Skip to playerSkip to main content
  • 6 months ago

Category

📺
TV
Transcript
00:00Previously on Project Runway All-Stars, the winner of this challenge gets a
00:05place in the finale. It's now or never. I'm Nanette Lepore. I want you to make a
00:10garment that's irresistible and you're going to be under the real test of the
00:14retail customer. For a dress like this would typically retail for about $380.
00:18You have about $48 left to work with in fabric. It does look like a tin can with
00:23a string hanging out. How do you wear a bra with this? It's a little harder to
00:27sell. This is gorgeous, the way it is.
00:34I really like this dress. I think it's masterful. I like your use of fabrics and
00:39that's where you are very strong. Congratulations Mondo. You're the winner
00:43of this week's challenge. This is amazing. Thank you. Some things that look great for
00:48retail just don't do enough on the runway. Here you've managed to do something very
00:52sensual rather than overtly sexual. I'm sad because there was a
00:57beautiful detail on the sketch that's missing from the dress now. Oh, the keyhole.
01:00You needed to add that special touch. I'm sorry to say, Kenley, that means you're
01:05out. 13 of the best designers from Project Runway are back. And this time the
01:14competition is tougher than ever. Each week their skills are tested to the limit as
01:19they compete for the biggest prize in runway history. Who will be cut and who
01:24will have it all sewn up? This is Project Runway All Stars. The winner of Project
01:33Runway All Stars will sell their merchandise within an exclusive boutique
01:36at select Neiman Marcus stores and on neimanmarcus.com. The winner will also get
01:40a spread in Marie Claire magazine in a position as guest editor for one year.
01:44$100,000 in technology and office space from HP and Intel. A sewing and
01:49embroidery studio provided by Brother International. And a cash prize of
01:54$100,000 courtesy of L'Oreal Paris.
02:10Good morning, everyone. Good morning, Angela. Hi. Austin, you shaved. I did. I decided to shave my mustache just as a sort of a fresh start, a new beginning, a renaissance, as it were.
02:23He went from Earl Flynn to Kermit the Frog. We began with 13 all-star designers.
02:31Eleven weeks on and only three of you remain. You've all made it to the Project
02:37Runway All Stars final challenge. Congratulations. Thank you. So the Project
02:44Runway All Stars of all-stars are Michael Costello, Austin Scarlett, and myself. One of
02:52the three of you will be walking away with the biggest prize in Project Runway history. To
02:58help reveal your challenge, please welcome to the runway some familiar faces.
03:02I'm feeling very anxious. Oh, my goodness. Hi. Hi, kids. Hi. Hello. Welcome to the runway. Thank you. So designers, the best way for a designer to present their work is with a high-profile runway show for their collection. Now, a designer would usually spend months slaving away on creating their best work for this. Even on Project Runway, they get weeks.
03:32This is all-stars. And we know what you're capable of. Your final challenge is to design a mini collection to showcase your skills and talents as designers. And we want to see five different looks.
03:46You have four days. You have four days to put this little collection together. Five looks? Yes, guys. We have a full runway show ready to go in just five days' time. Just even making it to the finale, that's scary enough. But now knowing what your challenge is, that's frightening. That's frightening.
04:05VIP guests have been invited. Uh-oh. And a very special location has been booked. You have a budget of $3,000 to shop for Fabric at Mood. And, of course, you have that fabulous Neiman Marcus accessory wall to add to your looks.
04:22In a couple of days' time, there'll be a model casting where you'll choose five models each for your own runway show. Usually, editor-in-chief of Marie Claire magazine, Joanna Coles, joins you in your workroom.
04:34This time, she's invited you to her workroom. Awesome. Cool. So, it's time for you to visit Joanna Coles at Marie Claire's headquarters. Good luck. Thank you. Thank you.
04:54Here we come.
04:57Beautiful building. As soon as we walk up, there's these awesome escalator and high glass ceilings. I felt like Joanna Coles. Getting ready to go to work.
05:12Hello. Morning, guys. Morning. Welcome to Marie Claire. Thank you. Why don't you follow me?
05:16Okay. Alrighty.
05:17It's all so surreal. It's like, words really cannot express. I feel like I'm in a dream.
05:28Guys, have a seat. Thank you.
05:33This is a huge opportunity, and this experience could possibly change my life.
05:40I'm nervous. I'm so nervous. This is insane.
05:44We wait. And wait. And wait.
05:58Oh, my goodness. Welcome to my world.
06:03I look forward to Joanna's consultations because she really has a wise and insightful professional point of view.
06:12It's very exciting.
06:14You have all worked so hard. Now, tell me how you feel about having to produce the collection for The Runway.
06:23Nervous. Frantic. I mean, I think all of our minds are just racing.
06:28What do you basically look for in a collection?
06:31What you're looking for is a shift from the previous season, and then when you're seeing as many as 50 to 70 shows, you're looking for themes, and then you're looking for people who are doing it really well.
06:45How do you feel when you go to runway shows, the theatrics and the over-the-top styling, and how can it affect you being in a competition?
06:53Because we've all been kind of criticized of being a little too theatric.
06:57You know, like, how do we walk that line?
06:59It's a very good question. I think that it depends on the designer.
07:03And are the theatrics authentic to the collection that they're doing?
07:07I don't think it's in any way essential to showing a great collection.
07:11Can you tell us about the guest editor position here at Marie Claire?
07:17What the guest editor will be involved in doing is joining our fashion team when we discuss what themes we think are going to appeal to our readers,
07:26and working out how to interpret the runway looks for our readers who want to wear fashion in their real lives.
07:34We'll be working with Nina Garcia and her team, and it's really fun.
07:39I never wake up in the morning thinking, oh, I have to go to work.
07:42I always feel like, oh, I can't wait to get there.
07:45This prize of being a guest editor for Marie Claire is, like, my dream job.
07:51Marie Claire is a huge magazine.
07:53It's a major foot into the fashion industry, and it's a route that I can take to help better my career as a fashion designer.
08:00It would be so much fun.
08:01I love being part of a team.
08:03I really love collaborating with other creative people to accomplish the big picture.
08:08Good. Well, the next four days are going to be very intense for you.
08:12I'm excited for all of you, and I would be thrilled to have any one of you join the Marie Claire team.
08:17Well done for making it this far, and I can't wait to see the show.
08:21All right, good luck, guys.
08:23Bye, John.
08:23The boys and I head off to sketch.
08:34They just absorb the magic and just the ambiance of New York glamour.
08:40I love it.
08:41It really inspires me.
08:43It's a beautiful day outside.
08:45The weather's really nice.
08:47Well, there's a lot of green, and I'm trying to find out how to translate that green into my collection.
08:53I will be making a wedding dress, the ultimate dress that most women will wear in their lives.
09:00There's something just so fantastically fashion about ending a collection in a beautiful wedding dress.
09:08This is my moment to redeem myself, so I really have to just focus, as Tim Gunn would say, make it work.
09:15This is what I was meant to do, what I was born to do, and now I just really want to win, win, win.
09:21I think I want it more than Austin and Mondo, and I'm here to compete because I want that prize.
09:26There can only be one winner in this competition, and as much as I love Michael, I really want to win.
09:36I want to win.
09:38Coming up on Project Runway All-Stars.
09:41I'm frustrated, and I want to quit.
09:43I just want to stop.
09:44You'd like the new setup?
09:45I love that I can shut my door.
09:46Whenever I try and help Mondo, he sort of throws it back in my face.
09:56We are going to create a five-look collection in four days.
10:08It's very frantic to try and choose fabrics for a collection in just an hour.
10:16Okay, can we put this in my pile?
10:18I wanted, like, some kind of silk jerseys.
10:21Oh, this is orange.
10:22I'm really inspired by this African safari.
10:26I picture my collection being on an adventure.
10:29Perfect.
10:32This is where you have to commit.
10:34Man, I don't even know how I'm going to do it.
10:36I mean, usually I'm really comfortable going into the fabric store.
10:39This time I'm going on with a blindfold, really.
10:42Do you have an idea for your collection?
10:44Uh, no.
10:45I'm just pulling things that I'm attracted to right now, and then I will re-edit.
10:49I'm just not filling it.
10:51I'm not filling it.
10:52Having fun?
10:54Not really.
10:56I do like this.
10:57Yes.
10:58I sort of see this woman as if she stepped out of a Kragenar painting, but she is a modern-day rock star meets Hasidic gentleman.
11:10Ten minutes.
11:11Ten minutes and counting.
11:14All right, we'll leave the four of that one.
11:15Just do four of this one.
11:16I'm going to need absolutely this whole roll for my wedding dress.
11:20Thank you so much.
11:22I think I have everything.
11:22Back to 1407.
11:25Bye.
11:32Oh.
11:33Oh, this is all different.
11:35Overnight, the entire workroom is transformed, especially for the three finalists.
11:42So is this our mini workroom in here?
11:44We each have our own petite atelier.
11:47Perfect.
11:48It is big enough for my dress.
11:50It's definitely nice to have sort of a calm oasis where I can focus on what I need to focus on.
12:01You're happy with what you got, Mondo?
12:03You're not?
12:05I couldn't even concentrate.
12:07Do you like the new setup?
12:09Mmm.
12:10Yeah, I love that I can shut my door.
12:13I hope you won't be completely closing us off to seeing what you're up to or vice versa.
12:18I don't want your opinion, but yeah, if you feel like you need space and time to yourself, I also respect that.
12:25Yeah, you'll see it soon enough.
12:29Okay.
12:29Whenever I try and help Mondo, he sort of throws it back in my face.
12:39I unpack my fabrics, take a look at them, and I'm really disappointed.
12:43I'm not happy with what I got.
12:46Finding inspiration for myself right now from these fabrics is really hard.
12:51I'm frustrated and I want to quit.
12:52I just want to stop.
12:55My collection is really just Austen Scarlet.
13:00Each look really has a sophistication to them, but there's also a whimsical sense to them, and that's always something that I love to balance.
13:08It's just sort of a fun, frivolous feeling combined with something sort of very elegant and refined.
13:23You are going on a safari.
13:25This is, like, exotica.
13:27I just want it to be fun, adventurous, but still keep it sexy.
13:32The lady who wears them is going on a crusade with Indiana Jones and the last Costello.
13:38Woo-hoo!
13:39You are in business.
13:43Did you do anything yet, Phil?
13:46It's a lot of pressure, Mike.
13:48I feel dead inside.
13:52I don't feel one ounce of motivation.
13:57I'm just going to shut my door.
14:04What's going on?
14:05I said, if you want to come hang out, you know, take a load off your chest or something, come next door and talk to me and play my little safari.
14:11He was like, no thanks, I don't want to go to the zoo.
14:13Yeah, okay, that's what's not cool.
14:15We all have stresses.
14:17We all are in the same competition.
14:19Well, we all are having it hard different ways.
14:21I have kids.
14:22None of the other contestants know what it's like to be away from your kids.
14:26That's tough.
14:27So, for him to say that he takes things in a different way or his process is totally different, it's kind of disrespectful in a way.
14:36I have all sorts of shit that I'm dealing with.
14:38My family, my mother was just evicted from her house.
14:41She's like homeless right now.
14:42I need to win this competition so I can pay so my mother can have a place to live, okay?
14:46True.
14:47I think it's really a sort of immature to not recognize that others have a life.
14:53I'm hanging out in my room.
15:04I'm in a total funk and then there's a voice.
15:08Designers, designers.
15:10Hi, guys.
15:11Hello, Georgina, is that you?
15:14Hi.
15:15Hi.
15:17How are you?
15:19Are you?
15:20It's wonderful to see you.
15:21The person are up close for the first time.
15:24I know, no runway between us.
15:26I've admired her and her work for years.
15:29You always see the most beautiful dresses on the red carpets are always Marquesa.
15:34This is the fashion industry right in front of your face.
15:37What better feeling can you get than that?
15:40So, where are you guys at?
15:41I love the direction that I'm going in.
15:43I see the shoe, I see the hair, I see the glasses, I see the accessories, I see how everything just looks.
15:48This time, we do get a little more time to think it through, compose.
15:52Neiman Marcus has been really great.
15:54Neiman Marcus actually gave me my start in the industry.
15:57They're a very nurturing company.
15:59To become part of the Neiman's family is a huge thing.
16:02And I think you want to think about that.
16:04When you go to a runway show, what do you like to see?
16:08I like to see an idea.
16:10I like to see a vision.
16:12I want something to excite me.
16:14To be like, wow, that's an incredible idea.
16:16I've never seen that before.
16:18Monday, you look like you've had enough.
16:20I'm just tired of people telling me what I'm capable of doing and expecting things from me.
16:25And it's just like, I'm not happy right now.
16:27Mm-hmm.
16:28So do you need to take a moment?
16:30I've taken probably half the day.
16:31I haven't even cut anything at this point.
16:33That's okay.
16:35I have been to the worst places before my collection.
16:38It's terrible.
16:38I never used to sleep.
16:40It used to be a disaster.
16:41And I'd be lying in bed.
16:42And I'd be like, why am I doing this to myself?
16:44This is torturous.
16:45As I learn and do more and more collections, then now I've learned not to have the breakdowns.
16:51But then I got worried that if I don't have a breakdown, am I going to be as creative?
16:56I love Georgina.
16:58She's so down to earth.
17:00And she gets us because she's a designer, too.
17:03I think you all have the potential to win this.
17:05For sure.
17:06Lots and lots of luck.
17:08And I will see you in four days.
17:10Bye-bye.
17:11It was definitely reassuring to know that Georgina, like us, suffers from sleepless nights and the horror and torment of being ripped to shreds by critics.
17:23Bye.
17:24See you soon.
17:26It was nice.
17:27Everything she said was wonderful.
17:39I haven't given up.
17:41I've decided that today, for me, is a free day in the workroom.
17:46I just don't want to waste my time, so I might as well just lounge on the couch.
17:58I can't believe you, like, have a dress done already.
18:01I love that.
18:02The back is just so...
18:03You're amazing.
18:04Oh, okay, everyone.
18:06Are you ready?
18:07I'm not hungry.
18:08I'm starved.
18:09Come on, let's go eat.
18:10Oh, what a day.
18:20Well, boys...
18:21What are we talking to?
18:23To the art of fashion.
18:24To the art of fashion.
18:29I'm in a foul mood.
18:31I don't know where I'm at in my head.
18:33I don't know what I'm going to do.
18:35I'm done.
18:38Are you serious?
18:39Yeah.
18:39Sometimes, maybe he does only think about his feelings, and that's one of his downfalls.
18:45You know, it's a lot of negative energy.
18:48I haven't even had dessert.
18:49And when he's in that mood, that's when he turns out his best work ever.
19:00Coming up on Project Runway All Stars...
19:03Today's the model casting.
19:05Gorgeous.
19:06I love you.
19:06Austin has taken the opportunity to become the casting director.
19:10Such a...
19:11Another day, another dress.
19:21It's day two.
19:22I'm going to have to try and pull a little bit of a miracle.
19:25I got to make something that's going to wow Georgina.
19:27I got to make something that Isaac's going to say he's in love with.
19:30I got to make something that Angela's going to want to wear.
19:32It's stress, and it's hard.
19:36This experience has literally made me crazy.
19:41I need therapy, so that's my whole inspiration.
19:45I'm doing a collection called Therapy.
19:49Ladies, we are ready for you.
19:50Come on in.
19:53Will you do a walk, please?
19:58Smoldering.
19:59Model casting is crucial to your show.
20:01And it's important to find the right girl,
20:03and to also be inspired by that girl.
20:06Could I just quickly throw a skirt on you to see how you move?
20:08Yes.
20:11Seriously?
20:12Can you do that right now?
20:14Come on.
20:15Really?
20:18Just slip that on over.
20:19This has been a trend with Austin throughout the season.
20:22Whatever he wants, he usually gets it.
20:24Gorgeous.
20:25I love you.
20:26Without even taking in consideration anybody else.
20:29So, we both really love as a mirror.
20:35I'm not going to back down on that one.
20:37So, either will I.
20:39So, I think the only fair thing to do is flip a coin.
20:41Sure, let's do this with it.
20:42Heads.
20:46Tails.
20:47All right, darling.
20:49And I guess I'll take Ray.
20:50Wait, wait, wait.
20:51Nuh-uh.
20:52No?
20:52No.
20:54Heads.
20:54He gets Ray.
21:01Good for Austin.
21:03That's become my motto.
21:05Good for Austin.
21:08Happy casting.
21:11He's such a .
21:12So, I'm thinking of all these ideas of, like, acupuncture and, like, shock therapy.
21:26Now that I put the sleeves on it, I don't know if it takes it into wizard territory.
21:30And I love this idea of Rorschach inkblots, and I think it's really cool, and it definitely
21:38does tell the story of therapy.
21:41Mm, it's pretty.
21:44This stuff is, like, velvet.
21:47I've always been really obsessed by the traditional attire of the Hasid men.
21:53They're always in gorgeous black brocades and satins.
21:59Gorge.
22:00I hope the judges recognize the cohesive aspects of the collection that I feel are there.
22:10Designers.
22:11Hi.
22:11Hi, guys.
22:12Isaac.
22:12Mr. Mizrahi.
22:14I'm excited to see Isaac.
22:16I think I have a little man crush on Isaac.
22:18He's pretty adorable.
22:19Firstly, you get these CDs of music for your fashion show, so.
22:23And I encourage you to listen quickly and sort of, like, put your bids in for what you
22:27want, because there's only three tracks, and you have to decide, so.
22:31Now, I want to talk about the psychology of showing clothes.
22:34You have five passages, right?
22:36You show your newest thing first, right?
22:38And your grandest thing last.
22:41Have you ever been in a position where you really, really believed about a particular look
22:47and no one else really got it, and you said, you know what?
22:50I'm doing it anyway.
22:52Every season.
22:52That's reassuring.
22:54It is.
22:54I'm telling you, you can rest assured that that's why they pay you the big bucks, or they
22:59will someday.
23:00It's because you have the balls to not listen to anybody else and to do something big and
23:06fabulous.
23:07I'm really quiet, because I just really want to take it all in and hear what he's saying,
23:11because you can't just get this advice anywhere on the street, so it's really cool.
23:15You've come this far, darlings.
23:16So please enjoy the process, because if you don't enjoy the process, we will be able
23:21to tell.
23:21Thanks for coming to visit.
23:23All right, have fun.
23:24Thank you, Isaac.
23:25Isaac really gives me the confidence that I'm doing a great collection and that I just
23:30have to make sure I get it done in time for the runway.
23:33That's all right.
23:34Yeah.
23:35This is me.
23:36Sure.
23:37Okay, I got track number two.
23:42Okay, I got track number two, settled.
23:47Austin, do you want to go hear it?
23:50Yeah, but I think...
23:52I picked this one, this is number three.
23:55How many are there?
23:57Three.
24:01It's the one you picked.
24:03So you guys have picked and I just get whatever's left over?
24:06It seems like whenever designers have to choose something,
24:08I'm always the last one who gets to choose.
24:11So I don't know whether to take that as just sort of an insult,
24:14like I'm not friends with you,
24:15or you are like my hardest competition.
24:19I do like the guitar, because it's like walker, glam.
24:34Hey, you guys, one hour left until the end of the day.
24:37How are you doing?
24:38Okay.
24:39Is that leather?
24:40Leatherette.
24:41Cute.
24:42I could be very critical about this,
24:44but he's giving you true Austin Scarlet glamour.
24:50What do you think of my pants?
24:52Cool.
24:53Do they look like a skirt?
24:54Yeah, kind of.
24:55It's just really hard to wear Michael's clothes
24:59unless you're a model.
25:00None of them can be worn with a bra,
25:02and that's just not realistic.
25:05I don't just design for a slender supermodel.
25:09I design for real women.
25:11Hey, guys, it's time to go home.
25:14Oh, wow.
25:16That looks great.
25:17Mondo's theme of therapy is pretty good,
25:20but my collection really is sexy, cool, feminine, and just killer.
25:28Three very different collections.
25:30So I send myself off to the land of L'Oreal Paris hair and makeup.
25:48Starlet Scarlet, if that's what he is.
26:01Hello, designers.
26:03Hi, Angela.
26:04Working hard?
26:06Yes.
26:07Is this how you're always working, all done up like this?
26:10Yes.
26:12It's been a long time since I've been by 1407 Broadway,
26:16and I'm super excited to see what you guys are coming up with.
26:19But this wouldn't be an All Stars
26:24without an All Stars twist.
26:30Coming up on Project Runway All Stars.
26:32Look what the cat dragged in.
26:35I'm not ready for a twist.
26:39It's, you know, intimidating.
26:45This wouldn't be an All Stars without an All Stars twist.
26:50OK.
26:51OK.
26:52We decided we wanted just one more look.
26:57This collection is important to me.
26:59I'm trying to really make it cohesive.
27:01So I'm not ready for a twist right now.
27:04Your five looks collection is going to become six.
27:09It's intimidating that you have to make a six look,
27:12but this is part of being an All Star.
27:14On Project Runway, the phrase,
27:16one day you're in and the next you're out,
27:18can also work with fabrics.
27:21Let's bring out your models.
27:22Oh, my god.
27:24All of our old fabric.
27:27We've got a little bit of the opera, Miss Piggy.
27:31Oh, my goodness.
27:32We've kept it all, and this is what you'll use
27:35to create your sixth look.
27:37Now, this look must be incorporated into the overall theme
27:41of your collection.
27:42When you have to use scraps from previous designs,
27:45you know, it could damage the whole collection.
27:48There's nothing really safari in my basket.
27:52It's insane.
27:53It's really insane.
27:54This is fun.
27:55We all know you're going to do a great job,
27:57but even All Stars need a helping hand this late in the game.
28:01So we've invited some familiar faces to join us back
28:04in the workroom to help you out.
28:08Come on out, guys.
28:09Oh, look what the cat dragged in.
28:14All the designers from the season that have been sent home
28:18come back to haunt us.
28:20Honestly, it's a little uncomfortable.
28:22Designers, you can pick one fellow designer
28:25to help you over the next 24 hours.
28:28Now, Mondo, you won last week's challenge.
28:30So who would you like to choose
28:32to help you out in your workroom?
28:38I'm going to pick Mila.
28:39Mila, nice.
28:40I pick Mila because of her technical abilities.
28:44I like her approach to design, and I like her work ethic.
28:48Mondo, who would you like to choose to go next?
28:50God.
28:51Go ahead and pick Mike, that's fine.
28:54Just to be fair, Austin, you can choose both of you.
28:59Austin, you can choose first.
29:01Wow!
29:02I'm going to choose my fellow aristocrat,
29:05Her Serene Highness the Princess Antoinette.
29:08Anthony and I do have a similar couture aesthetic,
29:13so I thought he would really be able to get my point of view.
29:17I'm going to choose that silver fox right over there.
29:20Whoo!
29:21I guess I can be your bitch for 24 hours.
29:25I know her from my season, and I know what she's capable of.
29:28See you soon.
29:29Bye, designers.
29:30Good luck.
29:31Bye, guys.
29:32Bye.
29:33Which room is this?
29:34The right room.
29:35I'll take that.
29:36This is one, two, three, four, five.
29:40What should we do for the six peaks?
29:42Hands would work beautifully.
29:43Thank you for helping me.
29:47I am a little surprised that Michael picked me.
29:50My style is so different,
29:52but this look is going to be very well executed,
29:54and it's going to be up to my standards for sure.
29:57So it's really, like, black, white, red, and silver so far?
30:01Mm-hmm.
30:02And it's only five.
30:03Well, now it's six looks.
30:04It's weird being back in the workroom,
30:06but of all the people there, I'm happy to support Mondo.
30:09This from the park?
30:10Yeah, that's from the park.
30:11You don't want that, right?
30:12No.
30:13Yeah, no.
30:14This is, like, the collection.
30:15The theme is sort of Fragonard, Madame de Pompadour,
30:20meets 21st century rock star slash Williamsburg Hasidic gentleman.
30:27Okay.
30:30Any questions?
30:31No.
30:32Oh!
30:33Honey, honey, honey, honey!
30:35I love Austin, and I hope he does well,
30:38but I think that Austin's collection
30:40most definitely requiring the hands of Anthony L. Williams.
30:46I don't know what on earth I'm going to do for this sixth look.
30:49I don't want it to throw off the entire collection.
30:51How much leather do you have?
30:53That's not bad, though.
30:54I like that.
30:55Yeah.
30:56It's weird.
30:57You wouldn't think that it would work, but...
30:58Oh, I would.
30:59I have enough to do, like, a skirt,
31:01or make another pant,
31:03or bodice and leggings.
31:05Like, leggings.
31:06Little bit of structure right here.
31:09Okay.
31:10I'm working on the fifth look,
31:12which is a structured dress with long sleeves
31:15and lots of different sections all pieced together.
31:18I'm attaching the skirt part to the bra
31:20and lining up the seams.
31:22Oh, that looks sweet.
31:23Let's cut some kink and see how that works.
31:26So no bust darts or anything, right?
31:28No.
31:33Hi, darling.
31:35The models come in for their fitting,
31:37and it is like a zoo.
31:40So I'm going to fit you guys one by one,
31:42and I'll come out and get you.
31:43Okay.
31:44This is so hot.
31:45Isn't it?
31:46This was the sixth outfit.
31:49Just this morning, they're like,
31:50now you have to make six outfits.
31:52Oh.
31:53Ultimately, I decide to create this leather tuxedo jumper
31:59made out of leather leftover from the streetwear challenge.
32:03Gorgeous.
32:04Ah!
32:06So my sixth look is from the leftover fabric
32:09when we had our flag challenge.
32:11I had tons of that white fabric left over
32:13from the Greek dress that I did.
32:14Worst comes worse.
32:16I have those shorts to back me up, right?
32:19I'm going to use black jersey from the Jamaican flag,
32:22the zigzag black and white silk from Nanette Lepore,
32:28some of the clear vinyl from the lighting challenge,
32:33and some silk charmeuse from the night at the opera challenge.
32:38While some of his textile choices are not my personal choice,
32:42I respect his selection as a designer.
32:46Bye, Angelique.
32:47Oh, that's perfection.
32:50Oh, yeah.
32:51I like that.
32:52The greatest thing about working with Austin is
32:54a lot of the notes that I gave him, he followed them.
32:57Look, there are plenty of people who would be fake with you.
33:00I'm going to be honest.
33:01I see the top.
33:02You don't see the blouse.
33:03Anthony is not crazy about the lace.
33:05He said it looks like dead white lady.
33:10I think that if he edits, he will be a viable candidate
33:13to win Project Runway All-Star.
33:16I think Mondo's collection is definitely very Mondo.
33:20How would we inset that clear vinyl into the leggings?
33:24It's a little tricky because it doesn't have any stretch at all.
33:28We bump ideas off of each other.
33:30I think Mila has a really good eye.
33:32You can start working on that.
33:34Okay.
33:36Thank you, Tatiana.
33:40That was intense.
33:49The corners are going to be a yatch.
33:51Yeah, let's do a band.
33:53I mean, I just want it to lay, like, perfectly.
33:56No pressure.
33:57Work is never done until those models step foot on the runway.
34:00Man, this is such a, like, train wreck.
34:02I don't even know what to do.
34:03I think that Mondo has become sort of a little scattered
34:07about how to approach this final challenge.
34:10What are you doing?
34:12Trying to make it through.
34:13I feel ya.
34:14Cool.
34:15I feel like you still get your pony.
34:26Pressure is really hot now.
34:29Oh, my neck.
34:31You only have two hours tomorrow?
34:33I think so.
34:34It's so little time.
34:36I think it looks like crap.
34:39Like, there's so much to do.
34:41I have the sixth look to cut.
34:43I have a jacket to make.
34:45I have all the alterations.
34:47There's a lot to do.
34:5015 minutes.
34:51This alone is cute, but it's not a finale,
34:55an Austin Scarlet finale wedding gown.
34:57I'm sorry.
34:58Hope, I pray that I can manage to pull this one off.
35:02It's so scary to be so close to the final
35:05because you can instantly lose it all on one bad look.
35:10It's scary.
35:11Tomorrow is our last day before the big finale.
35:14So, you know what?
35:15I expect to work like my life is coming to an end,
35:18which it feels like it is.
35:19Okay, guys, that's it.
35:20It's time to stop working.
35:27Coming up on Project Runway All-Stars.
35:30Let's get this party started.
35:31I really want to see how he's going to pull that out of his ass.
35:34We didn't finish as much as I was hoping for.
35:36How are you feeling about tomorrow?
35:38Oh, God, I want to win.
35:40We arrived back into the workroom.
35:53It's our last day before the big finale.
35:59I have so much work to do.
36:01A lot, a lot of work to do.
36:03I was almost thinking if I had, like, extra time.
36:06Ha!
36:07I'm very grateful for Mila's help,
36:10but we didn't finish as much as I was hoping for.
36:12I'm feeling very anxious.
36:14Should I do, like, a couple of little...
36:16Yeah, you can do tucks.
36:17...pleats, tucks?
36:18Don't take, like, a million hours on it.
36:19No, I know.
36:20Designers.
36:21Hi, Joanna.
36:22Your 24-hour help is now over.
36:23Quick hug.
36:24Bye!
36:25And I want to come and chat to these guys on their own.
36:26It's been regal.
36:27Thank you so much.
36:28Good luck.
36:29You're welcome.
36:30See you later.
36:31Good luck.
36:32Thank you for all your help.
36:33Austin, how are you?
36:34Wonderful.
36:35This looks like a wedding.
36:36This is going to be a wedding.
36:37Oh, it is going to be a wedding.
36:38What's that huge skirt over there?
36:39This is just the foundation petticoat for this,
36:42which has not been done,
36:43but it's gonna be just a glam, total red carpet gown.
36:45How are you persuading the judge
36:46as you're really pushing it?
36:47Um, I think by just...
36:50I'll give you a hug.
36:51It's all done.
36:52I think you've been regal.
36:54which has not been done but it's gonna be just a glam total red carpet down how are you persuading
37:00the judges you're really pushing it um i think by just i mean i think that this outfit honestly is
37:07like something i've never seen before all right well you've got till the end of the day use every
37:13single moment and you know listen i wish you the best of luck you've worked really hard for this
37:19thanks joanna thanks so much mondo hi hi joanna let's get this party started what's the story
37:27this whole process has driven me a little crazy right and so i came up with this concept of
37:35therapy so i start out with this really cool little skirt it's like this laminated raffia
37:41and then we go into this kind of jersey top i like this because it has such a sense of humor about it
37:46well use the rest of the time that you have wisely i think it looks really coherent and strong and i
37:52cannot wait to see on the wrong way all right good luck thank you john thank you michael hi i would
38:00know this was a from you and b that it's clearly part of the same collection i wanted to do my take on
38:08african safari right but still keeping it in the resort field and it's interesting you've chosen resort
38:13because resort has come out i mean it's a third of the clothes sold now so that's a very commercial
38:19decision this is the sixth look this is the patent leather that i used in the miss piggy challenge
38:24that trimmed off the bow okay so how are you feeling about tomorrow oh god i want to win i just feel like
38:30these are clothes that women would want to wear and i feel good about it well you look in very good
38:36shape i will see you tomorrow tomorrow oh my kingdom for a seamstress
38:47i'm probably a bit more scared about austin's collection rather than mondo's it looks like
38:53there's been seven to eight months put into that collection there's good stuff there
38:58monday one half hour thanks girl now be gone austin's collection i don't get it he has a couple looks
39:07in his collection that are true austin scarlet but some of them are risky for him having a glamour
39:16excitement fit mondo's collection it's it's nice i mean it's very frantic hey guys ready to go
39:28oh what a day what a day what a day tomorrow is our big day that was intense oh are you finished
39:49no no i'm just thinking about how much i do really really want the prize how much i feel that
39:56i have earned it you definitely know how to cut a beautiful dress right now it's hideous but you're
40:02going to turn into something fabulous i think aren't you austin i am it looks fresh and classic
40:07i'm enchanted by your dress you're a star man if i win this are we able to take all those prizes and
40:14make them grow ten times i feel like this is my time i feel like this needs to happen in order for me to
40:22really move forward and accomplish what i've set out to do i think it's amazing that you've got all
40:28this from what you found on the street i love the fabric choice for this i just think the kind of
40:33character she is is played out brilliantly in this i just said wow i love this i would die for this
40:39outfit i can't wait any longer tomorrow should be exciting though right i can't wait i really can't
40:44wait this is all i've ever wanted and it's so close you took the project in a slightly more
40:51sophisticated direction it looks like a present for chermie you are the envy of every designer in
40:57this room because you work so fast michael you gotta call me after this you're like the official
41:04designer to the stars i want it i want this so bad cheers cheers guys to the final three and tomorrow's the
41:13big day next on project runway all-stars the morning of finale and today is judgment day like getting
41:26a fashion orgasm right now i'm gonna have to redo the snap it's six inches too big austin might have
41:33bit off a little bit more than he can chew this is everything i believe in oh god i want to win this
41:41could be my last time at project runway our designers were given just four days to put their collections
41:47together and it all comes down to tonight
Comments

Recommended