- hace 3 meses
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00¡Gracias!
00:30¡Gracias!
01:00¡Gracias!
01:30¡Gracias!
02:00¡Gracias!
02:22¡Gracias!
02:30No, no, no.
03:00No, no, no.
03:30Now, that remains to be seen.
03:32I can do anything a secretary is supposed to do.
03:34For instance, I can sit on my employer's lap.
03:38So I notice.
03:39And when your secretary is on your lap, aren't you supposed to, uh...
03:43Well, now, I hate to do the conventional thing.
03:46But if you insist.
03:52Darling, we're wasting a lot of time.
03:54Why don't we get married?
03:55Well, okay.
03:57Right now, tonight.
03:58Oh, Lamont.
03:59Darling, do you mean it?
04:00Oh, Lamont, you're wonderful.
04:01Then you mean you'll give up...
04:02Oh, no.
04:04Oh, Lamont.
04:05Margot, look.
04:06As a shadow, I can do a lot more good in the world than I ever could as a businessman.
04:10Here we go again.
04:11The same old argument.
04:13That's all you ever say to a girl is no, no, no.
04:15Beginning to feel as though I'm engaged to the invisible man.
04:18Oh, all right.
04:19Now you are invisible.
04:20Lamont, where...
04:21Oh, there you are.
04:22Take it easy, Margot.
04:25There's nothing to worry about.
04:26There isn't.
04:27You run too many risks.
04:29I want to be your wife, darling, not your widow.
04:31You keep on.
04:32Where does...
04:32Where does that leave me?
04:36Right where you are, darling.
04:38I know.
04:39Just the shadow's a little shadow.
04:41Do you realize that in three weeks we will have been engaged a whole year?
04:45Mm-hmm.
04:47Ah, I do.
04:49Margot, if a worthwhile case doesn't show up within three weeks,
04:52I'll quit.
04:53We're good.
04:53And you'll get married?
04:54Mm-hmm.
04:55I'll hold you to that promise.
05:01Oh, darling, what time is it?
05:03Ten o'clock, Miss Lane.
05:07Oh.
05:07Hmm.
05:08A very pretty picture, if I may say so, boss.
05:11You may.
05:12Thank you, sir.
05:13Er, I mean, boss.
05:14I think we'd better get going.
05:22I just got word from headquarters, Burbank.
05:30They're opening the grave right now.
05:31Nice going, Hawkeye.
05:33Who's got permission to open it?
05:35Michael Hasden.
05:36Got some government official to back him up.
05:38Say, listen.
05:39Do you think the shadow might be interested?
05:42I don't know.
05:43I'll see.
05:44It's a lovely face and figure you're wearing tonight, darling.
05:50Thank you.
05:54Braston speaking.
05:56Oh, hello, Burbank.
06:01You've been waiting for that thing to ring.
06:03Yes.
06:04Remind me to sell my telephone stock in one.
06:06Gee, do you own some of that?
06:07No, but remind me anyway.
06:09Yes, I would.
06:09Are you sure?
06:13Who told the Germans be there?
06:15The Germans at the cemetery?
06:17He's there.
06:18Okay, I'll check back later.
06:24Sorry, darling, but we're not going to the nightclub.
06:26But it's their opening night.
06:27We're going to an opening, all right.
06:29Where?
06:30The cemetery.
06:31Wait a minute.
06:32I'm not going to any cemetery until I'm dead.
06:35In that case, they let you in tonight.
06:38Well, that's very nice, sir.
06:39You're all here.
07:05All here.
07:06I will
07:08go back to Mr. Hasden's.
07:14There's something fishy here.
07:16Yeah, headquarters I know about these Jews.
07:18We'll call in from the car.
07:20Get close to that yeoman, too.
07:30Just a minute, Mr. Yeoman.
07:32Eh, eh, eh, what?
07:33We brought you out from Hasden, so we'll take you back there.
07:36Oh, yes, yes, of course.
07:46Certainly is dead around here.
07:48Of course it is. It's a cemetery.
07:53Better control those goose pimples,
07:54or they'll show. You idiot.
07:56Of course, you pay me, but I've got to agree
07:59with this, Marco. Thank you, Freddy.
08:01You're a darling. Thank you.
08:03Well, we're going to Michael Hasden's
08:04if darling doesn't mind starting the car.
08:07Oh, sure. Darling?
08:08Oh, have a heart for us now.
08:10Let's go, darling.
08:11Oh, here we go.
08:18Excellent.
08:19Fine job you're doing, Inspector.
08:25Inspector Cadona.
08:26Oh, sorry, Commissioner Weston.
08:30I haven't had any sleep in four days.
08:32I understand.
08:33How many jobs y'all now, five?
08:35Now, four.
08:36The night I got that girl who tattooed her boyfriend
08:39with a hatchet.
08:39Good.
08:40The only good thing about it is
08:41your nephew hasn't been around bothering me.
08:44I know how you feel, but Lamont's a good boy.
08:45I let him hang around because he's interested
08:47in studying criminology.
08:48Who wish he'd go to Alaska
08:49and take a course by correspondence?
08:51Oh, what I mean, Commissioner, is it good?
08:54Yes?
08:56When?
08:58I see.
09:00Yes, he's here.
09:01I'll tell him.
09:03That call was about the grave they opened tonight.
09:05They took jewels from him.
09:07Might be a case for the customs department.
09:09Now get a car.
09:09I'm going with you.
09:10Inspector, the commissioner.
09:25Where are the jewels that came out of the grave?
09:27Mr. Yeoman here.
09:31He's got them.
09:32A man going in the house.
09:38Uh-oh.
09:39Something's up.
09:40It's locked.
09:40There's my old pal, Cardona.
10:06Where's Yeoman's?
10:07Mr. Yeoman's?
10:07What is there?
10:09Something wrong?
10:10Who are you?
10:11Robert Buell.
10:12I'm staying here to get.
10:13I asked you, where's Yeoman's?
10:14He's out, sir.
10:15He just came in.
10:15We saw him.
10:16I never let him in.
10:17If anyone else did, why?
10:18Did any of you see him?
10:25He's not back yet.
10:27Mr. Yeoman's hasn't returned from the cemetery.
10:29Ah, that's it.
10:30Yeoman.
10:31We saw him come in just now.
10:33St. Jules, he got out of a grave.
10:35If anyone came in, we'd have seen him.
10:36We were just inside the living room, Enfant.
10:39In there, all of you.
10:40You two.
10:41Come on.
10:42Watch outside and let no one go out.
10:49Going to search the place?
10:50Yeah.
10:55He's in again.
10:57Who?
10:57Le Mans Cranston.
10:59Oh, just a moment.
10:59I'll see.
11:00Oh, you mean me, Inspector?
11:01Yeah.
11:11You're Michael Hadsden, owner of this house?
11:14Yes, that's right.
11:16I'm Paul Bray.
11:18Mr. Hadsden's secretary.
11:23And you?
11:24Lenore Jessup of Chicago.
11:25I'm a house guest here on a business visit.
11:28He's our ex-chorus girl.
11:31Hadsden, he's a case-chorus girl.
11:32Can't catch them.
11:33I'm here on business also.
11:35My eye is very weak.
11:41Well?
11:41I'm Charles Crowley, importer and exporter.
11:44You have a place here in New York?
11:45Yes, offices in the warehouse.
11:46Then you're not staying here in the house?
11:47No.
11:48I arrived here for a business meeting just before you gentlemen arrived.
11:51Well, well, well.
11:57My old friend, Bill Monk.
11:59I'm William Monk of Los Angeles.
12:01I'm a house guest.
12:02You're Bill Monk?
12:03Ex-racketeer of New York.
12:04My business now is strictly legal.
12:10Strictly legal, eh?
12:11I have a permit for that.
12:13You always did have, somehow.
12:17You on a butler?
12:18Yes, sir.
12:18Name.
12:19John Adams, sir.
12:22Yeomans entered this house and didn't leave.
12:25Now, just what business brought you people together?
12:27Mr. Yeomans and his gems.
12:29Strictly legal, Cardona.
12:31We formed a corporation to buy the jewels.
12:34We expected to buy them from Hadsden.
12:36Hadsden?
12:36Yes, he owns them.
12:37That'll be if he said he did.
12:39They're all trying to swindle me.
12:41But I know what's going on.
12:43Just a moment.
12:44Come on.
12:48Did you hear what Hadsden said?
13:03Time for me to get busy.
13:04Where to, boss?
13:20Nowhere.
13:21The practice is there.
13:23Well, we're there now.
13:25Happy driving, Shrevee.
13:26Take it easy, boss.
13:34The cop at the door is looking around.
13:35No.
14:00No.
14:02¿Qué está haciendo?
14:09Just standing out there on the balcony.
14:11The shadow.
14:12Don't move, please.
14:14Where's Hasden? I must talk to him.
14:16Out there on the balcony.
14:17Hasden knows what happened tonight.
14:19Get him here and make him talk.
14:27Mr. Hasden.
14:30Come here, please.
14:32Ow!
14:41Well?
14:42He's dead, Inspector. His neck's broken.
14:48Keep everyone inside. Let no one out.
14:50All right, inside, everyone.
14:52Come on, let's go.
14:56Where's the shadow?
14:57I'll go downstairs.
14:59I'll look around up here.
14:59Thank you.
15:19Thank you.
15:21¡Gracias por ver el video!
15:51So it is.
15:52What do they think of next?
15:54Now they're selling them already late.
16:12Why, you're Lamont Cranston.
16:14Why, yes.
16:16The police commissioner's nephew.
16:18That's right.
16:21Well, I want you to understand my position in this affair.
16:26Excuse me.
16:29Well.
16:30Oh, go right ahead.
16:31Don't mind me.
16:33I don't.
16:40Why did you do that?
16:41I might have learned something.
16:43If that's the way you learn things, you'd better remain ignorant.
16:45Well, uh, she does look striking.
16:50Striking?
16:51Well, if she hangs around you, she looks struck.
16:54In both eyes.
16:55No one upstairs.
17:03The guards say no one got out.
17:05Again.
17:05Yeomans in the shadow entered the house, then disappeared without going out.
17:25Now, how did he do it?
17:27Did Hazen fall from the balcony?
17:29He jumped.
17:29We saw him commit suicide.
17:31Oh, now I can't believe that.
17:34I'll get started on this case, if you don't mind.
17:38Oh, not at all.
17:39Only you'd better shift to the other foot.
17:40Uh, you started off on the wrong one.
17:46Uh, by the way, Inspector, which is your wrong foot?
17:49Well, good night.
17:51Good night.
17:51Well, they think Hazen committed suicide.
18:02Didn't they?
18:03It was murder.
18:04Murder?
18:05Hazen was miserly.
18:06He never gave up anything, especially his own life.
18:08It's beyond me.
18:09I simply can't imagine how Yeomans managed to disappear.
18:12Me neither.
18:13Well, we'll just have to draw our own confusions.
18:16Did you get that word, boss?
18:18Yeah.
18:18Where did you get it?
18:19In the dictionary.
18:20Well, you'd better put it back.
18:22Listen, maybe Yeomans has been studying the sheriff's ticket.
18:26Then maybe you're right.
18:28Come on.
18:37As you see, sir, the architect's plan show no secret passages or doorways.
18:42I see it.
18:43Well, I simply can't understand it.
18:45I can't now, but I will.
18:47Who inherits Hazen's property?
18:48His nephew, Mr. Samuel.
18:49Well, but until Mr. Samuel returns from Australia, I'm in charge.
18:54You forget the police are in charge right now, and I...
18:57Look, Cranston, your uncle isn't here now, and I want to tell you, quit the finger-waving,
19:03will you?
19:04Yep.
19:04Oh.
19:04Hello, Commissioner.
19:07The DA wants to know what you've decided, Inspector.
19:10Suicide and disappearance, sir.
19:12Oh, Yeomans disappeared all right, but Hazen's death could have been murdered.
19:15It will be murdered if you don't stop.
19:17Did Hazen have any reason to suicide?
19:19Why, no.
19:20None of course.
19:21Did Hazen's know that Yeomans were shipping his jewels into the country with a corpse?
19:24Where are you going?
19:24I thought I'd go outside for a little fresh air.
19:26There's plenty of fresh air in the living room.
19:28And get back there.
19:32What were those jewels worth?
19:35Oh, I know it is.
19:36Mr. Hazen said they were worth millions.
19:38Millions?
19:38That's why the Shadow was here.
19:41He got them.
19:41Oh, no.
19:42I mean, that's wonderful, Inspector.
19:45How did you figure it out?
19:46The Shadow was here and then disappeared.
19:48He could have taken Yeomans and the jewels with him.
19:50And Hazen was not murdered.
19:52The Commissioner and I saw him jump from the balcony.
19:54How long were you with Mr. Hazen?
19:58Oh, about eight years, sir.
20:00Wasn't Hazen traveling around the world about, say, eight years ago when he picked up all
20:03these souvenirs he had hanging around the house?
20:05Yes, sir.
20:06He hired me in Australia.
20:07Thank you.
20:08The Shadow.
20:10Souvenirs.
20:12Want to question anyone else before the police takes over?
20:15Oh, no, Inspector.
20:15I prefer action.
20:17Action?
20:17Well, you'll get it if you don't stop butting into my business.
20:19Now, wait a minute, Inspector.
20:20No use of getting excited.
20:21Excited?
20:22Who's excited?
20:23Lamont, we have to be going.
20:25What?
20:26Oh, yes, we have to be going.
20:28See you later.
20:30You've got to admit, Commissioner, that your nephew is wasting his time.
20:34He'll never make a criminologist.
20:35Well, you've got to admit he tried hard enough.
20:47You stay here.
20:48I'm doing a solo.
20:48Hello.
20:53What's he doing in there to sing for?
20:55Freddy, he's not going in there to sing.
20:58Well, he just said.
20:59Oh, I know.
21:00He's going to play the piano.
21:01Is that it?
21:03That's not it.
21:04We've talked and talked.
21:16There's only one thing to do.
21:17What's that?
21:18The police are bound to recover Yeoman's jewels.
21:21Oh, I hope so.
21:22Then we make a deal right now with Brett.
21:25With me?
21:26You're in charge of Hasden's estate.
21:28Yes, but only until Mr. Hasden's nephew returns.
21:31To what?
21:31Well, you think we'll tell him anything?
21:49What do you say, Brett?
21:50He won't lose.
21:50No, we'll pay very well.
21:52Handsomely.
21:53Handsomely.
21:54Well, yes or no.
21:55Well, I think matters can be arranged.
21:57Good.
21:57But what about Mr. Crobay?
22:00You forgot Crobay.
22:02I didn't.
22:06He was in on the deal to buy the stuff from Hasden.
22:08He won't like this new arrangement.
22:11If Crobay doesn't like it, can't he be taken care of?
22:13He won't be taken care of, but he won't be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be taken care of, but he'll be
22:43¡Suscríbete al canal!
23:13¡Suscríbete al canal!
23:43¡Suscríbete al canal!
24:13¡Suscríbete al canal!
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25:00¡Suscríbete al canal!
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25:02¡Suscríbete al canal!
25:03¡Suscríbete al canal!
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25:06¡Suscríbete al canal!
25:07¡Suscríbete al canal!
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25:12¡Suscríbete al canal!
25:14¡Suscríbete al canal!
25:15¡Suscríbete al canal!
25:16¡Suscríbete al canal!
25:17¡Suscríbete al canal!
25:18¡Suscríbete al canal!
25:19¡Suscríbete al canal!
25:49I got socked twice, and I didn't sock back.
25:52And me that comes from Brooklyn.
25:53You know, I...
25:55Hey, boss.
25:56Hold it.
25:58Where are you going?
25:59We just stopped in to see Mr. Sobe.
26:01Yeah, okay, up those stairs are no funny buzzers.
26:04Okay.
26:10Hey, you're the guy that socked me.
26:13My mistake.
26:14My mistake.
26:19Get out of here.
26:34What is it?
26:35These people were in a warehouse.
26:36They said they were looking for you.
26:37In a warehouse?
26:39Oh, yes.
26:40Yes, it's all right, Watson.
26:41You, uh...
26:46You wish to speak to me?
26:47Uh, yes.
26:47Uh, to warn you.
26:49Warn me?
26:50About what?
26:51John Adams is hiding somewhere in your warehouse.
26:54Adams?
26:54The Hazden Butler?
26:55Yes.
26:56In the warehouse?
26:57I think you'd better call the police.
26:59Oh, no, no, no, no.
27:00Uh, I mean...
27:01If Adams is here, he must have a reason.
27:04He has.
27:05He means to kill you.
27:06Kill me?
27:07Yes.
27:07Certain business associates of yours have expressed a desire to be rid of you.
27:12Better call the police.
27:14Mr. Cranston, if there is need for the police, I will decide.
27:17Now, if you will excuse me, I have an awful lot to do.
27:20The importing business today is not...
27:22What about the jewels?
27:25Jewels?
27:26Yes.
27:27Uh, you import them.
27:28Isn't that why you were so interested in the gems Jomans was taking to Hazden?
27:31I, uh...
27:32I import only commercial stones.
27:34Look.
27:37I will show you the sort of gems I import.
27:44Good.
27:45Now, these are what I import, commercial diamonds sold by the pound, used for industrial tool making.
28:11Uh, what kind of jewels did Jomans have?
28:16Why, I...
28:17I don't know.
28:18But...
28:19If you'll excuse me now...
28:20Yes, of course.
28:21Uh, I'm sorry to have trouble you.
28:23Come on, Trevi.
28:23How...
28:30Come on.
28:30Come on.
28:31Come on.
28:34Come on.
28:42Come on.
28:47¡Gracias!
29:17Get in, Marco.
29:22I'll drive.
29:22Hey, wait a minute.
29:23We all can't get in there.
29:24I know that.
29:25You ride with him.
29:27With him?
29:28I don't even know the guy.
29:29You'll get acquainted.
29:39The body's been dead almost a week.
29:40Okay, thanks, Molly.
29:42Well, missing persons can't help us.
29:44No one's inquired about a body of this description.
29:47That's what comes of your running around in a private cab.
29:49When I did nothing.
29:51Why do you need a private cab?
29:52Every time I needed a taxi in a hurry, I couldn't find one.
29:55So I became annoyed and bought one of my own.
29:56But why should a week-old corpse be dumped into your cab?
29:59I don't know.
30:01It seems every time I see you, you're with a suspicious character.
30:06Well, every time you see me, Inspector, I'm with you.
30:13Inspector.
30:14That's my hand.
30:15Oh, I'm sorry.
30:17Now I'll have one of your sandwiches, Shrevy.
30:27Sandwich?
30:28Yeah, so will I.
30:29Sure.
30:34Hey, what happened to those sandwiches?
30:36Oh, I know.
30:37I ate them myself.
30:38I must have been hungry.
30:40I'd better make some more, huh?
30:41That's a good idea.
30:41I think it is.
30:44No tests reveal what type gem it is.
30:46Well, could it be glass?
30:47Diamond barely scratches it.
30:49I don't think it's a jewel.
30:51Well, isn't that the same as those found in the grave?
30:53Mm-hmm.
30:53Then Frobe kidnapped Yeoman and his jewels.
30:56I think Frobe had that before the grave was open.
30:58Oh, nothing makes sense.
30:59Not even this.
31:00You might just as well have given it to the police.
31:03Now, if you can't make sense out of it, what do you think Cardona would do with it?
31:06Don't pick on him.
31:07He's a very good detective, even if he doesn't like it.
31:09Well, the ladies, they plow work on him just because he is good.
31:12I don't get this.
31:13On the first page, there's only one sentence.
31:16Must find pure solvent for cellulose.
31:18What does that mean?
31:19And look, all the rest are just formulas.
31:22All old ones.
31:23Been in public domain for years.
31:25Most of them wrong.
31:26See here, look.
31:27One extra element, wrong and out of place.
31:30Now, that man, whoever he was, did the same mistake in seven other formulas.
31:34Elements?
31:36That's what you're made of, baby.
31:37Oh, sugar and spice and everything nice.
31:39Mm-hmm.
31:40With a little TNT and dynamite.
31:42And just a touch of thunder and lightning.
31:45You say the sweetest things.
31:46When you have nothing more exciting to do, why don't we get married?
31:50Mm-hmm.
31:51Mm-hmm.
31:59Excuse me, but, uh...
32:01Ah!
32:01Oh, the telephone's ringing.
32:03Oh.
32:03Food.
32:06You know?
32:08Oh, we're back.
32:09You and your telephone bells.
32:11When I kiss him, I want him to hear wedding bells.
32:13Sure, sure.
32:14Have a sardine sandwich?
32:15No, no, thank you.
32:18Wait a minute.
32:18Repeat that, will you?
32:19We contacted the customs department.
32:21Customs inspected search the coffin when it arrived.
32:24They say that there's no duty to be collected on any of Yeoman's jewels.
32:28Okay, thanks.
32:28I'll check back later.
32:30I was right.
32:31That isn't a jewel.
32:32And neither of those found in that grave.
32:34It isn't?
32:35Well, then what's it all about?
32:36No.
32:37Burbank also said that Cardona is meeting all the suspects it has in the tent.
32:40We've got to get going.
32:42Come on.
32:44Well, hey, hey, hey.
32:45Wait a minute.
32:46Here's the sandwiches.
32:47Let's sit.
32:49Ah, you work around here with your fingers to the bone and nobody appreciates it.
32:53Now, what's going to happen to those sandwiches?
32:57I know what's going to happen to them.
32:59I'll eat them myself.
33:00It's a dandy idea.
33:01I'm going in there.
33:13All right, let's go.
33:14Oh, no.
33:15No, the shadow's going in alone.
33:21Whoa.
33:22Have a sardine sandwich.
33:24No, thank you, Chevy.
33:29Whoa.
33:30What's the matter?
33:31This thing's got no taste to it.
33:34No wonder.
33:35The sardine got away.
33:37And it was that big, too.
33:42You people would have made a lot of money if Hazden had sold out to you.
33:47But you would have made more if you got yeoman's jewels without paying Hazden.
33:52We were doing business on the level.
33:54Inspector, I think...
33:56Please, I'm doing the thinking.
33:58And I'm doing it out loud.
33:59And I'm thinking someone in this room drugged Hazden.
34:04Hazden was drugged?
34:05Yes.
34:06The autopsy showed that he'd been drugged for almost a week.
34:09He looked like he was going through it.
34:13And...
34:14This is a scary time.
34:15More of 89.
34:16I know today.
34:16Of course, he'd be a man if he wanted to follow you by 거예요.
34:19For half a week, he did the leader be upon him.
34:21If he could get it out loud.
34:22He's a goodcat hundred, but he didn't recognize him though.
34:23So一直 with a minute.
34:24And I'm done.
34:25I know I kept going.
34:27So things go away.
34:28Before the kid, he's was in love.
34:29¡Suscríbete al canal!
34:59¡Suscríbete al canal!
35:29Adams knows too much of what has happened around here.
35:32He will talk.
35:34He is in the upper hall unconscious.
35:36Go to him after I've gone.
35:39Turn on those lights.
35:40Don't move or I'll shoot.
36:00Don't shoot.
36:01I'll give up until I...
36:04Ah!
36:05Tom.
36:09Ah!
36:18Ah!
36:18¡Gracias!
36:48I think it was a he, or it was a she.
36:50I don't know which it was.
36:51Oh, Shrevy.
36:53Well, come on.
36:53Let's get out of here.
36:54All right.
37:03You say that the Shadow killed Adams?
37:05Yes, and Hasden, too.
37:07And kidnapped Yeomans and stole the jewels.
37:09But, Uncle, you say that Hasden and Adams committed suicide.
37:12That's what it looked like.
37:13But they were murdered.
37:14How?
37:15I don't know yet.
37:17But I'll find out.
37:18What's the motive?
37:20Yeomans' jewels.
37:21They were gone before the deaths occurred.
37:23Yes, but suppose Hasden and Adams knew something
37:25that would expose whoever got Yeomans' legion.
37:28That would be a motive for murder.
37:30But I don't see how you can do anything to the Shadow.
37:32No?
37:33Just let me get my hands on you.
37:35Hmm.
37:36I see.
37:37Well, I think I'll be going.
37:38Good day.
37:42If we knew how Yeomans disappeared,
37:44we'd solve this case.
37:46The mystery is how were Hasden and Adams killed.
37:48Yeomans' disappearance is simple.
37:49It is?
37:50Well, how did he disappear?
37:52Why, you figured that out from the start.
37:53I just...
37:54Oh, yes.
37:55Remember when you said that Yeomans must have been studying the Shadow's technique?
37:58Yes.
37:59I don't get it.
38:00Why don't I, then?
38:01Well, it's simple.
38:03Oh, sure, sure.
38:05But I still don't get it.
38:11Come on, Frobe.
38:12You stole long enough.
38:13What do you know about those murders?
38:15I told you.
38:16Nothing.
38:17No?
38:19What do you know about this?
38:22Where did you get that?
38:24From your safe.
38:25If the police get this, they'll convict you of robbery and of murder.
38:29Don't, don't.
38:30That's not one from the grave.
38:32That's...
38:36Lamont's been in there an awfully long time.
38:38I'm scared, Trevi.
38:40Me, too.
38:41That is, I mean, I'm scared for him.
38:44You go see what's happening.
38:45What?
38:47Now I'm...
38:48I'm scared for me.
38:54All right.
38:56I'll tell all I know.
39:09I can prove what I'm going to tell you, but we must go down to the warehouse.
39:13You go ahead.
39:14I can prove what I'm going to tell you.
39:44I can prove what I'm going to tell you.
40:14I can prove what I'm going to tell you.
40:44I can prove what I'm going to tell you.
40:47I can prove what I'm going to tell you.
40:49I'm going to tell you.
40:49¡Gracias!
41:19¡Gracias!
41:49¡Gracias!
41:54¡Wow!
42:07¡Gracias, copias!
42:08¡Verdad por acá!
42:09¡Sépera!
42:14¡Oláée, radio!
42:16Do you have a seat after the warehouse?
42:18¡Vamos aquí, Murphy!
42:30¡Vamos!
42:30¡Vamos!
42:35¡Vamos!
42:36¡Vamos!
42:37¡Vamos en una piccola!
42:38¡No es una de las pequeñas piccola!
42:45¡Hald it!
42:49¡All right, what's going on here?
42:54¡Inspector, come here!
42:55¡We found Probé!
42:57¡Tay care of them!
43:02¡Looks like another murder!
43:18¡Vamos!
43:19¡Vamos!
43:23¡Vamos!
43:24¡Vamos!
43:24¡Vamos!
43:25¡Vamos!
43:25¡Vamos!
43:26¡Vamos!
43:26¡Vamos!
43:27¡Vamos!
43:27¡Vamos!
43:27no cuando se me ha hecho el pico y no me gusta que te haga en la casa de
43:33la ciudad de la ciudad de frontera bueno para poder hacer esto de un ascen
43:38hagan ya que la gente se le hagan de la zona de la zona de la zona de la
43:44la zona de la zona de la zona de la zona de la zona de la zona de la zona de la
43:48Unless you need my help, Inspector.
43:50I need your help.
43:51Well, I'd better be going.
44:11Three murders.
44:12Jura's a short time between corpses, ain't it?
44:14Do you really think there's a secret room inside that warehouse?
44:17We'll soon find out.
44:18I know that Adams just appeared in there.
44:20Trevor, you wait here.
44:21Oh, of course.
44:22Give me a chance to slug the guy who slugged me, won't you?
44:24You better get in training first.
44:26Why, I'm in the pink.
44:27Look.
44:28You mean Punk.
44:36Just a minute.
44:38No one comes in here except the police.
44:40I know that.
44:41But Inspector Cordona won't mind.
44:43Just phone him and tell him Cranston's looking around.
44:46Well, all right.
44:48Let's see if you can find one that opens.
44:58That's what it is.
45:00It's the Inspector Cordona.
45:09Margot.
45:10Margot, where are you?
45:15So you found it.
45:16And how I found it.
45:19Okay, let's go.
45:24Who did you say?
45:26Cranston.
45:27No, of course not.
45:29Throwing out of that warehouse.
45:31He's hiding?
45:33I'll be right over.
45:34Well, you'll find the strangest thing.
45:50Quite a laboratory they have hidden away down here.
45:53What are you looking for?
45:54The motive for four murders?
45:55Three, darling.
45:56Hanson, Adams, and Probate.
45:59And the corpse they put in our taxi.
46:01Once again, Cardona did a good job today
46:03and identified the body as Joseph Buhlman.
46:06Buhlman?
46:07The man who disappeared from Hanson?
46:09Buhlman was dead that night and in this building.
46:12Then who did disappear?
46:14Quiet.
46:14Man at work.
46:15Where?
46:15Where?
46:16It's pretty rusty, but I think I can open it.
46:32I'm afraid I can't.
46:34Maybe if it's old and rusty, they didn't lock it.
46:37Oh, Margo, please.
46:39Please.
46:39Not a profound piece of deduction, but cute, don't you think?
46:52What are you doing here?
46:53Oh, oh, who, me?
46:54Why, I'm waiting here to take away Mr. Cranston.
46:57When I get through with him, you'll take away what's left.
47:01That's what you think.
47:04The drawer that came out of the coffin.
47:06The motive for murder.
47:09Now what?
47:12These are the same as the one Probé had.
47:14They're not jewels.
47:15The husband said they were worth a fortune.
47:17Why?
47:18You know the answer?
47:19Mm-hmm.
47:20Well, then tell me.
47:20Don't ask me.
47:22The truth of the mystery is here.
47:24The wrong elements.
47:26I remember in several of the old formulas.
47:28Mm-hmm.
47:28I'll get the first one.
47:30You read off the other wrong elements I've got marked.
47:32You'll mix them up.
47:33If Cranston didn't go out, he's still in here.
47:41But, Inspector, he ain't in here, and he didn't go out.
47:44Why'd you do that?
47:51That note gave me the tip.
47:53Must find pure solvent for cellulose?
47:56Is that it?
47:56No.
47:57But that note about pure solvent for cellulose means that Yeomans was trying to make plastic.
48:01Lamont, you don't mean that these are plastic.
48:03It's probably the toughest plastic known.
48:05And it's so worth millions to whoever owns the formula for making it.
48:08Jump the rest of them in here.
48:09Oh, but Lamont, they're so pretty.
48:10Drop them!
48:11No, he ain't out yet.
48:19I wanted to go in, but he wouldn't let me.
48:21I won't let him in either.
48:23Too bad when he's in already, isn't it?
48:28Who does he think he is?
48:30I know who he is.
48:32He's the chief of police.
48:36Margot!
48:37I didn't do it.
48:38I just...
48:39And don't shout at me.
48:40Not until after we're married.
48:42And then don't you dare do it.
48:44I'll make a note of that.
48:46These plastic gems should be dissolved by now.
48:49Completely?
48:53It's what was in one of them.
48:55Your capsule.
48:57Fish the rest of them out.
48:58Are there more?
48:59There should be one in each gem.
49:00After inventing such a wonderful plastic,
49:02why did Yeomans want to find something to dissolve it?
49:05They guard his invention.
49:07He hid his plastic formula,
49:08only he would know where to find it.
49:10See?
49:11A piece of microfilm with writing on it.
49:13There should be a piece of film in each one of those, too.
49:16Part of Yeomans' formula on it.
49:19Will this help solve the case?
49:21Sure.
49:22Now I know what to do.
49:25Those three thugs that were guarding this place
49:26were in on the plot to steal Yeomans' formula.
49:29They were a probate and adamant.
49:31Like Hazden, they were killed because they were about to talk.
49:33But who is the murderer?
49:35The person who disappeared from Hazden's that night.
49:37Oh.
49:37Come on, we'd better ramble.
49:38Before the dumbass starts looking for us.
49:40There.
49:41I could see those stairs, and he didn't go out there.
49:51If you ask me...
49:51I'm not asking you.
50:05I'm sure I heard something.
50:11Get that crate out of here.
50:13Crate.
50:14This ain't no crate.
50:15Get it out of here fast.
50:16Oh, all right.
50:18I should have said to him, I should have said,
50:20who pays your wages?
50:21I do, the taxpayer.
50:23That's what I should have said to him.
50:24Oh, you should have said.
50:25Yes, I should have.
50:27Well, I didn't.
50:29Excuse me.
50:36It's okay now, boys.
50:41You hear me tell that Cardona what I think of him?
50:43Why, you told him nothing at all.
50:45It's just what I think of him.
50:50Well, but you got saved yourself.
50:51I was only in the warehouse about ten minutes.
50:53I guess we can forgive you.
50:54But, Commissioner, when I came in...
50:56Yes?
50:58Inspector Cardona?
51:00Thanks.
51:01Hello.
51:03Inspector Cardona?
51:05Just a moment, please.
51:09This is the shadow.
51:11Be at Hasden's home at ten tonight...
51:13if you wish to solve the case.
51:15The shadow knows.
51:17Oh, hello.
51:19Hello.
51:22What is it?
51:23That was the shadow.
51:24He tells me to be to Hasden's house tonight...
51:26if I want to solve the case.
51:27I'm going there right now.
51:29And if the shadow shows up, I'll get him.
51:31I'll be there.
51:32Good morning, Inspector.
51:33Inspector.
51:33Inspector.
51:41Hey, fellas.
51:53If I was you, I wouldn't hang around here.
51:55It's pretty dangerous.
51:57A couple of guys got bumped off in there.
51:58Murderers running around loose.
52:00And the cops ain't doing anything about it.
52:02It's terrible.
52:03Why, the insufficiency of the law...
52:04Inefficiency.
52:06Yeah.
52:06It's simply applauding.
52:08It's applauding.
52:09Appalling.
52:10Yeah.
52:10Well, you get what I mean.
52:12Yeah.
52:15Yeah.
52:16And I get what you mean.
52:18Yeah.
52:21Oh, where is he now?
52:22Early on, boss.
52:24You know, there's more cops out there...
52:26than there is at a policeman's ball.
52:27Never mind that.
52:28You remember everything I told you?
52:29You know me.
52:30When you give me obstructions...
52:31I follow them exactly to the letter.
52:33Yeah.
52:33Come on.
52:40Good evening.
52:41Yeah.
52:42I'd like to see the shadow...
52:44get in or out of here tonight.
52:46Step in there, please.
52:49Mind if we come in, too?
52:51No, no.
52:51No, not at all.
52:53Now, be quiet.
53:08Ten minutes past ten.
53:09Shaggo's not here.
53:11I bet he's afraid of...
53:13Afraid of what, Infector?
53:15Don't move.
53:17Infector, Yeoman's gems were false.
53:20But inside them were capsules...
53:21which contained a formula...
53:22for making plastic worth millions.
53:26You people knew that?
53:27They did.
53:28All of these people were after...
53:29Joseph Yeoman's formula.
53:31And one of them killed Yeoman's...
53:33and the other three.
53:34How?
53:35Were Hazden, Adams, and Probé killed?
53:37They were dragged to death.
53:39And the evidence was right under your nose, Inspector.
53:41No way out the front.
53:56Warn the guards outside.
53:57The shadow didn't come out...
54:11because I had a guard at every door and window.
54:13He's not inside.
54:14He disappeared the same as Yeoman.
54:15Yeoman's never got here.
54:16He was dead that night.
54:17Who was it disappeared?
54:18I know, but I can't do any good...
54:20until I find out how those murders were committed.
54:33At least one of the four of you is a murderer.
54:36And I'm going to find out which one...
54:37before we leave here.
54:38Infector!
54:40This is what I found in my coat pocket.
54:42What are they?
54:43Steel capsules?
54:43This is with them.
54:44A note from the shadow.
54:45The note says the capsules contain Yeoman's plastic formula.
54:48The motive for murder.
54:52I told you to be quiet.
54:53I'm sorry, Inspector.
54:54I leaned against the wall and...
54:56knocked it off.
55:01Now I'll tell you how the murders were done.
55:04Adams had a burn around his right wrist.
55:06Probé had a cut on the back of his right hand.
55:08The cut and the burn were made by the murder weapon.
55:12This.
55:12Or one like it.
55:14There are plenty of these hanging on the walls of this house.
55:18I think you hit it, Inspector.
55:19I'd show you how it was done.
55:21If I could handle one of these things...
55:23I can use a bow whip.
55:24Do you mind?
55:25Trevi?
55:25Upstairs.
55:30Now me and the boys are going to do what we rehearsed.
55:39Now, as you remember...
55:40all of the victims were on the upper floor before they were killed.
55:44The killer standing below...
55:46with his bow whip.
55:48Each victim had his right hand on or near the railing.
55:51Then the killer struck.
55:53Then the murderer pulled, tightening the loop...
55:56dragging his victim to death.
55:57Ross, don't forget...
56:00It's me!
56:01It's me!
56:02As the victims fell, he flicked the latch free...
56:04recoiled his whip...
56:06hung it back on the wall...
56:07and joined the others rushing to find the newly murdered man.
56:10Now, does that sound logical, Inspector?
56:11That's the way it was done.
56:12Well, I'm glad that's settled.
56:13But how's the man that came in here that evening disappear?
56:15I'll show you.
56:16From the den, you can see the stairs in the rear hall.
56:22From the living room, you can see part of the hall.
56:24The library door.
56:25You can't see that from either of those other doors.
56:27Right.
56:28Oh.
56:28Oh, I get it.
56:29Well, say I'm the man that came here that night.
56:31I enter the door.
56:39No one sees me.
56:41I take off my coat and hat...
56:42and hang them in the closet.
56:44And then...
56:45I disappear.
56:47Here.
56:57Is that the way it worked, Inspector?
56:58That's it, exactly.
56:59But who was the man who disappeared?
57:01The murderer.
57:02An expert with the bullwhip.
57:03And common in Australia.
57:06The murderer enters, disappears into the library,
57:09then comes out of the den with Hasden as himself.
57:16Get him, Shreving.
57:17Who came on a murder charge?
57:34I suppose you people realize what a close call you had.
57:37I hope you don't think we were involved.
57:38I know you weren't.
57:39But without the double-crossed all of you.
57:41You'll have to remain in town as your material witnesses.
57:49Well, I solved that case.
57:52Oh.
57:52I mean, I think you're wonderful, Inspector.
57:56Oh.
57:57Thank you.
57:59Let me get my outfit.
58:00Sure.
58:02Let's go someplace to relax.
58:03Relax?
58:04Let's go where there's excitement.
58:07You'll be all right as soon as you get out the air.
58:09Come on.
58:09Hey, what?
58:15How about me wearing this and solving some cases, huh?
58:17I'll be with you in a moment, Commissioner.
58:18What's the matter?
58:20So does I get my hat?
58:23You people going to stay here all right?
58:24No, we're just leaving.
58:25We're leaving with you, Inspector.
58:27I've got to get my hat.
58:27Oh, your hat.
58:28It's in the living room.
58:29Oh, no, no.
58:29Your hat's upstairs.
58:30If there's one thing a detective could find,
58:32it's his hat.
58:34And mine's in here.
58:35Oh, thank you.
58:36Uh, what are you doing in there?
58:41Oh, I thought it was the way out, but it ain't.
58:44Nice to see you, Inspector.
58:45Yes, nice to inspect.
58:46Inspector, good night to see you, Inspector.
58:47Why are you walking backwards?
58:49I sometimes like to walk backwards.
58:51Why?
58:51Well, I like to see where I've been.
58:53Don't get fresh with an horse.
58:55I'm not getting fresh with an horse.
58:55I'm not getting fresh with an horse.
58:56No, I brought my coat.
58:58Oh, no, no.
59:00Come on, Shreddy.
59:01Everything's under control.
59:01Yes, everything's under control.
59:03Say, Cranston,
59:04how do you suppose the shadow
59:06ever got out of him?
59:08Well, now,
59:08that question's been bothering me, too.
59:10Good night, Inspector.
59:11Good night, Inspector.
59:11Good night.
59:20Good night.
59:21Good night.
59:21Good night.
59:22Good night.
59:22Good night.
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