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00:00O que é isso?
00:30O que é isso?
01:00O que é isso?
01:01O que é isso?
01:02O que é isso?
01:03O que é isso?
01:04O que é isso?
01:05O que é isso?
01:06O que é isso?
01:07O Dr. Remington Steele?
01:09Ele não existe.
01:11Eu invento ele.
01:13Eu sempre gostei.
01:15O que é isso?
01:16O que é isso?
01:17O que é isso?
01:18O que é isso?
01:19O que é isso?
01:20O que é isso?
01:21O que é isso?
01:22O que é isso?
01:23O que é isso?
01:24O que é isso?
01:25O que é isso?
01:26O que é isso?
01:27O que é isso?
01:28O que é isso?
01:29O que é isso?
01:30O que é isso?
01:31O que é isso?
01:32O que é isso?
01:33O que é isso?
01:34O que é isso?
01:35O que é isso?
01:36O que é isso?
01:37O que é isso?
01:38O que é isso?
01:39O que é isso?
01:40O que é isso?
01:41O que é isso?
01:42O que é isso?
01:43O que é isso?
01:44O que é isso?
01:45O que é isso?
01:46O que é?
01:47O que é isso?
01:48É um caminho que vocês acham.
01:49O que é isso?
01:50Não é uma maneira difícil de viver.
01:53Mas, como pessoas acham, eu posso fazer o trabalho.
01:58Nós não podemos misturar emprego com a pleasure.
02:01Bem, quase não.
02:04Eu não sei o seu nome real.
02:06A CIDADE NO BRASIL
02:36Thanks.
03:06Avocado 1-7 grain with alfalfa sprouts.
03:30Mm, must be yours.
03:31Corned beef and pastrami and a kaiser with horseradish and sauerkraut.
03:35Mm, must be yours.
03:37Oh!
03:41You all right?
03:42What is it?
03:43Him!
03:44Look at those bills!
03:47One round trip charter jet to Las Vegas, $2,000.
03:52One evening gown by Louie of Beverly Hills, $6,000.
03:57You know he's bought her enough flowers to open a botanical garden?
04:02Who?
04:03Her!
04:06Nadine!
04:07The peroxide piranha.
04:09But I thought that was his assignment.
04:11Keep her out of the way until you settled the Randall case.
04:14I hate to admit it, but he seems to be doing an excellent job.
04:17I mean, we haven't seen Nadine in weeks.
04:19We haven't seen Mr. Steele either.
04:21And the case has been closed for three days!
04:24Guess he got a little carried away.
04:25Well, we may never see him again unless his credit or his stamina runs out.
04:30Well, we know he was in San Francisco two days ago.
04:33How do we know?
04:34We just got a bill from Ernest.
04:35Oh!
04:36Hold it, Laura.
04:37Calm down, huh?
04:38We've got to do something to get his attention.
04:44Uh-uh, Nadine.
04:45Never bite.
04:47Always nibble.
04:50More champagne?
04:53Anything?
04:54Just a cozy place to do some serious nibbling.
05:00Yes, Mr. Steele.
05:03Check, please.
05:04Yes, sir.
05:08Sorry, Mr. Steele, but I'm afraid your account has been closed.
05:11Closed?
05:12Yes, sir.
05:13Oh.
05:14Very well.
05:19Thank you, sir.
05:21You have made this evening so extraordinarily special.
05:25I'm gonna do something I've never done before.
05:28Oh, I hope so.
05:34They forget me not.
05:35Oh, Reddington.
05:37I'm sorry, Mr. Steele, but I have orders to confiscate your credit card.
05:43What?
05:44I don't know anything about it, sir.
05:46All they said was that I had to confiscate the card.
05:49Then how am I supposed to settle this?
05:51You could try cash, sir.
05:52Cash?
05:53I never carry cash.
05:54It's so bulky.
05:55I have some money.
05:56Really?
05:59Wow.
06:01Now you upset the lady.
06:02If I weren't so annoyed, I'd be embarrassed.
06:04Allow me to repay you over breakfast in the morning with you.
06:07Uh, Claude will have to be taken care of, too.
06:21Is this all right?
06:22More than adequate.
06:24Thank you, Mr. Steele.
06:26Should I...
06:27Just a few dollars.
06:33Thank you, Mr. Steele.
06:56Mr. Steele.
06:58Miss Wolfe?
07:00Fox.
07:02Mr. Steele, é um prazer, senhor.
07:05Eu sou Leverwitz.
07:07Você conhece...
07:08...mortem.
07:10Ah, sim, sim, uma situação complexa.
07:13Mas foi resolvido.
07:15Ah, complexa, mas facilmente resolvido.
07:20Miss Wolfe?
07:21Fox.
07:22O que?
07:23Fox, não a Wolfe, Bernice Fox.
07:24Você me chamou mais uma vez, eu vou te dizer Lora...
07:26Onde está ela?
07:27Onde está ela?
07:28Onde está ela?
07:29Onde está ela?
07:30Onde está ela?
07:31Não está para publicar.
07:32Você não consegue ver a gravidade da situação.
07:33Ela está fechando a minha conta.
07:35Eu estou no brinco de financiamento, não adiante físico.
07:38Eu vou dar a mensagem.
07:39Muito bem, Miss Whatever.
07:41Como você gostaria de me lidar com todos esses casos?
07:44Você não.
07:47Onde está ela?
07:49Em um motel no Pico.
07:54Isso é um primeiro para mim.
07:57Ah, você vai aprender a ler.
08:00Se meu irmão nunca descobriu sobre isso, ele vai nos ambos.
08:04Eu não vou te dizer se você não...
08:07O que ele está dizendo?
08:09Você está falando de um creepo.
08:11Olha, nós já sabemos que ele está behind.
08:13Por que não podemos chamar a polícia?
08:15Você tem que pedir a informação da sua companhia.
08:18O momento que ele faz, ele vai pegar ela.
08:23Talvez eu vou tirar o resto do dia.
08:27Não, não, não.
08:29Porque o seu trabalho vai nos fazer muito dinheiro.
08:33Não, não, não.
08:38O que você quer dizer?
08:41Você vê, é...
08:43É assim.
08:44Você me dá um material.
08:47Você tem muita explicação para fazer.
08:49O que você está fazendo aqui?
08:50O que você está fazendo aqui?
08:51Você está fazendo aqui?
08:52Você está fazendo aqui!
08:53Não, não.
08:54Não, não.
08:55Não, não.
08:56Eu conheço esse cara.
08:57Não, não.
08:58Eu conheço.
08:59Isso é Remington Steel.
09:00Remington Steel?
09:01Não.
09:02Não.
09:03Então, set up.
09:04O que está acontecendo aqui?
09:05Não, não.
09:06O que está acontecendo aqui?
09:08Graba, Murphy.
09:09Não precisa de alguém.
09:10Não é embaçada, não é?
09:11Murphy!
09:12Não é bem.
09:13Eu já estou terminando.
09:20Se alguém, por favor, me diga-me o que está acontecendo.
09:22Um, um, um, um...
09:23Um, um, um, um, um, um, um...
09:24Um, um...
09:25Um, um, um, um, um, um...
09:26Um, um, um, um, um...
09:27Um, um, um...
09:28Um, um, um, um, um, um...
09:29Um, um, um, um, um, um...
09:30At least it's reassuring to know that Mr. Steele is personally involved.
09:34Oh!
09:36Three weeks playing secretary for nothing!
09:39Well, if you tell me what cases I'm supposed to be working on,
09:41I wouldn't have found myself in this embarrassing situation!
09:43You're not working on any cases!
09:44Gratitude is the one in your strong suits, Laura.
09:46After all I've done for you, this is how you repay me?
09:48Cutting off my credit? Closing my checking account?
09:51You spend $22,000 in a single month.
09:53A month that doesn't even have 31 days in it.
09:56You asked me to keep Nadine occupied.
09:58Long-stemmed roses, $200 an ounce perfume, designer gowns.
10:03Perhaps I did go a bit overboard, but it's for the good of the agency.
10:06Well, for the good of the agency.
10:07From now on, we discuss all expenditures in advance.
10:11Fine.
10:12But I've written checks to people who don't even take checks.
10:14They have names like Bruno and Guido,
10:16and they do some of their best work in cement.
10:18What kind of shady enterprise are you involved in this time?
10:21Danny's dessert.
10:22Some of the finest horse flesh ever to grace a quarter-mile turn.
10:26Spare me.
10:27The horse comes up lame.
10:29Bruno and his boys want to unload him,
10:30so I put together a group of investors to turn him out to stud.
10:33Thank you.
10:36I'll try to convince Mr. Dillon that you're barging in here
10:39with another brilliant Remington steel tackle.
10:42Ah-ha.
10:43Thank you.
10:44And what about Danny's dessert?
10:46Buy him some Bengay.
10:57Bruno!
10:58It's just as I suspected.
10:59Bookkeeping boggle.
11:00Good to see you, Mr. Steele.
11:01I'm, uh...
11:02Interrupting.
11:03Bruno, do I detect a note of disbelief in your voice?
11:05Stiff.
11:06In what context are you using that word, Bruno?
11:10Ha.
11:11Ah.
11:12That context.
11:14Noon tomorrow?
11:15I'm not sure that my bank can transfer the funds by...
11:20Jim Meacham.
11:22Meacham Exploration and Development.
11:23Let's huddle.
11:24See Miss Holt.
11:25She huddles.
11:26I never scrimmage with second stringers.
11:27See, my playbook looks like this.
11:28I'm an oil and natural gas.
11:29At least out of Oklahoma City.
11:30My pencil pusher says diversified, so I bought into Dillon Electronics.
11:33Only it seems like ever since I've been on that team, it's been third and long.
11:35Somebody's been red-dogging us.
11:36We don't handle animal cases.
11:37You're already handling this one.
11:38Dillon Jr. hired you folks to find out who's stealing our research.
11:41And they were just a big deal.
11:42I'm a big deal.
11:43I'm a big deal.
11:44I'm a big deal.
11:45I'm a big deal.
11:46I'm a big deal.
11:47I'm a big deal.
11:48I'm a big deal.
11:49I'm a big deal.
11:50I'm a big deal.
11:51I'm a big deal.
11:52I'm a big deal.
11:53I'm a big deal.
11:54I'm a big deal.
11:55I'm a big deal.
11:56You're already handling this one.
11:57Dillon Jr. hired you folks to find out who's stealing our research.
11:59And they were just about to sack the guy in a motel.
12:00Only some airhead busted up the play.
12:01Competent help is hard to find in any profession.
12:02That's why I want you quarterbacking this operation, Mr. Steele.
12:05It's time to stop pussyfooting around motels and get to the bottom of this thing.
12:08I help involve myself directly in the case.
12:11I function best in an advisory capacity.
12:13I subscribe to the George Steinbrenner philosophy of life.
12:16If you want a piece of talent, you buy it.
12:18$25,000.
12:20Cashier's check.
12:21Made payable to you.
12:26Uh, Miss Wolfe, hold my calls.
12:28I'll be in conference.
12:29Thank you.
12:44Mayday.
12:48Excuse me, Mr. Steele.
12:49Ah, come in, Miss Holt.
12:50Come in.
12:51Uh, Meech was just telling me about the time he wild-catted up Alaska way.
12:53Uh, Jim Meecham.
12:54Ah, Laura Holt.
12:55The tangled foot from the motel.
12:56Now, Meech, let's not blitz her buns.
12:57Miss Holt is one of my finest operatives.
12:58Oh, you're too kind, Mr. Steele.
12:59We're watching the young man's apartment in case he shows up.
13:05Why, it's just fine for the taxi squad.
13:07But the coach here has just convinced me that the only way to stop all these thefts is to install a complete security system.
13:13We'll start first thing in the morning.
13:14May I respectfully remind you, Mr. Steele, that your enormous responsibilities preclude any personal involvement.
13:18Now, little lady, when I buy seats on the 50-yard line, I expect to see the first team play.
13:23Now, you let the coach do what he does best, and you, well, you just do whatever it is you do around here.
13:30I'll just dog-bag this.
13:32See you later, Steele.
13:33Are you crazy?
13:34Mrs. Thief, I handled a case.
13:37Excuse me, Mr. Steele.
13:38You're just kidding me.
13:39My father is to keep the case down in my foot, and he doesn't just sit and sit.
13:42He's just like that.
13:43You see what I'm talking about?
13:44I'll just dog-bag this.
13:46See you later, Steele.
13:55Are you crazy?
13:56The parar system.
13:57The parar system.
13:58You couldn't even install a light bulb.
13:59Piece of cake.
14:00You're beginning to believe your own publicity.
14:02You are not Remington Steele.
14:04I invented Remington Steele.
14:06He's a figment of my imagination.
14:08... I told you that was just incredible...
14:10... the idea how draining it is to be Remington Steele.
14:12... It must be agony, living in an apartment I've only seen in the movies.
14:14We make such a winning combination.
14:16We have a deal.
14:17Let's enjoy our success, allow our passions to erupt into something
14:22... outrageously fulfilling.
14:23You mean hop in the sack?
14:24A little crude, but to the point.
14:26I'd love to.
14:28Well, then.
14:29But I can't.
14:30Why not?
14:31It's tough enough to pull off this little charade without that kind of complication.
14:35As long as we're in business, let's keep it businesslike.
14:39Uh...
14:41Tell old Meech that the press of other commitments...
14:45forces you to turn Dylan Electronics over to Murphy and me.
14:48Love to, but I can't.
14:51Why not?
14:52I gave my word.
14:53And everyone knows that Remington Steele's word is his bond.
15:01Carry on, Miss Wolfe.
15:22And that's the worst part of it. Feeling sorry for yourselves.
15:26Nobody loves me. Nobody cares about me except my bottle or my needle.
15:30Oh, yeah. I know what I'm talking about.
15:33Because I know it's gonna be hard to believe, but I used to be just like you.
15:37Shooting up all day and puking up all night.
15:41Yeah.
15:43But then I got the message.
15:45There is and was somebody who cared about me.
15:49The big C. Jesus Christ himself.
15:52I mean, you are looking at a living, breathing testimony to the powers of the big fella.
15:58I mean to tell you, if he can...
16:00If he can keep me straight for three years,
16:03he sure as hell can do the same thing for you bunch of bums.
16:06Why don't you all, uh, get yourself something to eat?
16:19Well, if it ain't my old...
16:25Remington Steele Detective Agency? How did you wind up a detective?
16:28I had the face for it.
16:30You're not like the old days, aren't you?
16:32Yeah.
16:33Uh, Remington, sorry. What a moniker.
16:35I am in desperate need of your talents, Willis.
16:38Uh, I'm not in that line of endeavor anymore.
16:40The big fella frowns on us.
16:41Nothing remotely tainted, I assure you.
16:44Since you've, uh, circumvented so many burglar alarms,
16:47I thought you'd, uh, be just the chap to install one sort of poetic justice.
16:51I don't know. If I'm not around here, this place turns into a shooting gallery.
16:54For a few days' work, for, say, uh, $10,000?
17:00$10,000?
17:04What I could do for these bums was ten grand.
17:09My tailor, have him whip you up something, uh, conservative,
17:12yet don't agree.
17:14Charge it to my account.
17:16Remain me not. The same old high-flyer.
17:24I'm back.
17:36Homework.
17:38Surveillance on Marlene York,
17:40insurance description of the Ragazzi jewelry,
17:43and the wrap-up on the Morton case.
17:47Don't you get enough of the real thing?
17:50What?
17:52Oh, I happened to come across it on my desk.
17:56Hey, this is me, remember?
17:58The belle of the ball, the life of the party.
18:01I've seen that look before.
18:02I've even had it a few times myself.
18:08Who is he?
18:10What was he before he was Remington Steele?
18:13Who cares? He's here. You're here. Go for it.
18:16Then what?
18:17Depends on what you're looking for.
18:18Me? I'm all partied out.
18:21What I want is a slightly dull, filthy, rich husband.
18:25But if I were in the market for a heart-stopping,
18:29teeth-rattling, eye-rolling fling...
18:32You know, it's not just the free ride that keeps this clown around.
18:41It's the challenge.
18:43I'm probably the only woman he's ever met
18:46who didn't tumble right into bed with him.
18:48Not a bad way to break the ice.
18:50Yeah.
18:57But I can barely keep him in line now.
18:59Can you imagine what he'd be like if we turned that corner?
19:02It might be fun finding out.
19:07I've worked too hard to risk everything just to get my teeth rattled.
19:10So where does that leave you?
19:12Mmm.
19:18Itchy.
19:26Local dispatcher to truck number 10.
19:28On your clearance ticket to Santa Barbara,
19:30be sure to fill in total mileage and time for entire round trip.
19:33Over.
19:34Get that car!
19:46Joe, throw me a tape at you, will ya?
19:52Your men are very efficient.
19:53Best in the business.
19:54Right.
19:55Tell me, Wallace.
19:57Where did you first meet Mr. Steele?
19:59Diplomatic Corps.
20:00Excuse me, in Paris it was.
20:02Spring of 77, or was it...
20:0478?
20:05No, no, that's 79.
20:06That was a good year.
20:07Are you sure it wasn't Dannemora or Leavenworth?
20:09Rats.
20:10What?
20:11They've got rats in the seine.
20:13Big as Volkswagens.
20:15Stay out.
20:16Give me a hand over here.
20:17Yeah.
20:18Huh.
20:21Are you sure they know what they're doing?
20:23Between them, there was 75 years of experience.
20:26Who are you?
20:34Where did you come from?
20:38Humphrey Bogart to Ingrid Bergman, Casablanca, Warner Brothers, 1942.
20:42This is no time to be quoting old movies.
20:45Stop asking all questions.
20:46Tea time.
20:48You wanna smell some of this, honey?
20:50Thank you, Mrs. Dillon.
20:52Hannah.
20:53Oh, what a mess.
20:55Packy's probably doing a 360.
20:58Packy?
20:59My late husband, Patrick Joseph.
21:03He started Dillon Electronics 40 years ago, making gyroscopes for the Navy in our basement.
21:09Tastes like raw crude, don't it?
21:14Packy had a special blended.
21:17Couldn't stand it myself while he was alive, but now it...
21:20Well, it kind of keeps me close to him.
21:23Well, um, your son seems to be carrying on in the family tradition.
21:27Roger.
21:28He's carrying on all right.
21:31Why the hell are we carting all this stuff up here?
21:34Stop and smell the flowers, Meach.
21:36Santa Barbara's lovely this time of the year.
21:38And it seems Bush keeping research in a house.
21:40Dillon's orders.
21:41Well, he may run the company, but the old lady still runs him.
21:45She thinks it's too risky at the plant.
21:47Now, Meach, I am personally supervising this entire operation.
21:51What could possibly go wrong?
22:08Ah!
22:09Ah!
22:10Yeah.
22:11Oh!
22:12Yeah.
22:13Uh!
22:29A CIDADE NO BRASIL
22:59A CIDADE NO BRASIL
23:03If, uh, the men who installed the system cannot breach it,
23:07then I'd, uh, have to say it's foolproof.
23:10You've got to admit, you pulled it off.
23:24Guess what?
23:29Oh, my.
23:40Well, don't everybody stand around like it's a time-out? Call the police.
23:48No. No. If this gets out, we'll lose our government contracts.
23:53You install $50,000 worth of equipment,
23:56and somebody just turns off the main switch and walks out the front door.
23:59You mean this was an inside job?
24:01You're all pro-material, Dylan. Wallace is gone.
24:06Well, Sal?
24:08I assure you, Mr. Meacher...
24:10I'm gonna sue your agency till it comes up as dry as my last Orwell.
24:14It seems to me, um...
24:22We got off on the wrong foot this morning.
24:25You're driving me crazy.
24:27A murderer is right in this room, sitting at this table.
24:31Well, you dirty little...
24:33Well, there's your murderer.
24:36But, Mickey, he might have killed you.
24:38So what's the matter? Are you sorry he didn't?
24:40Hello?
24:51Steel here.
24:52What do you want?
24:53You alone?
24:54No.
24:55Wallace and I are sitting here making paper airplanes out of the research he stole.
24:59That's what I love about you, Laura.
25:01No matter how bleak the situation, you never lose your sense of humor.
25:04Does one of us have a reason that I'm talking to you?
25:07I think I'm onto something that could change the entire complexion of the case.
25:11You're leaving town.
25:13My car will be at your apartment in 45 minutes.
25:15Does that give you enough time?
25:16To do what?
25:17Make yourself presentable.
25:18We're having dinner.
25:19Oh, no, we're not having...
25:37We're having dinner.
25:38We're having dinner.
25:39We're having dinner.
25:40We're having dinner.
25:41We're having dinner.
25:42We're having dinner.
26:01Mr. Steele's table, please.
26:03Oh, yes.
26:04This way, please.
26:05You hear it?
26:21Thank you.
26:35All right.
26:36I'm here.
26:37What startling news do you have for me?
26:39I'm paying for dinner.
26:40You said you had something to tell me about the Dillon case.
26:44I have.
26:45Well?
26:46Wallace didn't do it.
26:47How do you know?
26:48He's of the old school where there's honor amongst thieves.
26:54He'd never rip off a fellow miscreant.
26:56Then where is he?
26:57He'll turn up.
26:59He'll turn up.
27:00That's it.
27:02Your foolproof security system lasts exactly three hours and 15 minutes.
27:08The agency is looking at a $10 million lawsuit.
27:11I haven't got a clue to where that missing file is.
27:14And you drag me halfway across town to tell me he'll turn up?
27:17Sit down.
27:18There's something I want you to know, Laura.
27:21Okay.
27:22You're good.
27:23This Dillon thing is merely a temporary setback.
27:26I don't want you for one moment to lose heart or confidence.
27:29because you are a skilled, resourceful, and often brilliant investigator.
27:35I've had an opportunity to observe your talents firsthand,
27:38and I am terribly impressed.
27:40You're practical, yet intuitive.
27:43You can see the large canvas without missing the small detail.
27:47Have I said something wrong?
27:50I hate it when you're nice to me.
27:54What do I call you when we're alone?
27:59Well, I'm quite used to the name that you came up with.
28:03It's from a typewriter in a football team.
28:06Then pick one.
28:08I've probably used him.
28:11You know, Murphy thinks you're an international swindler.
28:14Or at the very least, an axe murderer.
28:18Excusez-moi, Miss Holt.
28:21Telephone for you in the foyer, please.
28:23Thank you.
28:34Would you permit me an observation, Mr. Steele?
28:37Certainly, Claude.
28:38This young lady is by far the finest of a staggering array.
28:44You have exquisite taste, Claude.
28:47Does Monsieur intend to bestow a nameplate on her, too?
28:51Possibly.
28:52They're solid brass, you know.
28:56And I'm afraid your largesse is beginning to run into big bucks.
29:03Well, if I do, it could very well be the last one I dispense.
29:08I don't know it, but I'm afraid I can't do it.
29:09I can't do it.
29:10But I'm afraid I can't do it.
29:11I can't do it.
29:12I can't do it.
29:13Ele já se tornou.
29:20Onde estão eles?
29:22Mostra de eles. Main Street.
29:24A needle está no seu arm.
29:26R$5,000 no seu soque.
29:27Ele está celebrando o seu sorte.
29:29Ele não era um adulto.
29:31Olha os seus arms.
29:32Ele poderia ir para os seus tracos.
29:34Eles são oldos.
29:35At least três anos.
29:36Quando é a autopsy?
29:37Ever heard de Proposição 13?
29:39Nós não temos a budget para cutá-lo
29:41o tempo que foi dividido à droga.
29:43Você quer uma autopsy?
29:45Você vai ter seu seu papalha.
29:47Muitos.
29:48Muitos.
29:49Muitos.
29:50Muitos.
29:51Muitos.
29:52Muitos.
29:53Muitos.
29:54Muitos.
29:55Muitos.
29:57Muitos.
29:58Muitos.
30:00Muitos.
30:01Muitos.
30:11Harry.
30:19Harry.
30:23Tonight you look like a Harry.
30:26He didn't want to do this job.
30:29I soaked him into it.
30:31It wasn't your fault.
30:33Someone planted the money on him
30:35to make it appear he sold the papers.
30:39Then killed him.
30:41I'm going to find that someone.
30:46We'll do it together.
31:09What are we doing here?
31:10The minute anything happens down here,
31:13everybody knows it.
31:14Let's see what they know about Wallace's death.
31:17Ah, see?
31:18I told you.
31:20What?
31:21You're good.
31:24Might as well start with them.
31:26Hmm.
31:35How's it going?
31:36Excuse me.
31:49Excuse me.
31:49Excuse me.
31:52Pity about Wallace.
31:58Wallace?
31:59Wallace, the fellow who run the mission?
32:09Dad, you know.
32:10what's on?
32:19Oh, my son.
32:32I'll call you what she'll do.
32:33Oh, my son.
32:35Olá
33:05Ah!
33:07Ah!
33:08Ah!
33:09Ah!
33:10Ah!
33:11Ah!
33:35Ah!
33:36Ah!
33:37Laura, are you all right?
33:39Ah!
33:40Ah!
33:41Ah!
33:42Ah!
33:43Ah!
33:44Ah!
33:45Cora!
33:46Fred!
33:47Block the alley!
33:52Block the alley!
34:05Did you get the license number?
34:10Right here.
34:14How did you know I was in trouble?
34:15Actually, I was looking for a pencil.
34:35Thank you so much for coming, Mr. Meacham.
34:47This better be good, Miss Holt.
35:05Oh, dear.
35:06I was looking for a pencil.
35:07I was looking for a pencil.
35:08I was looking for a pencil.
35:09Oh!
35:14What was that, dear?
35:15No.
35:16No, no, no.
35:17It's all right.
35:18I'll wait for you out here.
35:21Takes it forever to get dressed.
35:29Without the research, all you got's a dead thief.
35:32Or a murder victim.
35:35We're waiting for the autopsy report.
36:006-2 and even, Dylan's the one stealing our research.
36:03Why do you say that?
36:05Only reason I got MacLeitz into that company...
36:07...is because he ran it into the ground.
36:09Thank you, honey.
36:12He's a rookie with a penchant for polo ponies...
36:15...blackjack tables and little pieces of fluff...
36:18...who collect expensive jewelry.
36:35It'll be nice talking to you, Laura.
36:50Uh, wait.
36:51Um, we're not finished yet.
36:53I got my lawyer coming by with the papers...
36:55...of my suit against your agency.
37:05Answer the phone.
37:15Hello.
37:17Who's this?
37:19Who's it?
37:29Good afternoon, Miss Wolfe.
37:30Beginning to be a regular fixture around here.
37:32Any word on that license plate?
37:34They're still running it through the DMV computer...
37:36...but Murphy's on the phone with the pathologist.
37:38Yeah.
37:45Spell that for me.
37:48All right. Thanks, Doc.
37:49Call me when you're finished, okay?
37:52Well, what do you know?
37:55He was right.
37:57Wallace didn't OD on junk.
37:59He was literally relaxed to death.
38:01Injected with a form of orphenogen citrate.
38:06A muscle relaxant.
38:07The kind used on horses.
38:08Dylan's in the polo.
38:10In their stables in back of the house.
38:11Anything else?
38:12They're going over the contents of Wallace's stomach now.
38:14That should be done by the end of the day.
38:15Aha.
38:16Not only do we know how and where the murder took place...
38:18...but who committed it.
38:19Oh, yeah?
38:20We do?
38:21Absolutely.
38:22Meacham.
38:23His briefcase is bulging with plans to tear down Dylan Electronics...
38:25...and build an industrial park.
38:26Not a bad incentive to bankrupt the country...
38:28...by stealing its own research.
38:29Don't forget Roger Dylan.
38:30I think I'm getting the hang of this.
38:31According to Meacham, he needed a lot of cash to float his lifestyle.
38:34Remember Mrs. Dillon.
38:35Insisting everything be moved to the house...
38:37...that made it a hell of a lot easier to steal.
38:38My money's on Meacham.
38:39Let's nab him.
38:42I told you this was a mistake.
38:44We need a little thing called evidence...
38:46...which means that somebody is going to have to get back into that house.
38:49Leave everything to me.
38:52That is a lot more frightening than let's nab him.
38:56Hope you got major medical.
38:57Now, Meach...
38:59...Polo is a contest where gentlemen exhibit the finest qualities of horsemanship...
39:03...and fair play.
39:04Blow it out your ear.
39:05Meacham.
39:13I didn't know you played polo.
39:14Charles and I used to have a go at it whenever I was in London.
39:18Ah!
39:19Charles.
39:20Of course, now that he's married, we don't play as often as we'd like to.
39:23Thank you.
39:24Happy snoopers.
39:27I like your boss.
39:29He has the same kind of flare pack he had.
39:33A little reckless, maybe.
39:35But lots of sauce.
39:38Why do you say that?
39:39Roger's a world-class player.
39:42Well, it's only a game.
39:43Not for 25,000 bucks, it ain't.
39:4825,000 bucks?
39:49That's what he bet Roger and Meacham.
39:5225,000... each.
39:58Whoo!
39:59Come on, Dylan, get it out!
40:00Come on, Dylan, move it!
40:02Come on, Dylan, come on!
40:03Good.
40:04Come on!
40:30Come on, come on!
40:31Stay with him! Stay with him!
40:32Yahoo!
40:33Oh, yeah!
40:36Sorry, Steele. Didn't mean to miss you.
41:03Oh, yeah!
41:33Come on, Dillon. Get in here.
42:03Get in here.
42:33Friends of yours?
42:37Roger's new partners.
42:39In the electronics company?
42:41Oh, some joint venture.
42:44You don't sound too pleased about it, Mrs. Dillon.
42:48Roger calls the shots now.
43:03Should we count this as a time-out, gentlemen?
43:14I'm not even going to ask if you know what you're doing.
43:17I know precisely what I'm doing.
43:19William Powell did exactly the same thing in The Thin Man.
43:22Invited all the suspects to a dinner party, reconstructed the crime,
43:25and exposed the murderer.
43:28And may I say, you make a splendid murder lawyer.
43:35Don't be so cocky.
43:37You're just lucky Dillon and Meacham had to forfeit the match.
43:40Where did you think you'd get $50,000 if you lost?
43:44I had no intention of losing.
43:52The completed autopsy report. Take a peek at page five.
43:58Couldn't you have worn something slightly more appropriate?
44:01No, I didn't have time to change.
44:03Okay. Let's get the show on the road.
44:07Well, I'm glad to see that you're finally into the spirit of the evening.
44:19To our guests.
44:21May their conversation be as interesting as their company.
44:28And Wallace obviously discovered the killer removed in the research from the library.
44:32It was a fierce struggle. The killer hit Wallace repeatedly.
44:36What Mr. Steele means is that it could have happened that way, but didn't,
44:39since the autopsy found no bruises or abrasions on Wallace's body.
44:44Well, whatever. The point is, the killer dragged...
44:46Lured.
44:47...Wallace to the stable where he was injected with a massive overdose of muscle relaxin.
44:51Same type found in this vial. Using a needle exactly like this one.
44:57Both of which were found in your stable, Mr. Dillon.
45:00Then the killer transported Wallace's unconscious body to Main Street...
45:04hoping it would appear that he died of a drug overdose.
45:07Your food is wonderful.
45:10Your theory's absurd. None of us has a reason to steal from ourselves.
45:14Wrong. One of you had the strongest possible reason.
45:17Money. Enormous amounts of the stuff.
45:21Isn't that right, Meacham?
45:23Then, of course, as you pointed out, Mr. Steele...
45:26...Roger Dillon had an equally strong motive.
45:29I don't remember pointing that out.
45:32Of course you do, sir, when you learned of his association...
45:35...with those gentlemen at the polo match.
45:37Those gentlemen have nothing to do with Dillon Electronics.
45:40Why was one of them searching Wallace's room?
45:43Excuse me.
45:45Tell me, Meacham, when Dillon Electronics went under...
45:48...did you plan to buy up the rest of the company?
45:50Damn right.
45:51You'll never get your hands on my company, Meacham.
45:53Try this, Mrs. Dillon.
45:55It's only a matter of time till you have to punt, Dillon.
45:58And then I'm gonna run with the ball.
46:00How's the tea, Mrs. Dillon?
46:02Tastes like the kind I drink.
46:04It is the kind you drink.
46:07I didn't know anyone else had that recipe.
46:09Ladies, could we sell the tea talk and get back to business?
46:12You wanted that land for an industrial park, didn't you?
46:14You got it.
46:15Then you admit it.
46:16I admit I was gonna build an industrial park.
46:18Where did you get the recipe?
46:19But then you already knew that, didn't you, Steve?
46:21You brewed Wallace a cup.
46:22Because you went through my hotel room.
46:23Right before you killed him.
46:24That's called breaking and entering.
46:27Sit down.
46:32Easy, Mrs. Dillon.
46:33What the hell's going on here?
46:35You little wimp.
46:36Tell them what business you're in your park.
46:37For God's sakes, Mother.
46:38Shut up!
46:39They peddle classified American technology to the highest bidder.
46:43Do you think I was gonna let you sell them our discoveries?
46:45Just to keep you in more toys, I'd rather see the company go under
46:48than have it run by a traitor.
46:49Mother, you're gonna get us both hung.
46:55I didn't want to hurt that poor man.
46:57But he just couldn't understand what I was trying to do.
47:06You saved my life, Steele.
47:08And I thought you were gonna accuse me of the murder.
47:10You? Don't be absurd.
47:14All for quick thinking, buddy.
47:17Well, what else do you expect from Remington Steele?
47:19Really, Laura, this is shocking.
47:32If I were you, I'd have a word with the press.
47:34You realize no one of these stories mentions your name?
47:38One learns to live with it.
47:40That was nice.
47:42Donating the money you won in that polo match to Wallace's mission.
47:46He was a nice man.
47:50And a hell of a burglar.
47:54I think the entire staff can be rather proud of this one.
47:59The entire staff thanks you.
48:02However, there is one small thing that puzzles me.
48:05How did I know it was Mrs. Dillon and not her son?
48:08Or Meacham, remember?
48:11Or Meacham.
48:12She was the only one who drank that tea.
48:14And when it turned up in the stable and Wallace's stomach...
48:22God, I'm good.
48:24I'm good.
48:54I'm good.
48:55I'm good.
48:57I'm good.
48:58I...
48:59God.
49:00I'm good.
49:01I'm good.
49:04But, you gentlemen, I think that's sting here after Madness.
49:06I'll come to you inside the water.
49:07My nature doesn't touch the fruit
49:08and not to rot.
49:10If it's sticky, it'sazzi I already ate pretty tight.
49:12If it's aasaki thing.
49:13It could suck good, if it here and it's腰,
49:15whatever, you don't need to spice it up.
49:16Let me go across my life.
49:17In API?
49:18My future gets took all three arms and tails,
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