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  • hace 2 días
Virginia, una amiga de Lucía de Barcelona, decide pasar unos días en casa de los Serrano para recuperarse tras un desengaño amoroso. Su amiga le aconsejará que se busque un jovencito pero Lucía no se imagina a quien va a elegir. Por su parte, Marcos sigue esperando una respuesta de Eva pero, mientras llega, buscará consuelo en la recién llegada y entre ellos surgirá una atracción que él tratará de ignorar. Candela comienza a preocuparse tras observar que Fiti rehuye de los encuentros amorosos. Su intranquilidad aumenta cuando escucha a Virginia afirmar que su matrimonio se rompió por falta de deseo. Horrorizada ante la posibilidad de que le pase lo mismo, Candela hará todo lo posible por reavivar el amor en su pareja, pero Fiti, fiel a su promesa, inventará todo tipo de excusas para evitarla. Teté, Guille y el resto de la pandilla han roto la luna de una tienda en una de sus múltiples trastadas. El portero del local logra dar con la casa de los Serrano ya que, en la huida, los chicos perdieron un cuaderno con su dirección. El matón amenaza a Teté con contárselo a sus padres si no pagan la reparación del cristal. Para obtener el dinero, los chicos deciden timar a Santiago.

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Transcripción
00:00:00Come on!
00:00:30Other times, Fit and Candela come.
00:00:32Hey guys, thanks so much for staying home, okay?
00:00:34Tell me so many days, Lucy, please
00:00:36Virginia is coming tomorrow and she'll help me.
00:00:37Okay, don't worry
00:00:39When older people are away from their partner, they get sad.
00:00:42Like Marcos has been since Eva left.
00:00:44Eva, nothing, it's Marcos, well, this is the fifth message I've left you, well, goodbye
00:00:52Like Lucía and her dad, who are getting more and more depressed
00:00:56And we tried to cheer him up
00:00:58Ta-da! We've bought you a radio so you can enjoy your games, right?
00:01:02Yeah
00:01:03The Da Vinci Code, have you read it?
00:01:06Me neither, but we must be the only ones
00:01:07Now that you're going to have more time, well...
00:01:10Sports newspapers
00:01:11What else?
00:01:15A magazine for sluts, huh?
00:01:18Well, since you're not going to practice, at least don't forget the theory.
00:01:21And it reads like a movie, huh? The Da Vinci Code, you haven't read it, have you?
00:01:25Look, brother, bromo and putifarra, like I told you
00:01:28So you can eat ten and not lose heart
00:01:31Because when you lose heart, you lose life.
00:01:34And it's a code, the da Vinci code, which is why it's called that.
00:01:37Well, the fact is that everyone in the Vatican was in on it.
00:01:40Because priests have always been quite something.
00:01:42Bed by ten, okay? None of this "I want to watch the movie, please, please, please," we know each other too well.
00:01:48Couples who live far apart have it tough
00:01:50Not like Fiti and Candela, who seem to have no shortage of love.
00:01:53OK?
00:01:55And don't give Fiti and Candela any trouble, that's clear.
00:01:57Hey, Lucia
00:01:59No, I wanted to talk to you about something like that between us.
00:02:03About Diego's accident, right?
00:02:05Because I have a theory
00:02:06It definitely fell out of the closet.
00:02:09In other words, he wanted to do what is known as the classic tiger leap.
00:02:12But since the wardrobe is built-in, he made the salamander one, right?
00:02:15Then, as he turned around, he did a corkscrew.
00:02:17Don't be indiscreet
00:02:18A heavy
00:02:19Tell me how to walk
00:02:21Tell me about it
00:02:22They are very heavy
00:02:23Guys, I'm leaving
00:02:25What I told you, okay?
00:02:26But as Carmen says, good things don't last.
00:02:29And that means that when things are going very well
00:02:32Something always happens to ruin everything
00:02:34And that was exactly what was going to happen to Fiti and Candela.
00:02:37They had been enjoying themselves for too long, and everything had been going well for them.
00:02:40On a platform at the station
00:02:44Under the scorching sun
00:02:46You were talking about a skyscraper in the sky of New York
00:02:50Come soon to see the sea
00:02:52And you send a postcard
00:02:53I already knew that day was the end
00:02:57Now I have much more
00:03:00Red, black, stop and even
00:03:03Finally, luck brings an ace
00:03:05And a glass to look through
00:03:07And a wall to hang it on.
00:03:09Seven smiling faces in one ID photo
00:03:12My stories weren't about tales made by chance.
00:03:17Nobody told me that fate would give me this opportunity.
00:03:24One plus one equals seven
00:03:28Who would have thought?
00:03:33It was so easy to be happy.
00:03:37Who says that's what it's going to be?
00:03:52Well, everyone, man.
00:03:52The whole class is going
00:03:53Damn, that Lurdita already deserves some credit.
00:03:56To take a stone from savages around
00:03:57Let's see the poor in Madrid
00:03:58Don't be a beast, Fiti
00:04:00It's not about seeing poor people.
00:04:01It's about providing food.
00:04:02To Operation Kilo
00:04:03You don't remember...
00:04:03Hey, no, no, no, Fiti
00:04:05I'm more into lighter things
00:04:07No, I haven't said it.
00:04:07There goes my old lady, light as a feather
00:04:09That's how you are, in the chassis
00:04:10Frame!
00:04:12Let's have breakfast!
00:04:13Hello good morning
00:04:14Look, look
00:04:15Here, let's see.
00:04:16Let's see if what I've brought you is useful.
00:04:18Otherwise, I'll add more stuff.
00:04:19Yeah, right?
00:04:21Yeah
00:04:21Pâté?
00:04:21Good quality pâté too?
00:04:22Pâté too?
00:04:23Well, those poor things have turned out to be quite small.
00:04:25Santé, please
00:04:26Who do I have here?
00:04:28Good?
00:04:28Is my family there?
00:04:29Is my family there?
00:04:30A friend of mine from Barcelona
00:04:31He's going to stay here for a few days
00:04:33Good
00:04:33Yeah?
00:04:34Hello, what's up?
00:04:35Are you up for going regardless of age?
00:04:35Of course
00:04:36How long?
00:04:38How are you?
00:04:38Good
00:04:39Hello
00:04:39Good day!
00:04:40Good day, Ru!
00:04:41Hello, Virgin!
00:04:42How are you?
00:04:43Well, it's just that I've reached it.
00:04:44Yeah
00:04:45Well, you look pretty good to me, huh?
00:04:47The face and the body
00:04:48Guille, okay
00:04:49Come on, to school
00:04:50Already?
00:04:50Already?
00:04:51To school?
00:04:51So soon?
00:04:52Santi, you must have something to do, right?
00:04:55Hey, I've thought of something
00:04:56We're having a girls' night in tonight!
00:04:59Okay?
00:05:00I think it's a good idea.
00:05:01Especially because there's football on.
00:05:02Oh, how awful!
00:05:03Well, he wasn't coming out, Juan.
00:05:04Excuse me, do you mind if I take a shower and poop?
00:05:06Ah, okay.
00:05:07Can you come with me?
00:05:08Where is the sieve?
00:05:09Yeah
00:05:09Yeah
00:05:10No, because it's a bit messy.
00:05:11Dad, how are you?
00:05:14Good
00:05:14Phenomenal
00:05:15It's very nice?
00:05:16Is she feeling better?
00:05:17No way, no way
00:05:17She is extremely discouraged
00:05:18Lucia, I can hear you
00:05:19Curro
00:05:20Alcohol in my heart
00:05:21I'll take it myself, come on
00:05:23Okay, thank you, Lucia
00:05:24Come on
00:05:24Hey, is that Jordi?
00:05:27What's happening?
00:05:27What, he's not coming?
00:05:28Uh, no
00:05:29Virginia came alone
00:05:31To get a little idea of ​​Barcelona
00:05:33Daughter, Jordi
00:05:34He has triumphed in another arena
00:05:36Mom, please
00:05:38What are they going to hear from you?
00:05:39Sorry
00:05:40Sorry
00:05:52Sorry
00:05:52No, I didn't know anyone was here.
00:05:54Sorry
00:05:55Sorry, sorry
00:05:55Hey, no, no
00:06:03It's busy
00:06:05Hey, what's wrong with you?
00:06:10Hey?
00:06:10Are you pale, Nen?
00:06:11I don't
00:06:12Hey, sorry
00:06:13No, no, really
00:06:14I didn't know anyone was there either.
00:06:15Nobody here at home
00:06:16No
00:06:16Ah, you don't.
00:06:17Well, we've already met there
00:06:19Yeah
00:06:19Oh, wow
00:06:20That you don't know each other
00:06:21Marcos Virginia
00:06:22She's a friend of mine from Barcelona
00:06:23He's come for a couple of days
00:06:24And the only thing I was missing from the family
00:06:26Nice to meet you
00:06:28I was going to the bathroom.
00:06:28He's free, isn't he?
00:06:29Yes, hurry up!
00:06:30It's late
00:06:30And you and I are going to unpack the suitcase
00:06:32Yeah
00:06:32Come on, honey, hurry up
00:06:44Grab what you need to grab and let's go.
00:06:45I have to go to work
00:06:46Yes, but what's the rush, Peti?
00:06:49There aren't five minutes left yet?
00:06:53No
00:06:54You know I need more than five minutes
00:06:56But who says five?
00:06:57It says ten
00:06:58And who says ten?
00:06:59It says fifteen
00:07:00And who says fifteen?
00:07:01Says
00:07:01We arrived a little late
00:07:03And apologies are offered.
00:07:04No
00:07:04No
00:07:05Don't continue
00:07:07Come on
00:07:07That?
00:07:20Who?
00:07:21No, another time will be better.
00:07:23But what's wrong with this moment, Peti?
00:07:25Well, nothing.
00:07:25No, there's not even time to open the camera
00:07:27Come on
00:07:27How annoying
00:07:28Yes, there's no time, man.
00:07:29Let's go to the car
00:07:30To the car, to the car
00:07:30Oh, to the car
00:07:31What nonsense.
00:07:32Where's the bed, Peti?
00:07:39It's your bed, it doesn't bite.
00:07:41It's the same as last night
00:07:42Peti, what's wrong?
00:07:43You seem to be foolish.
00:07:44But you had no prey.
00:07:45Oh, what a man
00:07:47Come on
00:07:47Get revenge
00:07:48See?
00:07:49I caught you
00:07:50And now you have a solution.
00:07:51What's wrong with you?
00:08:02My son doesn't cooperate
00:08:03Do you have to do everything myself or what?
00:08:05Or what?
00:08:06Hey?
00:08:12Come here, come here
00:08:13What's the matter?
00:08:15Aaah!
00:08:16No, Mom, I don't want to, I can't explain it to you
00:08:17I swear
00:08:18I promise you, it's just that I was...
00:08:19No, no, no, shut up
00:08:19Shut up, shut up
00:08:20Candela, shut up
00:08:21No, no, you shut up
00:08:21You shut up
00:08:22No, no, no
00:08:27They're going to find out.
00:08:28They're going to find out.
00:08:28I'll go, I'll go, I'll go
00:08:29I'm definitely going!
00:08:30Take a breath
00:08:30I talk to him man to man
00:08:32Peti, the kid here is pulling your leg.
00:08:33No, no, Candela, no
00:08:35You get very nervous
00:08:36I'll go
00:08:38Hey?
00:08:42Who do you think you are?
00:08:43Is this a riding school?
00:08:44No, forgive me, forgive me, Dad.
00:08:45Sorry, fuck
00:08:45But we have nowhere to go, man.
00:08:46That his father is a police officer
00:08:48Damn, we're here
00:08:48The bed is alone
00:08:49Well, there's a woman there
00:08:50Well, damn, a squeeze
00:08:52Fast and urgent
00:08:52From now on
00:08:53No more squeezing in this house
00:08:55Understood?
00:08:56Yeah
00:08:56Hey?
00:08:57What do you want?
00:08:58Or that ruins it for me
00:08:59Hey?
00:09:00From now on, you'll just have to put up with it.
00:09:02Astringency
00:09:04Hey?
00:09:05And if you find yourself in a bind
00:09:05You feel relieved
00:09:06Like we all did at your age.
00:09:07Understood?
00:09:10Damn it, you son of a bitch!
00:09:11Ah, okay.
00:09:12Come on, let this be the last time
00:09:14Ale!
00:09:16Good morning
00:09:17What a bastard
00:09:19Did you see?
00:09:23Hey?
00:09:24Well, when I set my mind to it, I really set my mind to it.
00:09:25Look at the face he was wearing
00:09:28Hey, did you see it, man?
00:09:46What is it?
00:09:47They are hungry
00:09:48Ah, ah
00:09:48And what am I?
00:09:49And what am I?
00:09:50What do you have for breakfast at nine in the morning?
00:09:51Come on, man
00:09:51Okay, let's see
00:09:52We left Father Aurelio there
00:09:53And then we'll go to the Almudena Cathedral
00:09:55Hey?
00:09:56Where our future king got married
00:09:58And she's your princess!
00:10:00There's a little bit of respect for our monarchy, huh?
00:10:03Come on, take those cars
00:10:04Get someone to help you and take them to school
00:10:05Okay
00:10:05What a disgusting little deer, man
00:10:07At least when we went to the cookie factory
00:10:09Well, what do I know?
00:10:10You have to eat us for free
00:10:11But that car really rolls, huh?
00:10:17Are you thinking the same thing as me?
00:10:19Oh!
00:10:21No, no, no!
00:10:22Coliche, I'm not taking you, okay?
00:10:23That's great!
00:10:24Come on, Mommy, push!
00:10:26Yeah, man, because you say so
00:10:27Come on, let's go to school
00:10:28Ah, you go down
00:10:29Okay, Jolie, you push.
00:10:30Go on, beautiful
00:10:30Okay, fine.
00:10:32But Jolie
00:10:34Well, once they need me for something
00:10:36Come, come, come!
00:10:38Come, come, come!
00:10:41Come, come, come!
00:10:43Come, come!
00:10:45Dude, they've caught us red-handed, man.
00:10:47Well, not completely either.
00:10:48We had already said our goodbyes there, hadn't we?
00:10:50Are you going to give him all the details?
00:10:52Can?
00:10:52Well, look on the bright side.
00:10:53Well, they can't be caught doing something
00:10:56Oh, Pedrillo's lawyer's pod
00:10:58Oh my god, you're such a pain in the ass, dude.
00:10:59What do you want, Raúl?
00:11:00He won't even answer my phone.
00:11:02That?
00:11:02It's a mess!
00:11:03Know?
00:11:03He just arrived there
00:11:05Hi, Eva
00:11:05Yes, yes, I can talk
00:11:07Did Eva say that?
00:11:09No, she does talk to her friend.
00:11:10Let's see, Africa
00:11:11Africa, can you give me a moment? I have to tell you something.
00:11:14Marcos, I'm talking to you, dude
00:11:15Africa knows something, sir.
00:11:19Sorry?
00:11:23That?
00:11:24Hey, why don't you try talking to Africa?
00:11:26Let's see if he tells you, right?
00:11:27Me? Why me?
00:11:29No, if you want I'll tell Chucky.
00:11:31Dude, I still don't know, I'm screwed.
00:11:33Please, well, let's see if he can tell you something
00:11:35Yes, he already knows something.
00:11:36Son, take it out
00:11:38Okay, okay, okay
00:11:40I try.
00:11:42But I'm not promising you anything.
00:11:43Come on
00:11:45Everyone sit down
00:11:47Miss Sanz
00:11:48I need to remind you that during class hours
00:11:50You can't talk on the phone
00:11:51I'll call you now, okay?
00:11:54No, no, no
00:11:54Don't feel
00:11:55To the blackboard
00:11:56Do you have the job of the thermophiles?
00:11:58I just haven't had time
00:12:00For some reason, it doesn't surprise me.
00:12:04No, no, no, no
00:12:34God, God, God
00:12:51Are you okay? Has something happened to us?
00:12:53No, no, no, are you sure?
00:12:56What is this?
00:12:57I'll leave him in the car, please, okay?
00:13:00What happened?
00:13:00Hey, come here
00:13:02Ñacos
00:13:03Hey!
00:13:04Hey!
00:13:05Come here!
00:13:12Damn it!
00:13:13Damn it!
00:13:21Damn it!
00:13:21Damn it all
00:13:23I shit myself
00:13:24Fuck
00:13:25Hey, Churri
00:13:34And what about you...
00:13:35What are you going to wear, huh?
00:13:38For... for the wedding
00:13:39For the wedding?
00:13:40What wedding?
00:13:41The wedding, the wedding, Churri
00:13:42The wedding of the year, huh?
00:13:44The fashionable wedding
00:13:45So, Marquitos is carrying
00:13:47You as a spy
00:13:53You're priceless, aren't you?
00:13:54Hey?
00:13:55What are you saying?
00:13:58What's happening?
00:13:59Hello
00:13:59Hello
00:14:00How are you, Santi?
00:14:05How do you manage?
00:14:06Are you here all alone?
00:14:06So how am I going to manage?
00:14:08Evil
00:14:08Fuck
00:14:09Why don't you bring someone?
00:14:10Until Diego comes
00:14:11Yeah, because the money isn't yours.
00:14:12Okay, okay
00:14:13Don't get like that, damn it
00:14:14I'll give you a hand.
00:14:16At a given moment
00:14:16Well, look, yes
00:14:17Why don't you come over tonight?
00:14:19Here to watch the game
00:14:19And you'll join me at the bar?
00:14:21Ah, well, look, that's not a bad idea.
00:14:22It also depends on whether you help him.
00:14:23I'm having dinner with Lucia.
00:14:24And with Virginia
00:14:24Then you can come pick me up.
00:14:26Okay, fine.
00:14:27Come on, imitate a few beers
00:14:28Come on, I need to regain my strength.
00:14:29That's what you do for a living
00:14:31Damn, two oil changes
00:14:32I already did it this morning.
00:14:33Come on, rat
00:14:34Hello
00:14:35You're already doing something wrong.
00:14:37Dad, shall we play a game of football or...?
00:14:40Come on, one foot repaid
00:14:41Come on
00:14:42Hey, that's no good, grinder
00:14:47That's not a grinder, man.
00:14:48One to zero
00:14:49Hey, daddy
00:14:52Until what time do you expect to be here today?
00:14:56Why do you want to know?
00:14:57No, well, I have time for one
00:14:59Fast-acting pertoncillo
00:14:59When I'm with Afri
00:15:00But hey, you
00:15:02You're just not satisfied with once.
00:15:03Besides being an animal, you're a repeat offender.
00:15:05Fuck
00:15:06Average is not enough
00:15:08Here, whatever I tell you is valid.
00:15:09What happened, I'm your father
00:15:10Sick, sick
00:15:12You're sick.
00:15:12You've got nothing but a kiki on your mind
00:15:14Your dick goes down to your thigh
00:15:15Of course, what a mess, dude.
00:15:16What do you mean, me?
00:15:20Okay, what are you saying?
00:15:22Ah, dad, man
00:15:22Please, I'll sleep next door.
00:15:24Know?
00:15:24You can hear everything there
00:15:26Giving mom and you to the topic
00:15:28When was that?
00:15:31The day before yesterday?
00:15:32The day before yesterday?
00:15:33Dad, all my life, man
00:15:34For life, please
00:15:35Well, I grew up
00:15:36With the spring of a mattress
00:15:38Aren't you telling me?
00:15:40Don't worry
00:15:41The same thing happens to me.
00:15:42I understand you
00:15:43I'm a Martinez too.
00:15:44I also carry the gene
00:15:46Which gene?
00:15:48Well, it's the gene, Dad.
00:15:49The Martinez gene
00:15:50The animal
00:15:51There, the uncontrollable
00:15:52From non-astringency
00:15:53Are you going to say now that you can control yourself?
00:15:56Son, I'm going to tell you something
00:15:57In other words, a man
00:15:58He needs to know when to take his pants off.
00:16:00And when do they leave them on?
00:16:01Okay?
00:16:02So, I
00:16:03If I need astringency
00:16:04I'm going to tighten my muscles, okay?
00:16:05And without any effort.
00:16:06No problem.
00:16:07Ah, okay, okay, okay
00:16:08What's happening?
00:16:09What's happening?
00:16:10Don't you believe it?
00:16:10Don't you believe your father?
00:16:11One can be
00:16:12A week without sex, for example?
00:16:14Come on, take it out
00:16:15No, no, no
00:16:15I'll prove it to you.
00:16:16A week
00:16:17One week
00:16:18Let's see if I can or not.
00:16:19Okay?
00:16:21Martinez's Word
00:16:22Take out
00:16:23Take that, goal!
00:16:27Okay?
00:16:32Yeah
00:16:32Yeah?
00:16:35What's that?
00:16:37Oh, God
00:16:37Oh, God
00:16:37We've been caught
00:16:38What did I tell you?
00:16:39Don't put the shopping cart there
00:16:40I wanted a soft one
00:16:41Okay, but don't get nervous
00:16:42Hey, what's he saying?
00:16:44Open the door, girls
00:16:46Yes, now, now
00:16:46Tete, what do we do now?
00:16:53Hello
00:16:54That?
00:16:55Are we not so brave anymore?
00:16:57Excuse me, do we know him?
00:16:59In case of loss
00:17:00Returning to Maria Teresa
00:17:01Cap de Vila
00:17:02The street, the number
00:17:03Your parents are here, sweetheart
00:17:06Well no
00:17:07I don't have parents.
00:17:08I mean
00:17:10Yes, I do have
00:17:11But right now
00:17:12They are not at home
00:17:12But the thing is
00:17:13Because his father is very ill
00:17:15He is not at the hospital
00:17:16Poor
00:17:16Look, girl
00:17:18You pay for the shop window.
00:17:19Or I'll tell your parents.
00:17:20Who reports the police officer
00:17:23Well, it's not necessary either.
00:17:24Okay, I'll pay for it.
00:17:25How much do we have to pay?
00:17:27600 euros
00:17:28And I want them tomorrow.
00:17:32We are?
00:17:34Yeah
00:17:34Who was that guy?
00:17:41Tete?
00:17:42What do you know about him?
00:17:43Uh, nothing
00:17:43It's that I let myself go
00:17:44My notebook in your store
00:17:45And he has come to give it back to me
00:17:47Ah
00:17:47Hey, that's very kind of you.
00:17:49There are no people like that left.
00:17:51Yeah, but she looks awful, girl
00:17:52Yes, that's right.
00:17:53I'm thinking about you, Virginia
00:17:56That's tough, isn't it?
00:17:59Hey, and you caught him like that
00:18:00And you suspected nothing.
00:18:01You're welcome.
00:18:02No way, not at all
00:18:03It was a day like this
00:18:05Weekdays
00:18:06Silly
00:18:06And they gave me the afternoon off.
00:18:08And I said to myself
00:18:09Well, I'll stop by his office.
00:18:11And I surprised him
00:18:11And fuck
00:18:13Yes, yes, you can't give surprises.
00:18:15Because the surprise
00:18:16You take it
00:18:17I've always told my daughter that.
00:18:18And I will continue to tell him so, moreover.
00:18:20On top of the office desk
00:18:22An Italian designer table
00:18:24That I had given it to her
00:18:25And on top of that, the secretary
00:18:28Oh, the secretary
00:18:28A classic
00:18:29It always happens the same way.
00:18:30Mom, don't tell her, okay?
00:18:31You had no idea.
00:18:33What was I supposed to imagine?
00:18:35If the secretary is a 20-year-old girl
00:18:37It's a baby
00:18:38Oh, the 20-year-olds
00:18:40Another classic
00:18:41It's always the ones from...
00:18:42What a pig, right?
00:18:44Yeah
00:18:45Girl, I don't know
00:18:46With one of 20
00:18:47Feel...
00:18:48I feel old
00:18:49Look, that's a no-go, okay?
00:18:50Because you look great.
00:18:51Much better than him
00:18:52Already
00:18:52Yes
00:18:53And the one who said
00:18:54I challenge
00:18:55Well, what else is he going to say?
00:18:57It only happened that one time, right?
00:18:58Clear
00:18:59Hey, Mom
00:18:59Okay, that's it.
00:19:00No no
00:19:02Yes it's true
00:19:02That
00:19:03600 euros
00:19:06It's true
00:19:07This girl is an idiot, isn't she?
00:19:08I don't even know what for
00:19:09The door opens for him
00:19:09Well, what do I know?
00:19:10Because I had my notebook
00:19:11With the address
00:19:12Well, the thing is that
00:19:13We have to pay him
00:19:14Excuse me, what do you mean we have to pay him?
00:19:16It seems to me that you're the only one so obsessed with me, huh?
00:19:18No no
00:19:18Because it's inside the notebook
00:19:20I had a photo of the group
00:19:21With the names, huh?
00:19:22What a friend
00:19:22Here, this girl
00:19:23She's his whore
00:19:24And while we're at it
00:19:25You could have left a note
00:19:26That he put
00:19:27I'm a tete and I'm an idiot
00:19:28Excuse me, but...
00:19:29The thing with the shopping carts was yours.
00:19:30Okay, calm down, calm down
00:19:31Let's see
00:19:32We are all in...
00:19:33We're all in this together.
00:19:33And arguing won't solve anything.
00:19:35What options do we have?
00:19:37Well, I think the best thing to do is to tell the truth.
00:19:39Mech
00:19:39Incorrect answer
00:19:41That's worth five months without pay.
00:19:42Come on, it's more cost-effective for us to pay
00:19:44Well, I don't know.
00:19:45Let's see how much money we have.
00:19:47Okay, great.
00:19:51That's all, right?
00:19:53Violin, I bet
00:19:54Uh, no, it's just that
00:19:57Well, since I'm not in the group
00:19:58And not in the photo either, then.
00:20:00But...
00:20:03Come on
00:20:03If we have to lend a hand, we'll lend a hand.
00:20:05Does he come closer?
00:20:06Ten euros
00:20:07Okay
00:20:08Great, but we're still missing more than four hundred.
00:20:10Well, I don't know.
00:20:11The only thing I can think of is that we sell something
00:20:13But what?
00:20:16Look, man
00:20:16They pay one hundred and fifty euros
00:20:18For a Star Wars action figure
00:20:20They pay outrageous amounts for nonsense.
00:20:22Just like the doll you're tired of seeing around your house
00:20:25They might pay you a fortune.
00:20:26Piu, piu
00:20:28Sayonara, baby
00:20:29Come on
00:20:40No collector would pay anything for that.
00:20:43Well, maybe a collector, right?
00:20:46But who do we know?
00:20:47That it's lined, but really lined.
00:20:49And that anything will be believed in order to get money
00:20:52Come!
00:20:53Two beers!
00:20:53You create doubles!
00:20:54And made of wheat!
00:20:59Coyo, what are you doing!
00:21:00Come on, let's get those beers!
00:21:01Okay, okay, I'm going, I'm going, I'm going
00:21:02Those doubles
00:21:03They're for special occasions
00:21:04Yes, those are the ones.
00:21:04To make him hurry
00:21:05Pitu除 the goal during the Joy
00:21:07Coyo, Vito, what are you doing!
00:21:08With the fishing rods!
00:21:08And let it squeeze.
00:21:09In case you can't continue
00:21:11Santi, damn it
00:21:11That you are not in me
00:21:12It doesn't arrive
00:21:13It doesn't have
00:21:13You have to not tell someone
00:21:15How did the father endure it for thirty years?
00:21:17I'll put up with it for three weeks
00:21:18You are not here, torrent!
00:21:20It's going to be medium-sized.
00:21:20He's going to be alone in front of the goalkeeper, he's going to be alone in the penalty area.
00:21:26Bullshit!
00:21:28I'll score that goal.
00:21:29If you put that one in, and the 20 that this one has, let's see.
00:21:31Damn, what's going on? Raulito scores them, right? Because he's from Real Madrid.
00:21:35And dicks?
00:21:37Dicks of what?
00:21:50Let's see the cap! Let's see the cap! Let's see the cap! Let's see the cap, let's see the cap! Who are you, MiHotK, sir?!
00:22:09That's messed up...
00:22:10Whenever there's a photo... there has to be someone more attractive than Li.
00:22:13Xanti, damn it, that's how it is... don't fool yourself.
00:22:16You either fix this or you have to turn off the TV every time there's a game on.
00:22:19Are you crazy? Do you know the mess we make? You don't even give me time to change the barrels.
00:22:23There's no need to change barrels or anything like that. What we need here is a waiter and someone who commands respect.
00:22:27A security guard.
00:22:29I was going to hire a gardener, a cleaning lady, and a car attendant.
00:22:34What do you know? What do you know? What do you know? What do you know?
00:22:37You shouldn't know about oil and cheap spare parts.
00:22:41Well, my marriage ended in natural causes.
00:22:44From my husband, of course.
00:22:45Of course, that's how it was back then. Now it's incredibly easy for you.
00:22:50Look at the artists, huh? They get involved with young guys.
00:22:53And they're very well done, too. Why bother with an old one? Unless it's for Newman, of course.
00:22:59That's what you should have done, look at yourself with a young man.
00:23:02No, no. How am I supposed to do that?
00:23:04What? Do you want me to explain it to you? In detail?
00:23:06No, no, no, just a moment. Speaking of explanations and breakups.
00:23:10Tell us what happened to Diego's leg.
00:23:11Do you want a little more bed?
00:23:12Well, let's just say he lost interest from using it so much.
00:23:16Hey, Mom, but oh well.
00:23:18If it's more popular, daughter.
00:23:19Come on, you don't drink anymore. I'm telling you this.
00:23:21No, I'm not going to drink anymore because I don't have my tests done tomorrow.
00:23:25And my cholesterol and sugar levels are going to skyrocket.
00:23:28He's going to get out of the machine.
00:23:30No, seriously. I think relationships end when the bed is only used for sleeping.
00:23:34That's how it was in mine.
00:23:35Well, anyway, when you start out there's more passion and the flame gradually dies down a little.
00:23:39Well, tell that to Diego, who comes around every time he tries lately.
00:23:43Hey, but what's gotten into you? Forgive me.
00:23:45But Diego has been in the hospital for quite a while, so I don't mind that he doesn't feel like it.
00:23:48No, seriously, Lucia.
00:23:49These past few days I've been thinking a lot about when you were telling me what was happening with Sergi.
00:23:53They said you were bored, that there was no sex, that it was just routine...
00:23:56And I didn't see it.
00:23:59I didn't see it. The same thing was happening to me, but I didn't see it.
00:24:05Well, anyway, about the routine, let me tell you something, okay?
00:24:08It's not a rule.
00:24:10No, no, no, look at me.
00:24:12I've been going to the same Chinese restaurant every Friday for years, ordering the same menu.
00:24:16Chosue with beef, noodles with prawns, two spring rolls, two beers and home.
00:24:21This is pretty intense, isn't it?
00:24:23They've been together since they were 17.
00:24:26Well, with our crises and our problems, huh?
00:24:28But together...
00:24:29Hey, how did you do it? Because what you did is tricky.
00:24:31Okay, fine. Go on, tell him.
00:24:33Trick?
00:24:33Oh, yes, tell him.
00:24:34Let's see what trick I can tell you.
00:24:34No, tell him.
00:24:36Are we counting things?
00:24:36Ah, well, that's it.
00:24:38You see, something very curious happens in my marriage.
00:24:41My husband and I have nothing in common.
00:24:43Nothing.
00:24:45Now, of course, the mambo, as he says, must not be missing.
00:24:49The mambo doesn't suit you.
00:24:51But never, ever?
00:24:53Never.
00:24:54Never.
00:24:54Never.
00:24:56Well, Jordi, of course, before I caught him on top of the secretary, started putting the
00:25:02the most far-fetched excuses for not sleeping with me.
00:25:05She'd say things like, "I don't want to go to bed early," or "Now I'm watching TV," and she'd start telling me things about...
00:25:09job.
00:25:10And how should I tell Fiti something? Should I take advantage of dinner or what?
00:25:14No, because after dinner, it's bed, bed, bed, bed.
00:25:17And it's already in terrible shape, you know.
00:25:19Yes, it's been a while since I've read.
00:25:21What's on TV?
00:25:32Nothing.
00:25:35Mostly we're going to bed.
00:25:37Okay, Fiti.
00:25:42I'm going to...
00:25:43Sweetie, I'm going to stay here for a while, in the living room.
00:25:47Are you going to take long?
00:25:48Yes, yes, there's something that interests me now, they're going to fire me.
00:25:55Fiti, there's no Champions League, we've all been kicked out, Madrid, Barça, he doesn't even know what's going on anymore
00:26:00Steven Seagal doesn't know how to throw.
00:26:02Can you explain to me what you're going to see, son?
00:26:04Well, many things.
00:26:07And, for example, at this time of day, they show some really great things.
00:26:12Some interesting documentaries and all that.
00:26:15Okay, I'm going to bed, alright?
00:26:18See you tomorrow, Raúl.
00:26:19See you tomorrow, Mom.
00:26:19You never get angry.
00:26:27I'm angry.
00:26:30I'm in control, lawyer.
00:26:32We'll see about that, lawyer.
00:26:35She wants it.
00:26:38No, and I've told you something, Africa, when I came here.
00:26:44But, to tell you the truth, I'm overwhelmed by the issue, because...
00:26:47Okay, we'll talk tomorrow, alright?
00:26:50That?
00:26:51What, trust me?
00:26:53Yes, this morning.
00:26:54But seriously, how can you be so shameless?
00:26:58Already.
00:26:59And how do I know that when you were staying at meetings until all hours you weren't sleeping with that little girl?
00:27:04Or to another.
00:27:05That I believe you?
00:27:07Hey, look, go to hell.
00:27:17I'm going to drink water, okay?
00:27:21Yes, yes, I'm sorry.
00:27:22Happens.
00:27:26What a time to be on the phone, right?
00:27:29No, I'm also with...
00:27:32You feel like an old rag, you know?
00:27:36You spend your life with someone you love and who you believe loves you.
00:27:39And suddenly you realize you've grown up.
00:27:45And that all she cares about is that there's always someone else who's more willing than you.
00:27:49Virginia Mayor, I can't see you, okay?
00:28:00Okay, thanks, Marcos.
00:28:02I appreciate the encouragement, but let's go.
00:28:06Okay, seriously, I remind you that I've seen you naked, okay?
00:28:11I know what I'm talking about.
00:28:17Yeah.
00:28:19And you turned as red as a tomato.
00:28:22Man.
00:28:26Come on, if all the girls your age are like that, let me tell you something, okay?
00:28:33Okay, fine, that's enough.
00:28:38Seriously, you seem like a really cool chick.
00:28:41And, I don't know, you have to be a real idiot not to be able to see it, or not know how to see it.
00:28:49You're an angel.
00:28:55Well.
00:29:08Well, that's it, so...
00:29:10Good night.
00:29:11Yes, good evening.
00:29:16Hey.
00:29:18And thank you.
00:29:19Thank you.
00:29:20Thank you.
00:29:21Thank you.
00:29:22No, no, no.
00:29:52No, no, no.
00:30:22Don't you feel like it? Do you feel like this?
00:30:27That's not it, it's just that...
00:30:29It's not that?
00:30:29No no.
00:30:32Churri.
00:30:34Churri, no, we're always the same, we're always dealing with the same thing here.
00:30:37She's happy, it's two in the morning, we're in bed, what do you want to talk about, politics, darling?
00:30:41No, no, not about politics, but...
00:30:43Hey, talk, talk.
00:30:45That's what we have to do, talk about what we never talk about.
00:30:48Damn, and that can't be good.
00:30:50It cannot be good for what marriage is.
00:30:53What's happening?
00:30:54Hey?
00:30:55What's happening?
00:30:56Something has to happen for us to talk.
00:30:59No, I'm a man you can talk to about anything, there's no problem.
00:31:04I have my own inner world.
00:31:05Okay, fine?
00:31:09Come on, let's talk.
00:31:13Forward.
00:31:14Well.
00:31:17Well...
00:31:18Well, if...
00:31:20No cold, then...
00:31:23Hey, this talking thing is awesome, huh?
00:31:26Am I having a good time?
00:31:28Don't worry.
00:31:30Don't worry, something will come up eventually.
00:31:35I've still been thinking, I mean, how badly Florentino's business with the stars and the Galácticos and everything has turned out.
00:31:43What is it?
00:31:44Was it well planned?
00:31:46Suddenly...
00:31:53"Fuck me," the supplier tells me, "and tell me to use salvaged parts."
00:31:58How am I supposed to use salvaged parts?
00:32:00Those are poor quality parts, you can tell, that's obvious...
00:32:02Come on, over my dead body, come on.
00:32:03No, I already have a reputation in this field, it can't be.
00:32:08Come on, that can't be.
00:32:09I currently have some special suppliers who don't...
00:32:12Of course, of course, of course, of course, my love.
00:32:14Shall we go to sleep, my love, now?
00:32:15Hey?
00:32:16Come on.
00:32:18We've already spoken.
00:32:18Okay, okay, okay, okay.
00:32:19Okay.
00:32:19Okay, so you know everything we have to do, right?
00:32:39You remember everything, right?
00:32:40Okay, very good.
00:32:46Good day.
00:32:47Hello.
00:32:48Listen, I don't know what Virginia saw in her husband.
00:32:50Baggy, ugly, unfriendly, she's great.
00:32:53You don't want to be quiet.
00:32:53Because the guy's loaded.
00:32:55Goes?
00:32:56Come on, you have nothing to learn.
00:32:58If it's a pair of goalkeepers, be very careful, okay?
00:33:01Hello good morning.
00:33:02What, look?
00:33:02Oh, hello.
00:33:03Good morning.
00:33:04Come on, that's enough for me.
00:33:06Once you come here, I'll make you sleep on the sofa bed.
00:33:08Good morning.
00:33:09Hello hello.
00:33:10Hello good.
00:33:11No, seriously, I slept great.
00:33:12You look good, don't you?
00:33:13Thank you.
00:33:14The problem is that I can't even have a coffee here; I'm not myself.
00:33:16But that's done, my daughter.
00:33:18Take.
00:33:19Marcos, make some coffee and sit here with me.
00:33:28Wow!
00:33:29Marcos, man.
00:33:30Marcos, the red cost.
00:33:30Did you get a fart on yourself?
00:33:31What's the matter?
00:33:32Nothing, nothing's wrong with me.
00:33:33All.
00:33:35Look, my uncle.
00:33:37You...
00:33:37Everything about you!
00:33:38Die!
00:33:39Die!
00:33:39Die!
00:33:40You cannot pass!
00:33:41Die!
00:33:41Die!
00:33:41Die!
00:33:42Die!
00:33:42Die!
00:33:42Die!
00:33:42Die!
00:33:45Well, it's here now.
00:33:46Let's review.
00:33:46Everything is ready, right?
00:33:47Yeah.
00:33:48You gonna dig this?
00:33:52You gonna dig this?
00:33:57You gonna dig this?
00:34:02You gonna dig this?
00:34:03I'll give you 50 euros for it.
00:34:06No?
00:34:06I don't feel like it?
00:34:25Hey, what's the big deal? Don't be stubborn, you can buy two like this for 50 euros!
00:34:29Look, you're right. Look, I'm just telling you, 100 euros, but you're not going to get it from me.
00:34:32But no, no, no, no, no.
00:34:34Let's get to work!
00:34:36Hey man, can you lend me 100 euros? I swear I'll pay you back tomorrow.
00:34:40But how are you going to give it back to me? Unproductive.
00:34:43Well, look, if you let me have them, we'll split the cost.
00:34:45But no, Guille, no, I'm sure I felt isn't interested.
00:34:48Yes, man, let's see what interests me and what doesn't.
00:34:51Okay, what is this?
00:34:53But, Guille, what if we're going to play for less?
00:34:54Hey, look.
00:34:57Hey.
00:34:57Ah, wanted for Delmar, gravedigger, model, six, eight...
00:35:04What the heck is this?
00:35:06Well, it's Curro's doll, man, it's unique, it's unique in the collection.
00:35:09And give him a huge amount of money, you wouldn't believe it.
00:35:10How much are they offering for this?
00:35:11Well, I don't know, we'd have to call and ask.
00:35:16Let's see.
00:35:18Yes, yes, tell me.
00:35:26Uh, I'm calling about the ad.
00:35:29Yes, I have the Madelma in this one, the gravedigger.
00:35:33Uh-huh.
00:35:33Yes, I mean, how much?
00:35:36How much are they offering for this?
00:35:38Well, if it's not in bad condition, then fifteen hundred euros.
00:35:42Pussy?
00:35:43Uh, ah, well, nothing, okay, okay.
00:35:47Oh, I'm not interested anymore.
00:35:49That?
00:35:50That way they'll be smarter next time.
00:35:53But.
00:35:54Good morning.
00:35:57Our joy turned to ashes.
00:35:58No, Maritere, you haven't got it.
00:36:00My aunt has fully entered.
00:36:02More than that, well, you'll get to know her as you go.
00:36:04Come on, don't worry, we'll give that guy the money today.
00:36:07To dialogue.
00:36:08We're only just starting to have a dialogue at this point.
00:36:10Is it weird or not, Lucie?
00:36:12To dialogue, to dialogue, but during.
00:36:15No.
00:36:16To dialogue instead of.
00:36:18Thank you.
00:36:18Last night you went to bed so many times and then the guy gets into bed and makes excuses, yeah, weird.
00:36:24In other words, all he wanted to do was talk and talk and talk.
00:36:26I don't think so. Maybe he was trying to tell me something and didn't know how to approach me.
00:36:31But oh well, it doesn't matter, it doesn't matter because.
00:36:32Don't read so many times, daughter, he must be tired.
00:36:35Tired, Fiti.
00:36:36Fiti has two positions.
00:36:38On and on.
00:36:40Lucia, my husband is an animal.
00:36:43An animal, an animal.
00:36:44A stallion there, always talking.
00:36:46The kid's right, damn it.
00:36:47If we don't let him sleep a single night with all this fuss.
00:36:51He's turned out to be too tame, despite all the sexuality he's absorbed at home.
00:36:54Fuck.
00:36:55Fiti, don't torture yourself.
00:36:57It's the fault of that gene you have, Martinez.
00:37:00And the kid, well, he's inherited it, he's inherited it.
00:37:02Damn, with the gene, I guess the gene can be neutralized somehow.
00:37:06And if I have to go through a period of astringency, then I'll go through it.
00:37:09Come on, go on.
00:37:10You don't even believe that yourself.
00:37:11And?
00:37:12So, you don't believe it either.
00:37:13I'm telling you that I can endure it and endure it.
00:37:15Hey, and if it's because of the kid, wouldn't it be better to do it when he's not around?
00:37:18No, but it's not because of the kid, you know.
00:37:20If it's something that's become personal, damn it.
00:37:22It can't be that my relationship with Candela has been based on sexuality since we met.
00:37:28It just can't be.
00:37:29There have to be other things, damn it.
00:37:31Another thing.
00:37:33And what?
00:37:34I don't know how to speak, then.
00:37:37Let's see.
00:37:37I don't care about the world of suppliers, the world of parts, or originals.
00:37:42And Fiti knows it.
00:37:43You know?
00:37:43He forgot or something because he was being annoying last night.
00:37:45What were excuses?
00:37:47That's very strange.
00:37:47It's kind of slippery.
00:37:49You understand?
00:37:50My sexless marriage, Lucia, is nothing, huh?
00:37:53Candela, for God's sake.
00:37:55Yes, you've definitely felt the effects of last night's dinner, huh?
00:37:58You must be stressed, daughter.
00:38:00Let's see if your friend Virginia is right.
00:38:02And what's happening to us is that we're falling into a routine, huh?
00:38:05In that spiral that goes, goes, goes, grows, grows and you don't know where, huh?
00:38:10Okay?
00:38:11The flame of love is dying out.
00:38:14Candela, it's been a night.
00:38:16A.
00:38:17You're being a little paranoid, aren't you?
00:38:18Well, yes.
00:38:19Girl, I don't know, prepare something special for him, something different.
00:38:21And now you, how does the beast within you come out?
00:38:30Hey, look.
00:38:32Tonight, prepare champagne, oysters, and no conversation.
00:38:36Your candle.
00:38:38He's going to make it difficult for her, huh?
00:38:40Well, he's got it in for me, damn it.
00:38:41He's looking for me, damn it.
00:38:43And now, on top of everything, it goes and gives it a glow.
00:38:45It's because it's been many years, Fit, you've spoiled her rotten.
00:38:49Stop with the stories and innovations and deliver, deliver.
00:38:53No, no, I'll hold on and hold on.
00:38:55Damn, I owe my son an education and I'm going to give him that education.
00:38:58Well, all I need is for Candela to not even come near me, damn it.
00:39:03Marcos, Marcos, Marcos, uncle, Marcos, uncle.
00:39:05Tell me, for God's sake, man, what's gotten into you, a forty-year-old woman?
00:39:08Look at the altamumias.
00:39:09For your information, the aunt is pretty good-looking, huh?
00:39:11Yes, but come on, how did you do it with the little guitar?
00:39:14And is the spring onion up there?
00:39:16No, let's see.
00:39:17She was crying, she was unwell and needed someone to comfort her, and I was there, ready to help.
00:39:22I mean, you're my fucking idol, you're the human dildo, and there was some contact.
00:39:28No, there was no friction, was there?
00:39:30Marcos, if there's friction, it's because it itches, right?
00:39:33Hey man, give us the details.
00:39:34She has a slut, so yes, she's a slut.
00:39:36Let me explain it to you, no, it was a silly kiss, dude, a silly kiss.
00:39:39A silly kiss, look, you're the silly one.
00:39:41Look, dude, when a girl kisses you passionately, it means you want marzipan.
00:39:44Sure, man, if they're more outgoing than ever at forty, just like us at our age, it's perfectly compatible.
00:39:51Hey, hey, don't run away, don't run away!
00:39:53Stop, listen up, man, Marcos, you're in for a golden opportunity, please!
00:39:56Look, I don't want anything to do with that woman, I'm getting married.
00:39:58Look, Marcos, I respect Eva a lot because you all respect her a lot, okay?
00:40:02But dude, have you answered yourself?
00:40:03No, well, until I answer you, mate, you're as free as a bird.
00:40:07And what are the little birds doing?
00:40:08I have the answer, they eat the fowl.
00:40:10I want to get married.
00:40:11Okay, fine, so if you get married, dude, this is your last fling, eh, your bachelor party.
00:40:16Because if she says no, well, you're going to regret it for the rest of your life.
00:40:19Let's see if you understand.
00:40:20No, no, look, the thing is, I love Eva, okay?
00:40:21That I love her.
00:40:22What does that guy know, the bullet he's giving us, huh?
00:40:24Let's see, let's see.
00:40:25So, you're saying that Africa has to know something, right?
00:40:27Well then, let's clear things up.
00:40:35Raul.
00:40:36The key.
00:40:38The key.
00:40:39Okay, fine.
00:40:39Raul, if you don't enter the password we can't see the car in Africa, right?
00:40:42Did you know?
00:40:42If I'm already throwing something out there, dude.
00:40:44Quickly.
00:40:45Raul.
00:40:46Of course, it's me.
00:40:47Now you see it's me?
00:40:48Dale.
00:40:48No?
00:40:48Yeah.
00:40:50It's as if I didn't know her.
00:40:54Shit.
00:40:55Go away, move away.
00:40:56What's happening?
00:40:56Let's see.
00:40:57It's his birthday.
00:40:57It's his birthday.
00:40:59Yes, it's his birthday.
00:41:00Come on.
00:41:01TO...
00:41:01April.
00:41:02That?
00:41:03What day?
00:41:05Well, never mind, better.
00:41:05I have another one, I have another one.
00:41:06When we debut, dude, that date is super important.
00:41:09March 12.
00:41:11No.
00:41:12No?
00:41:13Well, the second time is almost more important than the first because it was much better.
00:41:16Proof.
00:41:16Hey...
00:41:1712th of...
00:41:18Okay, try the third one.
00:41:20The third one, dude.
00:41:21A 13.
00:41:23Shit.
00:41:2414.
00:41:2615.
00:41:28Shit.
00:41:2916.
00:41:29Raúl, Raúl.
00:41:30Raul.
00:41:30Are you going to include all the days you've caught?
00:41:32Okay, then...
00:41:33For my birthday.
00:41:33For my birthday.
00:41:34Is...
00:41:36Hey...
00:41:37Marzipan.
00:41:40Sex?
00:41:43His dog.
00:41:44No, not your dog, man, I'll die.
00:41:45Put...
00:41:46Lasagna.
00:41:47Lasagna.
00:41:47Because?
00:41:48Just to try it out.
00:41:55Chuqui?
00:41:55What am I?
00:41:56That?
00:41:56What, am I the key?
00:41:57Wait.
00:41:58Because?
00:41:59I don't understand, man.
00:42:00Because?
00:42:00Why is their password Chuqui?
00:42:01I mean, because this guy is the key to my girlfriend.
00:42:02Why am I calling her your girlfriend, dude?
00:42:03Because I have a sensational and impressive one.
00:42:06I'm really upset.
00:42:06Okay, I'm out.
00:42:07I'm going, I'm going, I'm going, I'm going.
00:42:08Let's see, there.
00:42:09I've included Africa.
00:42:10I had to go through Barcelona.
00:42:11And the other day I ran into Juan Manuel in Plaza de Cataluña.
00:42:13Juan Manuel?
00:42:14Hey, dude, what's there?
00:42:15Africa, run, hurry.
00:42:15The truth is that I hadn't seen him for ages.
00:42:17And well, although at first I didn't know if I wanted to or not.
00:42:19Marcos, castrate me, please.
00:42:20I kept insisting and insisting and in the end we ended up hooking up.
00:42:22Marcos.
00:42:23Marcos, dude, I'm sorry you're castrating me.
00:42:25Health.
00:42:25Health.
00:42:25Health.
00:42:26Hello, what are you doing?
00:42:28Hey!
00:42:29Fuck.
00:42:29How are you?
00:42:30What do we do?
00:42:33But don't get so worked up.
00:42:35What's wrong with him?
00:42:36Nothing, Churi, it's just that he likes bigger boobs.
00:42:39Yes love.
00:42:39How are you?
00:42:40And you?
00:42:41Very good.
00:42:43Let's go, Churi.
00:42:46So, at work you remember everything you have to do, right?
00:42:49Sure?
00:42:50Yeah.
00:42:50So, at work you remember everything you have to do, right?
00:43:20I'm thinking about something, little worker.
00:43:22Would you like to have two new little dolls?
00:43:25Yeah.
00:43:27Well, look, you're in luck, because I'm going to the toy store this afternoon.
00:43:31I'll buy you two new dolls and you give me yours.
00:43:34You buy me both little dolls and I'll keep mine.
00:43:38But, man, aren't you going to give this old, filthy doll to your favorite uncle?
00:43:42No.
00:43:43Nor for the children of Biafra, who have nothing to eat, the poor.
00:43:48I'll buy you two new little dolls with their little lights and sounds
00:43:53And you give me this for the poor of Biafra to distract them from their hunger.
00:43:57Well then, buy the children of Biafra two dolls or a pizza.
00:44:04A pizza?
00:44:04You know, Currito, that two hundred euros is a lot of money.
00:44:13Depends.
00:44:17I'll give you three hundred euros.
00:44:22No.
00:44:27Four hundred.
00:44:28No.
00:44:45Five hundred.
00:44:46I give you...
00:44:47Five hundred.
00:44:50Made.
00:44:51Take.
00:45:01What now?
00:45:03I'm going to buy you a spinning top for your birthday.
00:45:06No!
00:45:06I'm going to give you the badges.
00:45:07The bar's bottle caps!
00:45:10Let's see, mate!
00:45:11Can you tell me what's wrong with you, or what's going on with you, Ena?
00:45:20Hey, ladies in four hundred, you almost ruined the whole plan.
00:45:24Well, one hundred, two hundred, three hundred, four hundred.
00:45:28And my commission?
00:45:32I didn't have to grab anything either, right?
00:45:35Oh, I'm blown away.
00:45:38Eva with Joan Manuel.
00:45:40That guy's a vulture, huh?
00:45:41And let me tell you something.
00:45:42So, he's got her figured out, huh?
00:45:44He knows where to attack.
00:45:47I just can't wrap my head around it, man.
00:45:51Dude, I don't know what more tests you want.
00:45:55Dude, I know it's tough, you know?
00:45:56It's a stick.
00:45:58But you have to get out of there.
00:46:01Know?
00:46:02Dude, he thinks one nail drives out another.
00:46:07Yeah!
00:46:09Marcos.
00:46:10Yeah.
00:46:11Can we talk for a moment?
00:46:12Yeah.
00:46:13Yes, yes, yes.
00:46:14I'm leaving now.
00:46:17This one, this one, this one, this one.
00:46:19Is this yesterday's picture?
00:46:19Is this the one for, the one for, the one for night?
00:46:21Is Missy Robinson there?
00:46:22Yes, Raúl.
00:46:23But...
00:46:23But it's really good, man, Marcos.
00:46:25Wake up, please.
00:46:27Leave me alone.
00:46:28Please.
00:46:29God.
00:46:33Hi how are things?
00:46:34How are you?
00:46:35Well, I've had better days, to be honest...
00:46:39Yes, well, me too.
00:46:41Hey Marcos, I've been thinking that maybe you're feeling bad about what happened last night and...
00:46:46And well, I wanted to apologize.
00:46:47No, no, nothing's wrong, right?
00:46:48No...
00:46:49No, no, seriously, it must be very uncomfortable.
00:46:51I'm not really sure what I was thinking.
00:46:52One moment.
00:46:54One moment.
00:46:59Let's see...
00:47:00Virginia...
00:47:02Every night is the best thing that's happened to me these days, huh?
00:47:05Really?
00:47:07Well.
00:47:07So no, no, don't worry, okay?
00:47:09Okay, thanks.
00:47:16Raul.
00:47:16Dude, you're out of your mind.
00:47:19I mean, that woman kisses you and does nothing.
00:47:21Raúl hasn't kissed me, okay?
00:47:23So...
00:47:23Dude, but Marcos, dude, don't you realize that...
00:47:26They've given you the cross ones.
00:47:27Well, what the hell am I saying about the crossbreeds?
00:47:29At that age, there are no turning lights.
00:47:30Yeah, man, the Civil Guard stopped you, Marcos, man.
00:47:32That's headed for you.
00:47:35What do you want?
00:47:36Should they canonize you or something?
00:47:38Do you want to be from San Marcos Serrano?
00:47:40There is a virgin and a martyr.
00:47:41Well, you're on the right track, aren't you?
00:47:42You're on the right track.
00:47:46Hello good.
00:47:47Let's have a beer.
00:47:48About what?
00:47:50Pussy?
00:47:52Brody?
00:47:52Fiti?
00:47:53But what are you doing here?
00:47:54Did your mother let you leave the drugstore?
00:47:56Baby history of Santa Costa.
00:47:58Sir, the best boxer the neighborhood has ever produced.
00:48:00And the only one.
00:48:01Hey?
00:48:01Come on, come on.
00:48:02Make her be quiet.
00:48:05But what is he doing here behind the bar?
00:48:07I've spoken to his mother.
00:48:08Let's see if he starts thinking about something other than the museum.
00:48:10Neither did she.
00:48:13Waiter and security guard, all in one.
00:48:15Today is a trial day.
00:48:16But if he does it right, he'll be hired tomorrow.
00:48:18Come here, I'm going to show you how the coffee maker works.
00:48:23Look.
00:48:24This is a coffee maker.
00:48:26Coffee maker.
00:48:27The champagne is getting colder.
00:48:29and I'm getting hotter and hotter.
00:48:31What the hell is in store for me?
00:48:34It used to be in grain form, but then...
00:48:36But here!
00:48:37That?
00:48:38One little thing I'm going to tell you.
00:48:39Do you like Jackie Chan?
00:48:41The Chinese guy who gives the communion wafers.
00:48:43What a great guy.
00:48:43Come on in.
00:48:49And these bosses?
00:48:51Did he put a shaman on you?
00:48:53Santero?
00:48:54The balls.
00:48:56Damn, food.
00:48:56Honey, I'm home now.
00:49:03What is the workshop manager?
00:49:06Because...
00:49:07Host!
00:49:08Vanela!
00:49:09My mother!
00:49:10Where from?
00:49:12Pleased to meet you, ma'am...
00:49:13Tell me, calmly.
00:49:16Okay, quick.
00:49:17Woman, put something on or you'll catch a cold.
00:49:18How can you greet me like this at Puerta Mayoras without warning me?
00:49:21Haven't you read the messages?
00:49:23No, my phone is broken.
00:49:25Well, then throw them out, throw them out.
00:49:27Throw them out, Fiti.
00:49:31Woman, it's just ugly.
00:49:32Because we've already bought dinner.
00:49:34Well, he'll pay you the price, so you can go, Fiti.
00:49:37Who is that?
00:49:38The druggist's son?
00:49:39The one who's dreaming?
00:49:42Show some respect, Candela.
00:49:45The movie is ready.
00:49:46Stop it!
00:49:50But what?
00:49:51Are you going to watch a movie?
00:49:53Jackie Chan's latest film.
00:49:55Are you in?
00:49:57I've been told there's also romance, woman.
00:49:59in the part about the communion wafers and that.
00:50:01Come on.
00:50:03Wow, universal pit to the trunk.
00:50:11Well, we've ended up like old times, haven't we, Virginia?
00:50:13In the end, you're helping me, because I have a mess at home, daughter.
00:50:18I can't believe it, Manuel, with how disgusting he is.
00:50:21And here I am waiting for an answer.
00:50:22Raúl is right, I'm the biggest loser in Spain, huh?
00:50:24I'm the biggest loser in Spain.
00:50:27I should listen and read with Virginia.
00:50:29Marcos, focus, for God's sake.
00:50:30The best thing that's happened to him these days.
00:50:34That's lovely.
00:50:36And look how cute.
00:50:37Help at home.
00:50:40It grazed me.
00:50:41It brushed against me like it was an accident.
00:50:44Let's see if these guys are right and this girl is into me.
00:50:47Well, maybe they're right.
00:50:49And what I should do is find myself a young man.
00:50:51No, what nonsense, I say.
00:50:53I'm not going to raise the bar any higher.
00:50:55Come on, I'm sure he just accidentally brushed against me.
00:50:57Sure.
00:51:00Damn, it smells good, doesn't it?
00:51:03Thank goodness Lucia is here.
00:51:04Thank goodness Lucia is here.
00:51:06My goodness, what afternoons.
00:51:08I'm going to the hospital.
00:51:09Are you leaving?
00:51:10Yeah.
00:51:11I thought you were going to have dinner with us.
00:51:13No, in the end I can't.
00:51:14I've spoken to Diego and he seemed a bit down.
00:51:16So I'm going to stay there overnight.
00:51:17It doesn't matter, does it?
00:51:19I'm also leaving you in good hands, capybaras.
00:51:21This macho man, a real stud, by the way.
00:51:22You must feed everyone dinner.
00:51:23And make sure Virginia doesn't get bored here, okay?
00:51:26Okay.
00:51:27Thanks, love.
00:51:28See you later.
00:51:31Oh, God.
00:51:39600 euros, dude.
00:51:41I've never seen so much pasta in my life.
00:51:43What won't this guy catch?
00:51:44He's not going to catch a cold.
00:51:45What is Tere's topic?
00:51:46Hey, guys.
00:51:48I mean, you guys are making me feel so lazy these days
00:51:49and we're going to play a game of football.
00:51:50Free football!
00:51:51Free football!
00:51:51Free football!
00:51:52Hey, hey, hey!
00:51:53I'm asking for Patrick's window...
00:51:54Oh, oh, oh!
00:51:55With water!
00:51:56And on top of that, I can't go down.
00:51:57Wait for me!
00:52:06Ah!
00:52:07Take!
00:52:08And this duck from 2005!
00:52:09Grab it up!
00:52:10Oh!
00:52:13Take!
00:52:13Take!
00:52:14Take!
00:52:15Take!
00:52:15Take that, dude!
00:52:16Now take out the...
00:52:17No!
00:52:17No!
00:52:17Take!
00:52:17No!
00:52:18Ole!
00:52:19You're not finished yet!
00:52:20Hey!
00:52:21This phone!
00:52:22Whose phone is this?
00:52:23Ah!
00:52:23Ah!
00:52:23Mine, mine, mine!
00:52:24Thank you!
00:52:24Go for it!
00:52:25Spokesperson!
00:52:25Spokesperson!
00:52:26Go for it!
00:52:26Go for it!
00:52:27Go for it!
00:52:27Go for it!
00:52:28Go for it!
00:52:28Go for it!
00:52:28Go for it!
00:52:29Go for it!
00:52:29Go for it!
00:52:30Yes, go ahead!
00:52:31Go for it!
00:52:31Go for it!
00:52:32Go for it!
00:52:32Go!
00:52:33Go for it!
00:52:33How could you even think of that? How could you even think of that, Gigi?
00:52:45To deceive your uncle like that, your own flesh and blood.
00:52:48The Madermal gravedigger.
00:52:50I will bury you, but while you're still alive.
00:52:52Okay, dude, okay, dude.
00:52:53I'm sorry, it's true that we scammed you, but you wanted to scam us too, didn't you?
00:52:57Well, we firefighters aren't going to step on each other's toes.
00:53:01Okay, man.
00:53:02No, no, no, no.
00:53:04Please tell us, Santi, if there's a real explanation for all this.
00:53:07Yes, seriously.
00:53:08Well, it better be good, it better be good.
00:53:11And he threatened us, all over a pane of glass.
00:53:13And well, and he said that if we didn't bring him the money for sex, he would break our legs, and what was it like?
00:53:18Sure, okay, that's how it was.
00:53:20Are you guys into one sex?
00:53:22Well, she said Tete should go alone.
00:53:24Yes, alone, alone.
00:53:26But how are you going to go to a sex party?
00:53:29And alone?
00:53:29And when did he tell you to be that guy?
00:53:33Well, tonight.
00:53:36No no.
00:53:37I'll fix it tonight.
00:53:38I will go.
00:53:40Now, if it's another one of your tricks, I'll castrate you, okay?
00:53:43Os capo, Dios capo.
00:53:46Okay, Candela.
00:53:47Thanks a lot for the oysters, huh?
00:53:49Just like I wish they were in my country, they're delicious.
00:53:53Well, that's it, huh?
00:53:53You know, whenever you want, right?
00:53:54At your feet, Mrs. Washington.
00:53:59See you later, my love.
00:54:00Okay, I'll go with you, I'll go down with you, okay.
00:54:03No, no, no, I'm staying here tomorrow, see you then.
00:54:06Okay?
00:54:07See you tomorrow, boss.
00:54:07See you later.
00:54:08Okay, see you later.
00:54:11See you later, Fiti.
00:54:12How ridiculous, how incredibly ridiculous, huh?
00:54:14Well, Churri, I know, but what did I know?
00:54:17Just like that, without warning, no...
00:54:19Let's see, Fiti.
00:54:22Tell me, please.
00:54:24It has...
00:54:24It's turned off...
00:54:26The flame?
00:54:28The flame?
00:54:29The cane cutter.
00:54:31Fiti, stop talking nonsense.
00:54:33You've been avoiding me for days, why?
00:54:36Because of stress.
00:54:38It's stress, it's definitely stress, because I'm busy all day.
00:54:41Whether it's the workshop, lending a hand at the tavern, and well, that's it.
00:54:44Everyone has a bad streak.
00:54:45Not you, Fiti, you haven't had a bad streak in your life.
00:54:47You, even though it's a bad streak, it's bed, boom, bed, boom, bed, boom, until when he died
00:54:51your grandmother, with what she left you.
00:55:04Fiti.
00:55:06Fiti, darling.
00:55:08Is...
00:55:08Is...
00:55:08It's routine.
00:55:10The...
00:55:10Well, look...
00:55:14No beating around the bush, darlings...
00:55:17I think so.
00:55:19I think so, because...
00:55:20And it's my fault, huh?
00:55:21Besides, it's my fault, because yes, it's been the same thing for 20 years now, coming from
00:55:25work and bed and boom.
00:55:27AND...
00:55:27And eating and bed and boom.
00:55:29And I need, therefore, an evolution and something.
00:55:32Because there's more to it than just the bed and boom.
00:55:35Anything else?
00:55:38Yeah.
00:55:40We need to break out of our routine and...
00:55:43And to vary, above all to vary.
00:55:46Yeah.
00:55:46You...
00:55:47You've just put some clothes and things on that...
00:55:49That I...
00:55:51I...
00:55:52I'm going for a walk to get some fresh air.
00:55:55Come on.
00:55:57So the mirror a little bit.
00:55:58Okay, see you later.
00:55:58Hey, hey, hey, hey, hey, hey, hey, hey, hey!
00:56:10It runs in the air.
00:56:12Hey, two days.
00:56:13Two.
00:56:16A little beer, Gloria, please.
00:56:18One thing, Vicky.
00:56:20Then, when we close up shop, you have to come back for two.
00:56:23I have to resolve an issue in one sex.
00:56:26No way, does it have a sex?
00:56:27I'm in the middle of a period of astringency.
00:56:30Wouldn't a friend do that?
00:56:31Well, man, no, no.
00:56:32It's an issue I have to resolve with the goalkeeper.
00:56:35And that's good for you, because if you make time,
00:56:38You arrive late and weather the storm.
00:56:40Ah, okay, okay.
00:56:42Hey, why don't we call Marcos and go to the movies?
00:56:46Ah, auntie, Marcos isn't up for the movies, man.
00:56:48The bowl's a poplar, kid.
00:56:50And so?
00:56:51And that, no, don't act like Switzerland, Africa, you know?
00:56:54Your friend Eva is very outgoing in Barcelona.
00:56:58Know?
00:56:58She keeps putting my colleague off, and then she...
00:57:00And then what about her?
00:57:03Then she goes around tasting the local produce, you know?
00:57:06Iberio is here, in Marquitos, and he's going over there.
00:57:09Well, I'm Butifarra, Manuel.
00:57:11And that's not Africa, you know?
00:57:12Look, Raúl, as far as I know, the only product Eva has tried is the one.
00:57:15Since he's been with Marcos, he's been yours.
00:57:18which is poplar and delmero.
00:57:19Eh, eh, eh, eh, no, no, without fail, Africa, without fail, okay?
00:57:22Hey?
00:57:23Hey?
00:57:23I'm an idiot, huh?
00:57:24And I haven't read the email he sent you?
00:57:26As?
00:57:26Have you read my email?
00:57:28Yes, yes, yes, but it was for a good cause.
00:57:30And I didn't change the subject, Africa, I didn't change the subject.
00:57:32What have you read?
00:57:33So what am I going to read, what am I going to...
00:57:34Well, what happened was that she hooked up with him.
00:57:37He made it very clear, so I hooked up with him.
00:57:40Santiago?
00:57:41Excuse me, do you have a computer in there?
00:57:44Yes, yes.
00:57:45Okay, here, hello Africa,
00:57:47la, la, la, la, la, la, my father,
00:57:49I've already met Manuel,
00:57:51la, la, la, la, la, la, insisting, insisting,
00:57:53and in the end we ended up hooking up.
00:57:57Okay.
00:57:59Let's get into a conversation,
00:58:00to tell each other about our lives,
00:58:02The truth is that it kept me up all night, how annoying.
00:58:04They got caught up in talking, you hick.
00:58:06This is useful for going up and down, Raúl.
00:58:09Don't mess with me.
00:58:14There it goes, there it goes, there it goes, there it goes, I've heated it up, I've heated it up, shit
00:58:19Hello
00:58:26Yeah?
00:58:34As?
00:58:37What does it give him?
00:58:37Ah, the one that was under my husband, now
00:58:44Hey, look, I don't even know how you dare call me
00:58:50And on top of that, she's stupid.
00:58:54Is it called the evil ritual?
00:59:02Your secretary
00:59:03Who will apologize to me for sleeping with my husband?
00:59:09Damn, that's crazy.
00:59:10Is there anything I can do?
00:59:20No
00:59:20No, I don't know what
00:59:24Shit, it's turned off, damn it
00:59:28Turn off your phone in two weeks and you have to turn it off now
00:59:30This love is headed
00:59:32But hey Raúl, what's going on?
00:59:36You'll see how, as time goes by, everyone
00:59:39Cutting, Raúl
00:59:58They're already on their fourth bull, you know?
01:00:01And this woman is really into it, and Marcos is really desperate.
01:00:04Okay, see you later
01:00:04No, see you later
01:00:05That's stupid, you don't even know...
01:00:07Wait, wait, wait
01:00:09That?
01:00:11That?
01:00:13Ah, okay, fine, go ahead, go ahead, go ahead
01:00:14Hi Ruth, it's Africa
01:00:19No, no, nothing's wrong
01:00:21Nothing happens in the shit, come on
01:00:22Yes, yes, yes, yes, come on over
01:00:23Damn, all guys are the same, huh?
01:00:27Everyone thinks with the...
01:00:29Don't worry
01:00:30I'll take care of it.
01:00:31Okay, a kiss, bye
01:00:32What's happening?
01:00:34Nothing, nothing, keep sleeping, beautiful.
01:00:36Hello
01:00:48Hi, Virginia
01:00:50Hello
01:00:51I didn't wake you up, did I?
01:00:54No
01:00:54I just came for a glass of water
01:00:56Do you want something?
01:01:06Hey?
01:01:06If you want something
01:01:07No, thanks
01:01:08Well, yes
01:01:09Turn off the hallway light now, when you leave.
01:01:12Okay
01:01:14Well, good night
01:01:16Good night
01:01:18It's so difficult to have any privacy in this house, isn't it?
01:01:28You're going to tell me about it.
01:01:29What's happening?
01:01:37No
01:01:37In the shit
01:01:38I'm going to leave again.
01:01:38What's happening?
01:01:44Virginia
01:01:44But are you still up?
01:01:46Yes, I'm reading
01:01:47And how did you get here?
01:01:49Where are you going to stay from the middle?
01:01:50Because you don't know Diego when he got into my stubborn head
01:01:52That said, you need to go home and rest, you need to go home and rest.
01:01:55And since I saw that he was more cheerful, well, look, here I am, good for him.
01:01:58How are you? I haven't been able to get back to you at all.
01:02:01No, good.
01:02:03This whole thing about leaving Barcelona is working out well for me.
01:02:06Jalala.
01:02:10Come on, girl, Africa, since we didn't get to this face, let's go.
01:02:13Shit!
01:02:18And with Diego like that, and then alone, with all the chaos of living room.
01:02:21Did you see Marcos then? Like a lost soul wandering around the house, sighing in the corners for Eva.
01:02:25Oh, really.
01:02:27Is his girlfriend's name Eva?
01:02:29Yes. Oh, well, I haven't told you.
01:02:31Eva, my daughter.
01:02:33Is your daughter his girlfriend?
01:02:36Yeah.
01:02:37Well, it does seem a bit strange, but at first Diego and I wanted them to be brothers and sisters,
01:02:41And I think we've already achieved it.
01:02:43Yeah.
01:02:43Oh, poor Marcos. Did you know he asked her to marry him?
01:02:48Well, no, I had no idea.
01:02:50He's 17 years old.
01:02:53And she hasn't said a word to him yet, so I don't know how he's feeling, poor thing.
01:02:58Anyway, well, listen, it's getting very late and you need to rest.
01:03:02Oh, I won't bother you anymore.
01:03:03No, okay, don't worry. It'll have been good to talk to you.
01:03:06Yeah?
01:03:06Yeah.
01:03:07Okay, we'll continue tomorrow, alright?
01:03:08Okay.
01:03:08I'm going to tell you everything that happened today.
01:03:09Yes, yes.
01:03:11How awful.
01:03:13Come on.
01:03:13Take a rest.
01:03:14And you too.
01:03:15Thank you. See you tomorrow.
01:03:16Thank you.
01:03:16See you tomorrow.
01:03:16See you tomorrow.
01:03:20What are we doing?
01:03:30It's just that...
01:03:42Eva hooked up with someone else in Barcelona, ​​with an ex.
01:03:48Damn, it's like a plague.
01:03:52I can't go on with this.
01:03:55Already.
01:03:55No, no, not because of the pull, okay?
01:03:57Ah.
01:03:59The thing is...
01:04:00Even if she slept with someone else...
01:04:05I don't know, even if she tells me no, next to getting married.
01:04:09Lucia already told you, then...
01:04:11Well, even if she doesn't answer me, I'm still in love with her.
01:04:15That's just how it is, he's such an idiot.
01:04:18No.
01:04:18Don't think like that, not for a moment, Marcos.
01:04:22But hey, that doesn't mean I don't like it, so no.
01:04:27Come on, come here.
01:04:29Oh, what a disaster.
01:04:30Okay, fine.
01:04:32I'm going to see if I can...
01:04:34I hurt myself, huh?
01:04:37Ah, let me tell you something.
01:04:40You don't know what you've missed.
01:04:43Hush, hush, because...
01:04:44Okay.
01:04:45Okay.
01:04:45Okay.
01:04:48Raul.
01:04:58Marcos, Marcos, what a mess...
01:05:00What's happening?
01:05:01No, you can't, man, you can't, you can't, you can't.
01:05:03Marcos, no, you can't, dude.
01:05:04Marcos, no, no.
01:05:05Raúl, Raúl.
01:05:06No.
01:05:06Raul.
01:05:13Diego.
01:05:14Yeah?
01:05:14Lucia.
01:05:15Lucia, my marriage is going to shit.
01:05:17It's going to shit, you hear me?
01:05:18Candle.
01:05:20Look, Fiti, Fiti runs away from me, he runs away because he's bored, huh?
01:05:23She says our sex life is routine and that we need to evolve.
01:05:26Candle.
01:05:26He says we have to evolve, and then the guy leaves.
01:05:28Candela, what nonsense is this about having to evolve, Candela?
01:05:31I don't know, Lucia, evolve, well, I don't know, well, ultimately, Fiti gets bored with me in bed, you understand?
01:05:36And if Fiti gets bored in bed, Fiti gets bored, he gets bored, because for Fiti in bed you see everything.
01:05:39Candela, Candela, calm down, have you been drinking or what?
01:05:42Lucy, do I sound drunk or what?
01:05:44Don't talk nonsense, please.
01:05:45Don't talk nonsense, that's not you.
01:05:48Let's see if Fiti adores you.
01:05:50And crises happen in all couples.
01:05:52Yes, but...
01:05:53Besides, no, listen, look, if it's that serious, well, I don't know, just put it in the hands of professionals and that's it.
01:06:02Clear.
01:06:03Of course, Lucy, professionals, very good, Lucy.
01:06:06Thank you very much, thank you very much.
01:06:08I'll fix it right now, okay?
01:06:09It's you, Candela, who when... when you told yourself you needed professional help, it was Fernando.
01:06:32Fernando?
01:06:33Remove.
01:06:33Leave Fernando alone, won't you?
01:06:34You tell this at school and within half an hour everyone knows it.
01:06:37What does Fiti want to innovate?
01:06:38So innovate, that's it.
01:06:39We'll do it in the lightwell, in the elevator, on the balcony, wherever necessary.
01:06:45That's it.
01:06:45On the balcony, Candela.
01:06:46Yes, that sounds more like Fiti's idea than yours, beautiful.
01:06:48Yes, to what?
01:06:49Well, look, that's the thing.
01:06:51Because who was breaking the monotony until now, huh?
01:06:53Fiti, with his crazy ideas, okay, fine.
01:06:55But he would break it and pull the cart.
01:06:57You understand?
01:06:58And now, how long has it been since Fiti had an idea?
01:07:00Okay, José, how much?
01:07:01I don't know.
01:07:02The truth is that he's been very quiet lately.
01:07:04And I see you with this.
01:07:05That's because he's tired of pulling the cart.
01:07:08And if people get tired of pulling the cart and nobody pulls, the flame goes out.
01:07:11Oh, you're being so annoying about the face.
01:07:13My aunt, look.
01:07:14What do you think of this one?
01:07:15This one...
01:07:16This.
01:07:17This.
01:07:18This.
01:07:19Sorry.
01:07:20Well, look, two things can happen.
01:07:22One, either you put on Ciel, or you go for that rich one, I can't see you.
01:07:28Candela, please.
01:07:29I don't know what you find so funny, really.
01:07:31It's not funny at all.
01:07:32I'm completely serious.
01:07:33But seriously, you're going too far...
01:07:34Okay, let me go, let me go.
01:07:35Yeah.
01:07:37This.
01:07:38This.
01:07:39I am your nurse.
01:07:41Well, what can I say?
01:07:42Diego, with how depressed he is, it would be great if you wore that.
01:07:45You're kidding, Candela.
01:07:46I wouldn't wear this even if I were dead, that's for sure.
01:07:48No, no, no.
01:07:48Leave it to me, leave it to me.
01:07:49See, Lucie?
01:08:08Fetina in that shop.
01:08:09Those who are bored at home.
01:08:10They come here because they are bored at home.
01:08:11No, no, no, no, no.
01:08:41Other?
01:08:42Grogi!
01:08:44What's up, man?
01:08:50Is this still the end of Conan?
01:08:51It goes, not much.
01:08:52Now I'm a waiter.
01:08:53Look, this is my boss.
01:08:55How are you, Toto?
01:08:56Well, I came because of the moon's face, which broke the trios my little gnomes.
01:09:01And I wanted to know how much was owed.
01:09:02That?
01:09:03Nothing, man.
01:09:03If it's covered by insurance.
01:09:05They told me it was 600 euros.
01:09:06Yes, but that was to earn some extra cash.
01:09:09Groggy!
01:09:10I'm starting to like this guy.
01:09:12And if they're also colleagues of Grogui, even better.
01:09:14Ah, he's like my brother.
01:09:16Come on, let's go see the show.
01:09:17Hey?
01:09:17No.
01:09:18It's a glitch, huh?
01:09:19Always yes, he invites me over, I'm a friend of Grogui's.
01:09:21Come on!
01:09:21Pussy!
01:09:22The awesome aunts.
01:09:23No no.
01:09:23What always?
01:09:24Yeah.
01:09:25Come on, don't be shy.
01:09:26Come on, let's go.
01:09:30What are we doing here, Candela?
01:09:31Now you are.
01:09:32Yeah?
01:09:32Sorry.
01:09:33Sorry.
01:09:43Sorry.
01:09:44Sorry.
01:09:44You don't die.
01:09:46Why have you been following me?
01:09:47Did you see?
01:09:52Candle!
01:09:54Candle!
01:09:55It's not what it seems, eh!
01:09:58It's not what it seems!
01:10:08Candela, Candela, wait.
01:10:10Fiti, no, things are quite clear.
01:10:12I'm so stupid, I should have realized it sooner.
01:10:14Realizing what?
01:10:15Let me explain.
01:10:16Shall I charge you, ma'am?
01:10:17No.
01:10:18What's the point now?
01:10:22Wait a minute, damn it.
01:10:22Fiti, no, the sooner you learn things,
01:10:24First, solutions are sought, man.
01:10:26That you didn't like it anymore, that you get bored with me in bed,
01:10:28Well, you tell me, we'll talk about it and find solutions.
01:10:31But how could I not like you if I like you more than a fool likes a pencil?
01:10:33Okay, so what's all this about, Fiti?
01:10:35This whole thing about needing to evolve and I don't know what's going on
01:10:36and that other things need to be done...
01:10:37Because, let's see, if you come near me...
01:10:45Enough nonsense, let's go.
01:10:48Home?
01:10:49No, in a much more special place.
01:10:51Come on.
01:10:53Aunt!
01:10:55What are you doing here?
01:10:57Diego?
01:11:00Diego?
01:11:01I?
01:11:02You've only hit me there.
01:11:04You see.
01:11:09Killed.
01:11:10I'm exhausted, Fiti.
01:11:11Okay, I'm going to get you some refreshments to help you recover.
01:11:15Hey, this thing about having more heat, I know with never again, huh?
01:11:18And even less so because you're getting into a fight with Raúl.
01:11:20Yes, darling, but...
01:11:21We have to set an example.
01:11:23Look, you said it yourself.
01:11:26He's a degenerate.
01:11:28And that's normal, because...
01:11:29If you're watching it at home.
01:11:31He's watching it at home.
01:11:32Normal.
01:11:33What do we want?
01:11:34Let our grandchildren grow up there with the sound of the mattress creaking?
01:11:39Because that's what they're going to hear.
01:11:40Hey, don't move from there.
01:11:45I think there's a double feature.
01:11:46No.
01:11:47There's a session with you.
01:11:48I don't shit myself.
01:11:54Hey.
01:11:56What are you doing here?
01:11:57That?
01:11:57No.
01:11:57What generated?
01:11:58I was just passing by.
01:12:00And you?
01:12:01I don't.
01:12:02I...
01:12:02No, they called me.
01:12:04Fuck.
01:12:04A customer from here.
01:12:06Apparently, something like that was broken, and well, it needed fixing.
01:12:09Some bass, some bass, right?
01:12:11Yeah.
01:12:11Eh, eh, eh.
01:12:12That she's your mother.
01:12:12Show some respect, okay?
01:12:14Ah, okay, sure.
01:12:15That's why you've created this scandal.
01:12:17And what was I doing there, since the moans were familiar to me?
01:12:20What are you saying?
01:12:20There.
01:12:21Dude, let me know next time.
01:12:23Hey, I'll just stay home and save myself the money.
01:12:26A little bit of organization, wouldn't it?
01:12:31How fucked up, how bastardly.
01:12:32Hey, look, what you have to do is go away for a weekend with your girlfriend, just the two of you and that's it.
01:12:36Sure, sure, you'll finance it for me.
01:12:39Okay, well yes, I'll keep it quiet.
01:12:41Yeah?
01:12:41What the hell?
01:12:42Get out of here, get out of here, get out of here.
01:12:43But why?
01:12:44Because I understand, I understand.
01:12:45Because they're there, the genes are there.
01:12:47Not there, inside.
01:12:48As your grandfather always says, manly arms fight against the force of the sea.
01:12:52But what you can't do is fight the Civil Guard.
01:12:55Ah.
01:12:55Says.
01:12:57Come on.
01:12:58No, no, to arrive.
01:12:59And what are you doing here?
01:13:01No, I was going there...
01:13:02I was going, there was a moment, it was the...
01:13:03Are you going to look for something?
01:13:06And?
01:13:07And?
01:13:09Well, it's the hospital where you were admitted.
01:13:12And what are you doing?
01:13:25Eve?
01:13:26Hi, Marcos.
01:13:28You'll think I've forgotten about you, won't you?
01:13:31Well, I've been waiting for two weeks.
01:13:34Yes, but you asked me a very serious question and I didn't want to answer you over the phone.
01:13:39Yes, no, I know, but...
01:13:41But you could have sent an email, come on...
01:13:44He seemed a little cold to me, to be honest.
01:13:47Yes, I know, yes.
01:13:50Okay, so what...?
01:13:51Just a moment, Eva, someone's knocking on the door and...
01:14:00I thought it would be better to answer you in person.
01:14:12That...?
01:14:16That...?
01:14:18That...?
01:14:20What do you answer?
01:14:23Well, you see, it's just that...
01:14:24The thing is...
01:14:26You asked me that question a long time ago and...
01:14:30And I've forgotten.
01:14:34Can you repeat that for me?
01:14:36Eva, will you marry me?
01:14:46Yeah.
01:14:49Yeah.
01:15:06What's the matter?
01:15:08No.
01:15:09Alright?
01:15:10Yeah.
01:15:11Yeah?
01:15:11Yeah.
01:15:11Yeah.
01:15:12Yeah.
01:15:16What's the matter?
01:15:23Why?
01:15:24Yeah?
01:15:33Yeah.
01:15:34Yeah.
01:15:34Yeah.
01:15:34Yeah.
01:15:35Yeah.
01:15:36Yeah.
01:15:37Yeah.
01:15:38Mr. Serrano.
01:16:05Mr. Serrano.
01:16:08Mr. Serrano.
01:16:17I am the night nurse and I've come to give you the injection.
01:16:25Mr. Serrano has been moved to a different room.
01:16:28Go on.
01:16:29But can you still give me the injection?
01:16:31Well, my shift is coming to an end.
01:16:34And now comes the nurse who gives injections.
01:16:40Yeah.
01:16:40Now he...
01:16:41And she puts it on.
01:16:42Yeah.
01:16:48Is Santiago a cowboy?
01:16:50So why does he walk like a cowboy?
01:16:52No, man, what's he going to do, damn it?
01:16:54No, well, I lost it.
01:17:01We're going to be someone else for a while.
01:17:03Yes, man.
01:17:03I believe that a woman should never make the first move.
01:17:05Ruth's uncle wants to take some photos of me this afternoon at his hotel.
01:17:08Why are you going to integrate yours into your template?
01:17:10That?
01:17:10Those two are allies.
01:17:12Yeah.
01:17:12Do you see him talking about the perpetrator?
01:17:14Whose does he want?
01:17:14Going on vacation and it's costing me money?
01:17:16I'm doing this for your daughter.
01:17:23Let me go!
01:17:24The Virgin.
01:17:25But not for long.
01:17:26I'd say that wretched man has no hands!
01:17:28All thanks to the incompetent psychologist at this school.
01:17:32Let him go, let them kick him out once and for all.
01:17:35What do we know about that, by the way, the wedding?
01:17:37No, we don't know anything yet.
01:17:38We're going to march in front of this pig.
01:17:40De Lourdes is also into the carnal.
01:17:42Yes, but this one's carnal desires are not the same as this other one's.
01:17:46I've been thinking about it a lot and I'm going to try against the sixth one.
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