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00:00Tonight, on Spencer for Hire.
00:04Well, I've been asked to go on the line, provide private security that I can vouch for personally.
00:10Name is Spencer, private cop.
00:11My witness is the wife of a prominent member of the organization.
00:15You hired a hawk as backup?
00:16Hawks the best.
00:17Somebody tried to kill you once, baby, they keep on trying.
00:21They intended to blow me away along with the witness.
00:23Spencer, are you alright?
00:25I love you, Suze.
00:26I love you too.
00:27You ever kill a woman?
00:28No.
00:30I love you too.
01:00I love you too.
01:30I love you too.
02:00I love you too.
02:16They're all out.
02:17Barry, health.
02:18Get everybody back in the building.
02:19Concorda!
02:21Minha senhora ruas não são mais rápidos.
02:42F bedeu-se!
02:44A todos eles têm amanhã?
02:46Não.
02:49Onde está?
03:19Lá, Lá, Lá, Lá!
03:21Ei!
03:22Lá, Lá, Lá!
03:23Lá!
03:25Lá, Lá, Lá!
03:43Chief, estamos missing a man on ladder 17, Callahan.
03:49I'm going in.
03:51Come on.
04:02Is there anybody else in there?
04:04No, sir.
04:06Open the line!
04:19The foxes have holes and the birds of the air have nests.
04:30The son of man hath not where to lay his head.
04:33I couldn't remember if it was from Luke or John,
04:35but it looked like I'd just joined a very exclusive club.
04:38It was Matthew.
04:41And reading the rest of the chapter before I fell asleep
04:43helped me get over the feeling I had
04:45when I watched almost everything I owned go up in smoke.
04:48I tried to drown the rest of my thoughts in beer,
04:50but that never really works.
04:52And the alcohol in my blood didn't make an August night
04:54in Boston any cooler.
04:56Spencer!
05:03Hey, Spencer!
05:06Can you believe this heat?
05:08No.
05:09No.
05:10No.
05:11No.
05:12No.
05:13No.
05:14No.
05:15No.
05:16No.
05:17No.
05:18No.
05:19No.
05:20No.
05:21No.
05:22No.
05:23No.
05:24No.
05:25Can you believe this heat?
05:27Hey, I went by your apartment.
05:29It, uh, got a little hot there last night, too, I guess, huh?
05:32Why don't you come on in, Sergeant?
05:35Air conditioning!
05:37This is new!
05:38Well, first-class clients, you gotta keep up a first-class front.
05:42Yeah, yeah.
05:43It's really looking like the Ritz.
05:45You know, maybe, if you're lucky, Spencer,
05:47you can get the guy torched your apartment
05:48and come by and burn this place down, too.
05:51Você tem algo a drinker, Frank? A warm tap water, maybe? A splash of baking soda?
05:56Você pode se vestir. 9 o'clock, Mass. A lieutenant não gosta de ser late.
06:00Mass? Frank, so far, all we've established is that you did not come by here for a social drink.
06:07We have yet to divulge just what the hell it is you do want.
06:09I got my orders, you know, Spencer? My orders are to pick you up.
06:12On Sunday morning for what?
06:14How about I make it... living in a dump that ain't zoned for residential?
06:18How about I bounce you out of here and charge police brutality?
06:22I'll be in the car.
06:24Frighting cat.
06:34Part of my work is solving mysteries.
06:37But I didn't have a clue as to what I could do for Marty Quirk on a Sunday morning that he couldn't do for himself.
06:42I know a federal prosecutor named Farrell?
06:47Yeah, Megan Farrell. Law and order freak.
06:50Wouldn't mind being the first lady governor of the commonwealth.
06:53She has just been appointed deputy chief to an organized crime strike force.
06:59Nice for her.
07:00She's got a witness that's giving secret testimony to the grand jury.
07:03She needs a bodyguard for 24 hours.
07:05And you don't have the manpower?
07:07Farrell doesn't trust the department.
07:10She says our standards aren't high enough and she's not gonna lose her witness because somebody gets to a cop.
07:16Doesn't sound like she's after your vote, Marty.
07:18Yeah.
07:19You smell smoke?
07:22It's me.
07:23My building burned down last night.
07:25Hey, we got an extra place, you know. You need a place, Kate won't mind.
07:28No, no, it's okay. Tell me about this job.
07:31Well, I've been asked to go on the line, Spencer, and provide private security that I can vouch for personally.
07:37And I'm the first guy you thought of, huh?
07:40Only one.
07:41Chief Whickers, Marty, that's touching.
07:43What's the catch?
07:45There is a contract out on a witness.
07:47Well, that makes it easier. I said I'd never work for the department again.
07:50Shanley said he'd never let you.
07:52What'd he say when you brought up my name?
07:53I didn't bring it up.
07:55No, he did.
07:57He asked me what I thought. I said we couldn't do any better.
08:00Shanley wants me on it. It's gotta be a suicide run.
08:03You know your job. He respects that.
08:06Family's inside.
08:08What do you say?
08:10Where does it put you if I say no?
08:13The clock starts at noon.
08:1624 hours.
08:18Only working on two hours sleep now.
08:21I need some backup.
08:23You play it how you see it.
08:25Farrell's a young woman, but she's old money.
08:28Whatever it takes. She can afford it.
08:32Here's her address. Shanley will meet you there.
08:35There'll be no department contact after that.
08:37Farrell's worried about a leak. Don't you trust Shanley?
08:40Tom Shanley and I broke in together, Spencer.
08:43He got the job that you should've got.
08:45You don't make captain on shoulda. You make it on merit.
08:47I got no problems working for Tom Shanley.
08:49Okay. Okay.
08:51I'll see you when I can see you.
08:53Spencer.
08:55Heads up.
08:57Better heads than toes.
08:59Maxi.
09:00Play it how you see it, he said.
09:12As sleepy as I was, the only thing I could see was that I might need heart.
09:16So I gave him a call and cut him in for half my action.
09:19I figured he might be interested since he just bought a $50,000 car.
09:23Take it for you, sir?
09:25No, I don't think so.
09:53I don't think so.
10:10Megan.
10:12Here's our man.
10:23O que é isso?
10:38Spencer!
10:41Captain,
10:43this is Megan Farrell.
10:45Mr. Spencer?
10:47Scotch eggs.
10:53Good morning, Mrs. Ryan. Judge?
10:57You do this every Sunday?
11:01When I'm in the city.
11:03Mind a suggestion?
11:05What's that?
11:07Sausage could be thinner.
11:09What?
11:10Scotch eggs. Bulk sausage is fine, but it has to be thin.
11:12Then you really should paint it with a little more of the egg
11:14before you roll the breadcrumbs.
11:15He must be a gourmet.
11:17I like to cook.
11:18It's funny. I've never enjoyed it.
11:20Well, that sets some ground rules, doesn't it?
11:22Pardon?
11:23For us.
11:24What you see as comedy, I see as tragedy.
11:27So, while it might be only 24 hours,
11:30maybe you'd like to be very precise about our relationship.
11:33Well, I'm certainly not expecting you
11:35to make a charitable contribution, Mr. Spencer,
11:37although it is for an important cause.
11:39It's for Marty Quirk.
11:41I respect that.
11:43My witness is the wife of a prominent member of the organization.
11:47She's given me names and figures
11:49that can expose certain public officials
11:51as being under the influence of the organization.
11:53Somebody would rather see her dead
11:55than walk into that grand jury session at home.
11:57Apparently.
12:01You said you already have your testimony.
12:03I have a deposition.
12:04She still has to appear before the grand jury.
12:06I'm depending on you to protect her,
12:09with your own life if necessary.
12:12Well, I value my life a great deal, Miss Farrell.
12:15Would $5,000 be appropriate?
12:17For my life? No.
12:19For one day of it,
12:21I'd say you were getting royally ripped off.
12:23But I guess we can shake hands on it.
12:27The witness is Angela Zemeckis.
12:30She just checked into a building I own,
12:32a condominium structure next to Mass General.
12:34What unit?
12:35425, on a corner.
12:37Can that be changed?
12:39No. Why?
12:40Too many windows.
12:41That's my problem.
12:42Yours doesn't start again till tomorrow noon.
12:45Mr. Spencer,
12:47I don't know what your ambitions are,
12:49but I'm not ashamed of my own.
12:51This case can start a groundswell
12:53that could carry me straight into the State House.
12:55I'll make it a point to remember everyone
12:57who helps get me there.
13:00Just remember the sausage.
13:02I don't know.
13:03I don't know.
13:04I don't know.
13:05I don't know.
13:06I don't know.
13:07I don't know.
13:08I don't know.
13:09I don't know.
13:10I don't know.
13:11I don't know.
13:12I don't know.
13:13So?
13:14She's a class act.
13:15Didn't say anything about my smoky suit.
13:16Maybe she got a summer cold.
13:17She's got a cold for all seasons.
13:18Let's get out of here before it snows.
13:19So just where is this babysitting job we got?
13:20Across from Mass General.
13:21Condo.
13:22You go around the window, huh?
13:23Hawk, you buy a new car.
13:24The first thing you gotta do is read the owner's manual.
13:25You got air in this.
13:26Makes it cool.
13:27Don't help that smell.
13:56Mass General is the biggest hospital in Boston and the best in the country.
14:09It was founded in 1811, but it couldn't open until we won the war of 1812.
14:14It was comforting to know it was right down the block.
14:17I figured I could have a little war of my own going on soon.
14:26My name is Spencer, private cap, going up to 425.
14:33Uh, Spencer.
14:35Yes, sir.
14:36Elevator's right over there.
14:37Stairs?
14:38Sir?
14:39Got him.
14:56Just a minute.
14:57Oh, my God.
14:58Oh, my God.
15:03Uh, my name is Spencer.
15:07Uh, Megan Farrell sent me.
15:09Oh, my God.
15:10Uh, my God.
15:13Uh, my name is Spencer.
15:16Uh, Megan Farrell sent me.
15:18Oh, my God.
15:23What is it?
15:26It's Camille.
15:28Credit Garbo just died.
15:30Robert Taylor just got there.
15:33What are you doing?
15:36Closing their dreams.
15:37This place is a fishbowl.
15:38You know, his father thought that she wasn't good enough for him.
15:42You know, I've seen this eight, I've seen it nine times, and it still does this to me.
15:48Maybe you shouldn't watch it.
15:50Oh, gosh.
15:54I look such a mess.
15:56I'm sorry.
15:57I just, I took a shower when I got here because it was so hot.
16:00Bedroom and bed both clean, no fire escape.
16:03Who's he?
16:05It's all right, Missy.
16:06I don't do nothing, Masa.
16:08Don't tell me to.
16:09This is Hawk.
16:11Don't worry.
16:12He knows his place.
16:13What did you say?
16:14I said he...
16:15I heard what you said, and you should never say anything like that.
16:18Really?
16:21And you don't have to accept an insult like that.
16:24You're as good as any person on this earth.
16:26Better.
16:27Top two, maybe.
16:33Something burning?
16:35I had to get out of the soup before it started smelling normal to me.
16:41And I needed a couple hours sleep to keep my brain from turning to steel wool.
16:45If there was going to be a hit, it figured to happen at night, when we made the delivery the next day.
16:50But I was still a little anxious about being away from the condo for very long.
16:54Well, first a fire and then a whirlwind.
16:58Oh, Spencer.
16:59Look, Ma, both hands, both feet.
17:01Got all my teeth.
17:02Hug.
17:11It's a little like hugging Smokey the Bear.
17:13Sorry.
17:14Well, what do you think?
17:15Well, I know what I think.
17:17I don't know what the people who might want to hire me are going to think.
17:21You're right.
17:22They'd like it better scattered all around.
17:24Look, I appreciate I'm just a little strung out.
17:27You lost everything, didn't you?
17:29It's just better to have loved and lost than never have loved at all.
17:33Whoever it was, I don't think that's what he meant when he wrote the line.
17:36Alfred Tennyson, first spirit of the realm.
17:39And if you did mean it that way, it's because he never got to love you.
17:49Sleepy?
17:50Way past that.
17:52Maybe you just need to relax.
17:54I can't.
17:56Well, maybe I could help.
17:58We're going to have a picnic.
18:00We could have it right here, right now.
18:03No little kids running around.
18:05No pants, no sudden rainstorms.
18:07I gotta go to work.
18:08When?
18:09Two hours.
18:10Doing what?
18:11Confidential.
18:12Oh.
18:15Well, we've got two hours.
18:17Any way I could drag it out of you?
18:19I can start with a tie.
18:26Not again.
18:33Hey, Spencer!
18:35Come on down!
18:38What?
18:39That has to be Chief Flynn.
18:40His unit covered the fire last night.
18:41He left a message on your machine.
18:43Any other messages on there?
18:45No, just this one.
18:47Spencer?
18:48This is Joe Flynn, Boston Fire Department.
18:51Uh, Johnny Callahan and I, uh, he's the kid you pulled out last night.
18:55Johnny and I were trying to figure out a way to say thanks for doing what you did like that.
19:00And, uh, we think maybe we found a way.
19:14So what do you think?
19:15Well, I don't know what to think.
19:16It won't work?
19:17Well, yeah, it'll work.
19:18But, uh...
19:19Okay, then.
19:20Johnny, give him the keys.
19:24Uh, Chief, how do I just move in here?
19:26It's an auxiliary house, but the funds ran dry.
19:29It's a white elephant.
19:30I need some kind of permit from the sea, though, right?
19:32After last night, whatever's needed, I'll make happen.
19:35Listen, uh, Chief.
19:40Joe.
19:41Joe.
19:45It's almost 11.
19:46Can I use your phone?
19:47It's, uh, disconnected.
19:48There's a pay phone over there.
19:53Thanks.
19:57This is gonna work.
20:00Well, I'm going upstairs.
20:02That'll be a first.
20:05I'm going to come back in here.
20:06Okay.
20:11I'm at the t-shirt corner.
20:13Okay, I'm rolling.
20:16So...
20:17No, I don't want to go.
20:18Okay, I love it.
20:19I've got anything.
20:20I've got anything from my house.
20:21I need nothing.
20:22I need nothing.
20:23I can't believe it.
20:24I need nothing.
20:25I can believe it.
20:26They need nothing.
20:27I need nothing.
20:28They don't want the bag to relax.
20:30No, I don't want the bag.
20:31They don't need nothing.
20:33This is going to be too much.
20:34A CIDADE NO BRASIL
21:04I STILL HADN'T HAD ANY SLEEP, AND I KNEW I WOULDN'T GET ANY IF I LEFT HAWK'S NEW CAR SITTING IN MY OLD NEIGHBORHOOD.
21:15ANY CALLS? NO, BUT WHERE'D YOU GET THAT?
21:18A FRIEND OF MINE. THERE'S ANOTHER FIVE BUCKS IN THE JOB TO MAKE SURE NOBODY TOUCHES IT, OKAY?
21:22OKAY. COME GET ME IF THERE ARE ANY CALLS. WE WILL.
21:25HEY, DUDE, CHECK THAT OUT.
21:27MY BOYFRIEND USED TO TAKE ME IN THE FIGHTS. WHAT'D YOUR HUSBAND THINK ABOUT THAT?
21:36I'M NOT MARRIED.
21:39SO, YOU WANT TO SEE SOMETHING ELSE?
21:45NO, I DON'T THINK SO.
21:53HEY.
21:54YEAH?
21:55VISITORS FOR MRS. ZEMEKIS?
21:57THEY GOT NAMES?
21:58HENLEY AND FAREL.
21:59FAREL GOT A FIRST NAME?
22:00COME ON, I'M NOT GONNA ASK HIM THAT. HE SAYS HE OWNS THE BUILDING.
22:04TELL HIM TO WAIT TEN MINUTES. A LADY'S TAKING A BATH.
22:09WHAT'S GOING ON?
22:11GET DRESSED.
22:12WELL, WHO WAS THAT?
22:14I SAID GET DRESSED. COMPANY'S COMING.
22:23ARK?
22:30ARK?
22:34ARK?
22:46ARK?
22:47ARK?
22:48ARK?
22:49ARK?
22:50ARK?
22:51ARK?
22:52ARK?
22:53ARK?
22:54ARK?
22:55ARK?
22:56ARK?
22:57ARK?
22:58ARK?
22:59ARK?
23:00ARK?
23:01ARK?
23:02ARK?
23:03ARK?
23:04O que é isso?
23:34O que é isso?
23:36O que é isso?
23:37O que é isso?
23:38O que é isso?
23:39O que é o nome, senhor?
23:40Michael Williams.
23:41Eu quero makes on both John Doe's
23:43before they go in the locker.
23:45Do you think it can handle that way?
23:47Yes, sir.
23:56Close to the phone.
23:57How the hell do you lose this?
23:59Wild guess.
24:00Here, are you sure the only blood in the room is by the door?
24:02Not a drop anyplace else.
24:04I got it.
24:05Spencer.
24:07Yeah, Herb, give it to me.
24:09Paul.
24:10Lieutenant.
24:13You print him already?
24:14One of your boys did, Lieutenant.
24:16Had me send it on in with a cruiser.
24:18One of my boys?
24:19Okay, thanks, Herb.
24:20Is that something I might be interested in?
24:22Got a make on the hitters.
24:23Both from Jersey, Phil Maysack and Sonic Cardozo.
24:24You burned him?
24:25Hawk.
24:26Hawk?
24:27You hired a Hawk as backup?
24:28Hawk's the best.
24:29Where is he?
24:30Don't know.
24:31What?
24:32Where's the woman?
24:33With Hawk.
24:34Well, how do you know that if you don't know where Hawk is?
24:35I know Hawk.
24:36Look, Hawk works for these people.
24:37What makes you think that he's not making a plan of his own right now?
24:38Cutting a deal for himself.
24:39He wouldn't do that.
24:40It was working for me.
24:41You were working for me?
24:42Why the hell were you?
24:43Charles Street Firehouse.
24:44I want straight answers, Spencer.
24:45So do I, Marty.
24:46Two contractors from Jersey knew to come to this condominium.
24:48They knew to ask the clerk for the right name.
24:51They identified themselves as Shanley and Farrell.
24:53And since they intended to blow me away along with the witness,
24:55I want to know who else knew we were here.
24:57I want to know who else knew we were here.
24:58You know where Hawk is.
24:59You know where Hawk is.
25:00I know Hawk is.
25:01I know Hawk.
25:02Hawk works for these people.
25:03What makes you think that he's not making a plan of his own right now?
25:05Cutting a deal for himself?
25:06You wouldn't do that.
25:07It was working for me.
25:08You were working for me?
25:09Why the hell were you?
25:10Charles Street Firehouse.
25:11I want straight answers, Spencer.
25:12I want to know who else knew we were here.
25:14And I'm gonna find out.
25:18Hey, Lieutenant.
25:19I saw some hankies going on around here.
25:21The guy at the front desk said the two stiffs identified themselves as...
25:24Shanley and Farrell.
25:25How'd you get that?
25:27Well, I guess I'd better go find out who they really were, huh?
25:29Contractors from Jersey.
25:31What, you got a crystal ball around here?
25:34What else did the desk clerk give you?
25:36This is all he had.
25:37Look, pal, my head hurts, okay?
25:40Now, I already told the sergeant everything I remember.
25:43About the two men, what about the woman?
25:45The woman?
25:46Did you see her leave?
25:47It's hard to see a whole lot out here from inside a closet.
25:49Yeah, right.
25:50What about when she arrived?
25:51What do you mean?
25:52When she checked in this morning.
25:53You know where she was coming from?
25:54Oh.
25:55How she got here?
25:56Car?
25:57Limo?
25:58Cab?
25:59Cab?
26:00What company?
26:01Come on, how do I know what company?
26:02You could see through those glass doors, right?
26:04Yeah.
26:05A sexy dame like that comes in here, you gotta take a good look, right?
26:10Yeah.
26:12It's a dynamite body.
26:15Wrapped in a tight red dress.
26:17Look past the body, through the doors, what color is the cab?
26:19Oh, come on.
26:20What color is the...
26:23Blue and white.
26:25Bay State.
26:28Cab Company.
26:29I could have made the call from the condo, but I didn't think Quirk and Belson would appreciate it.
26:41Bay State Cab, dispatch office.
26:44Yeah, this is Sergeant Belson, Homicide.
26:46I need some information on a fare to the condos across Mass General about 10 this morning.
26:51Hey, you guys know I can't give that stuff on a phone.
26:54I think maybe we've got a bad connection here, pal.
26:56I want the cabbie's name and number, and I'll take yours, too.
26:59Hey, listen.
27:00I am listening, but I'm not hearing anything.
27:03Now, maybe you'd rather have a unit pick you up and bring you downtown.
27:06It should only take four or five hours every time.
27:09Joe Fontana?
27:11Yeah?
27:12Spencer, field rep, Bay State Cab.
27:14Billy went on the dispatch desk, tells me you picked up a fare at 9 o'clock this morning.
27:18At that bus station, dropped her off at the condos over by Mass General.
27:21Yeah?
27:22Took you 50 minutes, Joe.
27:23Now, that's a 10-minute fare at best that time of day.
27:25What happened?
27:26Hey, look, pal.
27:27Hey, Joe, I just got a job to do.
27:28Just like you, only different.
27:29You know what I mean?
27:30Now, I figured she had you make a stop, too, right?
27:32Yeah.
27:33Okay, okay.
27:34So just tell them to get the records right.
27:36That's all.
27:37All right, two stops.
27:38First one was the travel agency on Commonwealth.
27:40But she didn't get out.
27:41She just had me double parked so she could look in the window.
27:44Hey, I told her.
27:45It was her nickel.
27:46I'd park all day if that's what she wanted.
27:48We only sat a couple of minutes, though.
27:50You said two stops.
27:51Where else?
27:52The Ritz.
27:53The Ritz?
27:54How long were you there?
27:5535 minutes, maybe.
27:5740 tops.
27:58Taxi.
27:59Taxi, please.
28:00All right.
28:01Just a moment.
28:02Thank you, sir.
28:10Hey, Spencer.
28:11What do you do?
28:12Change jobs?
28:13That's a loaner.
28:14Some fancy machine.
28:16Yeah, listen, Eddie, I'm looking for a woman.
28:18Wrong hotel, sir.
28:19Cab driver said he dropped her here this morning.
28:21She spent about a half an hour inside, then left.
28:23Blonde, good figure, about 30, 32.
28:25She's wearing a red dress.
28:26Would have been around 9, 15 this morning.
28:28Ah, you mean Mrs. Simmons.
28:30Simmons?
28:31Yeah.
28:32She was in and out of here in a cab this morning,
28:34but she's been with us about three days.
28:35She stayed here?
28:36Yeah.
28:37Checked in Thursday, checked out today.
28:41Thank you.
28:42She checked out once you took the cab.
28:43No.
28:44She checked out about an hour and a half ago.
28:45Is anybody with her?
28:46No.
28:47Is she in trouble?
28:48Maybe not as much as me.
28:49How'd she leave?
28:50Limo.
28:51You know the driver?
28:52Jackie Burley.
28:53Thanks, Eddie.
28:54I got two behind the penalty box for you.
28:55Thank you, Spencer.
28:56Jackie Hurley was from South Boston.
28:57He spoke the truth.
28:58And the truth he spoke to me was that he had delivered the woman from the Ritz to the airport
29:03and put her on a plane for San Francisco.
29:05The woman that the doorman thought was the woman I thought was the woman I thought was
29:08the woman I thought was the woman I thought was the woman I thought was the woman.
29:11That could only mean one thing.
29:12There were two women.
29:13The one that stayed at the Ritz and then got on the plane to San Francisco.
29:18And the one with Hawk right now.
29:19I didn't know who was who or what was what, but I was pretty sure the woman with Hawk wasn't
29:20the real Angela Zemeckis.
29:21Time to find Hawk.
29:22The one who spoke to me was that he had delivered the woman from the Ritz to the airport and put
29:23her on a plane for San Francisco.
29:24The woman that the doorman thought was the woman I thought was the witness Marty Quirk
29:27thought I was guarding.
29:30That could only mean one thing.
29:32There were two women.
29:33The one that stayed at the Ritz and then got on the plane to San Francisco.
29:37And the one with Hawk right now.
29:39I didn't know who was who or what was what, but I was pretty sure the woman with Hawk wasn't
29:44the real Angela Zemeckis.
29:46Time to find Hawk.
29:48hawk
29:53Yeah.
29:57Hello?
29:58Suse.
29:59Spenser, where are you?
30:00Can't talk now.
30:02Did Hawk call?
30:03Yes, he gave me a number.
30:05Spencer, are you alright?
30:06Do you?
30:07.
30:09.
30:11.
30:13.
30:15.
30:17.
30:19.
30:21.
30:23.
30:25.
30:27.
30:29.
30:31.
30:35.
30:36A s
30:38..
30:40.
30:42.
30:46.
30:47.
30:48.
30:50Bck didn't say anything to Susan about being in danger, so I figured I could get through to him a little later.
31:00It was time to find something else out now.
31:02Música
31:31Música
32:01Both hands on the wheel. One down, one to go. Until the city of Boston booted Hawk's car. But I couldn't do anything about that at the moment.
32:10Música
33:27Música
33:30Música
33:32Música
33:34Música
33:35Música
33:36Música
33:38Música
33:39Música
33:41Música
33:42Música
33:43Música
33:44Música
33:45Música
33:46Música
33:47Música
33:49Música
33:50Música
33:51Música
33:52Música
33:54Música
33:55Música
33:56Música
33:57Música
33:58Mais que a Ritz?
34:00O quê?
34:02Angela.
34:04Such a pretty name, Angela.
34:07What's your real name, baby?
34:09Please.
34:10I thought we was going to bed, baby.
34:12Now you're all freshened up.
34:14I want to talk to Miss Farrell.
34:15I'm only supposed to talk to Miss Farrell.
34:17What about your husband?
34:18She doesn't have one.
34:22You wouldn't know Megan Farrell if you tripped over her.
34:25You were just taking a job, right?
34:27Yeah, is there anything wrong with working?
34:29There's worse things a person can do.
34:32Farrell didn't hire you.
34:34Who did?
34:36Somebody tried to kill you once, baby.
34:39They keep on trying.
34:41A woman.
34:42Angela Zemeckis.
34:44She hired a double.
34:45She bought an insurance policy.
34:47It already paid off.
34:49You spend half your life with a crime boss,
34:51you learn not to trust anybody.
34:53She didn't give me no name.
34:55Mrs. Farrell was all she said.
34:57She went to the agency and picked my picture out of a file,
35:00and she gave me a job.
35:02An honest job.
35:04She said if I didn't screw up,
35:06she'd give me a trip to the Bahamas.
35:09I've never been to the Bahamas.
35:12I've never been anywhere.
35:14It's going to be okay.
35:20Can you handle this?
35:21Just take care of my car is good.
35:24It's all locked up safe inside.
35:26You got a plan?
35:28Maybe.
35:29I'll be in touch after I talk with Quirk.
35:36Ain't nothing gonna hurt you now, Angela.
35:39Shirley.
35:42Huh.
35:43Shirley.
35:44Huh.
35:45Huh.
35:46Huh.
35:47Shirley.
35:48Huh.
35:56Quirk didn't get anything from the two men I gave him,
35:58but he didn't have to.
35:59The fact that they were following me
36:01while the real Angela Zemeckis was taking off for San Francisco
36:04gave me a pretty good idea whose payroll they were on
36:07and what I had to do to prove it.
36:10You said protector.
36:12I didn't know it had to be from you.
36:14You're out of line, Spencer.
36:15That's why I never fit in your department, remember?
36:17I'll have your tail for kidnap.
36:19I'll watch you sweat attempted murder.
36:21With what for evidence?
36:23You have a prosecutor in the room.
36:26Why don't I try my case on her?
36:28Spencer.
36:29It's all right.
36:30If charges are gonna be made,
36:31they might as well be made here.
36:33You already have a deposition.
36:37All the connections, names, numbers you want the public to have.
36:40You don't want Angela Zemeckis in that grand jury session.
36:44And why is that?
36:45Because if she goes in,
36:47the defense can tear down what you want to build up.
36:50You want the state house.
36:52You want city hall.
36:54You run on law and order.
36:56Point the finger at people in power, scare tactics,
36:58backed up with a dead woman's deposition.
37:01You present the perfect evidence.
37:03Evidence that people can deny but can't disprove because they can't cross-examine.
37:07You get elected.
37:08You run on our coattails.
37:10Everybody remembers how tough you were in going after organized crime.
37:14Nobody remembers about an unsolved hit on a witness.
37:17Or the death of an ex-cop you tag as irresponsible.
37:20So you tell Marty Quirk that somebody wants to kill her and you contract for her murder.
37:27You have a vivid imagination, Mr. Spencer.
37:31What about hard evidence?
37:33I've got Angela Zemeckis.
37:36Imagine her telling the people of Massachusetts you were the only ones who knew where she was supposed to be.
37:41That doesn't prove anything?
37:43I'm just taking a leaf out of Miss Farrell's book.
37:46You don't have to prove anything.
37:47You just point your finger and bring in the press.
37:50Oh, you might not fall.
37:53But you both can forget about climbing any higher.
37:56You do know how preposterous all that would sound outside this room.
38:02It doesn't have to be heard outside this room.
38:09You said you didn't know what my ambitions are?
38:11They're very simple.
38:13A 40-foot sloop off the coast of Bora Bora.
38:16Enough cash to keep me in shorts and suntan oil for a year or two.
38:21I could be sending postcards back to the first female governor of the Commonwealth.
38:26We don't even know you found the woman.
38:29I'll bring her to you.
38:31But I won't pull the trigger.
38:33He's got to do that.
38:35It's either that or I'll turn her over to Quirk.
38:38To march her into that hearing tomorrow.
38:41What about your friend?
38:43Hawk?
38:44He's a professional.
38:46He'll be reasonable.
38:47It's Marty Quirk he can't buy.
38:50And if Marty gets hurt, you're gonna find out just how good a department you're running.
38:55Marty's got a lot of friends.
39:01It's almost seven.
39:06There's the truck.
39:08Where's my witness?
39:13Where's my witness?
39:31I'm aboard.
39:32She's not here.
39:33Best laid plans have much been done.
39:35You said six o'clock.
39:36We've been here almost an hour.
39:37It took me longer to get to the truck than I thought.
39:42Hawk doesn't show up until he sees you get in.
39:46Shane Lee's back there, isn't he?
39:48Oh, it's not so.
39:49There's no time I've worked.
39:50Come on.
39:51Emmanuel's back there, isn't he?
39:53He's it?
39:55You can't make it work.
39:56immediacies.
39:57It takes care of how long it'sỏ.
40:00It takes care of how long it's spent and get in our mañana.
40:03I guess that .
40:05A cat está na bag.
40:20A bag está quase na river.
40:35Tchau, tchau.
41:05Tchau, tchau.
41:35Wait in the car.
41:40Wait, I'm not driving the truck out.
41:44Open the door.
41:45I gave you what you wanted.
41:47Open it.
41:47It's all over, Tom.
42:04I gave you what you wanted.
42:10It's all over.
42:13It's a tall handle.
42:14Let's go.
42:16Ah, ah, ah, ah, ah!
42:46Aplausos
43:16Aplausos
43:46Aplausos
43:59Aplausos
44:00Aplausos
44:02Aplausos
44:04Aplausos
44:06Aplausos
44:08Aplausos
44:10Aplausos
44:12I cover that as soon as I can. Damn street.
44:14Vai ter me um pouco tempo para chegar com o que eu vou para o seu help.
44:18Espero que você está trabalhando com os cossos por bom esse momento.
44:21Experiência é a fruita da tree de erros.
44:26Sim, bem, um erro é suficiente para esse ful.
44:35Se você around.
44:37Não por um tempo.
44:38Eu vou estar no Bahamas.
44:44Spenzer.
44:45Você era um copo.
44:47Você acha que o Perkshead é muito bem?
44:51Ele foi muito bem.
44:53O que você?
44:55Você ever matou uma mulher?
45:01Não.
45:05Não é uma boa sensação.
45:14Você é jogada, cara.
45:16Você é jogada, cara.
45:17Você é jogada, cara.
45:18Você é jogada muito bem.
45:20Não tem mais espaço para o sentimento.
45:23Não tem mais tempo para o sentimento.
45:53Não tem mais esperança.
46:08Home again, home again.
46:09Jiggida de jigs.
46:11A questão é que um homem é onde seu coração tem.
46:14E minha é com a Susan Silverman.
46:17de Monado e Smithfield.
46:47You got it all wrong.
46:49You stay here, you can put out fires.
46:52Well, before you can put one out,
46:54you gotta get one started.
47:17Welcome home, Sir Knight.
47:36Thank you, my lady.
47:47This is the last one.
47:52Season 6.
47:55Season 6.
47:57Season 6.
48:00Season 6.
48:03Season 7.
48:07Season 6.
48:16Season 7.
48:17Legenda Adriana Zanotto
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