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00:05Music
00:18Here, you. Do you want to see a comedy show?
00:21Seven beautiful comedians.
00:22Very witty. Guaranteed laugh all your money back.
00:26Comedy show. This way.
00:27For you. Do you want to see a comedy show?
00:29Yes, that's fine.
00:31Here look, tell you Joe.
00:32Full screen and hangs up trees. Lee.
00:35That's how I can't hear you.
00:36Go through that.
00:37Do you want to see a comedy show?
00:39Come here. Do you want to see a show?
00:42Lovely joke.
00:43So, here we are in Bertolt Brecht's Soho.
00:47With the old buildings and the London fog.
00:50And we can almost hear Polly Peacham singing
00:53Where is you, Mac? Where is you?
00:55And we can hear him singing.
01:05You are about to witness the Tenpy Opera.
01:08A tale of two sisters.
01:11Our story starts at pub closing time.
01:14Deep in the heart of Zoho.
01:24Quiet now. For Jenny approaches the Salvation Army mission.
01:28Her sister's last known address.
01:31But, in this Doss' paradise, danger lurks in every shadow.
01:37Jenny is soon surrounded.
01:39Easy prey for the careless hands of the down-and-outs.
01:42Yeah!
01:44Hi-ya!
01:45Ah-ya!
01:46Ah-ha!
01:46And a fri-y member shall be cut off!
01:48Oh-oh-oh!
01:49Oh-oh-oh-oh!
01:51Oh-oh-oh-oh-oh!
01:52Oh-oh-oh-oh!
01:53Oh-oh-oh-oh-oh!
01:55Oh-oh-oh-oh-oh-oh-oh!
01:55Oh-oh-oh-oh-oh!
02:07Jennifer again ventures forward, her spirits borne up by the missionary's merciful zeal.
02:41Um, I'm looking for my sister Dawn.
02:45I've sort of lost touch, and I was wondering if she was here.
02:50Your sister's a fat slut.
02:52We kicked her out of here weeks ago.
02:54She's probably in a brothel by now.
03:02Get out of here, you sickening innocent!
03:05So pity makes me roar!
03:11Stung by the harsh words of the matron, Jennifer runs off like a wounded animal into the fog
03:17and enters the grimy labyrinth of Zoho, the joy town.
03:24Meanwhile, at the middle of the maze, we find her sister Dawn.
03:29Already waist-deep in the quicksands of sin,
03:32arriving for work at a dirty little cabaret, known to time-out readers as the Comic Strip.
03:44Spurred on by sisterly love, Jennifer moves deeper into the jungle of the big city, her heart beating in her
03:51mouth.
03:53Have a nice day.
03:57Past ax-men and junkies.
04:01This is really good stuff, you know.
04:04Past horse and woman flesh.
04:07Through dismal courts and alleys, peopled with sharks and harpies and whores.
04:12Or getting rich in hell.
04:16Listen, we can still be body, okay?
04:18Nah, what's the matter with you?
04:20Chill up, you're gonna be alright, okay?
04:23Hey, look at me when I'm speaking to you, yeah?
04:29So Jenny steps over the corpse, leaving those nightmarish visions behind.
04:35She spies the friendly shape of a London bobby looming out of the night.
04:41Lost and alone, she reaches out to him, knowing she can rely on his help.
04:52Oh, well, another illusion shattered.
04:55But, in riot-torn Britain, can you really blame a young bobby on the beat for losing his marbles?
05:06We'll unhagen, terribly politically shine.
05:10You are.
05:11Sorry, love, you'll have to get a later set, you know what I mean?
05:13I'm just the guide for the Brecht tours of London, you see that?
05:17It's great that, isn't it?
05:18It's all these people making money out of looking like Marilyn Monroe and Humphrey Bogart.
05:22I look like a fuckin' East German playwright.
05:24I mean, what are you supposed to do with that, eh?
05:25We're almost gonna pay me to star in a fuckin' camp party at Bert, are you, eh?
05:29Bert or Brecht meets the smog monsters, it's not on, is it?
05:32You silly bitch.
05:33And over here, we see the Two Eyes Cafe,
05:35where Larry Parnes first picked up Billy Fury and Marty Wilde and Vince Egan
05:41before naming them in bed.
05:51At last, Jennifer's courage is rewarded as she stumbles across the awful clue
05:57that leads her to her sister dog.
06:01That's my sister's dog.
06:03Er, yeah, she, er, lent it to us.
06:06Yeah, you're all right.
06:06Yeah, we're gonna go to our cameras now, okay?
06:08No, wait!
06:09Wait!
06:10Wait!
06:10Have you seen her?
06:11We got a fucking idiot, we got a fucking idiot!
06:14Yeah!
06:14We got a fucking idiot!
06:16We got a fucking idiot!
06:16We got a fucking idiot!
06:16Get in there, you two cads!
06:20Get in there, you two cads!
06:22Who was that?
06:23Kinning and no size!
06:24Yeah, fuck up, dude!
06:26Alright, yeah, get in.
06:27Yeah, I ain't got a minute, fuck up!
06:29I ain't got a fucking minute!
06:30You get in there, fuck up, alright!
06:33You listen or not, I've got a nice job, though.
06:36You know what?
06:36How much?
06:37Come on, anybody else want the alternative comedy?
06:39I must think what?
06:40Yeah, you look like a fucking can't get in here.
06:42Now you fuck up, you hell of a fucking staff woman, you can't.
06:47Oh, I think we've finished, that's all you can't.
06:49Come on, fuck off best of everything, you can't get fucked up!
06:53You've got my sister in there!
06:55I'm not gonna find her!
06:57Meanwhile, backstage the sleazy, greedy club owners, Raymond and Paul,
07:02are counting their ill-gotten gains.
07:06Pony?
07:09Monkey?
07:11Giraffe?
07:14What is it?
07:15There's no toilet paper.
07:17How come there's no toilet paper in here?
07:19Okay, okay, all ready to go.
07:22Is everybody in?
07:25Rankers away?
07:26Okay, go.
07:34Thank you, thank you very much, good evening.
07:36Welcome to the comic strip.
07:38As you probably know, the comic strip is a whole new concept in alternative entertainment.
07:42My name's Lexis Allen, I'm actually an alternative comedian.
07:45I'm not funny.
07:46The thing is, I'm non-racist, I'm non-sexist, so if you don't laugh at me, you're a fucking fascist
07:50shitbag!
07:50Alright!
07:52Okay, Martin Bormer, stag party, okay.
07:55I'm Jewish.
07:55Say it loud.
07:56I'm Jewish and proud.
07:57If that's alright by you.
07:58I mean, I don't wanna get into heavy trips or anything.
08:00But, um...
08:02See, the only good thing about being Jewish, right, apart from the free Jaffas, that is,
08:07or if you're a Zionist, the ability to nick somebody's country because you were there 2,000 years ago.
08:11Um, oh yes, political satire, yes!
08:14Oh, this is what we've come from Eastlington for, yes!
08:19The only other good thing about being Jewish is if you want a day off work, right,
08:22you just go up to the boss and you say, er, I can't come in tomorrow, you know, it's, er,
08:26it's Flanake!
08:28Or, er, it's Rostka Shokta tomorrow, you know, I've gotta sit in the backyard with a pork pie on me
08:33head all day!
08:34Fucking get up!
08:35Anyway, er, this is, as I say, I've been filmed for Albanian television,
08:39so, er, I'm gonna do some of the readings from the poetry of Ember Hoxie, the president of Albania,
08:43in Albanian, with subtitles in semaphore for the harder thinking, right?
08:49Ah, fuckers!
08:56There's obviously no Albanians in tonight!
08:58Good! This fucking Albanian goes for the job on a building site, right?
09:03Cabaret?
09:07I'll tell you the secret of Cabaret!
09:09Get the money in!
09:11Yeah, yeah, but, to get the poppy in, you have got to be funny!
09:15Yeah, then you're laughing!
09:17Because if you're not funny, then you're not getting the money in!
09:20Nobody's laughing!
09:23Yeah, it's a funny business comedy!
09:25Very serious business comedy!
09:26Um, I, er, actually, I was up in Liverpool a couple of weeks ago, you know,
09:31and I was actually up there, er, in Liverpool 8, you know, entertaining the troops!
09:36And, er, they call me the rioter's sweetheart!
09:51I've been here three whole weeks now!
09:56When am I gonna get my break?
09:58When am I gonna get famous?
10:00Why would you give me a chance?
10:02Why? Why?
10:04Dawn, darling, you have no talent.
10:07That's what they said to Lauren McCall!
10:10That's what they said to Cabaret Stephenson!
10:12Do you think they gave up?
10:13No, they bounced back!
10:15And that's what I'm gonna do!
10:16I'm gonna bounce right on up to the top!
10:19I'm gonna be so fucking...
10:23If you mind, we're expecting a call.
10:28I can do it! I can! Look!
10:30Look at this! Look!
10:31Oh!
10:31Oh!
10:34Oh!
10:36Oh!
10:37Oh!
10:37Yes!
10:38Oh!
10:39Oh!
10:39You're down on me now!
10:41Yes!
10:41Oh!
10:43Oh!
10:43Oh!
10:44Oh!
10:46Didn't you just stand in front of the mirror when you was a kid?
10:49You did, didn't you?
10:49You'd stand there and just your junior wife runs, looking at yourself, wouldn't you?
10:53Eh?
10:53Going, ooh, you're not nicer than them dirty girls!
10:56You are!
10:56And you'd get some of your mum's lipstick, wouldn't you?
10:58You'd put it round your mouth and throw lines all over your body, wouldn't you, yeah?
11:01You remember?
11:01You're smiling, I can see that you did, yeah?
11:04Yeah, you put lines...
11:05Then you get your underpants, you pull them up tight underneath your armpits like that.
11:07You get your dad's crash helmet and you're jamming on your head really tight, yeah?
11:10It's coming back to you now, innit?
11:11Eh, yeah?
11:12That's right.
11:12Big pair of industrial garments, pull them on really tight.
11:14Big pair of fish in wellies.
11:16You get a tin of oxtail soup, you pour the oxtail soup in your wellies.
11:18You jump up and down, you bang your head on the wall!
11:20And you shout at yourself and, well, shak-y-dah, yak-y-dah, yak-y-dah!
11:27Didn't ya?
11:28I think you don't speak a lie about that.
11:31Look, look, I can't, look, oh, oh, oh.
11:34How's the weather in New York?
11:35Look, look.
11:36What £500 do you owe you?
11:38Make me famous, please make me famous.
11:40I didn't do it.
11:41All right, John?
11:42So are the kids.
11:43It's a funny old world, really, innit?
11:45Eh?
11:47Peculiar.
11:49Anyway, big enthusiastic build-up for the first act.
11:52For ladies and gentlemen, Arnold Brown!
12:00My name's Arnold Brown.
12:02Why not?
12:04And I'm the comedian with a cult following.
12:06The cult following at the moment is the Hare Krishna movement.
12:13And I wish they'd leave you alone.
12:18I come from Glasgow.
12:21Why not?
12:24You know Glasgow at the moment, under the Tories, the deprivation?
12:28The two-year waiting list for people who want to vandalise telephone kiosks?
12:34Last Christmas, I went back to see my home place.
12:37The plaque still hangs bravely in the wind.
12:421936 to 1956, Arnold Brown was socially deprived here.
12:49We had the other difficulty in Glasgow of my father being a key-totaler.
12:55And the shame on Saturday nights of him being constantly thrown into pubs.
13:00I was sitting in my closet tenor building one evening,
13:03reading the lighting up times in the original gillage,
13:07when a group of drunken revelers run by the window,
13:10singing a Glasgow street song I hadn't heard before.
13:13I...
13:14Excuse me, I'm...
13:17Who are these people? I asked my mother and father.
13:19These people, Arnold, are the middle class.
13:23How would you join?
13:25Easy, bad observer.
13:28So I brought the observer, struggled with the adverts,
13:32took my supplements like a good little boy.
13:36And here I am, happily, almost proudly, living in Hampstead, London N.W. Tweed.
13:41All the Christian soldiers,
13:45marching as to war,
13:48with brothers and sisters.
13:51I can't show business.
13:53I belong here.
13:56I hate my parents.
13:58And I hate the burning pony club.
14:01I hate these girls.
14:03Shut your butts up, girls.
14:05In Hampstead, we care about people.
14:08Above all, we care about ourselves.
14:12But it's not all hedonism and Hampstead kiddies.
14:16Last night, we were all out demonstrating the Men Against Sexism group
14:20outside the Punch and Judy show in the community centre.
14:24So much work to be done.
14:29And tomorrow night, we're all out on picket duty.
14:32The silent vigil outside the White Sugar factory in Troy.
14:40Someone's got to do it.
14:42Yes, let's do it.
14:44You're not gonna stop me.
14:46You're never gonna stop me from telling you.
14:49Stop!
14:51Goodnight.
14:59Archie, how are you?
15:00How are you, Archie?
15:01We were just talking about you, weren't we?
15:03We're just saying you are one of our favourite comedians.
15:05When do I get paid?
15:07It's right, you should ask that, Archie.
15:08When do I get paid?
15:10Anyway, I'm gonna introduce the next act now.
15:13And this next act has been flown in at absolutely no expense
15:16and absolutely nowhere.
15:17What do you think of that?
15:18A pound?
15:19Anyway, there's Dublin.
15:21A big, warm comic ship welcome.
15:23Yeah, it sounds like a big, warm comic ship welcome.
15:24But ladies and gentlemen, The Outer Limits.
15:27Archie, thanks a lot.
15:29You're a top.
15:29Catch you later.
15:36Good evening, we are The Outer Limits.
15:38So relaxed.
15:58I'm Kenneth, a photographer.
16:03I take pictures of little girls.
16:08Sometimes these pictures get in the magazines.
16:10Page three.
16:13My friends call me, Lady Di.
16:17Because I like working with children.
16:18Where are we up?
16:19We're on after him.
16:21Come back and you'll give it all away!
16:23I'll tell you what's gonna be very big money soon.
16:26Fibre optics.
16:29Them bendy tubes that doctors look down.
16:34The inside pictures.
16:36Cheeky shots of the ovaries.
16:41Full frontal shots of the fallopian tubes.
16:46Unborn children discovering for the first time the full sensuality of their partially formed bodies.
16:54Fibre optics.
16:56Stop shouting!
16:57I'm not shouting!
16:59You're supposed to whisper!
17:00What the one did you fucking whisper?
17:02There's a lot of audience out there.
17:03You'll give it all away.
17:04You'll lose the element of surprise.
17:06You twat!
17:08Harbin?
17:28F!
17:31Well, you're flying low tonight.
17:37Okay, here we go now.
17:38Little furry things.
17:39Come up your legs.
17:40Get down, you bastard!
17:41They come through the walls and put wires in your head, you know.
17:43But I don't mind, anyway.
17:44What, me paranoid?
17:46Okay, nice warm feeling.
17:47Here, didn't you kill my brother?
17:51Anyway, ladies and gentlemen,
17:53a big welcome, please, for the Dangerous Brothers.
18:10Well, you ready?
18:11Yeah, ready.
18:12Really ready?
18:13Really ready.
18:14As ready as those long, green things!
18:17Ready, yeah.
18:18Okay.
18:19Three!
18:20Four!
18:22Good, you guys and gentlemen!
18:24We are the Dangerous Brothers!
18:26Brothers!
18:26Well, if this witch is dangerous, well, this is avian dangerous.
18:32Thank you very much. Unusually dangerous, I trust you'll agree.
18:35We'll like to open this evening with a little joke.
18:37A joke?
18:38Joke.
18:39Knock, knock.
18:40Who's there?
18:42Open the door.
18:44Open the...
18:45What the fuck are you talking about?
18:52Open the door.
18:53Who?
18:55You're going to die later.
18:58Open the door.
18:59I want to come in.
19:06Open the door.
19:07I want to come in.
19:08Who?
19:09Right?
19:12No, just open the fucking door.
19:14Just open the fucking door.
19:16Who?
19:16What the fuck are you talking about?
19:23Thank you very much, ladies and gentlemen.
19:26Before we do the next piece, I'd like to give you a little contortionism.
19:36Get up!
19:39Skip it!
19:39I'll tell the gooseberry joke.
19:42What's the fucking gooseberry joke?
19:44What's green and hairy and goes up and down?
19:47What?
19:48A gooseberry in a lift.
19:49It kills them.
19:50I'll tell it.
19:52Wait a minute, ladies and gentlemen.
19:52I'll tell the gooseberry joke.
19:54Well, how is a little gooseberry going to get into a lift?
19:58What the fuck do I know?
20:00It's a joke.
20:00It's implicit.
20:02Sounds improbable to me.
20:05Well, maybe somebody brought the gooseberry into that lift.
20:07Well, you didn't fucking say that.
20:08I'm not the way I got the feet of it then.
20:10I am a fucking comedian.
20:13Here we go.
20:14Do you ever not tell the gooseberry joke?
20:15Okay, okay.
20:16So, I suppose somebody brings a gooseberry into a lift.
20:19Yes.
20:19It's a bit fucking convenient.
20:21Yes.
20:22How's it going to press the buttons?
20:23It's a fucking gooseberry.
20:26I know it's a fucking gooseberry.
20:28Bastard.
20:33Well, maybe he's going to gooseberry arms to press the buttons with.
20:36Gooseberry don't have any arms.
20:38How many gooseberries do you know?
20:40Three.
20:41That's a fucking lie.
20:42To laugh.
20:43Three, that is just called a home.
20:44You're not three gooseberry.
20:44Let's have the names.
20:46What?
20:46Let's have the names for these three gooseberries you're so matey with.
20:50Nine times.
20:55Darren gooseberry, that's a lie.
20:56Derek fucking gooseberry.
20:57Derek is my best fucking friend.
20:59Oh, come on, then go and get the bastard.
21:01Come on out, Derek.
21:02Your mother wants you.
21:03Go and get the fucker.
21:04I'm going to meet him.
21:06Derek!
21:08Oh!
21:10Oh, he's got a headache.
21:11Oh, he's got a headache.
21:13Yeah.
21:14That's very fucking convenient, isn't it?
21:15Yeah, couldn't we have, though?
21:17Well, has he gone to your arms?
21:18Oh, fuck on arms.
21:19Oh, so how's he going to press the buttons?
21:21Exactly.
21:22Fuck.
21:24All right, all right.
21:25Maybe he jumped up a nut in the button.
21:27He's going to fuck all legs, either.
21:30All right, maybe he pecks it with his beak.
21:34Or fucking beak.
21:35The goose's beak.
21:37The French goose with the beret.
21:39Give him a minute.
21:41It was the French goose with the beret on, pegging buttons in the lift with his beak.
21:44And then it goes up and down.
21:45What's that?
21:51We've got it.
21:52We've got it.
21:53We've got it.
21:54We've got it.
21:55We've got it.
21:55We've got it.
21:57We've got it.
21:59We've got it.
22:01We've got it.
22:02We've got it.
22:09We've got it.
22:09We've got it.
22:11We've got it.
22:13We've got it.
22:15We've got it.
22:16We've got it.
22:18We've got it.
22:20We've got it.
22:21We've got it.
22:22Music!
22:27Hello, it's Mr. Swery, fucking cunt, you hanker.
22:30Fucking bullets. Hello, Mr. Swery, fucking cunt, you hanker.
22:34In your box, Mr. Swery, fucking cunt, you hanker, fucking cunt.
22:46Chomp all sorts of what a fucking cunt, eh?
22:52Why, fucking cunt? We hate him round, are we?
22:55You know why? You know why?
22:57Because you know as fuck all a bit of Cortina, that's right.
22:59I see how cunt, you hanker.
23:03I see how cunt, you hanker.
23:05Cause we all make mill.
23:08I've got an email.
23:09In the dress room, I've got an email.
23:12I'm a teacher, sir.
23:14You hanker, shanker, shanker.
23:16You cunt, who cunt, you cunt, eh?
23:18Cunt, cunt, cunt, cunt, cunt.
23:20Fucking cunt, cunt, cunt, if you'll pardon my French.
23:33Fucking cunt, you hanker, you fucking cunt, ya?
23:36Knock it on the head.
23:36I don't have to remember any of this now, cause it's all written on the inside of me hat.
23:40Fuck.
23:44Right.
23:44Next piece, next piece, is a Cockney Mod performance art dance piece.
23:48It's titled, a phrase often added out of mint account to me.
23:51It's called, hello, John got a new motor.
23:53Ah!
23:54Mark Freak, Coltina, white wool tyres, doggy on the back shelf, names on the windscreen,
23:59Sven and Kierkegaard.
24:01And you can join you with the words, right?
24:03If you're telepathic, that is.
24:05And there's a quick joke for all you telepefs.
24:14It's good, isn't it, eh, eh?
24:16Bit fucking risque-like, you know what I mean?
24:18Basically politically sound, right?
24:20Hang on, that's coming off, must get a smaller head, right?
24:24Cockney Mod performance art dance piece, I'm entitled, hello, John got a new motor.
24:28You fucking cunt.
24:30A one, two, a one, two, three, four.
24:32Hello, John got a new motor.
24:33Hello, John got a new motor.
24:34Ah!
24:35You go to make a mess on the carpet.
24:36You go to make a mess on the carpet.
24:37He lost to his bottle in Barnsley.
24:39He lost to his bottle in Barnsley.
24:41He's an Avon representative.
24:42He's an Avon representative.
24:44Hello, John got a new motor.
24:45Ah!
24:45Hello, John got a new motor.
24:47Hello, John got a new motor.
24:49Bollocks, you cunt.
24:53Where's she gone?
25:08I'm not gonna get my line right.
25:12No, no.
25:14No, no!
25:14No, no, no!
25:18No, no, no!
25:19No, no, no, no!
25:20That's the bitch!
25:22She's not gonna get my line right!
25:28Hey!
25:29Hey!
25:29Hey!
25:30Hey!
25:30What are you trying to do with fucking exercises?
25:32What the fuck's going on then?
25:33I knew she had it!
25:42A big chair!
26:04Thank you!
26:09Thank you!
26:11Thank you!
26:12My sister Jennifer!
26:13Yes! Yes!
26:23Thank you!
26:26Thank you!
26:26Good luck!
26:36Thank you!
26:40Thank you!
26:41Thank you!
26:42Thank you!
26:42Thank you very, very much, ladies and gentlemen.
26:45That is our little story.
26:47There has to be a moral somewhere,
26:49but fuck knows where it is.
26:52Still, time has passed,
26:54and we know these people
26:55a little better.
26:57And where are your troubles now?
26:59They're outside.
27:00Where is your de Cheval
27:02turned over and burnt
27:04or the Snoopy stickers trampled into the ground?
27:07Oh, yes.
27:09Oh, yes. Oh, yes.
27:11Ladies and gentlemen,
27:13I would now like to introduce you
27:14to a band I met at Nebworth.
27:17A big welcome, please,
27:18for Alexi's Midnight Runners!
27:27Hello, Nebworth!
27:28Okay! Hey! Woo!
27:30Alright! Woo! Okay! Alright! Woo! Okay!
27:32Alright! Hey! Woo! Alright! Okay! Okay!
27:34Now, um, there's been a lot of racial trouble
27:37in the world these days, you know?
27:38Blacks and whites, Russians and Afghans.
27:41Don't know why they pick on them,
27:42I think they're fucking nice dogs.
27:45There's only one device
27:47that can solve all this racial conflict.
27:49What is it?
27:50Is it a big melting pot?
27:52No!
27:53No!
27:54Is it a model railway set?
27:56No!
27:59Is it a pop-up toaster?
28:02Yes!
28:03Now, Joe!
28:04Oh, you're always that shit
28:06for every pop-up toaster!
28:09He-he-he-he-he-he-he-he-he-he!
28:17You go in white sands, you come out round!
28:20Pop-up!
28:21Pop-up!
28:21Pop-up toasters!
28:22You hit the roof,
28:23and then you spin around!
28:25Pop-up!
28:26Pop-up!
28:26Pop-up toasters!
28:28We'll make you that you need,
28:29there's a pop-up toaster!
28:30Stick her hand in her,
28:32see her roaster!
28:33Then she won't be so much of a boster!
28:36About to be the colour of the new straw boulder!
28:38And you go in white sands, you come out round!
28:41Pop-up!
28:42Pop-up!
28:43Pop-up toasters!
28:44You hit the roof,
28:45and then you spin around!
28:47Pop-up!
28:48Pop-up!
28:48Pop-up toasters!
28:49You can keep your lovers,
28:51and your old-style creature!
28:52Social workers and left-wing teachers!
28:56Politicians and assault slimy creatures!
29:09All right, everybody!
29:10Now, obviously, you can't solve the world's racial problems
29:13by singing along with a simplistic fucking lyric contained in a song!
29:17Oh, no, you've got to do the dance as well!
29:19So I want everyone to do the pop-up toaster!
29:22Now, one, you've got to think of yourself as a slice of bread,
29:24you're going to be oatmeal, I don't mind!
29:26Two, you've got to put your hand on your head, that's around,
29:28they're going to jump on your neck,
29:29where all the shit comes out!
29:31Three, you've got to press down,
29:32and then four, you've got to jump up in the air and go by!
29:35Two!
29:38One!
29:39Think bread!
29:41Two!
29:42Hand on head!
29:43Three!
29:44Press down!
29:46Four!
29:47Go by!
29:50The key to racial harmony!
29:54Don't you see how good it would be
29:56if the world's full of
29:57pop-up!
29:58Pop-up!
29:58Pop-up toasters!
30:00Pop-up!
30:01Pop-up!
30:01Pop-up toasters!
30:03Pop-up!
30:04Pop-up toasters!
30:05Don't knock the toasters!
30:06Pop-up toasters!
30:08Rock-up!