there, that's for what?
00:26:37Oh, I didn't kill him.
00:26:39He got in here by mistake.
00:26:40You try to tell the cops that.
00:26:42You seen what happened to my old man, didn't you?
00:26:44Don't think you had a motive.
00:26:45You'll be a felony.
00:26:47What we got to do is get rid of that body.
00:26:50Oh, get rid of the body.
00:26:51You mean hide out in the street behind some ash cans?
00:26:54Is that what you mean?
00:26:55Have it bounce back on you in the morning?
00:26:56Oh, no.
00:26:57Got to get it out of the neighborhood.
00:26:59Way out.
00:26:59Oh, my goodness, I don't think.
00:27:00But how?
00:27:02Well, we'll take the cops and put it in your car
00:27:05and deposit it someplace far away from this vicinity.
00:27:07Come on, let's get your car.
00:27:09Get the car.
00:27:10Oh, my hat.
00:27:13Yeah, my cigar.
00:27:29Come on, let's get your car.
00:27:59Come on, let's get your car.
00:28:29Come on, let's get your car.
00:28:41Marty, that's...
00:28:44Who are you?
00:28:47I think you and I have a little business to transact.
00:28:50Business?
00:28:52If my price isn't right, it won't make any difference.
00:28:54That's the body of Joe Wells.
00:29:01Lucky I slept up yesterday, isn't it?
00:29:04Your levity fails to impress me, Miss...
00:29:06Gallagher. Sue Gallagher.
00:29:16Will you stop scaring me with that gun?
00:29:20If this is a gag and Pete Willis sent you...
00:29:24Let's not get away from the subject, Miss Gallagher.
00:29:26If you haven't got the body of Joe Wells in this apartment...
00:29:29I'm convinced that you know where it is.
00:29:32You see, I followed the blood spots in the Empress Hotel...
00:29:35across the alleyway to your staircase.
00:29:38And now this.
00:29:40I know he was shot...
00:29:41and I know that he couldn't have dragged himself much further.
00:29:44Where is he?
00:29:46All right, what's the use?
00:29:49The body's downstairs in the exhibit.
00:29:51Ah, now we're getting somewhere.
00:29:54I don't imagine you want to meet the cops who are down there.
00:29:57Oh, now, Miss Gallagher, let's be honest with each other.
00:30:01We both heard the police car drive away a few minutes ago.
00:30:05That's too bad.
00:30:08I'll follow you.
00:30:09Miss Gallagher?
00:30:23Is that you, Miss Gallagher?
00:30:25Yes, Mr. Meigs.
00:30:27Who's that?
00:30:29He owns the place.
00:30:30I guess he's closing up.
00:30:31He's gone upstairs again.
00:30:47Let's perambulate.
00:30:49Well, let me rest a minute, please, Clutch.
00:30:52That's all I need.
00:30:54Miss Gallagher, catch him doing this.
00:30:57Just happen to remember, the top on your car is down.
00:30:59We've got to put it up.
00:31:01Do we have to do that?
00:31:03Now, Mr. Meigs, you wouldn't want to risk your social standing
00:31:05by being seen chauffeured on a demolished gangster through the streets, would you?
00:31:09All right, never mind.
00:31:11You sit there and rest.
00:31:12I'll put the top up.
00:31:13I don't know.
00:31:29I don't get it.
00:31:30What's your angle?
00:31:33Where are you heading?
00:31:36What in the world do you want with that corpse?
00:31:38Let's say it's a collector's item.
00:31:40Well, as long as we have to wait, I'd like to get the story on paper.
00:31:46You'll be wasting your time.
00:31:48You won't have the body to prove it.
00:31:50After you're through with it, it'll turn up somewhere.
00:31:52That is a moot question.
00:32:00Answer it, but be careful what you say.
00:32:08Hello?
00:32:08Oh, McAndrews.
00:32:11Hey, listen, lame brain.
00:32:12What do you mean getting Marty out on a wild brains out for nothing, huh?
00:32:17The night editor isn't upset.
00:32:19All right, so I called Marty.
00:32:21So it was a mistake.
00:32:22What about it?
00:32:24Well, I said it was a mistake.
00:32:26What do you want me to do, cut my throat?
00:32:28Well, that's not a bad idea.
00:32:30Or better still, go back to school and learn how to write.
00:32:33And don't you tell me anything about writing stories.
00:32:36I'll be getting bylines when you've ended up on a copy desk.
00:32:39A gray-haired...
00:32:40Oh, you're disappointed in something.
00:32:43Oh, you're right.
00:32:47Good Lord.
00:32:48Good Lord.
00:32:49¡Gracias!
00:33:19¡Gracias!
00:33:49¡Gracias!
00:34:19¡Gracias, Reggie!
00:34:23Ah, papi...
00:34:26Everything's all set.
00:34:28Let's grab them and hit the gravel.
00:34:29I hope we're doing right, Clutch.
00:34:31Of course we're doing right.
00:34:32I figured this whole thing out by the process of detrimental reduction.
00:34:35But you've got to dry it, Clutch, I'm too nervous.
00:34:38Okay, if it'll make it feel any better.
00:34:41While that현iefelsق, we help you drive them out...
00:34:42Roth, we've got andra for this half-prick.
00:34:45I didn't know how to stay protected under this.
00:34:49¡Gracias!
00:35:19¡Gracias!
00:35:24¡Gracias!
00:35:42¡Ahora! ¡Ahora sí!
00:35:45¡Ahora sí, Salud!
00:35:47¡Que es tan mal!
00:35:50¿Pero qué changed lo que te hace?
00:35:52No creo que lo serví, Sr. Gallagher.
00:35:54Solo tu es.
00:35:58¡Suscríbete al canal!
00:36:28¡Suscríbete al canal!
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00:37:28¡Suscríbete al canal!
00:37:58¡Suscríbete al canal!
00:38:00¡Gracias!
00:38:32¡Suscríbete al canal!
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00:39:34¿Quién lo hizo?
00:39:36¿Quién lo hizo?
00:39:38La dame dice que se hizo la corp.
00:39:40¿Quién lo hizo la corp?
00:39:41¿Quién lo hizo la corp?
00:39:43Uh-huh.
00:39:45¿Quién lo hizo la corp?
00:39:46¿Quién lo hizo en el primer lugar?
00:40:03¿Quién lo hizo?
00:40:04¿Quién lo hizo?
00:40:04¿Quién lo hizo?
00:40:06¿Quién lo hizo?
00:40:09¿Quién lo hizo?
00:40:10¿Quién lo hizo?
00:40:10¿Quién lo hizo?
00:40:11¿Quién lo hizo?
00:40:11¿Quién lo hizo?
00:40:11¿Quién lo hizo?
00:40:13¿Quién lo hizo?
00:40:13¿Quién lo hizo?
00:40:13¿Quién lo hizo?
00:40:14¿Quién lo hizo?
00:40:15¿Quién lo hizo?
00:40:16¿Quién lo hizo?
00:40:17¿Quién lo hizo?
00:40:18¿Quién lo hizo?
00:40:19¿Quién lo hizo?
00:40:19¿Quién lo hizo?
00:40:20¿Quién lo hizo?
00:40:21¿Quién lo hizo?
00:40:21¿Quién lo hizo?
00:40:23¿Quién lo hizo?
00:40:23¿Quién lo hizo?
00:40:24¿Quién lo hizo?
00:40:24No, no, no.
00:40:54No, no, no.
00:41:24No, no, no.
00:41:26No, no.
00:41:28No, no, no.
00:41:30Yeah, what are you trying to do?
00:41:32Drag him down to your level?
00:41:33Yeah.
00:41:34Come on.
00:41:35I'll phone your relative, honey.
00:41:37Oh, clutch.
00:42:03Pete, boy, am I glad I found you home.
00:42:10You alone?
00:42:11Yeah, yeah, we're alone.
00:42:12They got Migs.
00:42:12Who had it?
00:42:13The cops.
00:42:14Well, that's too bad.
00:42:14Well, look, clutch, I'm expecting a very important visit.
00:42:16Oh, but this is more important.
00:42:17We took the body at Joe Wilson's back in the freight car,
00:42:19and the cops chased us.
00:42:20What?
00:42:21Yeah, we found the body in exhibit.
00:42:22We figured we'd better do something with it.
00:42:23Why didn't you call me?
00:42:24There wasn't no time, and besides, I didn't want Gallagher busting it,
00:42:27so I figured I'd take the body and hide it and then tell you,
00:42:29and you'd get an exclusive with no interference.
00:42:30All right, all right.
00:42:31Then what happened?
00:42:32We got the body hit in the freight car, right?
00:42:33When he oddballs spiders, just as we're lambing.
00:42:35So we got scared.
00:42:36So you ran?
00:42:37So we run.
00:42:38Oh, that's just dandy.
00:42:39Wasn't so dandy for Migs.
00:42:40He got caught.
00:42:41What about the cops?
00:42:42I don't guess they know nothing about that yet.
00:42:45Poor old Migs.
00:42:46He got them on suspicion they'd trust us and prohibit it or something.
00:42:48Have you any idea where you put it?
00:42:50Who, Migs?
00:42:50No, the cops.
00:42:52Well, certainly.
00:42:52Well, what are we standing here beating our gums for?
00:42:54Let's go get it.
00:42:55Right.
00:42:57Miss Gallagher?
00:42:59What cow?
00:43:00If it's that kidney for Hurley again, you tell him for me.
00:43:02Stop racing your motor.
00:43:04Somebody just put up your bail.
00:43:05Bail?
00:43:06Who?
00:43:07That ain't my department.
00:43:08Better ask out front.
00:43:10And I said miracles never happen.
00:43:15Yeah, you better get here right away, Hurley.
00:43:16Something just broke on the Wells story.
00:43:19That's right.
00:43:20A guy named Migs.
00:43:21Complete confession.
00:43:24Snatching bodies.
00:43:25I didn't confess anything.
00:43:27I just said...
00:43:28You said you stuck the corpse of Joe Wells in a freight car, didn't you?
00:43:32Mr. Migs.
00:43:34What did you do?
00:43:36Oh, Miss Gallagher, I'm so glad to see you.
00:43:38Oh, don't tell me they think you're the guy.
00:43:41Oh, it was horrible.
00:43:42Just like a nightmare.
00:43:43I had no idea I was going to get in trouble like this.
00:43:47That's what they all say.
00:43:49This ought to be good for murder.
00:43:51What are you trying to do?
00:43:52Crucify him?
00:43:54Where did you put it?
00:43:55In a boxcar in the freight yards.
00:43:58Oh, a high-oing western car, I think.
00:44:01Near a water tower at the end of the yard.
00:44:03But we'll get you out of this in no time, Mr. Migs.
00:44:06None of your funny business now.
00:44:07You keep waiting in the freight yard, see?
00:44:10Who's going near the freight yard?
00:44:12I just want enough time to get to my paper.
00:44:16Take it easy.
00:44:17With my story on page one in the morning, you'll be exonerated in full.
00:44:21I hope so.
00:44:23I'm so tired.
00:44:31You waiting for somebody?
00:44:33I guess it's you, lady.
00:44:34Take me to the chronicle.
00:44:34Okay.
00:44:35And step on it.
00:44:36Right.
00:44:41Holy cow, you were...
00:44:42Steady.
00:44:44Make that 1140 Regent place.
00:44:47Forget the chronicle.
00:44:47Then you're the guy that bailed me out.
00:44:54And for this.
00:44:56Just in case Mr. Willis pulls the double cross.
00:44:59Your safety might convince him and better not.
00:45:02Mr. Willis says he has the body.
00:45:04We're going over to get it.
00:45:07Listen.
00:45:08Pete Willis hasn't got anything but gall.
00:45:10Whatever he told you, I know he hasn't got it.
00:45:13You and Mr. Willis come up with the most amazing stories.
00:45:17Why should I believe you?
00:45:20Look.
00:45:21You've got to believe me.
00:45:23He's never even seen the body of Willis.
00:45:26Miggs stole it while you and I were playing footsie-footsie upstairs in my apartment.
00:45:31And stop shaking your head.
00:45:34I know that sounds fantastic, but the cops caught Miggs 20 minutes ago in the freight yard where he hid the body in a boxcar.
00:45:42And that's where it is now.
00:45:44You're sure?
00:45:45They didn't know a corpse was mixed up in it until they sweated it out of them at the station.
00:45:51Where are the police now?
00:45:53How do I know?
00:45:54Going after the body, I guess.
00:45:56You're sure you're not, uh, stringing me along, Miss Gallagher?
00:46:01Stop handing me that good life, will you?
00:46:03Do I look crazy enough to stick my neck out when you've got the advantage?
00:46:09Change that last address to the freight yards and hurry.
00:46:11What's the matter?
00:46:24You lost?
00:46:24Uh-uh.
00:46:25It's down that way, by the end of the yards.
00:46:27Let's go.
00:46:28This is it, I think.
00:46:40Yeah.
00:46:41Yeah, that's it.
00:46:42Ohio and West.
00:46:43It's a good thing you learned to read.
00:46:45This is all very illiterate.
00:46:46You laid him in there, nice and comfortable, Mike.
00:46:53Come on, up you go.
00:46:58Give me a hand, you get his feet.
00:47:00What are we going to do with him?
00:47:01Let's get him out of there before anybody else finds him, and then we can worry what to do with him.
00:47:07Something's coming.
00:47:08Quick, open the other door.
00:47:09All right, jump down there.
00:47:24Grab a hole and let's get out of here.
00:47:28Ohio and Western, that's what makes it.
00:47:34I don't see it.
00:47:35It's probably back there in the dark.
00:47:37If this is another of your tricks, Miss Gallagher...
00:47:39Look, all I want to do is turn this thing over to you.
00:47:58It's not here.
00:48:00I'm positive this is the car.
00:48:02Oh, that corpse certainly gets around.
00:48:06What's that?
00:48:06What's what?
00:48:07Quiet.
00:48:09Some crazy thing, that's what I call it.
00:48:11Why didn't you call the cops when you found it?
00:48:13Well, I was so nervous, I thought I...
00:48:16You thought.
00:48:17What do people pay taxes for to have a police force?
00:48:19I know, officer.
00:48:20I'm completely to blame.
00:48:23Hold on, this is where we left.
00:48:25We left it right here.
00:48:27Right in there, not far from the door.
00:48:30Well, it ain't here now.
00:48:32Well, if you...
00:48:32If you...
00:48:35Maybe they'll go away.
00:48:37Oh, my goodness.
00:48:38Somebody must have stolen it.
00:48:39Stop that again.
00:48:41Who do you think you're trying to kid?
00:48:43That's the same story the dame gave me.
00:48:44I'm telling you the truth, officer.
00:48:46I'll lie to you.
00:48:47Yeah.
00:48:48What are you standing around for?
00:48:49Start looking.
00:48:49Sure, sure, Mr. Huggins.
00:48:50We just didn't know.
00:48:51You didn't know.
00:48:52Who knows anything anymore?
00:48:54Not there in sight.
00:48:57Maybe it got up and moved out of a draft.
00:48:59There, Mr. Huggins.
00:49:02Get in the other one.
00:49:04Not tonight.
00:49:06All right, wait.
00:49:06Two of you go that way.
00:49:07We'll go the other one.
00:49:08Get in.
00:49:15Did you see anything?
00:49:16Not a thing.
00:49:17Mr. Huggins, can I go home now?
00:49:19Yeah, Peter.
00:49:20It's no help to me.
00:49:21Thank you.
00:49:22You know, I'm awful tired.
00:49:24Me, too.
00:49:25Of you.
00:49:27Come on.
00:49:29But I'm in a jam, Mr. McAndrews.
00:49:43The Chronicle's got to help me.
00:49:44But I stole it for the Chronicle.
00:49:47Holy cow, can't you understand that?
00:49:49Shut up.
00:49:50I know you're in a jam.
00:49:51So does the Chronicle for letting you represent it.
00:49:54Say, who do you think you are?
00:49:55Stealing a body off the street.
00:49:57And then losing it.
00:49:58I know that.
00:50:03The DA's office and the police department and Max Hurley are all on my neck.
00:50:07We don't want any part of it.
00:50:08But you've got to keep me from the law until I find it again.
00:50:11And I've got an idea.
00:50:12Pete Willis.
00:50:13Ah, that's what I get for hiring a half-baked woman reporter.
00:50:18A screwball Daffy Budinsky.
00:50:20You're fired.
00:50:21You can't fire me.
00:50:22I quit.
00:50:23This isn't a newspaper story.
00:50:25It's a career.
00:50:25And you're bellyaching because some cop's been complaining.
00:50:28Well, you go soak your head, you ungrateful ape.
00:50:30Go soak your head.
00:50:31Okay, you oversized quiz kit.
00:50:44What have you to do with it?
00:50:45Why, Angel, how did you find out?
00:50:47I guess.
00:50:48You and that creep following me are giving me gray hairs.
00:50:51Well, why'd you get out of the clink?
00:50:52Didn't you like it there?
00:50:53They tell me with a new paint job.
00:50:54Oh, I don't care.
00:50:56If you'd kept your big nose out of my business instead of bringing the cops back to my apartment,
00:50:59I'd never have landed in jail.
00:51:01Oh, that's a fine way to talk to someone who's been trying to save a story for you.
00:51:05For me?
00:51:05Yes.
00:51:06Why, you fix me up so with the police, I don't know which end is up.
00:51:09Oh, baby.
00:51:10Stop trying to talk me into something.
00:51:13There you go.
00:51:14Always be lit.
00:51:15Relax, will you?
00:51:16Sure, relax.
00:51:18Along with everything else, McAndrews just can me.
00:51:20Well, you've been asking for that for a long time.
00:51:22I know.
00:51:23But I did it so good to tell that stupid old where to head in.
00:51:27But that's not what I'm worried about now.
00:51:29Oh?
00:51:30Look, Pete, for crying out loud, what'd you do with the body?
00:51:33The body?
00:51:34All I want to do is give it back to the cops and get out of this mess.
00:51:37I don't want the story anymore.
00:51:39I just want to live.
00:51:40Stop beating your brains out.
00:51:42What we've got will get you a better job than the one you've lost.
00:51:44What good will it do me with a lily in my hand?
00:51:47Oh, here.
00:51:49What's that?
00:51:49Read it.
00:51:52Rain?
00:51:53No.
00:51:53Montevideo, Uruguay.
00:51:55It's got a government stamp on it.
00:51:56I took it out of Wells' pocket.
00:51:58South America?
00:51:59Uh-huh.
00:51:59So that's where he's been all these years.
00:52:01Under an assumed name, Peter Burnett.
00:52:03Well, where does the creep fit in on this?
00:52:05I don't know.
00:52:06I don't read Spanish.
00:52:07That's why we're waiting for the gentleman.
00:52:09And he's coming here any minute.
00:52:10Oh, Pete, he's dangerous.
00:52:11Yeah, I know.
00:52:13How about a drink in the meantime?
00:52:16Make mine bourbon.
00:52:17You're not sore of me anymore, are you, baby?
00:52:21Just don't pull any fast ones on me, darling.
00:52:23That's all.
00:52:26Here we are.
00:52:27Try this one for size, huh?
00:52:28Just to keep you honest.
00:52:31Trusting soul, aren't you?
00:52:33We go together, don't we, huh?
00:52:35Mm-hmm.
00:52:35Even with that Joe's citizen appearance of yours,
00:52:38I still know you're a hobgoblin underneath.
00:52:40Oh, but you still love me, don't you, baby?
00:52:42Mm-hmm.
00:52:44There he is now.
00:52:46Watch yourself.
00:52:46Oh, come in.
00:52:56We've been waiting for you.
00:52:56I'm usually more punctual, but I was delayed.
00:53:01I can't say I'm too surprised at seeing you here,
00:53:03Miss Gallagher.
00:53:05Oh, sit down.
00:53:06Make yourself at home, Mr.
00:53:08Say, I can't be calling my guests, hey, you, all the time.
00:53:12My name is Jockey.
00:53:13I must say that I admire the positive capacity of the American press.
00:53:18Once they smell a story, they stop at nothing till they get it.
00:53:22Well, we can dispense with the compliments.
00:53:24We want facts.
00:53:26You're not going to get the body in until you answer a few questions.
00:53:30That depends, Mr. Willis.
00:53:31That depends entirely upon the questions.
00:53:35Well, uh, how's this for a starter?
00:53:38That's interesting.
00:53:44I see that you and I are beginning to understand each other.
00:53:48You don't want a story at all.
00:53:49You want a diamond.
00:53:51Oh.
00:53:53How'd you guess it, Jockey?
00:53:56Catches on quick, doesn't he, honey?
00:53:57Like a bird dog.
00:53:59Now, let's not waste any time, shall we?
00:54:01Holy cow.
00:54:05Those stones represent a quarter of a million dollars.
00:54:10A part of them go to both of you.
00:54:12Then I get the body.
00:54:14Well, that's just dandy, but, uh, as long as we're going to be partners, uh, you'll have to tell us more.
00:54:21Yeah, you know, just in case of trouble through our stories, John.
00:54:24Oh, I don't mind.
00:54:27I represent a group of diamond merchants from whom these stones were stolen in South America.
00:54:32The robbery was very cleverly done by one Peter Burnett.
00:54:36Otherwise, Wells.
00:54:37Joe Wells.
00:54:40The Uruguayan government offered reward for his capture, but he escaped.
00:54:43And, uh, you trailed him here.
00:54:46Precisely.
00:54:47In fact, I was here before Mr. Wells arrived.
00:54:49But, uh, why do you want the corpse when you already have the diamond?
00:54:52Well, let's go into that, shall we, after you have carried out your end of the bargain?
00:54:59Now, Mr. Willis, where's the body?
00:55:01Oh, that's easy.
00:55:03The corpse is riding around Central Park in a taxi, waiting to be picked up.
00:55:07Shall we join him?
00:55:22We'll be there in a few minutes.
00:55:26But a body in a cab, Mr. Willis, is that quite safe?
00:55:30I told the hacky he was a friend of mine too drunk to take home.
00:55:33An hour's spin around the park and I'd pick him up in good condition.
00:55:36That was clever.
00:55:38Well, who'd know a drunk from a stiff?
00:55:41I had him propped up in the corner just as nice as you please.
00:55:43You mean if he doesn't start sliding?
00:55:47I think I'm nuts.
00:55:48I had him pinned to the cushion.
00:55:49Amazing.
00:55:51All right, driver, let's start through the park.
00:56:03Here you are.
00:56:04Got a little foggy, didn't it?
00:56:06Hey, driver.
00:56:14Oh, it's you.
00:56:15I thought you'd never get here.
00:56:17Everything okay?
00:56:18Sure.
00:56:18He hasn't even blinked an eye.
00:56:20Hey, what's this guy been drinking?
00:56:22Embalming fluid?
00:56:23He will be for long.
00:56:24Now, let's get in and settle this thing.
00:56:26You too.
00:56:27Well, don't you think it'll be a little crowded for all four of us?
00:56:30We'll manage.
00:56:31All right, then.
00:56:36In somewhat of a hurry, aren't you?
00:56:43I want to get this thing over with.
00:56:45I can understand that.
00:56:49What are you worrying about?
00:56:50There's only one Joe Wells.
00:56:52You want to sit next to him?
00:56:53Thank you.
00:56:54Never mind.
00:56:55Drive us to the ferry.
00:56:57Just a minute.
00:56:58Don't you trust me, Mr. Willis?
00:57:00That's where I relieve you of the body and pay off.
00:57:06I thought we were leaving you after we got on the boat.
00:57:33A short trip across the water can hardly matter now, Miss Gallagher.
00:57:38Especially as we shan't be seeing each other anymore after tonight.
00:57:42Well, we're almost across.
00:57:44How about split?
00:57:46Let's set our legs.
00:57:47We can finish our business at the same time.
00:57:49How come Joe Wells is walking around with all that men in him?
00:58:04I thought he was dead when I left his room at the Embers Hotel.
00:58:07I went down to get a cab to carry away the body, but when I got back, he was gone.
00:58:12He must have had just enough life left to drain himself from my sandwich.
00:58:15Jokey, why do you want to carry the body away if you were only interested in getting the diamonds back to your bosses?
00:58:20Oh, pardon me.
00:58:21I was only interested in getting those diamonds for myself.
00:58:24The old double-cross.
00:58:25The guys that hired him to get the diamonds get nothing.
00:58:28That was the general idea, Miss Gallagher.
00:58:30Cute, isn't he?
00:58:31Steals the body, destroys it, then tells the diamond owners to go chase themselves.
00:58:35You couldn't lose.
00:58:36Precisely.
00:58:38Joe Wells is not to be found.
00:58:39That's all I'll tell them.
00:58:41In a few years, I'll sell those diamonds at a slight loss.
00:58:45Some loss you're going to take.
00:58:47What about the cops?
00:58:48Well, they'll believe what they believe for five years.
00:58:52I sure put Mr. Wells at the bottom of the river.
00:58:57Well, they think he is anyhow.
00:58:59Yeah, but there'll be questions after tonight.
00:59:02Whom will they question?
00:59:03Oh, me, Miss Gallagher.
00:59:05And you think you will be available for questioning, Mr. Willis?
00:59:10I figured you'd spill when you thought you'd have it in the spot.
00:59:14It's a wrong doggy!
00:59:15Quiet!
00:59:16Wait!
00:59:17¡Suscríbete al canal!
00:59:47¡Suscríbete al canal!
01:00:17¡Suscríbete al canal!
01:00:19¡Suscríbete al canal!
01:00:23¡Suscríbete al canal!
01:00:25¡Suscríbete al canal!
01:00:27¡Suscríbete al canal!
01:00:29¡Suscríbete al canal!
01:00:31¡Suscríbete al canal!
01:00:33¡Suscríbete al canal!
01:00:35¡Suscríbete al canal!
01:00:37¡Suscríbete al canal!
01:00:39¡Suscríbete al canal!
01:00:41¡Suscríbete al canal!
01:00:43¡Suscríbete al canal!
01:00:45¡Suscríbete al canal!
01:00:47¡Suscríbete al canal!
01:00:49¡Suscríbete al canal!
01:00:51¡Suscríbete al canal!
01:00:53¡Suscríbete al canal!
01:00:55¡Suscríbete al canal!
01:00:57¡Suscríbete al canal!
01:00:59¡Suscríbete al canal!
01:01:01¡Suscríbete al canal!
01:01:03¡Suscríbete al canal!
01:01:05¡Suscríbete al canal!
01:01:07¡Suscríbete al canal!
01:01:09¡Suscríbete al canal!
01:01:11¡Suscríbete al canal!
01:01:13¡Suscríbete al canal!
01:01:15¡Suscríbete al canal!
01:01:17¡Suscríbete al canal!
01:01:19¡Suscríbete al canal!
01:01:21¡Suscríbete al canal!
01:01:23¡Suscríbete al canal!
01:01:25¡Suscríbete al canal!
01:01:27Gracias.
01:01:28Ya better keep a couple of these in case you run short.
01:01:32Hello, Morrison.
01:01:33Hold on to your pants.
01:01:35Wait for what?
01:01:37The nerve of him.
01:01:38He's on another phone.
01:01:39This story ought to be good for you.
01:01:41Cheer up, honey.
01:01:42Say, Sarge, you better get a hold of Lieutenant Max Hurley.
01:01:45Lieutenant Hurley?
01:01:45He's out on a cruise car.
01:01:47The only way I can reach him is by a radio.
01:01:48You better get him.
01:01:49I've got something he wants very badly.
01:01:51Well, this better be on the level, that's all.
01:01:53Pearson?
01:01:55Lock my mic into the radio second.
01:01:57Connected, Sargent.
01:01:59Calling car 27.
01:02:01What?
01:02:01Calling car 27.
01:02:02Come in, Lieutenant Hurley.
01:02:04Calling car 27.
01:02:05Calling car 27.
01:02:07Lieutenant Max Hurley.
01:02:08Come in, Matt, dearie.
01:02:10What kind of lame brain tomfoolery goes on in that?
01:02:13Hello, Max.
01:02:14This is Pete Willis.
01:02:16Why, you wink-spattered imbecile.
01:02:17What do you think you're...
01:02:18Temper, temper.
01:02:20Willis, if you don't tell me what you did with Joe Wells,
01:02:22I'll personally take you apart like a...
01:02:24like an artichoke.
01:02:25You've been riding around with him all night,
01:02:27ever since you left the freight yard.
01:02:29Riding around?
01:02:29Are you nuts?
01:02:31He's right behind you, Max.
01:02:33In your trunk.
01:02:35In the...
01:02:35He's there.
01:02:36I put him there.
01:02:38That is all.
01:02:39Stop it.
01:02:40Pull it.
01:02:41Get...
01:02:42Stop!
01:02:44Hey.
01:02:45Oh.
01:02:46Hello, Morrison.
01:02:49Now, shut up.
01:02:49It didn't hurt you to wait for a little vignette
01:02:51you might be able to use on page one.
01:02:53Here it is.
01:02:54Joe Wells, supposedly dead for five years,
01:02:56was found murdered tonight as he...
01:02:58Oh, wait a minute.
01:03:00The credit line on this story is
01:03:01by Pete Willis and Sue Gallagher.
01:03:05Well, she's working for you now
01:03:06or you don't get the yarn.
01:03:08Yeah.
01:03:09Okay.
01:03:10Pete, darling.
01:03:11Oh.
01:03:12Wait a minute, honey.
01:03:13Honey, honey.
01:03:13This is important.
01:03:14You remember the time
01:03:15when they found the guy...
01:03:16And they...
01:03:17Well, this is important.
01:03:19Thank you.
01:03:20Thank you.
01:03:20Thank you.
01:03:43Thank you.
01:04:13Thank you.
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