- há 3 dias
Categoria
📺
TVTranscrição
00:00Música
00:30Música
01:00Why would anybody want to read
01:29about these things in a newspaper?
01:32What's so
01:33fascinating about old coins
01:36anyway? Well, not much to me
01:37but maybe to a collector.
01:39Yeah. This was given to me
01:41by an old acquaintance of mine.
01:44Weldon Gray. Have you ever heard of him?
01:46He's a rare coin dealer,
01:47right? He just bought
01:49five of the rarest coins in the world
01:51at an auction in London for $800,000.
01:55Well, that's a little out of my price range.
01:58He's given me an exclusive to come
01:59over and photograph the coins.
02:01I thought we might make a feature story of it.
02:03And you want me to cover it?
02:05That's the general idea. Get over there.
02:11One way or another,
02:13I've been fascinated with coins since I was
02:15a small boy.
02:19These don't mean much to you, do they, Mr. Parker?
02:21Any time somebody spends close to a million dollars
02:25for a handful of change, I'm impressed.
02:28Well, it's not just the dollar value here.
02:31There's excitement, mystery, romance.
02:34If I was wealthy enough, I would never sell any of these coins.
02:38I'd keep them all for myself.
02:39Most collectors get caught up like that, I guess.
02:41Well, it's not just the collecting.
02:43I fall in love with each coin.
02:45With some men, it's painting.
02:46With other men, it's money.
02:48Of course, with others, it's beautiful women.
02:51I certainly don't discount beautiful women.
02:56That's my wife.
02:59My ex-wife, unfortunately.
03:02Yes, well, maybe you could give me
03:04a little of the history of these coins.
03:06Of course.
03:07This one here was minted in 1913.
03:10It's one of only four that were
03:12produced in error by the U.S. Mint.
03:14and the other three were just...
03:17What's the matter?
03:26Nothing. I thought I heard...
03:28I locked that door myself,
03:32and I'm the only one who has a key.
03:34Don't move!
03:37Now, turn your backs.
03:42Don't look around
03:43if you want to stay alive.
03:51All right, get the safe.
03:53It was broad daylight.
03:54You had to see something.
03:56Just before I was hit,
03:57I saw that wall over there.
03:58You can check that out.
04:00Peter, how about you?
04:01I saw the same wall
04:02and then a terrific view of the floor.
04:05Look, if I had any information
04:07about the theft of $800,000 worth of coins,
04:11don't you think I'd tell you?
04:12Are you insured?
04:14What's that got to do with anything?
04:17Probably nothing.
04:18You saw a hand and a gun.
04:20You heard a voice.
04:21And then the voice was muffled.
04:23This is supposed to be an ordinary robber.
04:25Why would an ordinary thief disguise his voice?
04:27Or hers.
04:29Afraid, maybe,
04:30that they might be recognized?
04:31Hi, Lieutenant.
04:35Room for one more in here?
04:36Yeah, let her in.
04:40How did you beat me here?
04:41News of the robbery just came over the ticker.
04:43You're Julie Masters.
04:45I remember you.
04:46You covered a coin show
04:47that I lectured at once.
04:49Mr. Parker was here
04:50when the robbery occurred.
04:51I knocked him out.
04:52Are you okay?
04:54Oh, yeah.
04:55Yes, I am.
04:56I just shouldn't nod my head.
04:58It might fall off.
04:59Oh, well, don't let that happen.
05:00You may need it again.
05:01Okay, Julie, go ahead and take your pictures.
05:03I have an investigation to conduct.
05:05Right.
05:06Did you get anything with your camera?
05:07Nothing that I think you can use.
05:09I may have gotten one picture
05:11of the gun in the hand.
05:12I want it.
05:13I want all the pictures you took.
05:14Something might show up.
05:15All right, I'll process the film
05:16and get you some prints.
05:17I'll be at the paper to pick them up.
05:19Five rare coins were stolen.
05:21How would a thief dispose of the coins?
05:23Any collector would buy them.
05:25That's a big help.
05:26Okay, Pete, get on those prints.
05:28I haven't got much else to go with.
05:29Come here.
05:29I'll have them for you in one hour.
05:31Everything on the desk.
05:47How are you doing?
05:54Maybe too well.
05:55Come again?
05:57I won't be sure until I run off prints,
05:59but the negative show I took a picture I never took.
06:02You know you're not making much sense.
06:05Yeah, well, neither does this extra frame of film.
06:08It appears to be a picture
06:10of a lady holding a gun.
06:13Hey, maybe that door was open a little extra
06:17and you got a picture of the lady
06:19who was about to belt you into dreamland.
06:20No, I would have seen her.
06:23Then I don't get it.
06:25What does she look like?
06:26I won't know that until I have a print of the picture.
06:31Well, it'll be good news for the gendarmes.
06:35The lieutenant is in with Jameson
06:36and one of his troops is waiting outside the door
06:39here to pick up your evidence.
06:40Don't tell them about the extra frame of film.
06:43Peter, you're going to hold out on the cops
06:46and not tell them about it?
06:47I am not satisfied with how this picture
06:49got on my roll of film.
06:51Yeah, but you're sticking your neck out for a lady.
06:53You don't even know what she looks like.
06:55It's not the lady, and it's not me personally.
06:58Somebody is trying to use my job
07:00as a newsman to pull a fast one.
07:03How?
07:03I don't know, and I don't want you to know
07:06what I'm going to do.
07:07I just don't want you involved in this.
07:13Kate, but you're asking for trouble, Peter.
07:28And being in trouble all by yourself
07:30is a lonely place to be.
07:33How's Flash doing?
07:41Coming along.
07:42Coming along.
07:43Coming along.
07:43All right, what gives?
07:58He's still in there.
08:11I guess it's taking him longer than he figured.
08:13Parker, what's taking you so long?
08:16He's in there.
08:16He couldn't get out without me seeing him.
08:19Okay, Peter, you better get your act together.
08:21We're coming in.
08:22He couldn't get out.
08:30While you were awake.
08:31I went to the water cooler, but I kept my eye on the door.
08:33Sure.
08:34Whatever game Pete's playing,
08:36I set the rules, and he's broken them.
08:37He cut out of here, taking his film with him.
08:39That film is evidence in a felony.
08:42I hope the prison newspaper can use a good photographer.
08:45Not exactly flattering.
08:58As it happens, it is not me.
09:00So I guess I shouldn't complain.
09:02Are you sure?
09:03Would you know the difference
09:04if somebody faked a picture of you?
09:08Yes, I suppose I would,
09:09but that is a very, very good likeness.
09:12It looks as though someone tried very hard
09:16to make it a good likeness,
09:18for whatever reason.
09:22I was about to have coffee.
09:25Would you join me?
09:28Where were you at 10.30 this morning?
09:31I was here.
09:32Can you prove that?
09:33I was alone.
09:34The reason I ask is because it was exactly at that time
09:38that your husband was robbed of some coins
09:40worth $800,000.
09:42Losing coins would hurt him terribly.
09:50Coins to me were simple things
09:53that nice people left me
09:54for my smiling when I served them coffee
09:56and wished them a nice day.
09:59Please, sit down.
10:02Coins were kind of happy thank yous.
10:04He treated them as though they meant more than people.
10:10I was taking pictures just before the robbery.
10:15When I developed my film,
10:16that one was the last one on the roll.
10:19I didn't take it.
10:22I don't understand.
10:23Is somebody trying to frame me?
10:26No, it certainly looks like that, doesn't it?
10:28Yes, I guess so.
10:31But who?
10:32Why?
10:34Are you sure this is for real?
10:38Then why aren't the cops breathing down my neck?
10:42Because I didn't give them that picture.
10:45Thanks.
10:46But you have to, don't you?
10:47Well, just let me handle that.
10:50Now, Mrs. Gray,
10:52how do you get along with your ex-husband?
10:56I still like him,
10:57but not as a husband.
11:00Does he like you?
11:01I'm just asking because I want to find out
11:04who would try to frame you.
11:05Well, we had problems in our marriage.
11:10He didn't want the divorce.
11:12We had a couple of large fights,
11:14but they blew over when he realized
11:16I wasn't going to stay on display
11:17like one of his rare coins.
11:21Okay, well, do you know anybody at all
11:24who is about your size
11:26and knows you well enough
11:28to be able to duplicate your hair
11:29and your clothes and...
11:33who hates you?
11:35I never thought I did anything
11:42to make anybody hate me.
11:46But I guess I'm wrong.
11:48I don't have any answers.
11:49I'm sorry.
11:53Don't try to throw your weight around
11:55with me, Lieutenant.
11:56I can only assume that Peter Parker
11:58had some very good reason
11:59for leaving when he did.
12:02All right.
12:03I'll keep you advised
12:04of any further developments.
12:05Well, that covered for you.
12:09I am not giving him the pictures.
12:12Turning over those prints
12:13could do somebody a lot of damage.
12:15Not turning them over
12:16can definitely do you a lot of damage.
12:19At least we'll have you
12:20in front of a judge in no time.
12:22And you know what'll happen?
12:23When I refuse to hand them over,
12:25I'll be held in contempt of court.
12:27That's right.
12:28And slammed in the slammer.
12:30Look, someone is trying to use me
12:32to frame another person
12:33in this coin robbery.
12:34Who?
12:35I can't tell you that.
12:37I mean, right now,
12:38you could honestly tell a judge
12:39that you have no information
12:40about this.
12:41But if I tell you,
12:43you'll either have to reveal
12:44what I say
12:44or you could face
12:45contempt charges, too.
12:46Well, you're willing
12:47to risk a jail sentence.
12:53Well, your joining me in jail
12:55isn't going to help.
12:57I don't have any choice.
12:59Not if I intend
13:00to back up something
13:01I believe very strongly in,
13:03that a newsman
13:04should be protected
13:05by the First Amendment.
13:06I stick to the old-fashioned idea
13:08that newspaper people
13:09are honor-bound
13:11to protect their sources.
13:13And they use their judgment
13:15in releasing any information
13:16they've gathered.
13:18I'll back you all away.
13:20I don't appreciate
13:36being called out of my court
13:37with a trial in session.
13:39Even without this interruption,
13:41my calendar is very tight.
13:44Please keep in mind
13:45I can give you five minutes
13:46at the most.
13:47Your Honor,
13:48Peter Parker is an honorable
13:49and honest man.
13:51Forcing him to go to jail
13:52is a mockery of justice
13:54and an attack
13:55upon the freedom of the press.
13:57It's ridiculous
13:58to treat a man
13:58as a criminal
13:59for doing a job
14:00that's vital to society.
14:02Your attorneys
14:03have already made
14:03those points,
14:04Mr. Jameson.
14:05I'm making them again,
14:06Your Honor,
14:06because I feel
14:07very strongly about them.
14:09You're wasting my time.
14:10Well, at least
14:11Brandt has a stay
14:12so that we can pursue
14:12other legal remedies.
14:14Mr. Parker
14:15is in contempt of court.
14:17He can remain free
14:18if he provides
14:19the material
14:20which has been subpoenaed.
14:21Failing that,
14:22he will accompany
14:22the bailiff
14:23for immediate processing
14:24and incarceration.
14:26This hearing
14:27is at an end.
14:30All right,
14:31let's get the ground rules set.
14:32Now, you're a newspaper man,
14:34so you really think
14:35that makes you important.
14:36It's never made me important before.
14:37I don't know
14:38why I wouldn't jail.
14:39Well, in here,
14:40you're just the same
14:40as everybody else.
14:41You get out of line,
14:42you get the book
14:43thrown at you.
14:44Somehow I get the feeling
14:48that newsmen
14:48are not your favorite people
14:49in the world.
14:51Did you ever read a story
14:53about a nice prison guard?
14:56I don't remember.
14:57Maybe we could start
14:58a new trend.
14:59What's the trouble
15:16with you strong guys?
15:18You use your muscles
15:18where you should use brain.
15:20I don't see you using
15:21your brains
15:22to bend this thing.
15:23Yes, I did.
15:23I use me brains
15:25to get you
15:25to use your muscle.
15:27One of these days
15:28I'm going to bat your brains
15:30down into your belly.
15:32Oh, no threats, lad.
15:36It's sort of a team.
15:37We're on a win and run.
15:40You wouldn't want
15:40to spoil it.
15:53Right on time.
15:57Watch me handle him.
16:07Did an excellent job.
16:09It won't seem like you did.
16:11I've seen nothing
16:11in the newspapers
16:12about your ex-missus
16:13being clapped in the dungeon
16:14for stealing them coins.
16:16That was the fault
16:17of that newspaper photographer.
16:19I'll handle that
16:19another way.
16:20Good.
16:21I'd hate to waste
16:22me star in performance.
16:23I'd like to talk
16:31about me, Alimony.
16:33Take that thing off,
16:34you fool.
16:34Somebody will see you.
16:36Keep your hair on,
16:37Dolly boy.
16:37There's no one around here.
16:38I told you to get rid
16:39of that and the clothes.
16:41Did you now?
16:41Must have slipped me mind.
16:43Remember anything
16:44about that, Wiley?
16:45Nothing.
16:47And I never just remember
16:48nothing when money's involved.
16:53Black man.
16:53Well, it won't work.
16:57You guys are getting nailed, too.
16:59All at insurance.
17:01Anything went wrong,
17:02the coppers might get a package
17:03with clothes and hair.
17:05Now, me and Wiley,
17:06we'd be long gone.
17:08But you, now,
17:09you got roots.
17:10You stay in one place,
17:11and you'd be right here
17:12to answer them
17:13penetrating questions
17:14the coppers love to ask.
17:16We had a deal.
17:18You welshin' on it?
17:19Would I do that?
17:20I'm just waitin' here
17:21quiet and peaceful
17:22till Wiley and me
17:23get our money.
17:24When I get it,
17:25you'll get it.
17:25Oh, that's nice.
17:27In the meantime,
17:27let me have the coin.
17:28Coins?
17:29They're mine.
17:30I want them.
17:31Oh, yeah, them.
17:32Sure.
17:32You'll get them.
17:33Absolutely.
17:33Are you right, Wiley?
17:34If Berkey says something,
17:35I always believe him.
17:36You better, too.
17:36Soon as that money
17:37is in my hand,
17:39this hand,
17:40right here,
17:41where I can look at it,
17:43count it,
17:44and enjoy it.
17:45The deal was,
17:47you give me the coins
17:48when the robbery's completed.
17:50We decided to hold on to them.
17:56I need one coin
17:57to do the job
17:59that the photographer
18:00didn't do.
18:01You can keep
18:03the other four.
18:04Out of the goodness
18:05of me heart
18:06and because
18:06I'm a trusting man.
18:08Should I go get one?
18:09Not that trusting.
18:11Don't go near that stash
18:12while he's here
18:13to have a look-see.
18:15But we'll get him
18:16in your hot little hands
18:17quick-like.
18:20Good.
18:31Sad visiting hours
18:43with the press
18:44interviewing prisoners
18:45manages to get special
18:46privileges.
18:55Nice of you to visit.
18:56Peter, it's awful.
19:00Well, like the guard
19:01told me,
19:01have you ever seen
19:02a nice jail?
19:05No.
19:06It just seems a lot
19:07different when you're
19:07not involved.
19:09It's not the jail.
19:11It's seeing you in it.
19:12Okay, so it's not
19:14the Waldorf.
19:15Well, I wouldn't visit you
19:17if this was the Waldorf.
19:19After all,
19:20I only came here
19:21to research the psychology
19:22of pardoned criminals
19:23like you.
19:25Well, actually,
19:26I'm still just kind
19:27of an apprentice criminal.
19:28I'm just learning to trade.
19:29Well, study and work hard.
19:30That's the way to success.
19:34So, did you just
19:35come here to encourage
19:36me in my life of crime?
19:39No.
19:39I came here to tell you
19:40that the coin robbery
19:41that got you in here
19:42may be close to solution,
19:43so you might get out
19:44fairly soon.
19:45Get.
19:46Okay.
19:48The lieutenant managed
19:49to squeeze some information
19:49out of Mr. Gray,
19:51and now there's a prime suspect,
19:52Bonita Gray.
19:54No.
19:55I know she didn't do it,
19:57but I do have to talk to her.
19:58Well, wouldn't that
19:59bring more suspicion on her?
20:01You're in here
20:01for not producing evidence.
20:03I mean, the police would think
20:04the evidence related to her.
20:06Did it?
20:07Never mind.
20:09But you've got a point
20:10about the police.
20:11I've got to find out...
20:13What?
20:14...the angle at which
20:15a photograph was taken.
20:17Well, I can ask your boss
20:18to get the lawyers
20:18to make another attempt
20:20to get you out of here
20:20for long enough to see her.
20:21It's a slim chance.
20:24Try it, would you?
20:26Right now?
20:30Peter, really.
20:31Are you okay?
20:34I hate to see you in here.
20:36Yeah, well...
20:37I'm not too crazy
20:38about it myself.
20:41Guard!
20:41Guard!
20:41I think you're
20:46a terrific guy.
20:57Don't put him
20:58on bread and water.
20:59We treat everybody
21:00the same.
21:01He's kind of a nice guy.
21:03In here,
21:04he's not a guy.
21:05He's a number.
21:06Shut a lady out.
21:07out of your mind.
21:27You shouldn't be seen
21:28in my office.
21:29Me mom lets me come
21:30and go in the big city
21:31all by meself.
21:34Simmer down
21:34nobody knows me.
21:39Don't go out
21:40of your way
21:41to irritate me.
21:45You don't have
21:45that gorilla friend
21:46with you now
21:47and I might just decide
21:48to take you apart
21:49in order to get
21:50those other coins.
21:51You wouldn't want
21:55to do that,
21:55would you?
21:58Seeing as we've got
21:59such a gentleman's
22:00agreement.
22:00We'll be right back.
22:30A CIDADE NO BRASIL
23:00A CIDADE NO BRASIL
23:30A CIDADE NO BRASIL
23:32A CIDADE NO BRASIL
23:34A CIDADE NO BRASIL
23:36A CIDADE NO BRASIL
23:40A CIDADE NO BRASIL
23:44A CIDADE NO BRASIL
23:46A CIDADE NO BRASIL
23:48A CIDADE NO BRASIL
23:50A CIDADE NO BRASIL
23:52A CIDADE NO BRASIL
23:54A CIDADE NO BRASIL
23:56A CIDADE NO BRASIL
23:58A CIDADE NO BRASIL
24:00A CIDADE NO BRASIL
24:02A CIDADE NO BRASIL
24:04A CIDADE NO BRASIL
24:06A CIDADE NO BRASIL
24:08A CIDADE NO BRASIL
24:10A CIDADE NO BRASIL
24:12A CIDADE NO BRASIL
24:14A CIDADE NO BRASIL
24:16A CIDADE NO BRASIL
24:18A CIDADE NO BRASIL
24:20. . .
24:50Well, better you than me. He was probably furry with six eyes.
24:54Don't be a fool. I would swear that was Peter Parker.
24:57How would you say that's good or bad?
24:59Gives me a chance to get rid of Spider-Man before he interferes further.
25:03Now, that ain't all bad.
25:05Once I've taken care of my ex-wife.
25:20Look, Lieutenant. If I had anything hidden, I know that your men would find it.
25:32I would give it to you before you tore my place apart.
25:35Sure. Christmas comes on the first and third Sundays of every month.
25:39I read the search warrant. I guess I can thank my ex-husband.
25:43I never would have figured he'd go this route.
25:46Just for the record, Mrs. Gray, he's busting his butt to protect you.
25:50He didn't volunteer the information that you have the keys to his office.
25:54Okay. He's a nice guy.
25:56I don't even know where the keys are.
25:59Anyway, you are not looking for keys.
26:01That's right.
26:02We have certain information, maybe wrong information,
26:05that makes the search seem like a good idea.
26:07Of course, you're sure we won't find anything.
26:09Lieutenant, I have not been sure of anything since I was 15 years old,
26:13and I'm not about to tell you how long we'll go about it.
26:16Lieutenant.
26:20Tape to the bottom of a drawer.
26:26Recognize this, Mrs. Gray?
26:29Would you believe me if I said I have never seen it before?
26:33No.
26:34Look around. There's four more of these somewhere.
26:37I'm afraid we're going to have to ask you to come downtown.
26:39Anything you say may be used as evidence against you.
26:42You're not required to answer any questions or make any comments.
26:45You're entitled to the services of an attorney.
26:47The way I'm being set up,
26:49I don't think an attorney would do me any good.
26:52Let's go.
26:57I'd like to say I admire your photographer.
26:59What's his name?
27:00Peter Parker.
27:00Parker's ethical stand on not revealing information,
27:03although it probably worked to my disadvantage.
27:05Well, if he'd known who committed the robbery,
27:07he certainly would have passed on the information.
27:10Well, as a matter of fact, the robbery's been solved.
27:13I couldn't believe it,
27:14but the police have an airtight case against my former wife.
27:18They found a coin in her apartment.
27:20Only one?
27:21She had Confederates.
27:22They have the other.
27:23How do you know?
27:24Well, let's say I have reason to believe it.
27:29A lot.
27:30You can do better than that.
27:31Off the record?
27:33Of course.
27:34I won't print a word without your permission.
27:42Well, I've been contacted to buy back the other four coins.
27:45Have you told the police?
27:47No, of course not.
27:49The important thing now is to get the coins back.
27:53I'm going to deliver $100,000
27:55to the old Stimson warehouse in the Queens
27:57tomorrow morning by 7 o'clock.
28:00I consider that a bargain.
28:01Can I use the story in tomorrow's late edition?
28:03Not unless the police crack the case first.
28:06There's always the possibility
28:07that my wife will identify her partners.
28:10I hope she does.
28:11That way I'll get my $100,000 back.
28:14Why are you telling me all this?
28:20Once the case is solved,
28:22Parker will be let out of jail.
28:24I told you I admire him.
28:27I'd like him to have this story,
28:29if that's possible.
28:33I'm sorry.
28:37I don't know.
28:42I don't know.
28:43E aí, tudo bem?
28:51Tudo bem.
28:53Gray, sua ex-mãe, foi arrestada.
28:56A polícia encontrou uma das contas em sua posição.
28:58O que aconteceu com os outros quatro?
28:59Gray está comprando eles de volta amanhã às 7 da Stimson.
29:03A polícia de trama?
29:04Isso é de informação.
29:07Gray não quer a polícia saber, por que ele não vai conseguir os contas.
29:10Ele não deveria ter contado você.
29:11Você não deveria ter contado você.
29:13Esse é o risco que eu estou preparado para tomar.
29:15Na verdade, eu não sei como fazer uma forma de rodar a polícia sem tomar esse risco.
29:22Olha, você acha que tem alguma chance que você possa conseguir me sair daqui antes de mais legal?
29:27Nós estamos trabalhando com isso.
29:28Com qualquer sorte, devemos ter mais uma news amanhã.
29:31Sim, naquela hora, Gray vai ter quatro contas e Mrs. Gray vai ter uma convicção para armadilho.
29:35Isso parece que você não acredita que ela fez isso.
29:37Eu não.
29:38Eu vou pressionar os advogos de advogos para você sair daqui rapidamente como puder.
29:42Você vai ouvir de mim amanhã.
29:46Você vai ouvir de mim amanhã.
29:46Você vai ouvir de mim amanhã.
29:47Você vai ouvir de mim amanhã.
29:48Você vai ouvir de mim amanhã.
29:49Você vai ouvir de mim amanhã.
29:51Você vai ouvir de mim amanhã.
29:53Ok, 6 o'clock, eating time
30:05Oh, looks delicious
30:09Why not running a gourmet restaurant?
30:15Ah, listen
30:16It's not bad once you get used to it
30:19When you finish up, slide your tray under the door
30:22And I'll come back later and pick it up, alright?
30:24Thanks
30:52I'll be right back
30:54I'll be right back
30:56I'll be right back
30:58I'll be right back
31:00I'll be right back
31:02I'll be right back
31:04I'll be right back
31:06I'll be right back
31:08I'll be right back
31:10I'll be right back
31:12I'll be right back
31:14I'll be right back
31:16I'll be right back
31:18I'll be right back
31:20I'll be right back
31:22I'll be right back
31:24I'll be right back
31:26I'll be right back
31:28I'll be right back
31:30I'll be right back
31:32I'll be right back
31:34I'll be right back
31:36I'll be right back
31:38I'll be right back
31:40I'll be right back
31:42I'll be right back
31:44I'll be right back
31:46I'll be right back
31:48I'll be right back
31:50I'll be right back
31:52I'll be right back
32:22I'll be right back
32:52I'll be right back
33:22I'll be right back
33:52I still think that Peter Parker is Spider-Man
34:08How does that help us?
34:10Somehow he's escaped from jail without the police knowing
34:14Get to a phone. Make an anonymous call that Parker's escaped
34:18There's no phone here
34:19I don't need you to tell me that
34:21Você já ouviu de um telefone público para ir à supermercado ou a gas station?
34:25Agora, move!
34:26Vou lá.
34:42Sim?
34:45O que?
34:46Como que ele é, Cade?
34:48Eu estou aqui agora.
34:51Eu sei que ele está em casa.
35:00Eu posso ver, mas é loucura.
35:21O café foi loucura.
35:26Ah, é um chefe.
35:28Eu vou fazer uma pergunta com o chefe.
35:30É um chefe.
35:31É um chefe.
35:32É um chefe.
35:33É um chefe.
35:35É um chefe.
35:36É um chefe.
35:38É um chefe.
35:39É um chefe.
35:40É um chefe.
35:41É um chefe.
35:42É um chefe.
35:43É um chefe.
35:45É um chefe.
35:46É um chefe.
35:47É um chefe.
35:48É um chefe.
35:49É um chefe.
35:50É um chefe.
35:51É um chefe.
35:52É um chefe.
35:53Claro que ele não escapou.
35:57O quê?
35:59Agora, espera um minuto.
36:01Você disse que ele saiu de sua casa,
36:03agora você disse que quer que ele saia de sua casa?
36:06Oh.
36:08Oh, ele está saindo por 24 horas.
36:11Ok.
36:12Ele está esperando para ele quando ele volta amanhã.
36:19O que está acontecendo com seu leg?
36:21O que você quer que ele saia de sua casa?
36:23O que você quer que ele saia de sua casa?
36:25O que você quer que ele saia de sua casa?
36:28Se eu não conseguir que ele saia de sua casa em 24 horas,
36:30Bonita Gray vai estar em um grande problema.
36:32O que você vai fazer?
36:34Eu quero que o bugle saia de sua edição.
36:37Você percebeu o que isso custa?
36:39Eu só preciso de uma copia de um papel,
36:41um dia de amanhã.
36:43O que você quer que eu faça?
36:45Você conhece os coisos que foram expostos?
36:48Uh-huh.
36:49O que você quer que ele saia de sua casa?
36:51É fácil.
36:52Então eu quero que você faça um impersonamento.
36:54Isso parece divertido.
36:58O que você está fazendo com meu celular?
37:00Usa ela.
37:02O que você quer que o que você...
37:04O que você quer que ele saia de sua casa?
37:05O que você saia de sua ajuda?
37:06Eu quero que alguém se torne a uma história.
37:08Eu quero que alguém veja que o preso está trabalhando sobre a história,
37:11e eu não quero que ele veja como que está apenas a entrada do bugle.
37:13É uma história de uma história?
37:15Eu vou te contar sobre isso amanhã.
37:17Você está sendo um reporter dos registros.
37:20Você sabe como isso.
37:21Você sabe como fazer isso.
37:23Vai dar mais autêntica se a história está sendo investigada por mais de uma revista.
37:28Ok, eu vou ficar em amanhã até o seu nome.
37:31Ok, tchau.
37:53Tchau.
38:23Tchau.
38:53Tchau.
38:55Tchau.
39:05Tchau.
39:06O que é isso?
39:36O que é isso?
40:06O que é isso?
40:36O que é isso?
40:38O que é isso?
40:40O que é isso?
40:42O que é isso?
41:12O que é isso?
41:14O que é isso?
41:16O que é isso?
41:18O que é isso?
41:20O que é isso?
41:22O que é isso?
41:24O que é isso?
41:26O que é isso?
41:28O que é isso?
41:30O que é isso?
41:32O que é isso?
41:34O que é isso?
41:36O que é isso?
41:38O que é isso?
41:40O que é isso?
41:42O que é isso?
41:44O que é isso?
41:46O que é isso?
41:48O que é isso?
41:50O que é isso?
41:52O que é isso?
41:54O que é isso?
41:56O que é isso?
41:58O que é isso?
42:00O que é isso?
42:02O que é isso?
42:04O que é isso?
42:06O que é isso?
42:08O que é isso?
42:10O que é isso?
42:12Let me see the other coins.
42:15Well, it'd be me pleasure if you have the money.
42:17Take a look at that.
42:20Well, ain't that the strangest thing ever I've seen.
42:23Get me the other coins.
42:24Like I said, I'm a trusting man,
42:26but it looks to me like you switched the coin I gave you
42:29and planted a counterfeit.
42:30Oh, come on. Don't you think the cops know
42:32the difference between a counterfeit coin and a real one?
42:35He's got no reason to plant a counterfeit.
42:37His wife's off the hook.
42:38Then what do you suppose happen?
42:39I don't know, but I want to make sure
42:41the other four coins are real.
42:43Shall I get them?
42:45As soon as we arrange, Mr. Gray doesn't see where the stash is.
42:48Oh, come on. I don't have time to waste.
42:51Oh, really? Well, maybe you can find time
42:53if you have no choice.
42:55You get off the ship and you wait in the dark.
42:57Why?
42:57Because I don't want you looking and snooping.
43:07All right, buddy boy, I'll get the pretties now.
43:11Spider-Man.
43:37Spider-Man.
43:37Spider-Man.
43:37Spider-Man.
43:41Spider-Man.
43:43Spider-Man.
43:44Spider-Man.
43:45Spider-Man.
43:46Spider-Man.
43:47Spider-Man.
43:48Spider-Man.
43:49Spider-Man.
43:50Spider-Man.
43:51Spider-Man.
43:52Spider-Man.
43:53Spider-Man.
43:54Spider-Man.
43:55Spider-Man.
43:56Spider-Man.
43:57Spider-Man.
43:58Spider-Man.
43:59Spider-Man.
44:00Spider-Man.
44:01Spider-Man.
44:02Spider-Man.
44:03Spider-Man.
44:04Spider-Man.
44:05Spider-Man.
44:06Spider-Man.
44:07Spider-Man.
44:08Spider-Man.
44:09Spider-Man.
44:10Cadê-me!
44:40Cadê-me, Cadê-me!
45:10Cadê-me, Cadê-me!
45:40Cadê-me Leud bitch threw me in the boat.
45:42Lieutenant.
45:43Look him.
45:46Where's Peter Parker?
45:48If those men did anything to him...
45:50Did you get the evidence?
45:52Yes, we got the evidence, all right.
45:54And those men are getting prison sentences.
45:57And I see the register's getting pictures of all this.
45:59What's the bugle getting?
46:00I guess I got here a little too late to take him
46:02No, Peter, you have half the pictures I have
46:05I wouldn't have any if it weren't for you
46:06Well, that leaves me with nothing to complain about
46:09Come on, I'll drive you back to town
46:11No, I've got my car
46:13I'll take Julie
46:30I'll take Julie
47:00I'll take Julie
Recomendado
49:01
|
A Seguir
51:06
Seja a primeira pessoa a comentar