- hace 2 días
La atracción entre Santiago y Lourdes es cada vez mayor, pero ninguno de los dos se atreve a dar el primer paso. Por una parte, ella no tiene ningún tipo de experiencia en el terreno y él teme acercarse a una mujer tan casta. Fiti decide intervenir e invita a Lourditas a cenar para convencerla de que debe mostrarse más abierta si quiere conquistar a Santi definitivamente. Sin embargo, todo se complica cuando Lucía y Carmen son testigos casuales de este encuentro y llegan a la errónea conclusión de que entre ellos existe una relación adúltera. Raúl pasa la mayor parte del tiempo con sus amigos y descuida su relación con África. Marcos le aconseja que cuide a su novia si no quiere perderla y el joven decide invitar a su chica al cine olvidando que esa misma noche el equipo de fútbol del Santa Justa se reúne para marcharse de juerga. Raúl se deshace de ella obligándola a cenar con Ruth y un tío suyo que ha venido de Barcelona. Sin embargo, las chicas descubren la encerrona y ponen en marcha la venganza. En el colegio, el comportamiento de los alumnos es cada vez más insoportable. Lucía y Candela deciden hablar con Fernando, el psicólogo, para estudiar una estrategia de ataque. Tras la conversación, acuerdan aplicar métodos pedagógicos para que los chicos sean capaces de ponerse en el lugar del otro y comprendan que deben corregir su actitud. A Guille le tocará convertirse en su compañero Díez, pero las consecuencias de este intercambio serán nefastas.
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00:00:00The tavern
00:00:30It's no secret that my uncle Santi and Lurditas have liked each other for a long time.
00:00:51What nobody understands is why they don't just live once.
00:01:00And in the end, what Lurditas said happened.
00:01:24That the beer went to his head and he took a topic as fact.
00:01:28But woman, forgive me, forgive me, don't worry, I'll dry it for you.
00:01:36Take it easy, okay?
00:01:38A stain remover
00:01:41I'm going home now to change.
00:01:44No problem
00:01:48See you later
00:01:50My uncle couldn't decide whether to take the plunge with Lurditas
00:02:00And Fiti had to lend a hand
00:02:02But as always, things turned out
00:02:04On a platform at the station
00:02:07Under the scorching sun
00:02:09You were talking about a skyscraper in the sky of New York
00:02:13Come soon to see the sea
00:02:15And you send a postcard
00:02:16I already knew that day was the end
00:02:20Now I have much more
00:02:23Red, black, strike, and a couple
00:02:26Finally, luck brings an ace and a crystal to look through.
00:02:30And a wall to hang it on.
00:02:32Seven smiling faces in one ID photo
00:02:35My stories weren't about tales made by chance.
00:02:40Nobody told me that fate would give me this opportunity.
00:02:47One plus one equals seven
00:02:51Who would have thought?
00:02:56It was so easy to be happy.
00:03:00So you slept?
00:03:09Yes, yes, tell him I'm behaving myself, Lucia
00:03:11One month and it distributes
00:03:12Okay, bye, we miss you
00:03:14Yes, no, but it's all beautiful
00:03:17Are you going to poke one of my eyes out that way?
00:03:19Oh no, I know you'll turn into the one-eyed Barbie.
00:03:21No, look, look, take
00:03:22Here, for
00:03:23Come on, look, look
00:03:25Is it springtime, is Diego not here, or what?
00:03:30Because you are truly unbearable.
00:03:31Take
00:03:32Calm down, daughter
00:03:33Don't worry, Mom, there are two of us here.
00:03:34But I have twenty in my class
00:03:36And I don't know what's wrong with them, they're so bad they deserve to be killed.
00:03:37Lucia
00:03:38Yeah
00:03:38I'm leaving now
00:03:39And you don't have breakfast?
00:03:41No, no, no
00:03:42Look at whatever you want, son
00:03:43Really
00:03:44Hey, seriously guys, you don't want to mess things up.
00:03:47Even if it's just for five minutes
00:03:48Because of the class that's coming up now
00:03:50I love her
00:03:51Yeah
00:03:52No, I'm going to the registry.
00:03:54I'm going to the registry now for the birth section.
00:03:56No no
00:03:58No, Eva, Eva
00:03:59Let's see
00:04:00We agreed that you would stay put in Barcelona.
00:04:02I did your things and took care of everything, right?
00:04:04Okay, so that's it.
00:04:05Okay?
00:04:06Yeah?
00:04:08Yes?
00:04:08No, no, I haven't told anyone anything.
00:04:10No, I haven't said anything to him.
00:04:11No, gambling den
00:04:13No, my uncle
00:04:14Goodbye, uncle
00:04:17Hello
00:04:17Hi, Santi
00:04:19Oh my, oh my, oh my, what a face you're making, brother-in-law
00:04:22A little cart?
00:04:25You sure do love to complain, Santi.
00:04:28I have a valid complaint, ma'am
00:04:29Without a day at the tavern, I'm exhausted.
00:04:32And the druggie's boasting is worthless to me.
00:04:34Go on, take it
00:04:35Why don't you get someone else to help you?
00:04:37Even if only temporarily
00:04:38Who am I going to pick?
00:04:40Another inexperienced, high-profile candidate?
00:04:41What can I pay you for two bucks?
00:04:44Hey, and how much is two duros exactly?
00:04:48I'm not telling you because maybe it might interest me.
00:04:51But hey, Mom, what's that about?
00:04:53Well, my friends and I are going to take a little trip to Cuba.
00:04:56And they're not taking me on with the pension issue alone.
00:04:57To Cuba, Mom?
00:04:58Yes, here
00:04:59But what do you want?
00:05:00Are you engaging in sex tourism at my expense?
00:05:02Is sexual urism what you should do?
00:05:04You have something that's going to rust.
00:05:06I don't mind anything, ma'am
00:05:08Everything is sparkling clean.
00:05:09Me, me, me, me, me, I can't stand another fight
00:05:11So I'm telling you all on my own
00:05:12So that you can fight well
00:05:13No, what happened was...
00:05:15You're afraid he'll do it better than you.
00:05:18You lack the experience, the necessary skills for these jobs.
00:05:21It doesn't measure up
00:05:22Just so you know
00:05:23Before I got married I worked as a waitress in a tea room
00:05:27In a tea room?
00:05:28Yeah
00:05:28In a tea room?
00:05:29With that bad temper?
00:05:31Impossible
00:05:31In the tavern over my dead body
00:05:33Well, I'm here now.
00:05:35What am I satisfying?
00:05:38Damn, Grandma?
00:05:40There, there, Santi
00:05:40By bringing together specialized personnel, here
00:05:42What I told him was no, don't insist.
00:05:46And what about you? What about you?
00:05:48Hey?
00:05:48It should already be on, come on, don't rush it
00:05:51But man, what are you doing?
00:05:52Damn, that made me happy
00:05:53No!
00:05:54No!
00:05:54No!
00:05:54No!
00:05:55No!
00:05:55You don't have a bad one!
00:05:56You have no hooves, hooves!
00:05:58Oh, sir, excuse me, excuse me
00:05:59Excuse the boy, but he's still learning, you know?
00:06:02And of course, until I get the hang of it
00:06:04Hey, whether you like it or not, Grandma's got a knack for public relations.
00:06:07Santiago, a straw, and a stain remover
00:06:11No, no, no, no, no, no, no, Rafa Unfuñe
00:06:13This woman has an authority that is here
00:06:15Okay, so how much do you say I'm going to earn?
00:06:19Well, it wasn't bad, but don't get complacent, okay?
00:06:21We do half
00:06:21África Sanz is suspended
00:06:24You've lowered the bar considerably.
00:06:25I'll have to talk to your father
00:06:27Three-quarters of the same
00:06:30Very badly
00:06:32Well, I have to tell you
00:06:37That the level of the class has dropped considerably
00:06:39In general, in this exam, huh?
00:06:42And if you want to improve your grade
00:06:43You have to present the Greek sculpture project.
00:06:45The day after tomorrow as the deadline
00:06:47OK?
00:06:47Come on, we're going back, Auntie
00:06:48Your need for boobs
00:07:02She's going to leave the magazine
00:07:03To life
00:07:03I would take this one
00:07:06And he was hitting it there.
00:07:07Your site
00:07:08His place in sculpture work
00:07:10He gave it to her
00:07:11Because, hey, Churi
00:07:12We were thinking that maybe
00:07:13Like the girl
00:07:14That's how it is with a body like a Greek's.
00:07:16Are we going to end up meeting at Marcos's house?
00:07:18To do the job?
00:07:19Or would you prefer to do it alone?
00:07:20Hey?
00:07:21No, Churi, of course!
00:07:22No, no, it's just that as I see
00:07:24I'm glad you're having a good time too.
00:07:25We might have killed the mood a bit, right?
00:07:27No, but that's how it is.
00:07:28Hey?
00:07:28What a fly trap it has, right?
00:07:31What's wrong with him?
00:07:34What have I done to him now?
00:07:35What's going to happen to him?
00:07:38Now, girl, ever since Eva left
00:07:40Well, she's alone, you know?
00:07:41She needs pampering and she needs attention
00:07:42And you're not here, Raúl
00:07:43I am here, yes I am, Marcos
00:07:44Yes, I am, but I'm not their babysitter.
00:07:46Okay?
00:07:46I'm here, but I'm not your babysitter.
00:07:47Dude, I'm a dude, Marcos
00:07:49I have my needs, Trongo
00:07:51Know?
00:07:52There are my colleagues and my things
00:07:54Trongo
00:07:54Yes, I'm a guy too.
00:07:56But if Eve were there
00:07:57Well, I'd pay attention to that, wouldn't I?
00:07:58Clear
00:07:58Good
00:07:59What do we know about that, by the way?
00:08:00The wedding
00:08:01No, he hasn't sent it yet
00:08:03No?
00:08:04These hours are proving to be tough, huh?
00:08:06The truth, in the end
00:08:07Well, but that's not what we're talking about, Raúl
00:08:09We're talking about Africa
00:08:11Do you remember?
00:08:11The girl is blonde
00:08:12Yes, yes, yes
00:08:13Africa
00:08:13What? Take me out to dinner?
00:08:15Maybe somewhere romantic, okay?
00:08:17To a movie theater, something, right?
00:08:20All by yourself, right?
00:08:20Yes, yes, yes, no, no
00:08:21Yes, yes, I love her a lot, Mechorri
00:08:24The group this
00:08:26They're like crazy!
00:08:27My whole class is crazy about this
00:08:28Something's bound to turn up, I tell you.
00:08:30Yeah
00:08:30Or they
00:08:31Or we
00:08:31But let's see
00:08:32What, Lucia?
00:08:33That's the whole class
00:08:34We can't expel the entire class
00:08:35And what about punishing them?
00:08:37I just don't know how to punish them anymore.
00:08:38What do we do, Candela?
00:08:39I can't go on like this, can I?
00:08:40Wait a minute, okay
00:08:40Allow yourselves an opinion
00:08:41Maybe that's what needs to be done
00:08:42It's about reviewing that methodology, isn't it?
00:08:44Yes, I don't know.
00:08:45It's normal for kids
00:08:47At this time of year
00:08:48Well, be a little more active
00:08:49Assets?
00:08:50It's called that now
00:08:51You know what they did to me yesterday.
00:08:53In the laboratory
00:08:54No, no, no, calm down.
00:09:01No, no, no, calm down.
00:09:01Get out of there
00:09:02No, no, no, no
00:09:04Look, Fernando, don't laugh
00:09:21Don't laugh because you don't know
00:09:22They're tormenting me so much
00:09:23I'm arriving at class
00:09:24And it has a great atmosphere
00:09:25But hey, guys
00:09:31It's a heartfelt warning
00:09:32Poor
00:09:32The night I got home
00:09:39She still had little balls of cotton inside her panties.
00:09:41They have no respect for anything, Fernando
00:09:43Well then, they'll have to learn to respect.
00:09:45Don't punish them, okay?
00:09:46I believe we must work from a position of objectivity.
00:09:48From an objective standpoint
00:09:51The mother who bore them
00:09:53Wild animals
00:10:04You treat yourself well, Lourdes
00:10:05How can I upset Lourdes?
00:10:06How can I upset Lourdes?
00:10:07This is why heads are going to roll, do you hear me?
00:10:09Heads will roll
00:10:10Each to their place
00:10:11Come on
00:10:11More inclined, ma'am
00:10:28More inclined
00:10:29Don't yell at me
00:10:30There is no need.
00:10:32But how can I not scream at her?
00:10:33If I'm telling you more inclined
00:10:35And like the neck I see
00:10:36And so it went all day
00:10:37Look
00:10:37Wow, beginner's luck, that's all.
00:10:41Already
00:10:41Yes, ma'am
00:10:42This is a well-founded little beer.
00:10:44Not like the ones others throw away
00:10:45What a beast!
00:10:49Will something have to be done?
00:10:54Lourdes
00:10:54It's me, Santiago
00:10:56Hi, Santi
00:10:57Yes tell me
00:10:58Tell me
00:10:59My wallet?
00:11:01Oh, thank God
00:11:02I thought it had been stolen.
00:11:03Look, I was terrified.
00:11:05Yeah
00:11:06Yes, of course, of course
00:11:08I'll come pick it up later
00:11:09Thank you very much, Santi
00:11:11And yes, of course, of course
00:11:15I'll come pick it up later
00:11:16My wallet
00:11:17You're a little loose, dude.
00:11:18The wallet trick is an old one.
00:11:21We don't all know.
00:11:21It works, huh?
00:11:22It works, I've already seen it.
00:11:23But hey, if it's true
00:11:25I forgot
00:11:26Can't you see that he was a little tipsy?
00:11:28Tipsy
00:11:29Afebrile
00:11:30The fact that?
00:11:32What do you mean, "what"?
00:11:33What a mess you made of that rag, damn it!
00:11:35And he was flashing his high beams at you.
00:11:36Don't say I made him do it, man.
00:11:38I threw away the beer
00:11:39I cleaned it with the cloth, which in the area
00:11:42But unintentionally
00:11:43Well, damn it, why didn't you want to?
00:11:44Well, if you manage to fall, you'll clean right up to your backside.
00:11:46They're sending you signals and you're not responding.
00:11:47You're out of your mind.
00:11:48This is a coward, man
00:11:49In the life of God he will dare
00:11:51To have something real with a woman
00:11:52This lady is from Cuba.
00:11:54Nobody gave him a say in this matter.
00:11:55Nobody invited me to participate in this affair.
00:11:57But from my point of view, Lourdes
00:11:59If Santi doesn't take the first step
00:12:00You'd have to give it, wouldn't you?
00:12:01That's true
00:12:02I, I don't know, fire
00:12:04Look, I believe a woman should never make the first move
00:12:06Okay, don't be old-fashioned, okay?
00:12:08Please
00:12:09Well, that would be old-fashioned
00:12:10Chaste and pure
00:12:11Pure and chaste, like Lourdes
00:12:13Look
00:12:13Look what's in that wallet
00:12:15These are their role models in life
00:12:17She is not a carnal woman
00:12:18It's not carnal
00:12:20The Virgin of Regla
00:12:22The Immaculate Conception
00:12:24The Immaculate Conception
00:12:27AND...
00:12:28Pussy
00:12:28This is the Pope when he was young, right?
00:12:31Oh, it's George Clooney!
00:12:33What a big pile of dirt!
00:12:34Of course, that's what it shows
00:12:35May Lourdes
00:12:36He's also into carnal things
00:12:37Yes, but the carnal aspect of this is not the same.
00:12:40That the carnal aspect of this other
00:12:41But don't get me all worked up, ma'am.
00:12:42Don't get me worked up.
00:12:43There's no reason why I get so worked up.
00:12:44Come on, I've already served.
00:12:45I'll send you the cobra
00:12:46So you're right
00:12:48Looks like you're not got the guts, damn it
00:12:50Listen to me
00:12:51Now when she comes, Lurditas
00:12:53You invite her to the Italian restaurant.
00:12:54Which has been inaugurated today
00:12:55A romantic dinner
00:12:57And then home
00:12:59To the marzipan
00:13:00Yes, but without further delay
00:13:03And always change behaviors
00:13:06From the understanding
00:13:08Your behavior lately
00:13:10Much to be desired
00:13:11There are repeated instances of disrespect
00:13:13To your teachers
00:13:15And among yourselves
00:13:16Let's see
00:13:16Silence!
00:13:19Because?
00:13:20Because you lack empathy
00:13:21What is empathy?
00:13:23Well, empathy is respect
00:13:24Comprehension
00:13:25Knowing how to put yourself in someone else's shoes
00:13:28That's what you don't have with Lurditas
00:13:30Not even with Candela
00:13:32Not even with Lucia
00:13:33Not even with your own colleagues
00:13:35Hey?
00:13:37But again?
00:13:46Diez has come out of the closet!
00:13:48Please!
00:13:51Please!
00:13:53This shows a lack of empathy for Diez.
00:13:54So having empathy makes you a bore?
00:13:58That's it, that's it
00:13:58Bellido said
00:13:59Don't be simple
00:14:00Let's see
00:14:01Let's play a game
00:14:04OK?
00:14:05A game
00:14:05What do you think?
00:14:07The Empathy Game
00:14:08Let's put ourselves in the other person's shoes
00:14:10Let's do another one for a while
00:14:12This isn't like a role-playing game for us.
00:14:13No?
00:14:13Like a role-playing game
00:14:14That is
00:14:15And what place should we wear?
00:14:19Bowling
00:14:20I need to get the bowling alley spot set up.
00:14:21Bellido
00:14:22You will be Tete
00:14:23Tete Bellido
00:14:24OK?
00:14:28I VD
00:14:29But I don't know how to be a rapper
00:14:31Well, I do.
00:14:31Don't worry
00:14:32Now we practice
00:14:32David
00:14:33David
00:14:33It will be Yoli
00:14:34Yoli David
00:14:35Let's see
00:14:36Hey
00:14:37Don't go overboard, okay?
00:14:39Man
00:14:39Come inside, kids
00:14:41Ten
00:14:42Oh!
00:14:43Ten
00:14:44You will be Guille
00:14:45OK?
00:14:45Come on
00:14:46Well
00:14:47See you this afternoon
00:14:49Start preparing the papers properly
00:14:51And above all, remember
00:14:52You have to get us fully involved
00:14:53In the other's skin
00:14:55OK?
00:14:55I want to get into Diez's skin
00:14:56It promises
00:14:56Oh!
00:14:58Ah!
00:14:59I've been burned in every way
00:15:01I got myself into a mess
00:15:02You can't be that silly
00:15:04Thinking, dude
00:15:04I prefer to be
00:15:06Acting silly
00:15:06With my colleagues
00:15:07Before I was with you
00:15:08Damn, that's what it looks like.
00:15:09No, no, no, no, sir
00:15:11No, sir
00:15:12Hey?
00:15:13Look
00:15:13Tonight, huh?
00:15:14If you agree
00:15:15After doing the work
00:15:16Hey?
00:15:16You and I are going to leave.
00:15:17Dinner
00:15:18Or to the cinema, if you prefer, okay?
00:15:20Let's see one of those Chinese ones
00:15:21That you like
00:15:22The one you told me about
00:15:23No way.
00:15:24That same one
00:15:26Oh really?
00:15:27Yeah
00:15:28Okay, cool
00:15:31I'll be right there for a moment.
00:15:32Time to change the canary's water, okay?
00:15:35Hello, hello, hello, hello!
00:15:37Hi, I'm Titi
00:15:38What do you prefer?
00:15:39My honeyed hair?
00:15:40You see snorts!
00:15:41Boos!
00:15:42Boos!
00:15:43Boos!
00:15:44Boos!
00:15:44Boos!
00:15:44Boos!
00:15:45Boos!
00:15:46Boos!
00:15:46Boos!
00:15:47Boos!
00:15:48Okay, okay
00:15:49What are you all doing here?
00:15:50What are you all doing here?
00:15:50What are you all doing here?
00:15:50What are you all doing here?
00:15:50What are you doing here with the football team?
00:15:52Yeah!
00:15:52In the end!
00:15:53Good, abin, abin!
00:15:53Good, abin!
00:15:54Good, abin!
00:15:54It's great to be with my uncle!
00:15:55Good, abin!
00:15:56Good!
00:15:57Good!
00:15:58Laol, laol
00:15:58Hey, laol
00:15:59Didn't you have plans with Afri?
00:16:01Damn it, no, no, no
00:16:02Tomorrow, uncle
00:16:02Tomorrow I've arranged to meet
00:16:03Hey, I've got a date, dude.
00:16:04Can't
00:16:04Can't
00:16:04But you're always messing things up.
00:16:05The one that is very complicated
00:16:07Put everyone
00:16:07What do you mean, everything?
00:16:09What do you mean, everything?
00:16:09No
00:16:09That I have remained
00:16:09That I can't
00:16:10Well, I'm desperate
00:16:20If I tell Africa to go another day, what difference does it make, right?
00:16:23Every other day, if all the days are the same.
00:16:26Dude, today's outing, man, with the whole football team,
00:16:28It's not just any exit, it's the mega exit, Marcos.
00:16:31Yeah, I don't know, it's up to you, man.
00:16:33Africa is sure to get upset.
00:16:34You want to gamble with the relationship, huh?
00:16:36That's your problem, that's your problem.
00:16:41Carmen, concentrate and see if we can get out of poverty already.
00:16:43Atlético de Madrid, Jeta, F1, X or 2.
00:16:45I don't know.
00:16:47Hello.
00:16:48Run, tell him, Santi, that he's here next.
00:16:51Santi, run, get out, your successor is here.
00:16:57Hello, Lurdita.
00:16:58Hello, Santiago.
00:16:59Look, your wallet.
00:17:01Thank you.
00:17:02Well, thank you very much, Santiago.
00:17:03The way things were going yesterday, I don't know how I didn't lose my mind.
00:17:05Oh, how embarrassing!
00:17:06Santi, Fiti says that...
00:17:09Well...
00:17:10What is hare skin?
00:17:13No, it's synthetic, Santi.
00:17:16I had thought so because of the feel.
00:17:17No.
00:17:18What I used to hunt, I hunted a lot.
00:17:19The greyhound and the shotgun went with his father.
00:17:22And sometimes we were good at it.
00:17:23We hunted one, two, and three.
00:17:26And when they didn't die well, we wrung their necks to finish them off.
00:17:30Something, you could say, skin them alive.
00:17:32But, but, but...
00:17:33Look at him, look at him.
00:17:34She's getting away alive, she's come asking for war and she's getting away alive.
00:17:38Don't look at it...
00:17:39What is it?
00:17:40Luzita, Luzita.
00:17:42That?
00:17:42What, you're not having a beer or what?
00:17:44Oh no, no, I was ridiculous enough yesterday, wasn't I?
00:17:46How ridiculous, woman!
00:17:47But it was already planted.
00:17:49Hey, how funny, yes, how beautiful.
00:17:50I was here yesterday, wasn't I?
00:17:51Well, yesterday and today, we've talked about it a lot.
00:17:53What's up, Santi?
00:17:53Aren't you going to invite him for anything?
00:17:55Hey?
00:17:55Hey?
00:17:56Ah, uh...
00:17:57Do you want a little something?
00:17:58No, no, Santiago.
00:17:59I have to go to class, because I'm late.
00:18:01Goodbye, thank you.
00:18:02See you later.
00:18:03See you later.
00:18:05I've practically handed it to you on a silver platter, why aren't you telling him about the restaurant?
00:18:07I can't, Viti, I can't.
00:18:09I see her with that little face of Macarena, chaste and pure and...
00:18:13And when I think about...
00:18:14In the marzipan, I get paralysis.
00:18:17It comes to me and...
00:18:18Leave him be, leave him be, Citi, the crying and gnashing of teeth will come.
00:18:22When Lurdita gets tired of it and leaves with someone else.
00:18:24You, ma'am, to Cuba.
00:18:26I've already told him.
00:18:27No, say no, you're absolutely right.
00:18:30TRUE?
00:18:30Yes, and Lurdita, this spring is...
00:18:33Come on, it's springtime, damn it.
00:18:35Why do I have a wife?
00:18:36Otherwise, he would wreck it.
00:18:37But hey, Citi, man, not so much...
00:18:40There's no need to get so sexually charged.
00:18:46Oh, what diet did you use?
00:18:48Yoli, you seem very hostile.
00:18:49Aren't you stupid, what do I know?
00:18:52Oh, the flab, the flab!
00:18:54Do not enter!
00:18:55Damn, dude, it's not my fault your sister is having a great year.
00:18:58Well, I'll see if the cartridge belts are meant to be imitated.
00:19:01This guy is an idiot, seriously.
00:19:02Good afternoon.
00:19:04Okay, I'll seat you guys.
00:19:07Ah, I see that some of you have characterized.
00:19:09Well, that helps you put yourself in the other person's shoes, right?
00:19:12Because, I remind you, that's what the game is all about, okay?
00:19:14Okay, let's get started.
00:19:17Tete, in the center.
00:19:24Hi, I'm Tete.
00:19:25I'm super posh and super cool.
00:19:27And I have this hair because I'm worth it.
00:19:31Humberto, he's so good.
00:19:33This mega double brain burger is so good, please.
00:19:40Give me a little kiss.
00:19:41But what are you on about, girl, let's see.
00:19:43What's happening?
00:19:43It gives you video.
00:19:44Boys, boys, boys.
00:19:47Well, I remind you that this is not meant to be a parody, okay?
00:19:50Let's see.
00:19:51The important thing is to understand how the other person feels in their own skin, okay?
00:19:54Come on, to the place.
00:19:55Come on.
00:19:57Oh, what a naughty girl!
00:19:59We continue.
00:19:59Okay, Guille.
00:20:00Guille.
00:20:01Super.
00:20:03Guille.
00:20:05Ss, you.
00:20:07Abambao, come out.
00:20:09Hey?
00:20:11Hey, wait a minute.
00:20:13Guille doesn't wear glasses.
00:20:23Brother-in-law.
00:20:25That's great, mate.
00:20:27Larger lighter.
00:20:28Hello.
00:20:32I'm going into the closet.
00:20:37Okay, Ten, Ten.
00:20:38How are you feeling, Diez?
00:20:40Well, I'm not going to feel that way.
00:20:42He's pathetic.
00:20:45That's not right, Diez, huh?
00:20:46Why did you say that?
00:20:47Because it's the truth.
00:20:49I'm a pain.
00:20:50And we're not playing for nothing.
00:20:52That's why I'm always alone.
00:20:54Guille, please.
00:20:54I have no friends and I never will.
00:20:57I'm pathetic.
00:21:03Ten.
00:21:04Ten.
00:21:09Okay, so what's up?
00:21:10What's wrong? You've gone way too far.
00:21:11Myron and Phidias are already there, right?
00:21:16Then you'll need the hotel, the polyclite.
00:21:19No, no, no, dude.
00:21:19People are secretive, leave it to me, man.
00:21:20We've been here for three hours, man.
00:21:21My head is pounding like crazy.
00:21:22I can't take it anymore either.
00:21:23No.
00:21:24Besides, we have to leave because we're not going to make it to the cinema.
00:21:28Hey guys, do you know any good restaurants?
00:21:31My uncle has come from Barcelona, I have to take him out for dinner.
00:21:33And since I don't know Madrid...
00:21:34I think there would be an Italian here in the neighborhood today, wouldn't there?
00:21:38Yeah?
00:21:39Yes, there would be an Italian one, but if you don't have a reservation it's going to be difficult, I think, huh?
00:21:43You go there.
00:21:44No, not me, I've arranged to meet other people there.
00:21:47Poor thing.
00:21:48But if you don't have a reservation, I feel bad.
00:21:50This girl seems a bit down.
00:21:52A little off?
00:21:53I don't know.
00:21:54No, I see her as normal.
00:21:56Dude, man, what the heck?
00:21:56No way?
00:21:57You can see her from a mile away, man, she feels alone and lost there in this city.
00:22:02Churri, why do you think no one has asked?
00:22:04About the restaurant.
00:22:06Hey, let's give him a little bit of human warmth.
00:22:08Man, dude, can't you see?
00:22:11No.
00:22:14Well, Afrik, I'm going to tell you something, okay?
00:22:17I'm sorry, but you have very little sensitivity, you know?
00:22:20Well, no, no, no, no.
00:22:21This girl is sending us a huge SOS for isolation, you know?
00:22:26And I'm going to prove it to you.
00:22:28Rum, rum, rum!
00:22:28Don't go, don't go!
00:22:30How are you?
00:22:31Very good.
00:22:31Very good, right?
00:22:32Hey, one thing, tell me the truth, okay?
00:22:34Wouldn't you really like Afrik to accompany you to dinner with your uncle?
00:22:41Well, yes.
00:22:42Yeah?
00:22:42Yes of course.
00:22:43Are you coming?
00:22:45Hey?
00:22:45No, no, thank you.
00:22:47We were going to the movies.
00:22:49No, no, no, no, no, no, no, no, no, no.
00:22:50Don't hold back for my sake, honey, man.
00:22:52But I'm all for open and free relationships, man.
00:22:55I always tell you that.
00:22:56Without jealousy, attachment, possession, or anything like that.
00:22:59Hey, if the girl wants a better plan, you know what?
00:23:02Whatever comes to mind, I have to understand it, you know?
00:23:04We'll go to the movies another day, don't worry.
00:23:06Well, it'll be for days.
00:23:07Yes, of course, of course.
00:23:09More than sausages.
00:23:10Sure, I'd be delighted.
00:23:11Are you coming?
00:23:11Of course, man, she does too.
00:23:12She's delighted and leaves.
00:23:14Of course, right?
00:23:15Yes, you two are forging a friendship, huh?
00:23:17You two really need each other, huh, sweetie?
00:23:19Because you need it, you need it, huh?
00:23:21Okay, okay.
00:23:22Funny, huh?
00:23:23See you later, okay?
00:23:23There.
00:23:26Come on.
00:23:28They're about to go through the second or third round.
00:23:30Dude, we're not in tune later, Marcos.
00:23:32Come on.
00:23:34It's rough, huh?
00:23:35Come on.
00:23:36Like goosebumps, Raúl.
00:23:38Like goosebumps.
00:23:38Come on.
00:23:40What did he say?
00:23:41Okay, let's see if...
00:23:42Hey, what?
00:23:43Well, it's a new Italian restaurant.
00:23:46I imagine I'm going to love it.
00:23:47Otherwise, I'll go down to the aunt's.
00:23:48Second, I am dying inside you, it's not all the same to me.
00:23:54Hello, thank you.
00:23:55Yeah.
00:23:57It's very beautiful.
00:23:58The clothes.
00:24:00And there's still too much left, isn't there?
00:24:01Maybe we already have all three here.
00:24:04I have to bring Fiti here.
00:24:06How beautiful.
00:24:07My poor thing, who was there in the workshop,
00:24:09There, cleaning a sump or something,
00:24:11and putting black nails on her nails.
00:24:12Well.
00:24:13A little more wine, Luzlita.
00:24:14Susita manager, dead.
00:24:15No, Fiti, no.
00:24:16Well, what I want is for you to tell me
00:24:18What are we doing here?
00:24:19What is it you have to tell me about Santiago?
00:24:22He won't be sick.
00:24:25Well, almost, chubby ones, almost.
00:24:28Because without mincing words.
00:24:30Because Santiago likes you a lot.
00:24:33No, well, he likes me too, but...
00:24:35But what does this have to do with anything?
00:24:36Well, it has a lot to do with it.
00:24:38Because he is a man.
00:24:40And as a man, he has his needs,
00:24:42that they are there.
00:24:44And if never, no, never, you know what I mean,
00:24:47Well, it might suit him...
00:24:49It might happen to him...
00:24:52A traffic jam.
00:24:55I've already said it.
00:24:57Congestion?
00:24:57It's difficult, I don't understand you.
00:25:02No.
00:25:04How can I explain this to you, Luzlita?
00:25:06It's like...
00:25:07Okay, you...
00:25:09You, the one about...
00:25:10The thing about traditionalism and...
00:25:12And the astringency and all that,
00:25:13You put that on the chart, right?
00:25:15Luzlita, literally,
00:25:16She does not know a man.
00:25:17Thirty-six years without meeting.
00:25:20I'm already getting excited, aren't I?
00:25:22Look, I think that...
00:25:23What Santi has to do
00:25:24It's a leap of faith, isn't it?
00:25:26Clear.
00:25:26Hey, by the way, Mom,
00:25:27help clear the road.
00:25:29What did he say to you?
00:25:30What do I know what he's going to say?
00:25:31He hasn't said anything.
00:25:33Look, that premieres with another one.
00:25:34You'll see.
00:25:35that she's coming on really, really strong.
00:25:37Besides,
00:25:38Estela is definitely popular with men, isn't she?
00:25:39Oh, Mom, how wrong you are.
00:25:40No, no, no.
00:25:41Lurditas isn't one to take the steps.
00:25:43He attends daily mass.
00:25:44Attends daily mass?
00:25:46And I follow the precepts of my faith.
00:25:47That's why I've preserved my virginity.
00:25:49to this day.
00:25:50Fuck.
00:25:52I mean,
00:25:52That's not the right word,
00:25:54but...
00:25:55Lurditas,
00:25:56You should do
00:25:57Pay a little attention to Santi
00:25:59And you should get your hopes up a little about Santi,
00:26:01mainly because of what it is...
00:26:03congestion.
00:26:05And also,
00:26:06Because don't tell me no,
00:26:06There are some good love stories there.
00:26:09Yes, that's good.
00:26:10That is true.
00:26:11But hey,
00:26:12Platonic love also exists.
00:26:14Yeah.
00:26:15But it's not the same.
00:26:16Lurditas,
00:26:18Hey?
00:26:19That's the crux of the matter,
00:26:22the enjoyment,
00:26:24the rib.
00:26:25Of course, woman.
00:26:27I mean,
00:26:27how a climax unites you,
00:26:28I'm going to tell you something,
00:26:29nothing unites you.
00:26:30Yeah,
00:26:31I don't know,
00:26:32I have no experience.
00:26:34Clear,
00:26:35There it is,
00:26:35That's the problem.
00:26:37I'm going to tell you something,
00:26:38Once you try it, you won't let go.
00:26:40What are you saying?
00:26:45I,
00:26:45by Santiago,
00:26:46because of their happiness
00:26:46and for your health,
00:26:47Well, I would do whatever it takes.
00:26:49but
00:26:49I don't know,
00:26:51I need time for this
00:26:51for reflection.
00:26:53Well,
00:26:53Well,
00:26:53Well, you take it.
00:26:54as an act
00:26:55of Christian charity,
00:26:57Hey?
00:26:57Yeah.
00:26:58A little bit of...
00:27:00A little bit more wine,
00:27:01underwear,
00:27:02carzón.
00:27:02Yes, carzón,
00:27:03But who will be the hick?
00:27:04Look,
00:27:11These are the photos
00:27:12of the exhibition.
00:27:13All of virgins and saints,
00:27:15See?
00:27:15But I'm only missing one thing.
00:27:16Our Lady of Sorrows.
00:27:18And the truth is,
00:27:18When I saw you,
00:27:19I told myself,
00:27:20This girl has all the...
00:27:21Okay, okay, okay,
00:27:22I'll inject myself.
00:27:24A pleasant anism.
00:27:25Listen,
00:27:26Yeah.
00:27:28Well,
00:27:28I insist,
00:27:29Hey?
00:27:32Come on,
00:27:32good anise,
00:27:33aunt.
00:27:33Good anise.
00:27:35Bye bye!
00:27:35Bye bye!
00:27:41It came out
00:27:42to my uncle Bernat,
00:27:42Hey?
00:27:43At my place
00:27:44we call it
00:27:44the sad one.
00:27:45Fuck,
00:27:46how much the uncle,
00:27:46the sad one,
00:27:47the one that has given me
00:27:47with the Virgin
00:27:48of the pains.
00:27:49Yeah,
00:27:49It has given me
00:27:50a little bit of pity.
00:27:51He's like, super freaked out
00:27:52with this project
00:27:53of the virgins.
00:27:55In the end,
00:27:55Let's go have a drink
00:27:56Let's see if we can clear our heads.
00:27:57a bit
00:27:57of the nuisance
00:27:58that your uncle gave us.
00:27:59Yeah.
00:28:00Host,
00:28:01No,
00:28:01No,
00:28:02No,
00:28:03No,
00:28:04Look at it,
00:28:04Look at the idiot
00:28:05from my boyfriend
00:28:05He's having a great time
00:28:06with his little friends.
00:28:08And that's because it can't be done
00:28:09be more of a bastard.
00:28:10And he has placed you
00:28:10with me to go out
00:28:11he.
00:28:12And on top of that, I get
00:28:13with the king,
00:28:13that thing about relationships
00:28:14open and committed.
00:28:15No,
00:28:15No,
00:28:15No,
00:28:15No.
00:28:15No, it's not.
00:28:17I'm going to rip it off
00:28:18the head.
00:28:21Well, if I were you
00:28:22I would give it back to her,
00:28:23but folded.
00:28:25For example,
00:28:27Raúl did not know
00:28:27to my uncle,
00:28:28TRUE?
00:28:29And my uncle Bernal
00:28:30could be
00:28:30like a train,
00:28:31No?
00:28:32Could?
00:28:34Is he seeking revenge?
00:28:35Is he seeking revenge?
00:28:38Oh, oh, oh, oh,
00:28:39If it was with what I give you.
00:28:41Hey, hey,
00:28:41I have a parzapán
00:28:42that takes your time looking beautiful.
00:28:47It can't be that good
00:28:49your uncle Bernal,
00:28:50Hey?
00:28:50She's very sexy.
00:28:51You look at me
00:28:52In a way, aunt.
00:28:53Oh really?
00:28:54You love yourself.
00:28:55I think so too
00:28:55We're going to have more
00:28:56What a word.
00:28:57I think so.
00:28:59Hey, Bernal!
00:29:00Hey!
00:29:02Hey, dude, dude,
00:29:02Did you hear what you said?
00:29:04Don't mess with me.
00:29:05No, no, man,
00:29:07Don't mess with me.
00:29:07Calm down, calm down, calm down.
00:29:08Let's see,
00:29:08You can't go and talk
00:29:09with her,
00:29:09why not.
00:29:10Let's see what he finds out.
00:29:10that you've done it
00:29:11in the 13-14.
00:29:12You've screwed up.
00:29:13You've messed up, haven't you?
00:29:14So, relax.
00:29:15Son of life!
00:29:16Let's...
00:29:17Yes, woman,
00:29:19Of course, aunt.
00:29:20Yeah.
00:29:20Ah, yes,
00:29:21much more, yes.
00:29:22Saint,
00:29:23that you...
00:29:23Here you are,
00:29:24to you, daughter.
00:29:24No, Mom,
00:29:25that you cannot be.
00:29:26Yes,
00:29:26yes,
00:29:27He left you, what do you say?
00:29:27It was delicious!
00:29:28and what if I didn't have
00:29:29ladies,
00:29:30I would tell him mischievous things,
00:29:31but...
00:29:31Apparently,
00:29:32He's going to do it with young ladies.
00:29:33Of everything,
00:29:33girls.
00:29:34What's happening?
00:29:35But,
00:29:35The deaf one, right?
00:29:37As?
00:29:39Excellent.
00:29:39Yeah.
00:29:40Yes or no.
00:29:41No.
00:29:42Well,
00:29:43Explain to them that I'm going to pee.
00:29:44No, you can't.
00:29:46Well no,
00:29:46because,
00:29:47You can't imagine
00:29:47how stingy it is in the bathroom.
00:29:48Yes, yes, yes,
00:29:49prominent.
00:29:50Repominant,
00:29:51It's like a roadside bar.
00:29:53of those two truck drivers.
00:29:53Yes, it will be less.
00:29:54women,
00:29:54He takes care of me.
00:29:55No,
00:29:55no,
00:29:56which is very deceptive
00:29:57that the restaurant
00:29:57because it's very tasty here,
00:29:58but the bathrooms,
00:30:00Here they are indescribable.
00:30:01Yes, well,
00:30:02I'll go anywhere.
00:30:03Because, really,
00:30:04My bladder is about to burst.
00:30:05No, but,
00:30:05It's better if they burst your bladder.
00:30:07no,
00:30:07that you catch an infection
00:30:08Sit down and...
00:30:09No,
00:30:09but,
00:30:09but,
00:30:09but,
00:30:09but,
00:30:10We're leaving.
00:30:11but,
00:30:11We're leaving.
00:30:11Oh well,
00:30:12if the mortadera is scrupulous,
00:30:13It's wonderful.
00:30:13No,
00:30:14But if that's the case,
00:30:14What's wrong with him?
00:30:15What is a dinner?
00:30:16What a great idea!
00:30:17mother,
00:30:17clear.
00:30:17That?
00:30:18Because,
00:30:19look,
00:30:19You only think about yourself.
00:30:20A good woman,
00:30:20How could you think otherwise?
00:30:21But,
00:30:21no problem,
00:30:22I'm telling the man now,
00:30:23They do it and that's it.
00:30:24Bye bye.
00:30:31Hey,
00:30:32Marilena,
00:30:32Do you mind passing the cookies around a bit longer?
00:30:33please?
00:30:34Your aunt gave them to you,
00:30:35moron.
00:30:36Nice answer,
00:30:37not you,
00:30:37Hey?
00:30:38I'll bring them to you.
00:30:40Safe,
00:30:40But I'm not dealing with beasts like her.
00:30:41I don't want to have anything to do with it.
00:30:43But,
00:30:43Why do you say,
00:30:44corn,
00:30:44That you don't understand?
00:30:46Guys,
00:30:46Not in the middle of the morning, no.
00:30:47please,
00:30:47Don't hurt yourself anymore.
00:30:48What a terrible night!
00:30:49Oh,
00:30:50look,
00:30:50look,
00:30:50She closed her eyes
00:30:51And I saw that poor cuckolded woman
00:30:52with the bladder burst
00:30:53and the two adulterers
00:30:55having a great time.
00:30:57Incredible,
00:30:57adulterers.
00:30:58What are adulterers?
00:30:59grandmother?
00:31:00Well,
00:31:00because adulterers are...
00:31:01Adulterers are...
00:31:02are...
00:31:03Yeah,
00:31:04if that's what he meant
00:31:05Grandma is an adult,
00:31:06which is confused with the word,
00:31:08Hey?
00:31:08Now,
00:31:08Tell me about this movie out there.
00:31:10Start packing up,
00:31:11please.
00:31:13But,
00:31:14please,
00:31:14Don't talk about these things
00:31:15in front of the children.
00:31:16But,
00:31:16if I'm disturbed
00:31:17with those horrible images
00:31:19that have stuck in me
00:31:20on the retina.
00:31:20Mother,
00:31:21Let's not exaggerate either,
00:31:21Hey?
00:31:22I only removed her hair
00:31:23and I touched his hand.
00:31:24So, that's it.
00:31:24Well, that's it.
00:31:25more touching and lies,
00:31:26equals safe sex.
00:31:27Look,
00:31:28mother,
00:31:28Don't make a big deal out of it.
00:31:30Now I'm going to school.
00:31:31I'm talking to Lurditas
00:31:32And I'm sure there's an explanation.
00:31:34Let's go!
00:31:34And it will already be on Sunday
00:31:35until Sunday.
00:31:37I know you hear it.
00:31:38Let's see,
00:31:39Raúl,
00:31:39for,
00:31:39for,
00:31:39for,
00:31:40for,
00:31:40uncle,
00:31:40don't worry.
00:31:41Anche,
00:31:42I told you I don't know anything,
00:31:43I still can't talk to Ruth.
00:31:44because she is lying down,
00:31:45Okay?
00:31:45Okay,
00:31:45Okay,
00:31:46Okay,
00:31:46uncle,
00:31:46Don't scold me
00:31:47I'm nervous,
00:31:47Marcos.
00:31:48Hey,
00:31:48uncle,
00:31:48The problem is, he's not answering my phone.
00:31:49And I imagine things,
00:31:50You know?
00:31:51I mean,
00:31:51They are horrible things,
00:31:52uncle,
00:31:52They are very dirty things,
00:31:53Marcos,
00:31:53You know?
00:31:53It's because you start overthinking it,
00:31:55uncle,
00:31:55and you start imagining things,
00:31:56The trick and you...
00:31:56Wait,
00:31:57uncle,
00:31:57Don't anticipate that event,
00:31:58Raul.
00:31:59What, no progress?
00:32:01I mean,
00:32:01That means she's involved with him
00:32:02because if I get ahead of myself
00:32:03It's because I find out later.
00:32:04Raul.
00:32:08Let's see.
00:32:09You're driving me crazy,
00:32:10uncle,
00:32:10You're going to drive me crazy.
00:32:11Let's see,
00:32:11If we don't know what Africa did,
00:32:12But if he did do something,
00:32:13Raúl,
00:32:13You deserve it.
00:32:14Okay.
00:32:14For leaving her lying there,
00:32:15You know?
00:32:16And because they're brainless,
00:32:17You know it.
00:32:17Yeah?
00:32:18Yes,
00:32:19yes,
00:32:19yes,
00:32:20Damn,
00:32:21that I was wrong,
00:32:21uncle,
00:32:21I'm going to make it up to her.
00:32:24Uncle,
00:32:24Don't be cruel,
00:32:25that I am weak,
00:32:26Marcos.
00:32:27They tell you 10
00:32:28She's severely depressed.
00:32:30Normal,
00:32:30if only on top of that
00:32:30Those were Guille's jokes
00:32:31and then the poor man
00:32:32He slapped himself as he left.
00:32:33What do they tell you?
00:32:33that they're going to have
00:32:34who has nose surgery
00:32:34more times
00:32:35than Michael Jackson.
00:32:37Geez,
00:32:37Guille,
00:32:38uncle,
00:32:38How did you manage to get 10?
00:32:39And how did you stand out?
00:32:40with my sister's money?
00:32:41Does it come with 10
00:32:41with his father and the braca?
00:32:48Well, the father
00:32:50It doesn't limit anything bad either,
00:32:52Hey?
00:32:52Uncle,
00:32:52You're so arrogant,
00:32:53No?
00:32:53Trunk,
00:32:54yes it's true,
00:32:54It's true,
00:32:54What do you want me to do?
00:32:57Guillermo Serrano.
00:33:00Guillermo Serrano.
00:33:01Hey?
00:33:01Come here.
00:33:05Have you been making fun of 10?
00:33:07Am I making fun of you?
00:33:08What do you say to him/her?
00:33:08Because of the role-playing game.
00:33:09Ah,
00:33:09A game?
00:33:10Yeah,
00:33:11Well,
00:33:11It's a game
00:33:11what we did with the psychologist.
00:33:12He had to do me
00:33:13and I had to play him.
00:33:15But come on,
00:33:15that my intention
00:33:16It wasn't meant to offend him,
00:33:16that was noted down for me,
00:33:18And well...
00:33:18What cruel little games!
00:33:19What does the psychologist do?
00:33:20What do you want?
00:33:21Sink the kids?
00:33:22No no,
00:33:22at all.
00:33:23If Fernando was doing
00:33:24This game with the children
00:33:25It's because I thought it was appropriate,
00:33:27come on,
00:33:28that he is teaching him a lesson.
00:33:29Pedagogy?
00:33:30So he tells the psychologist
00:33:31that my boy
00:33:31Leave it as it is,
00:33:33without pedagogy.
00:33:36OK,
00:33:36I'll talk to him.
00:33:42Yeah,
00:33:42Sir.
00:33:42Candle,
00:33:50hello.
00:33:50Can we talk for a moment?
00:33:52Naturally,
00:33:52that you want.
00:33:53I have the feeling
00:33:56that my daughter
00:33:56It's going down
00:33:57in their academic performance
00:33:58This evaluation.
00:33:59Is that right?
00:34:00It's not a feeling
00:34:01and share
00:34:02their fears.
00:34:03At the moment
00:34:04I can't squeeze them.
00:34:05What do you think, man?
00:34:06Are you going to talk to him?
00:34:07of the perpetrator?
00:34:08See you later.
00:34:09See you later.
00:34:11What are you on about?
00:34:12creature of God?
00:34:13What are you on about?
00:34:15You suspend,
00:34:15You arrive very late,
00:34:16You're completely out of control,
00:34:17Africa,
00:34:18completely.
00:34:19And I'll tell you one thing,
00:34:20even though it hurts,
00:34:20But I'm going to tell you.
00:34:21Next year,
00:34:22internal.
00:34:23That?
00:34:23Yeah,
00:34:24to knock some sense into you.
00:34:25But let's see, Dad.
00:34:26Internal, Africa,
00:34:27internal.
00:34:27Hello,
00:34:28Don Ramón.
00:34:29Hello.
00:34:31That I wanted
00:34:32that I mentioned,
00:34:33the thing is
00:34:34Africa
00:34:35He arrived late
00:34:36because of me.
00:34:38Oh, yeah?
00:34:39Yeah,
00:34:40Yes, yes, yes.
00:34:41It's because, well,
00:34:41She was telling me
00:34:43Let's go, let's go,
00:34:44oh well,
00:34:44I get really annoying
00:34:46and so she
00:34:47for not leaving me alone,
00:34:48You know.
00:34:48Well then,
00:34:48I know you, kid.
00:34:49because I'm going to make you
00:34:50sole responsible party
00:34:51of behavior
00:34:52of my daughter.
00:34:52And how I found out
00:34:53that he does something silly,
00:34:55I already know who I'm going to sue.
00:34:57We are?
00:34:58We're here, we're here.
00:35:01Come on, hurry up!
00:35:02To class!
00:35:02I'm going to watch you.
00:35:04of being cafnic.
00:35:07Fuck.
00:35:09You've been noble, very noble, haven't you?
00:35:10What the hell, dude?
00:35:11He put it in me
00:35:12on the internet
00:35:12And it sinks me, man.
00:35:14Oh, what do I do?
00:35:15See, I asked him
00:35:15for good
00:35:16that if they put me
00:35:16the bullpens?
00:35:18No.
00:35:19No, Mom,
00:35:19I haven't spoken
00:35:19still with Lurditas,
00:35:21But as soon as I see her
00:35:22I'm asking you why, man.
00:35:23Mom, yes,
00:35:23I'll call you later.
00:35:25Mom, I'll call you later.
00:35:26Okay, see you later.
00:35:27Oh, my mother.
00:35:29How awful.
00:35:29Hey, Lurditas,
00:35:30I wanted to talk to you
00:35:33a topic,
00:35:34But it's a topic
00:35:34a little delicate.
00:35:35Yes, I wanted to too.
00:35:36I'll talk to you, Lucia.
00:35:38Ah,
00:35:39that they have done to me
00:35:39a sexual proposition
00:35:40And I think I'm going to accept.
00:35:44What do you mean, a
00:35:44sexual proposition?
00:35:45When?
00:35:46Last night.
00:35:47By?
00:35:48What do you mean, why?
00:35:48Because you're not going to accept it,
00:35:49because you can't accept it,
00:35:50TRUE?
00:35:51What is it that you cannot accept?
00:35:52Nothing.
00:35:52Nothing.
00:35:53Nothing.
00:35:53I haven't asked myself that.
00:35:54What is it that you cannot accept?
00:35:55Also.
00:35:56Well, they've done it to me
00:35:57a sexual proposition
00:35:58And Lucia tells me
00:35:59that I do not accept.
00:36:00Oh well,
00:36:01What nonsense!
00:36:01Of course you have to accept.
00:36:03But wait a minute,
00:36:03Let's see.
00:36:04Lurditas is a person of faith
00:36:05Because it is, right?
00:36:07And the church says very clearly
00:36:08that cannot be maintained
00:36:09sexual relations
00:36:10outside of marriage.
00:36:11No.
00:36:12Well,
00:36:12But if it's for a good cause
00:36:14I think so too
00:36:14Forgiveness is possible.
00:36:15Man,
00:36:15Of course, forgiveness is possible.
00:36:17Besides,
00:36:17What did Christ say?
00:36:18What did Christ say?
00:36:19Love one another.
00:36:20And he said it very clearly.
00:36:21Exactly.
00:36:22Exactly.
00:36:22Exactly.
00:36:23But figuratively speaking.
00:36:24No, no, not figuratively.
00:36:25Besides,
00:36:25She is a Christian,
00:36:26that's it.
00:36:27You understand?
00:36:27She's a Christian, period.
00:36:28And furthermore,
00:36:28Christians were the ones who invented
00:36:29that beautiful thing of
00:36:30that worms will eat it
00:36:33May Christians enjoy it.
00:36:37Thank you,
00:36:38But the church didn't mean exactly that.
00:36:39The church prescribes quality
00:36:41towards those in need
00:36:42And I believe this is a case of charity.
00:36:43Yeah.
00:36:45For charity.
00:36:46Naturally, for charity.
00:36:47And it has our blessing,
00:36:48so nothing,
00:36:48Enjoying it like crazy, huh?
00:36:49Alurdes?
00:36:52Like a Christian dwarf.
00:36:54Hello.
00:36:56Fernando,
00:36:56Fernando,
00:36:57Diez's father has arrived.
00:36:59Huh?
00:36:59He is very worried,
00:37:00quite angry
00:37:01with this matter
00:37:02of the role-playing game
00:37:02that you raised in class.
00:37:04AND,
00:37:05that?
00:37:06Let's see,
00:37:06What has Guille done?
00:37:09I can't believe it.
00:37:10But, but,
00:37:11Guille, please,
00:37:12This is terrible.
00:37:13Oh well,
00:37:13What do you want me to do?
00:37:14If they tell me it broadcasts to Diez,
00:37:15Well, I limit it.
00:37:15Let's see,
00:37:16Fernando,
00:37:16Can you explain the game to me?
00:37:17I didn't understand it either.
00:37:18Hey?
00:37:18What are you trying to do?
00:37:19So that it would be understood.
00:37:20That they put one on
00:37:21in the other's skin,
00:37:22but not.
00:37:22It was not
00:37:23to crush the most unfortunate,
00:37:24Guille.
00:37:25No, that's not it.
00:37:25Of course not,
00:37:25because you cause harm.
00:37:26Don't you realize?
00:37:27What harm are you doing?
00:37:27But he doesn't realize it.
00:37:28He won't notice.
00:37:29naturally.
00:37:30And he's going to be punished.
00:37:31worthy of one who realizes
00:37:32that it causes harm.
00:37:33Candle,
00:37:33Candle.
00:37:35Punishments don't work.
00:37:36Have you seen it?
00:37:37You leave me.
00:37:43Okay,
00:37:44very good.
00:37:44Do your own thing.
00:37:45I mean,
00:37:45You can't decide.
00:37:46Thank goodness I'm home
00:37:47Things are going well,
00:37:48because at school
00:37:48We're going to hit each day.
00:37:55Are you sorry?
00:37:56Yeah.
00:37:58Ah,
00:37:59That's why it's very good.
00:38:00Because you're going to integrate
00:38:0110 in your gang.
00:38:01That?
00:38:02No.
00:38:02Yes, yes.
00:38:03No no.
00:38:03Yes, yes.
00:38:04You're going to show him
00:38:05that you consider him
00:38:05a normal boy
00:38:06and that you respect him,
00:38:08being his friend.
00:38:09But let's see,
00:38:09no,
00:38:10that my gang
00:38:10It is not an NGO
00:38:11and besides, he doesn't have
00:38:12our hard roll.
00:38:13Wasn't it tough?
00:38:14And those times
00:38:15I see you ahead
00:38:16from television
00:38:16watching the movie
00:38:17of the dead poets
00:38:18at the moment he says
00:38:19O Captain!
00:38:20my captain,
00:38:21It looks like you're going to have a heart attack.
00:38:22Well,
00:38:22That's tough.
00:38:23And maybe also
00:38:25I can say
00:38:26to someone
00:38:27that interests you,
00:38:28that you like Andy and Lucas
00:38:29and that you hear it,
00:38:30your friends,
00:38:31look,
00:38:32We're going to call him.
00:38:32Okay, okay.
00:38:33No, no, no.
00:38:33What do you think?
00:38:33No, no, no.
00:38:34We're not going to call anyone, okay?
00:38:37If we need to integrate 10,
00:38:38It would be complete, period.
00:38:39No problem.
00:38:40That's what I like to hear,
00:38:40that he understands things.
00:38:41Very good.
00:38:46Okay, so what?
00:38:46What happened?
00:38:48We have a new friend.
00:38:49Who?
00:38:49Who?
00:38:5310?
00:38:56Here?
00:38:57I'm not putting it in the closet.
00:38:59No, stay here.
00:39:01Orders are orders, trunks.
00:39:03And?
00:39:04A lot of work for the workshop,
00:39:05And you?
00:39:06No.
00:39:07Oh, no?
00:39:08Well, I don't know,
00:39:09as Candela told us,
00:39:10You stayed up until so late that night
00:39:12through a sump.
00:39:13Which crankcase?
00:39:15Ah, a sump.
00:39:16Yeah.
00:39:17There all night.
00:39:18I got the grapes with the oil pan.
00:39:20Clear.
00:39:20That thing that crankcases have,
00:39:22that when you get involved with them,
00:39:24Of course, it also brings many satisfactions,
00:39:26TRUE?
00:39:27Hello.
00:39:28Look, and speaking of oil pans,
00:39:30Does Lurditas make must?
00:39:31No, thank you, Mrs. Carmen.
00:39:33Isn't Santi here?
00:39:35Well no,
00:39:35has had to go out shopping,
00:39:37But if you want to talk to Fiti
00:39:38of the crankcase.
00:39:41Lurditas,
00:39:43Come here,
00:39:43because there's a strong current here.
00:39:44Come, come.
00:39:45Come here.
00:39:45What is that thing I made of a crankcase?
00:39:49I don't know,
00:39:50the lack of irrigation.
00:39:52Okay, so what?
00:39:54Fiti,
00:39:55that I accept the intimate date with Santi.
00:39:57Really?
00:39:58That's it.
00:39:59I love him.
00:40:00What if their health is at stake?
00:40:02That's the way to talk.
00:40:03Fuck.
00:40:04Yes sir.
00:40:04Well, that's it.
00:40:05We'll fix it tonight.
00:40:06Besides, I know what Santi likes.
00:40:08The beautiful things,
00:40:08fine,
00:40:09as you lift.
00:40:10Tonight,
00:40:11my God,
00:40:12Isn't it a little rushed?
00:40:13Hasty?
00:40:14Well then,
00:40:14There are two years,
00:40:15Now with the silliness,
00:40:16Lurditas.
00:40:17Yeah,
00:40:17That's also true.
00:40:19Okay,
00:40:20tonight,
00:40:21But please,
00:40:21Don't let anyone find out about this.
00:40:22OK?
00:40:23No,
00:40:23Don't let even God find out.
00:40:25Man,
00:40:25Yes, God.
00:40:26Yes, God.
00:40:26because he is omniscient.
00:40:28But let it remain between God,
00:40:29Santi,
00:40:30you and I.
00:40:31Well,
00:40:31He has not resigned yet.
00:40:33I shit on him.
00:40:35Man,
00:40:35Lurdita,
00:40:36Glad to see you.
00:40:38You don't want to take anything.
00:40:39No,
00:40:39I was already leaving.
00:40:41Ah.
00:40:42See you later.
00:40:42What's happening?
00:41:00Hey,
00:41:00Hey,
00:41:00Tune up, tune up.
00:41:01Ah,
00:41:02Raul.
00:41:02Hey.
00:41:03Hey,
00:41:03Thank you so much for covering for me with my father.
00:41:05You're a southerner.
00:41:06Hey,
00:41:09Hey,
00:41:10hey,
00:41:10Well,
00:41:10how are you?
00:41:12How are you?
00:41:12Like what?
00:41:13How are you?
00:41:13Is he more than this guy?
00:41:15Ru's uncle?
00:41:16Ru's uncle?
00:41:17Ah,
00:41:17Bernard?
00:41:18Yeah.
00:41:18Bernard Castell?
00:41:19Yeah.
00:41:19The grayest place on the planet.
00:41:21Grey?
00:41:21Uh-huh.
00:41:23Diz,
00:41:24diz,
00:41:25ugly and boring,
00:41:27you say.
00:41:27But with enthusiasm.
00:41:29Oh well,
00:41:29at least he kept poor Ruth company,
00:41:31which was the whole point,
00:41:32No?
00:41:32Hey,
00:41:33wait.
00:41:35Yeah?
00:41:36Bernard?
00:41:37Yeah,
00:41:37sorry.
00:41:38Yeah,
00:41:38Ruth,
00:41:39Follow my lead, he's dredging.
00:41:44Marcos,
00:41:44Marcos.
00:41:46Uncle,
00:41:47uncle,
00:41:47that he's putting it in me,
00:41:48trunk,
00:41:48who has a fling with Ruth's uncle,
00:41:50uncle,
00:41:50and he's pantomiming me.
00:41:52What pantomime?
00:41:53The pantomime,
00:41:54do you remember?
00:41:54Yesterday,
00:41:55Marcos,
00:41:55who said it,
00:41:57I mean,
00:41:57we saw it,
00:41:58uncle,
00:41:58that guy,
00:41:58what the hell did he put on,
00:42:00who was sexy,
00:42:00Okay?
00:42:01Well,
00:42:01Well, he's giving me that line.
00:42:02that it is gray
00:42:03and ugly and boring,
00:42:04trunk,
00:42:06And look,
00:42:06fuck,
00:42:07Look at the face she's making while talking to her,
00:42:08man,
00:42:08please.
00:42:11A little bit of love,
00:42:12So, well,
00:42:12No way.
00:42:12I'm making my own life,
00:42:14And on top of everything, it's my fault.
00:42:16Marcos,
00:42:16It's my fault.
00:42:17uncle,
00:42:17because he pushed her,
00:42:19uncle,
00:42:19He pushed her,
00:42:19You know?
00:42:19Because I left that hottie there all alone,
00:42:22uncle,
00:42:22to go off with some losers there and have some fun,
00:42:25some subnormals,
00:42:26trunk,
00:42:26that,
00:42:27Why the hell do I have to go?
00:42:28Don't go too far,
00:42:29I mean,
00:42:30that it's not our fault,
00:42:31Blond.
00:42:31What are you doing?
00:42:34But what does he do?
00:42:35What is this woman doing?
00:42:36trunk?
00:42:37Well,
00:42:37a little kiss.
00:42:38Bye,
00:42:38Bye.
00:42:40Ruth's uncle,
00:42:41who wants to take some photos of me this afternoon at his hotel,
00:42:44He is preparing an exhibition about virgins,
00:42:47And he wants me to be the Virgin of Sorrows.
00:42:50Our Lady of Sorrows?
00:42:51Cheap,
00:42:51TRUE?
00:42:52I don't know,
00:42:53I feel kind of awkward telling her no.
00:42:54I'm going to the bathroom.
00:43:01Our Lady of Sorrows?
00:43:06Already,
00:43:06uncle,
00:43:06I can think of a lie like that,
00:43:08Okay?
00:43:08Don't mess with me.
00:43:09Well, they're really convoluted here.
00:43:10Well,
00:43:10It's true,
00:43:11Raúl,
00:43:11Raul.
00:43:12Yeah,
00:43:13that everything is under control here.
00:43:15All.
00:43:17Well,
00:43:18in the end,
00:43:18everything that can be controlled in that family.
00:43:22Hey,
00:43:23You rest,
00:43:23Okay?
00:43:26Come on,
00:43:27My mother has just arrived,
00:43:28a little kiss,
00:43:29I'll call you later.
00:43:29Okay?
00:43:30Come on,
00:43:30see you later.
00:43:31That?
00:43:32The adultery of Fiti and Lurditas is confirmed.
00:43:35Whether we like it or not,
00:43:36It's confirmed.
00:43:37What happened, Mom?
00:43:39Well, that little virgin,
00:43:41who has arrived at the tavern
00:43:42and she has been,
00:43:44of little secrets,
00:43:45and every autumn,
00:43:46with the Fiti.
00:43:47Shameful.
00:43:48Hey?
00:43:48Shameful.
00:43:50Well, you know what he told us today
00:43:51Candela and I at school.
00:43:55Well...
00:43:55that tonight she received a sexual proposition.
00:43:58Good heavens!
00:43:59And then he goes and blurts it out.
00:44:00No, even worse, Mom.
00:44:02Candela believes that Santiago made the sexual proposition to her.
00:44:04And on and on and on, insisting until he convinced her to take the plunge.
00:44:09Oh, poor saint, how awful!
00:44:11I'm feeling sick because of all this.
00:44:12I just don't know what to do, you know?
00:44:13What are we going to do, Mom?
00:44:14Well, talk to Candela.
00:44:17Yes, man.
00:44:17And with Santi, of course.
00:44:18And tell them about the little decoration those two are putting up at the very top.
00:44:22Hey, we can also be wrong because we have clues,
00:44:25But there are no certainties.
00:44:26Look, my daughter, those two are allies.
00:44:28Yeah.
00:44:28And I've heard that they're going to consummate their marriage tonight.
00:44:33Oh no.
00:44:33Yes, because when saying goodbye, he signaled that he would call her later.
00:44:37Oh, Mom, it can't be, no, it can't be.
00:44:39It can't be, daughter, it can be.
00:44:41If there is white and it's being bottled, we must intervene.
00:44:44Well, this is a little shrimp that goes along the bottom of the sea.
00:44:47No, it was an octopus.
00:44:49Well, it's an octopus who goes and finds a little shrimp crying.
00:44:54And he says to her, "But little shrimp, why are you crying?"
00:44:56The little shrimp says, "My parents went to a cocktail party and haven't come back."
00:45:00Hey, Mom, is that it?
00:45:03It's because their parents were prawns and they went to a prawn cocktail party,
00:45:08because they will never return.
00:45:10Oh, what a mess, Jesus, you've got it, huh?
00:45:13I'm cracking up.
00:45:15Well, I'll follow another one.
00:45:15Do you know the one about the elephant and the ant?
00:45:18Hey guys, you're not telling me what to do, I mean, well.
00:45:25Come on, what's up?
00:45:28Because?
00:45:29Why are they so good?
00:45:34Okay, I have a question.
00:45:37You like boobies, huh?
00:45:38What are bufas?
00:45:40You don't know what bufas are.
00:45:42Let's see, buddy, well, boobies are...
00:45:44They're the boobies, man.
00:45:46That?
00:45:48Have you played any?
00:45:49Have you ever played a falete?
00:45:50God.
00:45:51What do you mean, ten?
00:45:53So, what do you think we have two hands for?
00:45:55Well, we have two hands to play two buffaloes.
00:45:57Hand A to the bufa,
00:45:59and hand B to the buff B.
00:46:01And that's it...
00:46:02Come on, what's it going to be for?
00:46:05Look, ten.
00:46:06We don't admit anyone into this group
00:46:07that I haven't seen a couple of boobies.
00:46:09Yes, those are our rules.
00:46:11So, if you want to continue with us...
00:46:13You have to see some live, criminal buffoons.
00:46:15I?
00:46:16As?
00:46:16Where?
00:46:17Yes, yes, yes.
00:46:17Shh, calm down.
00:46:20The operation begins...
00:46:22...snorts.
00:46:23Oh ok!
00:46:24There's a lack of money here!
00:46:26How much?
00:46:27How much did you charge for the coffees?
00:46:28One hundred?
00:46:28One hundred what?
00:46:29Are pesetas hard for measuring?
00:46:31What's that?
00:46:32It's from a...
00:46:32My eggs!
00:46:33It's not worth it, not even...
00:46:35To the house!
00:46:35To the house!
00:46:36To the house!
00:46:40The shops...
00:46:42Diego's house...
00:46:44Santi's House.
00:46:49Kiti, what are you doing?
00:46:51Hey...
00:46:52Nothing...
00:46:53The tavern cards.
00:46:54I came to look for them.
00:46:55I'm going to put them in the workshop to advertise them.
00:46:57Clear.
00:46:58They never hurt to come in handy.
00:46:58Very good.
00:47:03Yeah?
00:47:14Yeah.
00:47:16Let's meet now?
00:47:18No no.
00:47:18I have mass today.
00:47:20Okay.
00:47:21Okay, okay.
00:47:21Well, I'm not going.
00:47:23One moment.
00:47:25Okay.
00:47:25Look, he's going to skip the step.
00:47:30I've been and lost my virginity.
00:47:32Oh, how cute.
00:47:33Adorable.
00:47:37How are mobile phones today, huh?
00:47:39My mother.
00:47:41Mother.
00:47:46Yes, yes, I know.
00:47:47The little rolls of fat are no longer heard.
00:47:49Well, that's not the worst of it, daughter.
00:47:51No, they're going to use Santiago's house.
00:47:53From the riding arena.
00:47:55Are you sure?
00:47:56Of course I'm sure.
00:47:58Yes, I saw him picking up the keys.
00:48:02By stealing them, yes.
00:48:04We intervened.
00:48:05We intervened.
00:48:06We intervened.
00:48:06See you at Santiago's front door.
00:48:08When classes are over, okay?
00:48:11Come on.
00:48:12See you later.
00:48:13My mother.
00:48:18Can I come in here?
00:48:20Of course not.
00:48:20That's the beauty of it.
00:48:21This way, he's definitely coming this way.
00:48:23Okay, yes.
00:48:24Come on, look, look, look.
00:48:27Okay, will you all stop acting like idiots?
00:48:29Hey man!
00:48:29Yeah, dude.
00:48:30Okay, we need to think about where we can hide you.
00:48:32But do I have to hide?
00:48:34No.
00:48:34Ten, let's see.
00:48:35What if you approach a girl and say...
00:48:37Hey, can I see your boobs?
00:48:39What are you going to tell yourself?
00:48:40Are you stupid?
00:48:40What's the matter?
00:48:41Let's see.
00:48:43Let's see.
00:48:45Yeah.
00:48:45There's a good view from here.
00:48:46Okay, fine.
00:48:47Get on top of the bowling pin.
00:48:47What are you doing?
00:48:48Get on it.
00:48:49What are you doing?
00:48:50No, dude, the girls are coming.
00:48:51Water, water, water.
00:48:52No, no, no.
00:48:53I'm staying.
00:48:53I'm staying.
00:48:54Pilice!
00:48:54I'm staying in the closets, mate!
00:48:55No, dude, the girls are coming.
00:49:25Three fools, get out of the way, but girl is shit.
00:49:29But get out of the way.
00:49:31Three idiots, get off me, dude.
00:49:34So Mr. Open Relationships is angrier than a monkey.
00:49:38You can't imagine.
00:49:39The more I tell him the truth, the more he believes I'm lying to him.
00:49:41And it's safer there than I have a problem with your uncle.
00:49:43Wait.
00:49:44Daddy.
00:49:52Yes, here at Marcos's house.
00:49:55No, because we have a job to do for tomorrow.
00:49:58Hey?
00:49:59No, no, I'm lying to you.
00:50:01No, okay, okay.
00:50:03A little kiss.
00:50:04See you later.
00:50:06Fuck.
00:50:07My father has become obsessed with surveillance.
00:50:09It's just that having a wooden father, aunt...
00:50:12Look at me.
00:50:14Gorgeous.
00:50:15Let's talk about clothes.
00:50:18So, tell me, what did you tell Raúl about my uncle?
00:50:20Well, basically, he's a gray, ugly, boring creature...
00:50:23...and that he wanted to take some pictures of me in the style of the Virgin of Sorrows.
00:50:25Except for the fact that they call him "the sad one," which seemed a bit over the top to me...
00:50:28...everything else.
00:50:29How beautiful!
00:50:30Yeah?
00:50:30Treat it.
00:50:30What I don't understand is why Raúl doesn't tell you that he saw you last night.
00:50:35Because he's a coward, huh?
00:50:36And he refuses to admit that he left me stranded to go off with his little friends.
00:50:39Look, really, you'll forgive me, okay?
00:50:41What a lousy boyfriend you have.
00:50:44Thank you.
00:50:45No, no, but like me, right?
00:50:47Like me, I understand you, I get close to every little gem, auntie.
00:50:50Oh really?
00:50:50Yeah.
00:50:52But anyway, I'll tell you all about it when we establish this wonderful friendship that I made with your boyfriend.
00:50:57Yeah.
00:50:58How am I?
00:51:00Mythical.
00:51:01And now, let's finish the play.
00:51:04What are you going to do?
00:51:05Well, let's turn my uncle Bernat into the photographer of the top models.
00:51:13Revenge is revenge, auntie.
00:51:15And you have to work hard for it.
00:51:20The curtain rises.
00:51:22You see a wardrobe and ten come out of it.
00:51:25Who locked them up there?
00:51:26Okay, I'll ask the question another way.
00:51:33Ten, son.
00:51:34Did they put these animals in your shower closet?
00:51:38Diez confesses that nothing will happen to you, son.
00:51:40They didn't put me in.
00:51:43I went in by myself.
00:51:44I didn't want that, I swallowed it.
00:51:47Why would you get involved?
00:51:48You in the shower closet.
00:51:49Well, to see some boobs.
00:51:52Some boobies.
00:51:53What are bufas?
00:51:58"Unas bufas, unas bufas" in boys' language are breasts, boobs, come on, female breasts.
00:52:05And my son went into a closet to look at some boobs?
00:52:08Yes, apparently that was the case.
00:52:10That's why I kicked him out for a day, just so he would realize that you can't just go around hiding in a closet.
00:52:14This son is a reserved and studious boy.
00:52:17That couldn't have been his idea.
00:52:19What was he doing with Serrano's group?
00:52:20Well, the school's psychological team thought this was the most appropriate course of action.
00:52:24I...
00:52:24I told him I didn't want that teaching method applied to my son.
00:52:28Did I tell him yes or no?
00:52:29What did he tell me?
00:52:30This morning.
00:52:32And you have no idea how it's gotten.
00:52:34Okay, let's go.
00:52:34But, Candela, come on.
00:52:37For a withdrawn guy like Diez, huh?
00:52:39Seeing some girls, doing anything that involves a child of that age, is healthy, healthy.
00:52:42I know, Fernando, but Diez's father doesn't see it that way.
00:52:45And he has called an extraordinary meeting of the Parents' Association for tomorrow morning.
00:52:49Oh, really?
00:52:52It will ask for your address.
00:52:54Hey?
00:52:57What good is it, brother?
00:52:58Of course, of course I want to see you.
00:53:00I'd love to see you.
00:53:01But I swear that right now, right now it's impossible.
00:53:05What a shame, because I mean, I'm going to her house, I'll see Ruth and I'll give Lucia a kiss.
00:53:09But Ruth is safe at home, right?
00:53:11Ah, great.
00:53:12So I'll stop by, okay?
00:53:13Bernad, Bernad, listen, I have to go.
00:53:15We'll definitely see each other next time, okay?
00:53:17Okay, fine, a little kiss.
00:53:19See you later.
00:53:21Oh, how annoying, you really made me sad, for goodness sake.
00:53:24But what happened to you, Mom?
00:53:25Did you think you weren't coming?
00:53:25Hush, hush.
00:53:27Santi wouldn't let me leave.
00:53:28I had to fake a heart attack.
00:53:31That?
00:53:32Okay, so what?
00:53:32Have they appeared?
00:53:33No, they're going to appear.
00:53:35Hey, Mom, let's see.
00:53:36Are you sure Fiti has taken the keys to Santiago?
00:53:39What did you do?
00:53:41Patience, those adulterers are coming.
00:53:44Oh, I don't know, Mom, I don't know, I don't know, I don't know, I don't know.
00:53:47I really don't think Fiti would have the nerve to use Santi's house as a love nest, man.
00:53:52Don't you think so?
00:53:52That?
00:53:53No?
00:53:53Well, there they are.
00:53:56Hey, are you happy?
00:54:04I'm amazed.
00:54:05I'm amazed.
00:54:07And I'm amazed.
00:54:07So stop hallucinating and come down.
00:54:09Come on, let's go.
00:54:10Wait, they're getting away from us.
00:54:11Come on.
00:54:12Come on.
00:54:15Mother.
00:54:16When are they left?
00:54:17That?
00:54:18But what are you doing here so early?
00:54:21Now, with this weather, people are going to the terraces.
00:54:24Hey, lady, aren't you dying yet?
00:54:26Yes, I am, I am.
00:54:27Look, I have something here.
00:54:29Here.
00:54:29Don't worry, Mom, don't worry.
00:54:31We're going to the health center.
00:54:32Why don't you join us?
00:54:33I?
00:54:33Yeah.
00:54:33I?
00:54:34Ah, just what I needed.
00:54:35And why not?
00:54:36Maybe it's serious.
00:54:37Clear.
00:54:37Serious, serious.
00:54:38Those are gases.
00:54:39Three well-placed burps and run.
00:54:41But of course, the lady is fine.
00:54:43Well, I'm looking at myself, you know?
00:54:44Santi, Santi, no, no, sorry.
00:54:46Just a moment.
00:54:46I'm not really sure where the health center is.
00:54:48Okay, I'm going straight ahead, right?
00:54:49The first one on the right.
00:54:50No, the second one on the right and then straight again.
00:54:52That's the way, isn't it?
00:54:55Dad, be quiet.
00:54:56This man is so annoying, please.
00:54:58Hey, let's get down to business with the photos, okay?
00:55:00Cool.
00:55:01Hey, you're being a bit light-headed, aren't you?
00:55:02For Our Lady of Sorrows.
00:55:05Afri, I'm a Moor, your boyfriend, right?
00:55:07Silly.
00:55:07Moor?
00:55:08Yeah.
00:55:08What are you saying?
00:55:09If you're into free and open relationships, right, my love?
00:55:12Little thing.
00:55:13Hey, thank you so much for finishing the job for me.
00:55:15I'll leave the notes here, okay?
00:55:16Okay, okay.
00:55:20See you later, Dad, okay?
00:55:21See you later.
00:55:24Bye bye.
00:55:25Bye.
00:55:26No, no, it's not going that fast, Raúl.
00:55:28Let's go to the Policleto, shall we?
00:55:30Policleto, secret agent.
00:55:31Where are you?
00:55:33Mirote.
00:55:38That?
00:55:39That hottie, dude?
00:55:40Was it in the Africa folder?
00:55:41What a hottie!
00:55:42This hottie, dude.
00:55:43Holy shit, dude.
00:55:46Vernas Castel?
00:55:48Vernas Castel?
00:55:48One of the most sought-after photographers representing the Spanish art scene in the...
00:55:53In terms of wine photography?
00:55:57Oh.
00:56:00No, that's the problem.
00:56:01Oh, oh, oh, oh.
00:56:01Afri hasn't entered, he hasn't entered.
00:56:03Yes, yes, Marcos, he's in, he's in.
00:56:05She's come in, that's why my aunt's got such a big face, you know?
00:56:09Damn it, of course.
00:56:10This photographer tricked her into becoming a star, and she, being an idiot, went along with it.
00:56:15No, Raúl.
00:56:16I shit on that.
00:56:16And now she's taking nude photos with him.
00:56:18Damn it.
00:56:18Raúl, Raúl, stop, stop, let's see.
00:56:20Let's see.
00:56:21The photos.
00:56:22Okay, stay still.
00:56:24Photos.
00:56:25They're photos...
00:56:25These are beautiful photos, they're fine photos, aren't they?
00:56:28You're probably already getting what they want, you know?
00:56:30I'm nobody here to force her or anything, you know?
00:56:34In other words, what I want is what's best for her.
00:56:35You can talk to her and say, hey...
00:56:37No, no, let's see.
00:56:38So, if what she wants is to be a model, right?
00:56:40Well, damn it, if this guy plays his cards right and she falls in love and goes with him and that's what she wants, then so be it.
00:56:48We're going a little fast, sorry.
00:56:50No, Marcos, no, no, no, I'm not in a hurry, man, he'll go with him, he'll go with him, I have to come to terms with it, you know?
00:56:56But Raúl, the thing is...
00:56:57But that's normal, Marcos, look at me, look at me, I'm just me, you know?
00:57:00A bad student, a loser, I'm broke, a brat and an idiot, man, you know?
00:57:06And this guy is a professional, older, with money and on top of that he's successful, Lungo.
00:57:13That's what pisses me off the most, that's what really gets to me, that it's a success.
00:57:16Hello, I'm Bernat Castell, who is my niece?
00:57:29Hello.
00:57:30The Virgin.
00:57:37Uh, I mean...
00:57:38Well, but not for much longer.
00:57:42Well, God willing.
00:57:44I'm very daring.
00:57:46No way, woman?
00:57:47"Daring," she says.
00:57:48Well, she's really good, she's very attractive, very elegant.
00:57:52Yes, well, I don't know, I just feel a little strange.
00:57:54No.
00:57:55Do you think Santi will like it?
00:57:57He'll like it, he'll like it.
00:57:58No, he's not going to like it.
00:57:59You're not a woman, come on, that people like.
00:58:02What I'm curious about is what you saw in Santi, because, well, Santi isn't exactly handsome, you know?
00:58:08Well, it has a lot of charm.
00:58:10Yes, well.
00:58:11And above all, he is a man full of nobility.
00:58:13Nobility, yes indeed, nobility.
00:58:15Aragonese nobility, but hey, nobility after all.
00:58:19Well, let's hope everything goes well, okay?
00:58:20Oh, Lord.
00:58:21Chin, chin.
00:58:21Well, that's why you had to cross paths because they went to the Rudy Africa hotel to look for you.
00:58:26Oh, really?
00:58:27Yeah.
00:58:27Oh, what a setback.
00:58:29Yes, if you don't mind, I'm going to call them, okay?
00:58:30Okay, fine.
00:58:34Relax, man, okay? Relax, you're going to have a heart attack, okay?
00:58:36So as not to give it to me, Marcos, so as not to give it to me, Trongo.
00:58:38But have you seen this guy, man, Marcos, Trongo, he's Jordi Puyol, don't mess with me, man.
00:58:41My girlfriend wants to get naked in front of Jordi Puyol, dude.
00:58:44This is the one I can't...
00:58:45Well, they don't answer me.
00:58:46If you don't mind, I'll wait for you here, okay?
00:58:49Uh, one thing, one thing.
00:58:51And you, I mean, do you see a lot of future for Africa in this type of photography that you do?
00:58:57Yes, yes, yes.
00:58:58She's just so pretty, with that curly hair.
00:59:01Then you add some finishing touches to the halo.
00:59:05Fantastic!
00:59:07I mean, the curly hair and the halo, I mean, let's see, let's see.
00:59:11So, you're fine with me, you come to talk to me about what bass guitars are?
00:59:15and my girlfriend's nipples and I'm perfectly fine with it.
00:59:17But what, what did you tell her about nipples? Have you drunk your mind?
00:59:20No, no, no, I haven't drunk anything.
00:59:21No, no, I haven't drunk anything.
00:59:22He's definitely a vocational trainee, man.
00:59:24Who left you here?
00:59:25Do you want it?
00:59:25He's going to talk about what's happening here!
00:59:28Ramul!
00:59:29He's dead to you!
00:59:30Let me go, Ramón!
00:59:30Let me go!
00:59:31I'm doing this for your daughter! Let me go!
00:59:33What kind of photos did you plan to take of my daughter?
00:59:36I...
00:59:36I just wanted to photograph her as the Virgin of Sorrows.
00:59:39Nothing else.
00:59:40Incident! Lie, lie, lie!
00:59:41Look, look, look how the girl is coming.
00:59:43Look how the girl is coming to be made a daughter in the Dolores.
00:59:44Painted like a door to the aunt.
00:59:47Come on, auntie!
00:59:48No, Queen!
00:59:49But, daughter, how did he make you like this?
00:59:51To get naked in front of this pig.
00:59:53Daddy, ignore him.
00:59:54Ignore them!
00:59:55Shut up, you're still getting paid, huh?
00:59:56What stimulus do you not understand?
00:59:57Let's see it.
00:59:58Let's see, let's see the photos of Jordi, shall we?
01:00:00Hey?
01:00:01Let's see them.
01:00:01I looked at the curly hairs and opened them.
01:00:03Ach!
01:00:06Yeah!
01:00:06Oh, damn it, I'm really crazy, huh!
01:00:08Strong, no, well, that's what I want to do to Africa.
01:00:16Of these?
01:00:17No, the other ones.
01:00:19What other ones?
01:00:19Of the others.
01:00:20Do there have to be others?
01:00:21Of the others.
01:00:22Sorry, sorry, sorry.
01:00:23If it's...
01:00:23Look, look at that cow, huh?
01:00:25With the little curls, huh?
01:00:27All that's left is to reinforce the areola a little and that's it.
01:00:31I think it's clear to me now.
01:00:32So you're saying I go straight ahead, then the second right and then straight again, right?
01:00:36Look, here you go.
01:00:37Ah, go wherever you want, I'm about to pee.
01:00:39No, wait a minute, Santi.
01:00:41Hello!
01:00:41That?
01:00:42Meeting?
01:00:44Will there be a beer from Santi's house?
01:00:46Can I sign you up?
01:00:46No.
01:00:47Well, write it down if you want, but I'm about to pee myself.
01:00:49Come on, let's have a beer, otherwise I'm going to have to jump in the river.
01:00:52Santi, wait, Santi!
01:00:52Really.
01:01:04Here, we're putting some candles to create ambiance.
01:01:06Yes, by lighting candles.
01:01:07Very good, Lurdita.
01:01:08Oh!
01:01:09Oh!
01:01:10Oh!
01:01:10Oh!
01:01:11Oh!
01:01:11Oh!
01:01:12Oh!
01:01:13Oh!
01:01:13Oh!
01:01:13Oh!
01:01:14Oh!
01:01:14Oh!
01:01:15Oh!
01:01:15Oh!
01:01:16It's not what it seems, is it?
01:01:17No!
01:01:18No.
01:01:18Oh, please, how embarrassing!
01:01:20Lourdes, of course, Fiti, that's enough, man. That's enough! Lourdes!
01:01:26Sing. Sing, no, no.
01:01:28Oh! Santi, damn it! But I have Lourdes here for you! It was meant for you!
01:01:36You got paid, didn't you? Of course. Because you're a pig.
01:01:40Good afternoon, Mom. Good afternoon.
01:01:52Go away, for God's sake, do you want to turn off the hot water? Let this energy work, if not.
01:01:56Sorry, huh? What a mood. Yes, I'm in a bad mood. So, quick and without a word.
01:02:01Grab your backpacks and off to school. Come on.
01:02:04Well, daughter, I'm going to the tavern.
01:02:07Are you going to the tavern? Yes.
01:02:09Is this the one from yesterday's mess? Are you going to the pub? Well, you've got some nerve.
01:02:12Eggs? Why? We were just trying to prevent adultery.
01:02:16And I still say that the little virgin and that smart guy were there for what they were there for.
01:02:21Mom, are you trying to turn me on? No, no, I'm not trying to turn you on anymore.
01:02:24No, no, don't worry. So, you're saying I shouldn't go?
01:02:27No. To the tavern? No.
01:02:29No, no. Oh, hello. Hello.
01:02:34We've come to discuss the play because yesterday you both covered yourselves in glory.
01:02:38I'm sorry, I'm really sorry. I'm sorry, I'm sorry. I'm sorry, Lurditas.
01:02:42Hey, you've sorted things out with Fiti by now, right?
01:02:44Hey, the thing with the hand, the cleavage wasn't just for fun. It was mostly, well, what's called recovering the sofa.
01:02:51For these reasons.
01:02:53Okay, fine. Yes, I'm going to sleep on the sofa.
01:02:56More or less.
01:02:57Oh.
01:02:58But how could you think that Fiti and I were with... with a friend's husband, for God's sake?
01:03:03Yes, yes, yes. But I would be incapable.
01:03:05Well, Lurditas, never say no to this water, Pepe.
01:03:07Mother.
01:03:08What I don't understand is how he believed.
01:03:09They were cheating on me and both of them stayed silent.
01:03:11Hey, excuse me, but we were still verifying it.
01:03:13Clear.
01:03:14Don't be picky, you too.
01:03:15Okay, let's go because we have the lamp association meeting.
01:03:17Oh, that's right.
01:03:18Yes, this meeting is about the Díez matter, the...
01:03:20What happened?
01:03:21He went into the girls' locker room, that's normal, right?
01:03:23Well, the guy fell off the ticket booth like this and landed on top of the turkey.
01:03:26And we started chopping there, the turkey, meanwhile shouting, right?
01:03:29And I was saying, hey, hey, hey!
01:03:30Well, when you come home...
01:03:31Hey, I thought I was going to sing with Candela.
01:03:34But he got himself kicked out.
01:03:36That!
01:03:37Hey, hey! Here he is, Díez, the legend!
01:03:39Hey, hey, the legend, white!
01:03:40Guys, the parents' association has met to fire the psychologist.
01:03:44That?
01:03:45That?
01:03:46Okay, let's see if we can understand each other.
01:03:47Mr. Díez.
01:03:48Mr. Díez.
01:03:49Whenever.
01:03:50This psychologist...
01:03:51Hey, what were you saying?
01:03:52This psychologist encourages the worst in children.
01:03:57My grandmother is deaf and mute; I read lips.
01:04:00It's a bottomless chest, isn't it?
01:04:01It's a bottomless chest, isn't it?
01:04:02Keep going, keep going.
01:04:03My son has always been a saint.
01:04:04And in a single day he gets expelled and then I catch him with porn magazines.
01:04:07All thanks to the incompetent one.
01:04:08That?
01:04:09That?
01:04:10That?
01:04:11That?
01:04:12That?
01:04:13That?
01:04:14That?
01:04:15That?
01:04:16That?
01:04:17That?
01:04:18That?
01:04:19That?
01:04:20That?
01:04:21That?
01:04:22That?
01:04:23That?
01:04:24That?
01:04:25That?
01:04:26That?
01:04:27That?
01:04:28All thanks to the incompetent psychologist at this school, with his pedagogy.
01:04:32Mr. Diez, this psychologist is very well prepared and knows how to educate much better than you and I combined.
01:04:37Well, it had to be done...
01:04:38The class was very chaotic, wasn't it?
01:04:40Very turbulent.
01:04:41Punishments haven't worked for a long time.
01:04:43He just came to bring a little peace.
01:04:45Peace?
01:04:46They have covered themselves in glory.
01:04:47Because what is my Joel and my Josemar and peace is nothing.
01:04:50They've been arguing for two days about those damn imitations.
01:04:53And what's wrong with my girl?
01:04:54She's always fighting with her friends.
01:04:57And it's the psychologist's fault.
01:04:59He should leave, they should kick him out once and for all.
01:05:01We can't say.
01:05:04Just a moment, please.
01:05:05Can we all talk?
01:05:06Please.
01:05:07Please.
01:05:08By...
01:05:09One moment.
01:05:10Please.
01:05:11Well, all I wanted was for them to learn to live together and to be a little more supportive.
01:05:15between them, huh?
01:05:17Hey...
01:05:18Well, it's possible I was wrong, huh?
01:05:21Well, then...
01:05:23If that's the case, then all I can do is...
01:05:25It's to apologize and...
01:05:27AND...
01:05:28Put...
01:05:29My position...
01:05:30At your service.
01:05:32Poor Fernando, man.
01:05:33If he hasn't done anything.
01:05:34I liked him a lot.
01:05:36I don't want her to leave.
01:05:37Well, I'm told that I'm well-liked.
01:05:38Also, my father has a seizure.
01:05:39How will he be left without Fermín?
01:05:40Fernando.
01:05:41What does it matter?
01:05:42Okay, so the thing is...
01:05:43What do we do?
01:05:44How could I not be hurt?
01:05:46Hurt and in pain.
01:05:48Damn, you hit like a truck.
01:05:50You're a dirty-minded person.
01:05:51And you're thinking the worst.
01:05:52How can I not think the worst?
01:05:54Where was your little hand?
01:05:55Hey?
01:05:56The little hand was playing.
01:05:57He was playing around.
01:05:58Wow!
01:05:59Another one like Candela.
01:06:00Damn, it took me ages to convince her that it wasn't a toy or that it was recovery.
01:06:03from the canapé.
01:06:04Pussy!
01:06:05Okay, fine.
01:06:06Let's leave it at that.
01:06:07Come on.
01:06:08Okay.
01:06:09Damn, more for you.
01:06:10Know?
01:06:11Come on, I practically handed it to her on a silver platter, damn it.
01:06:12That I'm a good pimp.
01:06:13The thing is...
01:06:14Louritas was already in full Castile mode.
01:06:16Yesterday...
01:06:17It was delivered to you yesterday, Santi.
01:06:18It was handed over to you.
01:06:19Be quiet, go on, be quiet.
01:06:20Don't remind me.
01:06:21He's probably annoyed and doesn't want to see me anymore.
01:06:23I'm such a miserable wretch, aren't I?
01:06:25Pussy!
01:06:26Add some garlic and no gay stuff!
01:06:28Come on.
01:06:29Santi, can we talk for a moment in private?
01:06:32Of course, woman.
01:06:34Remotely?
01:06:36Please.
01:06:37Yes please.
01:06:38Fernando has been with us for many years.
01:06:40You can't...
01:06:41Just a moment, please.
01:06:42One minute.
01:06:44We wanted to say one thing.
01:06:46Yes, but students are not allowed at this meeting, please.
01:06:48Just a moment, Candela, really.
01:06:50Well, I want you to know that Fernando is a fantastic psychologist and we want him to stay.
01:06:55Please take these children out.
01:06:57Be quiet and listen, Dad.
01:06:59Very well, as he was saying...
01:07:01Well, Fernando is an expert in his field.
01:07:03He has already achieved something impossible.
01:07:05That I respect ten.
01:07:07And thanks to him, I now have friends.
01:07:09And also, thanks to him, I've seen some real boobies.
01:07:13I recognize my son.
01:07:15Get rid of the psychologist!
01:07:16Get rid of the psychologist!
01:07:17Get rid of the psychologist!
01:07:18Get rid of the psychologist!
01:07:19Get rid of the psychologist!
01:07:20Get rid of the psychologist!
01:07:21Shut up!
01:07:22Shut up already!
01:07:23Get rid of the psychologist!
01:07:24Get rid of the psychologist!
01:07:25Get rid of the psychologist!
01:07:26Get rid of the psychologist!
01:07:27Get rid of the psychologist!
01:07:28Get rid of the psychologist!
01:07:29Get rid of the psychologist!
01:07:30Get rid of the psychologist!
01:07:31Get rid of the psychologist!
01:07:32Get rid of the psychologist!
01:07:33Get rid of the psychologist!
01:07:34Get rid of the psychologist!
01:07:35Get rid of the psychologist!
01:07:36Get rid of the psychologist!
01:07:37Get rid of the psychologist!
01:07:38Get rid of the psychologist!
01:07:39Get rid of the psychologist!
01:07:40Get rid of the psychologist!
01:07:41Get rid of the psychologist!
01:07:42Get rid of the psychologist!
01:07:43Psychologist, my psychologist!
01:07:44Psychologist, my psychologist!
01:07:45Psychologist, my psychologist!
01:07:47Psychologist, my psychologist!
01:07:48You should see what this class likes, the Dead Poets Society.
01:07:51Well, fine, go crazy, that's what everyone knows every day.
01:07:54Psychologist, my psychologist!
01:08:03As you can see, the boys are in favor of Fernando staying.
01:08:09And me too.
01:08:10The truth is that it had been a long time since I had seen this course so united and for such a good reason.
01:08:16So I vote in favor of Fernando staying.
01:08:18No, you can't.
01:08:20Votes in favor of Fernando staying.
01:08:34By an absolute majority, Fernando, you stay.
01:08:40Fernando, Fernando, Fernando.
01:08:51Yesterday's article was a misunderstanding.
01:08:54Well, I know.
01:08:55That I had gone to your house for you.
01:08:59Oh, really?
01:08:59Yes, yes, I know, I know. I'm really excited about it.
01:09:04Yeah.
01:09:05Yes, Lourdes, I've wanted to tell you about seeing each other alone for a long time.
01:09:11The thing is, when the moment arrives, it's just a little bit more, and I don't dare.
01:09:16Of course, the same thing happens to me. What a pair of idiots.
01:09:29See you later.
01:09:38He kissed me. Lourdes, he kissed you.
01:09:41Africa's got some nerve, man. Yeah, I went with my mates. Okay, dude.
01:09:45But it's a really cruel revenge, Marcos, man, please, don't mess with me.
01:09:48No, but you already know what I think, man.
01:09:50Yeah, I was like that.
01:09:51Raul.
01:09:53No, no, no, man, leave me alone, man, he's going to sue me, he told me to...
01:09:56Raúl, no, no, no, no, don't stop, okay?
01:09:59If I wanted to stop you, I would have done it already, man.
01:10:01He's definitely coming to talk to your mother, right?
01:10:03Yeah?
01:10:03Yes, look, just breathe, relax.
01:10:06Sure, sure, go ahead. And now nothing's wrong, okay?
01:10:08Mr. Martinez, I came to find you.
01:10:11Forgive me, forgive me, Don Ramón, I am truly sorry.
01:10:13I wanted to apologize because I said that thing about the photographer, I really did, damn it.
01:10:15I thought they were trying to take advantage of the girl, okay?
01:10:17I know I messed up, I really do, but the intention was good, I promise you, I really do.
01:10:21I know, son, I know.
01:10:24Yeah?
01:10:26You played badly, kid. You're a responsible guy. My daughter's in good hands with you.
01:10:30Damn, Dad, come on, you're really outdoing yourself.
01:10:32Africa, you keep quiet, okay? Have you thought about what you're going to do when you finish school?
01:10:38Well, no, not really. Why?
01:10:41You could consider joining the body.
01:10:46In the police force.
01:10:50No, yes, already.
01:10:51Yes, yes, I know people, you know? And if you're interested, think about it.
01:10:56Okay? Okay, okay, I...
01:10:59Okay? Come here, son-in-law...
01:11:02Serum...
01:11:04I can't believe it.
01:11:06Are you excited about getting your body fixed up?
01:11:08Man, I've seen torrents.
01:11:11Take care of her, okay?
01:11:12At your service.
01:11:13There, look.
01:11:19AND?
01:11:21How strange? Is that laughing, your old man?
01:11:23You're doing great, aren't you?
01:11:24One favor, let's celebrate.
01:11:26Tonight, in my dad's car, a little bit of mambo...
01:11:31Marcos.
01:11:32Marcos? What's wrong with Marcos? What does he have to do with this...?
01:11:35Ah, vici like that, now!
01:11:37No, you idiot.
01:11:39I just see him as very lonely.
01:11:40I find it a little strange that Eva hasn't said anything to him yet.
01:11:43Come on, he hasn't told me anything either.
01:11:45And on top of that, my uncle was there supporting me.
01:11:46Down, let's go.
01:11:49Marcos!
01:11:51Okay, so what?
01:11:52Are you all ready yet? Shall we go?
01:11:54Yeah, but we're going to burn the city down tonight, kid.
01:11:56The three of us: you, my sweetheart, and me.
01:11:57Where do you want to go?
01:11:58Well, let's go to a cheap place because we have to celebrate something important.
01:12:01Oh, really?
01:12:02She's not going, honey.
01:12:03See?
01:12:04If we have a fight and Marcos invites us to dinner, if we have to have dinner more often.
01:12:08No, that's not it, okay?
01:12:10That's not the way to go, Raúl.
01:12:10The thing is...
01:12:11That's great that...
01:12:13Let's see...
01:12:14I can't take it anymore, but I have to say that Eva...
01:12:17He told me yes.
01:12:18That?
01:12:21Dude, why didn't you say so before?
01:12:23Damn, because, I don't know, I was waiting a moment, I didn't know...
01:12:26I haven't been able to either...
01:12:27That's intense.
01:12:27Well, what about you? Aren't you going to tell me anything or what?
01:12:29That?
01:12:29I don't know, I don't know what to say.
01:12:33A cuddly dog, dude.
01:12:34Yeah.
01:12:37Anauagüena!
01:12:38Poorrio!
01:12:49And what about the sixth commandment?
01:12:52Which one, huh?
01:12:53It's your motorcycle.
01:12:54Enjoy it!
01:12:55Just so you know, you'll always find work here.
01:12:58It's mine.
01:13:00You're going to enter a field, first you have to know it.
01:13:02Oh, oh, forgive me.
01:13:03Because there's no going back.
01:13:05I wanted to tell you that...
01:13:06Kiki is in love with Tete.
01:13:08Damn, Diego has a real cross to bear in that house, my god.
01:13:13He should try harder.
01:13:14He should focus on his studies.
01:13:15Something about you getting married, man.
01:13:16You have to pass.
01:13:17What a Tuesday, never a moment apart, so I can see you without straining my brain.
01:13:23What did you think, curulau?
01:13:25It's Don Serrano, isn't it?
01:13:26Did you do this to me, you wretch?
01:13:28What have you done to yourself?
01:13:29This plumber fantasy is something all women have, in their subconscious.
01:13:32What nonsense.
01:13:35Your brother's mother-in-law, Doña Carmen?
01:13:36Yes, yes, a favor I did for him.
01:13:38My brother thought it was for money.
01:13:39I'm giving you the news that we're getting married.
01:13:40I, who cannot walk, walk again, following the footsteps of the past.
01:13:54Tired of talking, ready for...
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