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00:00A CIDADE NO BRASIL
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03:01I'M GOING TO BE BACK
03:02ON THE PLANE
03:03FOR MIAMI TONIGHT
03:04NO WAY MR. TULLI
03:05I MADE THIS TOWN
03:06MY HOME
03:07I'M CLEAN HERE
03:08NOW YOU UNDERSTAND
03:09THAT
03:10YOU TELL THE MAN
03:11IN MIAMI
03:13I WILL BE IN
03:14THE PARKING LOT
03:15OF THE SANDS
03:15IN ONE HOUR
03:16NOT THE SANDS
03:18NOW MAKE IT THE
03:19DESERT IN
03:20THE LOADING DARK
03:21AROUND BY THE STAGE YAR
03:22AGREED
03:23ONE HOUR
03:24Eles não dão, não dão, eles?
03:34Nós não dão um coque aqui?
03:37Claro que não.
03:40Eu gostei aqui, Pete, como nós somos.
03:44Que modo você quer ir?
03:50O mesmo, Pete.
03:52Não perguntas.
03:54Asked them to do something, it's done.
03:57We've been together for over 20 years.
03:59It's worked so far.
04:06Been together a long time.
04:09Just if we retire together, we're gonna keep it that way.
04:15We can do our civic duty.
04:24Is that it, Hanson?
04:28A man by the name of Tully is gonna be at the parking lot at the Desert Inn.
04:31Nine o'clock. They're loading dock around by the stage door.
04:34Who is this?
04:35Never mind. Just listen.
04:37He's got five kilos of cocaine on him.
04:43Dwight Tully.
04:45Bellock!
04:49Get the antenna on the phone. Have to keep me at the Desert Inn.
04:54Do you realize that this paneling costs $100 a square foot?
05:01Now, I'm not including the lighting, the mirrors, this carpeting, and those felt tables.
05:06Now, look, I'm on live customers in this place, not dead bees.
05:09Slick, what am I supposed to do?
05:11Bellock calls me up and tells me there's a cocaine drop going down in our parking lot.
05:15She wants assistance for her and her very helpful organization
05:18known as the Metropolitan Police Department.
05:20Have they got you on retainer as well?
05:22Well, Burt Hanson didn't have a chance to get a warrant, so I invited them here on your behalf.
05:27On my behalf? What are you, a public servant all of a sudden?
05:29What do you mean on my behalf? I mean, suppose somebody gets hurt.
05:31I'm gonna have to talk to that insurance coverage.
05:34That's why they did it, to hurt me.
05:36Now, I know that sounds paranoid, but I'm not. I'm not.
05:41My style. Isn't he wonderful?
05:44Ah, he's the best.
05:47Now I'm worried.
05:49Why?
05:50Because you think he's good.
05:51Come on.
05:53Now, the fact is about the airlines, uh, that you still can talk about.
05:59Look at that sin, sir.
06:08Mr. Roth.
06:09What are you doing here?
06:10Uh, police.
06:11Going to the hospital?
06:12No.
06:13That suit will come back in style.
06:14Thank you.
06:15How do you have you, Rye, and a little chickadee over there?
06:17Damn.
06:18He hasn't met her yet, but he's having supper with her tonight between shows, right?
06:22Oh, that's wonderful, B.
06:23Uh, you can have supper on the house if you like.
06:25How's that been?
06:26Nice.
06:27Really?
06:28Really, really.
06:29Uh, tell him what a swell guy.
06:30Oh, he is.
06:31He's really a swell guy.
06:32Yes.
06:33We gotta go.
06:34Excuse us.
06:35Uh-huh.
06:36This is great.
06:38No matter how mean, or cynical, or rotten you have been throughout this day,
06:44every time you breathe out, you make a little flower happy.
07:01Well, man, you're right in every position.
07:03All right.
07:04Softly, softly.
07:05Don't get hurt.
07:06Okay, now, thanks.
07:07Relax.
07:08Okay, let's go.
07:14That's him.
07:15Lieutenant, Tully just arrived.
07:29Don't do nothing.
07:30Just stand by.
07:31Hold on.
07:44All right.
07:45Hold on.
07:46ERVO
08:07. . .
08:37Não, não, não, não.
09:07. . .
09:13Ok, come on, snap it up, you got 2 min. Get out of those cops.
09:16Come on, move it, come on!
09:20Excuse me, I'm sorry.
09:22Hey!
09:35Dan?
09:38Hey, which way? The stairway, the fly's there.
09:46Come on, kids, make a change anyway. Come on. Come on, you got 2 min.
10:01Come on, guys, move it! Come on, come on!
10:03Come on, come on!
10:04Come on, come on!
10:08Come on, come on!
10:09Come on,Neil!
10:17Come on, come on!
10:21Tchau, tchau.
10:51Tchau.
11:21Tchau.
11:27Tchau, tchau.
11:29Tchau.
11:31Tchau.
11:32Tchau.
11:33Tchau.
11:34Rick, over to the ground, he covered every inch of it.
11:46Flight Tully.
11:47A Miami ladybird flies all over the country,
11:50blurb in the snow, to all the distributors.
11:52I'm gonna tell you something.
11:53It's been taken almost five years.
11:55We'd like to shoot this bird down.
11:56And if you don't fly into five kilos,
11:58you gotta turn them looks right.
11:59Excuse me.
12:00Would this be any help?
12:02Um, that guy threw it down from up there.
12:04Hit him!
12:07Thank you very much.
12:08There's personal use.
12:10A few grams, but it'll do, Dan.
12:13It'll definitely do.
12:14Okay.
12:15Daniel.
12:16Hey, Mickey.
12:18It was quite a number.
12:19What do you do for an encore?
12:20Well, I, uh, recite Hiawatha pretty good.
12:23You all right, Daniel?
12:25Yeah, I'm fine.
12:26Then get your bones off my stage, man.
12:29Do I go around arresting people?
12:31Come on.
12:32Don't be breaking into my show.
12:33You may.
12:34Dan, I'm gonna need your statement.
12:36My pleasure, Bert.
12:37And, uh, you too, sir.
12:39I'm sorry.
12:40I can't go right now.
12:42I don't think you understand.
12:44Now, you saw him throw this over.
12:46Yes, I did.
12:47Good.
12:48Without your statement, I won't be able to hold him.
12:51And if I let him go, he's liable to come after you
12:53and try to stop you from testifying.
12:55Now, you got that?
12:56Yes, sir.
12:57Good.
12:58Let's go.
12:59Well, Dan?
13:03Listen, we got this one from Paraguay.
13:06It cost me a lot of money.
13:08Uh, Marty, uh, let's just arrive.
13:10I sent you service.
13:18Hey, uh, girls, will you make something to eat in the kitchen?
13:20I'll join you later.
13:32Tully has been busted.
13:34I have the merchandise.
13:36I'm offering it to you at a special price, $250,000.
13:41Wendy Milliken.
13:42How do you figure it, Pete?
13:44Well, it, uh, could be a con caper
13:47or, uh, some smart narc trying to set us up already.
13:51Yeah, well, either way, it's blackmail.
13:53This could tie us into Tully and with a consignment.
13:56Oh, still, they could be guessing.
13:57I mean, a lot of people know your name.
13:59They remember the old days.
14:00But it's still a threat.
14:02The Miami boys could come down on us as well as the cops.
14:05One thing we got to do is find out
14:06who the hell this Wendy Milliken is in five.
14:08Well, I never heard of her.
14:10We got to get somebody to find her.
14:12Now, who's the best private eye in this town?
14:15Tanner.
14:16Dan Tanner.
14:17Why does that name sound familiar to me?
14:19Well, he refused to work for you once before, uh,
14:22when your step door hand disappeared
14:24with the Portuguese fry cook, remember?
14:26That's right.
14:27That's right.
14:28He turned down the guarantee of five grand.
14:30I remember.
14:31True blue.
14:32He's not interested in anything that ain't strictly legit.
14:34Yeah, well, we'll make him interested this time,
14:36if you can count on that.
14:38Listen, get hold of, uh, Teal and, uh, Jake Tunson.
14:57Benzer, what are you looking at?
14:59Oh, I'm just looking at the moon.
15:02I wonder how many other people looking at the moon right now
15:05and wishing, dreaming.
15:09All right, you two.
15:10Sign your statements.
15:11Maybe I can get home and do a little dreaming myself.
15:14Be gentle, Bella.
15:15Benzer has been smitten by Cupid's arrow.
15:18Oh, my.
15:21Oh, yes, Dan.
15:23I recognize the classic symptoms.
15:25Pain. Sweet pain.
15:27I knew you would, a woman of your sensibilities.
15:30Come on, let's go.
15:32Get your gloves.
15:33Good night.
15:34Good night.
15:37Benzer, I've been there more than once.
15:47Find me your girlfriend.
15:48Something you think you're gonna like.
15:50I go to the police station.
15:52So you want me to drop you up to the stage door, right?
15:54No.
15:55It's too late.
15:57Second show's started already.
15:58No, it's not too late.
16:00The coffee shop's open 24 hours.
16:02She's got an aunt named Jennifer,
16:04and she picks her up every night after the second show,
16:06and V says she's real strict.
16:08Well, look, there'll be other nights.
16:10There'll be other nights.
16:13Come on.
16:22Uh, uh, the lights didn't come on.
16:33So?
16:34So we could have company.
16:36You back me up, huh?
16:38Uh, well, back...
16:42Oh, okay.
16:43Shouldn't we call somebody?
16:45Just back me up.
16:52...
17:11Oh, my mark!
17:12Ah!
17:13Ah!
17:14Ah!
17:15Ah!
17:17Não, não, não.
17:47Não, não, não, não.
18:17Não, não, não.
18:47Se você quiser me, só que você men out of here.
18:52Não até você me diz que fez isso, Dan.
18:54Ah, Bert, a private detective é suposto que é difícil, hein?
18:57Para poder cuidar de ele, ele tem um uniforme policial,
19:00ele tem squad cars all over o lugar, ele vai ver meu imigênio,
19:02meu negócio, meu negócio.
19:03E, além disso, eu não sei quem fez isso.
19:05Eu não sei quem fez isso.
19:07O que você está fazendo?
19:08Oh, meu Deus.
19:14Agora, girls, você better get him to bed.
19:16Ele realmente looks concussed.
19:18Would you like me to get you some hot milk?
19:20Ah, no, Angie, não right now.
19:21Ah, não se esquece da barbel.
19:23Certo, tem prints on it.
19:24E se nós acharmos algo que se encontra com ele,
19:26o que se encaixar ele com?
19:28Eu vou trabalhar, Bert.
19:29Eu vou trabalhar.
19:30Oh, é bem.
19:32É bem, bem.
19:34É algo que eu posso fazer para você?
19:36Ah, só check on that nome, não.
19:37Andy Millican.
19:38I've done that already, Dan, while they were cleaning you up in the bathroom.
19:42Nothing in the records and nothing in the phone list.
19:45Tomorrow I'll check with the DMV and the Social Security.
19:47Did you get a number on that car, Binzer?
19:49Yeah, it's with Strip Rent-A-Cars.
19:52Rented by a Florida company, Sendrix Enterprises.
19:54I was going to tell them that.
19:57Sendrix, that sounds familiar.
19:59It's a holding company. Used to be run by Trafalgar.
20:02Marty Trafalgar, the old man?
20:04Why? Why? Who's that?
20:06He was a crime boss back east.
20:08Until he retired five or six years ago.
20:11But it wasn't him on the other end of that barbell.
20:13Ow.
20:14But why don't you check that for some of his goon's prints, huh?
20:17I intend to, Dan. I intend to.
20:20By the way, if you're thinking about paying Trafalgar a visit,
20:24let's see, tomorrow's what? Tuesday.
20:26He'll be at that restaurant he bought, Maison Victor.
20:29He eats lunch there every Tuesday.
20:31It sounds like you've been checking on him pretty close.
20:33Ever since the first day he arrived.
20:35Oh, by the way, some lawyer bailed Tully out.
20:39I thought you'd want to know.
20:40Oh, thank you.
20:42Look, man, you better take care of yourself and get some rest.
20:45I'll talk to you tomorrow.
20:46Yeah.
20:47Thanks, Bert.
20:49Let's go.
20:51Did you call the cops?
20:53Well, yeah.
20:55You wanted me to back you up,
20:56and I thought it was the best thing I could do.
20:59You know I'm not very physical.
21:00Yes, I know that.
21:01One minute you're there,
21:02and the next you disappear until night's thin air.
21:05Some back up.
21:08What's he talking about, Binzer?
21:10Well, how do I know?
21:12Obviously, he's not himself.
21:14Mm-hmm.
21:15He'll be worse in the morning.
21:16Oh.
21:36Hey, you're just in time, Mr. Turner.
21:38Come right in.
21:40We've got enough to go around.
21:42Uh, no thanks.
21:42I'm not hungry.
21:44Those goons you sent spoiled my appetite.
21:47Oh.
21:48That's too bad.
21:49We've got such fine food here.
21:51Hey, you know, I bought this restaurant
21:53so that I can keep it closed on Tuesdays and Thursdays
21:56and cook for myself and my very special friends.
21:59Why was I worked over?
22:01Well, I think you know why.
22:02They told you why.
22:03Wendy Millican.
22:04Yeah, did you speak to her yet?
22:05I don't even know who she is.
22:07Well, I don't either.
22:08I want you to find out.
22:11Ah.
22:12Is that what this is all about?
22:16You know, you refused to work for me once.
22:18I hear that you don't like my former business associates.
22:22Well, I'll bet you your next ten luncheons
22:23that you've already started the investigation.
22:26Okay, uh, what is this, uh, Millican person to you?
22:30Sent me a note demanding money.
22:33Okay, let's see it.
22:35Oh, I destroyed it.
22:37In wrong hands, it would be incriminating.
22:39That's all you have to know.
22:40Oh, see, that's where you're wrong.
22:41I don't even need to know that much.
22:44Ordinarily, I have a very high boiling point,
22:46but nobody pushes me into taking a case.
22:49And I wouldn't touch yours
22:50with a remote-controlled Kiwana digger.
22:53Don't let your lunch get cold.
22:54I'm sorry.
23:15Tanner?
23:15Dan, Dan, I got you.
23:17I've been calling.
23:18Well, you got me.
23:19I also got Tully
23:21Your what?
23:22Tully, he was here
23:23I was asking about Wendy Milliken, like you said
23:25And I saw Tully
23:26Well, where is here?
23:28He's at the hotel
23:29Uh, where in the hotel?
23:31Well, I don't know
23:32I lost sight of him, I'm sorry
23:33That's okay, just put it down to your condition
23:35I'm on my way
23:36Okay
23:36Paging Mr. Cohen
23:37Mr. Bird Cohen
23:49Mr. Bird Cohen
24:19Mr. Bird Cohen
24:49Joe
24:50Have you seen, have you seen Benzer?
24:52No, I'm sorry, I haven't been
24:54Okay
24:54Benzer
25:10How'd you lose him?
25:13It's easy, I went to get a soda
25:14And I
25:14A little love strike, huh?
25:15Turned around, the guy was gone
25:16I'm sorry
25:17I told you to keep your eye open for him
25:19Look out, look out
25:20Get out of the way!
25:22Oh!
25:22Hold it, no!
25:30Hold it!
25:31Hold it!
25:31Hold it!
25:31I had to do it, Dan
25:40I had to do it, Dan
25:41He, he might have killed you
25:45I know, Joe
25:46I know, Joe
25:47I know
25:49I know
25:50I know
25:58I know
26:00I know
26:10. . .
26:40. .
26:41. .
26:42. .
26:43. .
26:44. .
26:44. .
26:44. .
26:46. .
26:47.যি TO GO.
26:48. .
26:49আ下gress.
26:50I don't want all this shooting going on in the driveway.
26:52I mean, that's more the frontier type.
26:53If you want to do that, send it over there.
26:55They like that western color, and another thing.
26:57Daniel, you've got to spruce up a little bit, your bruised, look at the shirt.
27:00αλλά
27:03. reminiscentでしょう
27:08with the same miles per hour.
27:09Daniel, você está yelling at me.
27:12Não, você está yelling at me.
27:13Eu sou?
27:14É isso que eu sinto?
27:15Eu não acredito.
27:17Eu sei que eu falo clearer e sofrer do que você.
27:21Não questione que eu sou melhor dressed, melhor looking.
27:24Não esquece Richard.
27:25Não vai sem dizer nada.
27:26Não vai sem dizer nada.
27:27Mais, eu não interromper ninguém quando eles falam.
27:31Eu acho que isso é rude.
27:33Você sabe, eu acho que eu sou um bem-adunced,
27:36culturado, incrível, cara e muito bom.
27:38Você sabe o que você pode fazer, Daniel?
27:40Você pode perguntar alguém aqui no hotel.
27:41Todo mundo em esse hotel funciona para você.
27:43E eles vão continuar para mim,
27:45se eles pensam tão grande em mim.
27:47Eu amo você.
27:48Você tem a rave.
27:48Daniel, você tem cuidado.
27:50Você tem que se cuidar de você.
27:52Fica a filha.
27:53Fica a filha da filha.
27:54Sim, tudo bem.
27:55Pai, Mr. Cohen, Mr. Burt Cohen.
28:01Tudaloo.
28:07Eu acho que eu vou contar meu dinheiro.
28:08E aí, Daniel.
28:10E aí, Mickey.
28:12Wow, um tipo de excitement, huh?
28:14Well, Roth doesn't think so.
28:15Ah, don't worry, kiddo.
28:17He thinks you're tops.
28:18Hey, by the way, talking about, uh, wild excitement.
28:21Did you see my show the other night?
28:22No, but I caught the audience reaction.
28:24They were going wild, eh?
28:25Well, I've been breaking into some new material.
28:27I want to know what you think.
28:28Well, uh, can you get me a boot for Saturday night?
28:31I'll take care of the boot. You take care of the maitre d'.
28:33Hey, by the way, this guy that works for me,
28:35the one with the, uh, Cocker Spaniel eyes?
28:38Uh, yeah, Binzer.
28:40Yeah, him. He's been, uh, asking around all day
28:42about a Wendy Milligan.
28:43Right. Do you know her?
28:44Not her. Him.
28:45Wendy Milligan is a guy.
28:47Wendy for short.
28:49Mickey, do you know him?
28:50Yeah, he's from back east.
28:52Used to be one of my biggest fans when I was a kid
28:54working at Borscht Belt. He's retired now.
28:56Showed up here a few days ago, caught my show,
28:59and, uh, told me he's living at, uh,
29:01one of these retirement places up near Lake Mead.
29:03Uh, Mish, uh, Sunshine Valley.
29:06Thanks, Mickey. I love you.
29:12Metropolitan Police, Sergeant Archer.
29:14Hi, gorgeous.
29:15Oh, machine gun Kelly.
29:17You owe me another statement, the Tully shootout.
29:19Well, I'm on my way to Lake Mead. I'll stop on my way back.
29:22Can I talk to Hanson?
29:23Bert?
29:24Yes?
29:25Who is it?
29:27It's Tanner.
29:31Okay, what is it?
29:32No wonder you couldn't find a lead on our mysterious Miss Milligan.
29:35She happens to be a he.
29:37The name is Wendell.
29:38Sixty years old, retired.
29:40Don't know where he's from.
29:41Maybe back east.
29:42Can you check Washington, social security?
29:44Maybe he was in World War II.
29:46He tried the Pentagon.
29:47Can you go that far back?
29:48Well, there's not much to go on, but we'll try.
29:50Good. What do you have?
29:51Well, we pulled some partial prints from that barbell of yours,
29:53and we checked him out against everybody involved with Trafalgar.
29:56And?
29:57And we came up with a Pete Sedgwick.
29:59What's a Pete Sedgwick?
30:00Only Trafalgar's lieutenant. His right-hand man.
30:03Trafalgar, huh?
30:05Now, Dan, I know what you're thinking.
30:07Now, don't go off half-cocked.
30:09All we have is a tie-in on an assault against you,
30:11and there's not enough evidence for a drug bust.
30:14Look, why don't you cool it, man, and let us handle it?
30:17What's the matter, Bert? Don't you trust me?
30:19Do you trust me?
30:49Hi. I'm looking for a Wendell...
30:51You ain't selling nothing, are you, mister?
30:52Oh, no, ma'am, I'm not.
30:53Good, because I ain't buying nothing.
30:55Oh, excuse me. I'm looking for Wendell Milliken.
30:58Yeah? What do you want him for?
31:00Well, I'm a private investigator, and I'm working on a case...
31:02Can you flash your license?
31:03License? Yes, ma'am. That's right. That's right.
31:05I'm one of those people who like things on Up and Up, see?
31:07That's not a very good picture. I'm gonna have another one taken.
31:09Oh. He's a new one. Checked in earlier, but he ain't here right now.
31:13Stopped by and told me he was going flying. Crazy man.
31:17Flying?
31:19You got something against flying, mister?
31:21Oh, no, no, no, ma'am. I love flying. Planes, birds, stewardesses. Just love to watch them all.
31:26Yeah, well, listen, where can I go, uh, watch Wendy fly?
31:31Lake Mead Airport, ten minutes down the road.
31:34Oh, just a second. You see, I don't know, uh, Wendy.
31:38And could you describe him? Because I don't want to miss him.
31:41Talks a lot. Probably bald. Acts like a child.
31:45Probably bald?
31:46Something wrong with your ears, son?
31:48Oh, no, ma'am. No, no. Sorry.
31:49Probably bald, because he wears the worst white toupee I ever did see.
31:53Now he's up there somewhere flipping around in God's good sky like he's Lindbergh.
31:58Now, get on out of here. I got work to do.
32:00Yes, ma'am. Thank you very much.
32:23Well, rightly no millikins any of your business, son, do I?
32:38Vermont, right?
32:39New Hampshire.
32:40Concord?
32:41Wolfbone.
32:42Well, I used to do a lot of fishing on Lake Winnipesaukee when I was a kid.
32:46Don't sound like a Winnipesaukee kid to me.
32:48Well, poor Smith, uh, until I was four. What about Milliken?
32:53Took off an hour ago, and wouldn't you know, called back a few minutes later to say he had some engine trouble and was setting down to fix it.
33:00Where?
33:01Other side of those mountains.
33:03Do you have enough know-how to fix an engine in the middle of the desert?
33:07Oh, oh.
33:12Is that Milliken?
33:13Yep. Old timers like us, we can take these babies apart and slap them back together with just a boy scout knife in the middle of nowhere. We have to let some of the kids try that nowadays.
33:26That's your idea of expert running repair?
33:36Sure ain't, son.
33:39Every time I ain't gonna make it over the lake.
33:56What the hell was that all about?
34:22It was an accident. Accidents happen.
34:24People get punched in the face. Airplanes crash. Why did you blow up that plane?
34:28What plane?
34:29Wendy Milliken's. You killed him.
34:31Him?
34:32You mean Milliken is not a girl?
34:35Milliken's dead?
34:37That come as a big surprise to you if you'll never find his body.
34:40What was so damn important about Wendy Milliken?
34:43You got this all wrong.
34:46Well, why don't you straighten me out?
34:49I don't think you'd understand.
34:51Well, much smarter than I look. Why don't you try me?
34:54Help, perhaps, if you knew what it was like when certain, well, industrialists in Miami decide to get you out of retirement to handle a new shipment.
35:06Even if you don't want to.
35:09You didn't want to?
35:12Well, that's brilliant.
35:15You tip the cops about tulling the cocaine.
35:18Wait a minute. I didn't say that. We were speaking hypothetically.
35:20Next thing you're gonna tell me you're a legitimate citizen, huh?
35:23Well, who says I'm not?
35:25Never committed a crime here in Vegas?
35:28I came here to lay in the sun and look up in the sky. It's a clean town.
35:34I leave it alone leaves me alone.
35:36I like Vegas. And I'm out or anything else.
35:39Well, Miami didn't think so.
35:41They put you back in business.
35:44When Tully came up short of everything, they figured that you were cutting yourself in for 100% of the profits.
35:50I didn't get this shipment. I told you.
35:53I got a note signed Milliken, and she's...
35:56Well, he said that he had the stuff and would sell it back to me.
35:59I never heard from him again.
36:00I don't know where he got the stuff, but I knew then that I had to get it back.
36:03Because the Florida boys would come to collect, wouldn't they?
36:06Well, then you can see the bind I was in.
36:08Why I tried to hire you the way I did.
36:11Milliken's dead now.
36:15Hey, you could have arranged that accident.
36:17Maybe you fixed the fuel lines or something.
36:19Is that it? I have to talk to you now, Tanner?
36:22I'm sorry, old man.
36:24One day he had the cocaine that's at the bottom of Lake Mead with him.
36:28A man in my army would never buy that, just like you said.
36:32He figured I ripped him off.
36:35Well, that leaves you with one of two choices.
36:39You can start running right now with hopes of delaying the inevitable retribution by a year or two.
36:46Or you could sit back here, look at the sky, and wait for your visitor.
36:51No, Tanner, I came to Vegas to spend the rest of my days here.
36:55Nobody gets a guarantee when they end.
37:00So I, uh, I figure I'll enjoy the luxury here while I'm waiting.
37:04Dr. Fogger, if I could put you behind bars, I'd do it right now.
37:09But I must admit, you got a certain amount of class.
37:15See you at the funeral.
37:17Yours?
37:19How do you know I'll be there?
37:21Oh, you'll be there.
37:22Because you got a certain amount of class too, kid.
37:33Bye.
37:38Lieutenant.
37:39Dan, where have you been?
37:40Lieutenant Hanson's been trying to reach you. I have him on the line now.
37:43Well, patch him through.
37:44Go ahead, Lieutenant.
37:46Danny B boy, we got lucky.
37:49Washington came through on Wendell Charles Milligan.
37:52Born Monroe, Michigan, April 21, 1913.
37:56Died November 14, 1970.
37:58Died?
37:59Yeah. Expired. Succonged. Died. Hit the bucket.
38:04Who was he, Bert?
38:05Well, he was a career military man.
38:06He was a master sergeant, United States Air Force, electronic technician.
38:10Specialized in airborne target drones. Retired, 62.
38:16That's it.
38:17We'll have to mull that one over.
38:19Yeah, Dan, you do that. Mull it over.
38:40That's it.
38:53What?
38:54Drones.
38:55What?
38:56Drones.
38:57Do you know what a drone is? I'm talking about drones.
38:59Me, that's it!
39:01Milliken did not die in that plane crash.
39:04Nobody did.
39:05Dan, concussions can play funny tricks sometimes.
39:08Nobody was in the plane, B. It was remote control.
39:11Like one of those unmanned target planes, remote control.
39:14You mean like the model planes that people fly on Sunday afternoons in the port?
39:17Exactly.
39:18Then the Milliken crackup was faked, right?
39:19You know what that means?
39:20What?
39:21A bunch of things, B.
39:22Most importantly, that's why he sent me to see Milliken at Sunshine Valley.
39:27So it would lead me to the airport so I could be witness to the plane crash.
39:32Makes me very mad, B.
39:38Now, B, the old man of the airfield and the lady at the retirement center said they saw and talked to a man who said he was Wendy Milliken.
39:47I saw the plane crash.
39:49I was set up as a witness who could confirm that Milliken's plane went down and the cocaine with him.
39:54Confirmed to whom, Dan?
39:55To the police, the Miami organization, to Marty Trafalgar.
39:59It takes the heat off all the way around.
40:01And the cocaine could be offered to another buyer, right?
40:03That's right.
40:04Well, if you're a help, B, we're gonna find out who set me up.
40:08Paging Mr. Cohen.
40:10Mr. Byrd Cohen.
40:17Okay, you, uh, you want me to run through it one more time?
40:20No, I think I got it down.
40:21Okay, give me 15 minutes, all right?
40:23Okay, break a leg.
40:24All right.
40:28Paging Mr. Cohen.
40:29Mr. Byrd Cohen.
40:39Hello?
40:40Yes, is he?
40:41This is Wendy Milliken.
40:44Who?
40:45Milliken, you know.
40:47The gal who never was and the guy who died twice over.
40:50Thanks to you, Mickey.
40:52What kind of game is this?
40:54It's a dangerous game, friend.
40:56But we're both playing it now.
40:59Now I want you to meet me downstairs in 15 minutes in the showroom.
41:04We gotta decide how to get rid of all that toot.
41:06I'll take it to you.
41:36Hello?
41:49Hello?
41:57I've heard if audiences are sitting on their hands, but this is ridiculous.
42:01Uh, Wendy Milliken?
42:10That you, baby?
42:14Wendy Milliken.
42:16Uh, I'm sure you've all heard of Wendy.
42:18Sure, yeah.
42:20Uh...
42:22You, uh...
42:26Gonna speak to me?
42:27Hey!
42:29Hey!
42:31How are we gonna deal if you don't talk, you know?
42:34Hey!
42:36Ah, the hell with it.
42:38Listen, don't worry about this, people.
42:39My show begins slowly, but toward the end, it fizzles up.
42:49So that's where you are, huh?
42:50You saw the sand trickling down, Mickey.
42:53And that told you where Tully stashed the dope, isn't that right?
42:57Daniel.
43:01Oh, Daniel.
43:03Hey!
43:05Let's hear it for a bright new star on the Vegas scene,
43:09Dashing Dan, the detective man.
43:11Go ahead.
43:13Ask me a question, detective man.
43:15Where did you meet the real Wendell Milliken?
43:18Was it the war?
43:21The Army Corps?
43:23Hear that?
43:25Not one question.
43:26Three!
43:27Right off the top of his head, wham, bam, heavy, heavy.
43:30Right, kid.
43:32I was a pilot.
43:34Wendy was a specialist, radio electronics stuff.
43:37Yeah.
43:42That was some cute entrance you gave yourself, Daniel.
43:45Well, you're a hard act to follow, Mickey.
43:48And here's me planning to quit the business.
43:51Retiring.
43:53That's 250,000 bucks.
43:55Wasn't that the special amount you quoted in the note to Trafalgar?
44:00I'm tired, kid.
44:02According to the doctors, so's my heart.
44:04Both of us gotta rest or both of us are gonna fold up.
44:08And resting is a very expensive pastime.
44:11Oh, what can I tell you, Daniel?
44:14I blew every penny I ever had on booze, broads,
44:18and other beautiful follies.
44:21So when Tully burst in here and stashed that stuff,
44:26I saw an opportunity.
44:29Yeah, you saw an opportunity.
44:31But you didn't look beyond it.
44:36Mickey.
44:39Oh, Mickey, you of all people.
44:41How many times I watched your show from the wings.
44:44You making people laugh.
44:48Bringing happiness.
44:52A love affair with that audience.
44:56You didn't think about the consequences, Mickey.
44:58You sell your five bags of powder.
45:01You take the money.
45:02You exit stage right.
45:03Is that it?
45:05You don't wait around to watch the tragedy.
45:08Your merchandise being sold on the street.
45:11Dehumanizing, degrading people.
45:14Killing people.
45:15Mickey, killing kids.
45:17And when Tully came back to collect, you scared him off.
45:20Cut him off.
45:24I found this slug.
45:33You have a gun, Mickey?
45:37This one.
45:42Now, Mickey.
45:43You cooperate, they're gonna go easy on you.
45:46We get this stuff back, we'd know if you use that.
45:49Who would know?
45:51Mickey, you're fooling yourself.
45:52Don't pretend anymore.
45:54I could ditch this gun in the desert.
45:55We're all alone here, Daniel.
45:58Is that what you want to do to me, Mickey?
45:59What do you want to do to me, Mickey?
46:18Lieutenant.
46:29Oh, you guys are in the wrong place.
46:31You want a nice table.
46:32You lay something on the maitre d', you have no problem at all.
46:36I'm sorry, Daniel.
46:39I really bombed out on this one.
46:42Let's go. I'm sorry.
46:44Sorry.
46:59Show's over, B.
47:14Come on.
47:18Listen, I think the candy might melt out here.
47:20I'm gonna go back inside.
47:21Come on, it's vacuum wrapped.
47:23I wish I was vacuum wrapped.
47:24To have a little confidence, just relax.
47:27You want to impress this little girl?
47:28Yes.
47:29Just throw your shoulders back.
47:30A little confidence.
47:31It's gonna be okay.
47:32Is that a new jacket?
47:33It looks terrific on you.
47:34It's a good color for you.
47:35She did?
47:36She likes it.
47:37Of course it is.
47:38It's not really her that I'm worried about.
47:39It's her aunt.
47:40She's got a chaperone.
47:41She told me she's really strict.
47:42She's not that strict.
47:44Come on.
47:45Just have a little confidence.
47:46Confidence.
47:52Okay.
47:58Who's that?
47:59Lisa's aunt.
48:00That's an aunt.
48:01Uh, thank you very much, Beatrice.
48:02Uh, you can go back to the office now.
48:03I'll be in touch later.
48:04Hmm.
48:05I'll be in touch later.
48:06Hmm.
48:07Hmm.
48:08Hmm.
48:09Hmm.
48:10Hmm.
48:11Hmm.
48:12Hmm.
48:13So, uh, you're her and Jennifer, huh?
48:14Mm.
48:16Hmm.
48:29Hmm.
48:30Hmm.
48:31Hmm.
48:34Hmm.
48:36Hmm.
48:38Hmm.
48:39Hmm.
48:40Hmm.
48:41Hmm.
48:42Hum, lovely family.
49:12Hum, lovely family.
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