- hace 2 días
PRESIONA "SEGUIR" PARA ESTAR AL TANTO DE LOS PRÓXIMOS ESTRENOS DE ESTE CANAL.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
SIGUE EN FACEBOOK "LO MEJOR DE LOS OCHENTA" NUESTRA PÁGINA AMIGA Y SIGUENOS EL "VOLVIENDO AL CINE DEL BARRIO" EN LA MISMA PLATAFORMA.
Este es un canal dedicado a los cultores del cine vintage; un tributo a los nostálgicos de siempre. Está consagrado a revivir los viejos éxitos de la cinematografía que ya pasó de ser cine, para convertirse en séptimo arte, como así también reivindicar la memoria de muchos actores y actrices injustamente olvidados por los difusores de hoy. Volvamos al viejo cine del barrio donde tantos recuerdos hermosos cultivamos. Muchas gracias por sumarse...Y síganme los buenos...!!
Película considerada de culto. La intención de este ciclo es llevar al mundo de habla hispana películas de terror/sci-fi/suspenso y comedia de los '30, '40, '50, '60, '70 Y '80, en su idioma original con subtítulos; recopiladas de varios sitios de internet, con el propósito de colaborar con la difusión cultural del cine que hoy podemos denominar de culto. No se olviden de dar LIKE y SUSCRIBIRSE y ayúdenme para poder seguir subiendo videos y ACTIVAR la campana para saber de próximos estrenos en versión original y subtitulados.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:02:00¡Gracias!
00:02:02¡Gracias!
00:02:12¡Gracias!
00:02:14The game's up, Llewellyn.
00:02:16I arrest you for the murder of John Russell and Mary McClure
00:02:18at 150 Libra Street, Liverpool
00:02:20on the night of January the 1st, 1935.
00:02:22I have to warn you that you say,
00:02:24etc. etc. etc.
00:02:26I've been after you for five years for this,
00:02:28¡Gracias!
00:02:58Yes, but you weren't single-handed, Chief.
00:02:59I was with you.
00:03:00Well, it's as good as being single-handed.
00:03:02Yes, but it was me that leapt on him.
00:03:04From behind.
00:03:05Look here.
00:03:06Whose life story is this?
00:03:08Yours, Chief.
00:03:10I mean, fair's fair.
00:03:11After all, I've given you the best years of my life,
00:03:13and the only time you've mentioned me up to page 298
00:03:16was that time when the bulldog tore a piece out of my trousers.
00:03:19Well, that showed your true advantage, didn't it?
00:03:21Anyway, will this satisfy you?
00:03:23Ten minutes later, help arrived in the shape of Sergeant Bingham,
00:03:25and the Saffron gang was finally rounded up.
00:03:28Thanks, Chief.
00:03:30Not that you did make any difference.
00:03:32Well, now we come to the last chapter.
00:03:34We'll leave that blank for the moment, but we'll hit it.
00:03:36The fifth column.
00:03:38The fifth column?
00:03:39That's what I said.
00:03:41But you haven't had anything to do with the fifth column?
00:03:43No, but I'm going to.
00:03:44Listen to this.
00:03:46The Minister of Home Security today assured the government
00:03:49that the best brains in Scotland Yard
00:03:51will shortly be engaged to combat the menace of the fifth column in this country.
00:03:55Here, my boy, Inspector Hornley's next case.
00:03:58Yes, but it hasn't even mentioned it, Chief.
00:04:00No, but it says the best brains, and that narrows it down.
00:04:03Let's see, there's Jenkins in Yorkshire, Brown in Ireland.
00:04:06That leaves...
00:04:08Morning, Inspector Blue.
00:04:10Good morning.
00:04:11Still working on the life story for tidbits, I see?
00:04:15I thought of a good title for it yesterday.
00:04:17Oh?
00:04:18Yes.
00:04:18Wapping Tales of the Yard.
00:04:20I'll take that remark with the contempt it deserves.
00:04:25Anything else, Chief?
00:04:26No.
00:04:26There's an unsympathetic influence in the room.
00:04:28I'll just head up the new fifth column chapter,
00:04:30and then I'll leave it at that, eh?
00:04:32Fifth column?
00:04:34How does fifth column figure in the fairy tales?
00:04:37It hasn't yet, but it's going to, eh?
00:04:38Oh, and who said you were going to be assigned to the fifth column case?
00:04:45A little Dickie Bird.
00:04:46Oh, I should bring that little Dickie Bird's neck if I were you,
00:04:48because he's singing the wrong tune.
00:04:50I suppose you think you're going to get the job, eh?
00:04:52Never mind, Hornley.
00:04:54Anyway, how could they waste a man like you on a job like that?
00:04:57Why not?
00:04:58Well, who's going to take care of the bottle parties?
00:05:01Well, I'll practically clean those up, you know that?
00:05:02Yeah, with the exception of the one where Bingham goes every night.
00:05:06Well, he hasn't found any evidence yet?
00:05:07No, but he's found a nice little friend down, sir.
00:05:10Who?
00:05:12Is that right?
00:05:13No, it's not.
00:05:15Inspector Hornet.
00:05:16Yeah?
00:05:17The commissioner, Wanchor.
00:05:18Oh?
00:05:19He's got half the army high command with him.
00:05:22Has he, though?
00:05:23Oh.
00:05:25Well, I shouldn't worry, blow old men.
00:05:27You'll have plenty of time to spare.
00:05:29I'll hand over that little joint for you to clean up.
00:05:31And if you talk to Bingham nicely, he might give you her phone number.
00:05:36Oh, Bingham.
00:05:37Sir?
00:05:38You can leave in that bit above the fifth column.
00:05:39Later, Archie.
00:05:43The fact is, this petty scrounging has reached such proportions
00:05:46that it's costing the army thousands a year.
00:05:48What we've got to do is to set an example.
00:05:50If we can catch one or two other culprits,
00:05:52it'll have a salutary effect on the others.
00:05:55Now.
00:05:57You said for me, sir?
00:05:58I don't know, Brigadier Lloyd, Major Harvey of the War Office,
00:06:00Inspector Hawkeye.
00:06:01How do you do, gentlemen?
00:06:02I've got a rather unusual case for you, Hornley.
00:06:05The War Office is concerned over certain army activities
00:06:08which are proving rather more widespread than we imagine.
00:06:10Now, what we thought.
00:06:12I think I know what you mean, sir.
00:06:13Oh?
00:06:14Well, one reads the papers.
00:06:15The papers only touch on the fringe of it, I'm afraid.
00:06:18Quite.
00:06:18But a detective can read between the lanes.
00:06:20I'm glad you appreciate this importance.
00:06:22As I was telling the commissioner,
00:06:23this is not just a case of a few tins of strawberry jam.
00:06:27Eh?
00:06:27This sort of thing's going on in camps all over the country, you know.
00:06:30I beg your pardon?
00:06:31These depredations from army stores.
00:06:33Depred...
00:06:33Scrounging, Hornley.
00:06:36Scrounging?
00:06:37But you've been to say this has nothing to do with the fifth column.
00:06:39Fifth column?
00:06:40Why don't you put that into your head?
00:06:42Inspector Blow was assigned to that case last week.
00:06:44Blow?
00:06:45As an ex-officer,
00:06:46it shouldn't be difficult for you to get into the run of things again.
00:06:48Are you listening, Hornley?
00:06:50The idea is that you should join the army.
00:06:53What, me?
00:06:54Yes.
00:06:55What, at my age, after all my years of...
00:06:56Temporarily, of course.
00:06:58We'll do our best to see you're comfortable.
00:07:00Well, it's more than I was last time.
00:07:01Still, if you're offering me a commission...
00:07:03Yes, I'm afraid that is hardly the idea.
00:07:06By joining the ranks and mixing with the men,
00:07:08you'll have a better chance of contacting the offenders.
00:07:10The ranks?
00:07:12It's true.
00:07:23Come on, come on.
00:07:26Step out.
00:07:26What's the matter with you?
00:07:28Tired out.
00:07:29Well, we're all tired out.
00:07:30We're not grumbling about it?
00:07:32I've been carrying these things for the last six miles.
00:07:35By the time there was a changeover.
00:07:37All right.
00:07:38We'll have a changeover.
00:07:39Eh?
00:07:40Put the gun on your right shoulder.
00:07:42That'll leave your left hand free to carry the other stuff.
00:07:45I'm going to resign.
00:07:46You're not.
00:07:47You've been put on this job and you're going to stick it out.
00:07:49So, what have we done on the case?
00:07:52We've been ten days here marching, drilling in Dublin.
00:07:55And all got to show for these blistered heels and fallen arches.
00:07:59Well, you'll have to prop up your arches, my lad.
00:08:01It's Kandahar Day tomorrow.
00:08:03It's Kandahar Day.
00:08:05A field day.
00:08:06A twelve-mile march with full pack.
00:08:09Qualify a three-mile attack over open country.
00:08:11Then some bombing and bayonet work.
00:08:13And if we're lucky, a band of players home to bayon.
00:08:17I won't do it.
00:08:18I won't do it.
00:08:20British Army or no British Army.
00:08:21I'm going sick.
00:08:23You'll do nothing of the sort.
00:08:24If you start going south now, you'll give the game away.
00:08:26Yes, ma'am.
00:08:27If I can stick it, you can.
00:08:29And if you go sick, you'll have more than the British Army to answer to.
00:08:31You'll have to answer to me.
00:08:33I'm sick.
00:08:42A few blokes for the sick parade.
00:08:44File in here.
00:08:44Yes.
00:08:54I'm sick.
00:08:55¡Suscríbete al canal!
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00:13:37en Carballo y So.
00:13:38Ahora, ¿qué haces?
00:13:39Ok, chido.
00:13:40I've been to the hut next door,
00:13:41but I'll do a blank.
00:14:07I thought it was understood
00:14:10that we were only pretending to do this.
00:14:12Yes, we understood
00:14:13and the Colonel understood.
00:14:14The sergeant made it a bit slow in the uptake.
00:14:16Don't worry, a play, then.
00:14:20Give me the answer,
00:14:21you clumsy flat-foot.
00:14:27Come on.
00:14:28There's only eight more.
00:14:37Morning, Hornley.
00:14:38Still looking for clues, eh?
00:14:41Ooh.
00:14:42Ooh.
00:14:44I always said there were no flies on Hornley,
00:14:46but, oh, I take all that back now.
00:14:48What are you doing down here?
00:14:50Come away from your clues
00:14:51and I'll tell you.
00:14:53Have you come down here to make trouble?
00:14:54I've come down here to see you two.
00:14:56Us?
00:14:57You mean you want us to help you with your case?
00:14:59I do.
00:15:00Why?
00:15:01Because there are certain things, Hornley,
00:15:03of which you have special knowledge.
00:15:05I never expected you to admit that blow.
00:15:07I knew they'd get into a mess
00:15:08as soon as we left the yard.
00:15:09What's your difficulty?
00:15:10We're very busy, you know.
00:15:12I can appreciate it.
00:15:13I can appreciate that.
00:15:15Well,
00:15:16we discovered that information
00:15:18is being coded to Germany.
00:15:21Well, nothing unusual in that, is there?
00:15:23Short-wave transmitter, I suppose.
00:15:25Yes, and what is more,
00:15:26we've discovered the code.
00:15:28And now all that's missing
00:15:29is the short-wave transmitter
00:15:29and the blokes who are running it.
00:15:30That's right, but unfortunately
00:15:31they never broadcast
00:15:32from the same place twice.
00:15:34What do you want us to do?
00:15:36Consult the stars for you?
00:15:37Oh, no, I'm not interested
00:15:38in your usual methods
00:15:39of solving crime.
00:15:41What I want to know
00:15:42is how they got hold
00:15:42of a certain piece of information
00:15:43when there were only
00:15:44half a dozen people in the know.
00:15:45Well?
00:15:46And you were two of them.
00:15:47Us?
00:15:48Yes, listen to this.
00:15:51Among other interesting items
00:15:52broadcast to Germany last night
00:15:54was this tidbit.
00:15:55Two Scotland Yard men
00:15:56named Inspector Hornley
00:15:57and Sergeant Bingham
00:15:58are now carrying out
00:16:00secret investigations
00:16:01at Huttlow Camp.
00:16:03What, do you mean to say
00:16:04it's been sent back to Germany?
00:16:05It has,
00:16:06and I want to know
00:16:06who's been doing the unveiling.
00:16:08Now, let's get this straight.
00:16:09Are you accusing me
00:16:10of a breach of confidence?
00:16:12I'm not accusing you
00:16:13of anything.
00:16:13I'm just making inquiries.
00:16:16Well, it amounts
00:16:16to the same thing.
00:16:17If anybody's been talking
00:16:18it's certainly not me.
00:16:19Well, I'll take your word
00:16:21for it, Hornley.
00:16:21And what about you, Bingham?
00:16:22Have you been talking
00:16:23in your sleep?
00:16:24Can I take exception
00:16:25to that remark?
00:16:26So do I.
00:16:27And what's more,
00:16:27I object to you
00:16:28coming down here
00:16:28and criticizing my staff.
00:16:29I'm not criticizing your staff.
00:16:31It's beyond criticism.
00:16:33I'm asking a simple question.
00:16:34Well, you had the answer.
00:16:35Just because some brass
00:16:36head shoots off
00:16:37his mouth in his club,
00:16:38you try to pin it on Bingham.
00:16:39He's worked for me
00:16:40for 15 years,
00:16:41and I know that he's
00:16:42incapable of doing such a thing.
00:16:43All right, all right.
00:16:44I must explore every avenue.
00:16:46Will you explore
00:16:46some avenue
00:16:47down White Hallway?
00:16:48Yes, and don't leave
00:16:48any stones unturned.
00:16:50Okay.
00:16:51Hello.
00:16:56Come on now.
00:16:58Who did you tell?
00:16:59Me?
00:17:00Oh, now, here, Chief,
00:17:01you don't think that I...
00:17:02Yes, I do think.
00:17:03Come on now.
00:17:03How about it?
00:17:04Who was it?
00:17:06Well, it was
00:17:07that wee lassie, Daisy.
00:17:09I might have guessed it.
00:17:10But she's a nice girl, Chief.
00:17:12They're all nice girls.
00:17:13Mata Hari was a nice girl.
00:17:16Well, what did you tell this bird?
00:17:17Nothing, Chief.
00:17:19She guessed.
00:17:19Don't lie to me.
00:17:20But it's true, Chief.
00:17:21She said that I...
00:17:22I looked like a detective.
00:17:23Well, that's the biggest lie
00:17:24on the lot.
00:17:25I don't mind your laughing
00:17:26at my expense,
00:17:26but I tell you that Daisy's
00:17:27absolutely innocent.
00:17:28What, after going out
00:17:29with you in a punt?
00:17:30Well, I suppose she's innocent.
00:17:32She can still talk?
00:17:33No, no, no, no.
00:17:34Not Daisy.
00:17:35What is she?
00:17:35A barmaid.
00:17:36God, Lummi.
00:17:37Well, they're public
00:17:38information bureaus.
00:17:40Oh, by the way,
00:17:41did I hear you say
00:17:42you were taking her
00:17:43to the pictures
00:17:43this afternoon?
00:17:44I was until you
00:17:46landed me into this mace.
00:17:47Well, you're still taking her.
00:17:48I'll fix it up
00:17:49with the colonel.
00:17:50You mean that I can...
00:17:51What do you want me to do?
00:17:53Well, ask her
00:17:53who she passed
00:17:53the glad news on to,
00:17:54of course.
00:17:56Yeah, that'll be
00:17:57very awkward, Chief.
00:17:58Could be more awkward
00:17:58if you don't.
00:17:59I've been in the trees
00:18:01for so long.
00:18:03How could I hope
00:18:04to be a success
00:18:04in New York?
00:18:05Can't I teach you,
00:18:06Lalo?
00:18:07So what would
00:18:07become a vocal
00:18:08or more of the elephant?
00:18:10Every night
00:18:11at the sunset,
00:18:12I can use a speech
00:18:13for the lullaby.
00:18:14It's singing now,
00:18:15Lalo.
00:18:19Daisy?
00:18:20Yes, Percy?
00:18:22Gosh, I was longing
00:18:23for you to call
00:18:24the type gentleman,
00:18:25please,
00:18:25this afternoon.
00:18:27Where are you,
00:18:27baby?
00:18:29Don't she look
00:18:30lovely in her saddle?
00:18:33That half as lovely
00:18:34as you'd look at one,
00:18:35Daisy.
00:18:36I think so.
00:18:38This picture,
00:18:39bending over
00:18:40the beer pools.
00:18:41Oh, come on.
00:18:43What would
00:18:44the customer say?
00:18:55Daisy.
00:18:56What?
00:18:57Remember when I
00:18:58told you yesterday
00:18:59about me and
00:19:00another chap
00:19:01before me
00:19:01from Scotland Yard?
00:19:03Well?
00:19:04You didn't kind
00:19:06of mention it
00:19:07to anybody,
00:19:08did you?
00:19:08Of course I didn't.
00:19:11What are you
00:19:11getting at?
00:19:13Nothing, Daisy.
00:19:13I know you're not
00:19:14the sort to chatter,
00:19:15but somebody's
00:19:17been talking.
00:19:19Are you hinting
00:19:19that I've been
00:19:20speaking out of turn?
00:19:21I didn't see you
00:19:24as in somebody.
00:19:25Well, you meant me.
00:19:26Here, here.
00:19:27A little order, please.
00:19:29You've got no right
00:19:30to go making
00:19:30suggestions like that.
00:19:31Let me tell you
00:19:31I've got enough
00:19:32to do in my job
00:19:32without gossiping.
00:19:33Yes, yes.
00:19:34Do that, Daisy.
00:19:36But you would have
00:19:37passed it on
00:19:38innocently.
00:19:39I did not.
00:19:40Here, here.
00:19:40Turn it up, will you?
00:19:41You're not in the
00:19:41bar of the Rosencrant
00:19:42now, you know.
00:19:43There you are, you see?
00:19:45This is all you're for.
00:19:47Go ahead.
00:19:48Why?
00:19:48Take your hands off me,
00:19:50you insulted beast.
00:19:51Let me get out of here.
00:19:52Quiet.
00:19:55What's going on along here?
00:19:57Don't blame me.
00:19:58Blame him.
00:20:02Hey, you.
00:20:04Come on out.
00:20:06You know what?
00:20:06None of them there, here.
00:20:08I assure you
00:20:09there's been none of them.
00:20:11Come on, you heard
00:20:12what he said.
00:20:13Stop it.
00:20:13Stop it.
00:20:14You've got a perfect
00:20:15mission.
00:20:16Well, then, come right
00:20:16out.
00:20:17You'll be a monkey
00:20:18trick.
00:20:18Can I help it if my
00:20:19sister becomes hysterical?
00:20:21Oh, come on.
00:20:21Oh, now.
00:20:33Good afternoon, Miss
00:20:34Johnson.
00:20:34Good afternoon.
00:20:38I'd like to see
00:20:39Mr. Wilkinson.
00:20:40You didn't make an
00:20:41appointment, did you?
00:20:41No, but one of my
00:20:42back teeth is aching
00:20:43again.
00:20:44Something awful.
00:20:44I think you'll find
00:20:45that quite all right.
00:20:46I should invite on it
00:20:47for a couple of hours,
00:20:47though.
00:20:47Thank you.
00:20:51Miss Johnson,
00:20:52I don't remember...
00:20:53No, Mr. Wilkinson,
00:20:54it's my back tooth again.
00:20:55You must look at it.
00:20:56I see.
00:20:57Would you mind,
00:20:58madam?
00:20:58I won't give you
00:20:58one moment.
00:20:59Quite all right.
00:21:00Very well.
00:21:01Please step inside.
00:21:03Charles.
00:21:06I've laid out your dinner
00:21:07jacket.
00:21:08Don't forget you're
00:21:08dining at the club at eight.
00:21:09Oh, yes.
00:21:10I'm going over to Penrith
00:21:11to have dinner with
00:21:11Mrs. Sherwood.
00:21:12We'll probably pay a bridge,
00:21:13so I may not be back till eight.
00:21:15Goodbye, my dear.
00:21:16Don't forget to black out.
00:21:17I expect you'll be in first.
00:21:19I won't forget.
00:21:19Why have you come here today?
00:21:28Your next appointment
00:21:29was Tuesday.
00:21:29Do you want that girl
00:21:30to suspect?
00:21:31I had to come.
00:21:32He's rumbled.
00:21:32Who?
00:21:33That yard man, Bingham,
00:21:34that I was telling you about.
00:21:35Did you pass it on?
00:21:37Of course.
00:21:37Well, they found out somehow.
00:21:39He questioned me this afternoon
00:21:40and said someone had been talking.
00:21:42Phew, I'm scared stiff.
00:21:44Where is he now?
00:21:45I left him in the pictures.
00:21:46You sure he didn't follow you?
00:21:47Positive.
00:21:48What am I going to do?
00:21:49I'm supposing they come and question me.
00:21:50Deny everything.
00:21:51They've no evidence.
00:21:52And don't come here again.
00:21:54I'll contact you
00:21:55as soon as it blows over.
00:21:56Yes, but...
00:21:56Now look here.
00:21:57Pull yourself together.
00:21:58There's nothing to be afraid of.
00:21:59Come on.
00:22:03It often aches like that
00:22:04after filling, you know.
00:22:05It'll be quite alright tomorrow,
00:22:07believe me.
00:22:07I hope so.
00:22:11Now, madam,
00:22:11if you please.
00:22:12Thank you.
00:22:13Come along, Yvonne.
00:22:19It's nearly six o'clock.
00:22:21Have I an appointment with this gentleman?
00:22:22No, sir.
00:22:23But he was anxious to wait
00:22:24on the off chance of seeing you.
00:22:25My bridge work needs overhauling.
00:22:27And I wondered if...
00:22:28I'm sorry, I'm afraid I can't manage it now.
00:22:29My hours are three to six.
00:22:30And I have an engagement this evening.
00:22:32Well, now, perhaps I could come back later.
00:22:34I'm sorry.
00:22:35My engagement is for the whole evening.
00:22:36Besides, I never see patients out of hours.
00:22:38Oh, if that's your attitude,
00:22:40I take my business elsewhere.
00:22:41There are plenty of other dentists in the town
00:22:43who'll be only too glad
00:22:44to do a little bridge work
00:22:45after six o'clock.
00:22:47Good day to you, sir.
00:22:54How do you know there's no one at home?
00:22:56He told me he hadn't engaged in it.
00:22:58There's also a Mrs. Dentist,
00:22:59but she's out playing bridge.
00:23:01Any servants?
00:23:01One.
00:23:02Female.
00:23:03I went round the back and checked out.
00:23:05You're not the only one
00:23:06who's a success with women.
00:23:07I made an appointment
00:23:09to meet her at the Pellet of Dolls tonight.
00:23:11Yeah.
00:23:12That's got rid of her.
00:23:14Sounds a very mean trick to me.
00:23:16Well, she was married,
00:23:17but so is her right.
00:23:18Ah, this is it.
00:23:19That's certainly.
00:23:32Let's see what's over here.
00:23:40¡Suscríbete al canal!
00:24:10¡Suscríbete al canal!
00:24:40¡Suscríbete al canal!
00:24:41¡Suscríbete al canal!
00:24:42¡Suscríbete al canal!
00:24:47Yes, very cold weather, he sees the company often too.
00:24:51And Mrs. Crofter.
00:24:53There's your Daisy again.
00:24:55Supposing you're right.
00:24:57You can't prove anything with that book.
00:24:59Well, we might find something in that safe to tie up with it.
00:25:01What safe?
00:25:02Over there.
00:25:06The Twinlock Hector.
00:25:08Easy.
00:25:12There'll be a further alarm while running around the rim.
00:25:16Correct.
00:25:17There you go.
00:25:41That little fellow won't talk.
00:25:42There comes him out to cut the wrong wire.
00:25:50It's a doorbell.
00:25:55It's a dentist.
00:25:56Maybe he's forgotten his key.
00:25:58Why should he ring?
00:25:59He knows there's nobody at home.
00:26:00Here, go and see who it is.
00:26:02But suppose...
00:26:02Go on, go on, go on.
00:26:03Go on.
00:26:21Is your name Wilkinson?
00:26:23No.
00:26:24Mine's Blankensop.
00:26:25Oh?
00:26:25I want to see you, Mr. Wilkinson.
00:26:27Why?
00:26:28Why?
00:26:28What do you think I come to the dentist for?
00:26:29I have a haircut.
00:26:30I want a tooth out.
00:26:32Eh?
00:26:32Oh, I'm afraid that's impossible.
00:26:34Oh, don't talk so dumb.
00:26:35I'm sorry, but at this time of night...
00:26:36At this time of night, I've been in bed and fast asleep.
00:26:38I haven't had raging too big.
00:26:40I said I'm not going till I see the dentist here.
00:26:42Come on, fetch him out.
00:26:43Well, now, if you'll just sit down for a minute, I'll...
00:26:50I'll make some inquiries.
00:26:51All right, but look sharp.
00:27:01It's a patient, Chief.
00:27:02It says he wants a tooth out.
00:27:03What, at this time?
00:27:05Perhaps he's one of the other agents.
00:27:07It doesn't look like one.
00:27:08Well, how do you know?
00:27:09Take him in the surgery and lump him.
00:27:11How?
00:27:11Well, it says that you're Wilkinson's assistant.
00:27:14That you're in his confidence.
00:27:15Yes, but I think he really does want a tooth out.
00:27:18Well, you never know.
00:27:19Perhaps he's bluffing.
00:27:20Can't find out.
00:27:25Well?
00:27:26Well, I'm sorry, but Mr. Wilkinson's asleep.
00:27:30I can't help.
00:27:30It's all right.
00:27:31I'm his assistant.
00:27:32And anything you wish to have out, you can have out with me.
00:27:36All right, that suits me.
00:27:38Well, where's surgery?
00:27:39Surgery.
00:27:40Yes.
00:27:40Is this it?
00:27:41Here, come on.
00:27:42Yes.
00:27:42Let's just check this.
00:27:46Well, come on.
00:27:47Don't hang about.
00:27:52Here, take this.
00:27:57Sit in the chair, sir, please, will you?
00:27:59Well, let me see.
00:28:08Nice evening, isn't it?
00:28:10Fine for getting shortwave broadcasts.
00:28:12I don't want any shortwave broadcasts.
00:28:14I don't care if it's raining cats and dogs.
00:28:16I want this tooth out.
00:28:18Let me see that I enjoy Mr. Wilkinson's full confidence.
00:28:21Well, I'm very glad to hear it.
00:28:22Shall I open my mouth now?
00:28:23Yes, certainly.
00:28:24You can tell me anything you want.
00:28:26You really want it out?
00:28:32Hey, what's the matter with you?
00:28:33You non-compass mentors, I assume it.
00:28:36You've been here before, haven't you?
00:28:37What's that got to do with it?
00:28:38Well, we just make it a rule only to attend to regular customers after closing time.
00:28:41Oh, dash it all.
00:28:42Do you think I'm going to suffer all night for your silly rules?
00:28:45Here, are you going to take it out, or do I have to take it out of you?
00:28:49Your mind's made up.
00:28:51Oh, it's dawned on you.
00:28:53Just wait there a minute, please.
00:28:55Where are you off to now?
00:28:56Oh, what is this, a dentist or a madhouse?
00:28:59Here, are you going to take this thing out?
00:29:00All right, all right.
00:29:01It's coming out.
00:29:05Just a minute.
00:29:08Which tooth did you say it was again?
00:29:11Ah, ah, ah, ah, ah, ah.
00:29:16Your top teeth are pretty good.
00:29:19They're false, you're fathead.
00:29:22So they are.
00:29:22I see that now.
00:29:23They quite took me in for a minute.
00:29:25You want the plate out?
00:29:26No, no, just the tooth.
00:29:34Right.
00:29:35Just open your mouth a little wider, please, will you?
00:29:44Hey, how are you doing it?
00:29:45You're not going to take it out in cold blood, are you?
00:29:47Can't have a local anesthetic.
00:29:49Oh, I'm afraid Mr. Wilkinson always locks up everything like that.
00:29:53Hey, what's that over there?
00:29:54Is that a gas apparatus or not?
00:29:55Yes, that's a gas.
00:29:58All right, then I'll have gas.
00:29:59Quite sure.
00:30:01This is after effects, you know.
00:30:03Compared to what I'm suffering, the after effects will be a pleasure.
00:30:07Hope you're right.
00:30:08Now what's to do?
00:30:38Are you going to give me gas or not?
00:30:41I am.
00:30:42If you don't, so too.
00:30:43I'm sick of sitting me away, do you both?
00:30:44I'm sick of sitting me away, do you want to give me gas or not?
00:30:48I'm sick of sitting me away, do you want to give me gas or not?
00:30:50I'm sick of sitting me away, do you want to give me gas or not?
00:30:51I'm sick of sitting me away, do you want to give me gas or not?
00:30:53I'm sick of sitting me away, do you want to give me gas or not?
00:30:55I'm sick of sitting me away, do you want to give me gas or not?
00:30:57I'm sick of sitting me away, do you want to give me gas or not?
00:30:59I'm sick of sitting me away, do you want to give me gas or not?
00:31:01I'm sick of sitting me away, do you want to give me gas?
00:31:03I'm sick of sitting me away, do you want to give me gas or not?
00:31:05I'm sick of sitting me away, do you want to give me gas or not?
00:31:07Amén.
00:31:37Amén.
00:32:07Amén.
00:32:08Amén.
00:32:16Sang travelling.
00:32:20Oh, you must have cracked my jaw.
00:32:21Oh, something went but I don't think it was that.
00:32:24It must have given me too much gas.
00:32:25I feel very faint.
00:32:26Come on, come on.
00:32:27Fresh air will do you all the good in the world.
00:32:30I'll take you to taxidont and see in our car.
00:32:37Gracias.
00:33:07Suolamici.
00:33:18Shhh!
00:33:19There's nothing to shout about.
00:33:22You want to bring the dentist down here?
00:33:27What's happened to the patient?
00:33:29He took his tooth out.
00:33:32In fact two of them.
00:33:33What, you want two out?
00:33:34No, no, no, no.
00:34:04Sergeant Bingham, CID.
00:34:08Where did you get this?
00:34:10In the safe.
00:34:12Can't believe it.
00:34:15You know, Chief, this sort of thing shatters your faith in women.
00:34:17Well, you could do with a bit of shattering.
00:34:19You're not going to put it back in there?
00:34:22I am.
00:34:23But if you find it, that'll make me look like an accessory.
00:34:26Well, you will, won't you?
00:34:27Now then, we're going to leave this place exactly as we found it.
00:34:31Without anyone knowing we've been here.
00:34:34Why, Chief, might you go and arrest Wilkinson?
00:34:38Not yet.
00:34:40You haven't left anything lying around at the surgery, have you?
00:34:42No, no, I've got the teeth in my pocket.
00:34:45I don't want to see them.
00:34:46Talk about a blooming cannibal.
00:34:48Curtains.
00:34:49Call Rosby Granny.
00:35:16You've let the light on.
00:35:17That's funny.
00:35:19I swore I'd put it out.
00:35:30It's truth.
00:35:31What have we done now?
00:35:32It can't be my patient, Chief.
00:35:34Oh, it's going to be.
00:35:35Look.
00:35:37It's the dentist.
00:35:39Look at you.
00:35:40The gas is still on.
00:35:40He's a gunner.
00:35:49Dead.
00:35:51This is awful.
00:35:53But I was here just a few minutes ago.
00:35:55Must have happened when you were seeing your patient off, obviously.
00:35:58Must have found out that we were here.
00:36:00Decided he couldn't face it and come down and gassed himself.
00:36:03I'd better phone the local police.
00:36:07Wait a minute.
00:36:08Look at these.
00:36:10One shoe is laced across the usual way.
00:36:12On the other shoe, the top three holes are laced crisscross.
00:36:14You can put your own construction in that, I suppose.
00:36:18Well, no man laced his shoes different ways.
00:36:21Someone else put that shoe on his foot.
00:36:23Why?
00:36:23I don't know yet.
00:36:25But whoever did it may be still in the house.
00:36:29Wait here.
00:36:30No sign of anybody.
00:36:50I'm going to make a search of Winkley's bedroom, see if I can find anything.
00:36:53I'll come up with you, Chief.
00:36:54No, you don't.
00:36:55We've got no time to lose.
00:36:55Here, take these.
00:36:59Bring up the yard.
00:37:00Give Blue my kind regards and read that list over to him.
00:37:03What are they?
00:37:04The names, addresses, and code numbers of Mr. Wilkins' so-called patients.
00:37:08Don't blow since he wants to know who's been talking.
00:37:10There's 40 of them.
00:37:30Sorry for the delay, Sergeant.
00:37:48Inspector Blow's just gone out.
00:37:50They're expecting him back in 10 minutes.
00:37:51Shall I ask him to ring you back?
00:37:52Yes, please.
00:37:53And it's very urgent.
00:37:54Thank you.
00:37:55Thank you.
00:37:56Thank you.
00:37:56Thank you.
00:37:57Thank you.
00:37:59Thank you.
00:38:00Thank you.
00:38:01No, no.
00:38:31No, no.
00:39:01No, no.
00:39:11It's all right. It's all right.
00:39:13No need to be alarmed.
00:39:15Who are you?
00:39:16I'm a police officer.
00:39:18What are you doing in this house?
00:39:20I'm here in connection
00:39:21with your husband.
00:39:24He's dead.
00:39:25That's right. You just sit down
00:39:35quietly for a few minutes.
00:39:37I can imagine how you're feeling.
00:39:39Can you? I wonder.
00:39:41I should be awfully upset, shouldn't I?
00:39:43Aren't you?
00:39:45No.
00:39:45You are Mrs. Wilkinson?
00:39:49Yes.
00:39:50But we weren't what is called
00:39:51a happily married couple.
00:39:53You found out that he was a...
00:39:56That he was a...
00:39:58Yes.
00:39:59I told him he'd get caught sooner or later.
00:40:02It was no use.
00:40:04They had some sort of hold on him.
00:40:07Who were they?
00:40:07I don't know.
00:40:09I shouldn't have known anything
00:40:10except that I...
00:40:11I found a letter of his.
00:40:13What did you do?
00:40:15I text him with it and...
00:40:17He flew into a rage and...
00:40:20and struck me.
00:40:24You did?
00:40:25Yes.
00:40:26Oh, that was nothing unusual.
00:40:27I said I'd go to the police
00:40:29and he threatened to shoot me.
00:40:31What could I do?
00:40:32What would you have done?
00:40:38I don't know.
00:40:41It's very awkward for you.
00:40:43Could I have a cigarette, Inspector, please?
00:40:45Why, certainly, certainly.
00:40:48Now...
00:40:49Now, I'm afraid I've got to ask you
00:40:52just a...
00:40:53just a few questions.
00:40:57You're not going to be brutal to me, are you?
00:40:59Oh, no, no, no.
00:41:00That will hardly be necessary.
00:41:02But they'll expect a statement
00:41:04and just as a mere matter of formality.
00:41:06Oh, yes, of course.
00:41:08Well, I shan't attempt to hide anything from you.
00:41:11Thank you.
00:41:14Well, now...
00:41:16Do you know what part your husband
00:41:19had in this organization?
00:41:21None.
00:41:22But I'm sure it couldn't have been
00:41:23a very important one.
00:41:25I'm afraid you're wrong there, my dear,
00:41:27Mrs. Wilkinson.
00:41:29As a matter of fact,
00:41:30I'm quite sure you are.
00:41:31Well, what makes you say that?
00:41:33Well, I have here the names and addresses
00:41:35of 40 of his patients,
00:41:37whom I have every reason to believe
00:41:38supplied him regularly with information.
00:41:40But I can't believe it.
00:41:42Are you positive of that?
00:41:43I found it in a book in his safe.
00:41:47But if he's as important as all that,
00:41:49why did he take his own life?
00:41:51He didn't.
00:41:54Somebody else took it.
00:41:57He was murdered.
00:41:58Oh, here, here, Mrs. Wilkinson.
00:42:02What's the matter?
00:42:03Pull yourself together.
00:42:05Here, here.
00:42:06Miss...
00:42:06Oh, my God.
00:42:07It's like waters.
00:42:08Gosh.
00:42:09Gosh.
00:42:10Here.
00:42:11That's better now, isn't it?
00:42:13i'm sorry
00:42:35i'm sorry
00:42:37it's all right
00:42:38you'll be feeling better in a minute
00:42:39i can't stay the night here alone
00:42:41inspector
00:42:42i'm afraid i'm on duty
00:42:43but i've got a sister who lives just around the corner
00:42:46couldn't i spend the night with her
00:42:47i'm sorry
00:42:48i can't allow that
00:42:50i promise i wouldn't move from there
00:42:51no you wouldn't
00:42:53and if it rested with me i'd let you do it like a shot
00:42:55but it does rest with you doesn't it
00:42:58no not exactly you see i haven't mentioned it before
00:43:01but i've got an assistant
00:43:04an associate
00:43:05there are two of you
00:43:07yes
00:43:07he's upstairs and i'm afraid he'll want you to come to the police station
00:43:11drink
00:43:13drink
00:43:13oh
00:43:14must not be all right
00:43:19will you answer it inspector don't worry about me
00:43:24hello
00:43:32hello yes
00:43:34oh inspector blue
00:43:36yes this is bingham
00:43:40what are you ringing up at this hour for
00:43:41i decided to confess after all
00:43:44certainly not
00:43:44as a matter of fact
00:43:46it's not unconnected with your inquiries this morning
00:43:49well now
00:43:51horley and i decided that as you were floundering about to give you a bit of help
00:43:54to put you in the right road as it were
00:43:57no no no no
00:44:00no i must correct you dear my mother and father were married properly at the kirk at paisley
00:44:04and that remark comes very badly from you after all we've done
00:44:07hmm
00:44:09all right
00:44:10if you'll just keep calm i'll tell you
00:44:12well i have here the names and addresses of about 40 people who have been passing information
00:44:19hmm
00:44:20yes if you'll just get out your little pencil and paper i'll read them out to you
00:44:25you ready
00:44:27just a minute blue i think i've got a hold of the wrong piece of paper or something
00:44:44hold on
00:44:45i can't
00:44:50mrs wilkinson
00:45:01mrs wilkinson
00:45:04mrs wilkinson
00:45:06mrs wilkinson
00:45:07oh hello blue uh sorry there's been a slight hitch here
00:45:17i'll bring you back
00:45:18mrs wilkinson
00:45:22mrs wilkinson
00:45:27maybe she's got her sisters
00:45:31gosh the books
00:45:33mrs wilkinson
00:45:35mrs wilkinson
00:45:43mrs wilkinson
00:45:48mrs wilkinson
00:45:49mrs wilkinson
00:45:50mrs wilkinson
00:45:51mrs wilkinson
00:45:52mrs wilkinson
00:45:53mrs wilkinson
00:45:54mrs wilkinson
00:45:55mrs wilkinson
00:45:56mrs wilkinson
00:45:57mrs wilkinson
00:45:58mrs wilkinson
00:45:59¿Qué es lo que haces?
00:46:01¿Qué haces?
00:46:03Sí, lo haces.
00:46:05¿Qué haces?
00:46:07No haces nada, porque...
00:46:09¿Por qué?
00:46:11Estás seguro que me dio esa lista.
00:46:13¿Qué estás diciendo?
00:46:15¿Qué estás diciendo?
00:46:21Es todo lo que tengo.
00:46:23No hay nada.
00:46:25¿Qué haces?
00:46:27¡Maldita!
00:46:29¡Maldita!
00:46:31¿Para que?
00:46:33No, no.
00:46:35...
00:46:36Fue la madre, pero...
00:46:38¿Para que?
00:46:40¿No?
00:46:43No, no.
00:46:44¿Qué?
00:46:46¿Cuándo?
00:46:48¿Cuándo?
00:46:50¿Cuándo?
00:46:51¿Tú?
00:46:56No, no, no, no, no, no.
00:47:26What happened then?
00:47:28Well, I had just phoned Blow when the front door opened and I hid behind the curtains.
00:47:34Yeah?
00:47:34Well, she came in, saw the body and rushed to the telephone.
00:47:37She dialed the number and asked for the doctor.
00:47:39What doctor?
00:47:40Kerbishley.
00:47:41Maybe Carbishley.
00:47:46And then?
00:47:47Well, she must have seen me behind the curtains because she screamed.
00:47:50So I stepped out.
00:47:52And what did she tell you?
00:47:53That her husband was a spy and that he used to beat her.
00:47:56Yeah, and you sympathized with her.
00:47:58Well, in a way.
00:47:59Good, lovely.
00:48:00The woman hasn't been a widow five minutes, but she's fair game to you.
00:48:04Then I suppose you told her about that list.
00:48:07I did mention it.
00:48:08I knew it.
00:48:09She fainted.
00:48:10Yeah, then you helped her out of the settee.
00:48:11Yes.
00:48:12And she pinched the list in your pocket.
00:48:14You went to fetch her for some brandy.
00:48:15Water.
00:48:16And she switched to blank sheets back on you.
00:48:19Look, it's as pale as a pie, staff.
00:48:21And there's no Kerbishley or Corbishley in the book.
00:48:24But I'm sure it was Kerbishley.
00:48:26You've made about as big a hatch of this as anything you've done in the whole of your misbegotten career.
00:48:30Here we are working on a case which has nothing to do with us.
00:48:32You get hold of the star witness and let her go with all the exhibits.
00:48:34Look, couldn't we just slip out like and not tell anybody we were here?
00:48:41Well, after you phoned the yard with the murdered man in the other room...
00:48:44He may not have been murdered.
00:48:45He was murdered.
00:48:46While you were mucking things up down here, I've been busy.
00:48:50Wilkinson was planning to run away to South America.
00:48:53Passports, permits, all in order.
00:48:55But somebody or other didn't want to go.
00:48:57So they waited for him upstairs.
00:48:59He came in, was just changed to his slippers,
00:49:02and then nipped up behind him, laid him out,
00:49:04slipped his shoe on again,
00:49:06brought him downstairs,
00:49:08bunged him to that chair,
00:49:09and tried to make it look like suicide.
00:49:11How does that sound?
00:49:12There doesn't seem to be anything missing.
00:49:14No, except the clue to the murderer.
00:49:16That list of agents, and Mrs Wilkinson.
00:49:19Apart from that, it's all sewn up.
00:49:20Well, I suppose there's nothing else to do but
00:49:22hand it over to Blow, and we go back to the gents' underpants.
00:49:25Now, look here, I don't want any of that defeatist talk.
00:49:27We're going to search this house from cellar to roof.
00:49:29Now, go on, you start outside.
00:49:30I'll start in here.
00:49:32And if there's a whiff of a clue, we'll smell it out.
00:49:34Hello, what's this?
00:49:51Mark's the 12th.
00:49:52No address.
00:49:53My dear Wilkinson,
00:49:55I am sorry to hear you propose taking a holiday.
00:49:58I feel strongly that a journey would not be good for your health at the present moment.
00:50:02I must therefore urge you to cancel it.
00:50:04Yours, A.K.
00:50:06Sounds like a letter from his doctor.
00:50:08Sounds like.
00:50:08Of course it is.
00:50:09A.K.
00:50:10Kerbishly.
00:50:11The doctor she rang up.
00:50:13Yeah, and it doesn't exist.
00:50:15At least not in the phone book.
00:50:16You see, he might be in another district, Chief.
00:50:19He might.
00:50:20But this letter was posted at Upper Ellingford.
00:50:23And that's in this phone area.
00:50:24So that doesn't help.
00:50:28Hmm.
00:50:29Continuation sheet.
00:50:31Now, who uses continuation sheets?
00:50:34Officers.
00:50:35Yeah, it doesn't look like office paper to me.
00:50:37No, more like hotel stuff.
00:50:38How many printers would there be at Upper Ellingford?
00:50:43There can't be many.
00:50:44It's only a market town.
00:50:45Good.
00:50:45Well, we're going to knock them up.
00:50:48There may be only half a dozen printers in the town,
00:50:50but a more bad-tempered lot I never saw.
00:50:52You can't expect them to dance for joy
00:50:53when you get them up out of their beds in the middle of the night.
00:50:55Hmm.
00:50:56Don't feel very happy myself.
00:50:58Dragging a man from his rest at three in the morning
00:51:00to rake through a lot of note paper?
00:51:01I ought to be compensated for this.
00:51:03Oh, well, it's not your paper.
00:51:05Yes, it is.
00:51:05Oh?
00:51:06Yes, I printed it for the Westgate Manor Hotel.
00:51:09Westgate Manor Hotel, eh?
00:51:11Yeah, I told you it was hotel paper.
00:51:14Yes, it's the same, all right.
00:51:16Of course it's the same.
00:51:17I printed them a brochure at the same time.
00:51:21Now you can clear out, and I'll go back to my rest.
00:51:24I sympathize with you.
00:51:25Terms in season.
00:51:26Hello, it's a fishing hotel.
00:51:28Yeah, pretty posh from the prices.
00:51:31Bingham, we're going to get up early in the morning.
00:51:33Eh?
00:51:33We're taking a fishing holiday.
00:51:35It's time we got our hooks into something.
00:51:36Well, thank you very much, sir.
00:51:39You're welcome.
00:51:40Ah.
00:51:50Morning, boy.
00:51:51Good morning, sir.
00:51:52You two gentlemen after the same vacancy?
00:51:54Vacancy?
00:51:55What, are you full up?
00:51:57Well, one day we are, the next day we're not.
00:51:58If I had my way, I'd give them mistresses and stop all this chopping and changing.
00:52:05Hey, what about our luggage?
00:52:06You brought your luggage with you.
00:52:09Optimists, aren't you?
00:52:12You don't look very busy.
00:52:14No, we're not now.
00:52:14They're all out on a paper chase.
00:52:16You did say paper chase.
00:52:21Yes.
00:52:22Got me up at 6.30 this morning.
00:52:24It's this new Mr. Rolf's idea.
00:52:26He started all these capers.
00:52:28Mr. Jenkins was much more sensible, but he joined up three weeks ago along with Mr. Smart,
00:52:32the science master.
00:52:34I tell you, there have been so many changes here since the war started, I can't keep pace with them.
00:52:38Well, you wait in here.
00:52:41But I might as well tell you, you're not the only ones after this history master's job.
00:52:45There's another old bloke in there already.
00:52:49So it's not a hotel anymore.
00:52:52They've evacuated a blooming school here.
00:52:58You know, Chief, I didn't like to mention it before, but, well, I never did think much of that clue of yours.
00:53:04Once in a way, you were right.
00:53:09Cable College, Muswell Hill, London.
00:53:11Notice the prefects.
00:53:13All prefects must be responsible for the blackout of the dormitories.
00:53:16Dr. Alfred Kerbishley, headmaster.
00:53:19A.K.
00:53:21We thought it was a medical doctor she rang up last night,
00:53:23but it was this fellow a doctor of literature or something.
00:53:26Hmm.
00:53:27This puts a new face out if the duchess said what you had her dial lifted.
00:53:30Yes, but I still don't see anything very sinister in that.
00:53:32Well, it hadn't occurred to her, I suppose, that a woman who just found her husband dead
00:53:35doesn't rush to ring up a schoolmaster.
00:53:38Yes, it is a bit peculiar.
00:53:39Now, this is where you were on your own spell at.
00:53:42Put that luggage back into the car and drive down to the town.
00:53:44Put up at the local hotel and find out all you can about the doctor.
00:53:47It's a small place in the mountain where nobody bought his business.
00:53:50What about you, Chief?
00:53:51Somebody's about to ask what you're doing here.
00:53:52Oh, I'll say I'm a new boy who's a bit backward.
00:53:54Now, go on, off you go.
00:53:56Don't forget, if there's a barmaid there, when she pours out your beer, don't pour out your soul.
00:53:59Good morning.
00:54:22Good morning.
00:54:23Are you an applicant?
00:54:25Yes.
00:54:26So am I.
00:54:28Really?
00:54:29My name's Mackenzie, Professor Alec Mackenzie.
00:54:33How do you do?
00:54:34My name is Nuttall, Horace Nuttall.
00:54:37How do you do?
00:54:38You may have heard of Mackenzie's history of Europe for schools.
00:54:42Oh, yes, of course.
00:54:43I wrote it.
00:54:44Really?
00:54:45You haven't actually met Dr. Curvishley yet, I take it?
00:54:49No, but I rather fancy that's just a formality.
00:54:53Ah, well, I suppose there's no objection to my waiting.
00:54:55No, no, not in the least.
00:54:58If it isn't a rude question, what was your last school?
00:55:01Borstall.
00:55:02Borstall, oh, yes.
00:55:04Borstall.
00:55:05I beg your pardon?
00:55:08Borstall.
00:55:09Yeah, but isn't that a penitentiary?
00:55:10Yes.
00:55:11But surely a qualification for a master at Borstall
00:55:14would hardly be a recommendation to this school.
00:55:17On the contrary, my dear sir, I'm just a man for this school.
00:55:20Why?
00:55:21But they mentioned it in the advertisement, didn't they?
00:55:23The school times gave me to understand
00:55:24that this was an establishment for the sons of gentlemen.
00:55:27Is that what they said they were sons of?
00:55:29Well, I hope I'm not here under any misapprehension.
00:55:33Well, it's not as bad as Borstall, if that's what you mean.
00:55:35As a matter of fact, they frequently send their good conduct lads here.
00:55:37But do you seriously tell me this is a corrective school?
00:55:42Oh, didn't you know?
00:55:44I certainly did not.
00:55:46Oh, there's nothing to be worried about, my dear professor.
00:55:48You may find it a trifle alarming for the first two years,
00:55:51but you get used to it.
00:55:53Well, bless my soul, look who's here.
00:55:55If it isn't young Bingham.
00:55:57Now, there's a fine example of the good conduct lads they sent here.
00:56:01Oh, but they shouldn't let him have a knife.
00:56:03Why not?
00:56:04Well, he's a nice enough lad, but he has bits of violence.
00:56:07As a matter of fact, I remember once at Borstall,
00:56:09he attacked a carpentry instructor with a chisel.
00:56:11Good heavens.
00:56:13Do you see...
00:56:14Oh, I'm sorry, sir, I didn't know there was anyone in here.
00:56:17That's quite all right, my boy.
00:56:18What do you want?
00:56:19A book, sir.
00:56:20A book?
00:56:20Yes, sir.
00:56:21Help yourself, my son.
00:56:22Thank you, sir.
00:56:23Excuse me, sir.
00:56:24Oh.
00:56:25Oh, let me help you.
00:56:27This one?
00:56:27Yes, please, sir.
00:56:29There we are.
00:56:31Thank you, sir.
00:56:31Not at all.
00:56:32You will...
00:56:34All this greatly perturbs me.
00:56:36I do...
00:56:37Hey!
00:56:37Hey, you!
00:56:41Hey!
00:56:43Now, give me that back.
00:56:45And don't forget you do your thing like that again.
00:56:49Young rascal.
00:56:51What's happened?
00:56:52Have you missed anything?
00:56:53I beg your pardon?
00:56:54This is yours, isn't it?
00:56:57That's my watch.
00:56:58Good gracious me.
00:56:59Ah, well.
00:57:00Boys will be boys, you know.
00:57:01Do you mean that he actually...
00:57:03Oh, this is dreadful.
00:57:05Well, you get used to that sort of thing here, you know.
00:57:06Used to it.
00:57:07That's why you're mistaken.
00:57:09I wouldn't teach in this class of school for any consideration whatever.
00:57:13What, you dopey to say you're going to turn it up?
00:57:15Yes, I am.
00:57:16Oh, my...
00:57:17And I'm very grateful to you for enlightening me.
00:57:19Sure-ho.
00:57:35Professor Mackenzie?
00:57:36Who?
00:57:37Who?
00:57:38At your service?
00:57:39Will you come this way, please, Professor?
00:57:40Dr. Kerbishley will see you now.
00:57:42With pleasure.
00:57:42Thank you.
00:57:48We should be very pleased to have you here, Professor.
00:57:50Weston, the last man, was rather old-fashioned in this method.
00:57:53Oh, really?
00:57:54Well, you won't find anything like that about me.
00:57:58Professor Mackenzie, sir.
00:57:59Dr. Kerbishley.
00:58:01How do you do, Professor?
00:58:02Welcome to Gable College.
00:58:03How do you do?
00:58:04You'll find us in strange surroundings, but...
00:58:06Tempera mutanta.
00:58:07Nose et mutama enilis.
00:58:09Yes, yes, very apt.
00:58:11Please sit down.
00:58:12Yes.
00:58:14I feel very honoured that a man of your scholastic reputation should consider my little establishment worthy of his services.
00:58:19Not at all, not at all.
00:58:21How long were you at heart-grown?
00:58:22Well, let me see now.
00:58:23It must be what?
00:58:25Fifteen years, yippee-dee.
00:58:27I see.
00:58:27It says twenty, eh?
00:58:29Twenty, was it?
00:58:30Oh, tame does play.
00:58:32Dr. Swan speaks of you in the most glowing terms.
00:58:35Yes, we got on very well together.
00:58:37I was very fond of the old...
00:58:38Swan.
00:58:38Well, I don't think we need discuss it any further.
00:58:41It seems most satisfactory to me.
00:58:43I take it the salary I mentioned in my letter is acceptable to you?
00:58:46Under the circumstances, yes.
00:58:48Oh, there is just one other thing, and it's rather important.
00:58:51Can you start at once?
00:58:52Oh, absolutely.
00:58:53As a matter of fact, I've got my luggage with me.
00:58:56Very.
00:58:56Well, that removes that obstacle.
00:58:58Great.
00:59:00Well, I think you will find it very pleasant here, Professor.
00:59:02Here, Mr. Jennings.
00:59:03Oh, yes, indeed, sir.
00:59:04I'm sure I shall.
00:59:05It will be an honour to have you teaching with us, Professor.
00:59:09Hello, yes, Dr. Kerbichley speaking.
00:59:12Who?
00:59:16Well, I'm afraid I can't discuss it now.
00:59:18I'm engaged.
00:59:19I'll send you a school prospectus.
00:59:20But I must see you.
00:59:22I've been trying to get you since last night.
00:59:25Just a minute.
00:59:27Well, I think that's all for the moment, Professor.
00:59:29Mr. Jennings will show you your study.
00:59:31This way, please, Professor.
00:59:40I've told you before not to ring me here.
00:59:42What is it?
00:59:43I had to get in touch with you.
00:59:45Something dreadful has happened.
00:59:47I can't very well tell you on the phone.
00:59:49I'm at the Angler's Rest in the town.
00:59:52Well, you shouldn't have left Farnstrip without letting me know.
00:59:54I...
00:59:55Oh, I'm so sorry, Doctor.
01:00:00But I wonder if you would let me have my testimonials back.
01:00:02I know you wouldn't mislead them, but...
01:00:04But I'd rather treasure them.
01:00:06Yes, of course.
01:00:07Thank you.
01:00:08Yes.
01:00:11Thank you.
01:00:13Thank you.
01:00:13You must realize it's impossible to talk now.
01:00:20I'll be down there at nine this evening.
01:00:22Until then, stay in your room.
01:00:24Goodbye.
01:00:34Could I have number eight, please?
01:00:35Good morning, sir.
01:00:52Good morning.
01:00:54I want a room, please.
01:00:56Certainly, sir.
01:00:59Good to see the sun again, isn't it?
01:01:01Yes, it is.
01:01:03Will you be staying here long?
01:01:04A few nights, maybe.
01:01:06You'll want a single room, I suppose.
01:01:08That's right.
01:01:10I've got a very nice room facing the river.
01:01:13Yes, but I think I'll have the single room.
01:01:16Very good, sir.
01:01:20Will you read it to me, or shall I read it to you?
01:01:22You read it to us, sir.
01:01:23Oh, very well.
01:01:27Here we are.
01:01:28Evolution of the Corn Lars.
01:01:31The effect of the Industrial Revolution,
01:01:34connected with the mechanical invention
01:01:35and the utilization of steam,
01:01:37transformed Great Britain from an agricultural
01:01:40to a manufacturing and commercial country.
01:01:44Everybody understand that?
01:01:45Yes, sir.
01:01:47Well, the opposition to the Corn Lars steadily increased.
01:01:56At length, the conservative premier,
01:01:58Sir Robert Peel,
01:02:00became a convert to Great Britain
01:02:01and in 1846,
01:02:04carried a measure
01:02:04to put a name to the Corn Lars.
01:02:07By 187,
01:02:08the duty on Corn
01:02:09was at once greatly reduced.
01:02:11and it ceased altogether
01:02:16in 1848,
01:02:18with the exception
01:02:19of a registration duty
01:02:21of one shilling per quarter,
01:02:23which terminated in 1869.
01:02:27You know, I don't know about you,
01:02:28but I find this a trifle dry.
01:02:30So do we, sir.
01:02:31I thought so.
01:02:32Well, now,
01:02:33but it does mention
01:02:34one very interesting man,
01:02:36Sir Robert Peel,
01:02:37the founder of our modern police force,
01:02:39and a very good job
01:02:40he made of it, too.
01:02:41As a matter of fact,
01:02:42if it hadn't been for him,
01:02:43we should never have had
01:02:44the highly efficient organisation
01:02:45with this network of detectives,
01:02:47plainclothes men,
01:02:49and coppers,
01:02:49knucks,
01:02:50I mean informers,
01:02:51that we have today.
01:02:52But still,
01:02:54I dare say that many of you boys,
01:02:56at one time or another,
01:02:57have wanted to be detectives.
01:02:59Yes, I thought so.
01:03:01But let me tell you
01:03:02that it requires more than muscle
01:03:04to make a detective nowadays.
01:03:05Oh, yes.
01:03:06I mean, you have to have
01:03:07powers of observation
01:03:08and deduction.
01:03:09Now, take observation,
01:03:10for instance.
01:03:12I very much doubt
01:03:13if there's a single boy here
01:03:14that could tell me
01:03:15whose car it was
01:03:16that went down the drain
01:03:17just now.
01:03:18It's the head's car, sir.
01:03:19How do you know that?
01:03:20Because he always goes out
01:03:21at this time.
01:03:21That's right.
01:03:22Well, now,
01:03:23if he always goes out
01:03:24at the same time,
01:03:26it's probable
01:03:26that he always returns
01:03:27at a certain hour.
01:03:29Has any boy observed
01:03:30what time that is?
01:03:31Three o'clock, sir.
01:03:33What, every day?
01:03:33Yes, sir,
01:03:34because he takes that
01:03:35in a quarter past three.
01:03:36Hmm.
01:03:36You are more observant
01:03:37than I thought.
01:03:39Well, now,
01:03:39let us see if you're
01:03:39as good at detection.
01:03:41I'll give you a start.
01:03:42Now,
01:03:43if he always goes out
01:03:44at the same time,
01:03:45that is 2.30,
01:03:46and he's only gone
01:03:47for half an hour,
01:03:47it follows
01:03:49that wherever he goes
01:03:50can only be
01:03:51a quarter-hour's car ride away.
01:03:53Probably less,
01:03:54since he must spend
01:03:55some time at his destination.
01:03:57Now,
01:03:57can any boy deduce
01:03:58where he goes
01:03:59in that time?
01:04:00The village, sir.
01:04:02What makes you think that?
01:04:03Because I've seen
01:04:03his car there, sir.
01:04:05That's right.
01:04:05Parked outside the post office.
01:04:07I see.
01:04:09Still,
01:04:10that is observation,
01:04:11not deduction.
01:04:12Now,
01:04:13let us try and deduce
01:04:14what he does
01:04:15in the post office.
01:04:16Excuse me, sir,
01:04:17but isn't that
01:04:18the headmaster's business?
01:04:19I beg yours.
01:04:21May you take that
01:04:22as being tantamount
01:04:23or above?
01:04:23Well, sir,
01:04:24I really meant that...
01:04:25Don't apologise.
01:04:26You're quite right,
01:04:27my boy.
01:04:28It's no concern
01:04:28about what he does
01:04:29in the post office.
01:04:30So,
01:04:30as a quid pro quo,
01:04:31if I take my nose
01:04:33out of the headmaster's business,
01:04:34perhaps you'll stick yours
01:04:35in that book
01:04:36and read from where
01:04:37we left off.
01:04:39What they're doing
01:04:40is they're butting in
01:04:41on a case
01:04:41that doesn't concern them.
01:04:42My case.
01:04:43If you're right,
01:04:45I shall have something
01:04:45to say to Inspector Horn,
01:04:47and Sergeant Bingham
01:04:49laying down on this job
01:04:50without my permission.
01:04:52They'd better have
01:04:52a pretty good reason
01:04:53for this.
01:04:54Hello.
01:04:55Oh, is that you, Chief?
01:04:57Well, I've stumbled
01:04:58across something
01:04:58very interesting.
01:04:59No, no, no, no.
01:05:01It's not to do
01:05:02with the scrounging case,
01:05:03but...
01:05:04Oh, yes, I know, Chief,
01:05:06but...
01:05:07Yes, Chief.
01:05:12How much would your pension
01:05:13be worth
01:05:13if you retired tomorrow?
01:05:15I don't know.
01:05:16Why?
01:05:16Well, you'd better
01:05:16start working it out.
01:05:19Yes, that's quite true, Chief,
01:05:20but...
01:05:21But, Chief...
01:05:22That's my last word,
01:05:24and I don't want
01:05:26any arguments,
01:05:27so you can just
01:05:27take the first train
01:05:28straight back to London.
01:05:31Murdered?
01:05:32Who's been murdered?
01:05:34It says that dentist
01:05:35didn't commit suicide.
01:05:37Now, have you any clues
01:05:38to who's the murderer?
01:05:39You know?
01:05:40Then why didn't you arrest him?
01:05:42Now, that's got
01:05:43nothing to do with it.
01:05:44I've told you before,
01:05:44that's Blow's case.
01:05:45And tell him I resent
01:05:46his interference.
01:05:47Who's talking to him,
01:05:48you or me?
01:05:49Oh, you, sir.
01:05:50Very well, then.
01:05:50Don't interrupt.
01:05:52Registered letter?
01:05:54What registered letter?
01:05:56A registered letter
01:05:57is posted every day
01:05:58to 121 Wessex Street, London,
01:06:02and I want to find out
01:06:03what is going on there.
01:06:05Tell them we think
01:06:05it's the headquarters
01:06:06of the whole outfit.
01:06:07Now, look here.
01:06:07What with two of them
01:06:08jabbing at one end
01:06:09of the line
01:06:09and you hissing in me ear,
01:06:10it'll quicker if I went
01:06:11to London after all.
01:06:11Wessex Street is SW1, you know.
01:06:13Now, don't you shove
01:06:14your oar in.
01:06:15Four policemen's enough
01:06:16on one line
01:06:16without the help
01:06:17with the post office?
01:06:19No, Chief.
01:06:22Lord, let me...
01:06:23No, no.
01:06:24No, all I want you to do
01:06:25is to get somebody competent
01:06:27to watch 121 Wessex Street
01:06:30until the registered letter arrives
01:06:32and then pounce
01:06:33and catch the lot of them.
01:06:35And afterwards,
01:06:36ask them to ring up Bingham
01:06:38at Allingford 69
01:06:39and I'll beg the murderer.
01:06:43Fine.
01:06:44Good night, Chief.
01:06:47I can do with a drink after that.
01:06:52What about the post office?
01:06:54Well, it's a bit late at night
01:06:55but since it's been
01:06:56just an exciting day
01:06:56I think I'll have
01:06:57a small whiskey and soda.
01:06:59Bingham,
01:06:59order to a small whiskey,
01:07:00will you?
01:07:01I'll have a double.
01:07:04Hello, Miss.
01:07:05Ask the waiter
01:07:06to send up
01:07:06two double whiskies
01:07:07and one small one.
01:07:08Sam,
01:07:11one whiskey
01:07:11and two doubles
01:07:12for number two?
01:07:13Right.
01:07:14Oh, and find out
01:07:14what they want to eat.
01:07:24Good evening, sir.
01:07:25Good evening.
01:07:25I believe you have
01:07:26a Mrs. Sutton
01:07:27staying here.
01:07:27Would you be good enough
01:07:28to send out my card?
01:07:29Yes, sir.
01:07:33Sam!
01:07:35Take that card
01:07:36to number eight
01:07:37on your way up, will you?
01:07:38Very good, sir.
01:07:39Thank you, sir.
01:07:53A gentleman downstairs
01:07:54handy-daddy, miss.
01:07:54Oh, thank you.
01:08:00Tommy!
01:08:09You said you'd be here
01:08:11at nine o'clock.
01:08:11It's nearly ten.
01:08:12I know.
01:08:22It's Carlson.
01:08:23He's dead.
01:08:24I know.
01:08:25He was murdered.
01:08:26So it was you
01:08:27who killed him.
01:08:29You reported to me
01:08:30that he was about
01:08:30to clear off to South America.
01:08:32A man like that's
01:08:33not only useless
01:08:33but dangerous.
01:08:34Well, all I can say
01:08:35is you might have been
01:08:36a little more careful
01:08:37about it.
01:08:39In what word?
01:08:40It may interest you
01:08:41to know that whilst
01:08:42you were disposing of Carlson
01:08:43there were two detectives
01:08:44in the house.
01:08:45You're sure?
01:08:46I met one of them.
01:08:48Did you find anything?
01:08:49Only a list of our agents
01:08:50in the safe.
01:08:51You needn't be alarmed.
01:08:52I played the prostrate
01:08:53widow very successfully.
01:08:58Well, I'll be getting along.
01:08:59I should have closed
01:09:00out my cucumber frame
01:09:01a couple of hours ago.
01:09:02Well, thank you very much
01:09:03for your assistance,
01:09:04Mr. Tomboy.
01:09:04A pleasure.
01:09:05Good night, Inspector.
01:09:06Good night.
01:09:07Good night, Sergeant.
01:09:07Good night, Mr. Tomboy.
01:09:09Hello?
01:09:10Is that you, Hornley?
01:09:11Yes, Bloat here.
01:09:12I said, what sort of game
01:09:13are you playing?
01:09:14Oh, listen, I'm in
01:09:15Wessex Street now
01:09:16and there is no one-two-one.
01:09:18The highest number
01:09:18in the street is 75.
01:09:20Hey, what are you talking?
01:09:21Here, hang on a minute,
01:09:22will you?
01:09:22Bring back the post office,
01:09:23will you?
01:09:23Quick.
01:09:24Mr. Tomboy!
01:09:25Just a minute.
01:09:27Yes?
01:09:27He wants it.
01:09:29Where's your registered
01:09:29letter book?
01:09:30Here it is.
01:09:31Well, you know
01:09:31what I want.
01:09:32Yes.
01:09:32Ah, here we are.
01:09:37Now, this can't lie.
01:09:38I've got the post office
01:09:39registered letter book here.
01:09:41Now, there's been a
01:09:42registered letter
01:09:42sent to Mr. E. Knight,
01:09:44one-two-one Wessex Street,
01:09:46practically every day
01:09:47for three months.
01:09:49I suppose you can count up
01:09:50to 121?
01:09:51And I don't want
01:09:52any insults.
01:09:53You ask for someone
01:09:53to check up on this
01:09:54and I've done it.
01:09:55Yes, but I ask
01:09:56for somebody competent.
01:09:57We are competent
01:09:58of the yard
01:09:59since you left
01:09:59and I'm telling you
01:10:01there's no one-two-one
01:10:02Wessex Street
01:10:02and there won't be
01:10:03till they pull down
01:10:03the houses of Parliament
01:10:04and make the street
01:10:05a bit longer.
01:10:06Well, why on earth
01:10:06don't you stick
01:10:07your strawberry jam
01:10:08instead of...
01:10:09Hello?
01:10:09Hello?
01:10:10Oh.
01:10:11There's no such place
01:10:13as 121 Wessex Street.
01:10:15But he sends a letter
01:10:15there every day.
01:10:16There's no such place,
01:10:17I tell you.
01:10:18But why would he send
01:10:19a letter to a place
01:10:19that isn't there?
01:10:20It doesn't make sense.
01:10:21But look,
01:10:22121 Wessex Street,
01:10:23written by me own hand.
01:10:24Well, I don't care
01:10:25if you wrote it
01:10:25with your elbow.
01:10:27There are only 75 houses
01:10:28in Wessex Street
01:10:29and 121 isn't one of them.
01:10:31But if registered
01:10:31letters are not delivered
01:10:32they come back to me.
01:10:33Have you never had
01:10:34any of them back?
01:10:35Never.
01:10:35That's why I say
01:10:36if it's written there...
01:10:36Oh, take that all the way.
01:10:38Now, that letter was handed
01:10:39in your post office
01:10:40this afternoon.
01:10:42Now, where would it be
01:10:42at this moment?
01:10:43In a sealed bag at Northbury
01:10:44waiting for the night mail.
01:10:45Where does the bag
01:10:46join the train?
01:10:46Lancaster?
01:10:47No, about ten miles
01:10:48before that
01:10:48it's caught up
01:10:49by the automatic arm.
01:10:50Where does the night mail
01:10:51start from?
01:10:51Carlisle.
01:10:52What time?
01:10:5310.45.
01:10:5510.05.
01:10:55Regan, we're going to Carlisle.
01:10:57What about the luggage, chief?
01:10:59Leave it.
01:10:59I'll get you a passport, Helen,
01:11:06and you can go abroad
01:11:07to a neutral country.
01:11:08There must be one left
01:11:09somewhere.
01:11:12Wait a minute.
01:11:13There's the detective
01:11:14who's in the house.
01:11:15Which one?
01:11:16The tall one.
01:11:18The little fellow
01:11:19we've got in tow
01:11:20is the village postmaster.
01:11:21And I was under the impression
01:11:23that the man with him
01:11:24was my new history master
01:11:25and I appear
01:11:26to have made a mistake.
01:11:27Suppose it was just
01:11:28a nominal charge
01:11:28for the room
01:11:29seeing I haven't slept in it.
01:11:30I'm sorry, sir,
01:11:31but I'm afraid
01:11:31you'll have to pay
01:11:32the full price
01:11:32as you've used the room.
01:11:36You're charging me
01:11:37for bed and breakfast
01:11:37and having a ride.
01:11:38Go on, pay up
01:11:39and don't argue.
01:11:40If it was my own money
01:11:41I'd be adamant.
01:11:43I'm seeing it
01:11:43will go down
01:11:44in expenses
01:11:44or concede the point.
01:11:46They must have found out
01:11:47I was here.
01:11:48If they had
01:11:48they'd hardly be leaving.
01:11:50No, I fancy
01:11:51they'd have something
01:11:51else on their minds.
01:11:53Oh, can't you pocket it
01:11:53without counting
01:11:54the change for once?
01:11:55Come on, come on.
01:11:56Good night, Mr. Tomboy.
01:11:56A minute, thanks again.
01:11:57Good night.
01:12:01Oh, good evening,
01:12:02Mr. Tomboy.
01:12:03I wonder if you'd mind
01:12:04obliging me.
01:12:04I know it's after
01:12:05post office hours
01:12:06and all that
01:12:06but I should be very grateful
01:12:07if you'd break the rules
01:12:08and cash a money order
01:12:09for me.
01:12:10Well, I...
01:12:11Unfortunately,
01:12:12I wasn't able
01:12:12to get to the bank today.
01:12:14Well, certainly,
01:12:14Dr. Kerbishley,
01:12:15with the greatest of pleasure.
01:12:16Oh, thank you very much.
01:12:17I'll run you down
01:12:17to the post office now,
01:12:18shall I?
01:12:18Oh, thanks.
01:12:22Well, it's one
01:12:23of the registered letters
01:12:24for London.
01:12:25I made a mistake
01:12:25about the receipt.
01:12:27Got the addresses mixed up.
01:12:28If I could have it back,
01:12:29I could put it right
01:12:30in a few minutes.
01:12:32It's gone.
01:12:34Oh.
01:12:35Oh, very well.
01:12:36The registered letters
01:12:37have already left Northwick
01:12:38for the mail train.
01:12:40It's too late
01:12:41to stop them now,
01:12:41Dr. Kerbishley.
01:12:42There's nothing
01:12:43I can do, can...
01:12:44You've no reason
01:12:52to suspect any of your
01:12:53sorted, have you, Joe?
01:12:54No.
01:12:55Of course,
01:12:56I can't say for certain.
01:12:56We keep getting new ones
01:12:57on as the young'uns
01:12:58are called up.
01:12:59But I wouldn't surprise
01:13:00everybody if somebody
01:13:00new came on tonight.
01:13:01I don't follow you, Inspector.
01:13:03For me, for instance.
01:13:04Sorting isn't an easy job,
01:13:05you know.
01:13:06It's years before
01:13:07you're any good at it.
01:13:08Well, you're short-handed
01:13:09and I'm no good at it.
01:13:10You can keep telling me so.
01:13:12Say you've got to give me
01:13:12the second in the morning,
01:13:13that'll fool them.
01:13:14It might work, Joe.
01:13:16What do you think?
01:13:17I don't know.
01:13:18It's got to work.
01:13:19Now, come on,
01:13:19you're the first master.
01:13:21Who can they substitute me for?
01:13:22When's your room
01:13:23calm due for the call-up?
01:13:24Any day.
01:13:25Well, if we can stop him
01:13:26before he gets here,
01:13:27we can tell the rest
01:13:27he's had it.
01:13:30What about me?
01:13:31Can't I be a short or two?
01:13:32No, you can't.
01:13:34You're going to be
01:13:34what you've always been,
01:13:35a passenger.
01:13:35Hello.
01:13:36Send George in here,
01:13:37will you please?
01:13:40Runcar's been called up.
01:13:41He'll take his place.
01:13:42Here we go.
01:13:44Job's the name?
01:13:44Yes, man, I'm sorry.
01:13:45For five years.
01:13:46Seven.
01:13:47He'll be as good as some of you.
01:13:48I hope the train's coming in now.
01:13:50Look lively there.
01:13:52Very late for dinner, Job.
01:13:53It's all out.
01:13:55Hello.
01:14:09Foster.
01:14:10I want another phone.
01:14:14Better hurry.
01:14:16Hello?
01:14:20Yes?
01:14:21I have to warn you,
01:14:22two detectives will be
01:14:23on the train tonight.
01:14:24No, if you're careful,
01:14:26it'll be all right.
01:14:28One of them's tall,
01:14:29bald, looks intelligent
01:14:30and isn't.
01:14:31The other one's short
01:14:32with a sour face,
01:14:33doesn't look intelligent
01:14:34and is.
01:14:35Has he got a heavy load
01:14:36or anything?
01:14:37Oh, well, I've seen it.
01:14:39He's the new sorter.
01:14:40They're working fast.
01:14:42Listen, whatever you do,
01:14:43don't let him get hold
01:14:43of that letter.
01:14:45No, leave that to me.
01:14:47I don't like the sound of it.
01:14:48cut it down.
01:14:52Oh,
01:14:55yeah.
01:15:05Yeah.
01:15:17¡Suscríbete al canal!
01:15:47¡Suscríbete al canal!
01:16:17¡Suscríbete al canal!
01:16:47¡Suscríbete al canal!
01:16:49¡Suscríbete al canal!
01:17:21¡Suscríbete al canal!
01:17:23¡Suscríbete al canal!
01:17:25¡Suscríbete al canal!
01:17:27¡Suscríbete al canal!
01:17:29¡Suscríbete al canal!
01:17:31¡Suscríbete al canal!
01:17:33¡Suscríbete al canal!
01:17:35¡Suscríbete al canal!
01:17:37¡Suscríbete al canal!
01:17:39¡Suscríbete al canal!
01:17:41¡Suscríbete al canal!
01:17:43¡Suscríbete al canal!
01:17:45¡Suscríbete al canal!
01:17:47¡Suscríbete al canal!
01:17:49¡Suscríbete al canal!
01:17:51¡Suscríbete al canal!
01:17:53¡Suscríbete al canal!
01:17:55¡Suscríbete al canal!
01:17:57¡Suscríbete al canal!
01:17:59¡Suscríbete al canal!
01:18:01¡Suscríbete al canal!
01:18:03¡Suscríbete al canal!
01:18:05I imagine we shall find an example of your handwriting on your identity card.
01:18:26Mr. Busby.
01:18:30Got a new sorter on tonight?
01:18:32Well?
01:18:32The local on the train there says he's his brother. Asked me to give him this note.
01:18:36Well, it's against regulations. Still, we'll let it go this time.
01:18:47You're still on that luck?
01:18:48Well, let me tell you, if everybody here worked at the speed you're going, this post will arrive in about three years' time.
01:18:54Here.
01:18:56Talk about a nagger. I seem to be at home with my wife.
01:19:02I've got to go along and see my sergeant.
01:19:16The letter I am after is in the SWO, number 20.
01:19:19It's addressed tonight.
01:19:201-2-1-6-3.
01:19:22Keep your eyes blue to it while I'm gone, will you?
01:19:23Okay.
01:19:23I'm a CID man.
01:19:41I wonder if you'll go in that next compartment and examine the tickets.
01:19:48Certainly, sir.
01:19:55Tickets, please.
01:19:58Thank you.
01:20:01Your tickets are, please.
01:20:03I don't think I've got mine on me, Inspector.
01:20:05I think I've got yours, Edward.
01:20:09Thank you, madam.
01:20:10Thank you, brother.
01:20:12There you are, dear.
01:20:16Who's in there?
01:20:17Tall, bald, heady, gentlemen, sir.
01:20:18Looks rather pale.
01:20:19Yeah.
01:20:19Anybody else?
01:20:20A well-dressed man with a long nose and a red-headed woman.
01:20:22Rather pretty.
01:20:23Uh-huh.
01:20:24Thank you very much.
01:20:25Anything else I can do for you, sir?
01:20:26No, not just now, thank you.
01:20:27Very good, sir.
01:20:28Thank you.
01:20:28Thank you.
01:20:28Thank you.
01:20:35Uh, excuse me.
01:20:40What's he's engaged to do?
01:20:59The inspector's rather a long time.
01:21:01I hope the Osig sergeant's be no hitch.
01:21:05Thank you, sir.
01:21:08Don't move.
01:21:10Good work, sir.
01:21:11Good work.
01:21:15Well, Dr. Cavishley,
01:21:17I think you've had my credentials.
01:21:20Go on.
01:21:21Watch it, Bingham.
01:21:21I'll be back in a moment.
01:21:23There.
01:21:24And don't let this redhead try any more of our tricks.
01:21:27No, sir.
01:21:32It's just an example of the way we work, you know.
01:21:34No, I hope my friend had been back.
01:21:40Yeah, Corporal.
01:21:41Look out at those two.
01:21:43This is what is known as a matter of national importance.
01:21:44All right, Inspector.
01:21:45Well, you will be.
01:21:47Come along, Bingham.
01:21:48I may need your help.
01:21:50So long, Doctor.
01:21:50See you later.
01:21:51See you later.
01:21:51Here, where's that registered letter?
01:22:07Which registered letter?
01:22:08The one that was in there.
01:22:10Well, what do you want with it?
01:22:11That's my business.
01:22:12What have you done with it?
01:22:12You know, you're accusing me of pinching it.
01:22:14I'm asking you what you've done with it.
01:22:16Well, I'm not going to be talked to a lot like that by an extra man.
01:22:18I'm going to have this out with the head sorter.
01:22:19Well, Mr. Bosby.
01:22:25Is it very near accusing me of...
01:22:26I should take it easy if I were you.
01:22:37All right, fellas.
01:22:38We're from Scotland Yard.
01:22:39This is Inspector Holm in the CID.
01:22:41Look out, I believe he's a fifth columnist.
01:22:43Come on, out of it.
01:22:44Come on, out of it.
01:23:14You are the little fellow that never broadcasts in the same place twice.
01:23:18And within 24 hours of laying my hands on the mystery transmitter,
01:23:21I had the whole organisation behind bars.
01:23:24What a blow.
01:23:26Still on the last chapter.
01:23:27Making the most of it, those bears.
01:23:29I am.
01:23:29Oh, I mentioned that you had some connection with the case.
01:23:32Oh.
01:23:32You still haven't mentioned my connection with it.
01:23:34Well, I haven't finished yet.
01:23:36In conclusion, I would like to pay tribute to a man
01:23:39without whose help I could never have achieved this coup.
01:23:43Mr. Tomboy.
01:23:44The Postmaster of Upper Alley.
01:23:45Now look here, Chief.
01:23:46I've given you the best years of my life.
01:23:49Hello?
01:23:50Oh, bonnet, sir.
01:23:51Commissioner for you, blow.
01:23:55Morning, Chief.
01:23:56But Hornelly's on the scrounging case, sir.
01:23:59Since when?
01:24:00Oh.
01:24:00What?
01:24:02Me?
01:24:03At my age?
01:24:05That's right.
01:24:05Suppose I'll get a commission.
01:24:07No, no, private.
01:24:09Very good, sir.
01:24:10And don't think this is a penny job, blow, old men.
01:24:12I mean, this isn't just the case of a few tins of strawberry jam.
01:24:14No, no, no, it's costing the country a thousand a year.
01:24:17And here's a few clues to be going on with.
01:24:19One pair of jets underbend his large size,
01:24:22one tin of pilchards,
01:24:23and one bar of carbonic soap.
01:24:25And here's a few clues to be going on with.
01:24:44¡Gracias!
01:25:14¡Gracias!
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