- 6 months ago
The misadventures of a British Royal Artillery Concert Party unit stationed in based in Deolali in British India and the fictional village of Tin Min in Burma during the last few months of the Second World War.
Category
🎥
Short filmTranscript
00:00Meet the gang, cos the boys are here, the boys to entertain you.
00:09With music and laughter to help you on your way, to raising the rafters with a hey, hey, hey.
00:15With songs and sketches and jokes old and new, with us about you and Phil Blue.
00:21So meet the gang, cos the boys are here, the boys to entertain you.
00:26B-O-B-O-Y-S, boys, to entertain you.
00:35But now the world will cry for hope.
00:45For I could love my tears and my sorrow.
00:51Oh, it was a damn silly idea, was it, to do a show for the Gurkhas, sir?
00:57Mine, actually.
01:00Johnny Gurkha needs cheering up just the same as our chaps.
01:04In respect, they don't seem to be working.
01:07They must be English. Gun and Macintosh is all mixed. They won't understand a word he says.
01:11I shouldn't let that worry you. I can never understand a word he says either.
01:14Oh, his cock of the north is awfully good, sir.
01:17If they don't understand his jokes, what's the point of it?
01:20Don't worry, sir. I've had a word with Bombardier Bowman.
01:23He's made arrangements for all the Gurkhas. We'll see Macintosh's cock of the north.
01:26LAUGHTER
01:27Hey, that's me, folks. Ha-ha-ha.
01:54Hamish, Machamish, the cock of the north. Ha-ha.
01:58Oh, hi. Yeh hain Hamish, Machamish, Meshra Khamil.
02:01LAUGHTER
02:02LAUGHTER
02:03Two Scotsmen. Two Scotsmen bet each other a quid to see who could stay underwater the longest.
02:10The police are still looking for the bodies.
02:12Two Scotsmen. Two Scotsmen have given a chance that the water will go down the water.
02:17And the police are also looking for their bodies.
02:20Sandy, ma-maa pal Sandy.
02:27He went on those long sea trips, see, and he said to the captain, he said,
02:30Captain, how can I stop from being seasick?
02:33And the captain said, easy, just put a six-pence between your teeth.
02:37Sandy, Sandy smundar ki saad ko gya,
02:39so he said, hey, captain,
02:41mein samundar se kaisi aapni tabhiya thik rakh sakta ho,
02:44toh usne kaha ke aapne dauntom mein rakkho tum six-pence.
02:49Sandy, Sandy, is that mean, is that mean he took his bairns out of the school
02:55because they had to pay attention?
02:57Sandy, Sandy, itna conjuice hai ke usne apne bacho ko skool se utha liya
03:01ki usne unko karni pardhi thi, pay attention.
03:03Oh, hi, the new, oh, hi, oh, hi, the new, oh, hi, the new, oh, hi, the new, oh, hi, the new, oh, hi, listen to that.
03:14It's like Hamiltonite in Dixie.
03:15Oh, it's a travesty, a travesty.
03:17Oh, Gloria, sir, you should have let me do that translating.
03:21That damn native Ramzan has no sense of humour.
03:24I ain't half nervous, Gloria.
03:26Them gurghers look vicious.
03:28Well, let's just hope they like the little girl number, eh?
03:30Right. Now, let's have a look at you.
03:33Put your dummies in.
03:35Nice, lovey.
03:39I must protest, Gloria.
03:40What about?
03:41You can't see my face of this thing.
03:43It eyes my personality, and my personality is important.
03:46If I put this in my mouth, I'm all dummy.
03:48Look.
03:50Now, just remember, folks.
03:53Where all you love, you'll be dreaming.
03:58I've got an appointment with the GHQ, carry on, will you?
04:01So.
04:01What a damn shame.
04:05He'll miss the little girl number.
04:06He looks rather sweet.
04:27Little girl, you're as sweet as can be.
04:32Little girl, you're as sweet as can be.
04:54Just a glance at you, and love at the start.
04:58But oh, what a thrill, came into my heart.
05:02Little girl, with your cute little ways.
05:05I am yours, for the rest of my days.
05:09Oh, gee, Sergeant Major, these Gurkha Chappie's faces are inscrutable.
05:14I wonder what they're thinking.
05:16Probably same as what I'm thinking, sir.
05:17What a lot of poofs.
05:18You know, sir, these Gurkhas are the finest soldiers in the world.
05:47They'll face up to anything.
05:48They're not afraid of anybody.
05:50And they'll fight to the last man.
05:53I think the concert party has finally broken them.
05:55The newsletters just arrived, chaps.
06:03The only news I want to hear is that we're all going home.
06:07Ah, let's see.
06:09Oh, Field Marshal Slim says we've got the Japs on the run.
06:12They must have been giving them some of our tin stew.
06:15He's had me on the run for two days.
06:17Hey, listen to this, chaps.
06:22Shows at the front by our theatre critic.
06:24Oh, what?
06:25A theatre critic in an army newspaper?
06:28Last night, I saw the Royal Artillery Concert Party.
06:31Without a doubt, the star of the show is Gunner Lofty Sugden.
06:35What a wonderful voice.
06:37You hear that?
06:38I'm a star.
06:38Well, what is this that about me?
06:41Wait a minute, wait a minute.
06:43Ah.
06:44Gunner Graham is a brilliant pianist.
06:46This boy can certainly tickle the ivories.
06:49Well, what is this that about me?
06:51Yeah.
06:52I was very impressed by Gunner McIntosh's strongman act.
06:57Gunner Clark's whistling was a treat.
07:00Gunner Parkin's vent act was superb.
07:02I never saw his lips move once.
07:03And Gunner Evans's paper tearing was certainly something to see.
07:11Well, go on, go on.
07:13The costumes and scenery were excellent.
07:15And during the interval, I was served a very good cup of tea by the concert party Charwalla.
07:20Ah.
07:22Bombardier Beaumont also appeared in the show.
07:28Also appeared in the show?
07:29That's it.
07:30Bombardier Beaumont?
07:35He's even spelled my name wrong.
07:38He's gone.
07:40Don't call us.
07:41We'll call you.
07:48Morning, sir.
07:49Do you know what time Colonel Reynolds will be back from GHQ, sir?
07:52I've no idea.
07:53He should have let me know he wasn't coming home last night, Trinor.
07:56It's too bad.
07:57I waited up for him till one o'clock in the morning.
08:00But he could have phoned.
08:02There's no phone boxes in the jungle, sir.
08:06That's probably him now.
08:07Oh, thank goodness.
08:09Don't tell him I was upset, Sergeant Major.
08:11Of course not, sir.
08:12Who is I to come between Colonel and Captain?
08:17Morning, sir.
08:20Sergeant Major.
08:21I've fallen in and I want to talk to him.
08:22Stop right yet.
08:23Come on, come on, come on.
08:26Come on.
08:28Castell.
08:29Don't want to leave.
08:31What happened to you last night, sir?
08:33I was getting rather worried.
08:34Don't fuss, sir, Ashwood.
08:36Where were you?
08:37Well, if you must know, I was having a few drinks with the chaps at GHQ.
08:41A few drinks with the chaps?
08:44Yes, what's wrong with that?
08:50After all, I don't get out much, you know.
08:52Watch out!
08:56Thank you, Mr. Willis.
08:57Stand that ice!
08:58Right, stand easy, chaps.
09:00Now, yesterday, I met a Colonel Saul Zimmerman,
09:03and he's in charge of an American film unit in this area,
09:06and GHQ wants to help him out.
09:08Does that mean we were going to be film stars, sir?
09:10Shut up!
09:11How dare you talk on parade!
09:12He's making a short propaganda film for American cinemas,
09:16and it's about the relief of Fung Ho Village by American troops,
09:20and the dramatic moment when they raise the stars and stripes over it.
09:24Excuse me, sir.
09:25I've been out here since the war started.
09:27The only yanks I've ever seen is half a dozen sloppy animals with their hands in their pockets.
09:31They couldn't raise many flags with their hands in their pockets, sir.
09:34Yes, well, it's an order, and I'm afraid we've got to do it.
09:39Right, now, the film is called Private Washington Goes to War.
09:43It's the story of an everyday G.I. Joe, a hick farmer.
09:47How do you grow hicks?
09:49Hick means simple.
09:51Like you, Suggdon. Shut up!
09:55A hick farmer who puts down his plough and picks up his gun for Uncle Sam.
09:59Cut off from his unit and alone in the jungle,
10:03he wages a single-handed war against the Nip Horns.
10:07Now, in this film, we shall all be acting the parts of British soldiers.
10:11Oh, and they need an Indian.
10:13Shut up, what up?
10:14Yes, sir.
10:15Eat it all.
10:16Shut up.
10:16Oh, come on, chaldey, chaldey!
10:18You don't mind being an Indian, dear?
10:21Oh, no, sir.
10:22Every morning I wake up and I say to myself,
10:25I don't mind being an Indian.
10:27This is the part of an Indian thickhead.
10:31Oh, sir.
10:32I will do it with feather, sir.
10:34Sir, give a Indian part of the Indian.
10:35It's like sending calls to Newcastle.
10:39Shut up!
10:41Right, sir, that's all, I think.
10:42Watch out!
10:45Pace, pace!
10:49Muriya, sir.
10:50Muriya, sir.
10:51I have heard of this Colonel Saul Zimmerman.
10:54In peacetime, he's a famous Hollywood producer.
10:56Cowboy and Indian pictures.
10:58Are you sure?
10:59Yes, indeed, sir.
11:00I have seen all his films.
11:02Ambush at Death Gulch,
11:04Rustlers of Yellow Gulch,
11:05and Duel in Dry Bones Gulch.
11:09That's rather a lot of gulches.
11:11Perhaps he suffers from indigestion.
11:13I remember now.
11:15I've seen his name on lots of westerns.
11:17A Hollywood film producer.
11:19Oh, he's sure to spot me and give me a contract.
11:22Then after the war, it will be California.
11:26Here I come.
11:28California, here I come.
11:32Okay, now hear this.
11:34My name is Saul Zimmerman.
11:37Maybe you heard of me.
11:38I make movies.
11:40Okay, let's go to work.
11:42It's all magic, just as I imagined it.
11:45Hey, Chuck, come over here a minute, will you?
11:49Now, this is Chuck.
11:50He is Private Washington.
11:52He embodies the spirit of the true American GI.
11:55High, guts, grit, manliness.
12:00He's left out single-handed ten Jap pillboxes,
12:03and he has just captured 500 Japanese soldiers.
12:07What's he done with them?
12:09What's he done with the 500 Japanese soldiers he's just captured?
12:12Well, he's tied them up in Boy Scout knots.
12:14Any more stupid questions, wise guy?
12:17Well, he asked.
12:19Okay, bring out the Indian, huh?
12:21What the hell is this?
12:28I'm Indian.
12:30Listen, you goddamn stupid, limey native.
12:32I don't want no red Indian.
12:34Oh, I play any Indian.
12:36Red, white, or blue.
12:37Sam, I want a lot.
12:39Sam, I'm Jolly Good.
12:40Listen, a white man speak with four tongues.
12:44Get off.
12:45Long knives come, all buffalo go.
12:49Do you want a jelly cup of chasap?
12:50Look, will you get out of here, by crying out loud?
12:54Hey.
12:55What's up?
12:56Are you an Indian?
12:57Yes, sir.
12:57I understand.
12:58Yes, sir.
12:59Only in the mating season.
13:00Okay, cut the Indians.
13:02Hey, Sam.
13:03Yes, Mr. Zimmerman.
13:04We'll do the scene where Private Washington meets the British patrol, huh?
13:07Yes, Mr. Zimmerman.
13:09Doing okay, Chuck?
13:10Yep.
13:11That's my boy.
13:13Here, Parky.
13:14He's ever so good-looking.
13:16Not as good-looking as what I am.
13:19Make-up.
13:20And his teeth are capped.
13:22Is that, Sergeant?
13:23Sir, I am a battery, Sergeant Major.
13:26Oh, that's great.
13:27That means we don't have to wind you up, huh?
13:31Yeah, that's pretty good, huh, Sam?
13:32Yes, Mr. Zimmerman.
13:34Uh, I'm not going to use you in this shot, Sarge.
13:37I'm going to save you for the big scene later, huh?
13:42Hey, Sam.
13:43Yes, Mr. Zimmerman.
13:44I don't like this stupid-looking hat.
13:45Let's get him another one, huh?
13:46Well, I only have an officer's hat.
13:48So make him an officer.
13:50Move it.
13:52I don't know how to make Sergeant an officer, sir.
13:55I don't mind being an officer.
13:56Shut up.
13:57I don't know, Sergeant Major.
13:58It's any film.
13:59I see.
14:00They've made him a general, sir.
14:03I don't mind being a general.
14:05Shut up.
14:06No one will notice, Sergeant Major.
14:07They're only showing it in America.
14:09Oh, well, but me auntie and Cleethox won't be able to see it.
14:12Sergeant, if you don't shut up, I'm going to stick you on a charge.
14:15Hey, there's not enough sweat on them.
14:19We're sweating like pigs, sir.
14:21Look, I make the decisions around here.
14:23I don't need any goddamn Polack to tell me how to make movies.
14:27Well, I'm not a Polack.
14:29I'm a Scot.
14:31So where's your kilt?
14:33I haven't got one.
14:35Now, give me that bull.
14:36Scotchmen wear kilts.
14:38Now, you're a Polack, so get back in line, mister.
14:40Here, Nubby.
14:41What's a Polack?
14:43I don't know.
14:43It's something they use in an abattoir.
14:46What's that?
14:47A French tart's bedroom?
14:49It's a slaughterhouse.
14:52Oh.
14:53Sam.
14:54Yes?
14:55Wipe off the real sweat and put on artificial sweat.
14:58Yes, Mr. Zimmerman.
15:00Okay.
15:01Now, in this scene, Private Washington meets you, a British patrol.
15:05He's advancing.
15:06You're retreating.
15:08You're defeated.
15:09Demoralized.
15:10Beaten.
15:12I haven't got any lines, Mr. Zimmerman.
15:14I'm very good at being demoralized.
15:15He's beaten and wretched.
15:17This is disgusting, sir.
15:19Pull yourself together, bombardier.
15:20Hasn't you got any pride?
15:21But this is my big chance, Sergeant Major.
15:23This scene is me to a T.
15:25I can be a real coward.
15:26I can cry real tears.
15:27Look.
15:27I can't stand it.
15:32Shut up.
15:34Get this fairy out of my hair, all right?
15:38Okay, now, let's rehearse.
15:39You're defeated.
15:41Demoralized.
15:42This is a green Dunkirk.
15:43What does he mean, a green Dunkirk, sir?
15:46More like a yellow Dunkirk, you ask me.
15:48Sir, this is an insult to the British Army.
15:51You cannot allow it.
15:52It is a bit much, sir.
15:53We must preserve Anglo-American relations.
15:56Don't worry.
15:56If necessary, I can have the whole thing stopped.
15:58Oh, looky, I'm not putting up with this.
16:08I ain't going to speak to Colonel Zimmerman.
16:10I shouldn't, if I was you.
16:11He looks ever so cross.
16:12I don't care.
16:13This film is an insult to our intelligence.
16:16Excuse me, sir.
16:17What?
16:18Is all this strictly necessary?
16:20Are you a communist?
16:21I beg your pardon?
16:22Well, I asked you a simple question, mister.
16:24Are you a communist?
16:26Well, not really, no.
16:27Ah, don't give me that, Bull.
16:29You're one of those weirdo, intellectual pinkos.
16:33Hey, Colonel, what kind of a cotton-picking outfit
16:35are you running here?
16:37I beg your pardon?
16:38Well, it's full of pansies and commies.
16:40They're just a bit artistic, that's all.
16:43Yeah, keep in line, huh?
16:45Hey, Sam.
16:46Yes, Mr. Zimmerman.
16:47Eyeglasses for the officers.
16:49Yes, Mr. Zimmerman.
16:53British officers don't all wear molecules, sir.
16:55Well, they do for American audiences.
16:57Now, put them in your eyes.
17:05Rehearsal.
17:05Rehearsal.
17:06Now, you're staggering off.
17:09And you see Private Washington.
17:11Hey, Chuck, you know all your lines?
17:13Yep.
17:14That's a boy.
17:15And you say,
17:16thank God you've arrived.
17:18And he says,
17:19yep.
17:20And you say,
17:22bye, Joe.
17:22Are you taking over?
17:23And he says,
17:25yep.
17:25And then you say,
17:27good show.
17:28Uh, and then you say,
17:29hey, do you hear that, chaps?
17:31He's taking over.
17:32Then you all cheer.
17:33Then you say,
17:34if I had ten men like you,
17:36I could drive the nips from here to Tokyo Bay.
17:39And he says,
17:40yep.
17:41And then you say,
17:42good luck.
17:43And then,
17:44uh,
17:44no, no, no, no.
17:45You say,
17:46toodle-pip old fruit.
17:48No one in England says,
17:49toodle-pip old fruit.
17:51Oh, they do for American audiences.
17:53Okay.
17:54Rehearsal.
18:04And,
18:05action.
18:05Thank God you've arrived.
18:09Yep.
18:11Hi, Joe.
18:11Are you taking over?
18:12Yep.
18:13Good show.
18:17You know that, chaps?
18:18He's taking over.
18:19Hey.
18:20If I had ten men like you,
18:22I'd drive the nips from here to...
18:26Tokyo Bay.
18:27Tokyo Bay.
18:28Yep.
18:30Good luck.
18:31Toodle-pip old fruit.
18:33Hey, that's great.
18:35Stand by.
18:36For all of them.
18:39Okay.
18:40Now, in this scene,
18:41you're all Japanese soldiers.
18:52Have I got any lines,
18:53Mr. Zimmerman?
18:54I do a very good Japanese.
18:55Look.
18:55That fairy out of my hair,
19:06huh?
19:06Yes, Mr. Zimmerman.
19:07Okay, put on your glasses.
19:18Really, Mrs. Zimmerman,
19:19the whole thing is completely unreal.
19:21I mean,
19:21it's absurd.
19:22No one with any intelligence
19:24is going to believe
19:24that the entire Japanese army
19:26has defective eyesight
19:27and butt teeth.
19:29Well, they do
19:29for American audiences.
19:31Now, get back in line,
19:32you commie troublemaker.
19:36Okay.
19:37Private Washington
19:38is asleep on the ground.
19:40He is unarmed.
19:42Now, you sneak up on him.
19:44He opens one eye.
19:45He leaps to his feet
19:46and zap, pow, zowie.
19:48He lets you have it.
19:49Rehearsal.
19:50Rehearsal.
19:55Okay.
19:56That's terrific.
19:57Action.
20:03Gung-ho!
20:04No!
20:05Eh!
20:11Stay high.
20:13Private Washington
20:13jumps in front of you.
20:14He only has one bullet.
20:16He fires
20:16and zap, pow, zowie.
20:18The one bullet
20:19goes through you all.
20:20Now, stand by.
20:23And...
20:24action!
20:26Gung-ho!
20:28Ah!
20:35These three guys
20:36are strikers.
20:37You don't see the net.
20:39You step on it
20:39and zap, pow, zowie.
20:41Private Washington pulls
20:43and up you go.
20:45Could I be in this, please?
20:46I can play a man
20:47who can't stand nets.
20:48Have this up.
20:49I can't stand nets!
20:51I can't stand nets!
20:52Sam, how many times
20:53I gotta tell you,
20:54get this fairy off the lot, huh?
20:56Come on, come on.
20:58Give me a jump!
20:59That's all I want to jump!
21:00Okay, now, stand by.
21:01Okay, now, stand by.
21:06All right.
21:08Now, action!
21:13Gung-ho!
21:14Here, Padders.
21:28Yeah?
21:28I reckon that's the most
21:29beautiful kit layout
21:30what I've ever done.
21:31Yeah, mine took me
21:32two hours.
21:33And mine as well.
21:34Come on, move yourselves,
21:35get them char-poys, Frank!
21:37This is supposed
21:37to be a British outpost!
21:38I watch this!
21:39As soon as Colonel Zimmerman arrives,
21:43we'll be doing
21:43the scene of your own.
21:44Right, sir.
21:44Don't forget,
21:45we're a British unit
21:46that's been holding out for dead.
21:47If you don't mind, sir,
21:48I use my own initiative
21:49on this one.
21:50I think so,
21:51we've been made to look fools
21:52for long enough.
21:52Can I just show you
21:53what I got in mind, sir?
21:54Of course, Sergeant Major.
21:55Take post!
21:56Right.
21:57Now then,
21:57we is not gonna give in,
21:59is we,
22:00my brave, lovely boys?
22:01No!
22:03We is gonna fight
22:04to the last man!
22:05Yes!
22:06We is going to fight
22:07to the last man!
22:09They shall not pass!
22:11Hooray!
22:13I say,
22:14that's awfully good,
22:15Sergeant Major.
22:16Terribly brave.
22:17Thank you, sir.
22:18Okay,
22:18hubba, hubba,
22:18let's go to work.
22:19Come on now,
22:20let's make motion pictures
22:21around here.
22:22You all set, Serge?
22:23Yes, sir,
22:23I'd just like to put you
22:24in a picture.
22:24Hey, wait a minute,
22:25wait a minute!
22:26You're too cotton-picking clean!
22:27Hey, Sam,
22:28get the props over here, huh?
22:29Yes, Mr. Zimmerman.
22:31Hey,
22:31what the hell is all this?
22:33You guys are supposed
22:34to be demoralized!
22:36Come on,
22:36let's get with it!
22:37No!
22:37I want this place
22:40to look like hell!
22:42And, Serge,
22:43I want you
22:44to look like hell, too!
22:49All right!
23:00That's a little better.
23:01Okay,
23:02and I want you drunk, too.
23:03Sam, give him his lines.
23:06Yes, Mr. Zimmerman.
23:07Stand by!
23:09Stand by!
23:09Stand by!
23:17Sir,
23:17I cannot say them lines.
23:21I'm afraid you'll have to
23:23as orders from GHQ.
23:26With respect, sir.
23:27I shall stay by here.
23:32There is nothing
23:33in King's regulations
23:34that can make me
23:35say them lines.
23:36Don't be a barrackroom lawyer,
23:37Sergeant Major.
23:38I'll say the lines, sir.
23:41What?
23:42I don't mind being
23:43wretched and demoralized.
23:44I don't mind being drunk,
23:55either, sir.
24:01I can't go on!
24:02I can't go on!
24:04I can't go on!
24:06I can't go on!
24:08I can't go on!
24:08Ah!
24:09Ah!
24:10Ah!
24:11Ah!
24:11Ah!
24:11Ah!
24:12Ah!
24:12Ah!
24:13Ah!
24:13Ah!
24:14Ah!
24:18Yes, well,
24:18I'll have a word
24:19with Colonel Zimmerman.
24:20Ah!
24:26You make me sick,
24:27Beaumont.
24:29Don't be cross,
24:30Sergeant Major.
24:31The cobbler
24:32must stick
24:32to his last.
24:33I mean,
24:35you're a soldier, sir,
24:36and I'm an artist.
24:38It's my natural bench.
24:42OK, OK,
24:43let the fairy do it.
24:45I won't let you down,
24:46sir, I promise.
24:48OK, positions!
24:49Positions!
24:51You OK, Jack?
24:52Yep!
24:53That's my boy.
24:54OK, now.
24:56Rehearsal!
24:57Rehearsal!
24:57Action!
24:58Action!
24:59We got the one!
25:01There's nobody
25:02that can get us out!
25:03Oh, thank God
25:09you've arrived!
25:12Oh, how did you get through?
25:16We are surrounded
25:18by 500 Japanese soldiers.
25:20You mean we were
25:21surrounded by 500 Japanese soldiers.
25:23I took care of them.
25:25Yes, sir!
25:26You can always rely
25:27on good old Uncle Sam!
25:30I'm a Yankee Doodle-a-dangie!
25:34Yankee Doodle-a-dangie!
25:39Sergeant Major's
25:40taking it rather hard, sir.
25:41It's been a thoroughly
25:42humiliating experience.
25:44I should have put a stop
25:44to it in the first place.
25:46I shudder to think
25:47what fools we're going to look
25:48when that film
25:49was shown in America.
25:50The way that Colonel
25:51made me play the part
25:52was absurd.
25:53Why do all Americans
25:54think that British officers
25:55are silly arses?
25:58I don't go around
25:59saying by Jove
26:00and good show
26:01in a silly,
26:01affected voice.
26:04They've no idea
26:05of reality.
26:05You'd do anything
26:09to get your face
26:10in front of a camera,
26:11wouldn't you, Gloria?
26:12Yeah, you'd make me
26:12feel ashamed.
26:13Aye, and me.
26:14I blushed with embarrassment.
26:20I don't care.
26:22You're all jealous.
26:24It was my big chance
26:25and I grasped it
26:26with both hands.
26:27Just think, fellas,
26:28that film's going to be
26:29shown all over America.
26:30Aye, and we're going to
26:31look a right bunch of idiots.
26:33I feel sorry for old Shat-Up.
26:35It's really broken him.
26:37At least he had the guts
26:38to refuse to say them lines.
26:40Aye, you've got to admire them.
26:42The man's a man
26:43for all that.
26:45How did you make up
26:46of Shat-Up?
26:47I'll take it.
26:49I wonder if they'll show
26:51the film in Honolulu.
26:54What's that got to do with it?
26:55I like pineapples.
26:57Good girl.
27:02Cup of tea, Sergeant Major.
27:05Thank you, Sergeant.
27:10Don't worry about that film,
27:11Sergeant Major.
27:13I shall never live it down.
27:16I devoted my whole life
27:18to the Army.
27:20After all this,
27:22meaningless.
27:23It weren't no good anyway.
27:26What are you talking about?
27:27Well, I went into the little hook
27:29where they put the tins of film
27:30to have a look.
27:30I opened them up
27:32and held them to the light,
27:33but I couldn't see any pictures.
27:43You opened them up
27:44and held them up to the light.
27:49Yes, they were all blank.
27:50Lofty boy,
27:55you may be short
27:57and you may be stupid,
28:00but today, single-handed,
28:04you have saved the reputation
28:05of the entire
28:07British Army.
28:08good boy.
28:13All right.
28:15The boys are young, the boys areckoLEY
28:19These are хл Keller, the stockulenovia
28:22But pamphlethler hey hey hey
28:23The song comes campy and gives up the mood
28:27When it's down, do you know what's up the
28:29Baby-weavle can sound greetings
28:31They're handsome, the boys are young
28:33The boys are confronting
28:37Hamондons in England let go
28:39So these-to-beicaned ones a bit
28:41Hey Hey Hey, the spazerum of blood
28:43The boys are here, the boys to entertain you
28:53B-O-B-O-Y-S, boys to entertain you
28:59End of hope and glory, mother of the feet
29:06Shout out!
29:13Thank you
Comments