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00:00:28Thank you!
00:00:53Thank you!
00:01:28Thank you!
00:01:44Thank you!
00:02:04My son
00:02:53Thank you!
00:03:02Thank you!
00:03:06Thank you!
00:03:09Thank you!
00:03:10Thank you!
00:03:10Thank you!
00:03:17Please take a seat
00:03:28It was a tragedy. What can we do? Resignation.
00:03:32Come in, Mr. Jeremiah.
00:03:38I have summoned you here as friends of the deceased to communicate a decision that may shock you.
00:03:45I am going to bury Don Esteban in the Holy Land.
00:03:49Don Esteban was a virtuous man, a true Christian.
00:03:52The most loyal of friends.
00:03:54A man in whom the flame of charity burned brightly, loved by all, especially by the humblest members of my parish,
00:03:59whom he always protected like a father.
00:04:01Could such a man have committed the most abominable of all crimes, ending his own life?
00:04:09We don't believe it, do we? None of us do.
00:04:13Or was he seized by a sudden fit of madness?
00:04:16I complete your thought, Father.
00:04:19Or someone killed him and staged a suicide.
00:04:22The idea that someone could have killed a man like Esteban seems even more far-fetched to me than the
00:04:27of his suicide.
00:04:28And yet...
00:04:28Let us, for the moment, stick to the hypothesis of madness.
00:04:32Father, I have only been able to explain it to myself in one way.
00:04:35The son.
00:04:37When he suddenly left three years ago, we could all see Esteban's suffering, his disappointment, his bitterness.
00:04:44Can that pain explain it, perhaps?
00:04:46I am in a position to say, without violating the secrecy of confession, that Don Esteban was preparing to call
00:04:52his son by his side to put him in charge of his entire estate.
00:04:55And even more so, from his philanthropic works.
00:04:59I had forgiven him.
00:05:01He told me this on the very morning of his death, while we were walking through the park.
00:05:04That man wasn't thinking about killing himself.
00:05:12No, no, no, no.
00:05:44Thank you!
00:06:05Thank you!
00:06:33Thank you!
00:06:43Goodbye Esteban Ferrer, your widow, your son, your friends, your servants, your neighbors, all who knew you, raise a
00:06:51prayer for you.
00:07:10Who is it? A stranger?
00:07:14He must be a member of the philanthropic society. I seem to recall seeing this gentleman celebrating his laurels before. I think
00:07:23who is the administrator of the company.
00:07:41Go horse! Hurray!
00:08:00This Mr. Gustavo is going to write to Mr. Gustavo.
00:08:04He is her son. He should not be kept in the dark.
00:08:08Will he come?
00:08:10Yes, he will come.
00:08:14Don't you think it would be better if he didn't come?
00:08:17He must take charge of the farm. Of everything.
00:08:20He is now the owner.
00:08:23Are you sure?
00:08:25Go away and let me write.
00:08:58What's up, José Luis?
00:08:59A gentleman insists on being received.
00:09:05It's that the pain of a widow is not respected.
00:09:08My deepest condolences, Mrs. Natalia.
00:09:16I deeply regret having to violate your natural desire for solitude,
00:09:20But I want to be faithful to Don Esteban's wishes.
00:09:26Please take a seat.
00:09:27Thank you.
00:09:33You don't know me.
00:09:35Don Esteban never boasted about his admirable philanthropic work,
00:09:38not even within the family.
00:09:41On the contrary, she always insisted on doing it in the most anonymous way possible.
00:09:45Why not respect that anonymity then, if it was my husband's wish, as you have said?
00:09:49Not to the point of risking the effectiveness and continuity of your work, ma'am.
00:09:53I don't understand.
00:09:54I need all those papers relating to the San Hernando de los Afligidos society.
00:09:59I know from Don Esteban himself that he was drafting a vast and meticulous plan
00:10:04I don't know if it's essential for carrying out your work, ma'am.
00:10:09Those papers...
00:10:10...you will understand that I have not yet begun to examine my husband's documents.
00:10:14Naturally, I offer to do it in his place.
00:10:17I'll do that myself.
00:10:19And only when my stepson is present, who has as much right as I do to examine his father's papers.
00:10:24I have to leave for Seville.
00:10:26I don't know if you are aware of the importance of the charitable work carried out by this society.
00:10:30I'm sorry, you'll have to wait.
00:10:31It's a decision.
00:10:33But...
00:10:33And now, sir, I beg your pardon.
00:10:36On behalf of my late husband, I thank you for your visit and the zeal you show in continuing his work.
00:10:45Dolores, show him the way.
00:11:07Are those documents perhaps the ones that worried Don Esteban so much lately?
00:11:13I don't know what you're talking about.
00:11:16Go away and let me write.
00:11:37That's it!
00:12:01Subscribe to the channel!
00:12:32Thank you!
00:12:38Good morning.
00:12:39Peace be with God.
00:12:40Could you tell me if there are any sales nearby?
00:12:42I haven't eaten a thing for several hours.
00:12:45There's still a long way to go, but there's a shortcut.
00:12:47If you want, we can walk this path together.
00:12:49Thank you.
00:12:50I have to meet a friend here, he won't be long.
00:12:55Could that be his friend?
00:13:02No.
00:13:03That's my friend.
00:13:17Could someone be following him?
00:13:19Me?
00:13:21Because?
00:13:22No, not at all.
00:13:23Is this my first time in Andalusia?
00:13:25No, I lived near Grazalema for a few years.
00:13:28But I never traveled much on the roads.
00:13:29Hello, Gitaro.
00:13:30Peace be with God.
00:13:31The auction has been delayed by 15 days.
00:13:33Okay, shall we go?
00:13:35Come on.
00:13:38Well, I still think someone is following you.
00:13:49Good.
00:13:55Good.
00:13:55Good.
00:14:10Innkeeper.
00:14:20Charge your men's meals to my account.
00:14:22Very good.
00:14:24Why don't you invite him to sit with us?
00:14:28When a man has just lost his father, he prefers to be alone.
00:15:17May I?
00:15:21First I'm going to finish eating.
00:15:23If you want, you can climb out the window.
00:15:48No, no, no, no.
00:15:50No, no, no, no.
00:16:20Leap.
00:16:23If you are able, defend yourself.
00:16:50Let it go!
00:16:55Throw away the knife.
00:16:59Come on, long.
00:17:05Come on, get out.
00:17:08Come on!
00:17:08Come on!
00:17:12Come on!
00:17:15Come on!
00:17:29Come on!
00:17:34Come on!
00:17:40Come on!
00:17:43Come on!
00:17:46Come on!
00:17:48Come on!
00:18:01Why do they want to kill you?
00:18:03I don't know. I've never had enemies.
00:18:05Well, just assume you have them now.
00:18:08It's clear that that man intentionally provoked you.
00:18:10I know it very well.
00:18:12Because?
00:18:15Ganges of the trade.
00:18:17From the trade?
00:18:20I am a bandit.
00:18:48Did your father have a lot of money?
00:18:50Yes, I had one.
00:18:51Money that will now be yours.
00:18:53Perhaps, although it's possible that he has disinherited me.
00:18:56In which case, would it pass into whose hands?
00:18:59From my stepmother, I suppose.
00:19:01Already.
00:19:01Well, from here I'll continue on my own.
00:19:05OK.
00:19:07Count me in.
00:19:27Do you remember me?
00:19:36When you were little you accompanied your father to Seville several times.
00:19:40You're Gustavo Ferrer, right?
00:19:45Saint Hernando of the Afflicted.
00:19:48I am the administrator of that company, ever since your father founded it.
00:19:54Back then you were a child and your father wouldn't talk to you about those things, of course.
00:20:00He did good deeds abundantly, but he did them in secret.
00:20:05He was a great man, wasn't he?
00:20:07A unique man.
00:20:09A gentleman, a boss who is hard to replace.
00:20:14I feel compelled to warn you.
00:20:17Take care of yourself.
00:20:18Watch over your father's memory.
00:20:21There are some papers, projects of your father concerning the society.
00:20:27That must not fall into profane hands.
00:20:30Who has them now?
00:20:32We think your stepmother.
00:20:34And we hope you can convince her that she should hand them over to us.
00:20:38That's why I've stayed in the village.
00:20:40Rest assured.
00:20:41I will do that.
00:20:43Take care of yourself.
00:20:47Jere!
00:21:04Jere!
00:21:47Hello, José Luis.
00:21:56Jere!
00:22:18Jere!
00:22:31Jere!
00:23:01What's happening?
00:23:23What's happening?
00:23:39What's happening?
00:23:40Dolores, are you worried that I'm here?
00:23:44I just want you safe.
00:23:48Go back to Castile.
00:23:50Do you want me to leave?
00:23:52You've never been happy here. Your mother died as soon as we arrived. Then...
00:23:58Violent?
00:24:01Later, my father remarried, something you never forgave him for. And I chose to leave.
00:24:07It was the best thing you could have done.
00:24:08You never truly cared for Natalia.
00:24:11And perhaps you loved her too much.
00:24:15I'll bring you some shirts.
00:24:17Good afternoon.
00:24:55I plan to go to the cemetery this afternoon.
00:25:00Do you want to come with me?
00:25:03No, I have migraines. And the sun hurts my eyes.
00:25:35Come on.
00:25:42How have you changed?
00:25:45It's been three years, young man.
00:25:48You're much higher.
00:25:50And you have sad eyes.
00:25:53What's happening?
00:25:56Nothing, young man.
00:25:58I loved Don Esteban very much.
00:26:01And I was the first to see it.
00:26:03I found it.
00:26:07Don't think about it anymore.
00:26:10Two hours earlier I was writing some papers and he told me...
00:26:14Rejoice, José Luis.
00:26:16Gustavo will be with us soon.
00:26:19And forever.
00:26:22So why two hours later...
00:26:24Did you receive any letters during that time?
00:26:26Any visitors?
00:26:29Only Miss Natalia was in the office.
00:26:34Get the car ready.
00:26:35Let's go to the cemetery.
00:26:37Thank you!
00:26:45Thank you!
00:26:50Thank you!
00:27:20Thank you!
00:27:50Thank you!
00:28:08They say your stepmother is a young and beautiful woman.
00:28:12Did she marry your father for his money?
00:28:14She has been an excellent wife.
00:28:16One thing does not negate the other.
00:28:18Why did your father kill himself?
00:28:20Because of her?
00:28:22If someone has suggested that to you, they're lying.
00:28:24Natalia made him very happy.
00:28:28Young and beautiful as she is, she brightened the life of an old man.
00:28:33You're talking about her like she's just some random girl.
00:28:35And from my father, like...
00:28:36All men look alike.
00:28:38And women too.
00:28:40Although some are gentlemen, others are peasants.
00:28:45And others...
00:28:49bandits.
00:28:52If you're determined to know?
00:28:55My father committed suicide because of me.
00:28:58Because I caused her the greatest sadness of her life.
00:29:03And now I have come to collect his inheritance.
00:29:06No, you didn't come here for that.
00:29:08So what for?
00:29:10You'll know.
00:29:15To my beloved wife Natalia I bequeath the farmhouse, the laurels with their cultivated fields,
00:29:22his livestock, his warehouses, the house and everything it contains at the time of my death.
00:29:29To my only son I bequeath the house in Grazalema, where his mother died, and where I still haven't
00:29:38had given the reasons for bitterness that saddened my last years.
00:29:45All the rest of my assets, without exception, constitute my legacy to the Society of Saint Hernando of the Afflicted,
00:29:53and it must be applied to the continuation of his work.
00:29:59I'll continue. The rest is legal jargon.
00:30:04That's enough for me.
00:30:07I can't help but congratulate you, sir.
00:30:10A substantial fortune has swelled the coffers of the company you manage.
00:30:16The truth is that, even knowing the extraordinary piety of the deceased, we never expected such generosity.
00:30:22Mr. Notary,
00:30:25I have always thought that the laurels would belong to my jastro.
00:30:29Can I make a transfer right now?
00:30:31Impossible, Mrs. Natalia.
00:30:33The deceased's wishes are final and definitive.
00:30:37If you had died before him, or renounced your inheritance, the farmhouse would become part of the legacy of
00:30:44society.
00:30:46I suppose the lady's generosity doesn't extend that far.
00:30:50As a gesture it was elegant, but...
00:30:54Useless.
00:30:55I don't have to put up with your malevolence, sir.
00:30:58Sirs.
00:30:58Before the notary, I demand the return of those documents to my company.
00:31:03The notary can go to the farmhouse whenever he wants.
00:31:07And review all of my husband's documents.
00:31:09I already did it.
00:31:11And curiously, there is nothing related to society.
00:31:14You're right.
00:31:16Curiously.
00:31:19Especially since we all know that Don Esteban dedicated himself day and night to developing a whole reorganization plan and
00:31:27of works in recent times.
00:31:30Excuse me, Mr. Notary.
00:31:35Are you sure those documents don't exist?
00:31:38Come on, sir.
00:31:40Resign yourself to losing some papers when you take such a fortune away from here.
00:31:44I will continue in the village.
00:31:46Keep searching.
00:31:48Contrary to what the notary believes, those documents are more valuable to society than all the money in the world.
00:31:54of the world.
00:31:56They are the fruit of your father's sleepless nights.
00:32:11Mr. Notary, when can I put up for sale the house that has been denied to me?
00:32:15Have the minimum requirements been met right now?
00:32:19Right now.
00:32:20Good.
00:32:22I prefer to get away from here as soon as possible.
00:33:02Leave.
00:33:04I prefer to live outside of here until my house is put up for sale.
00:33:08This will always be your home.
00:33:10You don't think my offer is a joke, do you?
00:33:18Do you think my father committed suicide because of me?
00:33:21No.
00:33:22Your father was hurt when you left his side, but time softened the wound.
00:33:26I had started thinking about you again.
00:33:28I was planning to come find you, convince you, and bring you back here.
00:33:31That's why his will surprised me, because it doesn't agree with the feelings he expressed.
00:33:36However, he killed himself.
00:33:38You say he was planning to bring me to live here.
00:33:42With you.
00:33:46So she never knew why I left.
00:33:49You left because you preferred to seek new horizons.
00:33:52You don't believe it.
00:33:53What does it matter what I believe?
00:33:55But now he is dead.
00:33:57And we can speak clearly.
00:34:00We must respect his memory.
00:34:02I have always respected her.
00:34:06That's why I left three years ago.
00:34:10And that's why I'm leaving again now.
00:34:13So why talk?
00:34:16Because I'm drowning.
00:34:18Me too.
00:34:25I love you.
00:34:29I needed to tell you at least once.
00:34:44Go away.
00:35:04So, between that blessed society and that damned woman, you have been robbed.
00:35:11That enmity is a pretense.
00:35:13So that no one knows they're in cahoots.
00:35:16I don't know what right you have to speak about my father's wife like that.
00:35:19And of the work to which he dedicated his life.
00:35:23I don't even know why I'm letting you do it.
00:35:24Because I say out loud what you think in a whisper.
00:35:28You've been robbed.
00:35:30And you let them rob you.
00:35:32Let's assume that's the case.
00:35:34It doesn't matter.
00:35:36Everything is in order now.
00:35:39I've stepped off my laurels for good.
00:35:42And I have put this tomb up for sale.
00:35:46I will return to Castile and forget.
00:35:48Are you that in love with that woman?
00:35:53What are you saying?
00:35:57What other reason could there be for you to protect her so much?
00:36:02I'd prefer if he left me alone.
00:36:06I'm getting too involved in your life, aren't I?
00:36:10Even to save it for you.
00:36:12Is that what you're criticizing me for?
00:36:40Is that what you're criticizing me for?
00:36:51You and I could help Gustavo, prevent him from being robbed.
00:36:55Money doesn't matter.
00:36:56If you are truly his friend, force him to leave.
00:36:59Please.
00:37:00If you truly love Gustavo, you shouldn't protect that woman.
00:37:04You must tell me everything you know.
00:37:06Alright.
00:37:07Tomorrow.
00:37:10I'll go to the farmhouse tomorrow.
00:37:12I'll be there.
00:37:13I'll go to the farmhouse in the morning.
00:37:14That?
00:37:15No.
00:37:16No.
00:37:30No.
00:37:33No.
00:37:34No.
00:37:35No.
00:37:35No.
00:37:37No.
00:37:38No.
00:37:41No.
00:37:44Faster, José Luis, faster.
00:38:02The whole house is the same.
00:38:39The whole house is the same.
00:39:09The whole house is the same.
00:39:18The whole house is the same.
00:39:18Now I could shoot you and then put the gun in your hand to fake a suicide.
00:39:25It works well, doesn't it?
00:39:28Although I cannot guarantee that the priest will bury her in a sacred place.
00:39:33Can I save these documents first?
00:39:35Do it.
00:39:37What are they?
00:39:39A new will in which her husband no longer disinherits Gustavo?
00:39:49That?
00:39:51That?
00:39:53That?
00:39:57That?
00:40:00That?
00:40:02Back.
00:40:30Back.
00:40:31Does he love her that much?
00:40:38I want to protect him too.
00:40:42But for that I need to know the truth.
00:40:45Dolores has told me some things.
00:40:48And you must tell me the rest.
00:40:52Everything he knows about the pine marten.
00:40:54Let's see.
00:40:54Let's see.
00:40:55Let's see.
00:41:15Let's see.
00:41:26You know what a weasel is
00:41:30I know it's a carnivorous animal
00:41:33He who steals with cunning and stealth
00:41:36It enters chicken coops and bleeds the birds dry.
00:41:39But I also know it's a secret criminal society.
00:41:42With branches throughout almost all of Spain
00:41:45When I was little, there was a lot of talk about her.
00:41:49I had heard that it was extinct
00:41:52Hidden away in the catacombs, nothing more
00:41:55My husband was the boss
00:41:58They call her the great teacher
00:42:00With authority over life and death, especially over his brothers
00:42:04Esteban invented his companies in Hernando de los afligidos as a front.
00:42:08Charity was a disguise
00:42:11Below the crimes
00:42:13Large-scale scams, extortion, contract killings
00:42:17Slave trafficking, trafficking of women
00:42:21When did she find out that her husband was the Grand Master?
00:42:26When he told me a few months ago
00:42:30Yes, he told me.
00:42:33That night I began to glimpse that I was crazy
00:42:36At first I didn't believe him, but then
00:42:39Every night I made a point of reading to myself what I was writing.
00:42:42His memoirs
00:42:44The story of the weasel
00:42:46He thought he was an extraordinary man
00:42:49He compared himself to Alexander, to Caesar
00:42:52He had pretended all his life to be a good and peaceful man.
00:42:56And he would have ended up shouting to the world who he was
00:42:59And the crimes he had committed
00:43:01Of which he was proud
00:43:03Already
00:43:05And you killed him so he wouldn't do it.
00:43:10In a way
00:43:15I was writing a new will
00:43:16But he never signed it.
00:43:20In it he left all his possessions to Gustavo.
00:43:23And so did his successor.
00:43:27In the weasel
00:43:29That night I was writing to him
00:43:32Calling him to her side
00:43:34And I tried to dissuade him
00:43:37But I had no reason.
00:43:43So
00:43:46Then I killed him
00:43:50It was the only way to save Gustavo
00:43:54To prevent her from finding out who her father was
00:43:58He would have killed himself
00:43:59And he already tried it once.
00:44:03Or the weasel would have killed him
00:44:06When he rejected his appointment
00:44:10Because that is also the law.
00:44:13Anyone who knows of the existence of the brotherhood
00:44:15He must obey that law
00:44:16Or perish
00:44:16Then you are in danger
00:44:19I don't know
00:44:21They're not sure if I know about it.
00:44:26They do know that.
00:44:26The existence of those memories
00:44:29And they are scared
00:44:31If someone were to accuse me
00:44:33If he murdered my husband
00:44:36That's my only mitigating factor
00:44:38Would I use it?
00:44:41I don't know
00:44:44Maybe not
00:44:45By Gustavo
00:44:48He does nothing but protect him
00:44:50And he to you
00:44:53Because he
00:44:54He must have guessed that you killed your father
00:44:58No
00:44:59He would hate me
00:45:02He adored his father
00:45:04You adore her even more
00:45:06Gustavo must leave as soon as possible
00:45:08And forever
00:45:10He must never find out the truth
00:45:16Leave it on my account
00:45:19I wish the seller
00:45:20She won't find out who bought the house.
00:45:22He's a friend of mine, Mr. Notary.
00:45:23And you already know
00:45:24Among friends
00:45:25Don't worry
00:45:26I will be discreet.
00:45:27Anyway
00:45:28You are satisfied with the set price.
00:45:32Another detail
00:45:34Please inform Mr. Ferrer
00:45:35That the buyer
00:45:36He's in a hurry to move into the house
00:45:38Understand
00:45:38I will
00:45:45Before you leave
00:45:47I want to apologize to you
00:45:48Because of all the inconveniences
00:45:49What have I told you?
00:45:50Regarding what?
00:45:53You know it
00:45:54Regarding Natalia
00:45:56You guessed that too.
00:46:00I love that woman
00:46:00Since my father
00:46:01He brought her to this house
00:46:04I tried to deceive myself
00:46:06But I was weak.
00:46:08I stayed by his side for too long
00:46:10And in the end I had to flee
00:46:12Like now
00:46:16And you know what?
00:46:18It's not out of loyalty to my father
00:46:20That's why I'm running away
00:46:23But for fear that that too
00:46:24You guessed it
00:46:26Forget it
00:46:28That she is a despicable woman
00:46:34You're not sure.
00:46:36Me neither
00:46:39I have betrayed my father
00:46:42And I have betrayed her too
00:46:46My destiny is being fulfilled
00:46:52Come on
00:46:55Your suitcase
00:46:58I'll come back to pick it up later.
00:47:00I still have some things to do.
00:47:01And I have also betrayed her home
00:47:35What are you doing here? The notary told me you had left.
00:47:39I have come to see my father's house one last time
00:47:42Are you coming to visit my stepmother?
00:47:44Yes, the documents finally appeared and...
00:47:47And that restored good relations.
00:47:50He guessed that too.
00:47:51What are you saying, son?
00:47:53No, nothing, just my own stuff
00:47:58Forward!
00:47:59Horre, horse! Horre!
00:48:29Come on, let's go inside!
00:48:42Forward!
00:48:45Horror! Horror!
00:49:04Horror! Horror! Horror!
00:49:21Drop that knife
00:49:25I wish I could die
00:49:26Go away!
00:49:27Die? Why do you want to die?
00:49:29Natalia has betrayed me
00:49:30How do you know?
00:49:32I just ran into the company administrator
00:49:35The one who pretended to distrust her on the way to the farmhouse
00:49:38And to add insult to injury
00:49:40He told me that those documents have appeared
00:49:42Gustavo, that woman is innocent.
00:49:44Come on!
00:49:44You want to deceive me too.
00:49:46Come on, I told you
00:49:47I should have thought of her before you.
00:49:48Come on!
00:50:04There were several men
00:50:05They searched the house
00:50:08They were threatening the lady
00:50:25Mr. Gustavo
00:50:26I have followed them
00:50:27Where are they?
00:50:37What is a weasel, young master Gustavo?
00:50:40My father, who knew a lot about history
00:50:43He told me about it years ago.
00:50:45I seem to recall that...
00:50:47Which was a kind of...
00:50:49From a sect that was founded two or three centuries ago
00:50:52Something like a brotherhood
00:50:54But of criminals
00:50:56Like bandits?
00:50:59No
00:51:00No
00:51:02Bandits are usually men
00:51:04To those whom misfortune and misery
00:51:06They have led to becoming outlaws
00:51:09No
00:51:10These were powerful men
00:51:12Influential
00:51:14That they indulged in the most detestable crimes
00:51:16To get rich
00:51:18And to dominate others
00:51:21It's curious.
00:51:24My father told me that they no longer existed.
00:51:27And you see it now.
00:51:28He was inside his own house
00:51:53Where are the documents?
00:51:58I don't have them.
00:51:59I have destroyed them
00:52:01I don't believe it
00:52:02He couldn't have done us such a favor.
00:52:05It's the only weapon he has against us
00:52:09Where has he hidden them?
00:52:11If it were true and they were hidden
00:52:13What would I gain by talking?
00:52:15They're going to kill me anyway because I know too much.
00:52:19I would win at least
00:52:20A sweeter death
00:52:39The weasel's house is the deep night
00:52:43The weasel's house is the deep night
00:52:46The secret lies in the marten's diet.
00:52:49The secret lies in the marten's diet.
00:52:52The life of the weasel is the blood of its enemies
00:52:56The life of the weasel is the blood of its enemies
00:52:59So be it.
00:53:00So be it.
00:53:07Gustavo!
00:53:09Gustavo!
00:53:17Who are you, friends?
00:53:21Bandits, right?
00:53:23Let's go! Let's get going!
00:53:41One last recommendation
00:53:42The most important
00:53:44No one should be left alive
00:53:45Not only because they are criminals
00:53:48But also because if someone escapes
00:53:50It could ruin Gustavo's life and the life of that woman we're going to rescue.
00:53:53Under way!
00:54:12The hours pass and we have to return to Seville
00:54:15He will be more persuasive than I am
00:54:20Wait!
00:54:22Okay, I'll talk
00:54:23But not in front of him
00:54:28Gustavo!
00:56:11What am I going to do, you wretch?
00:56:26Gustavo...
00:56:43My Love
00:56:45Natalia
00:57:28Natalia
00:57:58Natalia
00:58:28Natalia
00:58:58Natalia
00:59:11It was a terrible blow for your father to discover that the weasel had infiltrated the charitable society.
00:59:18But that wasn't all.
00:59:21They had discovered something shady in your father's past
00:59:24And they threatened to make it public, and especially to tell you.
00:59:29They harassed him until he lost his temper.
00:59:34That's why he killed himself.
00:59:37Is it very painful for you to know this?
00:59:40No.
00:59:43My poor father.
00:59:45If I knew.
00:59:48It almost humanizes him in my eyes to know that he wasn't always a perfect man.
00:59:54There's one thing you still haven't told me.
00:59:57What did those documents refer to?
01:00:00Letters that implicated several people and...
01:00:04with which that damned old man...
01:00:06He was blackmailing people.
01:00:09Your father managed to snatch them away in Seville and Natalia destroyed them.
01:00:13That's why they killed her.
01:00:14Yeah.
01:00:16They killed her.
01:00:27What are you going to do?
01:00:30Stay here.
01:00:32On their laurels.
01:00:35Now it's mine.
01:00:37Natalia, I've been in your favor for just two days.
01:00:41As for the rest of my father's fortune...
01:00:43I don't know.
01:00:46Maybe I'll build a hospital that you'll take care of.
01:00:49Or Natalia's.
01:00:50Your father would have preferred it that way.
01:00:54Good.
01:00:55I'm leaving.
01:00:55My men are waiting for me.
01:00:57Thank you for everything you've done for me.
01:00:59Less than I would have liked.
01:01:01If I could somehow pay you back.
01:01:05That day will come.
01:01:08There's something I'd like to take with me from here.
01:01:10Whatever you want.
01:01:11Take it.
01:01:17This.
01:01:18Nothing else.
01:01:20I wouldn't want to find out that your father and Natalia died in vain.
01:02:01I wouldn't want to find out that your father and Natalia died in vain.
01:02:38Thank you!
01:03:07Thank you!
01:03:17Thank you!
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