- 2 months ago
Crveni mesec (2019) - Epizoda 39 - Domaća serija
Ljubavna i snažna istorijska priča smeštena je u period od avgusta 1913. (nakon pobede Srbije u balkanskim ratovima kad je povratila deo teritorije) do kraja 1915. godine (austrougarske okupacije Beograda i Srbije). Nikola Stanimirović, mladi srpski oficir, glavni junak priče, vraća se ratišta u rodnu kuću. Svadba mu je, tradicionalno već zakazana, ali zaplet priče počinje kad Sofija, ćerka austrougarskog poslanika Ota Baumana, baci oko na njega. Nedopustivo za to vreme, koketna mlada dama, ne krije svoja osećanja. Rasplet njihove ljubavne drame odvija se u realnom istorijskom periodu pred Veliki rat uz mnoštvo dramatičnih događaja, špijunskih intriga, diplomatskih nadmudrivanja, političkih spletki i prevara...
Ljubavna i snažna istorijska priča smeštena je u period od avgusta 1913. (nakon pobede Srbije u balkanskim ratovima kad je povratila deo teritorije) do kraja 1915. godine (austrougarske okupacije Beograda i Srbije). Nikola Stanimirović, mladi srpski oficir, glavni junak priče, vraća se ratišta u rodnu kuću. Svadba mu je, tradicionalno već zakazana, ali zaplet priče počinje kad Sofija, ćerka austrougarskog poslanika Ota Baumana, baci oko na njega. Nedopustivo za to vreme, koketna mlada dama, ne krije svoja osećanja. Rasplet njihove ljubavne drame odvija se u realnom istorijskom periodu pred Veliki rat uz mnoštvo dramatičnih događaja, špijunskih intriga, diplomatskih nadmudrivanja, političkih spletki i prevara...
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Short filmTranscript
00:00You see, it's hard to say that Serousman is like a gentleman.
00:05But you have to admit that after he didn't leave the responsibility.
00:08He wanted to do everything he needs.
00:14The heart of Teodora is one who couldn't do all this on his shoulders.
00:20The pain of that diet.
00:23What am I doing now?
00:25What am I letting him go with a photographer?
00:28A man who goes from the war to the war.
00:32It will be like the fate of the war.
00:37You should see his position.
00:40The room is less than Teodora's room in our house.
00:43Let's leave it.
00:44It's so much for me because of you and Marija.
00:47I was surprised.
00:49I thought that she was the same and that your relationship will never improve.
00:53I'm just kidding.
00:55I thought so.
00:57I was surprised that she first came to tell me everything.
01:00But I think that he has a connection with all of them.
01:03Because she was first told her and then me.
01:06Even though I've never done that in my life.
01:09I'm afraid she's afraid that her mother will die.
01:12And that she won't be able to tell her everything she wants.
01:15Are you sure that the doctors can't help her?
01:20Did you see someone who went to the hospital?
01:23And when he was healthy and normal?
01:25Okay.
01:26We've all agreed to, but we have to be very fast.
01:31Vera, go home and explain everything to Jovan.
01:34You'll find the best way to go to the whole situation.
01:37Peter and I are waiting for her.
01:39And as soon as he appears, we'll start.
01:41But I hope that Nikola won't go in between the time.
01:46Go in, of course.
01:47He has to prepare for a visit to the Austrian family.
01:50I don't know.
01:51I don't know.
01:52You need your charm and don't know.
01:54Don't mess up, Peter.
01:56I know you don't want to lie to you,
01:58but that's the only important thing.
02:02The doctor took care of your blood.
02:05And he found a...
02:07A specific wound.
02:11A wound wound?
02:12Yes.
02:14I don't understand.
02:15I don't understand.
02:16You don't have a wound because you started drinking drugs.
02:19All right.
02:22Let's get started.
02:23Let's get started.
02:24Can I?
02:27Let's drink now.
02:29Let's go to bed.
02:31I'll be with you while you don't sleep.
02:34When you sleep, I'll go to your trustee.
02:38I'll bring him here.
02:39And the first thing you'll see when you wake up,
02:41he's here beside you.
02:43Can I?
02:45You've solved the relationship.
02:46What do you think?
02:49The middle of the high officer from 50 years old is not your son.
02:55Yes.
02:56No.
02:57But unfortunately, that doesn't change the situation for the court.
03:01We can't do this.
03:03What do you think?
03:04You can't do this.
03:05You can't do this.
03:06You can't do this.
03:07You can't do this.
03:08You can't do this.
03:09You can't do this.
03:10You can't do this.
03:11You can't do it.
03:12You can't do it.
03:13Yeah.
03:14He's not on the way.
03:15Besides if the young lady or madam are not ready to identify the officer.
03:21Are they?
03:23I don't believe. But we have to understand them.
03:26Of course, that's why I tell you.
03:28Your information is valuable, there is no doubt,
03:31but we can't do anything anymore.
03:34Can I talk to you with this?
03:37When you can't. Let's talk, man.
03:39I believe that everyone is in the team,
03:42and hearing you and me, I think it will be easier.
03:45But what if we are wrong, man?
03:47You want to take responsibility for the catastrophe that would happen here?
03:52Besides that, he is the leader of the president,
03:55or he has made the decision to follow the maneuvers and the shooting of their units.
04:01Yes, he is the leader of the president,
04:03and as usual, he has made two decisions.
04:05And you look at the job you want to do.
04:07What do you think, dear?
04:09First of all, he said to destroy everything in Bosnia,
04:12and if I do it, I will destroy another decision.
04:14And what do I do?
04:15Well, since you are so smart and smart,
04:17and you know everything,
04:18and the president knows everything,
04:19then you explain to me what I will do.
04:21Let me tell you.
04:22Why don't you do this, man?
04:23What?
04:24How?
04:25You say, Tankosich,
04:26to go to Beograd if you need,
04:28and you send people to follow those maneuvers.
04:32I don't know what did happen in my house.
04:36When they don't give me two days,
04:38I will be with her.
04:39Look, I know something I would tell you right away.
04:42I have asked you at least five times what happened.
04:45Every time they told me,
04:47you don't understand what is a women's job.
04:49Sorry, but when I hear that it is a women's job,
04:51I walk with my head.
04:53I have said and said to me,
04:57you can buy your toilet.
05:00Nice.
05:01And my brother,
05:03when women start to curse you you know you will value it.
05:07You know it is worth it.
05:09Yes, it is true.
05:10I hope that you can't trust it.
05:14I agree with you, your king's house.
05:17in my eyes, it doesn't look like a person in my eyes.
05:22There are some other things.
05:25What are those other things if I ask?
05:28I don't ask because of Nikola, but I'm interested in it.
05:31Maybe I have some of those people.
05:34I think it would be good to leave me alone for a moment
05:38to go to the salon for a cigarette and a drink of men.
05:43Great idea.
05:47A Nikola will stay to make a family.
05:50Of course.
05:51Sister, everything will be good.
05:55Take yourself from God.
05:57He knows everything better than us.
06:00It's hard.
06:03It's hard to do that.
06:06It's hard to do that as it is.
06:08You did good.
06:10You felt that only God can help you now
06:14to tell Odoru and return to yourself.
06:17It's not rare to happen to you.
06:22It's often that young girls don't know what to do.
06:26They fall into a great experience.
06:29But the pressure is on them in these cities.
06:33We have to do quickly.
06:35Until he doesn't lose a rope.
06:36Until he doesn't know and he doesn't listen.
06:38Yes.
06:39Stani Mirović, of course,
06:43know more than me.
06:45You're a father of mine.
06:47I'm a father of mine, right?
06:48Listen.
06:49There's a lot of this circus you're doing every day.
06:53Listen.
06:56Listen.
06:57You, my father.
06:58Do you forget who you are, man?
07:01Do you forget who you are,
07:03or do you forget what you have talked about?
07:04Or do you think they were forced to forget?
07:06You don't forget anything, right?
07:08No, I don't forget anything.
07:10And how you say about Stanimirovich and what you do,
07:14only God can forgive you.
07:16Listen, brother.
07:18Now listen to me, Jovane Ružičić.
07:20Now listen to me.
07:22Your stupidity must stop forever.
07:24Or else, I will take you to God.
07:26Or else, I will take you to my Teodorom.
07:30You said to me, and I remember well,
07:32that you came here with the aim of
07:34between our countries.
07:36And that you will do everything that is in your power,
07:38so that it will remain.
07:40I think that.
07:42I believe in you.
07:44I believe in you.
07:46That's why I'm interested.
07:48Is this really the goal of your mission?
07:50Or his greatness,
07:52Prince Franja Josif, just wants it to look like that.
07:54When he buys himself time
07:56and does all the same to his deklaming ideas.
08:04You are my building
08:06and does all the same to you.
08:08With my heart,
08:10With my heart.
08:12The main heart,
08:13With my heart.
08:14With my heart,
08:15With my heart.
08:16What's your heart?
08:17What's your heart?
08:18The whole heart…
08:20With my heart,
08:21the whole heart…
08:22Your heart.
08:23Head to me.
08:24And beat you.
08:26Kuda žuriš tako, ja imam jade svoje, jade svoje.
08:48Meni nije lako, meni nije lako.
09:06Stani, Stani, Ivar Vodon, Ivar Vodon.
09:21Moram, moram dragoj poći.
09:32Moram, moram dragoj poći.
09:40Moram, moram dragoj poći.
09:46Podgovoriću vam iskreno, iako možda nećete tako tumačiti moju tvrdnju, te nećete ni prihvatiti moj odgovor.
09:52Ja sam vam već rekao da vam neću zamiriti.
09:55Ja sam ubeđeno.
09:57A verujem da i vi gledate na to isto, da je moja misija ovde jednaka, moje želji da se unaprede odnosi između našem bezemlji.
10:05Ovo vam zaista iskreno govorim, kao što sam vam iskreno potvrdio ono što se traže od mene.
10:12Moje znanje o činjenicama koje ne idu baš u prilog tom unapređivanju.
10:16Kao i svest da ste vi upoznati sa istim.
10:22Dakle, vi pored svega toga i dalje smatrate da je cilj vaše misije unapređivanje odnose.
10:27Ne samo da tvrdim, nego i verujem u to, a reći ću vam i zašto.
10:32Baš bih volao da čujem.
10:35Vite, razgovarali smo o vašem zdravlje.
10:38Vi ste potpuno ispravno zatlučili da imam informacije o tom.
10:42Iako zalaženje u tu privatnu sferu zaista smatram krajnje nepristojno.
10:47Također verujem da vi imate jako dobri informacije o meni,
10:51koje proizilaze iz opisa vaše dužnosti da ste upoznati s tim ko dolazi da bude atašer u ove zemi.
10:58To je tačno.
11:00Iskreno, pomislio sam da nećete prihvatiti moje kreditive.
11:05Na što imate pravo, ukoliko procenite da diplomata neće pozitivno uticati na međusobne odnose.
11:12Dobro, Vera.
11:17Rekla si šta si imala.
11:22Šta sad još hoćeš od mene? Šta?
11:26Hoćeš da se ponašaš prema njima kako valja, kako dolikuje, bez obzira na raske dve ritbe.
11:37Sad treba da budeš i bolji prema njima.
11:40Oni onako sve znaju, Jovana. Samo ti treba da razumeš neke stvari.
11:45Zamisli kako je Stojanu i Jelki u svemu ovom.
11:52Mač visi nad glavom njihovog deteta koje ne vini.
11:56A drugo, ti si raskinuo veritbu, s tobom su ceo život, a to su čuli od nekog trećeg.
12:06Možeš li da zamisliš kako su oni to doživeli?
12:11Ja znam da ti nisi imao izbora. I oni to razumeju.
12:16Ali povređeni su.
12:18Povređeni su jer nisi otišao prvo kod Stojana i sve njemu prvo ispričao.
12:26A povrh svega, povrh svega, Jelka Besane noći provodi pored kreveta dvog deteta.
12:43Stojan prevrće brda i planine kako bi pomogao, zaborave sve.
12:47Zaborave svoje dete, svog Nikolu, kome drugi rade o glavi, kako bi spasio naše dete.
12:55Zato ja zaista mislim da ne tražim mnogo od tebe kada ti kažem da prestaneš da gledaš na tu porodicu kao da ti je učinila nekako zlo.
13:03Zato ja zaista mislim da je učinila nekako zelo.
13:07Zato ja zaista mislim da nekako zelo.
13:09You're right, you're right, you're right.
13:27I'm all wrong.
13:31I'm on your side.
13:35But I won't look at you as you're wrong.
13:41I know for whom I've been successful.
13:46For the honest,
13:50beloved,
13:52good girl.
14:01Your Excellency, now you're in trouble.
14:05You know yourself that governments rarely use this possibility.
14:09Almost never.
14:10Because such things can lead to serious political implications.
14:14That's why I'm interested.
14:16Why did you think about it?
14:18It's certainly because you know that I'm a man who strongly
14:21understands the rules of his dynasty,
14:24and that I'm a diplomat who uses high trust in the city of Beechu.
14:27I'm also sure that you know that many of the politicians of his dynasty
14:32and his dynasty,
14:33they think that they're old and old.
14:36I think that I'm the only one.
14:39Did you explain this as if you read your document?
14:43Did you?
14:45Of course not.
14:47Well, it's hard to imagine what I'm saying.
14:50Then you want to say that all you've said is wrong?
14:53It's a little bit too late, but no.
14:57I didn't want to say that.
14:59It's really simply.
15:01You just need to change the angle of looking.
15:05If I am a man who has faith in his dynasty,
15:09and if I'm sincerely saying that you believe in it,
15:12that I want to improve the relationship,
15:15or a logical opportunity to convince his dynasty
15:19in the right direction.
15:22Of course, for such a thing,
15:24I need your help.
15:26If you work in this direction,
15:29then my theory can be shown.
15:33Excuse me that I'm sorry,
15:35but your non-culture daughter
15:37is a cigarette in the trpezarium.
15:39If you would like the captain Stanimirović
15:40to introduce yourself.
15:41If you don't have anything against it
15:43and you don't have anything to talk about it,
15:45I would like you to introduce yourself
15:47because you're the only ones here.
15:52Let's go.
15:53Let's talk a little bit.
15:54Let's go.
15:55Let's go.
15:56Let's go.
15:57Let's go.
15:58Let's go.
15:59I'll stay here to sleep
16:01so I can see how Teodora is.
16:03After that, I'll go to Beograd.
16:05I'll show you all the details.
16:14Thank you so much for understanding.
16:16I know it's hard for you
16:18because it's your sister in question.
16:19You're always like that.
16:21When you have a problem,
16:22you're coming to help
16:24and now you've shown it.
16:25But I'm sorry
16:26that your family is now in question.
16:28Thank you, Dejelka.
16:30Just so that she will be good.
16:33Just so that she will be good.
16:35Just so that she will be good.
16:37Thank you so much
16:38that you've talked about
16:39with the relatives.
16:40Without their blessings,
16:41nothing will be left.
16:42And you know who they are?
16:43I know.
16:44Of course, Jovan.
16:45But they know themselves how they are.
16:47But what are you going to do?
16:49They are yours.
16:50You have to love them.
16:52Yes.
16:53Let's go.
16:55Let's go.
17:18Do you understand
17:19what Dejelka did for me?
17:21What do you think?
17:22He's a mother.
17:24She's a mother.
17:26She's a mother.
17:27She understands that it could happen
17:28to her child.
17:29No God, no one ever.
17:31What do I need to do?
17:33To get rid of her?
17:35Give her a sorry.
17:36Be in front of her
17:38as always.
17:41The support is more than ever.
17:43Don't you think
17:44what am I going to do?
17:47I don't think that I'm going to do this with Nikola.
17:52I don't think so. I don't want to look like they're wrong.
17:59I understand, Vera, but one thing is wrong.
18:03How do you understand?
18:06What if Nikola is wrong?
18:09What if Nikola is wrong?
18:12What if Nikola is wrong?
18:18I don't want to see him as a son.
18:22I pray, dear God, that something doesn't happen.
18:26But if it's like that,
18:30no one will live and not stop believing Nikola is wrong.
18:33What if Nikola is wrong?
18:39Your taste and reaction coincide with the Parisian community.
18:43That's why I'm very happy that everything is wrong.
18:47The book is sold out,
18:49the publishers are wrong in their prices,
18:52and the other is already ready.
18:54What if Nikola is wrong?
18:56Are you waiting for another book or another edition?
18:59I think this is the most logical one.
19:01I think that there is certainly a one here.
19:04You're right.
19:06I expect every day to arrive,
19:08and I know who is more than me.
19:10I hope it will be the next two or three days.
19:14And if there will be a chance,
19:16and I hope it will be,
19:18we will see you again another time
19:20to make a difference.
19:22I don't believe that I will ever say this,
19:25but...
19:29I also believe myself
19:31that I will come from here.
19:36I must admit that I'm a little upset
19:38that I know only now
19:40an extraordinary episode of your life.
19:42I don't know what you're talking about.
19:44Don't lie to me,
19:46but we haven't seen so much
19:48that I would have to tell you
19:49that I have to tell you
19:50that I have to tell you.
19:52That's right.
19:54But I'm sorry,
19:56that I have to admit it.
19:58We can't talk about it,
20:00because there is a long list of
20:02Sophie's documents,
20:04as she knows how to say it.
20:06I hope that it is not something
20:08that is affected by the struggle,
20:10or that has threatened
20:12the Queen of the Serbian.
20:13that Sophie is enough
20:14and reasonable to not do anything
20:16that would be compromised.
20:18In other words,
20:20these circumstances are also
20:21a habit of a sad life.
20:23Why would we have talked about
20:24that this evening,
20:25that it is not that?
20:27We would have asked you
20:28on our sad political issues
20:30and then you would have asked us
20:32to not show you enough attention.
20:35No, no.
20:37I would have been happy
20:39to talk about politics here
20:40all the time.
20:41I would have talked about politics.
20:43It is better than
20:45I would have talked about
20:46my lack of attitude
20:47and my sadness.
20:48It is not a shame,
20:49Mrs. Baume.
20:51Even if you allow me
20:52to have my own personal position,
20:54it is also impressive.
20:56To get out of the room
20:58so that it would have been
20:59in the room
21:00and that it would have been
21:01in the room.
21:03It is impressive.
21:05It is something
21:06that a young lady
21:07would have been praised
21:08in society.
21:09It is especially
21:10because of the fact
21:11that she was able to pay
21:12this adventure.
21:14I understand your fault,
21:15Mrs. Baume,
21:16but the sadness
21:17does not take any time
21:18and any place.
21:19We are able to fight
21:20anywhere and anywhere.
21:21You are right.
21:22But this time
21:23Sophie
21:24is the greatest crime.
21:26It is not right
21:27what I was doing,
21:28but how am I crime
21:29that the horse
21:30hit the horse
21:31and threw me off?
21:32You are not crime,
21:33but that you are
21:34allowed to do it.
21:35Yes.
21:36First,
21:37you would have wanted to
21:38look at the horse.
21:39You should be
21:40running up and
21:41hold your horse.
21:42In other words,
21:43you would have been
21:44holding your horse
21:45and then you would have
21:46picked the right,
21:47not the wrong way.
21:49Can you imagine
21:50that the reason
21:51is your desire
21:52to stay here
21:53in some way
21:54and be connected
21:55with me?
21:56and you would have
21:57thought
21:58if there is
21:59another
22:00other
22:01possibility.
22:02I see
22:03that there is no
22:04reason for
22:05to be
22:06in the same way.
22:07Everything has
22:08passed
22:09in the best.
22:10You are healthy.
22:11You can see me
22:12when you want
22:13anything.
22:14You can see
22:15anywhere.
22:16You can see
22:17anywhere.
22:18Of course.
22:19nothing.
22:20Now I am
22:25a peaceful house.
22:26I am
22:27a peaceful house.
22:28I have already
22:29finished.
22:30Yes.
22:31you are the only
22:33doctor who
22:34works the whole
22:35day.
22:36It was amazing to me.
22:38He was
22:39extremely young.
22:40He was a
22:41young man.
22:42You are right,
22:43Mr. Kapital.
22:44He was a
22:45young man.
22:46He was
22:47a young man.
22:48He didn't have
22:49any experience.
22:50But he was
22:51in the dark
22:52and I forgot
22:53that.
22:54And Konjušar
22:55was wrong.
22:56He threw
22:57him into
22:58a box.
22:59He was
23:00called
23:01Oberst.
23:02I must
23:04admit
23:06that your daughter
23:07is more
23:08excellency.
23:09You know,
23:10to call
23:11a horse
23:12a horse
23:13a horse
23:14a horse.
23:15A horse
23:16does not
23:17name
23:18that.
23:19Mr.
23:20you are
23:21the witnesses
23:22of another
23:23of Sophie
23:24Vragolijan.
23:25It is not
23:26my Vragolijan.
23:27It is
23:28a horse
23:29a horse
23:30a horse.
23:31It is
23:32a nice
23:33and quality
23:34that I have
23:35for the
23:36power of
23:37the king.
23:38And
23:39that horse
23:40has
23:41its name.
23:42Of course,
23:43the horse
23:44has more
23:45names.
23:46One
23:47five,
23:48six.
23:49Wait,
23:50nothing is clear.
23:51I believe
23:52that
23:53the horse
23:54is not clear.
23:55because they have
23:56several names.
23:57Sofija,
23:58don't
23:59think
24:00about it.
24:01It is
24:02nice to ask you.
24:03It is
24:04that the horse
24:05from the
24:06king of the
24:07king of the
24:08king of the
24:09king of the
24:10different names.
24:11Austrians,
24:12Ugarians,
24:13Bohemians,
24:14Transylvanians,
24:15Galicians,
24:16and
24:17Croatia.
24:18And
24:19they are not
24:20the best.
24:21They are
24:22the best.
24:23What is
24:24with the
24:25Slovenians
24:26and the
24:27Serbs?
24:28Or
24:29their names
24:30are more
24:31simple?
24:32That horse
24:33is
24:34trained
24:35for
24:36war.
24:37Sofija,
24:38I have to
24:39admit
24:40that
24:41I have to
24:42deal with
24:43your father.
24:44I would
24:45like
24:46that
24:47that horse
24:48trained
24:49for war.
24:50He wouldn't
24:51hurt
24:52and you wouldn't
24:53hurt him.
24:54What do you think
24:55of Captain
24:56Stanimirović
24:57as one of the
24:58best horsemen
24:59of the Serbs
25:00army?
25:01I'm afraid
25:02that all
25:03are the arguments
25:04on the side
25:05of his
25:06excellence.
25:07Even
25:08about the names?
25:09I wouldn't
25:10get into
25:11the internal
25:12political
25:13other countries.
25:14I would like
25:15to comment
25:16that
25:17you
25:18are
25:19the only
25:20doctor
25:21who works
25:22in
25:23all
25:24three
25:25months.
25:26I
25:27knew
25:28that
25:29the story
25:30would be
25:31more
25:32than
25:33such
25:34as
25:35you.
25:36You
25:37are
25:38really
25:39like
25:40some
25:41young
25:42and
25:43you
25:45know
25:46you
25:47know
25:48when I was
25:49young
25:50doctor
25:51I was
25:52sleeping in the
25:53night.
25:54you
25:55were
25:56patients.
25:57But
25:59you
26:00are
26:01good
26:02and
26:04you
26:05will be
26:06calm.
26:07you
26:09are
26:10not
26:11sure
26:12in your
26:13life.
26:14And
26:15you
26:16are
26:17sure
26:18that you
26:19can
26:20safely
26:21sleep?
26:22you
26:23are
26:24sorry
26:25you
26:26are
26:27not
26:28you
26:29are
26:30you
26:31are
26:32not
26:33the
26:34people
26:35who
26:36are
26:37the
26:38the
26:39the
26:40the
26:41the
26:42the
26:43the
26:44the
26:45the
26:46the
26:47the
26:49whale
26:51scared
26:52the
27:03the
27:04of
27:07Busan
27:09human
27:11are
27:12not
27:13200
27:14years
27:15to
27:16others
27:17are
27:18akan
27:19As you know, I live near you. I'm just going to check how Mrs. Vera is and I'm going to go.
27:26Welcome.
27:29See you soon.
27:39Wait, wait, dear.
27:42Good evening.
27:44I thought you were going to come and not return to us.
27:50I didn't think I was going to die. I thought I was going to die when we go.
27:54Let's pray, let's go for a moment.
27:57Let's pray for a moment to thank you for what you did.
28:02Stojar is waiting for me, and Nikola is now at the house.
28:06Let's pray for a moment.
28:09I will call him Stojar and he can come.
28:12Then he can come.
28:13Let's go for him.
28:15If he comes, he can come.
28:18Okay, let's finish the work that you said.
28:25Come on, please.
28:27Good evening, dear.
28:29See you soon.
28:30I can't tell you the king.
28:32I can't see you again.
28:34Of course, if you want.
28:36It's a strange idea.
28:39I can see that it's a conversation between you and your father's father.
28:45I can't do this for you.
28:47I can't bring it to you.
28:48I think the idea is a good idea.
28:51This time I will bring a pen to Mr. Capetan to see the right horse.
28:56I would have been able to start with you, but the protocol is going to be able to follow me.
29:02They would have done everything in my life.
29:04You know, since it's not pleasant to me, that feeling will always wake me up.
29:09That's why young people enjoy us.
29:11Young people enjoy us.
29:12Young people?
29:13Well, I thought you were the two winners.
29:16That's even worse, dear lady.
29:18Captain Stanimirovich is four years older than me.
29:21Is he?
29:22Yes, yes.
29:24I've been feeling young for four years before.
29:26And I believe that I've enjoyed it before.
29:28Now, when I think about it, it's a little pain.
29:31Why would it have been a pain?
29:32The young people need to enjoy it.
29:34All they can and all they can.
29:36I believe that I've enjoyed it.
29:38Young, nice, charmant, and even Prince.
29:45You certainly have been a magnet for Dame.
29:48I believe that you are now.
29:49How do not bother you?
29:51I don't know how to answer you.
29:53What do I say, it will be un-culturno.
29:55What do you think?
29:57If I struggle with you, it means that I thank you.
30:00That is un-culturno.
30:01If I say that you are wrong, then I agree with you.
30:05Which is not nice.
30:07Yes.
30:09You said much more than I wanted to hear.
30:12You were very discreetly losing the answer.
30:15And at the same time, you said everything.
30:16And it was in a modern, familiar and cultural way.
30:20If you were to see me, you would have been completely different in the picture.
30:26Then my brother left me and returned to my childhood.
30:29What do you think?
30:30What do you think?
30:32Well, when we were young, for every child that he would have done, he would have saved me with my father.
30:38Why?
30:39I don't know.
30:40I don't know.
30:41It certainly did not work out of evil.
30:42Perhaps he would have protected himself.
30:43I was young, poor, and he thought that my father would not forgive me for that.
30:51But thank God, my father never believed.
30:55However, after that, I used it.
30:58Yes.
30:59When I was young, he was ready for the future of the king, he did not forgive him.
31:06Yes.
31:08And then he took the crowns for four years.
31:11And he returned to me for everything.
31:12And now he is in young.
31:13That's why I say, let the young people go to the house of Mr. Oberst, and I will stay with my generation.
31:23And just to know that Captain Stanimirović will surely carry out your daughter's account and try not to make any nonsense.
31:32You know, he is so generous and generous that I think he was born once again.
31:38Only without uniform.
31:44Wait!
31:45Wait!
31:53Man!
31:59Do you like horses?
32:01He's love.
32:02Yes.
32:03Do you like them?
32:04You would like to talk with them as I am back.
32:06Can we get him?
32:07Yes!
32:08Opa!
32:10Just don't want to jump so that the horses don't hurt.
32:13Are you okay?
32:14Yes.
32:15Come on, come on.
32:17Opa!
32:19Opa!
32:35Jelka, ja...
32:37Ja evo...
32:39Moram...
32:41Moram starvat si, izvini.
32:43Opa!
32:45Do you understand me?
32:47I simply don't know why I'm going to call myself.
32:51How did I call myself?
32:55I don't know. Vera knows.
32:57I don't know.
32:59I don't understand the relationship between us.
33:03I'm a soldier.
33:05We are just different rules.
33:07I know, Jovane.
33:09You don't have to apologize.
33:11We understand.
33:13That's enough.
33:15I know.
33:16You have to understand that I'm...
33:17I know.
33:18I know now.
33:19I know everything.
33:21We didn't know anything to do with our children.
33:25We, the parents, didn't understand what happened with Teodorom.
33:29We didn't understand anything.
33:31We didn't understand it.
33:32It's our fault.
33:33Our fault.
33:34No, don't do it again.
33:36Everything will be done.
33:37We will see you when she comes to the priest.
33:39We will see you the same kind of a great brother who is God.
33:43We will see you.
33:47Stop.
34:18I hope you understood my shame, that little bit of a name.
34:23He is my best friend.
34:26The only living creature who knows all my secrets.
34:31Because I will kiss him again, and besides that,
34:34he is the best, the best, the most famous.
34:37I understand you, Sofia.
34:39I think that's the same for my ahad.
34:42Yes, but I don't just say that.
34:46That's why everyone says that my horse is the best.
34:49You know what they say at us in Serbia?
34:52Every horse is his horse.
34:54Yes, I know what they say.
34:56But in this case, it's related to my horse.
35:00That's the truth.
35:02I think we need to check your own self-confidence.
35:06Do we want to make sure which horse is faster?
35:10What do you think?
35:12Let's go.
35:16Where is she?
35:17Where is she?
35:18Where is she?
35:19Oh, I don't think so.
35:32I didn't expect you.
35:33That's my intention.
35:35Thank you so much for coming.
35:42It's the same situation, you know everything.
35:48We went to the monastery for a meeting and we're waiting for news.
35:54I know, it's been known.
35:58It's just to pray and hope the best.
36:01I thought that you and me, open and talk about everything.
36:05It's better than having a job with Jovan or Petro.
36:10They have a problem.
36:14I heard about the two-year-old, so I know everything.
36:18That's it.
36:20There are my lies, but I can't change anything.
36:26I'm here to do everything I need.
36:31If I need to die, then it's only God's will.
36:37No one needs to die.
36:39Everything is okay for now.
36:41You're here.
36:43These two men don't know anything.
36:47Don't tell me honestly.
36:53What did you plan to do with that girl?
37:01Well, you did well.
37:03God bless me.
37:05As you can see, women often have more knowledge and courage than we.
37:10We don't have any courage to say that.
37:14We don't have any courage to say that.
37:16Stop.
37:18I pray for everything that's happened.
37:20Okay, okay, Vera.
37:21You don't have to say that, Vera.
37:22You don't have to say anything.
37:23You don't have to say that.
37:24You don't have to say that.
37:25I'm going to say that we are all over.
37:27You don't have to say that.
37:28You don't have to say that.
37:29We are all over.
37:30We are all over.
37:31You are always over.
37:32And that's very nice.
37:33That's why I propose to say that I don't want to do this anymore.
37:39We will see what will happen to our child's help.
37:43Stop.
37:44You don't have to say anything.
37:46You know, I know Nikola's life.
37:48You know that I want all the best.
37:52I don't know how to do it now.
37:55I want to say that.
37:56You don't have to say anything.
37:59You don't have to say anything.
38:00You don't have to say anything.
38:01I will write my thoughts and let someone see it.
38:06I will say that Nikola is not.
38:07Nikola, Nikola, you don't have to say anything.
38:09You don't have to do it now.
38:10You don't have to do it now.
38:11If we don't have to do it, we don't have to do it.
38:13And the rest, if God is going to do it,
38:19everything will be very quickly and it will be the best way to do it.
38:32Okay.
38:33So, let's do it again.
38:34Let's do it again.
38:35Let's do it again.
38:36Let's do it again.
38:37Now?
38:38Yes.
38:39I think that it's better to do it again.
38:40I'm going to do it again.
38:41I'm working with the rest of the last couple of days.
38:43I'm working with the rest of the last couple of days.
38:46And this is not my own time.
38:48I don't see it.
38:49I don't see it.
38:50I don't see it.
38:51Captain Estanimirović.
38:52I'm going to accept your opinion as a jerk.
38:57Okay.
38:58So, do you know that my horse is faster than yours?
39:02Mrs. Sofija, you can't say it without a doubt.
39:06I can't do it.
39:08Where is your horse?
39:10Okay.
39:11Where is your horse?
39:12Here he is.
39:13Here he is.
39:14I will send him to his horse.
39:15Okay.
39:16You go to the place.
39:18There we will have peace.
39:20You don't care.
39:21You don't care.
39:22You don't care.
39:23You don't care.
39:26I didn't expect you to be so beautiful and charming.
39:28I'm really excited.
39:30Thank you, Mr. Baumann.
39:32You know, all of us are waiting for me to look like
39:35I'm going to make a mess and I'm going to look at all.
39:37I'm constantly thinking about our land.
39:41Yes.
39:42I have to admit that I had such a shock.
39:45Dear friends, I hope you won't stop what I'm going to say.
39:48But it's the same as in Shembrun.
39:51Shembrun is a really nice house.
39:53Yes.
39:54You know, I'm excited to see you.
39:56You have to be constantly there.
39:58Yes, not constantly, but we have to be a few times.
40:01You know, when you come to the beautiful house,
40:04you will first meet the house who are upset,
40:08and they don't speak like in the grave.
40:11You feel uncomfortable when you say something.
40:14You say, or if you're a little loud, you're afraid that you're going to get back.
40:19Good, dear friends.
40:21Don't bother me.
40:22Sorry, dear friends.
40:23I really didn't want to make a mess.
40:25I'm going to let you talk.
40:27I'm sure your wife didn't want to say anything.
40:30I'm going to let you go.
40:31I'm going to let you go.
40:32I'm going to let you go.
40:33I'm going to let you go.
40:34I'm going to let you go.
40:35I'm going to let you go.
40:36Yes.
40:37When you go to the top of the top of the top,
40:39you go through one salon, then the second salon,
40:41then the third salon, and I don't know how much the salon is still in the same way.
40:45And through all the camera and the old people,
40:50you get to the salon where you can get 150-200 people.
40:54Of course, you already have a lot of excitement.
40:57You get to the salon and you finally get to the salon and you get to the salon.
41:01But no.
41:03There are a lot of people who hear,
41:06they don't feel like they're in the grave.
41:09And then you get to the atmosphere of the room,
41:12as if you're on the beach.
41:15And suddenly the music starts from your own world.
41:20Like this.
41:22Gotter, halter, franz wie kajzer,
41:27unser guten kajzer, franz.
41:33I love you, dear. I think we're ready.
41:38Let me show you this one.
41:41How many of you do you want me to come up with?
41:44Let's go.
41:51Thank you, sir.
41:54To be honest.
41:57You got the truth.
42:01I just told you.
42:03I'm not.
42:04No reason you're not.
42:06I believe.
42:08What are you doing now?
42:13Nothing. I'm going to talk to Ver. I think it's going to happen and everything will stay between us.
42:19When Teodora pushes, we'll see what she wants.
42:24For now, we can only pray for her health.
42:28If there's anything you need.
42:32For now, no. But I know what you certainly don't need.
42:37What do you mean?
42:41Don't stop.
42:44I'm not going anywhere.
42:46I hope so.
42:48If you don't stop, I'll find you personally.
42:52And there's no one who has escaped me.
42:58Okay.
43:00I hope so.
43:01I hope so.
43:02I hope so.
43:03I hope so.
43:05I hope so.
43:06I hope so.
43:07I hope so.
43:08I hope so.
43:09I hope so.
43:10I hope so.
43:11I hope so.
43:12But that end, mother, you can never call yourself.
43:14I hope so.
43:15That end, mother, you can never call yourself.
43:17You can never call yourself.
43:18You understand?
43:23But it's my fault that you don't look at all black.
43:27That's what I should do.
43:28You think so?
43:29I hope so.
43:30I hope so.
43:31I hope so.
43:32Don't care.
43:33There's no reason for this.
43:35I hope so.
43:36I hope so.
43:37I hope so.
43:38I hope so.
43:39I hope so.
43:40I can't understand you.
43:42You've discovered something that can be heard of Nicolin in the head.
43:52No.
43:53I pray.
43:54If it's like that.
43:55Why don't you say it?
43:56I'll write it on the phone.
43:57Okay.
43:58You think I'll write it on the phone?
43:59I'll write it on the phone.
44:00Okay.
44:01You think I'll write it on the phone?
44:03I'll write it on the phone.
44:04No.
44:05No.
44:06We have some new knowledge from which it's clear that Nicolin can't be a writer.
44:12But knowing the writing, he won't be able to write it on.
44:17No.
44:18What are you talking about?
44:19How do you not?
44:20Well, mother, facts are facts.
44:24I know what you think about the writing.
44:29We all know.
44:30I don't know.
44:31But believe me, you're wrong with your soul.
44:33Okay.
44:34Okay.
44:35Listen.
44:36If you have something, tell me, I'll talk with the writing.
44:41He'll accept it.
44:42I'll sit on my mother.
44:43I'll sit here.
44:44I'll sit here.
44:45Okay, Giovanni.
44:46I believe you.
44:47I know that you, Nicolin, want everything good.
44:50But believe me.
44:51I'll tell you, I'll tell you.
44:52And you, I'll tell you.
44:53It's time to tell you.
44:54It's time for me to tell you.
44:55And we've agreed to talk about Apis and Pašić.
44:59Now it's the worst moment for you.
45:01I'll tell you.
45:02Okay.
45:03Thank you again.
45:05I told you all the truth.
45:06I'll kill you.
45:07I'll kill you.
45:08Let's go.
45:09Let's go.
45:10I believe you.
45:11Is it all like that?
45:13I don't understand.
45:15I'll kill you.
45:16I'll tell you.
45:17I'll tell you.
45:18I'll tell you.
45:19I'll kill you.
45:20I'll kill you.
45:21I'll kill you.
45:22I'll kill you.
45:23I'll kill you.
45:24I'll kill you.
45:25I'll kill you.
45:26I'll kill you.
45:27I'll tell you.
45:28I'll tell you.
45:29You can only pray for Teodorino's healing.
45:34God will be good.
45:36God will be good.
45:37God will be good.
45:38And when she gets better,
45:40she'll decide what she wants.
45:42If anything needs.
45:44Just one thing.
45:45Wait here.
45:48I won't.
45:49I'll tell you.
45:50I hope.
45:53I'll kill you.
45:54If you leave,
45:55you won't be afraid of Petra or Jovana.
45:58I'll find you,
45:59even if you're dead.
46:01I guarantee you.
46:03Okay, my mother.
46:07I'll tell you.
46:08I'll tell you.
46:10I know you all.
46:13I'll tell you.
46:14I'll tell you.
46:15I'll tell you.
46:16I'll tell you.
46:17I'll tell you.
46:18I'll tell you.
46:19I'll tell you.
46:20I'll tell you.
46:21I'll tell you.
46:23They're not there.
46:25I'll tell you.
46:27You've heard my tongue over Nikolino,
46:28Boyne.
46:29Hawaii-
46:46Okay, I'll tell you. I don't think it's time for you to talk about it, but when I'm so upset, I'll tell you only to tell you about yourself.
46:59But you have to say that you don't want to talk about this.
47:04In the first time, my wife, we all know everything.
47:07I want to hear you and say it.
47:10Well, that's right. Here, here, here, here, here, here, here.
47:18We're on the track.
47:21I'll tell you.
47:23If God gives you, we'll have a few moments to solve it and we'll know which one.
47:31Very quickly.
47:40We'll have a few moments to solve it.
48:02That's what I see.
48:05Thank you very much, Mr. Bauman.
48:35Your Excellency, I hope you won't take advantage of your amazing wife.
48:40She didn't give any state secrets, and I understood this as a critic of your monarchies.
48:45On the other hand, she described the human dimension of the Bershkog dora.
48:54And you know, I sometimes ask if we, because of these rules,
48:59we forgot that we were just the ordinary people.
49:03My wife has a talent, but she has a problem.
49:07I understand the question of the protocol.
49:09My wife is an excellent example of how some of the rules of behavior should be supported.
49:16The rule must be.
49:21How did you get to the Serbian room?
49:23You were here at the bar, and after that, at the evening.
49:26Of course, I don't want to be a pretentious,
49:29so that I can compare the Bershkog dora and Beograd,
49:31but it's interesting to me how you think, how you look and describe things.
49:36I'm really interested in how you see us.
49:38Well, first of all, the atmosphere in your room,
49:44the Bershkog dora, as far as I've experienced,
49:46it's not even so comfortable as a woman.
49:51And we're in the middle.
49:53Oh, well, we could have a lot of that in the use of Beograd.
49:57Is that right?
49:58I'd like to add something.
50:01When you've already insisted on the process,
50:03the delicate things are my speciality.
50:07Don't beware, Your Excellency.
50:09These are not diplomatical conversations.
50:11It's only interesting thinking of a wonderful woman
50:14who is in the space of a cosmopolitan.
50:17And I'll give you my honest words
50:19that she can't do anything.
50:23Okay.
50:24Excuse me, please, I have a word.
50:26I hope it won't be the reason to cry.
50:33Bravo.
50:39Bravo.
50:42And?
50:44Do you accept that it's unresolved?
50:49Or...
50:50Or...
50:52I'm prepared to do something wrong.
50:54It's an issue.
51:00I hear it.
51:01I hear it.
51:04Oh my God!
51:05Oh my God!
51:08My God!
51:09I'm prepared for you, Ron.
51:11And now, you're in the closet.
51:14You're in the closet,
51:15and you're in the closet.
51:17I'm prepared for it.
51:18You're in the closet.
51:19Let's go.
51:49Let's go.
52:19Let's go.
52:49Let's go.
52:50Let's go.
52:51Let's go.
52:52Let's go.
52:53Let's go.
52:54Let's go.
52:55Let's go.
52:56Let's go.
52:57Let's go.
52:58Let's go.
52:59Let's go.
53:00Let's go.
53:01Let's go.
53:02Let's go.
53:03Let's go.
53:04Let's go.
53:05Let's go.
53:06Let's go.
53:07Let's go.
53:08Let's go.
53:09Let's go.
53:10Let's go.
53:11Let's go.
53:12Let's go.
53:13Let's go.
53:14Let's go.
53:15Let's go.
53:16Let's go.
53:17Let's go.
53:18Let's go.
53:19Let's go.
53:20Let's go.
53:21Let's go.
53:22Let's go.
53:23Let's go.
53:24Let's go.
53:25Let's go.
53:27Can you tell me something about him?
53:29Is there some interesting detail,
53:32some characteristic nose,
53:34an ojiljak?
53:35Whatever I could imagine.
53:37I managed to stay with Sophie,
53:40because I wanted to tell him
53:42that he would get his beauty and charm,
53:45but that people also have other people,
53:48more quality.
53:52Loyalness, for example.
53:57Private Aerole
54:06Private Aerole
54:16Private Aerole
54:22Private Aerole
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