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00:00Stick a pony in me pocket
00:05I'll fetch the suitcase from the van
00:09Cause if you are the best ones
00:12But you don't ask questions
00:14Then brother, I'm your man
00:17Cause where it all comes from is a mystery
00:21It's like the changing of the seasons
00:23And the tides of the sea
00:25But here's the one what's driving me berserk
00:29Why do only fours and horses work
00:32La la la la
00:34La la la la la
00:36La la la la
00:37La la la la la
00:39Right, come on, come on, come on, let's have it on
00:41Get it on
00:42Get it in here, that's it
00:44Right, come on, careful, careful, big
00:46It's all right
00:48It's heavy
00:49Come on there, move it up
00:50Mind your ear here, Granddad
00:53That's all I say, honey
00:54Come on, that's it
00:55Put your hand down there, Granddad, that's right
00:57Now your hand, Rodney
00:58Oi, Gordon Bennett, Rodney, what is your game?
01:02This could be a deluxe Chippendale
01:04And you're treating it like something we're dragging out for the bonfire
01:06That's the best place for it
01:08You don't know, this could be a Queen Anne cabinet, isn't it?
01:13I'll give over, Del
01:14Don't look very old to me
01:16No, that is because when you were a lad, this was probably G-Plan
01:20But to anyone born after the Napoleonic Wars, this is antique
01:27Anyway, I'm going to put an ad in the paper in the morning
01:29Don't know what to charge for it, though
01:30What do you reckon, what, 95?
01:33Why don't you go the old log and make it a pound?
01:35You're starting to annoy me
01:39Hey, it's got woodworm
01:42Hey, that has not got woodworm
01:44What's all them little holes, then?
01:46Well, I don't know, maybe Queen Anne played darts
01:48Where's these lifts?
01:52I'll tell you what
01:52I'll tell you what, I'm considering letting the British Museum take a look at it
01:56Yeah, I'd let Rent-A-Kill have a go first
01:58You don't know nothing about antiques, you do ya?
02:03I mean, you know, dealers, they often put holes in little items like these
02:06To give it that sort of distressed look
02:08Distressed?
02:09Oh
02:09Yeah, well, this thing looks panic-stricken
02:11Where are these rotten lifts?
02:17Oh, if those kids are jamming them again, I'm going to clump their ear off
02:20I don't believe it, I don't believe it
02:26Oh, now, come on, Dale, it was a complete accident
02:29Look, it just come off in his hand
02:31You lie, it'll get you ripped off
02:34Oh, now, come along, Grandpa, but tell the truth for once
02:37I just don't believe this
02:39This thing has survived the Spanish Armada, the Black Death and the Blitz
02:43And then you two cack-handed sods come along
02:45And in five minutes, you've destroyed a piece of our national heritage
02:50Oh, I don't know
02:51Morning, Mr Trotter
02:52Morning, Mrs Murphy
02:53Morning, Mrs Murphy
02:54Look, you could...
02:56That was the lift, wasn't it?
02:57That was the lift!
03:02Now, what am I going to do about that thing, eh?
03:04I mean, you can't bodge about with this sort of quality
03:06I mean, it's going to take the skills of a fully trained furniture restorer
03:11Oh, they ain't half dear, Dale boy
03:13Are they?
03:15Here, Rodney
03:15Whip down to the DIY shop and get a bag of nails, will you?
03:22Here, here, here
03:23Queen Anne Cabinet
03:25Genuine antique
03:27Good as new
03:28Lovely condition throughout
03:31Well, a snip at 145 pounds
03:36You could make the Elgin marble sound like a second-hand Datsun, couldn't you?
03:41Wait, how much of this stuff did you sell today?
03:44What, do you mean in pound sterling or number of items?
03:46Either
03:47None
03:47None?
03:48People ain't interested, Dale
03:50Gordon Bennett, Rodney
03:52I'll pick you a prime sight in the Arndale Centre
03:54And you can't even get shot of a pair of popsocks
03:56You want to grow up a bit, my son
03:58I suppose you spent all day playing marbles with that mate Elgin of yours
04:02What?
04:04What are you doing tomorrow, Rodney?
04:06You and Mickey Pierce playing five stones
04:08You want to pull your socks up, you do, you know
04:11Dale, these things look like living bras that ain't been well
04:16All right, all right, hang about
04:19Don't knock the battery out
04:21Good evening
04:25Miranda Davenport
04:29Eh?
04:33Miranda Davenport
04:34Ah, yeah, I think I know what this is all about
04:37Now, if it was your Mercedes that I backed into the other day
04:39I can assure you
04:40No, no, no
04:41You obviously haven't the faintest idea why I'm here
04:44I telephoned earlier
04:45About your newspaper ad for the Queen Anne Cabinet
04:48Oh, gotcha
04:49Well, I left a message with an elderly gentleman
04:51He did sound somewhat vague
04:53Oh, yes, yes
04:54Well, he is rather vague
04:55He had a bang on the edge, you see
04:57Soon
05:00Do come in, Miss Davenport
05:03There you go
05:04Oh, may I call you Miranda?
05:07Well, yes, I suppose so
05:08Do you know that Miranda is my most favourite name?
05:10Really?
05:10Yeah
05:11Yeah
05:11My name is Del
05:12It's short for Derek
05:13Oh, you do
05:15Oh, please, go into the sitting room with you
05:16There you go
05:17Oi, Grande
05:19No
05:20Grande, did somebody call earlier about the cabinet?
05:30Oh, yes, she's coming round this evening
05:31Some poshtart
05:33Some poshtart
05:36He's a card, isn't he?
05:38Yes
05:39Isn't he just?
05:39Yes.
05:40Rodney, come on, clear this.
05:42Ken, come on.
05:43Put your own work away, will you, Rodney?
05:44Come on.
05:48Right.
05:51Here.
05:53Well, what do you think?
05:56Very nice.
05:57Where is the Queen Anne cabinet?
06:00Now, this is it.
06:02This is the Queen Anne cabinet?
06:04Oh, yeah, this is definitely Queen Anne.
06:06It's been given the once-over by experts.
06:09Do you know anything about antiques, Miranda?
06:12Yes, I run my own antique shop in Chelsea.
06:17Well, it might not be Queen Anne.
06:21It isn't.
06:22It's Queen Elizabeth.
06:23Circle 1955.
06:25If you look inside, you'll see beneath the dust and cobwebs
06:28some faded lettering.
06:34F-Y.
06:36F-Y.
06:36F-A.
06:37Yes, Rodney.
06:38E-S.
06:39F-E-S.
06:41Fife's?
06:42Fife's.
06:43Didn't they used to make bananas?
06:47That is correct.
06:49So, so what does that indicate, then?
06:51It indicates banana boxes, of course.
06:54And those antique banana boxes.
06:57It's all right.
06:57All right.
06:58Thank you very much, Grandad.
06:58Why don't you go to your bedroom and watch the Chinese detective on the portable?
07:01Go on.
07:02Go on.
07:02All right.
07:02I know where I'm not wanted.
07:04Go on, then.
07:07He never, never quite got over Suey's.
07:11Well, are you interested in it, Miranda?
07:14No, I'm afraid not, Mr. Trotter.
07:16Oh.
07:17Well, what do you think we should do with it, then?
07:20Oh, I'm not sure.
07:21Is there a tip near here?
07:24No, it must be a Wally somewhere.
07:26Want to buy it?
07:27Yeah.
07:27Let's face it, Dill, you bawled it last week, didn't you?
07:31I say, that's rather pretty, isn't it?
07:33That?
07:34Cool, you must be joking.
07:36Gives me itchy fever every time I look at it.
07:38No, I think it's rather sweet.
07:40Is it for sale?
07:41Oh, sorry, no, definitely not.
07:43No, that, you see, is a family heirloom.
07:45It belonged to my late departed grandmother.
07:47We couldn't possibly sell it.
07:48Could be, Rodney?
07:49Eh?
07:50No.
07:51No.
07:51No, I don't know.
07:52Is it valuable, then?
07:53Oh, no, no.
07:54It's worthless.
07:55I just rather like it, that's all.
07:57You see, I'm redecorating my London flat,
08:00and I'm just on the lookout for little pieces like that.
08:03Still, never mind.
08:05Um, do you know I'm really rather in two minds about this cabinet now?
08:11Well, you think this might have some potential, do you, Miranda?
08:13Well, I'm not really sure.
08:15But, you see, what's persuading me
08:17is that you're obviously a man with an eye for this sort of thing.
08:21Oh, yes, petit suisse.
08:24Right.
08:24Whereas I'm just a woman trying to make her way in the big, wide world.
08:29Oh, yes, it's doggy dog in the antique game, Miranda.
08:32I know.
08:34Derek, you almost probably say no,
08:37but I was wondering whether you and I could go into this together.
08:42How do you mean, Miranda?
08:44Well, I was thinking.
08:46We could take this to the workroom at the back of my shop.
08:48I have a very good man working there
08:50who could possibly restore this to its former glory.
08:54We'll repolish the top,
08:56varnish out the lettering, some new brass handles,
08:58and then we could put it in the shop and share the profit.
09:02What do you think?
09:04I think that sounds just the ticket, Miranda.
09:07Mind you, I'd have to have a word with my partner.
09:08Oh, mate.
09:11Yes, for you.
09:14Will you excuse us while we confer?
09:18Rodney, would you join me?
09:20I'd like to have a word with you in the office.
09:22To confer.
09:23Yes.
09:24Excuse.
09:24Excuse us.
09:26There you go.
09:30We'll be back in a couple of shakes.
09:32All right.
09:32Well, if you want my opinion,
09:36I don't think we should let that cabinet out of our sight.
09:39That cabinet is definitely going to her shop
09:41to be tarted up
09:42and sold for a ridiculously high profit.
09:44End of discussion.
09:47Good.
09:47Good.
09:48Well, there's nothing like talking things out, is there?
09:51If you wasn't interested in my opinion,
09:53what'd you drag me in here for?
09:54Because I wanted your advice, Rodney.
09:58I think she fancies me.
10:01Miranda.
10:02Leave it out, Bill.
10:03She's an intelligent woman.
10:07I know she's an intelligent woman.
10:09That is most probably why she fancies me.
10:12True.
10:12True.
10:13Yeah.
10:13Well, I did notice the way she looked at you.
10:16Yeah?
10:17How?
10:19What?
10:19How, you know.
10:20How did she look at me?
10:23Well, sort of, um...
10:30Like that.
10:30It's like she had a hot chip in her mouth.
10:36Bill, I can't do a face like hers.
10:38Can I?
10:38No, no, I suppose not.
10:39No, I suppose not.
10:41Am I going to tell her that, you know, the feeling is mutual?
10:44Well, you just tell her.
10:45Well, I...
10:46Why, Al.
10:47I don't know, do I?
10:48You do.
10:49You're the one with the GCEs.
10:51Look, just be yourself.
10:53Oh, leave it out, Rodney.
10:54I want to be in with at least half a chance.
10:57Bill, for once in your life, be you, right?
11:00And you won't need none of them soppy French phrases, neither.
11:03What do you mean, soppy French phrases?
11:05La bonne vie, you stupid...
11:06See what I mean?
11:08Oh.
11:08Bill, you can't speak French.
11:10You're still struggling with English.
11:12What is it with you, Rodney?
11:14Do you like hospital food or something?
11:17Just being honest with you.
11:19Let's face it, Bill.
11:19Most of your French phrases come straight out of a Citroen manual, don't they?
11:23Come on.
11:24A lot of people are impressed by things like that.
11:26Yeah, maybe the caveman down at the Nag's Head,
11:29but it's not going to cut any ice with Arthur Negus' youngest in there, is it?
11:34That's your roll-head.
11:38Del, if you're really that interested,
11:41why don't you just give her a sign of your mutual attraction?
11:44Yeah, a sign, eh?
11:46Yeah, and be yourself.
11:48Yeah, yeah, yeah, okay, yeah, that's it.
11:51Who you there's wins.
11:53Right.
11:53Well, that is it, Miranda.
11:57I have discussed the matter with my partner,
12:00and we both agree that we shall accede to your delusions.
12:05What?
12:06You take that thing with you and get it tighted up.
12:08Oh, good.
12:10Well, I'll telephone you in the morning and arrange for it to be collected.
12:13Yes, thank you.
12:16Okay.
12:16Okay.
12:17Fancy a curry?
12:28Why not?
12:29My old gut and I have played me up this morning, haven't it?
12:50Yeah, I know.
12:51Got a touch of the old Gandhi's Revenge, brother.
12:58What, from the Ruby last night?
13:00Yeah.
13:02Did Miranda enjoy it?
13:03Yeah.
13:04She had a bit of aggro with the chicken tikka.
13:06Mind you, it was a bit rubbery.
13:08She was chewing on one bit for about half an hour.
13:11Thought she'd end up blowing bubbles with it anyway.
13:13Oh, she's quite a sort, though, isn't she, Robbie?
13:18Yeah, she's all right.
13:19What do you mean, all right?
13:21All right?
13:21You wouldn't say no, would you?
13:23Eh?
13:24Oh, she's...
13:26She's quite taken with me, aren't you?
13:27No, she is.
13:29She's very impressed.
13:31Well, she knows I know a lot about Antiques, doesn't she, eh?
13:33Oh, yeah, yeah.
13:35Well, you've been out with enough, haven't you?
13:38Oi, that is enough of that.
13:40Anyway, listen.
13:41Listen, I went up her shop this morning, up Chelsea.
13:44Real pucker establishment, Rodney.
13:46I mean, you know, real pucker.
13:48Sort of place royals go.
13:50No.
13:51I think something really good's going to come out of this, bro.
13:54Do us a favour, Del.
13:56Look, don't get too carried away with this Miranda sort, eh?
14:01I mean, her type don't give a monkeys for the likes of you.
14:05What do you mean by that?
14:08I mean, I've seen it all before.
14:10You meet someone you take a fancy to,
14:12and within a week it's all wine and roses,
14:15and I'm just popping down to Bravington's, Rodney.
14:18What do you think I am?
14:20Some sort of whelk or something, still wet behind the ears.
14:22I know exactly what I'm doing.
14:24Oh, nice one, Derek.
14:30Nice one, my son.
14:32I must admit there is a certain chemistry between me and Miranda.
14:39Just going to pop next door and get a Dorton's weekly, all right?
14:42We'll try and get here.
14:58We'll try and get this from the Laudation.
14:59What?
15:00We'll try again.
15:01We'll try again.
15:01We'll try again.
15:32Can I see an Indian?
15:42Fleshist.
15:45Right, you fit then, Rodders?
15:47Eh? Yeah, yeah, fit.
15:50You've got a nasty rash coming up on your boat race.
15:54Oh, yeah, yeah, that's just what I call the sun, you know.
15:58If I didn't know any better, I'd swear that someone had smacked you right in the eye.
16:03Yeah, but don't go on, Bernie.
16:05Look at me.
16:06You're a touchy little git sometimes, you.
16:12Yes, here we are.
16:13That's it.
16:14Do come in.
16:16Here we are.
16:17I'll get the door.
16:18That's right.
16:20Oh, allow me.
16:22Here you are, Miranda.
16:25Uh, sit yourself down on the chaise lounge.
16:29And I'll, uh, fix us a drink.
16:32Now, uh...
16:33What can I get you?
16:34Port and lemon, or rum and coke, or shall I surprise you?
16:36Why don't you surprise me?
16:37Right you are.
16:38Here we go.
16:39It was a blind in meal, wasn't it, Miranda, eh?
16:40Yes, it was very nice.
16:41I did feel a bit overdressed for a Bernie in, though.
16:43No, I don't think so.
16:44I think we made quite an impression.
16:46I mean, everybody was looking at us.
16:47Yes.
16:48Ha!
16:49Take a sip of that, Miranda.
16:50Uh, what is it?
16:51That is called a tequila siper.
16:52Oh, here we go.
16:53It was a blind in meal, wasn't it, Miranda, eh?
16:55Yes, it was very nice.
16:56I did feel a bit overdressed for a Bernie in, though.
16:58No, I don't think so.
16:59I think we made quite an impression.
17:00I mean, everybody was looking at us.
17:01Yes.
17:03Ha!
17:07Take a sip of that, Miranda.
17:10Uh, what is it?
17:11That is called a tequila siper.
17:15A tequila sunset.
17:18Cheers.
17:21It tastes of gin.
17:23Yeah, I'll run out of tequila.
17:26Well, it's very nice.
17:27Mm.
17:28Yeah, isn't it?
17:29Um, I actually got the recipe off a Mexican barman.
17:33Have you been to Mexico?
17:35No, no, he lives in a flat upstairs.
17:41Miranda.
17:42I, uh...
17:43Well, I've been thinking about us, and I...
17:48Oh, yes, sorry about that.
17:51It's, uh...
17:52It belongs to Rodney.
17:54It's in the still life.
17:55Yeah.
17:56He's got his GCE in art, you know.
17:57Really?
17:58Oh, yeah.
17:59Oh, yeah.
18:00He'll most probably be famous when he's dead.
18:03As I was saying, I've been, uh, thinking about you and me.
18:07Do you like art?
18:08Oh, yeah, it's terrific.
18:09I can't get enough of it.
18:10You see, the thing is that I was thinking...
18:12This is very strong.
18:13Hmm?
18:14Yeah.
18:15Do you like Cezanne?
18:16Oh, yeah.
18:17A bit of ice and lemonade.
18:18It's lovely.
18:19So, you and I have got...
18:23Well, you know, we've got a lot in common, haven't we?
18:26I mean, you know, we're both...
18:28Well, English.
18:29I do love that painting.
18:31Yeah, it's terrific, isn't it?
18:33Your grandmother must have had very good taste.
18:35No, she couldn't have had much.
18:37She married my grandfather.
18:39Do you like that painting, dear?
18:40What the heck?
18:41No, I hate it.
18:42Can't wait to get rid of it.
18:44Oh, don't ever throw it away, please.
18:46It would look so nice in my flat.
18:48I'd hang it just above my bed.
18:51Well, just try to picture it.
18:53Oh, you can't.
18:55I've just remembered.
18:56You haven't seen my bedroom.
18:58Yet?
19:04No, I haven't seen your bedroom.
19:08Yet.
19:10You were saying?
19:12What?
19:13You were talking about...
19:15Us.
19:16Oh, yes.
19:17Yeah, yeah.
19:18Well, what I was gonna say was,
19:19I was thinking about was,
19:20that I thought that, you know,
19:21maybe later,
19:22or sort of, you know,
19:23not now, if you like,
19:24in the future at some time,
19:25and it sort of felt like if you did,
19:27that we could sort of work closer together.
19:32I've been thinking exactly the same thing.
19:36Have you?
19:38Ever since I first met you.
19:42I'm around, though.
19:45Drink up, I'll get you another tequila sunset.
19:48No, really, I've had quite enough.
19:50Yeah, all right.
19:51Shall I put my Richard Claydom and LP on?
20:03Oh, no, I must be going.
20:05I have to be up early in the morning.
20:07Mummy and Daddy will probably ring first thing
20:09to wish me happy returns.
20:10Oh.
20:11You know what parents are like.
20:12No, I haven't had any for ages.
20:16Sorry, did you say it was your birthday?
20:18Yes.
20:19Surely I told you.
20:20I...
20:21Oh, yes.
20:22Oh, you haven't bought me a present.
20:24What?
20:25Oh, you really shouldn't have.
20:27What?
20:28It's very sweet of you, though.
20:51Sorry, Gran.
20:52Dee-dee-dee-dee.
20:55Good morning, Rodgers.
20:56Good morning, Grandfather.
20:57Gosh, a beautiful day out, ain't it, eh?
20:58Makes you glad to be alive, doesn't it?
20:59Yeah, it's terrific.
21:00Who are you off to, then, Dale?
21:01I'm just going up to Miranda's shop.
21:02Oh.
21:03Oh, just to see the cabinet.
21:04What time's visiting us, then, Dale?
21:05There's nothing wrong with that cabinet, Rodney.
21:06I keep on telling you.
21:07It's a very nice cabinet.
21:08Yeah, it's a nice cabinet.
21:09Yeah, it's a nice cabinet.
21:10Yeah, it's a nice cabinet.
21:11It's a nice cabinet.
21:12It's a nice cabinet.
21:13It's a nice cabinet.
21:14Well, it's a nice cabinet.
21:15It's a nice cabinet.
21:16I mean, a million woodworms can't be wrong, can they?
21:17I've told you before, Rodney, there are no woodworms in that cabinet.
21:30Whose birthday is it, then, Dale?
21:32Mine, if I'm playing my cards right.
21:35Happy birthday, sweetheart, from your ever-loving Deli Welly.
21:40Deli Welly, more than that.
21:45Deli Welly, more than that.
21:46All right, all right, put that down and let's not have so much of it, shall we?
21:52Well, it's Miranda's birthday, Rodney, and we forgot.
21:55Oh, no, what a choker.
21:58Still, never mind.
21:59What'd you get her for her birthday, Del?
22:02Hey, well, nothing much.
22:04What's happened to your gran's painting?
22:07Ah, well, I told you the sun had faded, didn't I?
22:12Sun my arse.
22:14That's hard, ain't she?
22:18Well, she's not going to raffle it, is she?
22:19She's only hanging it on her bedroom wall.
22:21Your gran brought that painting into this house, Del.
22:24There was an history behind it, and you knew it.
22:27You stole your own grandmother's painting?
22:29I didn't steal the painting.
22:31Gran left that painting to me.
22:32Don't give me that old mother, Hubbard.
22:34She did.
22:35One night when she wasn't feeling too well, she said to me, she said, Del, when I go, that painting is yours.
22:40I don't remember it.
22:41No, well, you were out.
22:42Well, that's handy, isn't it?
22:43No witnesses.
22:44There were witnesses.
22:45There were witnesses.
22:46There was Mum and Rodney.
22:48Mum ain't here anymore.
22:50I know that.
22:51But Rodney is.
22:52You remember, don't you, Rodney?
22:53Well, I can't say I don't, then.
22:54But you must remember.
22:55You were there, over there in the corner with Mum, having your nappy change.
23:00And there's nappy chat.
23:02It could only have been about four.
23:04Exactly.
23:05How do you do it?
23:06Four?
23:08I mean, look what, I'd love to see the day when you, you of all people, let the family down.
23:14I'm going to my room.
23:15Yeah, come here, Dad, granddad.
23:17Come on.
23:18There you are, look.
23:20Have a ten, all right?
23:21Come on.
23:22Come.
23:25She's got you tied up like a turkey, ain't she?
23:33You've changed since you met her, Adele.
23:36You've got more room to them Pinocchio!
23:38Just stay out of my life, will you?
23:41Yeah, I'll stay out of your life.
23:43In fact, I think I can quite safely say that me and granddad won't ever get under your feet
23:47again.
23:48Just hope Miranda suffers with a fever.
23:52What?
23:53Rodney.
23:54What?
23:55Don't be a plonker.
23:57Did you leave that tenner?
24:05What?
24:06Oh, what?
24:07I know.
24:08What?
24:25Hello, Harry.
24:43It's Miranda about.
24:44No, she's popped out to Ardleston still.
24:46It's just down the road there on your left.
24:47Oh, well, I'll pop down and see her.
24:49Yeah, how comes you ain't open?
24:50We had to close, mate.
24:52We're being fumigated.
24:53The place is full of woodwork.
24:55You wouldn't watch that, Ike.
24:56Especially with your wooden leg.
25:082,200.
25:102,500.
25:132,007.
25:153,000.
25:17At the Bidges with Gideon Galleries.
25:193,002.
25:213,004.
25:223,005.
25:29The Bid is with Gideon.
25:333,006.
25:343,005.
25:383,008.
25:40With Miss Davenport.
25:443,800 pounds to Miss Davenport.
25:47I'm Derek.
25:58Yeah.
25:59What are you doing here?
26:01I just thought I'd pop up and take you out for lunch.
26:03You know, sort of a birthday treat.
26:05Birthday?
26:06Yeah.
26:06oh yes how sweet it is view they're daffodils yeah yeah used to be my mum's
26:15favorite oh really oh well thank you look I'm rather busy at the moment um why
26:23don't you wait for me at that little wine bar around the corner yeah you're
26:27all right we belong how should I know look take these with you as well please
26:33yeah yeah oh not 24 is this recently discovered work by the late 19th
26:41century artist Joshua Blythe now it's a particularly fine example of his work do I
26:50have seven thousand seven thousand eight eight thousand nine you lied to me didn't
26:58you know nobody's perfect it's not your birthday at all is it well it will be
27:03soon all you wanted me for was that painting wasn't it and what else do you
27:10think I was interested in that banana box of a Queen Anne cabinet damn things
27:15infested my entire stock maybe there was something else oh you did you honestly
27:27think I enjoyed being in the company of a man who slapped my bottom called me
27:32sweetheart the salt in my digestive system with third-rate curries yeah
27:40you must be a fool Miranda you should have told me that you wanted to sell that
27:47painting be ridiculous I'm in business I realized how valuable it was the moment I
27:51saw it why should I tell you no Miranda you don't understand I think you're the
27:55one who's confused Eric and let's get one thing absolutely clear that painting is
28:00now mine it's been legally registered in my name
28:03mommy and daddy have even signed enough David to swear that the painting has
28:07been in our family for generations 17-5 thank God for that I've been trying to
28:16get shot at that painting for years what do you mean I know exactly what that
28:21painting is and I know exactly how much it's worth rubbish I could someone like you
28:25possibly know that I'll tell you how I know shall I because my old gran used to
28:30be a charlady to an art dealer that's how I know so I see and this mrs. mop
28:35examined it did she no she didn't examine it she nicked it
28:41good luck sweetheart
28:47we've got some off-price
28:59no income tax no V8 no money back no guarantee black or white rich or blue we'll cut prices and a strong
29:01no income tax no V8 no money back no guarantee black or white rich or blue we'll cut prices and a strong
29:06god bless hooky street
29:13god bless hooky street viva hooky street long lived hooky street same magnifique hooky street
29:23babe
29:26God bless Hookie Street. Viva Hookie Street. Long live Hookie Street.
29:35St. Magnifique Hookie Street. Magnifique Hookie Street. Hookie Street. Hookie Street.