- 3 months ago
Crveni mesec (2019) - Epizoda 46 - Domaća serija
Ljubavna i snažna istorijska priča smeštena je u period od avgusta 1913. (nakon pobede Srbije u balkanskim ratovima kad je povratila deo teritorije) do kraja 1915. godine (austrougarske okupacije Beograda i Srbije). Nikola Stanimirović, mladi srpski oficir, glavni junak priče, vraća se ratišta u rodnu kuću. Svadba mu je, tradicionalno već zakazana, ali zaplet priče počinje kad Sofija, ćerka austrougarskog poslanika Ota Baumana, baci oko na njega. Nedopustivo za to vreme, koketna mlada dama, ne krije svoja osećanja. Rasplet njihove ljubavne drame odvija se u realnom istorijskom periodu pred Veliki rat uz mnoštvo dramatičnih događaja, špijunskih intriga, diplomatskih nadmudrivanja, političkih spletki i prevara...
Ljubavna i snažna istorijska priča smeštena je u period od avgusta 1913. (nakon pobede Srbije u balkanskim ratovima kad je povratila deo teritorije) do kraja 1915. godine (austrougarske okupacije Beograda i Srbije). Nikola Stanimirović, mladi srpski oficir, glavni junak priče, vraća se ratišta u rodnu kuću. Svadba mu je, tradicionalno već zakazana, ali zaplet priče počinje kad Sofija, ćerka austrougarskog poslanika Ota Baumana, baci oko na njega. Nedopustivo za to vreme, koketna mlada dama, ne krije svoja osećanja. Rasplet njihove ljubavne drame odvija se u realnom istorijskom periodu pred Veliki rat uz mnoštvo dramatičnih događaja, špijunskih intriga, diplomatskih nadmudrivanja, političkih spletki i prevara...
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Short filmTranscript
00:00My son, you are not evil. I knew that you will react to all of yourself.
00:06But you don't want to go to Teodori. Her state does not allow it.
00:09She has completely lost a feeling for the reality.
00:11She thinks that you are dead. And if you go to her, you will do something worse.
00:15I pray every day and I feel that God is here with me wherever I am.
00:21But that doesn't mean that I should be here alone with him, understand?
00:25You have to stay here, because you are far away from everything that you feel evil.
00:29We all have noticed it earlier.
00:31Even from that ball, when you hit the first time.
00:33There were some furniture here immediately.
00:35And Teodora has noticed it.
00:36What have you noticed? It was just a conversation.
00:40Oh my god, idiot!
00:42I don't ask you, idiot!
00:44How many horses? Where did they go with horses?
00:47Let's go, Mr. Nekodvonnić.
00:51Let's go.
00:52After the evening, in the middle of the night, let's go one horse.
00:56Do you have to be honest and honest with you, one prince of an adjutant,
00:59to be like you and your son?
01:00Not yet, Mr. Sexto.
01:02And there is no reason for it.
01:05There is no reason for it.
01:06There is no reason for it, but there is no reason for it.
01:08And the only reason for it is that you are crazy.
01:13I don't know if you really went through your mind
01:15or you lost your memory because of Sofia.
01:18Well, how can you say that it is not a mistake?
01:22Monarchia and Serbia are in the best possible relations.
01:25Actually, you can even get to the war.
01:29You won't believe who the son left a letter for her.
01:36Who, mother?
01:38Your great friend, Jovan Ružičić.
01:43I thought I would agree with you, but...
01:46He has been very strange in the last time.
01:50I don't know what to think.
01:53It's not from yesterday.
01:56In the night, later, he comes out.
01:58He doesn't say who he will.
02:01He will come back.
02:02He will come back.
02:04He is a mystery.
02:06And what is with that new soldier?
02:09My people are constantly watching.
02:11And as soon as they take the first chance,
02:12they will be able to bring him.
02:16Of course, with complete discretion.
02:18That's right.
02:32I hope that you have come back to Dr. Kojana because of Petra.
02:44And we are waiting for him.
02:45He is now with the doctors of the hospital.
02:47Yes.
02:49But that's a good news.
02:51It means that Petra is alive.
02:52I have been the best for the moment.
02:54According to Mr. Dmitrijevic.
02:58I want to get closer to Doppler.
03:02And I also knew that every trustful document
03:06from messages
03:09wears home.
03:10And is left in his office.
03:12We even knew the combination.
03:17And that man.
03:19When I had to visit him.
03:23You told me.
03:24If he was a man.
03:26He was sure he was prepared for this situation.
03:29He has to be prepared for this situation.
03:31He has to be prepared for a confident and good story.
03:34You are right.
03:36And that's what I mean.
03:38I'm telling you.
03:39With your thoughts,
03:40that a woman is lying.
03:42How could I die when he was only a little bit of a bruise?
03:45The cord has healed his arteries.
03:47He would die before I came.
03:50If he was alive,
03:51he would wake up.
03:52There is a question.
03:54What is the feeling of a bruise?
03:57It's hard to go without any serious consequences.
04:02A little bit,
04:03a little bit,
04:04a little bit,
04:05a little bit,
04:06a little bit,
04:07a little bit,
04:08a little bit,
04:09a little bit,
04:10a little bit.
04:11Muti,
04:12I told Christine to sleep with us.
04:13After all that happened,
04:14we wouldn't leave him alone.
04:17Of course.
04:18I wanted to propose that.
04:20It doesn't come out of the way,
04:21even if it's anywhere.
04:23And I'm a little bit,
04:24a little bit,
04:25I'm waiting for him to tell him.
04:26I'm waiting for him,
04:27and I'm going to die.
04:28I'm going to die.
04:35I knew it.
04:37What?
04:38I knew it was a lie.
04:39The best thing is to check everything straight out.
04:43What do you think?
04:45Let's go for him.
04:46Just go for him and decide
04:47until he hasn't been left.
04:48He is still alive.
04:50He is still alive in the state of deep despair.
04:52But it's like Milica said, I saw him even at a moment.
04:56And how can it be possible for her to be a despair?
05:00Sorry.
05:02My fault.
05:04I forgot to watch you for the time.
05:06The breaking of the rope, the breaking of the arms, the grudge of the body.
05:10It's been done for some time.
05:12But it's only a reflexive work with all the despair.
05:16Let me tell you.
05:18If they are following my Petra,
05:20they know that they want to fight.
05:23They know that they want to drink at night.
05:26They know that they are women.
05:28That they are not in a dark color when they are not looking.
05:33But in the middle of the day, and that is in front of the camp.
05:37The target of the attack was us.
05:42The service.
05:46The attack was the son of the officer of the military service.
05:57The man of the army.
05:58The man of the army.
06:00The nanny.
06:03They know the first year.
06:05The aency.
06:07It's known for that.
06:09What, what did you knew?
06:10The woman who lovesoshi programs.
06:11It's known in the city.
06:13He found it to take a certain amount of eat for the fight in the middle of the army.
06:16Good morning.
06:18What is the problem? We don't do this later.
06:20You'll come tomorrow and go to the hospital.
06:22What do you think you don't do it?
06:24The lady went to your work.
06:26The lady? That was just done. Nobody came.
06:28I see that you are from me, lady.
06:32Have you come to my work?
06:34Yes, I am.
06:36With the lady who went to your work.
06:40Go home, please.
06:42The nurses are strong.
06:44I can't let you go.
06:46I won't let you go.
06:48I won't let you go.
06:50I will stay here.
06:52I will stay here because of you and because of me.
06:54Wait for you, sir.
06:56I saw my eyes.
07:00Of course, you saw it.
07:02It is like a day that lies.
07:04What can we do here?
07:06Let's go back and think about what we will do next.
07:10I have nice news for you.
07:12The best possible is to be more precise.
07:16Who is it?
07:18I decided to accept your permission
07:22and work on your side.
07:25You don't lie if the men will lose your head because of you.
07:28You are right at the time.
07:30And they, blind and dumb in the eyes,
07:32do not see that you are just playing.
07:34That's why I ask you one more question.
07:36I ask you one more question.
07:38Are you happy now?
07:40Who are you?
07:42I am...
07:44...Petro's trust.
07:46What if Doppler...
07:48...Primajte to follow me.
07:50You know how?
07:52I am aware of this threat.
07:54I am aware of this threat.
07:56That's why I decided to do it personally.
08:00With the most possible discreation and security.
08:04Can I know your name,
08:06when I had the chance to meet Petrov's trust?
08:10You see,
08:11when he had no need to tell you,
08:13then he will be like this.
08:15He is really surprised me
08:17that he had no need to tell me this.
08:19Who is there?
08:21What is happening?
08:23What is happening?
08:27Tell me what is happening again!
08:33I don't think we have any problems.
08:35...
08:41...
08:42...
08:44...
08:45...
08:47...
08:51Where do you live like this?
09:03Where do you live like this?
09:09Where do you live like this?
09:23For me it's not easy
09:34For me it's not easy
09:41It's funny
09:53I got someone
09:56I got someone
09:59What is the problem? How are we?
10:21It looks like your daughter.
10:24What is it with her?
10:26She has a connection.
10:28It's possible to know something about us.
10:32But it's not sure, it's just a possibility.
10:36We have to prepare ourselves for the best option.
10:40Now I've talked to the police officer from the island.
10:44She said that she was near her.
10:46She went to the door and wanted to go.
10:48She said that she was inside.
10:51The man was somehow removed.
10:54She was with a friend.
11:00Wait, wait.
11:02She's not sure if she knows anything.
11:08Is she sure she was?
11:10She says that she remembers when she was with her.
11:12She doesn't know this other.
11:14It's wrong.
11:16She is Christine's friend.
11:19I honestly don't know.
11:20I have been convinced that I've done the everything that needs.
11:23We are safe.
11:24I have to do anything wrong.
11:27I'm not just a liar.
11:28It's stupid.
11:30I was not just enough to see me here.
11:33What do you mean?
11:35She saw me again when I came here. She didn't trust me. She protected me again.
11:51Sejo, what are you doing here?
11:54What do you mean? What do I need to sit in a cold house like Petar?
11:59What are you doing? What do you do?
12:02Well, of course you don't understand. Everything is forbidden.
12:06And I sit and listen and listen and listen. I can't do it anymore.
12:10It's all about me. I don't care what's happening in this family.
12:14You're like I'm not a part of her.
12:16I'm not a part of her. Not a part of her, but the best part of her.
12:20Sejo, what are you doing here?
12:23I don't serve my family as a gift.
12:27I want to do good and evil. I want to help myself.
12:31And you parents are like a stupid girl who needs to be heard.
12:37And nobody said you're stupid. And we didn't want you to be honest.
12:43And that's it.
12:44And you didn't say it?
12:45I didn't say it because I didn't want you to be honest.
12:49But how do you understand that I want to be honest?
12:51I want to help you, to find yourself.
12:53And if you think that I'm not honest, how do you understand that I will know everything?
12:59And then what does it mean to be alone and to care?
13:03Sejo, what I want to tell you is that I have a great honor on you.
13:08And that I love you, your brother, the greatest in the world.
13:13What?
13:14Am I just kidding.
13:16I remember it.
13:18It was a little from me.
13:19It was to me for the husband who soused me.
13:21It means that she soused me.
13:25And that's why she did it.
13:26And I'm sure that she will do it again.
13:31It's not.
13:33It's not.
13:34Why?
13:35It's not because we've been close to you.
13:39I've been close to you.
13:44I became my mother as much as I should be.
13:50I became my mother as much as she should be.
13:56It's just a reason to help you again.
14:01I don't know if you're stupid or you're just stupid.
14:08I told you that I was open to her.
14:14I've talked to my mother with my mother.
14:18I'm going to think that everything is wrong.
14:21Everything I've done with her and everything I've done
14:24is that it's not a moment.
14:29It's a curse of God.
14:33And it's just in the evening,
14:35when I came to tell you that I'm ready.
14:43Thank you for being so good for me.
14:46I would have done everything for you.
14:48I'm not sure.
14:49What are you doing?
14:51What are you doing?
14:54We're talking about when we're home.
14:56When we're having more time.
14:57I'm going to tell my mother that I'm going to tell you.
14:59What are you doing?
15:01What are you doing?
15:04You're not good.
15:07You're not good at all.
15:08You're not good at all.
15:09You're not good at all.
15:10Tell me.
15:13I told you that I can't get you.
15:17That's the time.
15:18It's better now than to lose life.
15:21Sorry, but...
15:22I'm sorry, but...
15:23Who guarantees me that it will be the same as you say?
15:37The law has been defined by a special president of the government.
15:42It is clear that these laws cannot be defined directly.
15:47This is a very delicate question.
15:55If you don't believe me, I can organize a meeting with the president of the government.
16:07Although I think that we need to avoid this in these circumstances.
16:12Do you think yourself?
16:17There is no need.
16:22Maybe I'm not wise to say this, but honestly...
16:26I'm saying that your request is very valuable.
16:31Opa!
16:32The title is not very wide.
16:41So, that's what I would imagine.
16:46Mr. Dimitrijević says that he is a patriotism of all of us.
16:54Even the honor.
16:56And he represents the generous financial award as an inspiration.
17:01As a guest of the cavalier.
17:04Al fight.
17:07Yes I am!
17:09It is less.
17:11You are the best!
17:12Say it!
17:13You are the best!
17:14I am the best!
17:15The best for young people!
17:17The best!
17:19All the등!
17:21Good business!
17:23I am the best!
17:26Mr. Kovalov, I want to tell you that you don't have any reason for fear when it is said to us.
17:36When the relationship is in the question.
17:41And in detail, I won't be able to get into your relationship with the murderer.
17:50There is no need. I believe that you also know that we have bought all the necessary information.
17:58I trust you, I guarantee you the maximum discretion.
18:05Don't say to me that you are surprised that we have asked you.
18:09You are right. I was surprised that you are not.
18:14You are right.
18:16Let me explain.
18:18This is the last time to answer this question.
18:21Everything we have learned about you will be heard in the maximum discretion.
18:25Believe me, it will be like nothing.
18:28And the statement that you mentioned, we are talking about the monthly apanage.
18:34Of course.
18:36And with special information, there is a special gift.
18:41Stop.
18:44I have only one reason.
18:47Apis.
18:49I can't tell you.
18:51I can't tell you.
19:07I don't know how to help you and I don't know what to say.
19:10That's why I can't tell you.
19:13I can't tell you what to say about the question.
19:14You can't tell me what's happening here.
19:17I can't tell you what's happening here.
19:19I can't tell you.
19:20But I don't see.
19:21I can't see you.
19:22I can't see you, I see you.
19:23I see Hristina very well and everything is kind of a good day.
19:28The Lord has a lover.
19:31Don't cry.
19:33That's how I was convinced.
19:35At the end of the day is something different.
19:38I know that you love me.
19:40And that you want to be everything you need.
19:43And I know that you've been in the last time with him,
19:46and you're more with me.
19:47But don't give me a decision until you talk about my mother.
19:51Yes, I'll talk with her.
19:53I'm sure.
19:56I'll talk with her.
19:58I'll talk with her.
19:59It's really necessary to sit and talk.
20:02But until it doesn't happen,
20:05if he doesn't love me,
20:07then what can happen?
20:09Let's give me some consistent answer.
20:12What?
20:17Me, my friend.
20:18I'm not good.
20:20Where do you go?
20:22I'll talk to you soon to quickly,
20:25so you will be honest with me,
20:28I'll talk to you later,
20:29what's going on?
20:30I'll talk to you later,
20:31what do you want?
20:32When I see you two,
20:33my heart is really full.
20:35What?
20:37My mother is a good friend, I'm going to prepare you.
20:41I'm going to send you.
20:43I've been feeling that you're going to do the evening,
20:45and I'm going to do the best to do the other day and go to the other day.
20:49If you don't want, I'll send you to the other day.
20:52I'm going to send you in the evening.
20:54Okay.
20:56I'm going to send you in the morning.
20:58I'm going to ask you.
21:00I'm going to be afraid.
21:02What?
21:03Because I think I'm going to know better than myself.
21:07No, I don't want you.
21:09I'm going to be afraid that I'm a witness.
21:12It's not.
21:13It's a nice night, a warm night.
21:16Everything happened, my Nikola.
21:19I said, when will you go, if you don't want to be in the evening?
21:24Let's have you two happy.
21:27I'm going to send you to your father.
21:32No, but now.
21:34Time to go home.
21:35Only if he doesn't think he's sleeping with Pašić.
21:39Come on, my dear friend, first go to the hospital.
21:42Okay.
21:44What about him and his wife, for them two, I don't know if they'll be in the whole house.
21:50That's right.
21:52Let's go.
21:53Let's go.
21:54Let's go.
21:55Let's go.
21:56Let's go.
21:57Let's go.
21:58Let's go.
21:59Let's go.
22:00Let's go.
22:01Let's go.
22:02Let's go.
22:04Let's go.
22:05Here you see. Here you see that you have nothing to remember.
22:10But I don't know her enough. I don't know her goals and interests.
22:14Interests? Her interest is her beauty, the most popular and modernity,
22:22a high society that is in the same high society, and of course,
22:28for a little to forget, girls.
22:31Wait. The fact is that she has changed in the last time, or so?
22:37Maybe she doesn't want you to know that she can help someone.
22:44What do you do, I pray for, Christine?
22:47In the prostitutes?
22:49Okay, but maybe she can go to some people.
22:54Maybe she is concerned about something occult. Why?
22:57Oh, I'm sorry. She doesn't believe in God. She doesn't believe anything that is sacred and spiritual.
23:05The only religion in which she believes is money.
23:09Why do you know? Now the sects are in fashion. Maybe she fell into some sects?
23:14Yes. Maybe in a sect that is full of young, beautiful and talented women.
23:21Who are also brothers, if you can.
23:24And who are you looking for?
23:26If you are a lover, it must be someone important.
23:30Important?
23:32If you are a lover, she wants to fall into the prostitutes.
23:35Then she has to take someone rich.
23:38In fact, she doesn't need to.
23:40She has money.
23:41But she has to be able to.
23:43She has to be able to.
23:44If she is not the chef of your dearly question.
23:47Christine, I pray for you.
23:49What does it fall for you?
23:51But when she is in question, nothing would be doubted.
23:59But I can't understand me why she sees her with her secretary.
24:06Yes.
24:07So, I never even knew haha hang in between.
24:20Order woman, she not even left.
24:23Mom, do you please, your mother?
24:27We want you to see her?
24:29It is not important. Let me leave it for you.
24:30Everything is okay?
24:32This cigarette, my son, I can't leave it alone.
24:35What if she's sleeping, she's asleep and she won't survive.
24:39I pray, mother, you can't sleep and get a little bit.
24:45We were told that one will be able to get the other one.
24:49And that's what we believe.
24:52Okay.
24:54Okay, I'll go. I'll go.
25:02Melice...
25:03Listen up.
25:06Nothing to speak, only listen up.
25:10I care about you as Nicole.
25:13Seeing yourself, nobody can't like it.
25:16But she cares like mother.
25:19I can see everything and nothing to me.
25:22I know you, but I know you love Peter.
25:26You really love him.
25:29I knew that she has no love with Nicole.
25:33We will talk about it, but there is no place nor a moment.
25:39That's why I just pray for you.
25:42Don't believe in it.
25:45It's not easy now when Peter is like this between life and death,
25:50and you can do it.
25:52Can you?
26:03I understand that you are because of this with Sofie.
26:18I know that you are able to say things that you don't think.
26:22But you don't see me wrong?
26:25Or maybe you don't know how it means?
26:28I think everything that I told you.
26:31Do you want to say that you don't have any connection with Sofie?
26:36No.
26:38Okay.
26:40If so, it means that you have already decided to leave me.
26:49Okay.
26:51I can know the difference.
26:54I thought it would be nice.
26:56I can't talk about it now.
26:59I don't have any strength and concentration after this with Sofie.
27:03I accept it.
27:05Sorry.
27:06It's my fault.
27:08I don't have any questions.
27:10I think I'm going to read it.
27:11I never thought of it as a mistake.
27:12I think you are going to do it.
27:15I think you are going to do it.
27:17And you are going to do it.
27:18I don't want to hear your thoughts on your feelings.
27:20I am not going to listen to your thoughts on your feelings.
27:22I am going to listen to your feelings.
27:23I know that you are going to love you.
27:24love novels.
27:28That's right! It's all better than better.
27:31Now you're starting to hate me.
27:33I hate you. I hate you.
27:36What is not clear? Do you want to hit me?
27:40I, as a mother of a young child
27:43and a woman of an Austrian warlord in Serbia,
27:46I can't sacrifice my child's life,
27:49my husband's life, my whole family,
27:52your reputation, and if you want, your head because of this.
27:57This is so wrong. No, no, it's not wrong.
28:00This has become a betrayal.
28:05And love? Is love a betrayal?
28:08Do you want me to say that?
28:11Do you want me to sell your false words?
28:23I am not a lawyer who believes in everything you say.
28:29Love is a real life.
28:32And not your false stories
28:34that you go around and tell everyone.
28:37Yes, Pavle, physical influence, yes.
28:40They can't be afraid of you.
28:42But love?
28:43Don't be sad.
28:47Love is a real life, Pavle.
28:50Love is a real life.
28:51But now, you remember what I made for you.
28:52What I made for you.
28:53What I made for you.
29:06What are you doing for me?
29:07It to me.
29:08And you need to laugh.
29:09Luckily, the truth is that I only wanted you here.
29:11And you are not.
29:13I love you, Lila.
29:15And you, not me.
29:17I love you, Lila.
29:47I mean, it's all kind of weird and it's like that it's all just from Sarajevo.
29:53I can't understand myself how I didn't see it.
29:58How did you know it?
30:00Unfortunately, very easily.
30:02It's all kind of a mess.
30:04When I came to my mother, she told me that she didn't know him.
30:07But when I realized that she didn't know him,
30:10she told me that she didn't know him,
30:12but she was afraid to leave him.
30:14I promise you, he got the place for the secretary.
30:19What do you think?
30:21Who helped all of this?
30:23Marie.
30:24Yes.
30:25She doesn't know what she does.
30:28Only you know, my father noticed that something happened.
30:32I went to his appointment and when I came to her,
30:37he put some papers on some information.
30:41It's like that I don't need to know anything.
30:46That's what you're trying to understand.
30:48Yes.
30:49And the address that she gave me,
30:51that I didn't mean anything.
30:54The address where we saw her.
30:57How do you know?
30:59I went to my letter to my letter.
31:03How did you go to my letter?
31:05I said, my father,
31:06give me the address of your secretary.
31:10I didn't.
31:12Well, I have some methods.
31:14I learned everything about you.
31:18It's interesting to me,
31:19how men do things easily do things with women.
31:23Only when women laugh a little, laugh a little, laugh a little.
31:27That's how I came to my information.
31:31What do you want now?
31:38I don't know.
31:40I don't know.
31:41I just don't want to be happy.
31:44Let's go and sleep.
31:45Let's go.
32:00Let's go.
32:01Let's go.
32:03Let's go.
32:11Mama is coming to my chamber,
32:12I'm going to switch to my station.
32:14I changed the meeting with Peter.
32:15I know.
32:16A man has to be here to be angry when Peter is acting.
32:21Now it's the most needed.
32:23Does he have to have any changes?
32:25We met him when Peter was choking,
32:29and when I'm stuck on my hand, but the doctor says that I'm just a reflexive.
32:35But that's good, does not mean that Peter is not in the way?
32:39You know, if you want to be alone with teta Verom, I can leave.
32:44I'm just going to buy my things.
32:45No, Sine, stay here with Verom.
32:49I'll go and I'll do something else to do for the job.
32:53Pre-do, pre-do.
32:59Good evening, ladies.
33:06Ladies and gentlemen, I've heard them talk and laugh and look like they're still alive.
33:13Do you think you've done something, ladies?
33:16Please.
33:18I know you'll come back only when you stay on the card.
33:24I'm sorry, ma'am.
33:29I'm sorry, ma'am.
33:31I'm sorry, ma'am.
33:33I'm sorry, ma'am.
33:35I was on the card.
33:37But better than not.
33:38Why?
33:39It wasn't nice.
33:41It is.
33:43But then I'm wrong.
33:45I lost everything.
33:48You're really bad.
33:49I'm sorry.
33:50You've shed a message, and now I want to send you a little bit.
33:53I'm free.
33:54You are really a bidovite. I just write a message, now I wanted to send you a little bit.
34:06I'm free.
34:07Wait, wait. Where are you?
34:18Come on.
34:24Ove tvoje je stigao.
34:27Sophie!
34:29Sofie.
34:59Sofie, šlifste.
35:29Sofie, šlifste.
35:59Sofie, šlifste.
36:04Ja se izvinjam, milostiva gospodja, a...
36:06Ja se mu imam nešto potrebno.
36:11Idite na spavanje.
36:29Sofie.
36:41Sofie.
36:53Sofie.
36:54Sofie.
36:55Sofie.
36:56Sofie.
36:57Sofie.
36:58Sofie.
36:59Sofie.
37:00Sofie.
37:02Sofie.
37:03Sofie.
37:04Sofie.
37:05Sofie.
37:06Sofie.
37:07Sofie.
37:08Sofie.
37:09Sofie.
37:10Sofie.
37:11Sofie.
37:12Sofie.
37:13Sofie.
37:14Sofie.
37:15Sofie.
37:16Sofie.
37:17Sofie.
37:18Sofie.
37:19Sofie.
37:20Sofie.
37:21Sofie.
37:22Sofie.
37:24Sofie.
37:25Sofie.
37:26Sofie.
37:27Sofie.
37:28Sofie.
37:29Sofie.
37:30Sofie.
37:31Sofie.
37:32Sofie.
37:33Sofie.
37:34Sofie.
37:35Sofie.
37:36Sofie.
37:37Sofie.
37:38Sofie.
37:39Sofie.
37:40Sofie.
37:41Sofie.
37:42Sofie.
37:43Sofie.
37:44Sofie.
37:45Sofie.
37:46Sofie.
37:47Sofie.
37:48Sofie.
37:49Sofie.
37:50Sofie.
37:51Sofie.
37:52Sofie.
37:53Sofie.
37:54I don't know.
43:32What did you do?
43:34My son! My son!
43:37Petre!
43:39Petre!
43:40Christina!
43:42Christina!
43:53We live.
43:54We live.
43:56I can't believe that you left me in the evening.
44:02I know when I need.
44:05So, you claim that you came here completely?
44:11I can't say that I was planning.
44:15Either you have natural powers,
44:19or did you know this information from someone else?
44:26You don't have to answer me.
44:30You're not even aware of it.
44:32Although, I don't know.
44:35Okay, let's let it go.
44:39Did you know something new?
44:41Did you look a little better?
44:44I have to know who it is.
44:46It's easy. You'll know everything.
44:48But not here.
44:50It's not for everyone's ears.
44:52Up the stairs, first row, left room.
44:55Now, wait until I tell people what to do while I'm not here.
45:02And, Pavle,
45:07I wanted to have a little privacy.
45:10I hope we can still improve our partnerships.
45:16We're already a business partnership.
45:25I didn't think so, but...
45:28Okay.
45:35Go quickly, Dr. Coen.
45:37Christina.
45:38Did you hear me?
45:40I'm living for you.
45:42Go soon to Dr. Coen.
45:45Pete.
45:47Pete.
45:48I know.
45:49I'm in the bed.
45:56I'm in the bed.
46:02I'm in the bed.
46:09I'm in the bed.
46:16I'm in the bed.
46:23I didn't want to.
46:25I didn't want to.
46:27I didn't want to.
46:31I didn't want to.
46:38I didn't want to.
46:40I didn't want to.
46:47I didn't want to.
46:50What do you call me?
46:52Nikola.
46:53Nikola Stanimirović.
46:56Do you always have to be ashamed?
46:59I'm sorry.
47:00I can't be ashamed.
47:01I'm sorry.
47:02I'm not even surprised.
47:06I've called her.
47:08I'm in the bed.
47:10I'm in the bed.
47:11I'm in the bed.
47:12I'm in the bed.
47:13I'm in the bed.
47:14I'm in the bed.
47:15I'm in the bed.
47:16I'm in the bed.
47:17I'm in the bed.
47:18I'm in the bed.
47:19I'm not able to hear it.
47:20I'm in the bed.
47:21I'm in the bed.
47:22I'm not able to do the bed.
47:25I'm in the bed.
47:26I'm in the bed.
47:27The bed.
47:28The bed.
47:29I'm just outside.
47:31You know how loved it was.
47:33Beautiful and very smart.
47:35You could not move away from you.
47:37She's a minute to get away from you.
47:39I'd like to thank you that you woke up.
47:42That's the only way I can do it.
47:45That's right.
47:47The lady has been there all the time with you.
47:50How did you get to communicate with us?
47:53Yes, I was so upset that you didn't have any choice.
47:57You have to wake up with you, or not?
48:07You promised that you will do everything as you said.
48:25And that no one will not suffer.
48:28Go now.
48:37Now, when Peter woke up,
48:47when I'm sure that he was between us,
48:51and that the attackers didn't leave the final consequences,
48:54I can tell you what I was not able to say before.
48:58Doctor, there is no need to be honest with you.
49:03I understand that you didn't want us to do it
49:05and that you gave us a false hope.
49:07But you understand that you are us.
49:09Don't stop us.
49:10I don't stop, of course.
49:12I just wanted to tell you that I didn't say to you,
49:16or I answered your questions,
49:18even though I didn't know how to answer.
49:20The whole council, all my colleagues,
49:24were on the station,
49:26was that the pain was so big and strong,
49:29that Peter won't even wake up.
49:33Just so you know how all this is a miracle
49:37and a great joy.
49:39The conclusion of the council was that
49:42it was likely that Peter woke up 10%.
49:46If it happened,
49:49there would have been many consequences
49:51of the consequences
49:52and the protection of the brain.
49:56Thank you for listening to us.
49:59You did well.
50:04What was your opinion, Doctor?
50:07I am very close to your family.
50:09I know Peter from birth.
50:13I didn't have to deal with my colleagues,
50:15even though all the arguments were on their own side.
50:20I believe that Peter will die.
50:22But this is all in the field of an extraordinary place.
50:27I know.
50:34I know.
50:35I know you.
50:36And you are surprised that you will see my friend.
50:39I think I will see him.
50:44I don't do it.
50:48Okay.
50:53Maybe it's better this way.
50:56You know everything.
50:57Do you understand everything?
50:59Maybe it's better this way.
51:02Maybe it's better this way.
51:04Maybe he is wise
51:05if I'm already crazy.
51:07Hmm?
51:10Okay.
51:12This one, I will pay you on the job.
51:14Pavla, I want to tell you something.
51:39Please, you know that you can always tell me everything. We are friends.
51:46Yes, we are friends as much as you are in the mood to be friends.
51:51I am the best friend, or at least one of them.
51:55That's why I can't even feel that everything is okay.
52:01What do you think?
52:05I'm afraid of you.
52:08I'm afraid of you.
52:10When I see you, I'm afraid of you.
52:12I'm afraid of you.
52:14I'm not asking you anything about this.
52:19I can't tell you anything.
52:21I don't want to know anything.
52:23I don't want to know.
52:25It's hard to tell me the truth, even if you know it.
52:32Even if you want, you wouldn't be afraid.
52:34Jelena.
52:35Listen to me, please.
52:37I don't know and don't want to know the details.
52:40But I know that this isn't a game.
52:42And I know that this isn't one of your foolishness.
52:46I don't know what you are trying to do and why you are trying to do.
52:52But I'm aware that this is a very serious thing.
52:56And very dangerous.
52:58Listen.
53:00I understand that you are afraid.
53:02But that's because you don't know anything.
53:05But you know me.
53:07And I hope that it is clear that I would never be attracted to something that is dangerous for you.
53:12And that our people could be otherwise.
53:14Pavle, I believe.
53:17But that doesn't change anything.
53:19How does it change?
53:20I believe that you wouldn't be aware and willing to be attracted to dangerous things.
53:25But it doesn't matter just from you.
53:27And it doesn't mean that I'm not offended.
53:32There are other people.
53:34And you can't respond to their decisions.
53:37And you can't respond to their decisions.
53:39And you don't have to say harm.
53:43I care for myself.
53:44I care for something else.
53:46This is the thing where you lose your head.
53:50Is that right?
53:56I can't answer you all the questions.
53:59But I can only guarantee that I won't allow you to do anything.
54:03And you can never tell me.
54:04That's right.
54:05And you think I'm fooling?
54:07You are talking about friendship, you look like a child.
54:10Like a stupidملick house.
54:13And you charm your words.
54:16Wait, wait.
54:17And I don't understand anything.
54:18So I don't have to accept it.
54:19I didn't want to do anything.
54:20I didn't want to do anything.
54:22Because you wouldn't want to be fooling.
54:24So you weren't alive.
54:25You look like a child, I didn't want to do anything.
54:28You know that I've experienced everything in my life.
54:31So much so that I don't fall on my own charm.
54:37You're right. I'm sorry for you.
54:40You don't need to forgive me. I want to help you,
54:43but I'm aware that the thing in general is not evil.
54:49Let's do this. I have to have a small reason.
54:55To let her go into something so dangerous.
55:02All right. What do you want?
55:25Let her go.
55:40Let her go.
55:45Come on!
55:47Come on!
55:49Come on!
55:57Come on!
55:59Come on!
56:11Shhh! Shhh! Shhh!
56:13Shhh! Shhh!
56:15Mir!
56:23Is something okay?
56:25I really think it's not an adequate answer for the risk I take.
56:31I'll tell you everything,
56:33and then you do whatever you want.
56:36Tell your father, tell your friends,
56:39whatever you think you need.
56:42Give me that message, I'll give you!
56:44And you, little boy, come on!
56:45I can't! I can't! I have to give him a hand!
56:48Then you'll be waiting until you don't get there!
56:55What's the problem?
56:57I've seen a face,
56:59but I don't know him.
57:01But if I'll ever see him again,
57:03I'll never forget him.
57:05Don't worry.
57:06If it's not a problem.
57:07Of course.
57:25Simonida Kovalov.
57:29Do you know him?
57:34I wouldn't say that he would know him.
57:36But I've got two or three times.
57:39I'm sorry.
57:40I have to...
57:41I have to...
57:42I have to...
57:43I have to...
57:44I have to...
57:45I have to speak with Petra.
57:46I have to speak with us.
57:47I have to speak with it...
57:56I have to speak with it.
58:01I really, really think.
58:04You can't totally yourselves.
58:08Look at the geology deep slightly.
58:10And...
58:11I have to speak with him...
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