- 5 months ago
The misadventures of a British Royal Artillery Concert Party unit stationed in based in Deolali in British India and the fictional village of Tin Min in Burma during the last few months of the Second World War.
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Short filmTranscript
00:00Meet the gang, cos the boys are here, the boys to entertain you.
00:09With music and laughter to help you on your way, to raising the rafters with a hey, hey, hey.
00:15With songs and sketches and jokes old and new, with us about you and Phil Blue.
00:21So meet the gang, cos the boys are here, the boys to entertain you.
00:26B-O-B-O-Y-S, the boys to entertain you.
00:40Meet the gang, cos the boys are here, the boys to entertain you.
00:48What?
00:55Sit up straight on your puckering.
01:00Today is very exciting here in Royal Artillery Depot, Deer Lally.
01:06Colonel Saab, Captain Saab and Sergeant Major Shut-up Saab are having meetings to decide who is to be promoted to bombardier.
01:13Now, in the rest of the British Army, man with two stripes on his arm is called corporal.
01:21But in olden time, some regiments had halibuts.
01:24And man in charge was called halibutier.
01:27And he was very big fish.
01:30Now, the word bombardier means man in charge of bombs.
01:34And that is why, in Royal Regiment of Artillery, a man with two stripes on his arm is called bombardier.
01:45Many years ago, I was bearer to officer in infantry, and he called a man with two stripes on his arm, corporal, dear.
01:54But he was sent home to Blighty jolly quickly.
01:58Perhaps we ought to ask him some of those trick questions, Ashford. Have you got the list?
02:01Yes, sir. Test questions for prospective NCOs.
02:04Gunner Sugden is next, sir. I do not think you will delay us very long.
02:09Come on! We march! Left, right, left, right, left, right, right, right! Move yourself! Move yourself!
02:14Right, the air!
02:15The gunner's coming!
02:16Out! Salute!
02:19There he is.
02:20Now, the Colonel and the Captain is going to ask you questions to see if you're suitable bombardier material. Is that clear?
02:26Yes, Sergeant Major.
02:27Now then, Sergeant, you are on patrol with an officer and ten men when you see three Japanese soldiers entering a thicket.
02:36When do you open fire?
02:38How thick is the thicket?
02:42The thickness of the thicket has got nothing to do with it. I've answered the question!
02:46What are they going in the thicket for?
02:48Good question. What are they going into the thicket for, Asher?
02:51It doesn't say, sir.
02:53I think they're just passing through.
02:56I see it. When do you open fire, Sugden?
02:59Before they go in the thicket.
03:01When they're in the thicket.
03:03When they come out the thicket.
03:06I've failed, haven't I?
03:07You mustn't jump to conclusions, Sugden.
03:13Get out!
03:14Salute!
03:15About time!
03:15Quick march!
03:16Left, right, left, right, left, right, left, right, left!
03:17Next!
03:20Excuse me, subs.
03:21What the hell are you playing a bearer?
03:22Sergeant Major, sub.
03:23It is four o'clock.
03:24It is tea time.
03:26You remember the old song?
03:27No matter what the scar, when the clock strikes far, everything stops for char.
03:33Shut up!
03:34Get three cups!
03:35What's that, sub?
03:36Hey, Mohammed.
03:41And try to make it less disgusting than usual.
03:46Three cups of less disgusting than usual.
03:49Coming up.
03:50I can't stand this waiting at that much longer.
03:52I get so nervous.
03:55Just like when I went on my first audition for one of the Lost Boys in Peter Pan.
03:59I'm in such a state, I couldn't find the theatre.
04:03La-dee-da, Graham is next, sir.
04:05Why do you call him that?
04:06The way he talks, sir.
04:08Yes, he's got an awfully affected accent.
04:09I can't stand that.
04:13Me neither.
04:14But he's got lots of qualifications.
04:15Cambridge man, isn't he?
04:16With respect, sir, he may be all right for a officer, but he's not up to stand it as a bombardier.
04:20Every time he talks to me, he makes me feel like a complete fool.
04:28Yes, sir.
04:28Well, he makes me feel like a bad smell under his nose.
04:31Still, we must be absolutely fair and impartial.
04:34Get it, then, will you?
04:35No.
04:35Stop!
04:37Quick, march!
04:38Left, right, left, right, left, right, left, right, left, right, right!
04:40Right wheel!
04:42My time!
04:43Halt!
04:44Salute!
04:45I don't think so, do you, Ashwood?
04:47Not really, sir.
04:47I quite agree, sir.
04:48That'll be all.
04:49Thank you, Graham.
04:49Salute!
04:50I'm out of time!
04:56Next!
04:56It is four o'clock, sir, and I packed your kit, and the train goes in one hour.
05:07What train is that, Sergeant Major?
05:08Oh, I was catching the five o'clock to Bombay, sir, back tomorrow morning.
05:11Got a bit of admin to do.
05:12Very much?
05:13Quite a bit, sir.
05:15Sergeant Major, sir, I don't know how beautiful the Bombay was so good, but it's big Charlie's.
05:23And don't be such big dicky.
05:26Well, if you've got that train to catch, we'd better get a move on.
05:29We'll see the next two together.
05:31Oh, well, that will be Gunnar Parkin, sir, and, uh, Gunnar Bormont.
05:34Bear on.
05:35When I calls, tell the next two to come in together.
05:37All right, Sergeant Major Sarve.
05:40Sir, look, Sergeant Major Sarve says he will see you both in the hall together.
05:45I'm half nervous, Gloria.
05:47No.
05:48So long as Sergeant Major shut up, thinks you're his son, you've got nothing to worry about.
05:52I would like you to take particular notice of Gunnar Parkin, sir.
05:56He's first-class Bombay material.
05:59Six foot one, good physique, five-poinen-shoulders, real man.
06:02What about Gunnar Bormont?
06:04Five foot four, pigeon-chested and a worry to us all.
06:07You're right, you're right, you're right, you're right, you're right, you're right, you're right, you're right, you're right, you're right, you're right, you're right.
06:10That we are, Barcoe, Barcoe!
06:12Out! Salute!
06:15There he is.
06:18Shoulders back, lovely boy.
06:20Find very shoulders, show more for the Colonel.
06:23Now, the Colonel is going to ask you questions
06:25and you will answer up smartly, is that clear?
06:27Yes, Sergeant Major. He's going to ask me questions.
06:29Shut up!
06:32Colonel Parkins is now ready for you to ask him questions, sir.
06:35How long have you been in the army, Parkins?
06:3720 months, is that right?
06:38Yes, Sergeant Major.
06:39Good boy, very alert, quick answer.
06:40Ask them the one about the soldiers in the thicket, Ashland.
06:44Yes.
06:46Now then, Parkins,
06:47you are on patrol with an officer and ten men
06:50when you see three Japanese soldiers entering a thicket.
06:54When do you open fire?
06:58Er...
06:58Er...
06:59Take your time, lovely boy.
07:01What is the answer, Ashland?
07:04When you get the order.
07:05What?
07:06When you get the order.
07:07Oh, yes, of course, of course.
07:10Parkins.
07:11Er...
07:12You open fire when you get the...
07:15When you get the...
07:19Mine's a pint.
07:20We'll not get the beer.
07:27That'll be all.
07:28Joe!
07:29Salute!
07:29About turn!
07:30Quick, ask!
07:31Have, take, have, take, have, take!
07:32For yourself!
07:34He's a bit thick, sir.
07:36Complete idiot.
07:37Not his fault.
07:38Probably comes from a thick family.
07:42I should think his father's as thick as a piece, wouldn't you, Salute?
07:45LAUGHTER
07:45And he had the wings.
07:48Oh, what a difference.
07:50It would make it the things.
07:51John, John, Parale.
07:53Anka, Magadale.
07:55Tam, Jan,sa, dera, doon.
07:58John, John, Parale.
07:59Anka, Magadale.
08:01Tam, Jan,sa, dera, doon.
08:04John, John, Parale.
08:06Shut up.
08:08Sir Tharpe.
08:09Oh, Sergeant Major Tharpe.
08:10What a wonderful city that Bombay is.
08:14Find yourself a bibididdu?
08:16Oh, no, sir.
08:18I slept all night out surged your door at Union Jack Club.
08:22You know, Sergeant Major Tharpe,
08:23that was the most beautiful da that I've ever slept against.
08:27So comfortable.
08:28LAUGHTER
08:28Book reading, Waller.
08:31Shut up and clear off.
08:33Yeah, one or two.
08:34You like to buy a copy of Lady Chatterl and Lover, sahib?
08:37No.
08:38Completely unviaducted version.
08:41Unviaducted version?
08:43Oh, yes, sahib.
08:44Oh, yes.
08:45Under the bridge, all the spicy bits left each.
08:48Shut up.
08:49Shut up.
08:50Watch, Waller.
08:53Saab, would you like to buy watch real gold?
08:56Shut up.
08:58Leave this to me, Sergeant Major Saab.
08:59Yeah.
09:00You could have killed him.
09:06Not to worry, Sergeant Major Saab.
09:08He's only a very low-caste fellow.
09:10Besides, train only going slowly.
09:14He is running along lines, shaking fists.
09:18Oh, what a shame.
09:19He's left his watch behind.
09:21LAUGHTER
09:21Sergeant Major Saab, train coming into station now.
09:26Right, pull them shutters down, Bear-Eyed.
09:28I don't want any loose Wallace-nick in my kit.
09:30Watch out, sahib.
09:34Come here, sahib.
09:43Are you moving there?
09:45These to come in, sahib.
09:46Wait in the car and bring that killing.
09:48Downy, downy.
09:49Move yourself, move.
09:51Come on, come on.
09:51Put it down there.
09:52Right now.
09:53Get out.
09:53Go on, go on.
09:54Get out.
09:54There's a bloody language these people understand.
09:58Right, right, sahib.
10:00We British must put these damn natives in their place.
10:03SHOW UP!
10:08Right, in all the shadows now, Bear-Up.
10:10Watch us out, mate, sahib.
10:14Excuse me, sahib.
10:18Hello, I know your face.
10:21That's right, we met last year in Calcutta.
10:23Fancy bumming into you again.
10:24Got me, sahib.
10:25Got me, sahib.
10:25I'm in a shop.
10:26That is, sahib, major Williams.
10:27Oh, so nice.
10:28All friends meeting on trains.
10:30Shut up!
10:31You!
10:32Move along the corridors.
10:34Sit in the next compartment.
10:35Watch us out.
10:38Oh, just one thing, sahib, major sahib.
10:40No corridors on Indian trains.
10:42Get out, sahib.
10:47Well, Mr. Williams.
10:49Where are you stationed?
10:50Too lowly, Mr. Sharp.
10:51Next stop.
10:51Where is you stationed?
10:52Well, I move about all over India.
10:54Give your men special drill.
10:57Excuse me, sahib, major sahib.
10:58What do you want?
10:59Next carriage is totally full.
11:00May I come in, please?
11:02No, you can't.
11:02Stay where you are.
11:03Watch out, sahib.
11:05You do a lot of drill, do you, Mr. Sharp?
11:08Oh, it's my life, Mr. Williams.
11:09I live for special drill.
11:11Anybody wants my special drill, they send for me.
11:13Oh, yes.
11:14The Vice-wise Bodyguard, CNC Special Guard, I draw them all.
11:17Don't draw any rubbish.
11:18Won't look at any man under six foot.
11:21Oh, I've got the gift for it.
11:23I am what is known as a virtuoso.
11:25Do you know what the CNC called me?
11:26No idea.
11:27The hedge-wire menu in on the playground.
11:31Very good, eh?
11:32Oh, I'm ready.
11:33What are your men like?
11:35You getting off a doolally?
11:36No.
11:37My men are fantastic.
11:39It's not.
11:40You've never seen nothing like it all.
11:41You were life.
11:42All over six foot.
11:43Tough soldiers.
11:43Real men.
11:46I think he's out here much longer.
11:48I think I shall faint.
11:49It's a damn disgrace, leaving us standing out here in the boiling sun while those officers
11:53are lounging around in the shade.
11:55I take it you agree with my decision, Ashford?
11:57Yes, I suppose so, sir.
11:58Under the circumstances, I think I've made the right choice.
12:01But don't you think we ought to wait until the sergeant major gets back and consult him?
12:04We don't want to make him cross.
12:05Look, I'm running this unit, Ashford, not the sergeant major.
12:08Come on, let's go and break it to the chaps.
12:11It's pretty I'm not getting off a doolally, Mr. Williams.
12:14I'd like to have had a good look at your men.
12:16Believe me, you does not know what you is missing.
12:19What's your answer you like?
12:20My bombardier.
12:21He's a cracker.
12:22A real man, if you ever saw one.
12:24And I'm pleased to say that the choice of bombardier is Gunner Beaumont.
12:34Gunner, sir.
12:35I'm so happy I could cry.
12:38Here are your stripes.
12:42Bombardier.
12:43Oh, thank you, sir.
12:45I should wear them always.
12:49Man of iron.
12:52There is something about a soldier.
12:54Something about a soldier.
12:57Something about a soldier.
12:59Never have I seen sergeant major shut up sub in such a rage.
13:04He's blown up like a bullfrog.
13:07Whoa, whoa, whoa, whoa, whoa.
13:14With me, Spack, sir.
13:16I think you should have consulted me before you promoted Beaumont to bombardier.
13:22what are your objections he's a puffer a bombardier poof that is liable sergeant
13:35major he's just highly artistic and sensitive we've got to have somebody who
13:39understands show business must admit he makes a wonderful ginger Rogers the
13:47fact that a man ponces about on the stage dressed as a tart does not qualify him for bombardier sir
13:53how dare you call ginger Rogers a tart she's my favorite film star what's your language sergeant
14:04what do you want could you please give the colonel message could you tell him the
14:21little boy is ready to cut the rope gunner bombardier Beaumont has asked me to give you a message sir
14:39he says the little boy is ready to go up the rope yes of course the Indian rep trick we're going to
14:46audition a magician the bombardier Beaumont has laid it on if the magician is any good we might use him
14:53in one of our shows let's go and have a look shall we prop there fine there's light for night you got
14:59your band paths right okay then good luck you stand here fellas I wonder how they do it well it's all
15:06auto-suggestion mass hypnosis a pendiculatory stage resembling deep sleep in which subjects act on
15:13external suggestion he's going to make us think we're watching the rotary we won't really be
15:18watching it at all oh sir would you be sick would you sit there sir and you sit there sir don't touch me
15:26would you like a sweetie sir
15:31vanji stand bar to translate purchase up I'll stand up in it colonel stop stop look
15:40you are now going to see Indian rope trickery so please to watch the magician please tell you to
15:49get out of the natural kitchen okay you're gonna know whatever I'm money you're not a picky
16:10Oh
16:20Take a minute of I know yeah, Banda keep hope reaping as a ruckier
16:27Under peak hope reaping as a ruckier. He say watch this monkey's car watch the monkey's car
16:34under key hope reaping as a ruckier
16:40Oh reaping as a ruckier, right? He's kind
16:43Banda are key hope reaping as a ruckier. That's the monkey's car
16:49Well, he's children were not gonna hypnotize me
17:01Up they came a rate of a no
17:03Yeah, I see the key here. Yeah, I see up na he up how much any time be he say that this rope
17:10Will now rise into the air
17:14See the rope is rising into the air
17:17Look at that, sir. The rope is writing in a hair without visible means of support
17:24Fantastic if I haven't seen it with my own eyes. I've never believed it
17:28The ropes on the end of a pole
17:30Oh
17:32For a seed this got me over here. He say that this rope is now 20 foot in air
17:39Oh
17:40Up they get a job of that each Allah key. Yeah, I love it. Yeah, I love it. Yeah, I love it. I see picture
17:46Diana. He say his boy will now climb this rope
17:49Do you see the boy is now climbing the rope?
17:56That boy climbing up rope, sir. It's amazing. He's a paper boy
18:07I don't care what he does in the daytime shut up
18:12Oh
18:14What about my mother? The corporate because of the hair fool some of the people all the time
18:23For a hurry, Harvey, hey, he simply a stop going and does hot rate a
18:28object of the baby, but see better got magic and say he will also now climb this rope
18:33See, he is now climbing the rope and he reaches the boy and he cuts off his leg!
18:43Oh!
18:44Oh!
18:45Oh!
18:46Oh!
18:47Oh!
18:48Oh!
18:49Oh!
18:50Oh!
18:51Oh!
18:52Oh!
18:53Oh!
18:54Oh!
18:55Oh!
18:56Oh!
18:57Oh!
18:58Oh!
18:59Oh!
19:00Oh!
19:01Oh!
19:02Oh!
19:03Oh!
19:04Oh!
19:05Oh!
19:06Oh!
19:07You see, where has the little boy gone?
19:09He's just climbed in the basket!
19:14It's a very good trick!
19:19Oh!
19:20Oh!
19:21Oh!
19:22Oh!
19:23Oh!
19:24Oh!
19:25Oh!
19:26Oh!
19:27Oh!
19:28Oh!
19:29Oh!
19:30Oh!
19:31Oh!
19:32Oh!
19:33Oh!
19:34Oh!
19:37Oh!
19:38Ola!
19:39The boy is alive and in one piece!
19:51Garlsab, it is interval now!
19:53Chawalai, garam chai
19:55Chawalai, becomes you
20:01Good to go
20:09Sergeant Major Saab, was not that the most wonderful experience?
20:14They'll never believe me when I tell them in Swansea.
20:18There's some explanation, but I saw it with my own eyes.
20:21Oh, Sergeant Major Saab, there in India there are many wondrous things that cannot be explained.
20:27Come in.
20:29Excuse me, Sergeant Major, I was in the office earlier on, sir, and somebody phoned up for you, and as I couldn't find you, sir, I took a message.
20:36Good boy, very smart. Who was it?
20:38Company Sergeant Major Sharpe, sir.
20:41What do you want?
20:42He said he was going back to Bombay tomorrow, sir, and he's going to pop off and stop here and see your wonderful men.
20:47What?!
20:49Does that mean we're going to do an audition for him, sir?
20:51You...
20:53All right, boy, you get out.
20:55Oh, Sergeant Major Saab! Blimey, what to do?
20:58When Sergeant Major Sharpe Saab arrives with all his terrible bull, you'll expect to see all men jolly smart and all six foot tall.
21:04You told him so yourself.
21:05Shut up, I'm trying to think!
21:07Sergeant Major Sharpe!
21:08Perhaps if you drill the concert party all night, they would then be smart in the morning.
21:13I could drill them all day, all night for a month, and they still look like a rag bag of poofs.
21:18If this gets out, I'll be the laughing stock of India.
21:20Sergeant Major Sharpe!
21:21Sergeant Major Sharpe!
21:22I have one small idea.
21:25Perhaps it might be possible for me to arrange that when Sergeant Major Sharpe arrives, he does not see concert party.
21:33How are you going to do that?
21:34What?
21:35In India, all things are possible.
21:36What are you going to do?
21:37Murder him?
21:38Oh, no, no!
21:39Sergeant Major Sharpe!
21:40Trust me, I promise you.
21:42All will be well in the morning.
21:45For a very small fee.
21:46Your travels.
21:47Old Kent Road and goodbye Dolly.
21:48Do you mean to tell us, Ranji, that when this company Sergeant Major arrives here, he expects to see us drilling like guardsmen?
22:01Totally correct, sir.
22:02Oh, he's going to get a bit of a shock.
22:04Yeah, I do.
22:05It's not for us.
22:06Do you know it?
22:08Old shut-up will never get us on parade.
22:10Be far too ashamed.
22:11But I have promised Sergeant Major Sharpe to help him.
22:13How on earth are you going to do that?
22:15When Sergeant Major Sharpe arrives, I have arranged for Rope Creek Magician to put him into trance so that he will only see what we want him to see.
22:25Like last night, when you thought you saw boy climb rope.
22:29You mean hypnotise this other Sergeant Major?
22:31Yes, sir.
22:32You never get away with it.
22:33Magician very powerful, sir.
22:35Sergeant Major Sharpe, sir, will be totally sterilised.
22:40But it will be necessary to have all your cooperation.
22:43Why should we help old shut-up, eh?
22:45He hates our guts.
22:46You can't kick a mum when he's down.
22:48Sergeant Majors don't count.
22:50Right.
22:51What do you think, Gloria?
22:52I think we should do it.
22:53Ah, rubbish.
22:54No.
22:55The drow armour of it appeals to my theatrical sense.
22:58My eyes made the eyes at me.
23:05Hey, you!
23:08Where can I find Dr. Sergeant Major Williams?
23:11In the battery office.
23:12Get that dirty car out of the way.
23:14You!
23:15Straight up with your punker!
23:17Oh!
23:18What a terrible fellow!
23:21What are you talking about?
23:22What are you talking about?
23:23A man is a man.
23:24I'm saying,
23:25Seen one Sergeant Major, Seen the Lot.
23:27Where are the brux of Major Williams?
23:29Coming soon, sir.
23:31What's he doing here?
23:32Sir, Sergeant Major, sir, collects monkey nut, sir,
23:35and this is the nut of the monkey.
23:37Disgusting!
23:40What, the...?
23:46Watch the monkey skull, sir.
23:48Watch this monkey skull.
23:50What the...?
23:52What the...?
23:53Watch the monkey skull, sir?
23:55What's the monkey skull, sir,
23:56Drike?
23:58Watch the monkey skull.
24:00Watch the monkey skull.
24:02Watch the monkey skull.
24:04Watch the monkey skull.
24:06Okay, Sergeant Major,
24:08I'll tell you something.
24:10You'll remember only what I tell you now,
24:14and nothing else.
24:16Nod your head if you understand.
24:18You are going to go to the mountain,
24:20and there will be the best young people.
24:22You'll remember only what I tell you now,
24:24and nothing else.
24:26You will go out onto the parade ground,
24:28and you will see the most magnificent
24:30body of men you have ever seen
24:32in your life. Nod your head
24:34if you understand.
24:36They will do some drills for you,
24:38like Buckingham Palace.
24:44Their drill will be like what you get
24:46outside Buckingham Palace.
24:48When magician snaps his fingers,
24:50you'll remember only what you're
24:52told to remember. Nod your head
24:54if you understand.
24:56Shifty!
24:58What else are you doing here?
25:00Get out! Get out! Get out!
25:02Get out! Get out! Get out!
25:04Nice to see you again, Mr. Sharp.
25:06Good morning, Mr. Williams.
25:08No need for you to come all this way
25:10just to see my men.
25:12Well, after what you told me about,
25:14I'm on the train, I had to see for myself.
25:16All right, let's get on with it then.
25:18After you, Mr. Sharp.
25:28This had better work.
25:30It will, Sergeant Major, sir.
25:32I swear by my old school colours
25:34that you're trying to strangle me with.
25:36Right now, Mr. Williams,
25:38where's your men?
25:39Let's be having them.
25:40Right, Mr. Sharp.
25:42Get on!
25:44For Ada!
25:46Left! Left! Left! Left! Left! Left! Left! Left! Left! Left! Left!
25:58LAUGHTER
26:14Stop!
26:15Squat!
26:16Left!
26:17Hand!
26:18Oh, you're gonna...
26:20Ah!
26:21Two, three...
26:22Two, three...
26:23What is they doing on their knees? They're trying to make fools of me!
26:29No, no, no, Sergeant Major Saab.
26:31It is necessary for them all to be on their knees
26:34so that they all look the same height.
26:36And it will be necessary for you also to go on your knees, Saab,
26:39to be at the same level.
26:43What about him?
26:44He will do as you do, Saab.
26:46LAUGHTER
26:53What do you think of them, Mr Sharpe?
27:07You were right, Mr Williams. Magnificent body of men.
27:10Do they drill as smart as they look?
27:13Try them.
27:18Schwan!
27:20Troop!
27:21Arms!
27:22Two, three...
27:23Two, three...
27:24Please!
27:25Arms!
27:26Two, three...
27:27Two, three...
27:28Two, three...
27:29Four!
27:30Two, three...
27:31Four!
27:32Two, three...
27:33Hoorah!
27:34Arms!
27:35Two, three...
27:36One.
27:37Two, three...
27:38Shedrack!
27:39Nice!
27:45Mr Williams, I've doed them all in my time.
27:48The guards, Kirkus, Six.
27:50But never anything like this.
27:56Would you, uh, would you like to inspect them?
27:58May I?
27:59Of course.
28:13I said, what are they doing on their knees, Ashton?
28:15I have no idea, sir.
28:17Oh, well, better not interfere.
28:18Sergeant Major knows what he's doing.
28:20Time for a chit pig, I think.
28:24Well, well, what a fine body of men.
28:26Must be all over six foot.
28:28And this one, real soldier, tell us about the others.
28:32He must be, well, I'm six foot one.
28:35I've looked up to him.
28:37He must be all over six foot four.
28:39Well done, lad.
28:41You know, there's an old Hindu proverb which say
28:45that if a man wishes to rise to great heights,
28:48he can do it just as easily on his knees
28:51as he's standing up.
28:53I've looked up to him.
28:54I say that if a man wishes to rise to great heights,
28:56that we can do it just as easily on his knees.
28:59Well done.
29:00whether you speak up to him.
29:01If a man wishes to rise to his knees and then he can do it for the others.
29:04Well done.
29:04Well done.
29:05Well done.
29:06Well done.
29:06Well done.
29:07Well done.
29:07Well done.
29:08Well done.
29:09The boys are here, the boys are here, the boys are here, the boys to entertain you.
29:36B-O-B-O-Y-S boys to entertain you.
29:43And the doctor and the doctor and the doctor and the doctor.
29:49Shut up!
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