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00:00Música
00:30Música
01:00Hi Rita
01:07You're late
01:08Yeah I know I had to stop by the lab and check out those proofs on the mayor's press conference
01:11You better get in there he's having a bad day
01:14Mr. Jameson Peter's here
01:16It's about time
01:17I'm sorry I'm late Mr. Jameson I got hung up at the lab
01:22You have a special assignment up in Westchester and it's something that concerns me personally
01:27Now sit down
01:27Do you happen to remember the Harvey Kirkwood incident a couple of months ago
01:32Yeah sure he was an arms manufacturer right and he got killed in some kind of an accident
01:36Yes I knew Kirkwood we belonged to the same clubs
01:40He was kind of a hot tempered guy you know the type
01:42Yeah I sure do
01:44Well um was there any kind of foul play
01:48No no I'm convinced the accident was just that an accident
01:52But take a look at this
01:54I got this letter from his widow Lisa last week
01:58Does that look to you as though someone was trying to bilk her out of her money
02:01She says here how the house is haunted by the spirit of her dead husband
02:06Well that's utter nonsense but I'm afraid she's bought it
02:09The Kirkwood fortune is set up in a living trust that Lisa controls
02:14After her death it all goes to charity
02:17Including a hefty share for the associated helping hand
02:20Your favorite charity
02:21Well that's beside the point I happen to like the lady
02:24She called me this morning
02:25Sounded very confused and frightened
02:28Half her servants have quit because of this ghost business
02:31She's going to sign the entire trust over to some business called the psychic research institute
02:37Run by some man named Polarski
02:39On Harvey's instructions
02:41I convinced her that she should wait until you drove up to Kirkwood
02:45Took a look around
02:46You better do it right away
02:48I have a feeling that it's urgent
02:50Why me?
02:51Well you're a graduate student at physics
02:53I figure you could spot a phony when you see one
02:55And there might be a story
02:58Okay
02:59I'll get on it right away
03:01I know I can trust you
03:03Be tactful
03:04This lady's been through an ordeal in the past few months
03:08Don't worry sir
03:09I know you can hear me Harvey Kirkwood
03:16Please tell us what you want
03:18Harvey
03:23Harvey
03:23I feel it
03:39I feel his presence
03:42I'm here
03:45Why do you disturb me?
03:48It's Harvey's voice
03:50We want to know why you have remained here
03:56Why are you earthbound?
04:00Guns
04:00Rifles
04:02Revolvers
04:05Bullets
04:05I can find no peace
04:09No rest
04:12My wealth was grounded in death
04:16Men killing
04:19Lisa
04:23I'm here Harvey
04:25Release me
04:27I can find no peace
04:28I can find no peace
04:29I can find no peace
04:30I can find no peace
04:31I can find no peace
04:32I can find no peace
04:33I can find no peace
04:34I can find no peace
04:35I can find no peace
04:36I can find no peace
04:37I can find no peace
04:38I can find no peace
04:39I can find no peace
04:40I can find no peace
04:41I can find no peace
04:42I can find no peace
04:43I can find no peace
04:44I can find no peace
04:45I can find no peace
04:46I can find no peace
04:47I can find no peace
04:48I can find no peace
04:49I can find no peace
04:50I can find no peace
04:51I can find no peace
04:52I can find no peace
04:53A CIDADE NO BRASIL
05:23Okay, but you better be good to the missus
05:27Now this here road will take you right straight up to the big house
05:36Don't wander around
05:37Because the late Mr. Kirkwood kept part of the estate just like his own private zoo
05:42And some of the animals roam free around the enclosure
05:45Oh, that's terrific
05:46Just stick to the main road
05:48I'll do that
05:53I'll do that
06:23I'll do that
06:53Barron, stop it
07:00Behave yourself
07:01Good dog
07:06Mr. Parker, I'm Lisa Kirkwood
07:11Peter
07:12Mr. Jameson tells me you might be able to help
07:15I'm just about at my wit's end
07:17I don't know what's real and what isn't anymore
07:20This desk was in perfect order an hour ago
07:29We heard noises and the maid came in and found it like this
07:33I called Dr. Polarski immediately
07:35This isn't the first time it's happened
07:38And that isn't all
07:39I discovered this
07:41Now compare that with this letter of Harvey's
07:47The handwriting's the same
07:49I have no doubt
07:51Well, it does look like the same handwriting
07:53But I'm no expert
07:55I've been researching the psychic field for over 30 years now
07:58I try to gather enough data to substantiate any claim to paranormal phenomena
08:04There is an abundance of evidence in this case
08:06Such as
08:08Four different witnesses have seen a light materialize over this chair
08:14Well, doctor, a light can be rigged
08:16A note can be forged
08:18I wish it were that simple to dismiss
08:21But I'm afraid there's too much that's happened
08:23Footsteps in the hall upstairs
08:27Doors slamming in the middle of the night
08:31Glasses broken
08:32I haven't been able to sleep
08:35My staff has left me
08:36But I don't care
08:39I'll do anything to help Harvey find peace
08:43Oh, I'm certain we're all interested in the truth of this matter
08:46Are you a believer, Mr. Parker?
08:50I try to keep an open mind
08:52Perhaps you could help us get to the truth
08:54How can Peter help?
08:56Well, he's a photographer
08:57He could come back tomorrow
08:59And try to photograph the apparition
09:01It might satisfy all remaining dogs
09:05This is the film you requested, Peter
09:22I personally haven't had a chance to try it
09:25But several photographers have had success with it
09:28In ghost hunting
09:29Thanks, I'll let you in on the results
09:31Good
09:31It's a pretty impressive setup you've got here
09:34Very few people realize the pains we go through
09:38To authenticate phenomena
09:39We're about to conduct an experiment
09:41On a subject's ability to influence magnetic fields
09:45You're welcome to observe if you wish
09:48Oh, no, I really should be getting back up to Kirkwood
09:50Oh
09:51Dr. Davis
09:54Yes
09:55Do you believe in spirits?
09:57I'm not sure
10:02Parapsychology is a young science
10:06But tales of hauntings have been recorded for centuries
10:11They represent a rich collection of phenomena
10:14That are not easy to ignore
10:16Have you ever heard of an Anthony Polarski?
10:21Of the Psychic Research Institute?
10:23I don't know him personally
10:25I met him three years ago at a colloquium
10:30I found his book, um, Ghosts of Hudson Valley
10:34Interesting
10:36Do you think he's legitimate?
10:38Oh, I never heard anything to the contrary
10:40But that doesn't mean I would vouch for him
10:42I don't know his work well enough
10:44I prefer phenomena that can be brought into the lab
10:48And tested under controlled conditions
10:50Telepathy, psychokinesis, clairvoyance
10:54Very few ghosts are willing to come to the laboratory
10:58And be tested
11:10Harvey died in an automobile accident at dusk
11:18It still scares me when it gets close to that time
11:23It's understandable, Lisa
11:24It hasn't been that long
11:26Oh, it isn't the length of time
11:29It's just that I feel terribly guilty about it
11:33Harvey and I didn't exactly have a harmonious marriage
11:40In fact, we were fighting most of the time
11:43Screaming and yelling at each other
11:46Throwing things
11:48I don't even remember what set it off
11:52But he stormed out
11:55Some men drink
11:59Others drive fast
12:01But I can't help feeling that
12:05He'd still be alive
12:07If we hadn't had that last fight
12:10He's here
12:16Stay close
12:25Don't worry
12:27I think we'd better see what's happening
12:43Try not to be frightened, Mrs. Kirkwood
13:02I'm trying
13:02But it isn't easy
13:04I think you can do it
13:06Let's go
13:07Don't worry
13:10Let's go
13:12Let's go
13:22Maybe
13:23It's all right.
13:36Come on, senhor.
13:53It's in front of our bedroom.
14:23Where's that coming?
14:25In the attic.
14:27But it's been sealed off for years.
14:29I'd like to check it out.
14:31I don't think you can get up there.
14:34Maybe I can from the outside.
14:53How did he get in the attic?
15:23It doesn't really matter.
15:50That should take care of Mr. Parker.
15:53Peter?
16:14Peter?
16:15Peter?
16:16Are you okay?
16:17Oh, yeah, sure.
16:20I just slipped while climbing down.
16:23What happened?
16:24I don't really know.
16:26But at least I got a couple of pictures.
16:27So there was something there?
16:38Yes.
16:39You were not hallucinating.
16:41Hallucinating?
16:42What you saw could have been a hallucination caused telepathically and projected by yourself.
16:48Oh, but then I wouldn't have been able to photograph it.
16:51Correct.
16:52You have a number of theories in parapsychology to explain hauntings.
16:58None of them are very satisfactory.
17:00Dr. Davis, are these pictures from some other hauntings?
17:09I'd prefer to call them unexplained phenomena.
17:12One theory I find particularly interesting is that an object holds on to psychic impressions and a sensitive person can touch it and receive those impressions.
17:24Psychometry.
17:24Well, if an object can do this, then perhaps a room or a whole house can retain the impressions of an individual, like Harvey Kirkwood.
17:37Now, the force I felt was much too strong to be any kind of impression.
17:44Doctor, is it possible that these effects could be faked?
17:46Oh, they're totally a fraud.
17:52Done with lights and a projector.
17:56Hmm.
17:58Well, then how about mine?
17:59Do you think they're authentic?
18:01Look here.
18:03This pattern in the light, too intense.
18:06And these beams could have been projected.
18:10But it's impossible to tell for certain.
18:12Your Kirkwood haunting bears further investigation.
18:16You're supposed to be a scientist and you bring me back pictures of ghosts.
18:22Well, what if she isn't being taken?
18:23Are you trying to tell me that that ghost is for real?
18:25No, I'm not telling you it's for real.
18:27Well, of course it isn't for real because there isn't any such thing.
18:31I'm just saying that there is phenomenon here that is worth looking into.
18:34What phenomenon?
18:35Have you gone crazy?
18:37Mr. Jameson, there is an entire department of parapsychology at the university.
18:41Now, are they all idiots?
18:42Yes, they are.
18:43That's all a lot of bunk.
18:44I see.
18:45Well, you can stick your head in the sand, but you can't make these things disappear.
18:48I could take you off this assignment.
18:50But you won't.
18:51Not until I've checked out all the facts.
18:53And I think it's time I go and have a good look at the Institute of Psychic Research.
18:57I told you you wouldn't get him to change his mind.
19:06Rita, he would not budge.
19:08I mean, I have never met anybody who is so close to new ideas.
19:12Well, you know what happens to people with an open mind.
19:15Garbage falls into it.
19:16Yeah, well, if anybody wants me, I'll be picking up some garbage at the Psychic Research Institute.
19:22Julie was trying to reach you.
19:24She's at the Psychic Research Institute.
19:27Julie?
19:28Well, how come?
19:29Checking out the Kirkwood story, too.
19:31But you have to admit that there is a lot of fraud in the psychic field, Dr. Polarski.
19:46Oh, of course there is.
19:47And also much that warrants investigation.
19:50Like the ghost up at Kirkwood?
19:52Well, now, how did you find out about that?
19:56The cook quit and needed money, so she contacted the register.
20:00They knew I was working on a story about hauntings, so they turned her over to me.
20:05Well, I'm afraid I'm not at liberty to talk about it.
20:08Mrs. Kirkwood has requested no publicity.
20:11Look, Dr. Polarski.
20:12Now, there's a lot of bad press on so-called psychic phenomena.
20:16You have an incredible track record in ghost hunting.
20:19I may not believe it completely, but if you can prove it to me, I'll back you in the article.
20:25Something as big as the ghost of a well-known figure like Harvey Kirkwood could clinch it.
20:29You're a very persuasive young lady, Miss Masters.
20:33And I'm afraid my answer is still no.
20:35It would cause me to break faith with my client.
20:38And you wouldn't want to put me in that position, would you?
20:43You have to have an appointment.
20:45And the doctor's booked up through next week.
20:47That's all right, Mary.
20:47I know Mr. Parker.
20:49Hi, Peter.
20:50And now, how did your photos turn out?
20:53Well, there was some evidence of light forms, but nothing concrete.
20:57Well, could you send me some copies?
20:58I could use them for the file.
21:00Well, sure, I'd be delighted.
21:01Doctor, do you keep files on all of your cases here?
21:04I'd be very interested to know how you operate in an institution like this.
21:07Well, we're mainly a non-profit organization.
21:11Our funding comes from donations, research grant now and then.
21:15Everything is open here.
21:17You're quite welcome to look at our books.
21:19Thank you.
21:20I'd like to do that.
21:21Let me see, then.
21:22You might find these duplicate files to be interesting.
21:34They explain my work much more eloquently than I could.
21:38Take them and, uh, study them at your leisure.
21:46Thank you.
21:48Oh, might I suggest, Miss Masters, that you join, Mr. Parker?
21:51You'll find quite a few fascinating cases there for your article.
21:54Thank you.
21:54Well, go ahead.
21:59Take some.
22:15What?
22:17Seen a ghost?
22:20Here's a guy who died about a year ago,
22:22and he left his trust to Polarski in the Institute.
22:25Are you suggesting Polarski might have knocked the guy off?
22:28No, he had a history of heart trouble.
22:30His death was expected.
22:31What is it, then?
22:33Well, it's just so similar to Lisa Kirkwood's situation.
22:37The will, the living trust.
22:39The idea could have been planted.
22:40It...
22:41Well, it's probably nothing.
22:51I need something real.
22:53I've got to get up to Kirkwood, but Mrs. Kirkwood won't see me.
22:57No, she doesn't like reporters.
22:59I've got to tell you, I am less concerned with the story than protecting her.
23:03How?
23:03Well, I don't know.
23:09Our situation has improved.
23:11We have closed the merger with Simpson Jennings Steele,
23:14and I am pleased to report a 10% rise in profits in the first quarter.
23:18I don't see that tape so much, I'm sick of his voice.
23:21I'll have to keep in shape.
23:23I'm pleased to report a 10% rise in profits in the first quarter.
23:29We were lucky he was so public.
23:31No, my friend.
23:32We were lucky he had that accident.
23:34I couldn't have planted any better.
23:35Everything's ready.
23:42I planted the device in the library.
23:45You're sure no one saw you?
23:46I'm sure.
23:48Now, what about Parker, Doctor?
23:50I thought you said he couldn't survive your ultrasound treatment.
23:53I don't know how he did.
23:55But if all goes well tomorrow, it won't matter.
23:58Are you positive she'll sign?
23:59The lawyers are already preparing the documents.
24:03Then I think it would be appropriate
24:04if Mrs. Kirkwood joined her lately departed husband
24:07via a similar accident.
24:18Mrs. Kirkwood called. She said it was urgent.
24:20You go right ahead, Mr. Parker.
24:22Mrs. told me you were all right for our newspaper, then.
24:25Now, you know about staying away from the animals.
24:30Sure do.
24:31Right.
24:31I know Mrs. Kirkwood would talk to me
24:55if I could just explain
24:57that I'm not trying to give her bad publicity.
24:59Sorry, no chance.
25:01Look, doesn't she want to kill all the rumors
25:04about hauntings and ghosts and...
25:07Well, to be honest, about her being so upset
25:09that she's behaving irrationally.
25:12She says she wants no part of no news people, period,
25:16and that's it.
25:24Peter, I'm so glad you could come before dark.
25:26What's happened?
25:27I'll show you.
25:28I'll show you.
25:31Barron, come on.
25:43Barron, come on.
25:46Barron, Barron, it's all right.
25:47Come on.
25:49You see, I can't get him into the room.
25:51Here, let me try.
25:54Here's a good boy.
25:55Come on, Barron.
25:59Come on, come on in the room.
26:02Come on, boy.
26:04Here, Barron, come here.
26:06What's the matter with you, Barron?
26:07Come here.
26:09Now, come on.
26:11Over here, boy.
26:12Come on.
26:13In here, Barron.
26:15Come in here.
26:16Come in here.
26:16Well, there are lots of reasons why a dog might be afraid of coming into a room.
26:43He could have been beaten in it once.
26:47Of course.
26:48I'm concerned about that, too.
26:50The theory is that animals are more sensitive to spirits.
26:53So, in other words, Doctor, it's your theory that the ghost is settled in this room.
26:57That's right.
26:58I think we should discount the dog unless we can verify it.
27:01How?
27:01We could try an experiment with one of the animals from the estate.
27:06Well, there's no possible way that the animal could have been in the library.
27:11You mean bring one of the wild animals from outside into the house?
27:15In a cage.
27:16It's starting to get dark.
27:35Well, if there are no objections, I'll make the arrangements.
27:38Oh, please do.
27:40I'd like to put this to rest once and for all.
27:43Doctor, how long will it take you to get set up?
27:44Half hour at a guess?
27:48I'll be back.
27:49I'll be back.
28:14I'll be back.
28:23Oh, boy.
28:24Ah, ah, ah!
28:54Ah, ah, ah, ah!
29:24Ah, ah!
29:26Ah!
29:27Ah!
29:28Ah!
29:29Ah!
29:30Ah!
29:31Ah!
29:32Ah!
29:33Ah!
29:34Ah!
29:35Ah!
29:36Ah!
29:37Ah!
29:38Ah!
29:39Ah!
29:40Ah!
29:41Ah!
29:42Ah!
29:43Ah!
29:44Ah!
29:45Ah!
29:46Ah!
29:47Ah!
29:48Ah!
29:49Ah!
29:50Ah!
29:51Ah!
29:52Ah!
29:53Mãe, eu espero que você tenha percebido que em alguns segundos, você teria sido o bairro do bairro.
30:08Como você consegue estar no mesmo lugar no mesmo momento?
30:11Não se preocupe, é muito perigoso.
30:13Olha, Spider-Man, eu estou muito orgulhosa por sua ajuda, mas eu sei que algo está acontecendo aqui naquele mansion.
30:17Eu tenho que chegar lá.
30:18Não se preocupe, vá embora.
30:23Não se preocupe, vá embora.
30:53Não se preocupe, vá embora.
31:23Não se preocupe, vá embora.
31:24Não se preocupe, vá embora.
31:25Não se preocupe, vá embora.
31:26Não se preocupe, vá embora.
31:27Não se preocupe, vá embora.
31:28Não se preocupe, vá embora.
31:29Não se preocupe, vá embora.
31:30Não se preocupe, vá embora.
31:31Não se preocupe, vá embora.
31:32Não se preocupe, vá embora.
31:33Não se preocupe, vá embora.
31:34Não se preocupe, vá embora.
31:35Não se preocupe, vá embora.
31:36Não se preocupe, vá embora.
31:37Não se preocupe, vá embora.
31:38Não se preocupe, vá embora.
31:39Não se preocupe, vá embora.
31:40Não se preocupe, vá embora.
31:41Ele não está saindo da caixa.
32:11Ele está saindo.
32:41Ele não está saindo.
33:11Ele não está saindo.
33:41Ele não está saindo.
33:42Ele não está saindo.
33:43Ele não está saindo.
33:44Ele está saindo.
33:46Ele não está saindo.
33:48Ele não está saindo.
33:49Ele não está saindo.
33:50Ele não está saindo.
33:51Ele não está saindo.
33:52Ele não está saindo.
33:53Ele não está saindo.
33:54Ele não está saindo.
33:55Ele está saindo.
33:57Ele não está saindo.
33:59Ele não está saindo.
34:01Ele não está saindo.
34:02Ele está saindo.
34:03Ele não está saindo.
34:04Ele não está saindo.
34:05Ele não está saindo.
34:06Ele não está saindo.
34:07Ele não está saindo.
34:08Ele está saindo.
34:09Ele não está saindo.
34:10Ele não está saindo.
34:12Ele não está saindo.
34:13Ele não está saindo.
34:14Ele não está saindo.
34:15Ele não está saindo.
34:16Ele não está saindo.
34:17Ele não está saindo.
34:18Ele não está saindo.
34:19Eu vou fazer o que o Harvey deseja.
34:43Obrigado.
34:45Uma bebida?
34:47Não, obrigado.
34:49Só para marcar a conclusão de um momento muito difícil.
34:53Tudo bem.
35:19Comfort, contentment, and happiness.
35:34Eu vou arrumar para a paz.
35:37Eu vou arrumar para a paz.
35:37Tchau, tchau.
36:07Tchau, tchau.
36:37Tchau, tchau.
37:07Tchau, tchau.
37:11Lisa, can you hear me?
37:13Lisa.
37:19Are you all right?
37:22Lisa, come to the garden.
37:25I feel so strange.
37:27Would you like me to call a doctor?
37:30No.
37:32I must go.
37:33No.
37:50Julie?
37:51Julie, what are you doing here?
37:53What's bugging you?
37:54Why shouldn't I be here?
37:55Look, there are times when a story is not the most important thing in the world.
37:58Particularly when you've got it, and I'm trying to get it.
38:01Anything I get, I will share with you.
38:03I just don't want you to get hurt.
38:05How?
38:06By whom?
38:18I think Lisa Kirkwood's in danger.
38:19Where is she?
38:21The house is a couple hundred yards that way.
38:23Why don't you go call the police?
38:24I'll see if I can find her.
38:32She's on her way.
38:33All right.
38:33Sounds like our pussycat's ready.
38:41Não, não, não, não, não.
39:11Não, não, não, não.
39:41Não, não, não, não.
40:11Lisa?
40:18Lisa?
40:25Lisa?
40:27Lisa?
40:31Lisa?
40:32Mayday.
40:33Mayday.
40:37Mayday.
40:39Mayday.
40:41Mayday.
40:42Mayday.
40:43Mayday.
40:53Mayday.
40:54Mayday.
40:55Mayday.
40:56Vista!
41:10Vista!
41:23Vista!
41:26Visa, Visa, come to me.
41:56Visa, Visa, come to me.
42:26Visa, Visa, come to me.
42:56Visa, come to me.
43:26Visa, come to me.
43:56O Kruger tentou virar para a abertura. Ele foi levado por uma carga eléctrica.
44:03O seu cachorro foi mantido por sons de frequência alta que os humanos não podem ouvir.
44:07Lise, estou te chamando!
44:25Gantz aprendeu a imitar a sua voz do seu marido.
44:31Eu encontrei os estereos escutados na sala.
44:34Eu tenho sido uma loucura.
44:39Você queria acreditar e eles fizeram isso fácil para você.
44:58Eu acho que é hora de sair de Kirkwood. Eu gostaria de viajar por um tempo.
45:02Isso parece uma ideia incrível.
45:04O que é a confiança?
45:05Eu vou mudar a vontade, claro.
45:07A caridade vai conseguir isso.
45:09É o que ele realmente queria.
45:11Eu gostaria de saber.
45:13Eu gostaria de saber que ele ia querer.
45:15Eu gostaria de saber.
45:16Eu gostaria que ele ia gostar.
45:18O que é isso?
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